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How to Simplify the Motion of the Torso - The Bean どうやってトルソの動きを単純化するか - ビーン https //www.youtube.com/watch?v=0660Fuih7qo http //www.proko.com/the-bean/ There are 3 major masses connected by the spine. 人体は、脊椎でつながれている三つの大きな部分で構成されています。 Head, rib cage and pelvis. 頭部、胸郭、骨盤です。 In this episode we ll take a look at the two that make up the torso. このビデオでは、 トルソを構成する二つの部分についてみていきます。 What is the bean? ビーンとは何か？ Hey guys, you re watching Proko. こんにちは皆さん。 Prokoチャンネルです。 So, what is the bean? さて、 ビーンとは何でしょう？ The torso could initially be thought of as a bean. トルソは、初級の段階では、bean(豆)として考えることができます。 no not that bean.. そのbeanじゃありませんよ。 mmm, not that one either. これでもないです。 That’s the same bean! これも俳優の方のbeanです！ This one... こっちです。 This is the bean I’m talking about. これが私が言っているところのbeanです。 We have two forms, one for the rib cage and another for the hips. 二つの形があります。 一方は胸郭で、もう一方は臀部です。 You can even just imagine a sock with two balls in it.. 二個のボールが入った靴下を想像しても構いません。 Whatever analogy you want to use. 別にあなたが比喩に使いたいものなら何でもいいのです。 Basically we have two hard forms with a softer "skin" around them. 基本的に、二つの硬い部分と、 それを包むやわらかい「皮膚」を考えます。 The balls can twist, tilt side to side, and lean forward or backward. ボール同士は、ねじられ、 左右に傾き、前後に倒れます。 The cloth of the sock will stretch, pinch, or twist accordingly, which represents the way the skin would react to the same motion on a human body. 靴下の布は延ばされ、 圧迫され、ねじられますが、 そのことは、実際の皮膚が、人体に於ける動作に反応する様子を 象徴しています。 To be more specific about what these ovals actually represent, here s how I think of it. 二つの卵型が実際に何を表しているのか明確にするために、 私が何を考えているのかここにお見せしましょう。 The rib cage isn t a perfect oval. 胸郭は完全には卵型ではありません。 The curve stops at around the 10th rib and then swings back up to the sternum. カーブは第10肋骨で止まり、 胸骨に向かって戻っています。 But, to simplify it, I ll continue the curves of the sides and use an oval. しかし、 それを単純化すれば、 側面のカーブを続けて卵型としてみなすことができます。 The oval of the hips actually includes the area above the hips. 臀部を表す卵型は、 実際には、 臀部の上の範囲も含んでいます。 It continues up the oblique and meets the top oval at the thin part of the waist. それは、斜筋の上まで続き、 腰が細くなった部分で上の卵型とぶつかります。 As a result, the two ovals will overlap. 結果として、二つの卵型は重なっています。 Why practice the bean? なぜビーンを練習するのか？ The concept I’ll be talking about today is a very simplified approach. 今回私がお話しする概念は、 とても単純化された方法です。 It obviously doesn t get you a realistic figure drawing, but it s the concepts behind it that we re learning. これは、明らかに、 あなたに写実的な人物画の描き方を与える方法ではありません。 しかし、我々が今学んでいるのは、そのような 真に迫った人物画の背後に潜んでいるものです。 Then once we understand these concepts we can apply them to a realistic more complex approach. ひとたびこれらの概念を理解すれば、 我々は、その概念を、より真実味のある複雑な方法に適用できるのです。 Sometimes what I have my students do in my figure drawing class is a 20 minute session of 30 second poses just doing the beans. 時々、 私が受け持っている人物画のクラスにおいてさせていることは、 30秒間でビーンを使ったドローイングを20分行うことです。 I tell them, they re not drawing a person. 私は彼らに、 人物を描くなと言います。 Don t think of this as a figure drawing. 人物画を描いていると思うなということです。 Instead it s an analogy for the body. 代わりに描いているビーンは、 人体の比喩です。 These are little notes that you could use later on in longer figure drawings. これらは、 あなたが、後でより長時間人物画に取り組むときに使える 覚書なのです。 It s the form of the torso represented in the simplest way. これは、最も単純な方法で表現されたトルソの形なのです。 The reason we do this is to eliminate all details and not get distracted by contours or smaller forms. 我々がこれを行う理由は、 すべての細部を取り除き、 輪郭や小さな形に邪魔されないためです。 We do it to isolate what s important in capturing the motion and mass of the torso. 我々は、 動きをとらえるために重要な何かと トルソの量感を抽出するためにこれを行うのです。 How to practice the bean ビーンの練習の仕方 Take poses and draw the equivalent bean at its extreme. ポーズを用意し、 二つの同様でポーズを極端にしたビーンを描きます。 Take note of that last part. 最終段階でいくつかの要素を加えます。 You’re drawing an extreme version of the pose. あなたは、ポーズの極端なバージョンを描いているのです。 So if there is a subtle twist, make that twist even "twistier". ですので、そこにわずかなひねりがあるなら、 そのひねりを、よりひねったものにしてください。 A lean to the right? Lean it further. 右に傾いている？ より遠くへ傾けてください。 The process of exaggerating these elements creates a habit of actually observing each element. これらの要素を誇張する過程は、 個々の要素を実際に観察する習慣を作ります。 The things we look for to identify in the bean are ビーンに於いて識別するために、 我々が探すものは、 1.Tilt side to side 左右の傾き、 2.Lean forward and backward 前後の傾き 3.Twisting of the spine 背骨のひねり 4.Foreshortening 短縮遠近法 です。 Tilt 左右の傾き Let’s start with a tilt from side to side. 左右の傾きから始めましょう。 When there is a tilt, or a curvature of the spine towards one side, there will always be a compressed side and a stretched side. 左右に傾いているとき、 または、一方向へ向かっている脊椎のカーブがあるとき、 常に、圧縮されている側と延ばされている側が存在します。 As these points move closer to each other, everything between them bunches up. これらの点が互いに近くまで移動したとき、 点の間のすべては圧縮されます。 You ll see wrinkles going across the torso. トルソを横切る皺が見えると思います。 On the other side, these points move away from each other stretching everything between them. もう一方の側では、 これらの点は互いに離れていき、 点の間に存在するものは引き延ばされます。 I ll always try to emphasize the stretching here and play down any kind of muscular bumps that would take away from the stretching effect. 私は、ここで延ばされているものを強調するようにしています。 また、引っ張り効果を減ずるあらゆる筋肉の出っ張りは 軽視するようにしています。 !--ここから有料-- !--ここまで-- Here s a pose with a subtle tilt. ここに、わずかに傾いたポーズがあります。 Find the angle of the ribcage. 胸郭の角度を探りましょう。 Angle of the hips, considering also the position relative to the rib cage. 臀部の角度です。 胸郭との相対的な位置を同様に考えます。 It s a common mistake to always put the two forms one on top of the other. 一方をもう一方の真上に配置するのは よくある間違いです。 Observe the angle from the top of the rib cage to the bottom of the hips. 胸郭の頂上から、臀部の底までの角度を観察しましょう。 Adding an action line will also help to identify this relationship. 動作の線を加えることは、 同様に関係性を識別することの助けになります。 A centerline will emphasize the c curve of this pose and show that it is slightly facing towards the left, since the center is closer to the left edge of the form. 中心線は、 このポーズのCカーブを強調し、 また、 中心線が、形状の縁の左側に近いので、 幾分このポーズが左のほうに面していることを表しています。 !--ここから有料-- !--ここまで-- Lean forward and backward 前後への傾き The second action is leaning forward or backward. 二番目の動作は、前後への傾きです。 It s pretty much the same effect of a tilt. これは、左右への傾きとほぼ同じです。 The side where the points are compressing will get the pinch and the opposite side will get a stretch. 点同士が圧縮されている側は圧迫され、 反対側は延ばされます。 The only difference is that now the centerline is on the stretching or pinching side. 違いというのは、 この場合、 中心線は伸びているか圧迫されている側にあるということです。 If the person leans towards us, there will be a crease on the front plane. もし、人物が我々に向かって傾けば、 皺が前面に存在することになります。 And the centerline itself also has a pinch. 中心線自身も圧迫されます。 This sharp corner creates the tension in the front plane. この鋭い角は、前面に緊張感を作り出します。 On the back, show the stretching gesture line. 背中側では、 延ばされたジェスチャーの線が見られます。 When the person leans back away from us, it s a bit trickier to indicate with a bean. 人物が、我々から遠ざかる形で傾いた場合、 ビーンを使ってそれを表現するのはいささか 難しいものとなります。 This looks too similar to a tilt. 左右への傾きと大変似ているからです。 It s hard to show this because the pinch is back there. 圧迫は背後のここにありますので、 表すのは難しいのです。 It s hidden from us. それは我々には隠されています。 The only way to show that the forms are going away from us is with some cross contour lines, which indicate foreshortening similar to these cylinders. 形が我々から遠ざかっているということを表す 唯一の方法は、 いくつかの等高線を使うことです。 等高線は短縮遠近法を指し示し、 (ビデオに映っている)これらの円筒形に類似しています。 !--ここから有料-- !--ここまで-- Twisting the spine 脊椎をひねる Alright! The twist! I love doing the twist. ツイストです。 私はツイストが好きです。 During a twisting motion, the skin will be pulled from one side of the form to the other. ひねる動作の最中、 皮膚は、形の一方からもう一方へ引っ張られます。 Let’s look at what happens to this towel when I twist it. 私がこのタオルをひねったとき何が起きるか見てください。 