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https://w.atwiki.jp/touhoukashi/pages/4666.html
【登録タグ Nana Takahashi O SOUND HOLIC 天衣無縫 ~ Yellow Lily 憑 -KAKARI- 曲 至る有頂天】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/bfgmatome/pages/107.html
ゲーム情報(登録されているタグ) ジャンル>アイテム探し ジャンル>アドベンチャー ジャンル>パズル ジャンル>破片系 製作会社>PoBros 製作会社>未確認 言語>日本語 コメント欄へ移動 ゲーム配布ページ 英語 http //www.bigfishgames.com/download-games/6033/autumns-treasures-the-jade-coin/index.html 日本語 http //www.bigfishgames.jp/download-games/6792/autumns-treasures-the-jade-coin/index.html 紹介文 亡くなったおじいちゃんの骨董店を受け継いだオータム。荒れ果てた店内を調べているとおじいちゃんが残した日記を発見。オータムあてに書かれた日記のページには、残りすべての日記を探し出して、持ち主に幸福をもたらすというヒスイのコインを入手するようにとの指示が残されていた。おじいちゃんの願いを叶えるためにも世界を股に掛けた冒険に今すぐ出発しよう! 見事な CG で楽しむゲーム画面 ユニークなアイテム探し オータムの宝を探し出そう 画像 « » var ppvArray_0_f3148b9686ebbc958c01a76e4e037891 = new Array(); ppvArray_0_f3148b9686ebbc958c01a76e4e037891[0] = http //w.atwiki.jp/bfgmatome/?cmd=upload&act=open&page=Autumn%27s+Treasures%3A+The+Jade+Coin+%28Autumn%27s+Treasures%EF%BC%9A+%E3%83%92%E3%82%B9%E3%82%A4%E3%81%AE%E3%82%B3%E3%82%A4%E3%83%B3%29&file=jp_autumns-treasures-the-jade-coin-screen3.jpg ; window.onload=function(){ ppvShow_0_f3148b9686ebbc958c01a76e4e037891(0); }; function ppvShow_0_f3148b9686ebbc958c01a76e4e037891(n){ if(!ppvArray_0_f3148b9686ebbc958c01a76e4e037891[n]){ alert( 画像がありません ); return; } ppv_0_f3148b9686ebbc958c01a76e4e037891$( ppv_img_0_f3148b9686ebbc958c01a76e4e037891 ).src=ppvArray_0_f3148b9686ebbc958c01a76e4e037891[n]; ppv_0_f3148b9686ebbc958c01a76e4e037891$( ppv_link_0_f3148b9686ebbc958c01a76e4e037891 ).href=ppvArray_0_f3148b9686ebbc958c01a76e4e037891[n]; ppv_0_f3148b9686ebbc958c01a76e4e037891$( ppv_prev_0_f3148b9686ebbc958c01a76e4e037891 ).href= javascript ppvShow_0_f3148b9686ebbc958c01a76e4e037891( +(n-1)+ ) ; ppv_0_f3148b9686ebbc958c01a76e4e037891$( ppv_next_0_f3148b9686ebbc958c01a76e4e037891 ).href= javascript ppvShow_0_f3148b9686ebbc958c01a76e4e037891( +(n+1)+ ) ; } function ppv_0_f3148b9686ebbc958c01a76e4e037891$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; } ボリューム レス一覧 881 :名無しさんの野望:2009/12/03(木) 09 52 30 ID SUutNqVJ Autumn s Treasures: ヒスイのコイン 日本語版キタ 以前英語版して好きな破片系アイテム探しで面白かったんでポチります。 主人公の女の子のひねくれた顔がナントも言えんw 885 :名無しさんの野望:2009/12/03(木) 16 20 32 ID SUutNqVJ Autumn s Treasures: ヒスイのコイン クリア 超簡単過ぎてワロタ ボリュームも物足りない 887 :名無しさんの野望:2009/12/04(金) 01 08 37 ID fK9PqWmW . 885 数時間で終わる感じ? 888 :名無しさんの野望:2009/12/04(金) 09 53 56 ID ZKvFzcCp . 887 トータルのんびりしても4時間程でクリアできた。 自分は破片系アイテム探し好きなんでそこそこ遊べたが 全体的に簡単なんで余計にボリューム不足に感じた 890 :名無しさんの野望:2009/12/04(金) 18 33 39 ID Y/gaRNcp 私も「ヒスイのコイン」を買いましたが、ボリュームが足りない。 600円はかなり高いなーと思いました。 体験して面白かったのに・・・。 「もう、終わり?」みたいな心情ですね。 コメント 名前 コメント トップページに戻る
https://w.atwiki.jp/wikiska/pages/270.html
Album Herb Dub, Collie Dub アーティスト:The Skatalites King Tubby? レーベル:Motion? 形態:LP/CD 発売:2001年 商品番号:FASTLP008/FASTCD008 http //www.dustygroove.com/images/products/s/skatalites~_herbdubco_101b.jpg 特徴・コメント 1975年のThe SkatalitesのセッションをKing Tabby?がミックスした作品。 『Legendary Skatalites in Dub』では、別楽曲が収録されている。 曲目 Roots Dub? Whispering Dub? Bottom Dub? Sealing Dub? Dumboo Dub? African Dub? Herb Dub Collie Dub? Kimble Dub?
