約 3,125,125 件
https://w.atwiki.jp/twilightdaicon/pages/7.html
TitleFormat 私的日本語訳 Foobar2000 Titleformat Reference From Hydrogenaudio Knowledgebase Contents [hide] 1 Field remappings 1.1 Metadata 1.1.1 %album artist% 1.1.2 %album% 1.1.3 %artist% 1.1.4 %disc% 1.1.5 %discnumber% 1.1.6 %track artist% 1.1.7 %title% 1.1.8 %track% 1.1.9 %tracknumber% 1.2 Technical information 1.2.1 %bitrate% 1.2.2 %channels% 1.2.3 %filesize% 1.2.4 %samplerate% 1.2.5 %codec% 1.3 Special fields 1.3.1 %playlist_number% 2 Control flow 2.1 [...] (conditional section) 2.2 $if(cond,then) 2.3 $if(cond,then,else) 2.4 $if2(a,else) 2.5 $if3(a1,a2,...,aN,else) 2.6 $ifgreater(n1,n2,then,else) 2.7 $iflonger(s1,s2,then,else) 2.8 $select(n,a1,...,aN) 3 Arithmetic functions 3.1 $add(a,b) 3.2 $div(a,b) 3.3 $greater(a,b) 3.4 $max(a,b) 3.5 $min(a,b) 3.6 $mod(a,b) 3.7 $mul(a,b) 3.8 $muldiv(a,b,c) 3.9 $rand() 3.10 $sub(a,b) 4 Boolean functions 4.1 $and(...) 4.2 $or(...) 4.3 $not(x) 4.4 $xor(...) 5 Color functions 5.1 $blend(color1,color2,part,total) 5.2 $rgb() 5.3 $rgb(r,g,b) 5.4 $rgb(r1,g1,b1,r2,g2,b2) 5.5 $transition(string,color1,color2) 6 Now playing info 6.1 Special fields 6.1.1 %_time_elapsed% 6.1.2 %_time_remaining% 6.1.3 %_time_total% 6.1.4 %_time_elapsed_seconds% 6.1.5 %_time_remaining_seconds% 6.1.6 %_time_total_seconds% 6.1.7 %_ispaused% 7 Playlist info 7.1 Special fields 7.1.1 %isplaying% 7.1.2 %_ispaused% 7.1.3 %_playlist_number% 7.1.4 %_playlist_total% 7.1.5 %playlist_name% 8 String functions 8.1 $abbr(x) 8.2 $abbr(x,len) 8.3 $ansi(x) 8.4 $caps(x) 8.5 $caps2(x) 8.6 $char(x) 8.7 $crlf() 8.8 $cut(a,len) 8.9 $directory(x) 8.10 $directory(x,n) 8.11 $ext(x) 8.12 $filename(x) 8.13 $fix_eol(x) 8.14 $fix_eol(x,indicator) 8.15 $hex(n) 8.16 $hex(n,len) 8.17 $insert(a,b,n) 8.18 $left(a,len) 8.19 $len(a) 8.20 $len2(a) 8.21 $longer(a,b) 8.22 $lower(a) 8.23 $longest(a,...) 8.24 $num(n,len) 8.25 $pad(x,len) 8.26 $pad_right(x,y) 8.27 $pad(x,len,char) 8.28 $pad_right(x,len,char) 8.29 $padcut(x,len) 8.30 $padcut_right(x,len) 8.31 $progress(pos,range,len,a,b) 8.32 $progress2(pos,range,len,a,b) 8.33 $repeat(a,n) 8.34 $replace(a,b,c) 8.35 $right(a,len) 8.36 $roman(n) 8.37 $shortest 8.38 $strchr(s,c) 8.39 $strrchr(s,c) 8.40 $strstr(s1,s2) 8.41 $strcmp(s1,s2) 8.42 $stricmp(s1,s2) 8.43 $substr(s,m,n) 8.44 $trim(s) 8.45 $tab() 8.46 $tab(n) 8.47 $upper(s) 9 Track info 9.1 Metadata 9.1.1 $meta(name) 9.1.2 $meta(name,n) 9.1.3 $meta_sep(name,sep) 9.1.4 $meta_sep(name,sep,lastsep) 9.1.5 $meta_test(...) 9.1.6 $meta_num(name) 9.1.7 $tracknumber() 9.1.8 $tracknumber(n) 9.2 Technical information 9.2.1 $info(name) 9.2.2 $codec() 9.2.3 $channels() 9.2.4 %__replaygain_album_gain% 9.2.5 %__replaygain_album_peak% 9.2.6 %__replaygain_track_gain% 9.2.7 %__replaygain_track_peak% 9.3 Special fields 9.3.1 $extra(name) 9.3.1.1 filename 9.3.1.2 filename_ext 9.3.1.3 directoryname 9.3.1.4 path 9.3.1.5 path_raw 9.3.1.6 subsong 9.3.1.7 foobar2000_version 9.3.1.8 length 9.3.1.9 length_ex 9.3.1.10 length_seconds 9.3.1.11 length_seconds_fp 9.3.1.12 length_samples 10 Variable operations 10.1 $get(name) 10.2 $put(name,value) 10.3 $puts(name,value) 11 Component-provided fields and functions on tracks 11.1 Playback statistics 12 Component-specific fields and functions 12.1 Album list 12.2 Columns UI [edit]Field remappings Some of the fields accessible through %name% are remapped to other values to make writing titleformat scripts more convenient. [edit]Metadata [edit]%album artist% Defined as $if3($meta(album artist),$meta(artist),$meta(composer),$meta(performer)). [edit]%album% Defined as $if3($meta(album),$meta(venue)). [edit]%artist% Defined as $if3($meta(artist),$meta(album artist),$meta(composer),$meta(performer)). [edit]%disc% Returns the discnumber. The discnumber is taken from the discnumber tag; if that does not exist, it is taken from the disc tag. If neither exist, the field is undefined. This is equivalent to the %discnumber% remapping. [edit]%discnumber% Returns the discnumber. The discnumber is taken from the discnumber tag; if that does not exist, it is taken from the disc tag. If neither exist, the field is undefined. This is equivalent to the %disc% remapping. [edit]%track artist% Defined as $meta(artist), if $meta(album artist) is different than $meta(artist), otherwise this field is empty. [edit]%title% Defined as $if2($meta(title),%_filename%). Returns the title tag if available, otherwise it returns the filename excluding the extension. [edit]%track% Returns the tracknumber padded to two digits from the left with zeroes. The tracknumber is taken from the tracknumber tag; if that does not exist, it is taken from the track tag. If neither exist, this field is undefined. This is equivalent to the %tracknumber% remapping. [edit]%tracknumber% Returns the tracknumber padded to two digits from the left with zeroes. The tracknumber is taken from the tracknumber tag; if that does not exist, it is taken from the track tag. If neither exist, this field is undefined. This is equivalent to the %track% remapping. [edit]Technical information [edit]%bitrate% Defined as $if2($info(bitrate_dynamic),$info(bitrate)). Returns the current bitrate, if available, otherwise it returns the average bitrate. If neither is available, nothing is returned. [edit]%channels% Defined as $channels(). Returns the number of channels in text form; returns "mono" and "stereo" instead of "1" and "2". [edit]%filesize% Defined