約 4,546,956 件
https://w.atwiki.jp/hellishlondon/pages/35.html
Test Center - Patch 1.1 Notes (01/27/08)(01/30/08) Patch 1.1 Notes January 27, 2008 Stonehenge has launched and we’ve been busy cleaning up a handful of issues, as well as listening to the feedback from our players on the Stonehenge Chronicles. Thanks to everyone who has posted issues and suggestions. And in fact, you’ll notice that a lot of the fixes and features in this patch are linked to posts in our forums. When we’ve addressed something you’ve brought up, we want to acknowledge your contribution to the betterment of the game! See you online! The Hellgate London Team General All Guardians, Evokers, and characters on Subscription accounts will have one Skill Retrainer when logging in after this patch goes live.すべてのガーディアンとエヴォーカー、そして課金者の全キャラは、当パッチの導入直後にRespec item ゲット。 The timer and quest requirement have been removed from the mini-game.タイマーとクエストクリアのミニゲーム削除。 Fixed a bug where chat entry becomes visible in the Character Select screen after logging in and then logging out of the game.ログアウト直後に、キャラセレクト画面でチャットウィンドウが表示されることがあったのを修正。 Fixed a crash bug associated with exiting out of the Character Creation menu.キャラ作成画面からExitを選択するとクラッシュすることがあるのを修正。 Players that had beaten Normal mode with a character but then were unable to access Elite mode with a new character should now have access to that game mode by logging in once with the character that completed Normal Mode.Eliteモードが開放されない問題は、このパッチ導入後にNormalモードをクリアしたキャラでログインすれば、正常に機能するよう修正された。 Fixed a bug which caused audio and sound effects to sometimes stop playing.音関係が止まることがあったバグ修正。 (2008/01/30 追加) Party and PRD Portals created by a character in a group will now properly close when that character leaves the group.PPとPRDは、パーティを抜けると閉じる。 Monsters The Beast of Abbadon, Occulis, and Sydonai can no longer be exploited via re-spawn farming.Abbaddon/Occulis/Sydonaiは、もうファームできない。(即狩り・即popが出来ないということかな？) (2008/01/30 追加) The loot algorithm for Ash (Beast Caste General) has been adjusted to drop better items.Ashのドロップが良くなるようにLootアルゴリズムが調整された。 Stalkers and Burning Fiends are now part of the Beast caste (to balance a disparity of Essence drop rates between castes).StalkerとBurning Fiendは、EssenceをDropにバランスを持たせる為に、Beastの類になった。 (2008/01/31 追加) Fixed a bug which would sometimes prevent Oculis or the Furuncle from spawning properly.OcilusやFuruncleが正常に湧かないことがあったバグを修正。 (2008/01/31 変更) Errgoth(Demon Caste General) now does less damage.Errgothのダメージ減少。 User Interface Offline friends are now properly displayed in the Friends List.Offlineでもフレンドリスト登録者は表示される。 The “Player Requests” confirmation buttons have been reordered to [accept] [decline] [ignore].[accept] [decline] [ignore]のボタンを一度押しても、確認ボタンが出るようになった。 Skill Retrainers now have a confirmation dialogue to help players from accidentally using them.Skill Retrainerを間違って使用しても、確認ボタンが出るようになった。 (2008/01/31 削除(笑)) A new Japanese font has been added.新しい日本語フォントが入った。(想像だけど、日本語のアイテムの説明とかに使うのかな？) Items Armors with the "minion damage bonus" affix now work for the Engineer.Engの"minion damage bonus"が、正常に機能するようになった。 Restorative injectors are usable when either health or power is below the player’s maximum since they can help recover both health and power for the user.Restorative injectorは、ヘルスかパワーが減ってる時じゃないと使用できないようになった。(Restorative injectorは課金者専用箱の合成アイテムかな？知らんけどｗ) (2008/01/30 Generalから移動) Guild Heralds can now be sold back to merchants for full price.ギルド作成アイテムは、購入時の値段で返品できる。 (2008/01/31 追加) Increased the amount of Shields found on items and affixes, ramping up after level 10. Note that this change is not retroactive and will not apply to existing items; however, newly dropped items and existing items upgraded through the Nanoforge will receive the adjusted amount of shields.アイテムやAffixによるシールド値を増やすよう変更される。この変更は既存アイテムには適用されないが、アップグレードしたり新しくドロップしたアイテムにはシールドが適当な値に調整される。 Skills Increasing ranks of Drain Power now work properly at all power ranges.要するに正常に機能するようになった？これまで表示される％と同等には回復してなかったということかな。（ちょっと正確な意味が把握できない。) (2008/01/31 追加) Increased the amount of Shields granted by skills that provide Shields.SkillによるShield値が増加する。 Engineer Drones now come with a base armor rating.EngのDroneは、？意味不明。(Wirt s Legとか装備しても、Armor変わらないってこと？) Stonehenge Bug Fixes Players may now Recall or Party Portal out of the Hell s Heart level.Hell s Heartのポータルで外に出れるようになったよ。 Party Portal limitations have been removed from the Stonehenge levels.Stonehengeから出たら、ポータルはなくなるよ。 Stonehenge now appears as a destination on the Station Transit Terminal.StonehengeでTransit Terminalが目的地として表示されるようになった。 Stonehenge weapons can now have Mod slots.武器にModスロットが付いたよ。 The stash in Stonehenge now properly detects collision.まぁ、そういうことなんでしょう。 Fixed a blocking bug in the Essence Caves which prevented a portal into that specific Caste General s Lair from opening.ブロック(?)が邪魔して、Caste General s Lairが開けられなかったバグ修正。 Essence drop chance increased from 15% to 20%.Essenceのドロップ率が15%から20%に上がった。 Fixed rare cases where Essence Caves were not connected to the next level.次のレベルに繋がっていなかったごく稀に起こるバグ修正(笑）。 Fixed bad pathing around the Stonehenge wilderness huts.Stonehenge wilderness hutsの周辺の道が悪いから修正。 Fixed a bug causing additional Skill Retrainers to spawn when they shouldn t have. Duplicate Skill Retrainers should now be removed.Skill Retrainerが複製されていたバグ修正と既存の複製アイテムは削除。(大丈夫かよ・・・) Patch Notes Disclaimer While we make every effort to include all upcoming changes in our patch notes, please be aware that occasionally some changes are unintentionally omitted. ---- Community feedback is very important to us. Thank you all for participating on the forums and telling us both what you like about Hellgate London and what you think could be changed to improve it. (2008/01/31 追加) EDIT Updated for the patch loaded onto Test Center this evening. EDIT Retitled, patch loaded onto Live Servers this morning. --Scapes
https://w.atwiki.jp/asigami/pages/293.html
曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE(SHOCK) Dance Celebration Bill Hamel feat.kevens X 鬼12 130 308/10(26) STREAM VOLTAGE AIR FREEZE CHAOS 70 70 52 18 51 激譜面(11) / 鬼譜面(12) 譜面 http //eba502.web.fc2.com/fumen/ddr/x/d_celeb_4s.html 動画 https //www.youtube.com/watch?v=ZulkAiuCMbY (x5.0,NOTE) 解説 激譜面にSAを足した譜面。 細かい16分や縦連が多い。 後半はかなり細かい間隔でSAが来るので注意。 名前 コメント コメント(感想など) いきなり鬼に挑むと、SA回避よりも16分のステップが意外と面倒。事前に、激でリズムを知っていると攻略しやすくなる。 -- 名無しさん (2014-06-01 17 06 35) 名前 コメント
https://w.atwiki.jp/bemani2sp/pages/1262.html
GENRE TITLE ARTIST bpm notes CLEAR RATE TRI EURO FANTASIA REMINISCENCE jun with Alison 171 1183 83%（2013/10/26） 攻略・コメント 地味な押しづらさの階段、フルコンキラーな５連皿、トリル中に皿が絡んできたりと、色々な要素を詰め込まれながら地味に収まった譜面。難易度的には普通の☆10。が、HARDはよく見ていないといつの間にか死んでるから注意。 -- 名無しさん (2011-11-26 01 08 23) ここまで曲調とボーカルの声が合ってない曲も珍しい…この方はもっとハピコア系歌うべき -- 名無しさん (2012-01-04 23 10 21) そんなこと無いと思うけどな。つか荒れる原因にもなるし攻略と関係ないのでそういう発言は... -- 名無しさん (2012-01-04 23 51 14) 後半の押しにくさが少々辛い。ハードだと☆10中の中くらい？これでハードできないレベルであれば☆10白埋めはまだ早めか -- 名無しさん (2012-02-12 23 58 53) Hardは前半ハマる人にはつらい。乱当たり待ちもまたつらい。 -- 名無しさん (2013-06-25 12 26 48) 基本的にwhy did you go awayとにたような譜面だが今ひとつまとまりがない印象。 -- 名無しさん (2013-11-25 20 53 28) ラストの軽い殺しを含む終盤の配置全般はノマゲ殺しになりそうだけど、細かい乱打+細かな皿、ブレイク前後には46トリルと連皿…と、ハードの難関になりうる箇所も多い譜面。BP40以下くらいならハード狙った方が安定しそうだけど、整った譜面じゃないのでテンプレ配置に慣れすぎてると取りこぼしが多くなるかも -- 名無しさん (2018-08-20 20 52 52) 名前 コメント
https://w.atwiki.jp/mrfrtech/pages/68.html