https://w.atwiki.jp/flightglide/pages/256.html
Welcome to Rusty Front Wiki!! This is a page for English speakers who visitted this wiki. Please use the menu below to access the page you want to see. Unfortunately it is impossible to translate whole wiki, but you can use google translation to know what is written on it. Purpose of RustyFront project is to expand social relations through making and showing one s creations, but not force people to understand world setting. So just feel easy and try to have fun by seeing through pictures things, in my opinion, this is what the art should be. What is Rusty Front? Basic rule and attitude to join this project Creation Rights Events Let s design weapons! Cover Illustlation contest Let s design Arkilian Flagships! Games Visual Novels Sky Debris(on working) TRPG(on woring) FlightGlide Total War Hearts of Iron 4 Rusty Front MOD Board games Uploader Social Minecraft Parle server project Free space Voting Chat (discord) BBS Fan Creations Fan Novels Parleball x Polandball Magazine Music composing Illustrationsト 3D art Pixel art Grage kits Strike witches project Kan-musu project Paper Crafts Culca pictures! World setting More infomation Planet Parle History History with Fan Novels Historical Battles Factions Please use infomation below for your creation! ★=Fan-made Factions Northern hemisphere Kingdom of Fow Arkilian Federation [Federation]Kingdom of Anansalad★ [Federation]Odetta Republia [Federation]State of Nidiliska [Federation]Republic of Mel Pazel [Federation]Republic of Free Pannonia Empire of Saint Telstalit★ United islands of Waliunecul Southern Hemisphere Crundult Empireand it s pupets [Empire]Autonomous Nenez★ [Empire]Autonomous South Pannonia [Empire]Servant State of Basen [Empire]Autonomous Sluc Phill★ Cacbuntu Tribes★ Other side of Planet; Flying continent civilizations Polis of Newpole Other Factions Rebellion Marchants Countries existed Mechanics Northern Hemisphere Kingdom of Fow Kingdom of Anansalad Arkilian Federation Republic of Mel Pazel Republic of Free Pannonia Empire of Saint Telstalit United Islands of Waliunecul Southern hemisphere Crundult Empire Autonomous Nenez Autonomous South Pannonia Servant Basen Ancient Weapons Rebellion Marchant ships
https://w.atwiki.jp/hmiku/pages/24275.html
【登録タグ C GUMI Lily ジラートP 曲 育児放棄P】 作詞:tsukasa 作曲:ジラートP 編曲:ジラートP 唄:GUMI・Lily 曲紹介 ここで歌い続けるよ 歌詞を tsukasa氏 が、スクリーム調声を 育児放棄P が、マスタリングを colin氏 が手掛ける。映像は tsukasa氏 ・ 46氏 ・ ハイスピード藤森氏 ・ わず彦氏 4人によるもの。 ベースは RiGeL@あるごりずむ 氏が演奏。 CD 『COLD DISTORTION E.P』 の収録曲にしてリードトラック。 歌詞 The world has withered Snowing on the cold dead night Hate killing hate in this place Why did you die? Why? The world has tired Raining on the cold dead night One bullet took this life Why did you die? So sad ... 冷たい手 動かない指 君と時間は止まったまま モノクロ 希望 無色な 零(ぜろ)の世界で 教えて さぁ この先は? この夢は? あの理想は? 答えて さぁ この場所に 残された私の歌 廻るよ廻る 空白の時間 儚い過去と失意をのせて 歩いて探す 君と私の夢 擦れた心に 残る二人の歌 Murderous continues to accelerate. Everyone wants a reason for killing. Guilty? No kidding! It can't be helped now. Please stop this spiral right now ! 「Take revenge for my father's death.」 「It's my revenge. Grudge against the world.」 Tommorow and day after tommorow .... Untill exhausted all hate. 凍えた手 虹を描く 歪んだ音で 何を描く? 思い出 紡いで もう一度 音に乗せて 思い出して 悲しみを 色を失くした 景色達を 広げないで 悲しみを 終わりは無いの?ずっと続けるの? 失くさないで 今の愛を 喜びを 嬉しさを 広げていこう この先も 止まることなく 次の世界へと ここで歌い続けるよ いつか君に空で会える日まで 響く Cold Distortion コメント 追加おつ! -- 名無しさん (2013-01-20 09 58 20) 名前 コメント
https://w.atwiki.jp/touhoukashi/pages/1086.html
【登録タグ A めらみぽっぷ 信仰は儚き人間の為に 凋叶棕 曲 辿】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/5872.html
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https://w.atwiki.jp/stones/pages/319.html
