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CHAPTER XVIII UP CHAPTER XX CHAPTER XIX A Concert a Catastrophe and a Confession "MARILLA, can I go over to see Diana just for a minute?" asked Anne, running breathlessly down from the east gable one February evening. "I don t see what you want to be traipsing about after dark for," said Marilla shortly. "You and Diana walked home from school together and then stood down there in the snow for half an hour more, your tongues going the whole blessed time, clickety-clack. So I don t think you re very badly off to see her again." "But she wants to see me," pleaded Anne. "She has something very important to tell me." "How do you know she has?" "Because she just signaled to me from her window. We have arranged a way to signal with our candles and cardboard. We set the candle on the window sill and make flashes by passing the cardboard back and forth. So many flashes mean a certain thing. It was my idea, Marilla." "I ll warrant you it was," said Marilla emphatically. "And the next thing you ll be setting fire to the curtains with your signaling nonsense." "Oh, we re very careful, Marilla. And it s so interesting. Two flashes mean, `Are you there? Three mean `yes and four `no. Five mean, `Come over as soon as possible, because I have something important to reveal. Diana has just signaled five flashes, and I m really suffering to know what it is." "Well, you needn t suffer any longer," said Marilla sarcastically. "You can go, but you re to be back here in just ten minutes, remember that." Anne did remember it and was back in the stipulated time, although probably no mortal will ever know just what it cost her to confine the discussion of Diana s important communication within the limits of ten minutes. But at least she had made good use of them. "Oh, Marilla, what do you think? You know tomorrow is Diana s birthday. Well, her mother told her she could ask me to go home with her from school and stay all night with her. And her cousins are coming over from Newbridge in a big pung sleigh to go to the Debating Club concert at the hall tomorrow night. And they are going to take Diana and me to the concert--if you ll let me go, that is. You will, won t you, Marilla? Oh, I feel so excited." "You can calm down then, because you re not going. You re better at home in your own bed, and as for that club concert, it s all nonsense, and little girls should not be allowed to go out to such places at all." "I m sure the Debating Club is a most respectable affair," pleaded Anne. "I m not saying it isn t. But you re not going to begin gadding about to concerts and staying out all hours of the night. Pretty doings for children. I m surprised at Mrs. Barry s letting Diana go." "But it s such a very special occasion," mourned Anne, on the verge of tears. "Diana has only one birthday in a year. It isn t as if birthdays were common things, Marilla. Prissy Andrews is going to recite `Curfew Must Not Ring Tonight. That is such a good moral piece, Marilla, I m sure it would do me lots of good to hear it. And the choir are going to sing four lovely pathetic songs that are pretty near as good as hymns. And oh, Marilla, the minister is going to take part; yes, indeed, he is; he s going to give an address. That will be just about the same thing as a sermon. Please, mayn t I go, Marilla?" "You heard what I said, Anne, didn t you? Take off your boots now and go to bed. It s past eight." "There s just one more thing, Marilla," said Anne, with the air of producing the last shot in her locker. "Mrs. Barry told Diana that we might sleep in the spare-room bed. Think of the honor of your little Anne being put in the spare-room bed." "It s an honor you ll have to get along without. Go to bed, Anne, and don t let me hear another word out of you." When Anne, with tears rolling over her cheeks, had gone sorrowfully upstairs, Matthew, who had been apparently sound asleep on the lounge during the whole dialogue, opened his eyes and said decidedly "Well now, Marilla, I think you ought to let Anne go." "I don t then," retorted