The string represents the centerline. 黒い線は中心線を表します。 At the top the plane twists this way and at the bottom the other way. てっぺんの面では平面はこっちへひねられ、 底の面では反対へひねられます。 On this side the lines will overlap from the top, on the other side they overlap from the bottom. こちら側では、線は上の方から覆いかぶさり、 反対側では、そこの方から覆いかぶさります。 Things are being pulled across the form to these corners. 形全体は、この点へ向かう形でこの形を横断して、 引っ張られています。 Sometimes it’s confusing to figure out which side will overlap, which one is in front and which is behind. 時々、どっちが前でどっちが背後なのか、 どちらの側が覆いかぶさるのかを描くのに混乱します。 Basically, the two corners that are closer to us will have the lines that overlap the corners further from us. 基本的に、 我々に近い二つの角を結ぶ線が、 我々から遠い角を結ぶ線に覆いかぶさる線を持つことになります。 Makes sense because objects that are closer to us are in front of objects further from us. これは当然です。 なぜなら、我々に近いほうの物体は、 我々から遠いほうの物体の前にあるからです。 It’s basic perspective. これは透視図法の基本です。 The centerline is now an S shape rather than a C during a tilt or lean. 中心線は、左右に傾いていた時のCカーブというよりは、 今はS型になっています。 So let’s take a look at two angles of the twist with the bean. では、 ビーンを使ったひねりを 二つの角度で見てみましょう。 In this pose we re looking at a twisting torso from the side. このポーズでは、横の方から ひねっているトルソを見ています。 This means we see the centerline of the front plane at the top and the centerline of the back at the bottom. このことは、 上部前面で中心線が見え 下部背面で中心線が見えるということです。 There s a transition from one to the other. 一方から一方への推移が存在します。 As the front plane gets thinner and the center line starts to wrap behind, on the other side the spine starts to come out from behind and twisting towards us. 前面は見かけ上薄くなり、中心線が画面奥へ消えていこうとしている一方、 脊椎は画面奥から現れ、 我々に向かってひねられています。 So only a portion of the centerline is visible on each side. ですので、 どちらの側でも中心線は一部しか見えていません。 When looking at a twist from the front or back you only see one of the planes, but it’s being twisted. ひねりを前か後ろから見る場合、 あなたはいくつかの平面のうちの一つだけを見ているのですが、 それはひねられているのです。 In this pose, the pit of the neck is closer to the left side of her body and the pubic bone is turning toward the right side. このポーズでは、 首の根元のくぼみは、人体の左側に近くなり、 恥骨は右側に回転しています。 !--ここから有料-- !--ここまで-- Foreshortening 短縮遠近法 When a figure is extremely foreshortened you ll observe two changes. 人物が極端に短縮遠近されているとき、 あなたは二つのことを観察することでしょう。 The first is a change of the oval shapes that indicate the rib cage and hips. 最初は、 胸郭と臀部を表す卵型の変化です。 We re no longer seeing the full length, so the ovals will be shorter. 我々には卵型の本来の長さは見えませんので、 卵型は短く見えています。 The second change is the position relationship between these ovals. 二つ目の変化は、 卵型同士の位置関係です。 One will overlap the other and sometimes cover up most of it. 一方がもう一方に重なり、 時々そのほとんどを覆い隠します。 This shows that the ribcage is directly in front of the hips so the torso is pointing directly toward us. このモデルでは、胸郭はほとんど臀部の前にあり、 よってトルソの頂点は、ほとんどまっすぐ我々の方を向いています。 In this pose, she s leaning toward us, creating a lot of foreshortening. このポーズでは、 彼女は我々に向かって傾いているので、 大きな短縮遠近を作り出しています。 I ll make sure to keep the oval more circular and overlap them a bit more than usual. 卵型をより球形に近くし、 それらを通常より重ね合わせます。 I like to put a dot on the north and south poles of these forms. 私はこれらの形の南極と北極に 点を打つのが好きです。 This helps me imagine how to wrap the centerline over the top plane. このことが、 どのように中心線がてっぺんの面にかぶさっているのか 想像するのを助けます。 I also see a twist since the belly button is pointing to the left. 同時に、へそが左の方を向いているので、 ひねりにも注目します。 What s next? ビーンの次は何をするのか？ After establishing the bean, attaching the head and limbs is much easier. ビーンを構築した後は、 頭や手足を付けるのはより簡単になります。 The action of the torso is the most difficult and most important to capture the body in motion. トルソの動作は、 人体の動きをとらえるためには 一番難しく、 一番重要です。 I ll talk a lot more about this part in the mannequinization video in a few weeks. 私はこの項目について、 数週間後、 マネキン化のビデオで もっとたくさん話そうと思います。 !--ここから有料-- !--ここまで-- Assignments 課題 This week, practice drawing the bean from the pose photos at proko.com/poses. 今週は、 proko.com/posesのポーズ写真から、 ビーンを描く練習をしましょう。 It shouldn t take you more than 30 seconds to a minute for each pose. 各々のポーズには30秒から1分以上かかってはいけません。 Look for tilting, leaning, twisting, and foreshortening. 左右への傾き、 前後への傾き、 ひねり、 短縮遠近を探しましょう。 Exaggerate the motion and draw the two volumes, the skin in between, and the centerline. 動きを誇張し、 二つの量感、間の皮膚、中心線を描きましょう。
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入手方法 詳説・特徴 関連リンク Impresence Onyx Amulet ステータス要求値：LEVEL64 +(10-16) to all Attributes全ステータスに+(10-16) Adds (20-24) to (33-36) Cold Damage(20-24)〜(33-36)のCold追加ダメージ +(50-70) to maximum Life最大Life+(50-70) (45-50)% increased Mana Regeneration Rateマナリジェネが(45-50)%増加 +(20-25)% to Cold ResistanceCold耐性+(20-25)% Frostbite has 100% reduced Mana ReservationFrostbiteのマナリザーブが100%減少する Gain Maddening Presence for 10 seconds when you Kill a Rare or Unique Enemyレアまたはユニークの敵を倒した時、Maddening Presenceを得る Though its body was locked in stone,its essence wandered the infinite,learning, and preparing. 入手方法 The Elderからのみドロップ カード等のドロップ以外の入手方法 アイテム 必要数 備考 Jack in the Box 4 Arrogance of the Vaal 8 詳説・特徴 関連リンク 英wiki https //pathofexile.gamepedia.com/Impresence Unique Amulets 一覧
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Format Title Artist Label Model Number Release Press 12 RE VISION PT-02 DOUBLE ARTIMAGE,LABSOUL RECORDS LSR-055 2003/01/29 - 218409605_624.v1423636946.jpg Side Track Title Produce A 1 DRIVING ALL NIGHT(MASAKI TOKUNAGA REMIX) MASAKI TOKUNAGA 2 KISSING YOU(GINZA MIX) ASUKA SAKAI B 3 STRANGE THINGS(SHARE THE THINGS) SHARE THE FANTASY 4 STRANGE THINGS(ROOM134 MIX) HISASHI NAWATA PERTAIN CD Re VISION
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TF 2-2 IN FSE AAR Indirect Fires in the Battle of Fallujah. http //www.tradoc.army.mil/pao/ProfWriting/2-2AARlow.pdf By Captain James T. Cobb, First Lieutenant Christopher A. LaCour and Sergeant First Class William H. Hight TF 2-2 IN FSE AAR Indirect Fires in the Battle of Fallujah.1. Background and Mission. 2. Enemy Forces. 3. Friendly Forces. 4. Artillery Fires. 5. Mortars. 6. Danger-Close Fires. 7. FOs. 8. Other Equipment. 9. Munitions.a. Range of Munitions. b. White Phosphorous. c. Hexachloroethane Zinc (HC) Smoke and Precision-Guided Munitions. d. Ammo Resupply. 10. CAS.a. CAS Effectiveness. b. Pulling Timely Air Assets. c. CAS and Other Indirect Fires. 11. Unmanned Aerial Vehicles. 12. Personnel Manning. 13. Training. 14. Conclusion. Task Force 2d Battalion, 2d Infantry’s (TF 2-2 IN’s) fire support element (FSE) operated as a mini-brigade FSE during the Battle of Fallujah. The FSE coordinated the combat effects of Army, Air Force and Marine assets more autonomously than the traditional, doctrinal battalion-level FSE.a model of joint interdependency. Although the FSE did not have joint personnel assigned to it, it worked closely with the brigade air liaison officer (BALO), who was chopped to TF 2-2 IN, and functioned as a “Joint FSE,” if you will. Ed MEMORANDUM FOR RECORD FSE, TF 2-2 IN, 3d Brigade Combat Team(BCT), 1st ID, Operation Iraqi Freedom (OIF) II, Forward Operating Base (FOB) Normandy, Muqdadiyah, Iraq APO AE 09392 (AETV-BGR-FSE), 1 December 2004. Subject After-Action Review (AAR) for the Battle of Fallujah 1. Background and Mission. 2. Enemy Forces. 3. Friendly Forces. 