SOLO WORKS 1967 1 You re So Good For Me (Chris Farlowe) (produced by Mick Jagger) 2 Back Street Girl (Nicky Scott) (produced by Oldham, Jagger) 3 Yesterday s Papers (Chris Farlowe) (produced, backing vocals by Mick Jagger) 4 Looking For You (Chris Farlowe) (produced by Mick Jagger) 5 You Know My Name (The Beatles) (alto sax by Brian Jones) 6 All You Need Is Love (The Beatles) (backing vocals by Mick Jagger, Keith Richards) 7 Baby You re A Rich Man (The Beatles) (backing vocals by Mick Jagger) 8 Come Home Baby (Rod Stewart P.P. Arnold) (produced by Mick Jagger, guitar, bass by Keith Richards) 9 Little One 1 (Jimi Hendrix) (sitar by Brian Jones) 10 Little One 2 (Jimi Hendrix) (sitar by Brian Jones) 11 Through It Hurts Me Badly (P.P. Arnold) (produced by Mick Jagger) 12 Am I Still Dreaming ? (P.P. Arnold) (produced by Mick Jagger) 13 Treat Me Like A Lady (P.P. Arnold) (produced by Mick Jagger) 14 Shades Of Orange (The End) (produced by Bill Wyman, tabla by Charlie Watts) Note; 7"single (tracks 1-3, 6-7,11,14), EP (track 4), unreleased (tracks 5, 8-10), LP The First Lady Of Immediate (tracks 11-13) Other; Everything s Gonna Be Alright (Nicky Scott) (produced by Oldham, Jagger, backing vocals by Mick Jagger) ■I M THE GREATEST / CHRIS FARLOWE (See For Miles Records SEECD 396) includes tracks 1, 3, 4 stereo ■LET S GO GET STONED! (Sequel Records NEMCD 377) includes track 2 mono ■ANTHOLOGY 2 / THE BEATLES (EMI 8 34448 2) includes track 5 mono ■MAGICAL MYSTERY TOUR / THE BEATLES (Parlophone CDP 7 48062) includes tracks 6-7 stereo ■IMMEDIATE PLEASURE (Castle Music CMDDD 425) includes track 8 mono ■AXIS OUTTAKES / JIMI HENDRIX (Purple Haze Records HAZE002) includes tracks 9-10 mono ■THE P.P. ARNOLD COLLECTION (Immediate TECW-20061) includes track 11 stereo, tracks 12-13 mono ■THE ROLLING STONES WORKS (Deram POCD-1990) includes track 14 mono BACK / NEXT
https://w.atwiki.jp/vocaloidenglishlyric/pages/81.html
【Tags R iroha (sasaki) kuma (alfred) tM tN Rin】 Original Music Title 炉心融解 Nuclear Fusion -MELTDOWN- (Roshin Yuukai) Music written, Voice edited by iroha(sasaki) Lyrics written by kuma (alfred) Singer 鏡音リン (Kagamine Rin) Fanmade Covers and Arrangements Click here for the Japanese Lyrics English Lyrics (translated by ArtemisA): The town is filled with brilliant light The chill of anesthetic ether 2 AM, and I can t sleep Everything is changing so fast The lighter s out of oil The pit of my stomach is on fire If everything is such a lie Then it really would be better I dreamed of wrapping my hands round your neck On an early afternoon, overflowing with light I dreamed, with eyes full of tears of cinching your narrow throat [1] I want to dive into a nuclear reactor Surrounded by beautiful blue light If I dive into the nuclear reactor then I can let it all go On the other side of the balcony The sound of someone climbing the stairs The clouding sky falls into the room through the window panes In the scattering twilight The sun is red, like teary eyes Bit by bit, as if dissolving Little by little this world is dying I dreamed of wrapping my hands round your neck Neath curtains rustled by a breeze The words overflow from your dried up lips, like bubbles I want to dive into a nuclear reactor So the memories melt away to white If I dive into the nuclear reactor Then I ll be able to sleep as I did long ago That s how I feel The second hand on the clock And the officials on the tv Are still there, but the laughter of someone I can t see is echoing all through my head Allegro Agitato My ears won t stop ringing Allegro Agitato My ears won t stop ringing I