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名前 種族 部族 出身国 Jon Shetla エレゼン ？？？♂ ？？？ コメント ファイター 格闘士（０） 剣術士（０） 斧術士（０） 弓術士（０） 槍術士（０） 盾術士（０） ソーサラー 呪術士（０） 幻術士（０） ギャザラー 漁師（０） 園芸士（０） 採掘士（０） クラフター 木工士（０） 鍛冶師（０） 甲冑士（０） 彫金士（０） 革細工師（０） 裁縫士（０） 錬金術師（０） 調理師（０） この職業もやっているよ ～～出身だよ、～～部族だよ等々指摘あったらコメントに記入を 名前 コメント
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元ネタ：Genesis of Aquarion（創聖のアクエリオン AKINO featuring bless4） 作：ﾔｼﾞｵｰﾃﾞｨｴﾝｽ プリがくり返し逢瀬を重ね 何度も何度も男に抱かれ 怪しむサレが眠れないサレがグダグダになったとしても 罪の名を挙げるために Crisis with suspipcion Think it over something to do Wonder if the truth is belief Who cares of already placed sight In your future where it ll be ways you won t go Mocking at everything you would ve got And almost nothing about what to get Who d made them all castles in the air All the more angry because all of them keep All of the work you d have to put in place will be messed If you wouldn t put it yourself, would be sure of the end For those times where you re angry at everything for reasons If by any chance your whole wife is fainted You get to break out or to break through to your own truth Done once, she d got used to it already at second time ラリってる 8th tryst with her lover had been finished, she wanted to see him more and more than ever before Hard to say of cop out she s been taking easy way out of problem She d become just bitch, so that she d botch this life for you and will make it everything Her tryst too usual and too atrophied no fear right now ラリってる You want her to show when she had date as your wife Everything, every saying, you ll bring to light with the biggest truth All these levels of cares You ve been watching wife 検索タグ AKINO アクエリオン アニメ フルコーラス 不倫サレ ﾔｼﾞｵｰﾃﾞｨｴﾝｽ メニュー 作者別リスト 元ネタ別リスト 内容別リスト フレーズ長別リスト
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www55.atwiki.jp/rtb213/pages/4.html The Beatles all songs 1962 Love Me Do Session S1 Love Me Do 01 Love Me Do 02 P.S. I Love You Please Please Me Session S2 Please Please Me 03 Please Please Me 04 Ask Me Why 1963 A1 Please Please Me 05 I Saw Her Standing There 06 Misery 07 Anna (Go To Him) 08 Chains 09 Boys 04 Ask Me Why 03 Please Please Me 01 Love Me Do 02 P.S. I Love You 10 Baby It s You 11 Do You Want To Know A Secret 12 A Taste Of Hone 13 There s A Place 14 Twist and Shout From Me To You Session S3 From Me To You 15 From Me To You 16 Thank You Girl She Loves You Session S4 She Loves You 17 She Loves YOu 18 I ll Get You With The Beatles Session A2 With The Beatles 19 It Won t Be Long 20 All I ve Got To Do 21 All My Loving 22 Don t Bother Me 23 Little Child 24 Till There Was You 25 Please Mr. Postman 26 Roll Over Beethoven 27 Hold Me Tight 28 You Really Got A Hold On Me 29 I Wanna Be Your Man 30 Devil In Her Heart 31 Not A Second Time 32 Money I Want To Hold Your Hand Session S5 I Want Hold Your Hand 33 I Want To Hold Your Hand 34 This Boy 1964 Can t Buy Me Love Session S6 Can t Buy Me Love 35 Cant t Buy Me Love 36 You Can t Do That EP5 Long Tall Sally 37 Long Tall Sally 38 I Call Your Name 39 Slow Down 40 Matchbox A Hard Day s Night Session S7 A Hard Day s Night 41 A Hard Day s Night 42 Things We Said Today A3 A Hard Day s Night 41 A HarD Day s Night 43 I Should Have Known Better 44 If I Fell 45 I m Happy Just To Dance With You 46 And I Love Her 47 Tell Me Why 35 Cant t Buy Me Love 48 Any Time At All 49 I ll Cry Instead 42 Things We Said Today 50 When I Get Home 36 You Can t Do That 51 I ll Be Back For Sale Session S8 I Feel Fine 52 I Feel Fine 53 She s A Woman A4 For Sale 54 No Reply 55 I m A Loser 56 Baby s In Black 57 Rock And Roll Music 58 I ll Follow The Sun 59 Mr. Moonlight 60 Kansas City/Hey Hey Hey Hey 61 Eight Days A Week 62 Words Of Love 63 Honey Don t 64 Every Little Thing 65 I Don t Want To Spoil The Party 66 What You re Doing 67 Everybody s Trying To Be My Baby 1965 Help! Session S9 Ticket to Ride 68 Ticket to Ride 69 Yes It Is S10 Help! 70 Help! 71 I m Down A4 Help! 70 Help! 72 