4. Artillery Fires. As part of TF 2- 2 IN, the M109A6 Paladins and a platoon fire direction center (FDC) were attached in direct support (DS) to the TF. For most of the fight, this was their only role. Later, after TF 2- 2 IN had reached its limit of advance (LOA) at PL Fran, it also was tasked to support RCT-7. The Paladins were in a position area (PA) in Camp Fallujah adjacent to the Marine Corps and a battery of Paladins from the 1st Cavalry Division, A/3-82 FA, that was attached to the IMEF. This facilitated the FA’s sharing meteorological (Met) data and survey and relieved the platoon of self-security. a. Organic to the TF. As an organic part of the TF, the howitzers provided accurate, timely fires throughout the fight, delivering 925 rounds, mostly in danger-close fires. As dedicated assets to the TF, Paladin fires were greatly expedited in a 360-degree fight with fluid targets and a rapidly advancing maneuver force. Fire missions took less than two minutes from the initial call-for-fire (CFF) to rounds down range. b. Responsibilities of TF FSE. The TF FSE assumed responsibility for coordinating with the TF 2-2 IN S4 for Class V resupply, positioning the platoon and selecting shell-fuze combinations. The TF FSE cleared fires at the TAC along with the TF battle captain or S3. Clearance of fires was executed by demanding accurate company frontline traces and forward observer (FO) locations at regular intervals and battle tracking in detail. c. Role of the Artillery. The artillery was used in doctrinal roles, such as screening the initial point of penetration, preparatory fires, close fire support and disruptive deep fires, as well as in non-doctrinal roles, such as clearing routes of IEDs and breeching minefields. Using Paladins directly attached to the TF gave us a tremendous advantage in the fight. Our tactics, techniques and procedures (TTP) were effective and lethal and gave maneuver TFs greater flexibility, firepower and mobility. The overall performance was outstanding. By using FOs and accurate intelligence- driven targeting, the artillery was a driving force in the TF’s ability to attack through a large city with minimum casualties in six days. d. Massing Fires. The only drawback was our inability to mass fires on targets due to having only two guns. While we did have general support reinforcing (GSR) assets, they were slow, cumbersome and more difficult to coordinate with than our organic systems. Trust was also an issue as the vast majority of our fires were danger-close, and we did not know the proficiency level of the supporting guns. While it did not impact our operations overall, at times the physical and psychological effects of massed artillery fires were the preferred effects. We could use our 120-mm mortars when we wanted to mass fires, but additional 155-mm howitzers would have been more effective. 5. Mortars. The Thunder Mortar Platoon that is organic to 2-2 IN proved to be the equal of the artillery in this fight in terms of accuracy and responsiveness and was an integral part of the indirect fires used. When provided the five requirements for accurate predicted fires, mortars were every bit as accurate and deadly as artillery. The firepower of the 120-mm munitions allowed us to respond quickly with overwhelming firepower when needed. During the course of the battle, mortars fired 942 rounds of timely, accurate fires. a. Mortar Challenges. Our mortar platoon received two M252 81-mm mortars before deploying to the Fallujah AOR. These were useful indirect fire weapons when close fires were required. The only drawback was they had no sights. To use them, we had to take sights from the 120-mm tubes and use the sights with the 81-mm mortars, taking two 120-mm tubes out of the fight. The mortars’ high angle of fire was preferable for military operations in urban terrain (MOUT), but there were times when the mortars’ maximum ordinate (MAXORD) exceeded the close air support (CAS) ceiling, limiting mortar fires. b. Platoon Security. The mortar platoon operated outside of Camp Fallujah at various firing points and had to pull self-security. It was manned to do so with no degradation of fires. The platoon received enemy indirect fires frequently during the fight and was forced to displace. But due to superior training and good maneuverability, it quickly displaced, reset and resumed operations. 6. Danger-Close Fires. 7. FOs. 8. Other Equipment. 9. Munitions. The munitions we brought to this fight were 155-mm highexplosive (HE) M107 (short-range) and M795 (long-range) rounds, illumination and white phosphorous (WP, M110 and M825),with point-detonating (PD), delay, time and variable-time (VT) fuzes. For the 120-mm mortars, we had HE, illumination and WP with PD, delay and proximity fuzes. We also carried 81-mm HE with the same fuzes. (引用者注)PD；point-detonating 弾頭信管; delay fuze 延期信管; proximity fuzes近接信管; cf.着発信管 contact fuse // impact fuse // impact fuze // percussion fuze a. Range of Munitions. The munitions at our disposal gave us excellent flexibility. The 81-mm munitions allowed us to deliver extremely close fires to friendly forces while we used larger caliber munitions to engage and destroy heavily fortified houses and bunkers. The standard table of organization and equipment (TOE) for a mechanized battalion does not include 81-mm mortars, something the Army should examine and correct. b. White Phosphorous. WP proved to be an effective and versatile munition. We used it for screening missions at two breeches and, later in the fight, as a potent psychological weapon against the insurgents in trench lines and spider holes when we could not get effects on them with HE. We fired “shake and bake” missions at the insurgents, using WP to flush them out and HE to take them out. c. Hexachloroethane Zinc (HC) Smoke and Precision-Guided Munitions. We could have used these munitions. We used improved WP for screening missions when HC smoke would have been more effective and saved our WP for lethal missions. We had several important targets, often reinforced houses that FOs had eyes on, that would have been more effectively engaged with a precision-guided munition, such as Copperhead with its shaped charge or the developmental Excalibur Unitary round that is concrete piercing (to be fielded in 2006). Barring the use of such precision-guided munitions, concrete-piercing (CP) fuzes would have been more effective than delay and PD fuzes were, but the latter were satisfactory. d. Ammo Resupply. The biggest challenge we had was ammunition resupply. The amount of munitions expended was surprising, and we had to struggle to keep our cannons and tubes supplied. The targeting officer at the TOC and the S4 did a fantastic job of obtaining ammunition, but in the future, it would be easier to over-anticipate ammunition needs before the fight and stockpile it. The Marines gave us what they had, and the location of the Paladin platoon on FOB Fallujah helped greatly. The fact that the Paladin platoon brought a palletized loading system (PLS) was a huge plus. It allowed the S4 to coordinate for ammunition and the Paladin platoon to pick it up. In the final analysis, it all worked, but I recommend we not put ourselves in that position again. We never ran out of ammunition, but we came close several times. 