as %_filesize%. Returns the filesize in bytes. [edit]%samplerate% Defined as $info(samplerate). Returns the samplerate in Hz. [edit]%codec% Defined as $codec(). [edit]Special fields [edit]%playlist_number% Defined as $num(%_playlist_number%,$len(%_playlist_total%)). Returns the position of the track as index into the playlist. The first track has index 1. The index is padded from the left with zeroes to the same number of digits as the last track. [edit]Control flow The functions in this section can be used to conditionally execute statements. [edit][...] (conditional section) Evaluates the expression between [ and ]. If it has the truth value true, its string value and the truth value true are returned. Otherwise an empty string and false are returned. Example [%artist%] returns the value of the artist tag, if it exists. Otherwise it returns nothing, when artist would return "?". [edit]$if(cond,then) If cond evaluates to true, the then part is evaluated and its value returned. Otherwise, false is returned. [edit]$if(cond,then,else) If cond evaluates to true, the then part is evaluated and its value returned. Otherwise, the else part is evaluated and its value returned. [edit]$if2(a,else) Like $if(a,a,else) except that a is only evaluated once. [edit]$if3(a1,a2,...,aN,else) Evaluates arguments a1 ... aN, until one is found that evaluates to true. If that happens, its value is returned. Otherwise the else part is evaluated and its value returned. [edit]$ifgreater(n1,n2,then,else) Compares the integer numbers n1 and n2, if n1 is greater than n2, the then part is evaluated and its value returned. Otherwise the else part is evaluated and its value returned. [edit]$iflonger(s1,s2,then,else) Compares the length of the strings s1 and s2, if s1 is longer than s2, the then part is evaluated and its value returned. Otherwise the else part is evaluated and its value returned. [edit]$select(n,a1,...,aN) If the value of n is between 1 and N, an is evaluated and its value returned. Otherwise false is returned. [edit]Arithmetic functions The functions in this section can be used to perform arithmetic on integer numbers. A string will be automatically converted to a number and vice versa. The conversion to a number uses the longest prefix of the string, that can be interpreted as number. Leading whitespace is ignored. Example "c3po" - 0, " -12" - -12, but "- 12" - 0 [edit]$add(a,b) Adds a and b. Can be used with an arbitrary number of arguments. $add(a,b,...) is the same as $add($add(a,b),...). [edit]$div(a,b) Divides a through b. If b evaluates to zero, it returns a. Can be used with an arbitrary number of arguments. $div(a,b,...) is the same as $div($div(a,b),...). [edit]$greater(a,b) Returns true, if a is greater than b, otherwise false. [edit]$max(a,b) Returns the maximum of a and b. Can be used with an arbitrary number of arguments. $max(a,b,...) is the same as $max($max(a,b),...). [edit]$min(a,b) Returns the minimum of a and b. Can be used with an arbitrary number of arguments. $min(a,b,...) is the same as $min($min(a,b),...). [edit]$mod(a,b) Computes the remainder of dividing a through b. The result has the same sign as a. If b evaluates to zero, the result is a. Can be used with an arbitrary number of arguments. $mod(a,b,...) is the same as $mod($mod(a,b),...). [edit]$mul(a,b) Multiplies a and b. Can be used with an arbitrary number of arguments. $mul(a,b,...) is the same as $mul($mul(a,b),...). [edit]$muldiv(a,b,c) Multiplies a and b, then divides by c. The result is rounded to the nearest integer. [edit]$rand() Generates a random number in the range from 0 to 232-1. [edit]$sub(a,b) Subtracts b from a. Can be used with an arbitrary number of arguments. $sub(a,b,...) is the same as $sub($sub(a,b),...). [edit]Boolean functions The functions in this section can be used to work with truth values (true and false), which have no explicit representation in titleformat scripts. They do not return a string or number value. You can use them for more complex conditions with $if and related functions. [edit]$and(...) Logical And of an arbitrary number of arguments. Returns true, if and only if all arguments evaluate to true. Special case $and(x,y) is true, if both x and y are true. Otherwise it is false. [edit]$or(...) Logical Or of an arbitrary number of arguments. Returns true, if at least one argument evaluates to true. Special case $or(x,y) is true, if x or y is true, or if both are true. Otherwise it is false. [edit]$not(x) Logical Not. Returns false, if x is true, otherwise it returns true. [edit]$xor(...) Logical Exclusive-or of an arbitrary number of arguments. Returns true, if an odd number of arguments evaluate to true. Special case $xor(x,y) is true, if one of x and y is true, but not both. Otherwise it is false. [edit]Color functions [edit]$blend(color1,color2,part,total) Returns a color that is a blend between color1 and color2. If part is smaller than or equal to zero, color1 is returned. If part is greater than or equal to total, color2 is returned. Otherwise a blended color is returned that is part parts color1 and total-part parts color2. The blending is performed in the RGB color space. [edit]$rgb() Resets the text color to the default color. [edit]$rgb(r,g,b) Sets the color for text. r, g and b are the red, green and blue component of the color for unselected text. The color for selected text is set