Marilla. "Who s bringing this child up, Matthew, you or me?" "Well now, you," admitted Matthew. "Don t interfere then." "Well now, I ain t interfering. It ain t interfering to have your own opinion. And my opinion is that you ought to let Anne go." "You d think I ought to let Anne go to the moon if she took the notion, I ve no doubt" was Marilla s amiable rejoinder. "I might have let her spend the night with Diana, if that was all. But I don t approve of this concert plan. She d go there and catch cold like as not, and have her head filled up with nonsense and excitement. It would unsettle her for a week. I understand that child s disposition and what s good for it better than you, Matthew." "I think you ought to let Anne go," repeated Matthew firmly. Argument was not his strong point, but holding fast to his opinion certainly was. Marilla gave a gasp of helplessness and took refuge in silence. The next morning, when Anne was washing the breakfast dishes in the pantry, Matthew paused on his way out to the barn to say to Marilla again "I think you ought to let Anne go, Marilla." For a moment Marilla looked things not lawful to be uttered. Then she yielded to the inevitable and said tartly "Very well, she can go, since nothing else ll please you." Anne flew out of the pantry, dripping dishcloth in hand. "Oh, Marilla, Marilla, say those blessed words again." "I guess once is enough to say them. This is Matthew s doings and I wash my hands of it. If you catch pneumonia sleeping in a strange bed or coming out of that hot hall in the middle of the night, don t blame me, blame Matthew. Anne Shirley, you re dripping greasy water all over the floor. I never saw such a careless child." "Oh, I know I m a great trial to you, Marilla," said Anne repentantly. "I make so many mistakes. But then just think of all the mistakes I don t make, although I might. I ll get some sand and scrub up the spots before I go to school. Oh, Marilla, my heart was just set on going to that concert. I never was to a concert in my life, and when the other girls talk about them in school I feel so out of it. You didn t know just how I felt about it, but you see Matthew did. Matthew understands me, and it s so nice to be understood, Marilla." Anne was too excited to do herself justice as to lessons that morning in school. Gilbert Blythe spelled her down in class and left her clear out of sight in mental arithmetic. Anne s consequent humiliation was less than it might have been, however, in view of the concert and the spare-room bed. She and Diana talked so constantly about it all day that with a stricter teacher than Mr. Phillips dire disgrace must inevitably have been their portion. Anne felt that she could not have borne it if she had not been going to the concert, for nothing else was discussed that day in school. The Avonlea Debating Club, which met fortnightly all winter, had had several smaller free entertainments; but this was to be a big affair, admission ten cents, in aid of the library. The Avonlea young people had been practicing for weeks, and all the scholars were especially interested in it by reason of older brothers and sisters who were going to take part. Everybody in school over nine years of age expected to go, except Carrie Sloane, whose father shared Marilla s opinions about small girls going out to night concerts. Carrie Sloane cried into her grammar all the afternoon and felt that life was not worth living. For Anne the real excitement began with the dismissal of school and increased therefrom in crescendo until it reached to a crash of positive ecstasy in the concert itself. They had a "perfectly elegant tea;" and then came the delicious occupation of dressing in Diana s little room upstairs. Diana did Anne s front hair in the new pompadour style and Anne tied Diana s bows with the especial knack she possessed; and they experimented with at least half a dozen different ways of arranging their back hair. At last they were ready, cheeks scarlet and eyes glowing with excitement. True, Anne could not help a little pang when she contrasted her plain