10. CAS. We used CAS well in this fight, dropping more than 15 guided-bomb unit-12s (GBU-12s), which are laser-guided 500-pound bombs; four 2,000-pound joint direct attack munition (JDAMs) penetrators; and one Maverick. We also had more than six hours of AC-130 Specter gunship support. a. CAS Effectiveness. We had problems with the GBU-12s. At least five duds were dropped, all from F/A-18s. The AC-130 was an awesome weapon, operating at night and prepping our deep battlespace with outstanding accuracy. The four JDAM penetrators were dropped on a bunker complex with excellent results. The bunker and more than 20 AIF were destroyed. Initially, we had difficulty working with Marine air. However, once our JTACs learned the system, it worked rather well. An air liaison officer (ALO) from the Marines at the TOC would have helped in the early stages and facilitated the use of more Marine CAS. b. Pulling Timely Air Assets. While the Air Force JTACs were useful on the ground, they had limited success pulling timely air assets. A TOC ALO is a must for two reasons first, a Marine ALO with direct access to higher will pull air assets more quickly and be able to disseminate their fires faster than an Air Force JTAC on the ground. Second, you need an officer who understands the Marine system attached to the FSE for better coordination. Air assets are requested through a different system than indirect lethal fires. An ALO with two radios tied in to higher and the battalion is a must and will cut air request times in half. Although air was planned, it often was difficult for the battalion JTAC to talk to the RCT-7 ALO and get air when needed. c. CAS and Other Indirect Fires. A big lesson is that CAS was not a substitute for responsive artillery and mortars. CAS was most effective in the deep fight, particularly when used on intelligence-driven targets. 11. Unmanned Aerial Vehicles. 12. Personnel Manning. 13. Training. 14. Conclusion. The contributions of indirect fires were a decisive part of the Battle of Fallujah and contributed tremendously to the outcome of the fight. They allowed the maneuver forces to rapidly move through the city with minimum casualties and demonstrated what a joint and combined arms team can do. The effects were physically and psychologically devastating. Not only did indirect fires destroy AIF personnel, but they also destroyed their will to stand and fight. Indirect fires also positively influenced our forces by demonstrating to commanders on the ground that overwhelming firepower was at their disposal. The Paladin platoon greatly increased the TF’s firepower, timeliness and flexibility, allowing us to move at an unprecedented pace through a fortified city. We learned to use indirect fires early and often in large volumes. During the course of the battle, more than 2,000 artillery and mortar rounds were fired and more than 10 tons of precision Air Force munitions were dropped. However, as successful as we were, had the battle lasted longer it would have been difficult to sustain fire support operations. We must learn from this fight to prepare for the future. At the end of the fight we thought back on some of the things we were the proudest of. What jumped to the forefront was infantry and tank platoon sergeants, platoon leaders and company commanders telling us that the artillery and mortars were awesome. At the end of the day, that is what it is all about our maneuver brethren recognizing why we are called the “King of Battle.” Captain James T. (Tom) Cobb has been assigned to 1st Battalion, 6th Field Artillery (1-6 FA), 1st Infantry Division, and served as the Fire Support Officer (FSO) for Task Force 2d Battalion, 2d Infantry, (TF 2-2 IN) in Operation Iraqi Freedom (OIF) II, including during the Battle of Fallujah. He also deployed with Kosovo Force (KFOR) 4B. First Lieutenant Christopher A. LaCour, assigned to 1-6 FA, has been the Targeting Officer for TF 2-2 IN in OIF II, including during the Battle of Fallujah. Also in OIF II, he was a Platoon Leader for 2/C/1-6 FA and, previously, a Fire Direction Officer in the same battery. Sergeant First Class William H. Hight, also assigned to 1-6 FA, has been TF 2-2 IN’s Fire Support NCO since September 2003, deploying in OIF II and fighting in the Battle of Fallujah. He also deployed to Bosnia as part of the Implementation Force (IFOR) and to Kosovo as part of KFOR 4B. Redleg CPT Jason Bender Selected Aviation Center Officer Instructor of FY04 CPTジェイソンベンダーが選択した砲手 FY04の航空センターのインストラクターの役員
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THE ROLLING STONES ON TV SHOW IN 60 S (TV SHOWS) 1964 1 I m Alright (the tami awards show, 10.29.1964) 2 You Better Move On (the arther haynes show, 2.7.1964) 3 I Just Want To Make Love To You (hollywood palace show, 6.3.1964) 4 Time Is On My Side (the tami awards show, 10.29.1964) 5 Around Around (the tami awards show, 10.29.1964) ■THE ROLLING STONES ON TV SHOW IN 60 S (Columbia COBY-5018) (DVD) Tracks 1-5 mono BRITISH ROCK THE FIRST WAVE (TV SHOWS) 1964 1 I Just Want To Make Love To You (big beat 64, 4.26.1964) 2 I Wanna Be Your Man (the arther haynes show, 2.7.1964) 3 Around Around (the ed sullivan show, 10.25.1964) ■BRITISH ROCK THE FIRST WAVE (Laserdisc SM035-3382) (LD DVDR) Tracks 1-3 mono READY STEADY GO! VOLUME ONE, TWO THREE (ARTV) 1964 - 1966 1 Under My Thumb (5.27.1966) 2 Paint It, Black (5.27.1966) 3 I Got You Babe (9.2.1965) 4 (I Can t Get No) Satisfaction (9.2.1965) 5 Off The Hook (11.20.1964) 6 Brian Mick Interview with Keith Fordyce (11.20.1964) 7 Little Red Rooster (11.20.1964) ■READY STEADY GO! VOLUME ONE, TWO THREE (Laserdisc SM035-3383/5) (LD DVDR) Tracks 1-7 mono TONITE! LET S ALL MAKE LOVE IN LONDON (FILM) LIVE AT ROYAL ALBERT HALL, LONDON, 9.23.1966 1 Have You Seen Your Mother, Baby, Standing In The Shadow ? (promo #2 very fast cuts version, 1966) 2 Lady Jane (promo, 1966) ■TONITE! LET S ALL MAKE LOVE IN LONDON (Broadway BWD-1240) (DVD) Tracks 1-2 mono ONE PLUS ONE (FILM) OLYMPIC SOUND STUDIOS, LONDON, 6.4 - 6.11.1968 1 Title 2 The Stones Rolling 3 Out Side Black Novel 4 Sight Sound 5 All About Eve 6 Hi Fiction Science 7 The Haert Of Occident 8 1 Plus 1 Makes 2 9 Inside Black Syntax 10 Changes In Sociaty 11 Under The Stones The Beach 12 End Credit ■ONE PLUS ONE (Pony Canyon PCBE-00014) (DVD) Tracks 1-12 mono ROCK ROLL CIRCUS (BBC TV) INTERTEL STUDIOS, LONDON, 12.10 - 12.12.1968 1 Mick Jagger s Introduction Of Rock Roll Circus 2 Entry Of The Gladiators 3 Mick Jagger s Introduction Of Jethro Tull 4 Song For Jeffrey (Jethro Tull) 5 Keith Richard s Introduction Of The Who 6 A Quick One While He s Away (The Who) 7 Over The Waves 8 Ain t That A Lot Of Love (Taj Mahal) 9 Charlie Watts Introduction Of Marianne Faithfull 10 Something Better (Marianne Faithfull) 11 Mick Jagger s John Lennon s Introduction Of The Dirty Mac 12 Yer Blues (The Dirty Mac) 13 Whole Lotta Yoko (Yoko Ono Ivry Gitlis with The Dirty Mac) 14 John Lennon s Introduction Of The Rolling Stones Jumpin Jack Flash (The Rolling Stones) 15 Parachute Woman (The Rolling Stones) 16 No Expectations (The Rolling Stones) 17 You Can t Always Get What You Want (The Rolling Stones) 18 Sympathy For The Devil (The Rolling Stones) 19 Salt Of The Earth (The Rolling Stones) ■ROCK ROLL CIRCUS (abkco UIBO-1033) (DVD) Tracks 1-19 stereo THE STONES IN THE PARK (GRANADA TV) LIVE AT HYDE PARK, LONDON, 7.5.1969 1 Midnight Rambler 2 Street Fighting Man 3 (I Can t Get No) Satisfaction 4 I m Free 5 I m Yours I m Hers 6 Jumpin Jack Flash 7 Honky Tonk Women 8 Love In Vain 9 Sympathy For The Devil ■ ■THE STONES IN THE PARK (avex rush AVBF 22866) (DVD) Tracks 1-9 mono THE STONES IN THE PARK OUTTAKES 1 Mercy, Mercy 2 Stray Cat Blues 3 No Expectations ■THE STONES IN THE PARK (avex rush AVBF 22866) (DVD) Tracks 1-3 mono GIMME SHELTER (FILM) LIVE AT MADISON SQUARE GARDEN, NEW YORK CITY, NEW YORK, 11.27 - 11.28.1969 ALTAMONT SPEEDWAY, LIVERMORE, CALIFORNIA, 12.6.1969 1 Jumpin Jack Flash (11.28-1st show) 2 (I Can t Get No) Satisfaction (11.28-1st 2nd show) 3 You Gotta Move (part only) (muscle shoals) 4 Wild Horses (part only) (muscle shoals) 5 Brown Sugar (part only) (muscle shoals) 6 Love In Vain (11.27 or 11.28, soundtrack is 11.26) 7 I ve Been Loving You Too Long (Ike Tina Turner) (11.27 or 11.28) 8 Honky Tonk Women (11.28-2nd show 11.27) 9 Street Fighting Man (11.28-2nd show) 10 Six Days On The Road (The Flying Burrito Brothers) (12.6) 11 The Other Side Of This Life (Jefferson Airplane) (12.6) 12 Sympathy For The Devil (12.6) 13 Under My Thumb (12.6) 14 Street Fighting Man (part only) (12.6) 15 Gimme Shelter (part only) (12.6) ■ ■GIMME SHELTER (The Criterion Collection 99) (DVD) Tracks 1-15 stereo GIMME SHELTER OUTTAKES 1 Little Queenie (overdub) 2 Little Queenie (11.27 or 11.28) 3 Carol (11.27 or 11.28) 4 Prodigal Son (11.27 or 11.28) ■GIMME SHELTER (The Criterion Collection 99) (DVD) Tracks 1-4 mono LET S SPEND THE NIGHT TOGETHER (FILM) 1 Under My Thumb (12.13.1981) 2 Let s Spend The Night Together (12.13.1981) 3 Shattered (12.13.1981) 4 Neighbours (12.13.1981) 5 Black Limousine (12.13.1981) 6 Just My Imagination (12.13.1981) 7 Twenty Flight Rock (12.13.1981) 8 Let Me Go (12.13.1981) 9 Time Is On My Side (12.13.1981) 10 Beast Of Burden (12.13.1981) 11 Waiting On A Friend (12.13.1981) 12 Going To A Go Go (11.6.1981) 13 You Can t Always Get What You Want (11.6.1981) 14 Little T A (11.5.1981) 15 Tumbling Dice (11.5.1981) 16 She s So Cold (11.6.1981) 17 All Down The Line (11.5.1981) 18 Hang Fire (11.5.1981) 19 Miss You (11.6.1981) 20 Let It Bleed (11.5.1981) 21 Start Me Up (11.5.1981) 22 Honky Tonk Women (12.13.1981) 23 Brown Sugar (11.5.1981) 24 Jumpin Jack Flash (12.13.1981) 25 (I Can t Get No) Satisfaction (11.6.1981) ■LET S SPEND THE NIGHT TOGETHER (TFC TBD 1070) (DVD) Tracks 1-25 stereo VIDEO REWIND / THE ROLLING STONES GREAT VIDEO HITS (VIDEO) (released 11.14.1984) 1 She Was Hot (promo, 1984) 2 She s So Cold (promo, 1980) 3 Emotional Rescue (edited version 3) (promo #3 montage version 1980/1984) 4 Waiting On A Friend (promo, 1981) 5 Angie (promo #2 sitting version, 1973) 6 Brown Sugar (live mix 1972/76/81) 7 Neighbours (promo, 1981) 8 Too Much Blood (promo, 1984) 9 It s Only Rock n Roll (But I Like It) (promo, 1974) 10 Miss You (promo, 1978) 11 Undercover Of The Night (promo #2 hard core version, 1983) 12 Start Me Up (live mix 1981/82) ■VIDEO REWIND (Vestron Music Video G38M5446) (LD DVDR) Tracks 3, 5, 9-10 mono, 1-2, 4, 6-8,11-12 stereo 25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (VIDEO) (released 2.1990) 1 You Better Move On (the arther haynes show, 2.7.1964) 2 Little Red Rooster (ready, steady, go!, 11.20.1964) 3 Around Around (the rolling stones gather moss, 9.21.1964) 4 I Just Want To Make Love To You (hollywood palace show, 6.3.1964) 5 Carol (dutch TV, 8.8.1964) 6 Time Is On My Side (the ed sullivan show, 10.25.1964) 7 The Last Time (shindig!, 5.20.1965) 8 (I Can t Get No) Satisfaction (shindig!, 7.28.1965) 9 (I Can t Get No) Satisfaction (the ed sullivan show, 2.13.1966) 10 19th Nervous Breakdown (the ed sullivan show, 2.13.1966) 11 Have You Seen Your Mother, Baby, Standing In The Shadow ? (promo #2 very fast cuts version, 1966) 12 Paint It, Black (the ed sullivan show, 9.11.1966) 13 Let s Spend The Night Together (the ed sullivan show, 1.15.1967) 14 2000 Light Years From Home (promo, 1967) 15 Jumpin Jack Flash (promo #2 painted version, 1968) 16 Sympathy For The Devil (one plus one, 1968) 17 You Can t Always Get What You Want (rock roll circus, 12.12.1968) 18 Honky Tonk Women (the stones in the park, 7.5.1969) 19 Under My Thumb (gimme shelter, 12.6.1969) 20 Happy (cocksucker blues, 6.25.1972) 21 Midnight Rambler (ladies gentlemen, 6.25.1972) 22 Angie (promo #1 standing version, 1973) 23 It s Only Rock n Roll (But I Like It) (promo 1974) 24 Brown Sugar (US TV, 5.1.1975) 25 Star Star (les rolling stones aux abattoirs, 6.6.1976) 26 Before They Make Me Run (5.5.1979) 27 Start Me Up (let s spend the night together, 11.5.1981) 28 (I Can t Get No) Satisfaction (US TV,12.18.1981) 29 Waiting On A Friend (promo, 1981) 30 One Hit (To The Body) (promo, 1986) 31 Just Another Night (Mick Jagger) (promo, 1988) 32 Take It So Hard (Keith Richards) (promo, 1988) 33 Mixed Emotions (promo, 1989) 34 Rock A Hard Place (promo #2 less graffiti-effects version, 1989) ■25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (CBS/Sony Videodisc CSLM 753/4) (LD DVDR) Tracks 1-13,16-18,24,26 mono, Tracks 14-15,19-23,25,27-34 stereo ROLLING STONES LIVE AT THE MAX (IMAX FILM) 1 Continental Drift (8.25.1990) 2 Start Me Up (8.24.1990) 3 Sad Sad Sad (7.28.1990) 4 Tumbling Dice (8.24.1990) 5 Ruby Tuesday (8.25.1990) 6 Rock A Hard Place (7.28.1990) 7 Honky Tonk Women (7.28.1990) 8 You Can t Always Get What You Want (8.5.1990) 9 Happy (8.14.1990) 10 Paint It, Black (7.28.1990) 11 2000 Light Years From Home (7.28.1990) 12 Sympathy For The Devil (8.24.1990) 13 Street Fighting Man (8.25.1990) 14 It s Only Rock n Roll (But I Like It) (8.14.1990) 15 Brown Sugar (8.25.1990) 16 (I Can t Get No) Satisfaction (8.24.1990) ■ROLlING STONES LIVE AT THE MAX (Columbia COBY-90008) (DVD) Tracks 1-16 stereo NEXT
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TOXICOLOGICAL PROFILE FOR WHITE PHOSPHORUS -index 2 HEALTH EFFECTS 2.2 DISCUSSION OF HEALTH EFFECTS BY ROUTE OF EXPOSURE （preface） To help public health professionals and others address the needs of persons living or working near hazardous waste sites, the information in this section is organized first by route of exposure - inhalation, oral, and dermal; and then by health effect - death, systemic, immunological, neurological, reproductive, developmental, genotoxic, and carcinogenic effects. These data are discussed in terms of three exposure periods - acute (14 days or less), intermediate (15-364 days), and chronic (365 days or more). Levels of significant exposure for each route and duration are presented in tables and illustrated in figures. The points in the figures showing no-observed-adverse-effect levels (NOAELs) or lowest-observedadverseeffect levels (LOAELs) reflect the actual doses (levels of exposure) used in the studies. LOAELs have been classified into “less serious” or “serious” effects. “Serious” effects are those that evoke failure in a biological system and can lead to morbidity or mortality (e.g., acute respiratory distress or death). “Less serious” effects are those that are not expected to cause significant dysfunction or death, or those whose significance to the organism is not entirely clear. ATSDR acknowledges that a considerable amount of judgment may be required in establishing whether an end point should be classified as a NOAEL, “less serious” LOAEL, or “serious” LOAEL, and that in some cases, there will be insufficient data to decide whether the effect is indicative of significant dysfunction. However, the Agency has established guidelines and policies that are used to classify these end points. ATSDR believes that there is sufficient merit in this approach to warrant an attempt at distinguishing between “less serious” and “serious” effects. The distinction between “less serious” effects and “serious” effects is considered to be important because it helps the users of the profiles to identify levels of exposure at which major health effects start to appear. LOAELs or NOAELs should also help in determining whether or not the effects vary with dose and/or duration, and place into perspective the possible significance of