The Night Before 73 You ve Got To Hide Your Love Away 74 I Need You 75 Another Girl 76 You re Going To Lose That Girl 68 Ticket To Ride 77 Act Naturally 78 It s Only Love 79 You Like Me Too Much 80 Tell Me What You See 81 I ve Just Seen A Face 82 Yesterday 83 Dizzy Miss Lizzy Rubber Soul Session S11 Day Tripper 84 Day Tripper 85 We Can Work It Out A6 Rubber Soul 86 Drive My Car 87 Norwegian Wood (This Bird Has Flown) 88 You Won t See Me 89 Nowhere Man 90 Think For Yourself 91 The Word 92 Michelle 93 What Goes On 94 Girl 95 I m Looking Through You 96 In My Life 97 Wait 98 If I Needed Someone 99 Run For Your Life 1966 Revolver Session S12 Paperback Writer 100 Paperback Writer 101 Rain S13 Eleanor Rigby 102 Eleanor Rigby 103 Yellow Submarine A7 Revolver 104 Taxman 102 Eleanor Rigby 105 I m Only Sleeping 106 Love You To 107 Here, There and Everywhere 103 Yellow Submarine 108 She Said, She Said 109 Good Day Sunshine 110 And Your Bird Can Sing 111 For No One 112 Dr. Robert 113 I Want To Tell You 114 Got To Get You Into My Life 115 Tomorrow Never Knows A A Collection of Beatles Oldies (But Golies) 116 Bad Boy 1967 Sgt. Pepper s Lonely Hearts Club Band Session S14 Penny Lane 117 Penny Lane 118 Strawberry Fields Forever A8 Sgt. Pepper s Lonely Hearts Club Band 119 Sgt. Pepper s Lonely Hearts Club Band 120 With A Little Help From My Friends 121 Lucy In The Sky With Diamonds 122 Getting Better 123 Fixing A Hole 124 She s Leaving Home 125 Being For The Benefit Of Mr. Kite 126 Within You, Without You 127 When I m Sixty Four 128 Lovely Rita 129 Good Morning, Good Morning 130 Sgt. Pepper s Lonely Hearts Club Band (Reprise) 131 A Day In The Life S15 All You Need Is Love 132 All You Need Is Love 133 Baby You re Rich Man S16 Hello Goodbye 134 Hello Goodbye 135 I Am The Walrus EP13 Magical Mystery Tour 136 Magical Mystery Tour 137 Your Mother Should Know 135 I Am The Walrus 138 The Fool On The Hill 139 Flying 140 Blue Jay Way 1968 White Album Session S17 Lady Maddonna 141 Lady Maddonna 142 The Inner Light S18 Hey Jude 143 Hey Jude 144 Revolution A9 The Beatles 145 Back In The U.S.S.R. 146 Dear Prudence 147 Glass Onion 148 Ob-La-Di, Ob-La-Da 149 Wild Honey Pie 150 The Continuing Story of Bungalow Bill 151 While My Guitar Gently Weeps 152 Happiness Is A Warm Gun 153 Martha My Dear 154 I m So Tired 155 Blackbird 156 Piggies 157 Rocky Racoon 158 Don t Pass Me By 159 Why Don t We Do It In The Road? 160 I Will 161 Julia 162 Birthday 163 Yer Blues 164 Mother Nature s Son 165 Everybody s Got Something To Hide Except Me and My Monkey 166 Sexy Sadie 167 Helter Skelter 168 Long, Long, Long 169 Revolution 1 170 Honey Pie 171 Savoy Truffle 172 Cry Baby Cry 173 Revolution 9 174 Good Night A10 Yellow Submarine Yellow Submarine 175 Only A Northern Song 176 All Together Now 177 Hey Bulldog 178 It s All Too Much All You Need Is Love 1969 Abbey Road Session A11 Abbey Road 183 Come Together 184 Something 185 Maxwell s Silver Hammer 186 Oh! Darling 187 Octopus s Garden 188 I Want You (She s So Heavy) 189 Here Comes The Sun 190 Because 191 You Never Give Me Your Money 192 Sun King 193 Mean Mr. Mustard 194 Polythene Pam 195 She Came In Through The Bathroom Window 196 Golden Slumbers 197 Carry That Weight 198 The End 199 Her Majesty S21 Something Something Come Together Get Back Session S19 Get Back 179 Get Back 180 Don t Let Me down S20 The Ballad Of John And Yoko 181 The Ballad Of John And Yoko 182 Old Brown Shoe S22 Let It Be 200 Let It Be 201 You Know My Name (Look Up Yhe Number) A12 Let It Be 202 Two Of Us 203 Dig A Pony 204 Across The Universe 205 I Me Mine 206 Dig It Let It Be 207 Maggie Mae 208 I ve Got A Feeling 209 One After 909 210 The Long And Winding Road 211 For You Blue Get Back *ドイツ語version 212 Komm, Gib Mir Deine Hand 213 She Liebt Dich Side one Film soundtrack No. Title Lead vocals Length 1. Magical Mystery Tour McCartney 2 48 2. The Fool on the Hill McCartney 3 00 3. Flying (John Lennon/Paul McCartney/George Harrison/Richard Starkey) (Instrumental) 2 16 4. Blue Jay Way (Harrison) Harrison 3 50 5. Your Mother Should Know McCartney 2 33 6. I Am the Walrus Lennon 4 35 Side two 1967 singles No. Title Lead vocals Length 1. Hello, Goodbye McCartney 3 24 2. Strawberry Fields Forever Lennon 4 05 3. Penny Lane McCartney 3 00 4. Baby, You re a Rich Man Lennon 3 07 5. All You Need Is Love Lennon 3 57