to the inverse color. [edit]$rgb(r1,g1,b1,r2,g2,b2) Sets the color for text. r1, g1 and b1 are the red, green and blue component of the color for unselected text. r2, g2 and b2 are the red, green and blue component for the color of selected text. [edit]$transition(string,color1,color2) Inserts color codes into string, so that the first character has color1, the last character has color2, and intermediate characters have blended colors. The blending is performed in the RGB color space. Note that color codes are additional characters that will also be counted by string manipulation functions. For example, if you need to truncate a string, you should do this before applying $transition. [edit]Now playing info The following functions and fields are usable for scripts used with the currently playing item, for example the status bar, the main window title and the copy command script. [edit]Special fields [edit]%_time_elapsed% Returns elapsed time. [edit]%_time_remaining% Returns remaining time until track ends. [edit]%_time_total% Returns total length of track. [edit]%_time_elapsed_seconds% Returns elapsed time in seconds. [edit]%_time_remaining_seconds% Returns remaining time in seconds. [edit]%_time_total_seconds% Returns total track length in seconds. [edit]%_ispaused% Returns "1" if playback is paused and empty string otherwise. [edit]Playlist info The following functions and fields are usable for playlist scripts. [edit]Special fields [edit]%isplaying% Returns "1" if file is currently playing and empty string otherwise. The old version %_isplaying% still works. [edit]%_ispaused% Returns "1" if playback is paused, empty string otherwise. [edit]%_playlist_number% Returns playlist index of specified item. The first item is at index 1. Also see %playlist_number%. [edit]%_playlist_total% Returns number of items in the playlist. [edit]%playlist_name% Returns the name of the playlist containing the specified item. The old version %_playlist_name% still works. [edit]String functions The functions in this section can be used to manipulate character strings. [edit]$abbr(x) Returns abbreviation of x. [edit]$abbr(x,len) Returns abbreviation of x, if x is longer than len characters, otherwise returns x. [edit]$ansi(x) Converts x to system codepage and back. Any characters that are not present in the system codepage will be removed / replaced. Useful for mass-renaming files to ensure compatibility with non-unicode-capable software. [edit]$caps(x) Converts first letter in every word of x to uppercase, and all other letters to lowercase. [edit]$caps2(x) Converts first letter in every word of x to uppercase, and leaves all other letters as they are. [edit]$char(x) Inserts Unicode character with code x. [edit]$crlf() Inserts end-of-line marker (carriage return, line feed). Can be used to generate multiple lines in the output, for example for the tooltip of the system notification area ("systray") icon. [edit]$cut(a,len) Returns first len characters on the left of a. [edit]$directory(x) Extracts directory name from the file path x. [edit]$directory(x,n) Extracts directory name from the file path x; goes up by n levels. [edit]$ext(x) Extracts file extension from x which must be a file name or path. [edit]$filename(x) Extracts file name from full path. [edit]$fix_eol(x) If x contains an end-of-line marker (CR-LF), the end-of-line marker and all text to the right of it is replaced by " (...)". Otherwise x is returned unaltered. [edit]$fix_eol(x,indicator) If x contains an end-of-line marker (CR-LF), the end-of-line marker and all text to the right of it is replaced by indicator. Otherwise x is returned unaltered. [edit]$hex(n) Formats the integer number n in hexadecimal notation. [edit]$hex(n,len) Formats the integer number n in hexadecimal notation with len digits. Pads with zeros from the left if necessary. [edit]$insert(a,b,n) Inserts b into a after n characters. [edit]$left(a,len) Returns the first len characters from the left of a. [edit]$len(a) Returns length of string a in characters. [edit]$len2(a) Returns length of string x in characters, respecting double-width character rules (double-width characters will be counted as two). [edit]$longer(a,b) Returns true, if string a is longer than string b, false otherwise. [edit]$lower(a) Converts a to lowercase. [edit]$longest(a,...) Returns the longest of its arguments. Can be used with an arbitrary number of strings. [edit]$num(n,len) Formats the integer number n in decimal notation with len digits. Pads with zeros from the left if necessary. [edit]$pad(x,len) Pads x from the left with spaces to len characters. [edit]$pad_right(x,y) Pads x from the right with spaces to len characters. [edit]$pad(x,len,char) Pads x from the left with char to len characters. [edit]$pad_right(x,len,char) Pads x from the right with char to len characters. [edit]$padcut(x,len) Returns first len characters from the left of x, if x is longer than len characters. Otherwise pads x from the left with spaces to len characters. [edit]$padcut_right(x,len) Returns first len characters from the left of x, if x is longer than len characters. Otherwise pads x from the right with spaces to len characters. [edit]$progress(pos,range,len,a,b) Creates a progress bar pos contains position, range contains range, len progress bar length in characters, a and b are characters to build progress bar with. Example $progress(%_time_elapsed_seconds%, %_time_total_seconds%, 20,'#','=') produces "====#===============", the # character is moving with playback position. [edit]$progress2(pos,range,len,a,b) Creates a progress bar pos contains position, range contains range, len progress bar length in characters, a and b are characters to build progress bar with. Produces different appearance than $progress. [edit]$repeat(a,n) Returns n copies of a. Note that a is evaluated once before its value is used, so $repeat cannot be used for loops. [edit]$replace(a,b,c) Replaces all occurrences of string b in string a with string c. Can also be used with an arbitrary number of arguments. Note that $replace(a,b1,c1,b2,c2) is generally not the same as $replace($replace(a,b1,c1),b2,c2). Example $replace(ab,a,b,b,c) - "bc", $replace($replace(ab,a,b),b,c) - "cc" [edit]$right(a,len) Returns the first len characters from the right of a. [edit]$roman(n) Formats the integer number n in roman notation. [edit]$shortest Returns the shortest of its arguments. Can be used with an arbitrary number of strings. [edit]$strchr(s,c) Finds first occurence of character c in string s. Example $strchr(abca,a) - 1 [edit]$strrchr(s,c) Finds last occurence of character c in string s. Example $strrchr(abca,a) - 4 [edit]$strstr(s1,s2) Finds first occurence of string s2 in string s1. [edit]$strcmp(s1,s2) Performs a case-sensitive comparison of the strings s1 and s2. [edit]$stricmp(s1,s2) Performs a case-insensitive comparison of the strings s1 and s2. [edit]$substr(s,m,n) Returns substring of string s, starting from m-th character and ending at n-th character. [edit]$trim(s) Removes leading and trailing spaces from string s. [edit]$tab() Inserts one tabulator character. [edit]$tab(n) Inserts n tabulator characters. [edit]$upper(s) Converts string s to uppercase. [edit]Track info The functions and fields in this section can be used to access information about tracks. [edit]Metadata [edit]$meta(name) Returns value of tag called name. If multiple values of that tag exist, they are concatenated with ", " as separator. Example $meta(artist) - "He, She, It" [edit]$meta(name,n) Returns value of n-th tag called name. Example $meta(artist,2) - "She" [edit]$meta_sep(name,sep) Returns value of tag called name. If multiple values of that tag exist, they are concatenated with sep as separator. Example $meta_sep(artist,' + ') - "He + She + It" [edit]$meta_sep(name,sep,lastsep) Returns value of tag called name. If multiple values of that tag exist, they are concatenated with sep as separator between all but the last two values which are concatenated with lastsep. Example $metasep(artist,', ',', and ') - "He, She, and It" [edit]$meta_test(...) Returns true, if all given tags exist. Example $meta_test(artist,title) - true [edit]$meta_num(name) Returns the number of values for the tag called name. Example $meta_num(artist) - 3 [edit]$tracknumber() Returns the tracknumber padded to 2 digits with zeroes. [edit]$tracknumber(n) Returns the tracknumber padded to n digits with zeros. [edit]Technical information [edit]$info(name) Returns value of technical information field called name. Example $info(channels) - 2 [edit]$codec() Returns codec of track. If no codec field is present, it the uses file extension. Example $codec() - "WavPack" [edit]$channels() Returns number of channels in text format. Example $channels() - "stereo" [edit]%__replaygain_album_gain% Returns ReplayGain album gain value. //Not available through// $info(replaygain_album_gain). [edit]%__replaygain_album_peak% Returns ReplayGain album peak value. //Not available through// $info(replaygain_album_peak). [edit]%__replaygain_track_gain% Returns ReplayGain track gain value. //Not available through// $info(replaygain_track_gain). [edit]%__replaygain_track_peak% Returns ReplayGain track peak value. //Not available through// $info(replaygain_track_peak). [edit]Special fields [edit]$extra(name) Returns the value of the special field called name. These fields can also be accessed as %_name%; note the additional underscore. The following field names can be used [edit]filename Returns the filename without directory and extension. [edit]filename_ext Returns the filename with extension, but without the directory. [edit]directoryname Returns the name of the parent directory only, not the complete path. [edit]path Returns the path. [edit]path_raw Returns the path as URL including the protocol scheme. [edit]subsong Returns the subsong index. The subsong index is used to distuingish multiple tracks in a single file, for example for cue sheets, tracker modules and various container formats. [edit]foobar2000_version Returns a string representing the version of foobar2000. [edit]length Returns the length of the track formatted as hours, minutes, and seconds. [edit]length_ex Returns the length of the track formatted as hours, minutes, seconds, and milliseconds. [edit]length_seconds Returns the length of the track in seconds. [edit]length_seconds_fp Returns the length of the track in seconds as floating point number. [edit]length_samples Returns the length of the track in samples. [edit]Variable operations Variables can be used to store strings and number. They cannot store truth values. They are best used to store intermediate results that you need multiple times. Variable names are not case-sensitive. [edit]$get(name) Returns the value that was last stored