these effects to human health. The significance of the exposure levels shown in the Levels of Significant Exposure (LSE) tables and figures may differ depending on the user’s perspective. Public health officials and others concerned with appropriate actions to take at hazardous waste sites may want information on levels of exposure associated with more subtle effects in humans or animals or exposure levels below which no adverse effects have been observed. Estimates of levels posing minimal risk to humans (Minimal Risk Levels or MRLs) may be of interest to health professionals and citizens alike. Estimates of exposure levels posing minimal risk to humans (Minimal Risk Levels or MRLs) have been made for white phosphorus. An MRL is defined as an estimate of daily human exposure to a substance that is likely to be without an appreciable risk of adverse effects (noncarcinogenic) over a specified duration of exposure. MRLs are derived when reliable and sufficient data exist to identify the target organ(s) of effect or the most sensitive health effect(s) for a specific duration within a given route of exposure. MRLs are based on noncancerous health effects only and do not consider carcinogenic effects. MRLs can be derived for acute, intermediate, and chronic duration exposures for inhalation and oral routes. Appropriate methodology does not exist to develop MRLs for dermal exposure. Although methods have been established to derive these levels (Barnes and Dourson 1988; EPA 1990), uncertainties are associated with these techniques. Furthermore, ATSDR acknowledges additional uncertainties inherent in the application of the procedures to derive less than lifetime MRLs. As an example, acute inhalation MRLs may not be protective for health effects that are delayed in development or are acquired following repeated acute insults, such as hypersensitivity reactions, asthma, or chronic bronchitis. As these kinds of health effects data become available and methods to assess levels of significant human exposure improve, these MRLs will be revised. A User’s Guide has been provided at the end of this profile (see Appendix A). This guide should aid in the interpretation of the tables and figures for Levels of Significant Exposure and the MRLs. 2.2.1 Inhalation Exposure（未作成） (2.2.1.0 preface) 2.2.1.1 Death 死 2.2.1.2 Systemic Effects 全身性影響 2.2.1.3 Immunological and Lymphoreticular Effects 免疫そしてリンパ系影響 2.2.1.4 Neurological Effects 神経への影響 2.2.1.5 Reproductive Effects 生殖器への影響 2.2.1.6 Developmental Effects 発育上の影響 2.2.1.7 Genotoxic Effects 遺伝毒性影響 2.2.1.8 Cancer 癌 2.2.2 Oral Exposure (2.2.2.0 preface) 2.2.2.1 Death 2.2.2.2 Systemic Effects 2.2.2.3 Immunological and Lymphoreticular Effects. 2.2.2.4 Neurological Effects 2.2.2.5 Reproductive Effects 2.2.2.6 Developmental Effects 2.2.2.7 Genotoxic Effects 2.2.2.8 Cancer 2.2.3 Dermal Exposure (Nonburn)（未作成） (2.2.3.0 preface) 2.2.3.1 Death 2.2.3.2 Systemic Effects 2.2.3.3 Immunological and Lymphoreticular Effects 2.2.3.4 Neurological Effects 2.2.3.5 Reproductive Effects 2.2.3.6 Developmental Effects 2.2.3.7 Genotoxic Effects 2.2.3.8 Cancer 2.2.4 Dermal Exposure (Burn) (2.2.4.0 preface) 2.2.4.1 Death 2.2.4.2 Systemic Effects 2.2.4.3 Immunological and Lymphoreticular Effects 2.2.4.4 Neurological Effects 2.2.4.5 Reproductive Effects 2.2.4.6 Developmental Effects 2.2.4.7 Genotoxic Effects 2.2.4.8 Cancer 2 HEALTH EFFECTS
https://w.atwiki.jp/vocaloidenglishlyric/pages/1188.html
【Tags Miku S X Y solpie tM tR tT G】 Original Music title 月西江 \ 西月江 English music title The Moon and the Western River \ The River and The Moon In the West Pinyin music title Yue Xi Jiang \ Xi Yue Jiang Romaji music title Getsuseikou \ Seigetsukou Music Lyrics written, Voice edited by solpie Music arranged by solpie Singer(s) 初音ミク (Hatsune Miku) Click here for the original Chinese Lyrics English Lyrics (translated by animeyay)： As the sun sets far into the river, I enter the night with the wind. The autumn leaves distort the moon s reflection, I sit beside my window weakly. Night jasmines are not yet asleep, but I ve grown weary of searching for flowers. Shone by the moon, I lament under a willow tree at night, thinking about my lover. Even the great river flowing east is no match for your beauty. No tenderness can withstand a long night of a frigid stormy snow. The flowers tears fall, scatter, and vanish. The leaves in the mountain, with their eyes wept red, are blown away by the wind. The night s breeze caresses the willow trees. Only the sound of the flute remains. Red leaves, dyed in autumn s color, scatter into the great river and flow for thousands of miles. A veil of jasmine flowers are not aware of the pain of a maiden s transient life. My tears begin to pour into the river. The water still flows on without a companion. The dream is old, and the autumn water s elevated. By the time when the geese migrate back, I m already tormented by my grief. My tears have been flowing for too long in this night as I hold up my wine cup. We, just like the mountains and the waters, are both weary of longing. The river carried off the sound of my guqin. Even the great river that flows east is no match for your beauty. No tenderness can withstand a long night of a frigid stormy snow. The flowers tears fall, scatter, and vanish. The leaves in the mountain, with their eyes wept red, are blown away by the wind. The night s breeze caresses the willow trees. Only the sound of the flute remains. Red leaves, dyed in autumn s color, scatter into the great river and flow for thousands of miles. A veil of jasmine flowers are not aware of the pain of a maiden s transient life. My tears begin to pour into the river. My tears have been flowing for too long in this night as I hold up my wine cup. We, just like the mountains and the waters, are both weary of longing. The river carried off the sound of my guqin. The night s breeze caresses the willow trees. Only the sound of the flute remains. Red leaves, dyed in autumn s color, scatter into the great river and flow for thousands of miles. A veil of jasmine flowers are not aware of the pain of a maiden s transient life. My tears begin to pour into the river. [Translation notes] This is the first (and so far the only) Vocaloid song ever sung in Chinese (Mandarin). It was original posted no Niconico titled "Xi Jiang Yue", but later reposted as "Yue Xi Jiang". The meaning remains unchanged. Pinyin lyrics (transliterated by animeyay)： ri mu jiang shui yuan ru ye sui feng qian qiu ye luan shui yue shu ying yi chuang bian ye mo xiang wei mian xun hua qing yi juan chou shang wan liu yue si nian liang chu xian ni de mei wang chuan dong qu liu shui wen rou zen nai chang ye lan feng bing xue hua jian lei sa luo zai piao ling jian man shan ku hong de ye ren feng sui wan feng an fu liu di sheng can kan hong ye qiu se ran piao ling man jiang qian li feng shuang fu shou yi hang mo li sha bu jue yan zhi shang lei yan jiang qing sa shui yi ran chang liu mo xiang ban meng yi wan qiu shui zhang yan zi hui shi chou duan ren chang lei yi man chang ye zhi shang shan shui liang mang mang shui ba qin sheng tang ni de mei wang chuan dong qu liu shui wen rou zen nai chang ye lan feng bing xue hua jian lei sa luo zai piao ling jian man shan ku hong de ye ren feng sui wan feng an fu liu di sheng can kan hong ye qiu se ran piao ling man jiang qian li feng shuang fu shou yi hang mo li sha bu jue yan zhi shang lei yan jiang qing sa lei yi man chang ye zhi shang shan shui liang mang mang shui ba qin sheng tang wan feng an fu liu di sheng can kan hong ye qiu se ran piao ling man jiang qian li feng shuang fu shou yi hang mo li sha bu jue yan zhi shang lei yan jiang qing sa []