dreamed that everyone was disappearing The emptiness and silence of this room in the night Weighs down on me I can t breathe anymore (Shout!!) Should I dive into the nuclear reactor I know I can disappear, so I can sleep A morning without me Will be much more wonderful than now Where everything is in gear That sort of world, definitely Singable English Lyrics for singing (by Marimo): lights of the town are shining with a chilly pain like ether anesthetic unable to sleep at 2 A.M. everything has changed and lost control of rule oil is already running out in lighter my stomach is nervously burning inside if all the scenes were created by lies I really feel happiness and easiness in broken dream I wring your neck in my dirty hands lights are shining and making flow in the afternoon I look at your throat jumping under my closed mind but my eyes are gonna start to cry, shout to pretend hey, take me to nuclear reactor I wish to dive into core, wanna fly a ray of blue lights surrounds my body, beautiful hey, take me to nuclear reactor if I could dive into core, and then cry all sins I did will be allowed within a miracle I hear the sound somebody runs up upstairs through the terrace on the other side cloudy sky is beginning to make a shadow drop on window glass and room twilight is spreading lights over the horizon the sun is setting like a swollen eye, bloody inside around the world everything I see is dead, slowly and slowly melting down without consciousness in broken dream I wring your neck in my dirty hands curtains are dancing with a breeze of cherry spring all the words I said by dry injured, colorless lips are also melting just like a life of bubbles hey, take me to nuclear reactor I wish to dive into core, wanna fly disabled memories go white, melt and disappear hey, take me to nuclear reactor if I could dive into core, and then cry like old days good sleep will bring me dream of tenderness second hand of the wall clock and the presenter in a TV show invisible people laugh over there certainly voices are saturated, echoes surround in my brain allegro, agitate ears are ringing so loudly, don t stop allegro, agitate ears are ringing so loudly, don t stop in broken dream everyone disappears out of sight at midnight my room changes the size bigger and silent nightmare comes into my chest suddenly hardly I breathe, end of the world start in my life (Shout!!) hey, take me to nuclear reactor if I could dive into core, and then cry my body and mind disappear without a pain of anger hey, imagine I say good-bye to world there will be new morning, it s surely too much beautiful all the gears of mind are fully meshing together I believe... it s true... my perfect world Romaji lyrics (transliterated by ArtemisA): machiakari hanayaka EETERU masui no tsumetasa nemurenai gozen niji subete ga kyuusoku ni kawaru OIRU kire no RAITAA yaketsuku you na inonaka subete ga sou uso nara hontou ni yokatta noni ne kimi no kubi wo shimeru yume wo mita hikari no afureru hirusagari kimi no hosoi nodo ga haneru no wo nakidashisouna me de miteita kakuyuugouro nisa tobikonde mitai to omou massao na hikari tsutsumarete kirei kakuyuugouro nisa tobikonde mitara soshitara subete ga yurusareru youna kigashite BERANDA no mukougawa kaidan wo nobotte yuku oto kageridashita sora ga mado GARASU ni heya ni ochiru kakusan suru yuugure nakiharashita youna hi no aka tokeru you ni sukoshi zutsu sukoshi zutsu shinde yuku sekai kimi no kubi wo shimeru yume wo mita harukaze ni yureru KAATEN kawaite kireta kuchibiru kara koboreru kotoba wa awa no you kakuyuugouro nisa tobikonde mitai to omou masshiro ni kioku tokasarete