Market Scenario The Client Virtualization Market Growth is anticipated to grow by US$ 9.25 billion by 2023 rapidly growing at a CAGR of 12.6% during the forecast period. The global z is driven by increasing adoption of BYOD trends and work from home trends. These factors have helped shape the client virtualization market and are expected to boost the growth. Companies in the client virtualization market could also face challenges such as connectivity problems, unavailability of resources in some countries, and weak IT infrastructure. The details covered in the client virtualization market report cover all the aspects of the industry. Analysts studying the client virtualization market have also shared growth projections in the report and have suggested client virtualization market players to plan business strategies accordingly. COVID-19 Analysis The business impact of SARS-CoV-2 has been felt across diverse sections of the information technology industry, albeit at different levels. Companies in the technology sector that supply services for verticals like travel, retail, hospitality, and entertainment have noted a dramatic decrease in sales, while the firms that provide services related to remote worker solutions have observed the opposite. Client Virtualization Market ’s fate post pandemic has been relatively less grim compared to Education Services (ES) and Professional Services (PS) that are mostly dependent on components that are generally on-site. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7695 Competitive Outlook The client virtualization market is supported by growing demand for faster network technologies and rise of 5G. The population growth around the world and increasing demand of client virtualization market based services and products also support the market growth. However, the client virtualization market growth can be affected due to too much reliance on conventional methods and underdeveloped infrastructure. The report covers all such details which will help companies in the client virtualization market to strengthen their business plan and improve their product portfolio. The client virtualization market research report also provides company profiles of major companies. The company profiles of many organizations operating in the client virtualization market report highlights crucial details like company size, revenue growth, and details of mergers and acquisitions taking place in the client virtualization market. New companies and established businesses can plan their strategies based on this data provided in the client virtualization market research report. Segmentation The global client virtualization market has been segmented based on industry vertical, organization size, and virtualization type. On the basis of vertical, the market for client virtualization is segmented based on presentation virtualization, application virtualization, desktop virtualization. Additionally, the market on the basis of organization size, is segmented into large enterprises and small medium-sized enterprises (SMEs). The global market for client virtualization is also covered based on the virtualization type segment which is further split into presentation virtualization, application virtualization, and desktop virtualization. Factors like 5G adoption, automation tools, and growing demand of client virtualization across different industries support the client virtualization market growth. The performance of the client virtualization market has also been studied for the past and current years. Additionally, the client virtualization market report provides analysis of these segments. The client virtualization market segmental analysis provided in the report offers major details about the client virtualization market based on the data and forecasts till 2023. Regional Analysis Companies in the client virtualization market are spread across the world. The client virtualization market report provides major information about regional markets of North America, Europe, Asia-Pacific (APAC), and the rest of the world. The North American client virtualization market has many companies across the United States, Canada, and Mexico. The client virtualization market of the Middle East, Africa, and other regions has also been studied by analysts. The regional analysis of the client virtualization market can be found in the market research report. Europe has companies in the client virtualization market across Germany, France, Spain, Italy, and the United Kingdom. A detailed analysis of the client virtualization market across India, China, and Japan in the Asia-Pacific region is also presented in the report. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/client-virtualization-market-7695 List of Tables Table 1 Global Client Virtualization, By Region, 2020–2027 Table 2 North America Client Virtualization Market, By Country, 2020–2027 Table 3 Europe Client Virtualization Market, By Country, 2020–2027 Continued… List of Figures FIGURE 1 Global Client Virtualization Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of The Global Client Virtualization Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/oper/pages/2913.html
ACTE IV Le théâtre change et représente une île agréable. Scène première ARCALAÜS, ARCABONNE RITOURNELLE ARCALAÜS Par mes enchantements Oriane est captive, Sa beauté causa nos malheurs Dans ces lieux, sans pitié, j entends sa voix plaintive, Et j aime à voir couler ses pleurs. Notre ennemi l aimait, il a tout fait pour elle ; Il combattait pour l obtenir. ARCABONNE Je viens de la voir, qu elle est belle ! Vous ne la sauriez trop punir. ARCALAÜS Ne permettons pas qu elle ignore La perte d un amant, dont son cœur est charmé, Il faut qu après la mort Amadis souffre encore Dans ce qu il a le plus aimé. Aux regards d Oriane, exposez la victime Qu à nos ressentiments vous venez d immoler. Un soupir vous échappe ; et vous n osez parler ! Est-ce par des soupirs que la haine s exprime ? ARCABONNE Que vous êtes heureux de n avoir à songer Qu à haïr, et qu à vous venger ! Hélas ! dans notre ennemi même J ai trouvé l inconnu que j aime. ARCALAÜS Vous aimez Amadis ! il voit encore le jour ! Quoi ! sur votre vengeance un lâche amour l emporte ? ARCABONNE La vengeance la plus forte Est faible contre l amour. ARCALAÜS Quelle faiblesse est plus étrange ! Notre ennemi mortel devient votre vainqueur ? Malgré tant de serments, votre perfide cœur Du parti d Amadis se range ! Parjure ! ah, c est de vous qu il faut que je me venge ! ARCABONNE Je l aime, malgré moi, cet ennemi charmant ; Je n en puis être aimée, une autre a su lui plaire Je vous défie, avec votre colère, D inventer pour mon châtiment Un plus cruel tourment. ARCALAÜS Pour augmenter votre supplice, Il faut vous faire voir ces deux amants heureux ; Avant que ma vengeance en fasse un sacrifice, Il faut que l hymen les unisse... ARCABONNE Ah ! que plutôt cent fois ils périssent tous deux. Entre l amour et la haine cruelle J ai cru pouvoir me partager ; Mais dans mon cœur l amour est étranger, Et la haine m est naturelle. ARCABONNE voyant approcher Oriane. Ma rivale gémit que ses maux me sont doux ! Pour punir ces amants, j imagine une peine Digne de ma fureur, et de votre courroux ; C est peu d une mort inhumaine... ARCALAÜS Puis-je encore me fier à vous? ARCABONNE Fiez-vous à l amour jaloux, Il est plus cruel que la haine. Scène seconde ORIANE RITOURNELLE ORIANE seule A qui pourrai-je avoir recours ? C est de vous, juste Ciel ! que j attends du secours, Sur ces bords inconnus, un enchanteur barbare, Dispose de mes tristes jours L enfer contre moi se déclare ; A qui pourrais-je avoir recours ? C est de vous, juste Ciel ! que j attends du secours. RITOURNELLE Autrefois Amadis aurait pris ma défense Mais l inconstant m oublie, et suit une autre loi. Pourquoi m en souvenir ? pourquoi N oublier pas de lui jusqu à son inconstance ? Ici, loin de toute assistance, Je tremble d un mortel effroi ; Eh! Faut-il encore que je pense A qui ne pense plus à moi ? Scène troisième ARCALAÜS, ORIANE ARCALAÜS Je vous entends, cessez de feindre. Plaignez-vous d Amadis ; je ne veux pas contraindre Un si juste courroux. ORIANE J ai tant de sujet de m en plaindre, Que j ai presque oublié de me plaindre de vous. Non, ce n est point ici son secours que j implore ; Il est allé chercher la beauté qu il adore, Et je l appellerais par des cris superflus. ARCALAÜS Lorsque vous le verrez, vous l aimerez encore. ORIANE Non, non, je ne le verrai plus. Je dois trop le haïr, pour renouer la chaîne Dont il a dégagé son cœur. ARCALAÜS Si vous le haïssez, j ai servi votre haine ; A la fin j ai vaincu ce superbe vainqueur. ORIANE Vous, vainqueur d Amadis ! non, il n est pas possible Qu il ait cessé d être invincible. Tout cède à sa valeur, et vous la connaissez... ARCALAÜS Eh ! c est ainsi que vous le haïssez ? ORIANE Je veux haïr toujours un amant si volage, Et je me le suis bien promis Mais ses plus cruels ennemis Peuvent-ils s empêcher d admirer son courage. Non, rien ne peut être assez fort, Pour surmonter ce héros indomptable. ARCALAÜS Voyez si je me vante à tort, D avoir vaincu ce vainqueur redoutable. Amadis, étendu sur ses armes sanglantes, paraît mort Scène quatrième ORIANE, AMADIS qui paraît mort ORIANE Que vois-je ! o spectacle effroyable ? O trop funeste sort ! Ciel ! o Ciel ! Amadis est mort ! Ma colère lui fut fatale ; J eus tort de l accuser de suivre une autre amour. Que ne puis-je, en mourant, le rappeler au jour, Dû-t-il vivre pour ma rivale ! Ciel ! qui nous donna ce héros, Que ne prenais-tu sa défense Contre l infernale puissance ? L univers a perdu l auteur de son repos. Pleure, gémis, faible innocence, Pleure, hélas ! tu n as plus d appui, Tu vois expirer aujourd hui Ton unique espérance. O trop funeste sort ! Ciel ! o Ciel ! Amadis est mort ! Il m appelle ; je le vais suivre Le sort qui nous rejoint m est doux. Amadis, je vivais pour vous, Vous mourez, je ne puis plus vivre. Oriane tombe évanouie. Scène cinquième ARCALAÜS, ARCABONNE, AMADIS qui paraît mort, ORIANE, évanouie. RITOURNELLE ARCABONNE ET ARCALAÜS Quel plaisir de voir Un si cruel désespoir ! ARCABONNE Joignez votre fureur à ma rage inhumaine. Il faut que ces amants revivent tour à tour Pour souffrir une affreuse peine ARCALAÜS Il faut faire de leur amour Le ministre de notre haine. ARCABONNE ET ARCALAÜS Quel plaisir de voir Un si cruel désespoir! ARCABONNE Il faut qu Amadis sorte Du profond assoupissement Où le tient notre enchantement, Et qu il pleure Oriane morte. Mais pour eux contre nous, quel pouvoir s est armé ? ARCALAÜS Qui peut conduire ici ce rocher enflammé. Scène sixième Un rocher environné de flammes s approche, les flammes se retirent, et laissent voir un vaisseau sous la figure d un serpent, ce qui l a fait appeler la grande serpente. Urgande ses suivantes sortent de ce vaisseau. URGANDE, TROUPE DE SUIVANTES D URGANDE, ARCALAÜS, ARCABONNE, AMADIS, qui paraît mort, ORIANE, évanouie. PRELUDE URGANDE Je soumets à mes lois l enfer, la terre et l onde. Sans qu on sache où je suis, je parcours tout le monde, Et je connais des secrets que les cieux N ont jusqu ici dévoilé qu à mes yeux. Mais j arme seulement ma fatale puissance Contre l injuste violence ; J ai soin de relever le mérite abattu, Et je fais mon bonheur de servir la vertu. Tremblez, tremblez, reconnaissez Urgande ; Tout obéit, sitôt que je commande ; Barbares, laissez pour jamais Ces fidèles amants en paix. Urgande touche de sa baguette Arcalaüs et Arcabonne. PRELUDE ARCABONNE ET ARCALAÜS Tout mon effort est inutile, Je demeure immobile ; Je cède aux charmes trop puissants Qui saisissent mes sens. DEUX SUIVANTES D URGANDE Tremblez, tremblez, reconnaissez Urgande ; Tout obéit, sitôt qu elle commande Barbares, laissez pour jamais Ces fidèles amants en paix. Les suivantes d Urgande jettent des fleurs et répandent des parfums sur Amadis, et Oriane pour commencer à dissiper l enchantement dont ils sont saisis MENUET POUR LES SUIVANTES D URGANDE DEUX SUIVANTES D URGANDE Cœurs, accablés de rigueurs inhumaines, Ne cessez point d espérer en aimant Il vient un jour où les craintes sont vaines, Un triste sort change dans un moment. Il est fâcheux de porter des chaînes, C est un cruel tourment ; Mais quand l amour en veut payer les peines, C est un plaisir charmant. Les suivantes d Urgande commencent à dissiper par leurs danses l enchantement dont Amadis et Oriane sont saisis, et les emportent dans le vaisseau. Urgande, avant que d y renter, touche une seconde fois de sa baguette Arcalaüs et Arcabonne. MENUET POUR LES SUIVANTES D URGANDE (reprise) URGANDE Il faut que de vos sens je vous rende l usage, Perfides ! Je vous livre à votre propre rage. Urgande rentre dans le vaisseau de la grande serpente, qui commence à s éloigner et à se couvrir de flammes PRELUDE ARCABONNE ET ARCALAÜS Démons, soumis à nos lois, Volez, venez nous défendre. N osez-vous rien entreprendre ? Méprisez-vous notre voix ? Hâtez-vous, c est trop attendre. Démons, soumis à nos lois, Volez, venez nous défendre. Les démons des enfers sortent pour secourir Arcalaüs, et Arcabonne. Les démons de l air viennent combattre contre ceux des enfers et les surmontent. PRELUDE (reprise) ARCABONNE ET ARCALAÜS On brave notre vain pouvoir, Tout est contraire à notre envie Nous perdons tout espoir, Renonçons à la vie ! ACTE IV Le théâtre change et représente une île agréable. Scène première ARCALAÜS, ARCABONNE RITOURNELLE ARCALAÜS Par mes enchantements Oriane est captive, Sa beauté causa nos malheurs Dans ces lieux, sans pitié, j entends sa voix plaintive, Et j aime à voir couler ses pleurs. Notre ennemi l aimait, il a tout fait pour elle ; Il combattait pour l obtenir. ARCABONNE Je viens de la voir, qu elle est belle ! Vous ne la sauriez trop punir. ARCALAÜS Ne permettons pas qu elle ignore La perte d un amant, dont son cœur est charmé, Il faut qu après la mort Amadis souffre encore Dans ce qu il a le plus aimé. Aux regards d Oriane, exposez la victime Qu à nos ressentiments vous venez d immoler. Un soupir vous échappe ; et vous n osez parler ! Est-ce par des soupirs que la haine s exprime ? ARCABONNE Que vous êtes heureux de n avoir à songer Qu à haïr, et qu à vous venger ! Hélas ! dans notre ennemi même J ai trouvé l inconnu que j aime. ARCALAÜS Vous aimez Amadis ! il voit encore le jour ! Quoi ! sur votre vengeance un lâche amour l emporte ? ARCABONNE La vengeance la plus forte Est faible contre l amour. ARCALAÜS Quelle faiblesse est plus étrange ! Notre ennemi mortel devient votre vainqueur ? Malgré tant de serments, votre perfide cœur Du parti d Amadis se range ! Parjure ! ah, c est de vous qu il faut que je me venge ! ARCABONNE Je l aime, malgré moi, cet ennemi charmant ; Je n en puis être aimée, une autre a su lui plaire Je vous défie, avec votre colère, D inventer pour mon châtiment Un plus cruel tourment. ARCALAÜS Pour augmenter votre supplice, Il faut vous faire voir ces deux amants heureux ; Avant que ma vengeance en fasse un sacrifice, Il faut que l hymen les unisse... ARCABONNE Ah ! que plutôt cent fois ils périssent tous deux. Entre l amour et la haine cruelle J ai cru pouvoir me partager ; Mais dans mon cœur l amour est étranger, Et la haine m est naturelle. ARCABONNE voyant approcher Oriane. Ma rivale gémit que ses maux me sont doux ! Pour punir ces amants, j imagine une peine Digne de ma fureur, et de votre courroux ; C est peu d une mort inhumaine... ARCALAÜS Puis-je encore me fier à vous? ARCABONNE Fiez-vous à l amour jaloux, Il est plus cruel que la haine. Scène seconde ORIANE RITOURNELLE ORIANE seule A qui pourrai-je avoir recours ? C est de vous, juste Ciel ! que j attends du secours, Sur ces bords inconnus, un enchanteur barbare, Dispose de mes tristes jours L enfer contre moi se déclare ; A qui pourrais-je avoir recours ? C est de vous, juste Ciel ! que j attends du secours. RITOURNELLE Autrefois Amadis aurait pris ma défense Mais l inconstant m oublie, et suit une autre loi. Pourquoi m en souvenir ? pourquoi N oublier pas de lui jusqu à son inconstance ? Ici, loin de toute assistance, Je tremble d un mortel effroi ; Eh! Faut-il encore que je pense A qui ne pense plus à moi ? Scène troisième ARCALAÜS, ORIANE ARCALAÜS Je vous entends, cessez de feindre. Plaignez-vous d Amadis ; je ne veux pas contraindre Un si juste courroux. ORIANE J ai tant de sujet de m en plaindre, Que j ai presque oublié de me plaindre de vous. Non, ce n est point ici son secours que j implore ; Il est allé chercher la beauté qu il adore, Et je l appellerais par des cris superflus. ARCALAÜS Lorsque vous le verrez, vous l aimerez encore. ORIANE Non, non, je ne le verrai plus. Je dois trop le haïr, pour renouer la chaîne Dont il a dégagé son cœur. ARCALAÜS Si vous le haïssez, j ai servi votre haine ; A la fin j ai vaincu ce superbe vainqueur. ORIANE Vous, vainqueur d Amadis ! non, il n est pas possible Qu il ait cessé d être invincible. Tout cède à sa valeur, et vous la connaissez... ARCALAÜS Eh ! c est ainsi que vous le haïssez ? ORIANE Je veux haïr toujours un amant si volage, Et je me le suis bien promis Mais ses plus cruels ennemis Peuvent-ils s empêcher d admirer son courage. Non, rien ne peut être assez fort, Pour surmonter ce héros indomptable. ARCALAÜS Voyez si je me vante à tort, D avoir vaincu ce vainqueur redoutable. Amadis, étendu sur ses armes sanglantes, paraît mort Scène quatrième ORIANE, AMADIS qui paraît mort ORIANE Que vois-je ! o spectacle effroyable ? O trop funeste sort ! Ciel ! o Ciel ! Amadis est mort ! Ma colère lui fut fatale ; J eus tort de l accuser de suivre une autre amour. Que ne puis-je, en mourant, le rappeler au jour, Dû-t-il vivre pour ma rivale ! Ciel ! qui nous donna ce héros, Que ne prenais-tu sa défense Contre l infernale puissance ? L univers a perdu l auteur de son repos. Pleure, gémis, faible innocence, Pleure, hélas ! tu n as plus d appui, Tu vois expirer aujourd hui Ton unique espérance. O trop funeste sort ! Ciel ! o Ciel ! Amadis est mort ! Il m appelle ; je le vais suivre Le sort qui nous rejoint m est doux. Amadis, je vivais pour vous, Vous mourez, je ne puis plus vivre. Oriane tombe évanouie. Scène cinquième ARCALAÜS, ARCABONNE, AMADIS qui paraît mort, ORIANE, évanouie. RITOURNELLE ARCABONNE ET ARCALAÜS Quel plaisir de voir Un si cruel désespoir ! ARCABONNE Joignez votre fureur à ma rage inhumaine. Il faut que ces amants revivent tour à tour Pour souffrir une affreuse peine ARCALAÜS Il faut faire de leur amour Le ministre de notre haine. ARCABONNE ET ARCALAÜS Quel plaisir de voir Un si cruel désespoir! ARCABONNE Il faut qu Amadis sorte Du profond assoupissement Où le tient notre enchantement, Et qu il pleure Oriane morte. Mais pour eux contre nous, quel pouvoir s est armé ? ARCALAÜS Qui peut conduire ici ce rocher enflammé. Scène sixième Un rocher environné de flammes s approche, les flammes se retirent, et laissent voir un vaisseau sous la figure d un serpent, ce qui l a fait appeler la grande serpente. Urgande ses suivantes sortent de ce vaisseau. URGANDE, TROUPE DE SUIVANTES D URGANDE, ARCALAÜS, ARCABONNE, AMADIS, qui paraît mort, ORIANE, évanouie. PRELUDE URGANDE Je soumets à mes lois l enfer, la terre et l onde. Sans qu on sache où je suis, je parcours tout le monde, Et je connais des secrets que les cieux N ont jusqu ici dévoilé qu à mes yeux. Mais j arme seulement ma fatale puissance Contre l injuste violence ; J ai soin de relever le mérite abattu, Et je fais mon bonheur de servir la vertu. Tremblez, tremblez, reconnaissez Urgande ; Tout obéit, sitôt que je commande ; Barbares, laissez pour jamais Ces fidèles amants en paix. Urgande touche de sa baguette Arcalaüs et Arcabonne. PRELUDE ARCABONNE ET ARCALAÜS Tout mon effort est inutile, Je demeure immobile ; Je cède aux charmes trop puissants Qui saisissent mes sens. DEUX SUIVANTES D URGANDE Tremblez, tremblez, reconnaissez Urgande ; Tout obéit, sitôt qu elle commande Barbares, laissez pour jamais Ces fidèles amants en paix. Les suivantes d Urgande jettent des fleurs et répandent des parfums sur Amadis, et Oriane pour commencer à dissiper l enchantement dont ils sont saisis MENUET POUR LES SUIVANTES D URGANDE DEUX SUIVANTES D URGANDE Cœurs, accablés de rigueurs inhumaines, Ne cessez point d espérer en aimant Il vient un jour où les craintes sont vaines, Un triste sort change dans un moment. Il est fâcheux de porter des chaînes, C est un cruel tourment ; Mais quand l amour en veut payer les peines, C est un plaisir charmant. Les suivantes d Urgande commencent à dissiper par leurs danses l enchantement dont Amadis et Oriane sont saisis, et les emportent dans le vaisseau. Urgande, avant que d y renter, touche une seconde fois de sa baguette Arcalaüs et Arcabonne. MENUET POUR LES SUIVANTES D URGANDE (reprise) URGANDE Il faut que de vos sens je vous rende l usage, Perfides ! Je vous livre à votre propre rage. Urgande rentre dans le vaisseau de la grande serpente, qui commence à s éloigner et à se couvrir de flammes PRELUDE ARCABONNE ET ARCALAÜS Démons, soumis à nos lois, Volez, venez nous défendre. N osez-vous rien entreprendre ? Méprisez-vous notre voix ? Hâtez-vous, c est trop attendre. Démons, soumis à nos lois, Volez, venez nous défendre. Les démons des enfers sortent pour secourir Arcalaüs, et Arcabonne. Les démons de l air viennent combattre contre ceux des enfers et les surmontent. PRELUDE (reprise) ARCABONNE ET ARCALAÜS On brave notre vain pouvoir, Tout est contraire à notre envie Nous perdons tout espoir, Renonçons à la vie ! Lully,Jean-Baptiste/Amadis/V
https://w.atwiki.jp/n-3104/pages/12.html
前提 特徴 とりあえず使ってみるiBATIS SQL Maps チュートリアル For SQL Maps Version 2.0 February 18, 2006 ibatis-2.3.0.677.zipに付属のsimple_example トランザクション iBATIS-SqlMaps-2_ja.pdf Abator概要 Eclipseプラグインインストール手順 使い方 前提 ibatis-2.3.0.677.zip j2sdk1.4.2_11 Microsoft SQL Server 2000 Eclipse SDK バージョン 3.1.1 Abator code generator for iBATIS 1.0.0 特徴 SQL文を記述するO/Rマッピングフレームワーク。参照系SQLの検索結果とJavaBeansのマッピングを設定ファイルで行うことが出来きる。SQLを直接記述できるためチューニングが容易であるが、特定のDBに依存してしまう。 SQL文を外部ファイルで管理できる。 動的SQL用の独自の構文をサポートしている。 検索結果のJavaBeansのキャッシュ機能がある。 あるBeanのプロパティのBeanについてもまとめて検索できる。この際の方法は以下の2通り。遅延ローディング join とりあえず使ってみる iBATIS SQL Maps チュートリアル For SQL Maps Version 2.0 February 18, 2006 iBATISのサイトで配布されている「iBATIS-SqlMaps-2-Tutorial_ja.pdf」を参考にとりあえず動かしてみようとした。だが、チュートリアルの時点で以下の点で誤植（？）があった。 クラス名は MyAppSqlConfig だが使用例では MyAppSqlMapConfig で、Mapが増えている。 MyAppSqlConfig の resource の値が com/ibatis/example/sqlMap-config.xml となっているが、それまで紹介されたものは examples/sqlmap/maps/SqlMapConfigExample.xml である。 しかも、SQLServer2000の場合は、JDBCドライバのコネクションURLに SelectMethod=Cursor を追加する必要があり、これに気付かず1時間近く嵌ってしまった。まぁ、これもiBATIS-SqlMaps-2_ja.pdfに明記されてはいたが。 http //support.microsoft.com/default.aspx?scid=kb%3Ben-us%3B313181 そして、setBirthDate(null)にするとエラーとなってしまう。newPerson.setBirthDate(new java.sql.Date(new Date().getTime()))とかすればエラーにはならなかったが。 