https://w.atwiki.jp/buckethead/pages/15.html
ソロ スタジオアルバム Solo Studio Album Bucketheadland Disc One No. Title Writer(s) Length 1 Park Theme Buckethead 3 21 2 Interlude Buckethead 0 27 3 Giant Robot Theme Takeo Yamashita 4 16 4 Enter Guillatine Buckethead 0 32 5 Giant Robot Vs. Guillatine Buckethead 4 02 6 Bucketbots Jig Buckethead 0 28 7 Enter Slipdisc Buckethead 1 53 8 Bansheebot Vs. Buckethead Buckethead 0 58 9 The Haunted Farm Buckethead 2 42 10 Hook and Pole Gang Buckethead 1 07 11 Cattle Prod Buckethead 0 40 12 Phantom Monk Buckethead 1 45 13 The Rack Buckethead 0 29 14 Nosin Buckethead 1 21 15 Gorey Head Stump Buckethead 1 32 16 Sterling Scapula Buckethead 0 48 17 Skid s Looking Where Buckethead 1 08 18 Steel Wedge Buckethead 1 22 19 Wonka in Slaughter Zone Buckethead 1 30 20 Nosin Part 2 Buckethead 0 40 21 Diabolical Minds Buckethead 1 32 22 Alice in Slaughterland Buckethead 1 16 23 Bleeding Walls Buckethead 0 21 24 Buddy on a Slab Buckethead 1 12 25 Buddy in the Graveyard Buckethead 1 02 26 Oh Jeez... Buckethead 1 21 27 Funeral Time Buckethead 1 39 28 Computer Master Buckethead 8 16 29 Virtual Reality Part 1 Bootsy Collins 2 01 30 Virtual Reality Part 2 Bootsy Collins 1 34 31 Interlude Buckethead 0 33 32 Main Theme Buckethead 4 45 33 I Love My Parents Buckethead 1 38 Disc Two (Remixes) No. Title Writer(s) Length 1 Park Theme Extension Buckethead 5 42 2 Guillatine Battle Buckethead 0 52 3 Giant Robot Theme Takeo Yamashita 1 45 4 Robot Dance Bootsy Collins 1 02 5 Virtual Reality Bootsy Collins 3 04 6 Bansheebot Bop Buckethead 1 02 7 Baseball Buddy Buckethead 3 17
https://w.atwiki.jp/rebootcamp/pages/85.html
現在翻訳作業中！ ●注意：以下の文章は、作業途中の文章です。時間があるときに少しずつ翻訳作業をしているので、誤訳・不適切な用語・意味不明な文章のままになっていて、間違いだらけのノートのようなものであり、正確さを欠きます。そのため、現時点ではあまり参考にはならないと思いますが、それは翻訳途中の文章を掲載している私の怠慢と翻訳能力不足のせいであって、オリジナル文章のクオリティが低いわけではありません、たぶん。閲覧する際は、その点をご注意ください。不完全な文章を読むと訂正などのツッコミを入れたくなると思います。なので共同作業者も募集中です。一緒に訳しましょう。これらは、wikiで現在編集制限していないので誰でも編集できます。直しちゃったり、加筆しちゃったり、を歓迎します。貢献しだいで翻訳精度や情報の信頼性は向上し、情報量は増大しますよ。また、「こんなとこでちまちまやってないでWikipediaに直接執筆すればいいじゃん」と思う人もいらっしゃると思います。ごもっともです。そういう方で元気がある方はどんどんWikipediaに新規執筆、加筆、翻訳をしてください。この翻訳中の文章は、実際に項目を書く前の下書き、下調べのようなものなのです。ある程度の精度の翻訳になった場合には、本家Wikipediaに掲載する予定でいます。お問い合わせは、メール drill.xx(at)gmail.comまで。 Earth Liberation Front(ELF) 地球解放戦線(日本語版) 出典 フリー百科事典『ウィキペディア（Wikipedia）英語版』 出典： http //en.wikipedia.org/wiki/Earth_Liberation_Front 2007-09-17T00 20 00 より翻訳中。 主な執筆者： The Epopt、DanKeshet、Tzartzam、Minesweeper、Maximus Rex他。 こっちは＠wikiモード （ワープロモード 翻訳 Earth Liberation Frontとの操作性の比較テスト） The Earth Liberation Front (ELF) is the collective name for anonymous and autonomous individuals or groups that, according to the now defunct Earth Liberation Front Press Office, use "economic sabotage and guerrilla warfare to stop the exploitation and destruction of the natural environment." [http //www.carkeys.co.uk/features/everything_else/914.asp] The organization has been active in the United States, Canada, and the United Kingdom where the movement was founded. ELF sympathizers say that it is an eco-defense group dedicated to taking the profit motive out of environmental destruction by targeting and causing economic damage to businesses through the use of direct action. ref http //arkangelweb.org/modules.php?op=modload name=News file=article sid=405 /ref The ELF was classified as the top Terrorism|domestic terror threat in the United States by the FBI in March 2001. ref http //prfamerica.org/EarthLiberationFrontNo1onFBIList.html /ref ref http //www.fbi.gov/congress/congress02/jarboe021202.htm /ref The ELF s guidelines require that individuals or groups acting on its behalf "take all necessary precautions against harming any animal — human and nonhuman."[http //www.satyamag.com/mar04/elf.html]. On the lack of deaths from ELF action, the FBI s deputy assistant director for counterterrorism has said, "I think we re lucky. Once you set one of these fires they can go way out of control." ref http //www.cnn.com/2005/US/05/19/domestic.terrorism/index.html /ref The group came to public prominence when they were featuring on the television show 60 Minutes . ref http //www.cbsnews.com/stories/2005/11/10/60minutes/main1036067.shtml /ref Their techniques involve sabotage|destruction of property that they believe is being used to injure animals, people or the natural environment|environment. These activities are sometimes called[[ecotage]] and there are marked differences between their actions in the United States and in the United Kingdom. The Earth Liberation Front has no formal leadership, membership or official spokesperson; instead it consists of individuals or small groups who choose to use the term. The FBI says that activist Rod Coronado is "a national leader" of the ELF in the USA, while Coronado describes himself as an "unofficial ELF spokesman". ref http //www.nzherald.co.nz/section/story.cfm?c_id=2 ObjectID=10370129 /ref Craig Rosebraugh served as an unofficial spokesperson for the ELF from 1997 to early September 2001. ref http //portland.indymedia.org/en/2006/02/334091.shtml /ref However, doubts have been raised about whether Rosebraugh or other unofficial spokespeople for ELF actually have any ties to the group. ref http //www.laweekly.com/news/news/earth-to-elf-come-in-please/20/ /ref History The Earth Liberation Front was founded in 1992 in Brighton, England by members of the "Earth First!" environmental movement. The name was derived from the Animal Liberation Front (ALF), a group that uses similar tactics to liberate animals or sabotage companies using them. ref http //greenfield.fortunecity.com/tree/16/fire.html# /ref In the September–October 1993 issue of the Earth First! Journal, an anonymous article announced the creation of the ELF in England. It said the ELF "is a movement of independently operating eco-saboteurs" that split from the "British EF! movement, which has focused directly on public direct actions." The author noted that, unlike the ALF which seeks publicity, "ELF cells, for security reasons, work without informing the press and do not claim responsibility for actions... The surest way to be done for conspiracy or to attract surveillance or infiltrators is to seek attention." Earth Liberation Front in the UK In contrast to their US counterparts, the actions of the ELF in the United Kingdom have mainly focused around small, unreported, covert ecotage, and have fallen short of eco-terrorism or major arson. Such actions are often attributed to the "elves" and "pixies", a pun on the acronym. ELF(UK) has never had its own media outlets; instead actions have been reported in EF!