約 4,560,290 件
https://w.atwiki.jp/kasugabemani/pages/407.html
GENRE DISCO QUEEN（ディスコクイーン） TITLE what i want ARTIST THE RICHIE SISTERS CHARACTER CHAMEL? 作曲 編曲 収録作品 pop n music（初代）
https://w.atwiki.jp/art-seimitsu/pages/19.html
Ryota Matsumoto (松本良多) is a famous Philosopher, Artist, Japanese Author, and Instagram star from Japan. He is the founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in Tokyo and New York. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercials. He is a renowned architect and one of the most prominent theorists of postdigital art in Japan and the United States. He has served as the MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a man with a proactive approach and has painted the canvas of his dream with the colors of his consistent and persistent efforts. Bеіng passionate аbоut his work аnd аlwауѕ wanted tо carve а niche fоr himself іn life, wаѕ thе spark thаt ignited him to pursue his dreams and passion. We will walk you through all about him. BIOGRAPHY/Wiki He hails from Tokyo. He is 49 years old as of 2021. He is American by Nationality. His Zodiac sign is Pisces. His date of birth is March 9th 1972. He is a follower of Atheists. He attended Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in the early ’90s. He has a degree Master of Architecture from the University of Pennsylvania, which he received in 2007. He has won various laurels for his amazing work. He is the recipient of Visual Art Open First Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and many more. He specializes in building a positive brand image with the help of social media campaigns and digital marketing strategies. He collaborates with various renowned influencers including a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson of Coil, Cesar Pelli, and MIT Media Lab before establishing his office. He has worked on high-profile projects including Kyushu University Ito Campus masterplan (2003-2005), Shinjuku redevelopment project in Tokyo (2009-2012), Bach Mai hospital in Hanoi (2000), and Qingdao mixed-use development in China (2011). He strongly believes “One of the best ways to grow a business and garner more success is by growing your own personal brand” Several of his paintings have been exhibited in various art galleries. Several articles have been published about him. He shares various quotes and articles to inspire the youth and helping them to build a better future. His Instagram is full of his paintings. He has helped various artists grow by polishing their talent and help them find the correct lane. He is passionate about making dreams come true and hopes to inspire a lot of passionate minds Physical Appearance He is Smart and Cute. He is hugely popular among the youth. He is approximately 175 cm tall and weighs around 70Kg. He has an Average Build. He has black hair and both of his eyes have different colors Left Grey Right Dark Green. Family Religion Not Much is known about his family and his personal Relationship. Facts His Instagram id is ryt.matsumoto His Instagram has 1K+ followers. He is a very talented person who enjoys Painting, Sculpturing, and Writing music in his leisure time. His pursuit for excellence has led him down various avenues His magnetic personality has gained him friends across the globe and the growing respect of ears in the industry. He is a Social media Influencer. He loves to explore new places He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). His work, writings, and interviews has been published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine and many more
https://w.atwiki.jp/shintarot/pages/5.html
Hikari experienced fear of changing as Madoka did. However, that alone is insufficient. Hikari thought that just having attained brutality of eating people as Madoka did would have completed the atonement. However, Hikari had no other way but to progress for atonement while Madoka had daringly taken her choice from alternatives. Their feelings could not be the same. Hikari cannot know the severity of the state Madoka fell into unwillingly, where either must be chosen within a limited time. Atonement may be only deception after all. It is difficult to be lost in a crowd. It is a struggle trying to erase sharpness. Although Hikari keeps it in mind to cancel severe countenance, such stressful situations cannot be continued all the time. Time to lift her face above the water surface for breathing is needed. If you continue practicing it for some time, you would feel free with a sharp countenance and stressed with a loose expression. It is a twisted connection. You would feel uneasy when you catch sight of slack faces. Seeing that made Hikari smile wryly. When it struck Hikari that she should look very severe, she asked herself whether it was true she was relaxing that time. Then the question somewhat amused her. Her downy hair under the nose shone with bright sunlight through the window. Her sadness hidden somewhere on her face