in the variable name, if the variable was not defined (yet), it returns nothing. The truth value returned by $get indicates if the variable name was defined. [edit]$put(name,value) Stores value in the variable name and returns value unaltered. [edit]$puts(name,value) Stores value in the variable name and returns only the truth value of value. [edit]Component-provided fields and functions on tracks This section lists components that provide additional fields and functions that are useable in the context of any track. [edit]Playback statistics Playback statistics homepage Playback statistics titleformat reference [edit]Component-specific fields and functions This section lists components that provide additional fields and functions that are only useable in the context of the particular component. [edit]Album list The official album list component supports creating multiple tree entries using special commands. Album list homepage Album list titleformat reference [edit]Columns UI Columns UI homepage Global variables reference Playlist colors reference Playlist switcher reference Retrieved from "http //wiki.hydrogenaudio.org/index.php?title=Foobar2000 Titleformat_Reference" ViewsArticleDiscussionEditHistory Personal toolsCreate an account or log in NavigationMain Page Topic Index HAK Community Current events Recent changes Random page Help Donations Search ToolboxWhat links here Related changes Upload file Special pages Printable version This page was last modified 22 23, 14 January 2006. This page has been accessed 13,076 times. Content is available under GNU Free Documentation License 1.2. About Hydrogenaudio Knowledgebase Disclaimers
https://w.atwiki.jp/pins-room/pages/325.html
Sportverein Werder Bremen Germany Menu Germany Bundesliga 1.FC Köln 1.FC Nürnberg 1.FSV Mainz 05 Alemannia Aachener Arminia Bielefeld Bayer Leverkusen Borussia Dortmund Borussia Mönchengladbach Eintracht Frankfurt FC Bayern München FC Energie Cottbus FC Hansa Rostock FC Schalke 04 Hamburger SV Hannoverscher 96 Hertha BSC Berlin Karlsruher SC MSV Duisburg SV Werder Bremen TSV 1860 München VfB Stuttgart VfL Bochum VfL Wolfsburg Germany Menu
https://w.atwiki.jp/akatonbowiki/pages/5588.html
このページはこちらに移転しました everyday marmaladay 作詞/タマムシ 朝の寝室、窓の外からはhumming bird かぐわしいコーヒー香り、最高の目覚まし 焼きたてのパン、お気に入りのmarmalade everyday marmaladay
https://w.atwiki.jp/hmiku/pages/27493.html
【登録タグ CD CDA SeikoPCD 全国配信】 前作 本作 次作 Repose Aletheia Affectio SeikoP 流通 即売 委託 配信 発売 2013年10月27日 2013年11月8日 価格 ¥700 ¥735(税込) ¥900 / 1曲¥150 サークル Peridot Foresta iTunes Storeで購入する 紹介 SeikoPことムツキセイ氏の7曲入りCD。 M3-2013秋で初頒布。 D-STAGEで委託販売が、KARENTレーベルよりダウンロード販売が行われている。 曲目 Aletheia (feat. 巡音ルカ) OvalWorld 霞む森 (feat. 初音ミク) Chalice 双つの記憶 (feat. VY1) Ennoia (feat. 巡音ルカ メグッポイド) 蛍が消える時 リンク 作者ブログ D-STAGE KARENT:「Aletheia」 コメント 名前 コメント
https://w.atwiki.jp/usb_audio/pages/27.html
原文:Audio Terminal Types 1.0(PDF) USB Device Class Definition for Terminal Types Release 1.0 March 18, 1998 6 1 Introduction The intention of this document is to describe in detail all the Terminal Types that are supported by the Audio Device Class. This document is considered an integral part of the Audio Device Class Specification, although subsequent revisions of this document are independent of the revision evolution of the main Audio Device Class Specification. This is to easily accommodate the addition of new Terminal Types without impeding the core Audio Device Class Specification. 1.1 Scope The Audio Device Class Definition applies to all devices or functions embedded in composite devices. All audio signals inside an audio function start at an Input Terminal, pass through some Units, and leave the function through an Output Terminal. Units can manipulate the signal in various ways. Terminals represent the connections of the function to the outside world. As part of the Terminal descriptor, the wTerminalType field specifies the vendor’s suggested use of the Terminal. For example, a pair of speakers is a more suitable target for music output than a telephone line. This feature allows a vendor to ensure that applications use the device in a consistent and meaningful way. 1.2 Related Documents · Universal Serial Bus Specification, 1.0 final draft revision (also referred to as the USB Specification). In particular, see Chapter 9, “USB Device Framework”. · Universal Serial Bus Device Class Definition for Audio Data Formats (referred to in this document as USB Audio Data Formats). · Universal Serial Bus Device Class Definition for Terminal Types (referred to in this document as USB Audio Terminal Types). · ANSI S1.11-1986 standard. · MPEG-1 standard ISO/IEC 111172-3 1993. · MPEG-2 standard ISO/IEC 13818-3 Feb. 20, 1997. · Digital Audio Compression Standard (AC-3), ATSC A/52 Dec. 20, 1995. (available from http //www.atsc.org) · ANSI/IEEE-754 floating-point standard. · ISO/IEC 958 International Standard Digital Audio Interface and Annexes. · ISO/IEC 1937 standard. · ITU G.711 standard. 1.3 Terms and Abbreviations None. USB Device Class Definition for Terminal Types Release 1.0 March 18, 1998 7 2 Terminal Types The following is a list of possible Terminal Types. This list is non-exhaustive and will only be expandedin the future. 