Person newPerson = new Person(); newPerson.setId(12); // you would normally get the ID from a sequence or custom table // newPerson.setBirthDate(null); newPerson.setBirthDate(new java.sql.Date(new Date().getTime())); null を指定できるようにするには、xmlファイルにおいてjdbcTypeを指定する必要がある。前述のガイドでも触れられているが、null値を指定する場合はjdbcTypeを明示的に指定しないとエラーになる場合があるらしい。具体的にはPerson.xmlのinsertPersonにおいてbirthDateにjdbcTypeとしてDATEを追加すればよい。 #birthDate# → #birthDate DATE# ibatis-2.3.0.677.zipに付属のsimple_example チュートリアルがうまく動かなかったので、zipファイルに付属している使用例を使ってみようとしたが、Account.xmlの insertAccount で values の前に ) がついていなかった。。 トランザクション SqlMapClient+startTransaction をしなければ、オートコミットの挙動になった。以下のソースでstartTransactionメソッドを呼ばなければ、insertについてもコミットされていた SqlMapClient sqlMap = MyAppSqlMapConfig.getSqlMapInstance(); sqlMap.startTransaction(); // トランザクションの開始 Person person = new Person(); ... sqlMap.delete ("deletePerson", person); sqlMap.commitTransaction(); // この時点で一旦コミット sqlMap.insert("insertPerson", person); sqlMap.endTransaction(); // insertについてはロールバックされる また、dataSourceのJDBC.DefaultAutoCommitプロパティの値はstartTransactionでトランザクションを開始した場合には有効であるが、開始していない場合は無視された。 transactionManager type="JDBC" dataSource type="SIMPLE" property name="JDBC.Driver" value="${driver}"/ property name="JDBC.ConnectionURL" value="${url}"/ property name="JDBC.Username" value="${username}"/ property name="JDBC.Password" value="${password}"/ property name="JDBC.DefaultAutoCommit" value="false"/ /dataSource /transactionManager iBATIS-SqlMaps-2_ja.pdf 短いが、非常に良くまとまっている。不明点があれば参照すべきガイドである。 Abator 概要 iBATIS用の設定ファイルとソースコードを自動生成してくれるツール。Eclipse用のプラグインも存在する。 Eclipseプラグイン インストール手順 http //ibatis.apache.org/abator.html を参照。更新アクセス先サイトを追加するだけで簡単に追加できる。 使い方 新規メニューの中に "Abator For iBATIS Configuration File" が追加されるので、それをクリックすると abatorConfig.xml の雛形が生成される。この中身を適切に設定すれば自動生成できる。 abatorConfig.xml abatorConfiguration abatorContext jdbcConnection driverClass="com.microsoft.jdbc.sqlserver.SQLServerDriver" connectionURL="jdbc microsoft sqlserver //localhost 1433;databaseName=test;SelectMethod=Cursor" userId="???" password="???" classPathEntry location="C /workspace/iBatis/msbase.jar" / classPathEntry location="C /workspace/iBatis/mssqlserver.jar" / classPathEntry location="C /workspace/iBatis/msutil.jar" / /jdbcConnection javaModelGenerator targetPackage="hoge.bean" targetProject="iBatis/src" / sqlMapGenerator targetPackage="hoge.map" targetProject="iBatis/src" / daoGenerator type="IBATIS" targetPackage="hoge.dao" targetProject="iBatis/src" / table tableName="PERSON"/ /abatorContext /abatorConfiguration ポイントは以下の通り。細かい情報は http //ibatis.apache.org/docs/tools/abator/ を参照。 classPathEntryは絶対パスが無難 targetProjectはEclipseのプロジェクト名+ソースフォルダ名 tableにschema属性をつけたらうまく動かなかった。 また、生成されたDAOは iBATIS DAO framework を前提としているためコンパイルエラーになる。iBATISは 2.3 から DAO framework 廃止し、Spring framework に移行することを推奨しているが、Abatorはまだ対応していないようだ。
https://w.atwiki.jp/ryuukoukasi/pages/26.html
DISC2 1966 1.Land Of 1000 Dances WILSON PICKETT 2.Land Of 1000 Dances THE WALKER BROTHERS 3.Batman Theme NEAL HEFTI 4.Wild Thing THE TROGGS 5.In My Room THE WALKER BROTHERS 6.You Can t Hurry Love DIANA ROSS 7.Sunny BOBBY HEBB 8.When A Man Loves A Woman PERCY SLEDGE 9.Bus Stop THE HOLLIES 10.Sundhine Superman DONOVAN 11.Summer In The City THE LOVIN SPOONFUL 12.Red Rubber Ball THE CYRKLE 13.Bittersweet Samba HEBB ALPERT THE TUUAMA BRASS 14.Ain t Nothing Like Real Thing MARVIN GAYE TAMMI TERRELL 15.Mellow Yellow DONOVAN 16.Kicks PAUL REVERE THE RAIDERS 17.Cry Softly NANCY AMES 18.Karelia THE SPOTNICKS 19.Turn Turn Turn THE BYRDS 20.What A Wonderful World ROUIS ARMSTRONG
https://w.atwiki.jp/colored_pencil_art/pages/3.html
What s New 取得中です。 the other カウンター 合計： - 今日： - 昨日： - WHAT S NEWの合計： - 上へ ©2007 nekosen colored_pencil_art hal
https://w.atwiki.jp/oper/pages/2492.html
ACT TWO Scene 1 Samson, Manoah, Micah, and Israelites. 31. Recitative Manoah Despair not thus! You once were God s delight, His destin d from the womb, by him led on To deeds above the nerve of mortal arm. Under his eye abstemious you grew up, Nor did the dancing ruby, sparkling, outpour d, Allure you from the cool crystalline stream. Samson Where er the liquid brook or fountain flow d, I drank, nor envy d man the cheering grape. But what availed this temp rance, not complete Against another object more enticing? I laid my strength in lust s lascivious lap. Manoah Trust yet in God! Thy father s timely care Shall prosecute the means to free thee hence; Meantime, all healing words from these thy friends admit. 32. Air Manoah Just are the ways of God to man, Let none his secret actions scan; For all is best, though oft we doubt, Of what his wisdom brings about. Still his unsearchable dispose Blesses the righteous in the close. 33. Recitative Samson My evils hopeless are! One pray r remains, A speedy death, to close my miseries. Micah Relieve Thy champion, image of Thy strength, And turn his labours to a peaceful end! 34. Air and Chorus Micah Return, O God of hosts! Behold Thy servant in distress, His mighty griefs redress, Nor by the heathen be it told. Israelites To dust his glory they would tread, And number him amongst the dead. Scene 2 Samson, Micah. Enter Dalila, attended by her Virgins. 35. Recitative Micah But who is this, that so bedeck d and gay, Comes this way sailing like a stately ship? With all her streamers waving in the winds, An odorous perfume her harbinger, A damsel train behind. - Tis Dalila, thy wife. Samson My wife, my traitress? Let her not come near me! Micah She stands, and eyes thee fix d, with head declin d. Like a fair flow r surcharg d with dew, she weeps; Her words address d to thee, seem tears dissolv d, Wetting the borders of her silken veil. Dalila With doubtful feet, and wav ring resolution, I come, O Samson, dreading thy displeasure; But conjugal affection led me on, Prevailing over fear and tim rous doubt, Glad if in aught my help or love could serve, To expiate my rash, unthought misdeed. Samson Out, thou hyæna! Twas malice brought thee here! These are the arts of women false like thee, To break all vows, repent, deceive, submit, Then with instructed skill again transgress. The wisest men have met such bosom snakes, BeguiI d like me, to ages an example. Dalila I would not lessen my offence, yet beg To weigh it by itself. What is it then But curiosity? A small female fault, Greedy of secrets, but to publish them. Why would you trust a woman s frailty then, And to her importunity your strength? A mutual weakness mutual pardon claims. Samson How cunningly the sorceress displays Her own transgressions, to upbraid me mine! I to myself was false, ere thou to me; Bitter reproach, but true! The pardon, then, I to my folly give, take thou to thine! 36. Air Philistine Woman / Dalila With plaintive notes and am rous moan, Thus coos the turtle left alone. Like her / me, averse to each delight, She wears the tedious widow d night But when her absent mate returns, With doubled raptures then she burns. 37. Recitative Dalila Alas! Th event was worse than I foresaw Fearless at home of partners in my love, Twas jealousy did prompt to keep you there Both day and night, love s pris ner, wholly mine. Samson Did love constrain thee? No, twas raging lust! Love seeks for love; thy treason sought my hate. In vain you strive to cover shame with shame Once join d to me, though judg d your country s foe, Parents, and all, were in the husband lost. 38. Air Samson Your charms to ruin led the way, My sense deprav d, My strength enslavd, As I did love, you did betray. How great the curse, how hard my fate To pass life s sea with such a mate! 39. Recitative Dalila Forgive what s done, nor think of what s past cure From forth this prison-house come home to me, Where with redoubled love and nursing care, (To me glad office!) my virgins and myself Shall tend about thee to extremest age. 40. Air and duet Dalila My faith and truth, O Samson, prove, But hear me, hear the voice of love! With love no mortal can be cloy d, All happiness is love enjoy d. Philistine Woman Her faith and truth, O Samson, prove, But hear her, hear the voice of love! 41a. Chorus of Virgins Her faith and truth, O Samson, prove But hear her, hear the voice of love! 42. Air Dalila To fleeting pleasures make your court, No moment lose, for life is short! The present now s our only time The missing that our only crime. 