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Did the broodmother Zagara try to take you with her? ザガーラはお前を連れて行こうとはしなかったの？ No. Not powerful enough to command me. Only you. 無理だ。私に命令できる程の力はない。出来るのはお前ぐらいのものだ。 If she lacks that power, how did she think she could command the Swarm? 彼女に力が無いというのなら、どうしてスウォームを指揮できると思ったのかしら？ Adaptation. Place herself in situation where only option, evolution. Force change on herself. 適応だ。そうせざるおえない状況に身を置けば、進化する。変化を強制されるのだ。 So she may have evolved into something much more dangerous? That will make things interesting. もしかしたら彼女はもっと危険な存在に進化したかもしれないのね？そうだとしたら面白いじゃない。
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「へいきへいき。ほら、呼んでるよ。 はやくギルバートの歌聞かせてよ」 気がつくと、やけに大勢の人がギルバートの方を見ていた。他の隊の人まで集まってきたらしい。手近な青年にリディアを見ているように頼んで、ギルバートは輪の中央へと進んだ。 主役の登場を受けて歓声が湧き上がり、弦の調子を整えて前奏を始めると、潮のように引いていく。 そして歌い始めると、他の全ての音が消えた。 高く、低く。流れるように、踊るように。人が出しているとは思えないような豊かな声が、いつも大人しいギルバートの喉から生まれ、複雑な旋律を危なげもなく歌いこなす。 爪弾かれた竪琴は、ときには朝の雫のように艶やかな光を宿し、ときには真冬の星のようにキラキラと輝いて、出せない音などないかのように様々な音色を紡ぎ出す。 人と楽器が織りなす鮮やかな夢をリディアは見た。 戦乱に巻き込まれた４人の若者が抱く希望。 からくり仕掛けの巨人を操り、夜の雪原をさすらう少女。 囚われた青いナイトを待って姫が眠る硝子の宮殿。 星空のむこうから時を越えて届いた祈り。 そして── 幻想に心を奪われていたリディアが、なぜかふと視線をそらしたとき、人込みの中にその姿を見つけた。 And no one knows it- where she came from, whereshe s going （アンナ！？） ダムシアンで息絶えたはずのアンナが、歌うギルバートを見つめている。 血の跡などどこにもなく、穏やかに、幸せそうに。 She s like a rainbow. When she cames up, all are lit up And when she whispers, you will hear this- "Don t chase after rainbow ギルバートは気付いてないようだった。 リディアの視線を感じたのか、こちらを向いて悪戯っぽい笑いを浮かべ、人差し指を口に当てる。 Everyone is sad abd blue when she is far away, Don t you know it s time to pray she ll be coming soon? （なんで……） And once you meet her--
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CHAPTER XXVI UP CHAPTER XXVIII CHAPTER XXVII Vanity and Vexation of Spirit Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest. Marilla was not given to subjective analysis of her thoughts and feelings. She probably imagined that she was thinking about the Aids and their missionary box and the new carpet for the vestry room, but under these reflections was a harmonious consciousness of red fields smoking into pale-purply mists in the declining sun, of long, sharp-pointed fir shadows falling over the meadow beyond the brook, of still, crimson-budded maples around a mirrorlike wood pool, of a wakening in the world and a stir of hidden pulses under the gray sod. The spring was abroad in the land and Marilla s sober, middle-aged step was lighter and swifter because of its deep, primal gladness. Her eyes dwelt affectionately on Green Gables, peering through its network of trees and reflecting the sunlight back from its windows in several little coruscations of glory. Marilla, as she picked her steps along the damp lane, thought that it was really a satisfaction to know that she was going home to a briskly snapping wood fire and a table nicely spread for tea, instead of to the cold comfort of old Aid meeting evenings before Anne had come to Green Gables. Consequently, when Marilla entered her kitchen and found the fire black out, with no sign of Anne anywhere, she felt justly disappointed and irritated. She had told Anne to be sure and have tea ready at five o clock, but now she must hurry to take off her second-best dress and prepare the meal herself against Matthew s return from plowing. "I ll settle Miss Anne when she comes home," said Marilla grimly, as she shaved up kindlings with a carving knife and with more vim than was strictly necessary. Matthew had come in and was waiting