2.1 USB Terminal Types These Terminal Types describe Terminals that handle signals carried over the USB, usually throughisochronous pipes. These Terminal Types are valid for both Input and Output Terminals. Table 2-1 USB Terminal Types Terminal Type Code I/O Description USB Undefined 0x0100 I/O USB Terminal, undefined Type. USB streaming 0x0101 I/O A Terminal dealing with a signal carried over an endpoint in an AudioStreaming interface. The AudioStreaming interface descriptor points to the associated Terminal through the bTerminalLink field. USB vendor specific 0x01FF I/O A Terminal dealing with a signal carried over a vendor-specific interface. The vendor-specific interface descriptor must contain a field that references the Terminal. 2.2 Input Terminal Types These Terminal Types describe Terminals that are designed to record sounds. They either are physically part of the audio function or can be assumed to be connected to it in normal operation. These Terminal Types are valid only for Input Terminals Table 2-2 Input Terminal Types Termina Type Code I/O Description Input Undefined 0x0200 I Input Terminal, undefined Type. Microphone 0x0201 I A generic microphone that does not fit under any of the other classifications. Desktop microphone 0x0202 I A microphone normally placed on the desktop or integrated into the monitor. Personal microphone 0x0203 I A head-mounted or clip-on microphone. Omni-directional microphone 0x0204 I A microphone designed to pick up voice from more than one speaker at relatively long ranges. Microphone array 0x0205 I An array of microphones designed for directional processing using host-based signal processing algorithms. USB Device Class Definition for Terminal Types Release 1.0 March 18, 1998 8 Terminal Type Code I/O Description Processing microphone array 0x0206 I An array of microphones with an embedded signal processor. 2.3 Output Terminal Types These Terminal Types describe Terminals that produce audible signals that are intended to be heard by the user of the audio function. They either are physically part of the audio function or can be assumed to be connected to it in normal operation. These Terminal Types are only valid for Output Terminals. The distinction between headphones, desktop speakers, and room speakers may be used by applications to select different 3D signal processing algorithms. Table 2-3 Output Terminal Types Terminal Type Code I/O Description Output Undefined 0x0300 O Output Terminal, undefined Type. Speaker 0x0301 O A generic speaker or set of speakers that does not fit under any of the other classifications. Headphones 0x0302 O A head-mounted audio output device. Head Mounted Display Audio 0x0303 O The audio part of a VR head mounted display. The Associated Interfaces descriptor can be used to reference the HID interface used to report the position and orientation of the HMD. Desktop speaker 0x0304 O Relatively small speaker or set of speakers normally placed on the desktop or integrated into the monitor. These speakers are close to the user and have limited stereo separation. Room speaker 0x0305 O Larger speaker or set of speakers that are heard well anywhere in the room. Communication speaker 0x0306 O Speaker or set of speakers designed for voice communication. Low frequency effects speaker 0x0307 O Speaker designed for low frequencies (subwoofer). Not capable of reproducing speech or music. 2.4 Bi-directional Terminal Types These Terminal Types describe an Input and an Output Terminal for voice communication that are closely related. They should be used together for bi-directional voice communication. They may be used separately for input only or output only. These types require two Terminal descriptors. Both have the same type. The two Terminals are linked together through the bAssocTerminal fields in their respective Terminal descriptors. The Associated Interfaces descriptor can be used to reference a HID interface for conferencing functions. USB Device Class Definition for Terminal Types Release 1.0 March 18, 1998 9 Table 2-4 Bi-directional Terminal Types Terminal Type Code I/O Description Bi-directional Undefined 0x0400 I/O Bi-directional Terminal, undefined Type. Handset 0x0401 I/O Hand-held bi-directional audio device. Headset 0x0402 I/O Head-mounted bi-directional audio device. Speakerphone, no echo reduction 0x0403 I/O A hands-free audio device designed for host-based echo cancellation. Echo-suppressing speakerphone 0x0404 I/O A hands-free audio device with echo suppression capable of half-duplexoperation. Echo-canceling speakerphone 0x0405 I/O A hands-free audio device with echo cancellation capable of full-duplex operation. 2.5 Telephony Terminal Types These Terminal Types describe Terminals that connect to the PSTN or PBX. Initiating calls and monitoring call progress will be done through an associated interface which may be Communication, HID or Vendor-Specific class. These Terminals are bi-directional and follow the rules for bi-directional Terminals. Table 2-5 Telephony Terminal Types Terminal Type Code I/O Description Telephony Undefined 0x0500 I/O Telephony Terminal, undefined Type. Phone line 0x0501 I/O May be an analog telephone line jack, an ISDN line, a proprietary PBX interface, or a wireless link. Telephone 0x0502 I/O Device can be used as a telephone. When not in use as a telephone, handset is used as a bi-directional audio device. Down Line Phone 0x0503 I/O A standard telephone set connected to the device. When not in use as a telephone, it can be used as a bidirectional audio device. 