(UK) publications such as Action Update and Do or Die! . Many acts were reported around co-ordinated Earth Nights or protest camps connected with road-building, airports, or quarrying. Since 1996 virtually no actions have been claimed by the UK ELF, although covert ecotage does continue. ref http //www.cardiff.ac.uk/cplan/teaching/cpt637/background/article1.pdf /ref ELF guidelines for action The Earth Liberation Front has published guidelines for action. These guidelines say Any direct action to halt the destruction of the environment and adhering to the strict nonviolence guidelines, listed below, can be considered an ELF action. Economic sabotage and property destruction fall within the guidelines. ref http //www.tkb.org/Group.jsp?groupID=41 /ref #To inflict maximum economic damage on those profiting from the destruction and exploitation of the natural environment. #To reveal to, and to educate the public about the atrocities committed against the earth and all species that populate it. #To take all necessary precautions against harming life. Actions, police response, and convictions {{Main|Timeline of Earth Liberation Front actions}} ELF "monkeywrenching" has been carried out against facilities and companies involved in logging, genetic engineering, home building, automobile sales, energy production and distribution, and a wide variety of other activities, all charged by ELF with exploiting the environment. Individuals work in autonomous affinity groups and are self-funded. ref http //www.tkb.org/Group.jsp?groupID=41 /ref In late 2005 and early 2006, as part of Operation Backfire (FBI)|Operation Backfire , US grand jury|grand juries indicted a total of 18 activists on a range of charges related to "violent acts in the name of animal rights and environmental causes". ref http //www.fbi.gov/pressrel/speeches/mueller012006.htm /ref According to the FBI, many of these acts were carried out on behalf of the ELF. ref http //www.fbi.gov/page2/jan06/elf012006.htm /ref Although some of those arrested deny any affiliation with the ELF, ref http //www.indymedia.org/en/2006/01/831928.shtml /ref others, including Rod Coronado, have established ties to the group. ref http //www.nzherald.co.nz/section/story.cfm?c_id=2 ObjectID=10370129 /ref In late 2006 a number of self-described ELF members pled guilty to arson and other charges in U.S. federal courts.[http //www.oregonlive.com/newsflash/regional/index.ssf?/base/news-17/1166084876304650.xml storylist=orlocal] On November 11, 2006 Joyanna Zacher, Nathan Block, Daniel McGowan and Jonathan Paul pleaded guilty to several eco-sabotage related charges, as part of a global resolution agreement with prosecutors. Judge Ann Aiken presided over the hearings. The change of pleas from the four defendants resolves all current “Operation Backfire” cases in Oregon.[http //info.interactivist.net/article.pl?sid=06/11/14/1649245] On December 15, 2006 Chelsea Dawn Gerlach and Stanilas Gregory Meyerhoff, pleaded guilty to $20 million worth of arsons committed between 1996 and 2001 by the Eugene-based cell of the ELF known as "The Family". Their fire-bombing of a Vail ski resort resulted in $12 million and the FBI characterized the ELF as the United States "top domestic terrorism threat". Gerlach has previously pleaded guilty to 18 counts of arson in other attacks, saying she was motivated by "a deep sense of despair and anger at the deteriorating state of the global environment," but adding that she has "since realized the firebombings did more harm than good." Meyerhoff has renounced ELF and pleaded guilty to 54 counts, but is still under indictment in Michigan, Arizona, Washington, Wyoming and California.[http //www.freenewmexican.com/news/53743.html] The FBI alleged that the group was led by William C. Rodgers, who was arrested in December 2005 and committed suicide in jail just before he was to be transferred to Oregon. Two other ELF members indicted in the Vail arson, Josephine Sunshine Overaker and Rebecca J. Rubin, have not been apprehended. Vail Resorts Inc. has since rebuilt the firebombed lodge. Criticism of ELF The FBI designated the ELF as "Eco-terrorism|eco-terrorists." ref http //www.csmonitor.com/2006/0130/p20s01-sten.htm /ref Representative Scott McInnis, then chairman of the US House Subcommittee on Forests and Forest Health, subpoenaed Craig Rosebraugh in an effort to investigate the ELF s activities. On hearing Rosebraugh s testimony, McInnis suggested it was "luck" no one has been killed by an ELF (or ALF) attack. ref http //www.stopecoviolence.com/pdfs/2_12_02.pdf /ref Referring to the Earth Liberation Front and the Animal Liberation Front, ATF Deputy Assistant Director Carson Carrol has said, "The most worrisome trend to law enforcement and private industry alike has been the increase in willingness by these movements to resort to the use of incendiary and explosive devices." ref http //www.cnn.com/2005/US/05/19/domestic.terrorism/index.html /ref It has also been claimed the ELF s actions harm the environment, a spokesman for the Vail Resorts|Vail Ski Resort, which the ELF fire bombed in 1998 in protest of a planned extension, explained, "more logs were used to rebuild the resort than were cut for the [original] expansion" [http //www.stopecoviolence.com/pdfs/2_12_02.pdf] (pdf). In 2001 the ELF targeted the University of Washington s Center for Urban Horticulture in with the aim of disrupting research into genetic engineering. However, the targeted researcher was investigating hybridization in poplar trees, and the resulting fire killed a significant number of endangered plants. ref http //www.museum-security.org/01/116.html /ref ELF was also featured in commentator Bernard Goldberg s book 100 People Who Are Screwing Up America as #23, "The Unknown American Terrorist". They were listed and criticised for damaging property and acting like a terrorist group in the name of saving the environment. ref http //www.philosophistry.com/specials/100-people.html /ref In popular culture Folk musician David Rovics performs a song dedicated to the ELF called "Song for the Earth Liberation Front" ref http //members.aol.com/drovics/elfl.htm /ref as well as a song about accused ELF activist, Jeffrey Luers titled "Free", after Luers nickname. ref http //portland.indymedia.org/en/2004/12/306830.shtml /ref Edward Abbey published The Monkey Wrench Gang in 1975. The book is thought to be the inspiration for the formation of Earth First!. In 1989 he published a sequel Hayduke Lives .{{Fact|date=July 2007}} In the 2004 novel by Michael Crichton, State of Fear , a fictional group based on the Earth Liberation Front, but called theEnvironmental Liberation Front instead, is the main villain. In the novel by Nicholas Evans, The Divide , a main character is involved in ELF activities. See also William Cottrell William C. Rodgers Craig Rosebraugh Darren Thurston Daniel McGowan Eco-terrorism Animal Liberation Front Green anarchism Anarcho-primitivism Deep ecology Green syndicalism Earth First Green Scare References references/ External links [http //www.spiritoffreedom.org.uk/ Earth Liberation Prisoners] [http //www.ecoprisoners.org/ North American Earth Liberation Prisoners Support Network] [http //www.greenisthenewred.com GreenIsTheNewRed.com] [http //www.fbi.gov/congress/congress02/jarboe021202.htm FBI on Eco-Terrorism] [http //www.keele.ac.uk/depts/spire/Working_Papers/Brian_Doherty_working_papers/Covert%20Repertoires%20Ecotage%20in%20the%20UK.doc Covert Repertoires Ecotage in the UK] [http //www.eco-action.org/dod/index.html Do or Die Voices from the Ecological Resistance] [http //earthfirst.org.uk/actionreports/ Earth First! (UK) action reports] [http //www.earthfirst.org/ Earth First!] [http //bombsandshields.blogspot.com/ Bombs and Shields Covers the latest ELF news] [http //www.fbi.gov www.fbi.gov Search Single Issue Terrorists?Domestic Terrorists Earth Liberation Front] [http //www.earth-liberation-front.org/ Website offering criticism of the Earth Liberation Front] Category Environmental organizations Category Anarchist organizations Category Organizations designated as terrorist