41b. Chorus repeated How charming is domestic ease! A thousand ways I ll strive to please. Life is not lost, though lost your sight; Let other senses taste delight. 41c. Chorus of Virgins Her faith and truth, oh Samson, prove, But hear her, hear the voice of love! 43. Recitative Samson Ne er think of that! I know thy warbling charms, Thy trains, thy wiles, and fair enchanted cup. Their force is nulI d; where once I have been caught, I shun the snare. These chains, this prison-house, I count the house of liberty to thine. Dalila Let me approach, at least, and touch thy hand. Samson Not for thy life, lest fierce remembrance wake My sudden rage to tear thee limb from limb. At distance I forgive depart with that. Now triumph in thy falsehood; so farewell! Dalila Thou art more deaf to pray rs than winds or seas. Thy anger rages an etemal tempest. Why should I humbly sue for peace, thus scorn d, With infamy upon my name denounc d? When in this land I ever shall be held The first of womankind, living or dead. My praises shall be sung at solemn feasts, Who sav d my country from a fierce destroyer. 44. Duet Dalila Traitor to love! I ll sue no more For pardon scorn d, your threats give o er! Samson Traitress to love! I ll hear no more The charmer s voice, your arts give o er! Exeunt Dalila and Virgins. Scene 3 45. Recitative Micah She s gone! A serpent manifest, her sting Discover d in the end. Samson So let her go! God sent her here to aggravate my folly. 46. Air Micah It is not virtue, valour, wit, Or comeliness of grace That woman s love can truly hit, Or in her heart claim place. Still wav ring where their choice to fix, Too oft they choose the wrong So much self-love does rule the sex, They nothing else love long. It is not virtue. . . da capo 47. Recitative Samson Favour d of heaven is he, who finds one true. How rarely found! - His way to peace is smooth. 48. Chorus of Israelites To man God s universal law Gave pow r to keep the wife in awe. Thus shall his life be ne er dismay d, By female usurpation sway d. Scene 4 49. Recitative Micah No words of peace, no voice enchanting fear, A rougher tongue expect. Here s Harapha, I know him by this stride and haughty look. Enter Harapha and Philistines. Harapha I come not, Samson, to condole thy chance; I am of Gath, men call me Harapha; Thou know st me now. Of thy prodigious might Much have I heard, incredible to me! Nor less displeas d, that never in the field We met, to try each other s deeds of strength. I d see if thy appearance answers loud report. Samson The way to know. were not to see, but taste. Harapha Ha! Dost thou then already single me? I thought that labour and thy chains had tam d thee. Had fortune brought me to that field of death, Where thou wrought st wonder with an ass s jaw, I d left thy carcass where the ass lay thrown. Samson Boast not of what thou would st have done, but do. Harapha The honour certain to have won from thee I lose, prevented by thy eyes put out; To combat with a blind man, I disdain. 50. Air Harapha Honour and arms scorn such a foe, Though I could end thee at a blow; Poor victory, To conquer thee, Or glory in thy overthrow! Vanquish a slave that is half slain So mean a triumph I disdain. Honour and arms. . . da capo 51. Recitative Samson Put on your arms, then take for spear Your weighty weaver s beam, and come within my reach! 52. Air Samson My strength is from the living God, By Heav n free-gifted at my birth, To quell the mighty of the earth, And prove the brutal tyrant s rod. But to the righteous peace and rest, With liberty to all opprest. 53. Recitative Harapha With thee, a man condemn d, a slave enroll d, No worthy match to stain the warrior s sword! Samson Cam st thou for this, vain boaster? Yet take heed! My heels are fetter d, but my hands are free. Thou bulk of spirit void! I once again, Blind and in chains, provoke thee to the fight! Harapha O Dagon! Can I hear this insolence To me unus d, not rend ring instant death? 54. Duet Samson Go, baffled coward, go, Lest vengeance lay thee low, In safety fly my wrath with speed! Harapha Presume not on thy God, Who under foot has trod Thy strength and thee, at greatest need. 55. Recitative Micah Here lies the proof - if Dagon be thy God, With high devotion invocate his aid, His glory is concern d. Let him dissolve Those magic spells that gave our hero strength; Then know whose God is God, Dagon, of mortal make, Or that Great One whom Abra m s sons adore. 56. Chorus of Israelites Hear, Jacob s God, Jehovah, hear! Oh, save us, prostrate at thy throne! Israel depends on thee alone, Save us, and show that thou art near! 57. Recitative Harapha Dagon, arise, attend thy sacred feast! Thy honour calls, this day admits no rest. 58. Air A Philistine To song and dance we give the day, Which shows thy universal sway. Protect us by thy mighty hand. And sweep this race from out the land! To song and dance. . . da capo 59. Chorus of Philistines To song and dance we give the day, Which shows thy universal sway. Protect us by thy mighty hand. And sweep this race from out the land! 60. Chorus of Israelites and Philistines Fix d in his everlasting seat, Jehovah / Great Dagon rules the world in state. His thunder roars, Heav n shakes, and earth s aghast, The stars with deep amaze, Remain in stedfast gaze. Jehovah / Great Dagon is of Gods the first and last. ACT TWO Scene 1 Samson, Manoah, Micah, and Israelites. 31. Recitative Manoah Despair not thus! You once were God s delight, His destin d from the womb, by him led on To deeds above the nerve of mortal arm. Under his eye abstemious you grew up, Nor did the dancing ruby, sparkling, outpour d, Allure you from the cool crystalline stream. Samson Where er the liquid brook or fountain flow d, I drank, nor envy d man the cheering grape. But what availed this temp rance, not complete Against another object more enticing? I laid my strength in lust s lascivious lap. Manoah Trust yet in God! Thy father s timely care Shall prosecute the means to free thee hence; Meantime, all healing words from these thy friends admit. 32. Air Manoah Just are the ways of God to man, Let none his secret actions scan; For all is best, though oft we doubt, Of what his wisdom brings about. Still his unsearchable dispose Blesses the righteous in the close. 33. Recitative Samson My evils hopeless are! One pray r remains, A speedy death, to close my miseries. Micah Relieve Thy champion, image of Thy strength, And turn his labours to a peaceful end! 34. Air and Chorus Micah Return, O God of hosts! Behold Thy servant in distress, His mighty griefs redress, Nor by the heathen be it told. Israelites To dust his glory they would tread, And number him amongst the dead. Scene 2 Samson, Micah. Enter Dalila, attended by her Virgins. 