black tam and shapeless, tight-sleeved, homemade gray-cloth coat with Diana s jaunty fur cap and smart little jacket. But she remembered in time that she had an imagination and could use it. Then Diana s cousins, the Murrays from Newbridge, came; they all crowded into the big pung sleigh, among straw and furry robes. Anne reveled in the drive to the hall, slipping along over the satin-smooth roads with the snow crisping under the runners. There was a magnificent sunset, and the snowy hills and deep-blue water of the St. Lawrence Gulf seemed to rim in the splendor like a huge bowl of pearl and sapphire brimmed with wine and fire. Tinkles of sleigh bells and distant laughter, that seemed like the mirth of wood elves, came from every quarter. "Oh, Diana," breathed Anne, squeezing Diana s mittened hand under the fur robe, "isn t it all like a beautiful dream? Do I really look the same as usual? I feel so different that it seems to me it must show in my looks." "You look awfully nice," said Diana, who having just received a compliment from one of her cousins, felt that she ought to pass it on. "You ve got the loveliest color." The program that night was a series of "thrills" for at least one listener in the audience, and, as Anne assured Diana, every succeeding thrill was thrillier than the last. When Prissy Andrews, attired in a new pink-silk waist with a string of pearls about her smooth white throat and real carnations in her hair--rumor whispered that the master had sent all the way to town for them for her--"climbed the slimy ladder, dark without one ray of light," Anne shivered in luxurious sympathy; when the choir sang "Far Above the Gentle Daisies" Anne gazed at the ceiling as if it were frescoed with angels; when Sam Sloane proceeded to explain and illustrate "How Sockery Set a Hen" Anne laughed until people sitting near her laughed too, more out of sympathy with her than with amusement at a selection that was rather threadbare even in Avonlea; and when Mr. Phillips gave Mark Antony s oration over the dead body of Caesar in the most heartstirring tones--looking at Prissy Andrews at the end of every sentence--Anne felt that she could rise and mutiny on the spot if but one Roman citizen led the way. Only one number on the program failed to interest her. When Gilbert Blythe recited "Bingen on the Rhine" Anne picked up Rhoda Murray s library book and read it until he had finished, when she sat rigidly stiff and motionless while Diana clapped her hands until they tingled. It was eleven when they got home, sated with dissipation, but with the exceeding sweet pleasure of talking it all over still to come. Everybody seemed asleep and the house was dark and silent. Anne and Diana tiptoed into the parlor, a long narrow room out of which the spare room opened. It was pleasantly warm and dimly lighted by the embers of a fire in the grate. "Let s undress here," said Diana. "It s so nice and warm." "Hasn t it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They re always wanting the big scholars to recite. Gilbert Blythe does often and he s only two years older than us. Oh, Anne, how could you pretend not to listen to him? When he came to the line, "THERE S ANOTHER, not A SISTER, he looked right down at you." "Diana," said Anne with dignity, "you are my bosom friend, but I cannot allow even you to speak to me of that person. Are you ready for bed? Let s run a race and see who ll get to the bed first." The suggestion appealed to Diana. The two little white-clad figures flew down the long room, through the spare-room door, and bounded on the bed at the same moment. And then--something--moved beneath them, there was a gasp and a cry--and somebody said in muffled accents "Merciful goodness!" Anne and Diana were never able to tell just how they got off that bed and out of the room. They only knew that after one frantic rush they found themselves tiptoeing shiveringly upstairs. "Oh, who was it--WHAT was it?" whispered Anne, her teeth chattering with cold and fright. "It was Aunt Josephine," said Diana, gasping with laughter. "Oh, Anne, it