patiently for his tea in his corner. "She s gadding off somewhere with Diana, writing stories or practicing dialogues or some such tomfoolery, and never thinking once about the time or her duties. She s just got to be pulled up short and sudden on this sort of thing. I don t care if Mrs. Allan does say she s the brightest and sweetest child she ever knew. She may be bright and sweet enough, but her head is full of nonsense and there s never any knowing what shape it ll break out in next. Just as soon as she grows out of one freak she takes up with another. But there! Here I am saying the very thing I was so riled with Rachel Lynde for saying at the Aid today. I was real glad when Mrs. Allan spoke up for Anne, for if she hadn t I know I d have said something too sharp to Rachel before everybody. Anne s got plenty of faults, goodness knows, and far be it from me to deny it. But I m bringing her up and not Rachel Lynde, who d pick faults in the Angel Gabriel himself if he lived in Avonlea. Just the same, Anne has no business to leave the house like this when I told her she was to stay home this afternoon and look after things. I must say, with all her faults, I never found her disobedient or untrustworthy before and I m real sorry to find her so now." "Well now, I dunno," said Matthew, who, being patient and wise and, above all, hungry, had deemed it best to let Marilla talk her wrath out unhindered, having learned by experience that she got through with whatever work was on hand much quicker if not delayed by untimely argument. "Perhaps you re judging her too hasty, Marilla. Don t call her untrustworthy until you re sure she has disobeyed you. Mebbe it can all be explained--Anne s a great hand at explaining." "She s not here when I told her to stay," retorted Marilla. "I reckon she ll find it hard to explain THAT to my satisfaction. Of course I knew you d take her part, Matthew. But I m bringing her up, not you." It was dark when supper was ready, and still no sign of Anne, coming hurriedly over the log bridge or up Lover s Lane, breathless and repentant with a sense of neglected duties. Marilla washed and put away the dishes grimly. Then, wanting a candle to light her way down the cellar, she went up to the east gable for the one that generally stood on Anne s table. Lighting it, she turned around to see Anne herself lying on the bed, face downward among the pillows. "Mercy on us," said astonished Marilla, "have you been asleep, Anne?" "No," was the muffled reply. "Are you sick then?" demanded Marilla anxiously, going over to the bed. Anne cowered deeper into her pillows as if desirous of hiding herself forever from mortal eyes. "No. But please, Marilla, go away and don t look at me. I m in the depths of despair and I don t care who gets head in class or writes the best composition or sings in the Sunday-school choir any more. Little things like that are of no importance now because I don t suppose I ll ever be able to go anywhere again. My career is closed. Please, Marilla, go away and don t look at me." "Did anyone ever hear the like?" the mystified Marilla wanted to know. "Anne Shirley, whatever is the matter with you? What have you done? Get right up this minute and tell me. This minute, I say. There now, what is it?" Anne had slid to the floor in despairing obedience. "Look at my hair, Marilla," she whispered. Accordingly, Marilla lifted her candle and looked scrutinizingly at Anne s hair, flowing in heavy masses down her back. It certainly had a very strange appearance. "Anne Shirley, what have you done to your hair? Why, it s GREEN!" Green it might be called, if it were any earthly color--a queer, dull, bronzy green, with streaks here and there of the original red to heighten the ghastly effect. Never in all her life had Marilla seen anything so grotesque as Anne s hair at that moment. "Yes, it s green," moaned Anne. "I thought nothing could