2.6 External Terminal Types These Terminal Types describe external resources and connections that do not fit under the categories of Input or Output Terminals because they do not necessarily translate acoustic signals to or from the user of the computer. Most of them may be either Input or Output Terminals. USB Device Class Definition for Terminal Types Release 1.0 March 18, 1998 10 Table 2-6 External Terminal Types Terminal Type Code I/O Description External Undefined 0x0600 I/O External Terminal, undefined Type. Analog connector 0x0601 I/O A generic analog connector. Digital audio interface 0x0602 I/O A generic digital audio interface. Line connector 0x0603 I/O An analog connector at standard line levels. Usually uses 3.5mm. Legacy audio connector 0x0604 I/O An input connector assumed to be connected to the lineout of the legacy audio system of the host computer. Used for backward compatibility. S/PDIF interface 0x0605 I/O An S/PDIF digital audio interface. The Associated Interface descriptor can be used to reference an interface used for controlling special functions of this interface. 1394 DA stream 0x0606 I/O An interface to audio streams on a 1394 bus. 1394 DV stream soundtrack 0x0607 I/O An interface to soundtrack of A/V stream on a 1394 bus. 2.7 Embedded Function Terminal Types These Terminal Types represent connections to internal audio sources or sinks in a device. All have associated interfaces for control. These interfaces may be HID or other classes (vendor-specific, mass storage for CD-ROM, etc.). Devices capable of both playback and recording should follow the rules for bidirectional Terminals. Table 2-7 Embedded Terminal Types Terminal Type Code I/O Description Embedded Undefined 0x0700 I/O Embedded Terminal, undefined Type. Level Calibration Noise Source 0x0701 O Internal Noise source for level calibration (MPEG decoding, Dolby PrologicÔ, AC-3 etc.) Equalization Noise 0x0702 O Internal Noise source for measurements. CD player 0x0703 I Audio compact disc player or CD-ROM capable of audio playback. DAT 0x0704 I/O Digital Audio Tape. DCC 0x0705 I/O Digital Compact Cassette. 1 - 6 - 11 ここを編集
https://w.atwiki.jp/michealfeng/pages/18.html
Everybody who is seriously interested in golfing must have a golf bag. Just as any fantastic, major soccer player will have their own individual soccer or any major carpenter may have their particular instruments, any golfer no matter what skill amount whom is passionate about the game need to have their own personal golfing bag. On the list of benefits of a golfing bag is that it permits you to definitely focus on your own recreation by letting you the convenience of readily available and organized tools. From starter to professional, one thing to hold close to your clubs with is vital. There are plenty of items you ought to be mindful of even though just before paying for a bag. Bear in mind there are two kinds of bags in general, cart baggage and have luggage. A carry bag is made use of if bao bao issey miyake you will do loads of walking around the class, and you simply will just carry this bag along with you. In distinction, cart baggage you would probably use once you do considerably less going for walks an could well be mainly using in a very golfing cart. These cart bags would be required when you ever make a decision to go to a golf study course which prohibits going for walks, there are numerous that do. In the event you are just starting off your golf video game then you should really possibly buy a have bag since they are inexpensive. Even so, as your turn into extra professional and even more of a expert you then must eventually buy a cart bag. You could be a commencing golfer and question why you d probably even need a bag of you merely possess a number of golf equipment. A golfing bag is one thing that reveals how significant you might be, and makes it possible for you flexibility when playing the sport. You may have fewer trouble fumbling about using your clubs or other tools, and become able to just participate in. You should thoroughly evaluate the bag inside and out. Assess how comfortable it is actually on you though walking, ahead of you buy it test it on and stroll all around in the shop. Notice the straps on the bag and find out whenever they have excellent padding and adjustability. Maintain in your mind you ll commit various hours at a time using this bag and hauling it close to. You ll also wish to be aware in the kind and excellent of your bag materials, very low quality materials will split down in only a number of months of golfing, you do not need to own to acquire an additional bag following year. You will find water resistant baggage to guard versus rain. Most baggage will delay to fifteen golf equipment, so remember of what you at this time want and allow a little home for replica dior enlargement. Pounds is another main, along with the most vital, factor it s essential to take into consideration when picking your bag. Find a balance amongst sturdiness and lightness. You are doing desire a potent, sound bag but do not want it to generally be large. You will come across 8 - ten pockets in most golf luggage, however, you will get a lot more if you have to have the extra home. Remember the more place and dividers you have will improve the weight on the bag, so opt for diligently. All round, go with a bag in your funds that offers by far the most room and greatest products per pound.