was Aunt Josephine, however she came to be there. Oh, and I know she will be furious. It s dreadful--it s really dreadful--but did you ever know anything so funny, Anne?" "Who is your Aunt Josephine?" "She s father s aunt and she lives in Charlottetown. She s awfully old--seventy anyhow--and I don t believe she was EVER a little girl. We were expecting her out for a visit, but not so soon. She s awfully prim and proper and she ll scold dreadfully about this, I know. Well, we ll have to sleep with Minnie May--and you can t think how she kicks." Miss Josephine Barry did not appear at the early breakfast the next morning. Mrs. Barry smiled kindly at the two little girls. "Did you have a good time last night? I tried to stay awake until you came home, for I wanted to tell you Aunt Josephine had come and that you would have to go upstairs after all, but I was so tired I fell asleep. I hope you didn t disturb your aunt, Diana." Diana preserved a discreet silence, but she and Anne exchanged furtive smiles of guilty amusement across the table. Anne hurried home after breakfast and so remained in blissful ignorance of the disturbance which presently resulted in the Barry household until the late afternoon, when she went down to Mrs. Lynde s on an errand for Marilla. "So you and Diana nearly frightened poor old Miss Barry to death last night?" said Mrs. Lynde severely, but with a twinkle in her eye. "Mrs. Barry was here a few minutes ago on her way to Carmody. She s feeling real worried over it. Old Miss Barry was in a terrible temper when she got up this morning--and Josephine Barry s temper is no joke, I can tell you that. She wouldn t speak to Diana at all." "It wasn t Diana s fault," said Anne contritely. "It was mine. I suggested racing to see who would get into bed first." "I knew it!" said Mrs. Lynde, with the exultation of a correct guesser. "I knew that idea came out of your head. Well, it s made a nice lot of trouble, that s what. Old Miss Barry came out to stay for a month, but she declares she won t stay another day and is going right back to town tomorrow, Sunday and all as it is. She d have gone today if they could have taken her. She had promised to pay for a quarter s music lessons for Diana, but now she is determined to do nothing at all for such a tomboy. Oh, I guess they had a lively time of it there this morning. The Barrys must feel cut up. Old Miss Barry is rich and they d like to keep on the good side of her. Of course, Mrs. Barry didn t say just that to me, but I m a pretty good judge of human nature, that s what." "I m such an unlucky girl," mourned Anne. "I m always getting into scrapes myself and getting my best friends--people I d shed my heart s blood for--into them too. Can you tell me why it is so, Mrs. Lynde?" "It s because you re too heedless and impulsive, child, that s what. You never stop to think--whatever comes into your head to say or do you say or do it without a moment s reflection." "Oh, but that s the best of it," protested Anne. "Something just flashes into your mind, so exciting, and you must out with it. If you stop to think it over you spoil it all. Haven t you never felt that yourself, Mrs. Lynde?" No, Mrs. Lynde had not. She shook her head sagely. "You must learn to think a little, Anne, that s what. The proverb you need to go by is `Look before you leap --especially into spare-room beds." Mrs. Lynde laughed comfortably over her mild joke, but Anne remained pensive. She saw nothing to laugh at in the situation, which to her eyes appeared very serious. When she left Mrs. Lynde s she took her way across the crusted fields to Orchard Slope. Diana met her at the kitchen door. "Your Aunt Josephine was very cross about it, wasn t she?" whispered Anne. "Yes," answered Diana, stifling a giggle with an apprehensive glance over her shoulder at the closed sitting-room door. "She was fairly dancing with rage, Anne. Oh, how she scolded. She said I was the worst-behaved girl she ever saw and that my parents ought to be ashamed of the way they had brought me up. She says she won t stay and I m sure I don t