be as bad as red hair. But now I know it s ten times worse to have green hair. Oh, Marilla, you little know how utterly wretched I am." "I little know how you got into this fix, but I mean to find out," said Marilla. "Come right down to the kitchen--it s too cold up here--and tell me just what you ve done. I ve been expecting something queer for some time. You haven t got into any scrape for over two months, and I was sure another one was due. Now, then, what did you do to your hair?" "I dyed it." "Dyed it! Dyed your hair! Anne Shirley, didn t you know it was a wicked thing to do?" "Yes, I knew it was a little wicked," admitted Anne. "But I thought it was worth while to be a little wicked to get rid of red hair. I counted the cost, Marilla. Besides, I meant to be extra good in other ways to make up for it." "Well," said Marilla sarcastically, "if I d decided it was worth while to dye my hair I d have dyed it a decent color at least. I wouldn t have dyed it green." "But I didn t mean to dye it green, Marilla," protested Anne dejectedly. "If I was wicked I meant to be wicked to some purpose. He said it would turn my hair a beautiful raven black--he positively assured me that it would. How could I doubt his word, Marilla? I know what it feels like to have your word doubted. And Mrs. Allan says we should never suspect anyone of not telling us the truth unless we have proof that they re not. I have proof now--green hair is proof enough for anybody. But I hadn t then and I believed every word he said IMPLICITLY." "Who said? Who are you talking about?" "The peddler that was here this afternoon. I bought the dye from him." "Anne Shirley, how often have I told you never to let one of those Italians in the house! I don t believe in encouraging them to come around at all." "Oh, I didn t let him in the house. I remembered what you told me, and I went out, carefully shut the door, and looked at his things on the step. Besides, he wasn t an Italian--he was a German Jew. He had a big box full of very interesting things and he told me he was working hard to make enough money to bring his wife and children out from Germany. He spoke so feelingly about them that it touched my heart. I wanted to buy something from him to help him in such a worthy object. Then all at once I saw the bottle of hair dye. The peddler said it was warranted to dye any hair a beautiful raven black and wouldn t wash off. In a trice I saw myself with beautiful raven-black hair and the temptation was irresistible. But the price of the bottle was seventy-five cents and I had only fifty cents left out of my chicken money. I think the peddler had a very kind heart, for he said that, seeing it was me, he d sell it for fifty cents and that was just giving it away. So I bought it, and as soon as he had gone I came up here and applied it with an old hairbrush as the directions said. I used up the whole bottle, and oh, Marilla, when I saw the dreadful color it turned my hair I repented of being wicked, I can tell you. And I ve been repenting ever since." "Well, I hope you ll repent to good purpose," said Marilla severely, "and that you ve got your eyes opened to where your vanity has led you, Anne. Goodness knows what s to be done. I suppose the first thing is to give your hair a good washing and see if that will do any good." Accordingly, Anne washed her hair, scrubbing it vigorously with soap and water, but for all the difference it made she might as well have been scouring its original red. The peddler had certainly spoken the truth when he declared that the dye wouldn t wash off, however his veracity might be impeached in other respects. "Oh, Marilla, what shall I do?" questioned Anne in tears. "I can never live this down. People have pretty well forgotten my other mistakes--the liniment cake and setting Diana drunk and flying into a temper with Mrs. Lynde. But they ll never forget this. They