https://w.atwiki.jp/wgcranking/pages/347.html
Jam Marmalade / FinalOffset NORMAL Rank Name Score Just Great Good Bad Poor Comment 1 1234 0 0 0 0 0 0 ANOTHER Rank Name Score Just Great Good Bad Poor Comment 1 SYD 1260 253 243 15 0 4 97460-hs4 登録者一覧 SYD
https://w.atwiki.jp/touhoukashi/pages/4796.html
【登録タグ G Silver Forest Silver Forest 2006-2012 BESTⅠ あやや ラストリモート 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/ltltgtgt/pages/354.html
NORMAL(ノーマル)譜面 ポップンミュージックにおける、その楽曲の最も基本的な譜面のこと。通常「N譜面」と略して呼ばれ、その曲のノーマル譜面を言う場合は「~N」というように表現されるのが一般的。 ポップンの上達の基本はこの譜面にあると思えばよい。 ただし基本的な譜面だけにある意味では上級部屋における対戦において最も神経を使う譜面であり、たったひとつのミスが(コンボを切る、どころかたった1GOODを出してしまった程度ですら)勝敗を左右することも決して珍しくない。 N譜面を多用することを批難する人間がいるとすれば、譜面把握力の低さを自ら暴露していることに気づかない可哀相な人間であるといっても良いだろう。 ちなみにポップン5以降はこれよりも易しい、両側の白・黄色を使わない5ボタン譜面が登場。 より初心者向けで譜面も簡単になるが、画面の大半が覆い隠されるため視野が狭く、上達して9ボタンをプレイする場合は広い視野が見渡せずに混乱する場合も多い。 また最近は構成がN譜面のコンパチだったり(例:グランヂデス、アジアンミクスチャー、エピックポエトリー、ハイパーJポップ3など)、明らかにN譜面よりも難しい5ボタン譜面が登場したりもしている。
https://w.atwiki.jp/gohongilab2/pages/53.html
tags url Google Scholar auther MacCormack, A.D. and Rusnak, J. and Baldwin, C.Y. bibtex @article{MaccormackEtAl2008exploring, title={{Exploring the Duality between Product and Organizational Architectures A Test of the Mirroring Hypothesis}}, author={MacCormack, A.D. and Rusnak, J. and Baldwin, C.Y.}, journal={Harvard Business School Working Papers}, year={2008}, publisher={Harvard Business School} } format for references * abstract memo chap1 Introduction #pp .3 Much recent research points to the critical role of product architecture in the successful development of a firm s new products and services, the competitiveness of its product lines and the successful evolution of its technical capabilities (e.g....."some references") Henderson and Clark show that incumbent firms often stumble when faced with innovations that are "architectural" in nature. They assert that these dynamics occur because product designs "mirror" the organizations that develop them, a concept that is somtimes referred to as duality. DSMs Design Structure matrices open source (or "free") software, which is characterized by a) the distribution of a program s source code along with the binary version of the product b) a license that allows a user to make unlimited copies of and modifications to this product Successful open source software projects tend to be characterized by large, distributed terms fo volunteer developers who contribute new features, fix defects in exisiting code and write documentation for the product (Raymond,,,,,,). These developers, which can number in the hundreds, are located around the globe hence often never meet. #pp .4 Given this proximity, the sharing of information about solutions being adopted in different parts of the design is much easier, and may even be encouraged (e.g., if the creation of a dependency between two parts of a design would lead to increased performance). chap. 2 Research Motivation The architecture of a product is the scheme by which the functions it performs are allocated to its constituent components (). #pp . 5 The roots of this work 1) organization theory organizations should be designed to reflect the nature of the tasks that they perform (2refs). 2)transaction cost theory transaction cost theory predicts that different organizational forms are required to effectively solve the contractual challenges associated with tasks that possess different levels of uncertainly and interdependency (2 refs.) To the degree that different product architectures require a different set of tasks to be performed, this work suggests that organizations and architecures must be aligned. #pp . 6 dominant design = Utterback 1996 Sec. 2.1 Product Architecture...... Modularity is the way that a product design is decomposed into different parts or modules. #pp . 8 The formal study of software modularity began with Parnas(1972) who proposed the concept of informaiton hiding as a mechanism for dividing code into modular units. Some authers argue that open source software is inherently more modular than proprietary software (2 refs). Others suggest that modularity is a required property for this method to succeed (1ref).ß cited as