kieru kakuyuugouro nisa tobikonde mitara mata mukashi mitai ni nemureru youna sonna kigashite tokei no byoushin ya TEREBI no shikaisha ya soko ni iru kedo mienai dareka no waraigoe houwa shite hankyou suru Allegro Agitato miminari ga kienai yamanai Allegro Agitato miminari ga kienai yamanai daremo minna kieteku yume wo mita mayonaka no heya no hirosa to seijaku ga mune ni tsukkaete jouzu ni iki ga dekinaku naru (Shout!!) kakuyuugouro nisa tobikonde mitara soshitara kitto nemuru youni kiete ikerunda boku no inai asa wa ima yori zutto subarashikute subete no haguruma ga kamiatta kitto sonna sekai da Fanmade Filk(s) Music title ロリ誘拐 English music title Loli Kidnapping / Lolicon Kidnapping Romaji music title Rori Yuukai Lyrics arranged by hoheto / 汚点P(Oten-P) Singer(s) 鏡音レン (Kagamine Len) Clike here for the lyrics
https://w.atwiki.jp/futuremarketinsights/pages/10.html
Nowadays, speed of life that has escalated to mind boggling levels, having a leisure breakfast is a thing of the past, especially in rapidly developing and developed countries. As per comprehensive research done by Future Market Insights in the year 2019, more and more individuals prefer convenient breakfast alternatives that can be eaten on the go or in the workplace. Fast-paced lifestyles and rising women s involvement in the workforce and longer travel times are both driving demand for on-the-go breakfast products around the world, especially in the fast-growing Asia-Pacific region and the developed regions of the European Union and North America. Furthermore, growing urbanization and the notion of nuclear families make working women juggle domestic and work duties and as a result, there is little time to make or have a leisurely breakfast, as the urban population fights increasing commutes and a lack of time. All these factors contribute significantly to the success of quick easy-to-eat and safe on-the-go breakfast products as compared to sugar cereals. Growing demand for prepared goods generates a need in food beverage retail stores to expand the presence of on-the-go breakfast products. For leading F B firms, producing ready-to-eat edibles has become profitable as advanced innovations continue to deliver cost-effectiveness in processes of processing, preservation and packaging. The demand for on-the-go breakfast items is rising at an unparalleled rate globally, suggesting that customers from around the world prefer fast-made but balanced breakfasts such as oatmeal or yoghurt cereals. The biggest problem, however is that there have been many shortcomings in global distribution for on-the-go breakfast products that shorten the supply chain and limit the presence of such products in consumer retail outlets. However, the delivery of on-the-go breakfast items products is projected to be inconsistent in several regions, which is hampering the global market s overall growth. Compared to developing areas, customers in developed countries are more knowledgeable about on-the-go breakfast items. Manufacturers are known to opt for limited distribution networks such as social outlets and e-tailing sites in developing countries such as Brazil, China and India, amongst others. As a result due to less prevalence in other distribution networks, the distribution of on-the-go breakfast items in these regions is weakened. In addition, in contrast to other ready-to-eat products, pricey on-the-go breakfast products often sidetrack customer preferences with respect to packaged breakfast products. Source- https //www.futuremarketinsights.com/reports/on-the-go-breakfast-products-market [[https //www.futuremarketinsights.com/ ]]