care. But Father and Mother do." "Why didn t you tell them it was my fault?" demanded Anne. "It s likely I d do such a thing, isn t it?" said Diana with just scorn. "I m no telltale, Anne Shirley, and anyhow I was just as much to blame as you." "Well, I m going in to tell her myself," said Anne resolutely. Diana stared. "Anne Shirley, you d never! why--she ll eat you alive!" "Don t frighten me any more than I am frightened," implored Anne. "I d rather walk up to a cannon s mouth. But I ve got to do it, Diana. It was my fault and I ve got to confess. I ve had practice in confessing, fortunately." "Well, she s in the room," said Diana. "You can go in if you want to. I wouldn t dare. And I don t believe you ll do a bit of good." With this encouragement Anne bearded the lion in its den--that is to say, walked resolutely up to the sitting-room door and knocked faintly. A sharp "Come in" followed. Miss Josephine Barry, thin, prim, and rigid, was knitting fiercely by the fire, her wrath quite unappeased and her eyes snapping through her gold-rimmed glasses. She wheeled around in her chair, expecting to see Diana, and beheld a white-faced girl whose great eyes were brimmed up with a mixture of desperate courage and shrinking terror. "Who are you?" demanded Miss Josephine Barry, without ceremony. "I m Anne of Green Gables," said the small visitor tremulously, clasping her hands with her characteristic gesture, "and I ve come to confess, if you please." "Confess what?" "That it was all my fault about jumping into bed on you last night. I suggested it. Diana would never have thought of such a thing, I am sure. Diana is a very ladylike girl, Miss Barry. So you must see how unjust it is to blame her." "Oh, I must, hey? I rather think Diana did her share of the jumping at least. Such carryings on in a respectable house!" "But we were only in fun," persisted Anne. "I think you ought to forgive us, Miss Barry, now that we ve apologized. And anyhow, please forgive Diana and let her have her music lessons. Diana s heart is set on her music lessons, Miss Barry, and I know too well what it is to set your heart on a thing and not get it. If you must be cross with anyone, be cross with me. I ve been so used in my early days to having people cross at me that I can endure it much better than Diana can." Much of the snap had gone out of the old lady s eyes by this time and was replaced by a twinkle of amused interest. But she still said severely "I don t think it is any excuse for you that you were only in fun. Little girls never indulged in that kind of fun when I was young. You don t know what it is to be awakened out of a sound sleep, after a long and arduous journey, by two great girls coming bounce down on you." "I don t KNOW, but I can IMAGINE," said Anne eagerly. "I m sure it must have been very disturbing. But then, there is our side of it too. Have you any imagination, Miss Barry? If you have, just put yourself in our place. We didn t know there was anybody in that bed and you nearly scared us to death. It was simply awful the way we felt. And then we couldn t sleep in the spare room after being promised. I suppose you are used to sleeping in spare rooms. But just imagine what you would feel like if you were a little orphan girl who had never had such an honor." All the snap had gone by this time. Miss Barry actually laughed--a sound which caused Diana, waiting in speechless anxiety in the kitchen outside, to give a great gasp of relief. "I m afraid my imagination is a little rusty--it s so long since I used it," she said. "I dare say your claim to sympathy is just as strong as mine. It all depends on the way we look at it. Sit down here and tell me about yourself." "I am very sorry I can t," said Anne firmly. "I would like to, because you seem like an interesting lady, and you might even be a kindred spirit although you don t look very much like it. But it is my duty to go home to Miss Marilla Cuthbert. Miss Marilla Cuthbert is a very kind lady who has taken me to bring up properly. She is doing her best, but it is very discouraging work. You