35. Recitative Micah But who is this, that so bedeck d and gay, Comes this way sailing like a stately ship? With all her streamers waving in the winds, An odorous perfume her harbinger, A damsel train behind. - Tis Dalila, thy wife. Samson My wife, my traitress? Let her not come near me! Micah She stands, and eyes thee fix d, with head declin d. Like a fair flow r surcharg d with dew, she weeps; Her words address d to thee, seem tears dissolv d, Wetting the borders of her silken veil. Dalila With doubtful feet, and wav ring resolution, I come, O Samson, dreading thy displeasure; But conjugal affection led me on, Prevailing over fear and tim rous doubt, Glad if in aught my help or love could serve, To expiate my rash, unthought misdeed. Samson Out, thou hyæna! Twas malice brought thee here! These are the arts of women false like thee, To break all vows, repent, deceive, submit, Then with instructed skill again transgress. The wisest men have met such bosom snakes, BeguiI d like me, to ages an example. Dalila I would not lessen my offence, yet beg To weigh it by itself. What is it then But curiosity? A small female fault, Greedy of secrets, but to publish them. Why would you trust a woman s frailty then, And to her importunity your strength? A mutual weakness mutual pardon claims. Samson How cunningly the sorceress displays Her own transgressions, to upbraid me mine! I to myself was false, ere thou to me; Bitter reproach, but true! The pardon, then, I to my folly give, take thou to thine! 36. Air Philistine Woman / Dalila With plaintive notes and am rous moan, Thus coos the turtle left alone. Like her / me, averse to each delight, She wears the tedious widow d night But when her absent mate returns, With doubled raptures then she burns. 37. Recitative Dalila Alas! Th event was worse than I foresaw Fearless at home of partners in my love, Twas jealousy did prompt to keep you there Both day and night, love s pris ner, wholly mine. Samson Did love constrain thee? No, twas raging lust! Love seeks for love; thy treason sought my hate. In vain you strive to cover shame with shame Once join d to me, though judg d your country s foe, Parents, and all, were in the husband lost. 38. Air Samson Your charms to ruin led the way, My sense deprav d, My strength enslavd, As I did love, you did betray. How great the curse, how hard my fate To pass life s sea with such a mate! 39. Recitative Dalila Forgive what s done, nor think of what s past cure From forth this prison-house come home to me, Where with redoubled love and nursing care, (To me glad office!) my virgins and myself Shall tend about thee to extremest age. 40. Air and duet Dalila My faith and truth, O Samson, prove, But hear me, hear the voice of love! With love no mortal can be cloy d, All happiness is love enjoy d. Philistine Woman Her faith and truth, O Samson, prove, But hear her, hear the voice of love! 41a. Chorus of Virgins Her faith and truth, O Samson, prove But hear her, hear the voice of love! 42. Air Dalila To fleeting pleasures make your court, No moment lose, for life is short! The present now s our only time The missing that our only crime. 41b. Chorus repeated How charming is domestic ease! A thousand ways I ll strive to please. Life is not lost, though lost your sight; Let other senses taste delight. 41c. Chorus of Virgins Her faith and truth, oh Samson, prove, But hear her, hear the voice of love! 43. Recitative Samson Ne er think of that! I know thy warbling charms, Thy trains, thy wiles, and fair enchanted cup. Their force is nulI d; where once I have been caught, I shun the snare. These chains, this prison-house, I count the house of liberty to thine. Dalila Let me approach, at least, and touch thy hand. Samson Not for thy life, lest fierce remembrance wake My sudden rage to tear thee limb from limb. At distance I forgive depart with that. Now triumph in thy falsehood; so farewell! Dalila Thou art more deaf to pray rs than winds or seas. Thy anger rages an etemal tempest. Why should I humbly sue for peace, thus scorn d, With infamy upon my name denounc d? When in this land I ever shall be held The first of womankind, living or dead. My praises shall be sung at solemn feasts, Who sav d my country from a fierce destroyer. 44. Duet Dalila Traitor to love! I ll sue no more For pardon scorn d, your threats give o er! Samson Traitress to love! I ll hear no more The charmer s voice, your arts give o er! Exeunt Dalila and Virgins. Scene 3 45. Recitative Micah She s gone! A serpent manifest, her sting Discover d in the end. Samson So let her go! God sent her here to aggravate my folly. 46. Air Micah It is not virtue, valour, wit, Or comeliness of grace That woman s love can truly hit, Or in her heart claim place. Still wav ring where their choice to fix, Too oft they choose the wrong So much self-love does rule the sex, They nothing else love long. It is not virtue. . . da capo 47. Recitative Samson Favour d of heaven is he, who finds one true. How rarely found! - His way to peace is smooth. 48. Chorus of Israelites To man God s universal law Gave pow r to keep the wife in awe. Thus shall his life be ne er dismay d, By female usurpation sway d. Scene 4 49. Recitative Micah No words of peace, no voice enchanting fear, A rougher tongue expect. Here s Harapha, I know him by this stride and haughty look. Enter Harapha and Philistines. Harapha I come not, Samson, to condole thy chance; I am of Gath, men call me Harapha; Thou know st me now. Of thy prodigious might Much have I heard, incredible to me! Nor less displeas d, that never in the field We met, to try each other s deeds of strength. I d see if thy appearance answers loud report. Samson The way to know. were not to see, but taste. Harapha Ha! Dost thou then already single me? I thought that labour and thy chains had tam d thee. Had fortune brought me to that field of death, Where thou wrought st wonder with an ass s jaw, I d left thy carcass where the ass lay thrown. Samson Boast not of what thou would st have done, but do. Harapha The honour certain to have won from thee I lose, prevented by thy eyes put out; To combat with a blind man, I disdain. 50. Air Harapha Honour and arms scorn such a foe, Though I could end thee at a blow; Poor victory, To conquer thee, Or glory in thy overthrow! Vanquish a slave that is half slain So mean a triumph I disdain. Honour and arms. . . da capo 51. Recitative Samson Put on your arms, then take for spear Your weighty weaver s beam, and come within my reach! 52. Air Samson My strength is from the living God, By Heav n free-gifted at my birth, To quell the mighty of the earth, And prove the brutal tyrant s rod. But to the righteous peace and rest, With liberty to all opprest. 53. Recitative Harapha With thee, a man condemn d, a slave enroll d, No worthy match to stain the warrior s sword! Samson Cam st thou for this, vain boaster? Yet take heed! My heels are fetter d, but my hands are free. Thou bulk of spirit void! I once again, Blind and in chains, provoke thee to the fight! Harapha O Dagon! Can I hear this insolence To me unus d, not rend ring instant death? 54. Duet Samson Go, baffled coward, go, Lest vengeance lay thee low, In safety fly my wrath with speed! Harapha Presume not on thy God, Who under foot has trod Thy strength and thee, at greatest need. 55. Recitative Micah Here lies the proof - if Dagon be thy God, With high devotion invocate his aid, His glory is concern d. Let him dissolve Those magic spells that gave our hero strength; Then know whose God is God, Dagon, of mortal make, Or that Great One whom Abra m s sons adore. 56. Chorus of Israelites Hear, Jacob s God, Jehovah, hear! Oh, save us, prostrate at thy throne! Israel depends on thee alone, Save us, and show that thou art near! 57. Recitative Harapha Dagon, arise, attend thy sacred feast! Thy honour calls, this day admits no rest. 58. Air A Philistine To song and dance we give the day, Which shows thy universal sway. Protect us by thy mighty hand. And sweep this race from out the land! To song and dance. . . da capo 59. Chorus of Philistines To song and dance we give the day, Which shows thy universal sway. Protect us by thy mighty hand. And sweep this race from out the land! 60. Chorus of Israelites and Philistines Fix d in his everlasting seat, Jehovah / Great Dagon rules the world in state. His thunder roars, Heav n shakes, and earth s aghast, The stars with deep amaze, Remain in stedfast gaze. Jehovah / Great Dagon is of Gods the first and last. Handel,George Frideric/Samson/III