will think I am not respectable. Oh, Marilla, `what a tangled web we weave when first we practice to deceive. That is poetry, but it is true. And oh, how Josie Pye will laugh! Marilla, I CANNOT face Josie Pye. I am the unhappiest girl in Prince Edward Island." Anne s unhappiness continued for a week. During that time she went nowhere and shampooed her hair every day. Diana alone of outsiders knew the fatal secret, but she promised solemnly never to tell, and it may be stated here and now that she kept her word. At the end of the week Marilla said decidedly "It s no use, Anne. That is fast dye if ever there was any. Your hair must be cut off; there is no other way. You can t go out with it looking like that." Anne s lips quivered, but she realized the bitter truth of Marilla s remarks. With a dismal sigh she went for the scissors. "Please cut it off at once, Marilla, and have it over. Oh, I feel that my heart is broken. This is such an unromantic affliction. The girls in books lose their hair in fevers or sell it to get money for some good deed, and I m sure I wouldn t mind losing my hair in some such fashion half so much. But there is nothing comforting in having your hair cut off because you ve dyed it a dreadful color, is there? I m going to weep all the time you re cutting it off, if it won t interfere. It seems such a tragic thing." Anne wept then, but later on, when she went upstairs and looked in the glass, she was calm with despair. Marilla had done her work thoroughly and it had been necessary to shingle the hair as closely as possible. The result was not becoming, to state the case as mildly as may be. Anne promptly turned her glass to the wall. "I ll never, never look at myself again until my hair grows," she exclaimed passionately. Then she suddenly righted the glass. "Yes, I will, too. I d do penance for being wicked that way. I ll look at myself every time I come to my room and see how ugly I am. And I won t try to imagine it away, either. I never thought I was vain about my hair, of all things, but now I know I was, in spite of its being red, because it was so long and thick and curly. I expect something will happen to my nose next." Anne s clipped head made a sensation in school on the following Monday, but to her relief nobody guessed the real reason for it, not even Josie Pye, who, however, did not fail to inform Anne that she looked like a perfect scarecrow. "I didn t say anything when Josie said that to me," Anne confided that evening to Marilla, who was lying on the sofa after one of her headaches, "because I thought it was part of my punishment and I ought to bear it patiently. It s hard to be told you look like a scarecrow and I wanted to say something back. But I didn t. I just swept her one scornful look and then I forgave her. It makes you feel very virtuous when you forgive people, doesn t it? I mean to devote all my energies to being good after this and I shall never try to be beautiful again. Of course it s better to be good. I know it is, but it s sometimes so hard to believe a thing even when you know it. I do really want to be good, Marilla, like you and Mrs. Allan and Miss Stacy, and grow up to be a credit to you. Diana says when my hair begins to grow to tie a black velvet ribbon around my head with a bow at one side. She says she thinks it will be very becoming. I will call it a snood--that sounds so romantic. But am I talking too much, Marilla? Does it hurt your head?" "My head is better now. It was terrible bad this afternoon, though. These headaches of mine are getting worse and worse. I ll have to see a doctor about them. As for your chatter, I don t know that I mind it--I ve got so used to it." Which was Marilla s way of saying that she liked to hear it. CHAPTER XXVI UP CHAPTER XXVIII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 19 44 (Tue)
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