was watching for a chance to come out. However, when the waiter who carried the plate went away, sadness of her eyes deepened at a breath. She sent her plaintive eyes to the waiter s back. Her eyes were dropped on the dish again. She kept looking at it. There were no signs that she begins to eat. Are you okay? Hikari turned her surprised face to the man. This is a snake, isn t it? Hikari replied, then the man called the waiter. The head of the snake appeared in the salad instead of broccoli. Thank you. When the waiter made a humble apology to Hikari and had the dish away, she turned her beaming face to the man. It is reasonable to tell it plainly, isn t it? The man said. It is right, but I thought it might have been carried out purposely. Why? The man laughed and she looked down. PREV / NEXT Waterfall 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9
https://w.atwiki.jp/hitsville/pages/43.html
* Praise is what I do(by Shekinah Glory) praise is what i do when i wanna be close to you i lift my hands in praise praise is who i am i will praise him while i can ill bless him at all times and i vow to praise you through the good and the bad ill praise you whether happy or sad ill praise you in all that i go through because praise is what i do cause i owe it all to you praise is what i do even when im going trough ive learned to worship you no my circumstance doesnt even stand a chance my peace outweighs the bad and i vow to praise you trough the good and the bad ill praise you whether happy or sad ill praise you in all that i go through because praise is what i do cause i owe it all to you praise is what i do , its what i do
https://w.atwiki.jp/dissidia012/pages/14.html
ムービーのみ確認済み Subtitles Manikins are hot on Kain’s trail as he continues to travel alone. He harbors his friends in the desert for a greater chance to a future of hope... Sunken Lake Gateway Kain Only manikins here as well... Puppets who know only battle. Kain I won’t let the slightest opening in their moves escape my sights... 058 The Honest Truth Kain (The manikins’ numbers are growing, day by day. I need to hide the others away. Rest will have to come later. Golbez... I believe what you told me. I will trust your words.) Kain (Soldiers who take our forms... What foul magic is this?) Golbez I see the manikins have begun to take their toll. Kain Golbez... Golbez Fear not, I have not come to fight you. My purpose this day is merely one of observation. To see how you fare, against the endless horde you face. Kain I trust you’ve seen. Who could have imagined I’d greet the end here, in this foreign world. Tell me one thing. If Chaos triumphs, this place will be destroyed. Is that truly what you seek to bring about? Golbez What victory will bring about is the end of fighting. Not of the world itself. What purpose is there in explaining the truth to people doomed to disappear? Kain Disappear? You know something. Golbez This war of the gods is endless. It has been repeated countless times already. Let me be clear the safety of this world is assured. It must go on―because the war will. You do not believe me, do you? Kain Had you expected otherwise? Golbez I suppose not. With no memories, it would seem absurd. Kain Explain. Golbez You were bested in battle, and revived to fight anew. The process of your revival required your memories be purged. You’ve forgotten that the cycle repeats itself, and thus you mistrust my words. Look to your deeper memories, and you will see the proof of what I say. Kain What deeper memories? Golbez Those who are summoned to this world arrive with almost no recollection of their past. But you―you remember Cecil and I. You have memories of our homeworld. The more that you fight, the more those memories will return. That you have already remembered so much… that is proof that you― Cecil Kain! Kain Cecil!? Golbez My brother, Cecil, is the same as you. When we are first called here, we do not even remember those closest to us. Cecil Kain, are you all right!? Golbez See for yourself. The truth is there if you seek it. Cecil Missed… Kain! Are you hurt? Kain No... I’m fine. Cecil Good. We should go. It’s best we all stay together. Kain Cecil... Have you― Your memory. Is still hasn’t returned, has it? Cecil No. But I have begun remembering you... bit by bit, the more we fight. It’s the same for you, right? The more you fight, the more the pieces fit themselves together? Don’t worry. As long as we keep fighting, our memories will come back eventually. We’ll be all right. Kain(Subtitles) As the fight wears on, our old memories return. A vague clue, but that much seems to be certain. More importantly, it is the sole proof we have as to this war’s unending nature. Field Kain The manikins have invaded this area as well... Hold on for a little longer, my comrades. Firion Kain! What a relief to see you. Have you been fighting alone as well? I’ve been having troubles with the manikins. I wanted to unlock the gateways here, but― Kain