must not blame her because I jumped on the bed. But before I go I do wish you would tell me if you will forgive Diana and stay just as long as you meant to in Avonlea." "I think perhaps I will if you will come over and talk to me occasionally," said Miss Barry. That evening Miss Barry gave Diana a silver bangle bracelet and told the senior members of the household that she had unpacked her valise. "I ve made up my mind to stay simply for the sake of getting better acquainted with that Anne-girl," she said frankly. "She amuses me, and at my time of life an amusing person is a rarity." Marilla s only comment when she heard the story was, "I told you so." This was for Matthew s benefit. Miss Barry stayed her month out and over. She was a more agreeable guest than usual, for Anne kept her in good humor. They became firm friends. When Miss Barry went away she said "Remember, you Anne-girl, when you come to town you re to visit me and I ll put you in my very sparest spare-room bed to sleep." "Miss Barry was a kindred spirit, after all," Anne confided to Marilla. "You wouldn t think so to look at her, but she is. You don t find it right out at first, as in Matthew s case, but after a while you come to see it. Kindred spirits are not so scarce as I used to think. It s splendid to find out there are so many of them in the world." CHAPTER XVIII UP CHAPTER XX 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 22 55 (Tue)
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アニメ版や実写映画版で個人的に心に残ったセリフをピックアップ アニメ版 We love our bread,welove our butter,but most of all,we love each other パンが好きです、バターが好きです、でも何よりも、私たちはお互いが大好きです。 。 アニメ版より、食事前のお祈りの文言。「人はパンのみで生きるにあらず」という聖書の教えをさりげなく盛り込んだかのような印象的なフレーズ。 ちなみに、スペシャル版では微妙に表現が違っていて、最後の一文の最初が「And most of all...」になっている。 日本語的には「でも何よりも…」よりかは「そして何よりも」の方が表現的には自然だろうか。 また第1・2シーズンの日本語版では「パンをありがとう。バターをありがとう。そして何よりも、良き仲間をありがとう」という訳仕方で、より率直に日々の生きる糧への感謝の気持ちが表れたフレーズになっている。 実写映画版。 I know why you're doing this.It's because you're all alone, isn't it? You must've loved her very much.She was your whole family,wasn't she? 私、どうしてあなたがこんなことをするのかわかったの。独りぼっちでつらかったからでしょ？ 本当に大好きだったのね。たった1人の、大切な家族だったんでしょ？ I lost my family too...a long time ago,but they're not really gone,are they?She's dead. She's gone.No, she's not.She's still with you,and she's in the school too.Please, Lord Covington, she wouldn't want you to sell it. 私も家族をなくしたの……ずっと昔に。でも本当はいなくなってなんかない、そうでしょ？マリーは死んじゃった・・・もうここにはいない。違う、いなくなってなんかない！マリーはいつでもあなたと一緒にいるのよ。この学校にも。お願いコビントン卿。マリーはこの場所を手放してほしいなんて思ってないはずよ。 実写版「マドレーヌ」のラストシーン。 自分にとっての唯一の居場所である学校を奪おうとする存在としてコビントン卿を敵視していたマドレーヌだったが、 ~食堂に飾られたコビントン夫人の肖像画についてウズベキスタン大使に話をしている姿を見た時、 ~なぜ彼が学校を売ろうとしていたのかをようやく理解する ~彼はマドレーヌと同じように愛する人を失う痛みを抱え、悲しみから遠ざかりたいがために学校を手放そうとしていたのだった。 ~コビントン卿が抱える悲しみに心からの共感を抱いたマドレーヌは愛する人の心が息づく場所を捨ててはいけないと説得する。 ~愛するする人が天国に行ってしまっても、その心はいつもすぐそばにある。きっと彼女は自分自身にもそう言い聞かせていたに違いない。
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http //www.boyslikegirls.com/ Love Drunk Love Drunk 2009年9月8日 ( HD ) 1. Heart Heart Heartbreak / 2. Love Drunk / 3. She s Got A Boyfriend Now / 4. Two Is Better Than One [ featuring Taylor Swift ] / 5. Contagious / 6. Real Thing / 7. Someone Like You / 8. The Shot Heard Round The World / 9. The First One / 10. Chemicals Collide / 11. Go / 12. Love Drunk [ acoustic ] / 13. Love Drunk [ Mark Hoppus remix ]
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Make Her Mine Make Her Mine There s a girl Seen her walkin down the street Many times and man, she looks so fine Looks so good And I want to be with her All the time So I gotta make her mine ※ Gotta make her mine Woo-wooh Never felt like this before Always standin by my door To see her passin by Don t know why I see her walkin by I feel this way I must see her everyday ※ She came by And I talked to her today It s all right And we re gonna meet tonight Love this girl And I want to be with her All the time So I gotta make her mine ※ There she is And she s walkin down the street Right on time How I m gonna make her mine
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web https //psychobarbies.bandcamp.com/ MusicStupid Cupid Music Stupid Cupid 2019/5/27 [ Barbiez Production ] 1. Go On 2. Dare 3. Lollipop Superstar 4. She s Insane 5. Mayday [ remaster ] 6. Punky Lullaby Hand numbered in just 100 pieces. 【 S.A. Music 】
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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Talent scout takes troubled former AUM cultist under his wingタレントスカウトは、困った元オウムカルト信者を彼の庇護の下に置く 参考資料 拡散状況 関連ページ Talent scout takes troubled former AUM cultist under his wing タレントスカウトは、困った元オウムカルト信者を彼の庇護の下に置く 0 Talent scout takes troubled former AUM cultist under his wing 2006,08,17 Shukan Shincho 8/17-24 By Ryann Connell タレントスカウトは、困った元オウムカルト信者を彼の庇護の下に置く 週刊新潮8/17-24 ライアン・コネル記 1 Kazumi Kitagawa, a former follower of Tokyo gas attack mastermind Shoko Asahara and a woman who defected to North Korea only to return to her homeland late last year, continues to lead a bizarre lifestyle, according to Shukan Shincho (8/17-24). 東京のガス攻撃の首謀者・麻原彰晃の元信者にして、北朝鮮に亡命したものの昨年末に故国に帰ってきた女性である、北川和美は、奇妙なライフスタイルで生活し続けている。週刊新潮(8/17-24)より。 2 Kitagawa has repeatedly shocked Japan, like when she posed for a series of nude photo shots and announced soon after her return that she had given birth during her sojourn in Kim Jong Il s peculiar paradise. たとえば彼女が一連のヌード写真撮影のモデルをしたときや、金正日の奇妙な極楽に滞在している間に自分は出産したと帰国直後に発表したときなど、北川は繰り返し日本に衝撃を与えてきた。 3 Now, almost a year after the 32-year-old came back to Japan, she s living in a bucolic part of Ibaraki Prefecture, being cared for by the family of Osamu Kaiho, the talent agency boss who brokered her departure from the communist country she had defected to after jumping out of a boat and swimming into North Korea a few years earlier. この三十二歳の女性が日本に帰国してからほとんど一年が経過した現在、彼女は茨城県の田舎に住んでいて、北朝鮮――ほんの数年前にボートから飛び出して泳いで入国して亡命したところ――からの彼女の帰還を周旋したタレント事務所のオーナー・海方修の一家の世話を受けている。 4 "Well, the main reason why she is here is because I brought her out of there and I consider it my responsibility to look after her," Kaiho tells Shukan Shincho. 「そうですね、彼女がここにいる主な理由は、私が彼女をあそこから連れ出したので、彼女の世話をするのは私の責任だと思うからです」と、海方は週刊新潮に語る。 5 Kaiho says that Kitagawa was heavily brainwashed during her time in North Korea and she is still showing the effects of that. He says that she is nowhere near a condition where she could fend for herself, adding that she believes somebody is tailing her whenever she goes outside. 北川は北朝鮮にいる間に重度の洗脳をされ、まだその影響が見られると、海方はいう。 彼女はとうてい自活可能な状況ではない、と彼はいい、外出するときはいつも誰かに尾行されていると彼女は信じている、とつけ加える。 6 "We have absolutely no idea what might happen to her, so we don t let her go out on her own," the talent agency boss says. "Compounding matters, though, she has no idea of what s involved in getting along with others and won t even wait her turn to use the toilet. We can t possibly let that be." 「彼女にいったい何が起こるか、私たちにはまったくわからないので、私たちは彼女を一人だけでは外出させません」と、タレント事務所オーナーは言う。 とはいえ、具合のわるいことに、彼女は他者との関わり方がまったくわからず、トイレを使う順番を待とうともしないのです。これはそのままにはしておけません」 7 Upon returning to Japan, Kitagawa at first apparently refused to eat anything other than kimchee, the pickled cabbage concoction that is the national dish of Korea. Even though her tastes have changed slightly, the Korean flavor remains. 日本帰国直後は、最初のうち北川はキムチ――キャベツの漬物が入っている朝鮮の郷土料理――以外のものを食べることを拒否したらしい。彼女の好みはわずかに変化したものの、朝鮮風の嗜好はそのままだ。 8 "Whenever we make her anything to eat, it has to be really, really spicy. Even when we give her miso soup,she turned it into a spicy tofu soup like they eat in Korea," Kaiho says. 「私たちが彼女に何か食べ物を作るとき、それはとてもとても辛くなくてはいけません」「私たちが彼女に味噌汁を与えたときですら、彼女は味噌汁を、朝鮮の人が食べるような辛い豆腐スープにしてしまいました」 9 Kitagawa spends most of her days sitting around on the second floor of the Kaiho home, watching TV soapies or the news. 北川は一日のほとんどを海方の家の二階で無為に過ごしており、連続テレビドラマやニュースを見る。 10 "We can t let her just do that, so about once every couple of weeks, we take her out shopping. She s like any other woman in that she loves shopping. The other day we took her to Roppongi Hills where we all watched The Da Vinci Code, " Kaiho says. "I must admit it was a bit weird when it got to a torture scene in the movie and Kitagawa was the only person in the theater laughing her head off." 「彼女にそうさせておいてはいけないので、二週間に一回くらい、私たちは彼女を連れ出して買い物をします。 ほかの女性と同じように、彼女は買い物が大好きです。 