I see, I was thinking the same thing. This is a chance. Let’s go, Firion. Firion Really? Thank you, Kain. I was just getting tired of fighting alone. [Talk to Firion] Firion Honestly, I’ve been having a hard time fighting off the manikins. Kain We are outnumberd. Firion I was thinking on how to buy us some time to get our crystals... There’s no way we can continue to just fight endlessly... Firion I hope everyone’s alright. I’m a little worried since I haven’t seen anyone. Hidden Darkness Gateway Kain We’re attacked by manikins at every turn. We haven’t the time to stand still... [Talk to Firion] Firion Do you think the manikins feel pain when they are struck, as we do? Legendary Lake Gateway Firion So their numbers grow... I’m glad to have met up with you before I got into trouble. Hm? Look at those tough-looking monsters. I’ll assist you. You take the lead. Kain? Kain My apologies, I was in contemplation. I’ll take the lead; I’m counting on you. [Talk to Firion] Firion It’s risky to go up against it as you are. You should check your equipment first. [Shiva] Firion Kain, is that...? Shiva Allow me to lend you my powers. Trust my northerly winds... Kain Firion? Shiva What’s wrong? Come to me... Firion Um... [After cleared] Firion Weren’t you with Cecil and the others? Did you get separated from them? Kain That is our predicament... Firion I know how you feel, but don’t worry. We’re both fine; the others are, too. Kain Yes, it is too soon... to slumber.←あってますか？ Field Firion Should we unlock the gateways here as well? Kain Yes, let us proceed. Firion, can you fight? Firion Yes, although it doesn’t feel us though we decrease their numbers. Let’s go! [Talk to Firion] Firion Kain, have you come across any of the others? Kain I met one by chance and discussed our situation, but I have yet to meet anyone else. Firion ... You see, I’ve heard some bad rumors. Rumors that some of our friends have fallen. I don’t intend to trust the words of a foe, but I’m concerned, what with this situation... Kain That is true. Firion You think anyone’s made it back yet? I hope Cosmos is safe. Gateway of True Intent Firion When the opponent’s strong, I tend to stay back and look for any chance to counter... Kain Hmph, when the opponents are strong is when you truly shine, Firion. Firion Really? Alright then, you give me the sign and I’ll jump in to assist you. [Talk to Firion] Firion Kain, you can say what’s on your mind. We are comrades after all. Kain I am not holding back. Field Firion It feels like we’ve been fighting for years, but do you think the crystals will appear soon? Kain We have been fighting―but little time has passed... [Talk to Firion] Firion Hey, isn’t Cecil from your world, Kain? Kain ...Yes. He is a childhood friend. Firion You trust Cecil, don’t you? It must be reassuring to have a friend by your side. Firion Our chances may yet improve if we just keep fighting. Let’s not give up! Ryukahn Gateway Firion You’re great at jumping, right, Kain? Just what to expect from a dragoon. Kain I am skilled at using jumps in my attacks, but you can as well using walls. [After battles] Kain Little by little... I am able to read their movements. It seems their equipment holds the key. [Talk to Firion] Firion I’m worried about Cosmos... Kain, let’s return to Sanctuary after this. [Before boss battle] Kain Firion, go on ahead without me. Firion What’s the matter, Kain? Kain I feel an enemy’s presence behind us. We’ll be in poor shape if we’re surrounded. Firion Understood. Leave the front to me. Kain Very well. I’m counting on you. Kain (Forgive me...) 060 Follow the Leader Firion Kain! But...why―? Kain Firion... Forgive me. Our hope must live on, for the next battle. Exdeath You fell your friends, and yet you refuse to sell yourself to their enemies. Kain You again. Exdeath Tell me now... Where do you mean to take that warrior? Kain What is it to you? You wish to deliver the felling stroke for me? I’ve no intention revealing my allies’ location. Follow me as you will. You’ll learn nothing. VS Exdeath Exdeath So, you offer your life in exchange for theirs? Kain Of course not. I offer yours. 062 Well Aware Exdeath Impressive. You fight well. I almost wish we could continue. To leave the friend behind, or to stay and perish with him... Kain I had other plans. You’re mistaken if you think dolls can defeat me. Exdeath So you choose to fight. You will not endure for long. Then again, perhaps you will find some peace when you are gone for good and all. It is far too late for you to win. Kain Do you take me for a fool? I’m well aware of our position. Abominations! Can you hear me? Do you even have minds of your own? If you are aware of the world around you, you’d best rue the day you came here. I’m about to teach you pathentic mockeries the difference between you and a real man! Subtitles Who could have thought to call this the conflict of the gods― ―when it has forever been the warriors that fought as divine pawns?