先日私たちは六本木ヒルズに彼女を連れて行って、そこでみんなで「ダビンチコード」を鑑賞しました。 映画が拷問のシーンになったときに映画館の中で笑い転げていたのは北川一人だけだったときは、気味が悪かったことを認めざるを得ません。 11 Kitagawa is also an avid artist, with the talent agent saying that her abilities with the pen border on a genius. ペンを持たせたら北川の技量は天才なみだと海方がいうくらい、彼女はまた、熱心な芸術家である。 12 "She said she wanted to become an actress or a writer, but I reckon her talents would probably be better put to use with art," he says. 「彼女は女優か作家になりたいといいましたが、彼女の才能(タレント)はおそらく美術にむいているだろう、と私は思います」と、彼は言う。 13 For the meantime, it seems Kitagawa is unlikely to be going too far from the talent agent s home. 今のところ、北川がタレント事務所オーナーの家からあまりに遠く離れることはなさそうである。 14 "I m the only person she can trust at the moment. She can t even trust my wife. She used to call me Dad, but now she calls me The Chairman, " talent agent Kaiho tells Shukan Shincho. "I spent 50 million yen getting her back to Japan and some people are saying I m going to try and make that money back by turning her into a celebrity. That couldn t be further from the truth. She s not capable of doing anything like that at the moment." (By Ryann Connell) 「今のところ、彼女が信用する人は私一人だけです。彼女は私の妻すら信用しません。 以前彼女は私のことを『お父さん』と呼んだものですが、今は『主席』と呼びます」と、タレント代理業者の海方は週刊新潮に語る。 「彼女を日本に帰国させるために私は五千万円使ったので、彼女を有名人にすることでそのお金を取り戻そうとしているという人たちもいます。それは事実とはまったく違います。 今のところ彼女にはそういったことをする能力がまったくありませんから」(ライアン・コネル記) 15 August 17, 2006 2006年8月17日 参考資料 オウム真理教 http //ja.wikipedia.org/wiki/%E3%82%AA%E3%82%A6%E3%83%A0%E7%9C%9F%E7%90%86%E6%95%99 麻原彰晃 http //ja.wikipedia.org/wiki/%E9%BA%BB%E5%8E%9F%E5%BD%B0%E6%99%83 北川和美 http //d.hatena.ne.jp/keyword/%CB%CC%C0%EE%CF%C2%C8%FE 拡散状況 Japundit http //blog.japundit.com/archives/2006/08/19/3353/ 英語サイト 部分転載；http //www.encircling.us/index.php?page=aug2006 関連ページ Japundit WaiWaiの記事を転載した英語サイト：E 毎日新聞英語版から配信された記事2006年
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【登録タグ S VOCALOID きゃしゃんP 曲 神威がくぽ 鏡音リン】 作詞：きゃしゃんP 作曲：きゃしゃんP 編曲：きゃしゃんP 唄：鏡音リン（リン版）、神威がくぽ（がくぽ版） 曲紹介 低音リンとダークな歌詞が印象的。 後になってがくぽ版も投稿されました。 歌詞 Midnight 太陽が恥じ入り 姿隠すひと時 コンクリの墓標から 這い出でる亡者の群れ 鉄の槌握り締め 鉛の弾を吐き出す 銅の錆びた色に 鋼の刃を染める Dead or Alive なんて優しくない？ この街じゃ Dead or LivingDead 生者は供物（にえ）の子羊 屠らるを待つだけ 朝 光嫌う亡者達は 身を潜め獲物待つ セルロイドの毛皮纏い 羊の群れに紛れる 錆び色の音口ずさむ 私は取り残される 瑠璃色の音奏でる あなたを待ち焦がれる Dead or Alive なんで不安つのる？ 生きてない証 The LivingDead 時計細工のココロ あなただけの"所有物"（possession oens） "Day the star" is twinking in the sky and She is called "Venus" but also she is called too "Lucifer" 明けの明星は空に輝く。 かの星は女神の名で呼ばれ、 時として魔王の名を冠する. While the "girl" wanders in the city and having called disastar togather 一方で“星”は街を彷徨う 災厄を招きながら （ニコニコ動画より書き起こし） コメント 名前 コメント
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Shenmue II 項目数：27 総ポイント：1000 難易度： 1とのセット販売。$29.99 音声と実績は日本語対応。ゲーム中のテキストは日本語非対応。 攻略サイト(PS4版) https //gamekan.net/_shenmue_2/ 俺のバックパック 盗まれたバッグを取り戻す 50 思い込み厳禁 桃李少に会った 50 湾仔の秋 葉っぱをつかむ 50 華麗なる落下 レンと一緒に建物から落ちる 50 九官鳥部屋 ユアンの部屋から張書勤を救出する 50 旅人 香港をはなれる 50 五星公司の主（あるじ） 朱元達を見つける 50 期待のニューフェイス 黄天会のスカウトマンの前で格闘家を打ち負かす 50 巨漢堕つ 斗牛を倒す 50 その木の名は シェンムーという名の木と出遭う 50 物語は続く ゲームをクリアする 50 感謝のしるし ゲームの冒頭で胡弓弾きたちにお金をあげる 20 浪費家 バッグが盗まれた時点で所持金が50ドル以下。 40 御用だ、御用だ QTEでウォンを追い詰める 40 人助け 湾仔の方来旅社の近くで男の看板をまっすぐに直す 10 道場へ 湾仔の道場で摔法を教わる 20 甘酸っぱい別れ 香港を去る前に武徳を教わった4人の達人に別れを告げる 50 花満開の小路 莎花と一緒に花を眺める 30 マイマップ マップにマーカーを配置する 10 見習い 最初の技を修得する 10 熟練 技を5つ修得する 20 達人 技を10個修得する 30 名人 技を15個すべて修得する 50 チャレンジャー アームレスリングで1回勝つ 20 剛腕 アームレスリングで5回勝つ 30 思わず入室 占い師を訪ねる 40 修行の賜物 『ハングオン』『スペースハリアー』『アウトラン』『アフターバーナーII』をすべてプレイする 30 熟練、達人、名人 シェンムー2内で手に入る技書は全15種類だが、 実際には人から直接教わる技もカウントされているため全ての技書を入手する必要はない。 直接教わる技は期間限定の物が多いため攻略サイトを参照の事。 チャレンジャー 剛腕 累計ではなく、掛け金が50$の相手に勝てば「剛腕」解除。 ポーズボタンで一時停止出来るので、指を休めながら挑めば肉体的に楽。 修行の賜物 アウトラン、スペースハリアーは湾仔、詠黄街のゲームセンターに アフターバーナーIIは九龍城の点心街、朱雀楼に ハングオンは九龍城の黄天楼2F、222号室にある。 ハングオンをうっかり見逃さないように注意。
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Fishery 建築コスト 資金125 ,Building Module 1,Tools 2 メンテナンスコスト 資金-5 ,電力-1 サイズ 3x4 沿岸のみ 概要 漁場。 漁場はエコ、タイクーンそしてテックの食糧の需要を満たすために必要となります。 この建物はエコバランスに影響しません。 漁場は市民のランクを次の段階に勧めるためには必要不可欠です。 漁場は浜辺に作る必要はありません。海に面している場所であれば、海上に設置することも可能です。 この際、収穫した魚は空中輸送機を通して行われます。 空中輸送をするには、Warehouse、Port Authority そして、レベル3の Depotの範囲内にある必要があります。 複数の漁場が近くに建てられた場合、一台の空中輸送機が運ぶ以上の魚を生産します。 この問題を解決するにには３つの選択肢があります。 道路で漁場とストレージを結ぶ。 漁場を異なる島に建てる。 空中輸送機を持つ建物を他にも生産する。