https://w.atwiki.jp/japaneseartist/pages/10.html
Ryota Matsumoto is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Biography Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Links The Official Website https //www.ryotamatsumoto.com The New Centre Profile https //thenewcentre.org/people/ryota-matsumoto Prabook https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto
https://w.atwiki.jp/kumicit/pages/1044.html
Kumicitのコンテンツ STSとしてのインテリジェントデザイン Discovery InstituteのSTSなイベント 2013年7月に、インテリジェントデザインの本山たるDisvovery Instituteは学生向けのSTSなイベントを開催している。その案内を読むと、とってもSTSである。 CSC Header Graphic2013 C.S. LEWIS FELLOWS PROGRAM ON SCIENCE AND SOCIETY JULY 12-20, 2013 SEATTLE, WA Sponsored by the Center for Science and Culture at Discovery Institute The C.S. Lewis Fellows Program on Science and Society will explore the growing impact of science on politics, economics, social policy, bioethics, theology, and the arts during the past century. The program is named after celebrated British writer C.S. Lewis, a perceptive critic of both scientism and technocracy in books such as The Abolition of Man and That Hideous Strength. Topics to be addressed include the history of science, the relationship between faith and science, the rise of scientific materialism, the debate over Darwinian theory and intelligent design, evolutionary conceptions of ethics, science and economics, science and criminal justice, stem cell research and abortion, eugenics, family life and sexuality, ecology and animal rights, climate change, the impact of evolutionary theory on theology, the coverage of science controversies by the newsmedia, legal and public policy conflicts over science education, and the relationship between science and the arts. Participants will benefit from classroom instruction and interaction with prominent researchers, writers, and scholars, such as Michael Behe, Stephen Meyer, Wesley J. Smith, David Klinghoffer, Jonathan Witt, Jonathan Wells, Jay Richards, and John West. The seminar is open to college/university students who intend careers in the social sciences, humanities, law, or theology. C.S. Lewis Fellows Program on Science and Societyは政治、経済、社会政策、生命倫理、神学、芸術に対する、過去一世紀に渡って増大してきた科学の影響を探求する。プログラムの名称は、The Abolition of ManやThat Hideous Strengthといった本で、サイエンティズムとテクノクラシーを明晰に批判した、有名な英国人著作家C.S. Lewisから取られた。取り上げるトピックスは、科学史、信仰と科学の関係、科学的唯物論の勃興、ダーウィン理論とインテリジェントデザインの論争、倫理の進化概念、科学と経済、科学と刑事司法、幹細胞研究と妊娠中絶、優生、家族生活とセクシャリティー、生態と動物の権利、気候変動、神学への進化論の影響、ニュースメディアによる科学論争報道、理科教育をめぐる法的及び公共政策の摩擦、科学と芸術の関係である。参加者は、Michael BeheやStephen MeyerやWesley J. SmithやDavid KlinghofferやJonathan WittやJonathan WellsやJay Richards,やJohn Westといった著名な研究者や著述家や学者の講義を受け、交流できる。参加資格は、社会科学や人文科学や法学や神学のキャリアを目指す大学生であること。 講師陣はDiscovery Instituteの研究助成金を受け取っている研究者やスタッフである。それを無視すれば、普通に学生向けのSTSイベントにしか見えない。
https://w.atwiki.jp/block_action/pages/183.html
Below is a concise explanation about Block Action. Index What is Block Action? Rules Pick Up Other functions Blocks What is Block Action? Block Action is a free online action flash game released in 2006, developed by DAIGO. You can create your own levels and share it among other players. Rules Get the little guy to the blue sphere by your operation. If he touch a spike, the game is over. For more information, please visit the official manual. Pick Up Other functions Blocks
https://w.atwiki.jp/youknowwhat/pages/1.html
大見出し You know what? 名前 コメント このサイトは、まだまだできたてです。
https://w.atwiki.jp/utanotuki/pages/20.html
くろす・あこーど とは？ 和音（アコード）が交わる（クロス）ように、三人の主人公達が交わることで生まれていくストーリーを描いていく企画です。 複数の作家が交わって作品を完成させるという意味もあります。 （飲み屋である日であった文庫投稿作家が「なにかやりたいなぁ」と言って始めた企画だという意味もあります！） 参加者は完結した話を一話ずつ書いていきます（繰り返しの担当も可能です）。 しかし他人が決めたとおりに書くのでは、この企画は面白くありません。 参加の決まりを守っていただければ、 たとえば投稿作品は小説でもイラストでも漫画でも主題歌でもかまいません。 実は複数人の合作であってもかまいません。 念のため運営掲示板に名乗り出ていただければ幸いですが、主人公三人に対する愛さえあればスピンアウト・海賊版作成も無問題！ です。 主人公三人に対する愛のある作品を、お待ちしております。