https://w.atwiki.jp/miscellaneous/pages/75.html
Persona 3 Portable/Code/P3PBCC Persona 3 Portable/Code/P3PBCCP3PBCCPersona 3 Portable BGM Change Code Generator 曲リストex. 26 Mass Destructionを122 ハム子バトルに変える 01 tartarus 0d01 19 シャドウ 20 Deep Breath Deep Breath 21 Basement 22 深層心理 25 When The Moon's Reaching Out Stars 26 Mass Destruction 27 Master of Shadow 28 避けられぬ戦い 29 Burn My Dread -Last Battle- 30 全ての人の魂の戦い 31 Master of Tartarus 32 京都 35 Troubled 36 暗闇より出でしもの 37 Living With Determination 38 Joy 39 Fearful Experiance 40 Calamity 42 キミの記憶 44 この不思議な感覚 45 Crisis 46 The Path is Open 47 New Days 48 Like a dream come true 50 Want To Be Close 51 Changing Seasons 52 学園の記憶(Hihat+Snare) 53 厳戸台分寮 54 全ての人の魂の詩 55 時価ネットたなか 56 ポロニアンモール 60 戦いのあと 62 The Path Was Closed 70 tartarus 0d02 71 The Voice Someone Calls 72 tartarus 0d04 73 tartarus 0d05 74 tartarus 0d06 77 Living With Determination -巌戸台分寮アレンジ- 79 Mistic 80 街の記憶 81 tartarus 0d03 85 やすらぎ 86 心の力 87 Adventured act 88 学園の記憶 89 試験中… 90 嫌な予感 91 Afternoon Break 101 扉の間 102 雪の女王 103 舞耶・テーマ 104 ペルソナ 105 時間城 112 Burn My Dread -Last Battle- Loop 115 Brand New Days -はじまり- 120 Time 121 Sun 122 Wiping All Out 123 Danger Zone 124 A Way of Life 125 放課後 126 やさしい気持ち 23=20=24 !Deep Breath Deep Breath 24=20=23 !Deep Breath Deep Breath 43=38 !Joy 75=74 !tartarus 0d06 78=60 !戦いのあと 92 !Env 107 !Env 108 !Env 109 !Env 110 !Env 111 !Env 113 !Env 116 !Env P3PBCC Persona 3 Portable BGM Change Code 例の如く強引な手法 42 キミの記憶 47/48 P4の曲 120以降が(微妙な)新曲 Persona 3 Portable BGM Change Code Generator JavaScript必須 パッドコードジェネレーターはおまけ 09/11/11適当に作成 曲リスト P3FやP4と大体同じだけど一応使い方を。 変更元の曲のアドレスに、変更先の曲のデータ部を入れる No.が2桁の曲から3桁の曲に変更する場合は2行必要、桁が同じなら1行でもいい _C0からはじまるコードタイトルは各自適当にどうぞ ex. 26 Mass Destructionを122 ハム子バトルに変える 26 Mass Destructionのアドレスに122 F Battleのデータ部を入れる _C0 26- 122 _L 0x203AB0C00x2E323231 _L 0x203AB0C40x00584441 No.の桁が違うので2行必要 01 tartarus 0d01 _L 0x203AB0B8 0x412E3130 _L 0x203AB0BC 0x00005844 19 シャドウ _L 0x203AB0C8 0x412E3931 _L 0x203AB0CC 0x00005844 20 Deep Breath Deep Breath _L 0x203AB0D0 0x412E3032 _L 0x203AB0D4 0x00005844 21 Basement _L 0x203AB0D8 0x412E3132 _L 0x203AB0DC 0x00005844 22 深層心理 _L 0x203AB0E0 0x412E3232 _L 0x203AB0E4 0x00005844 25 When The Moon s Reaching Out Stars _L 0x203AB0F8 0x412E3532 _L 0x203AB0FC 0x00005844 26 Mass Destruction _L 0x203AB0C0 0x412E3632 _L 0x203AB0C4 0x00005844 27 Master of Shadow _L 0x203AB100 0x412E3732 _L 0x203AB104 0x00005844 28 避けられぬ戦い _L 0x203AB108 0x412E3832 _L 0x203AB10C 0x00005844 29 Burn My Dread -Last Battle- _L 0x203AB110 0x412E3932 _L 0x203AB114 0x00005844 30 全ての人の魂の戦い _L 0x203AB118 0x412E3033 _L 0x203AB11C 0x00005844 31 Master of Tartarus _L 0x203AB120 0x412E3133 _L 0x203AB124 0x00005844 32 京都 _L 0x203AB128 0x412E3233 _L 0x203AB12C 0x00005844 35 Troubled _L 0x203AB130 0x412E3533 _L 0x203AB134 0x00005844 36 暗闇より出でしもの _L 0x203AB138 0x412E3633 _L 0x203AB13C 0x00005844 37 Living With Determination _L 0x203AB140 0x412E3733 _L 0x203AB144 0x00005844 38 Joy _L 0x203AB148 0x412E3833 _L 0x203AB14C 0x00005844 39 Fearful Experiance _L 0x203AB150 0x412E3933 _L 0x203AB154 0x00005844 40 Calamity _L 0x203AB158 0x412E3034 _L 0x203AB15C 0x00005844 42 キミの記憶 _L 0x203AB160 0x412E3234 _L 0x203AB160 0x00005844 44 この不思議な感覚 _L 0x203AB170 0x412E3434 _L 0x203AB174 0x00005844 45 Crisis _L 0x203AB178 0x412E3534 _L 0x203AB17C 0x00005844 46 The Path is Open _L 0x203AB180 0x412E3634 _L 0x203AB184 0x00005844 47 New Days _L 0x203AB188 0x412E3734 _L 0x203AB18C 0x00005844 48 Like a dream come true _L 0x203AB190 0x412E3834 _L 0x203AB194 0x00005844 50 Want To Be Close _L 0x203AB198 0x412E3035 _L 0x203AB19C 0x00005844 51 Changing Seasons _L 0x203AB1A0 0x412E3135 _L 0x203AB1A4 0x00005844 52 学園の記憶(Hihat+Snare) _L 0x203AB1A8 0x412E3235 _L 0x203AB1AC 0x00005844 53 厳戸台分寮 _L 0x203AB1B0 0x412E3335 _L 0x203AB1B4 0x00005844 54 全ての人の魂の詩 _L 0x203AB1B8 0x412E3435 _L 0x203AB1BC 0x00005844 55 時価ネットたなか _L 0x203AB1C0 0x412E3535 _L 0x203AB1C4 0x00005844 56 ポロニアンモール _L 0x203AB1C8 0x412E3635 _L 0x203AB1CC 0x00005844 60 戦いのあと _L 0x203AB1D0 0x412E3036 _L 0x203AB1D4 0x00005844 62 The Path Was Closed _L 0x203AB1D8 0x412E3236 _L 0x203AB1DC 0x00005844 70 tartarus 0d02 _L 0x203AB1E0 0x412E3037 _L 0x203AB1E4 0x00005844 71 The Voice Someone Calls _L 0x203AB1E8 0x412E3137 _L 0x203AB1EC 0x00005844 72 tartarus 0d04 _L 0x203AB1F0 0x412E3237 _L 0x203AB1F4 0x00005844 73 tartarus 0d05 _L 0x203AB1F8 0x412E3337 _L 0x203AB1FC 0x00005844 74 tartarus 0d06 _L 0x203AB200 0x412E3437 _L 0x203AB204 0x00005844 77 Living With Determination -巌戸台分寮アレンジ- _L 0x203AB210 0x412E3737 _L 0x203AB214 0x00005844 79 Mistic _L 0x203AB220 0x412E3937 _L 0x203AB224 0x00005844 80 街の記憶 _L 0x203AB228 0x412E3038 _L 0x203AB22C 0x00005844 81 tartarus 0d03 _L 0x203AB230 0x412E3138 _L 0x203AB234 0x00005844 85 やすらぎ _L 0x203AB238 0x412E3538 _L 0x203AB23C 0x00005844 86 心の力 _L 0x203AB240 0x412E3638 _L 0x203AB244 0x00005844 87 Adventured act _L 0x203AB248 0x412E3738 _L 0x203AB24C 0x00005844 88 学園の記憶 _L 0x203AB250 0x412E3838 _L 0x203AB254 0x00005844 89 試験中… _L 0x203AB258 0x412E3938 _L 0x203AB25C 0x00005844 90 嫌な予感 _L 0x203AB260 0x412E3039 _L 0x203AB264 0x00005844 91 Afternoon Break _L 0x203AB268 0x412E3139 _L 0x203AB26C 0x00005844 101 扉の間 _L 0x203AB278 0x2E313031 _L 0x203AB27C 0x00584441 102 雪の女王 _L 0x203AB280 0x2E323031 _L 0x203AB284 0x00584441 103 舞耶・テーマ _L 0x203AB288 0x2E333031 _L 0x203AB28C 0x00584441 104 ペルソナ _L 0x203AB290 0x2E343031 _L 0x203AB294 0x00584441 105 時間城 _L 0x203AB298 0x2E353031 _L 0x203AB29C 0x00584441 112 Burn My Dread -Last Battle- Loop _L 0x203AB2C8 0x2E323131 _L 0x203AB2CC 0x00584441 115 Brand New Days -はじまり- _L 0x203AB2D8 0x2E353131 _L 0x203AB2DC 0x00584441 120 Time _L 0x203AB2E8 0x2E303231 _L 0x203AB2EC 0x00584441 121 Sun _L 0x203AB2F0 0x2E313231 _L 0x203AB2F4 0x00584441 122 Wiping All Out _L 0x203AB2F8 0x2E323231 _L 0x203AB2FC 0x00584441 123 Danger Zone _L 0x203AB300 0x2E333231 _L 0x203AB304 0x00584441 124 A Way of Life _L 0x203AB308 0x2E343231 _L 0x203AB30C 0x00584441 125 放課後 _L 0x203AB310 0x2E353231 _L 0x203AB314 0x00584441 126 やさしい気持ち _L 0x203AB318 0x2E363231 _L 0x203AB31C 0x00584441 以下はダブリっぽい 23=20=24 !Deep Breath Deep Breath _L 0x203AB0E8 0x412E3332 _L 0x203AB0EC 0x00005844 24=20=23 !Deep Breath Deep Breath _L 0x203AB0F0 0x412E3432 _L 0x203AB0F4 0x00005844 43=38 !Joy _L 0x203AB168 0x412E3334 _L 0x203AB16C 0x00005844 75=74 !tartarus 0d06 _L 0x203AB208 0x412E3537 _L 0x203AB20C 0x00005844 78=60 !戦いのあと _L 0x203AB218 0x412E3837 _L 0x203AB21C 0x00005844 以下は環境音 92 !Env _L 0x203AB270 0x412E3239 _L 0x203AB274 0x00005844 107 !Env _L 0x203AB2A0 0x2E373031 _L 0x203AB2A4 0x00584441 108 !Env _L 0x203AB2A8 0x2E383031 _L 0x203AB2AC 0x00584441 109 !Env _L 0x203AB2B0 0x2E393031 _L 0x203AB2B4 0x00584441 110 !Env _L 0x203AB2B8 0x2E303131 _L 0x203AB2BC 0x00584441 111 !Env _L 0x203AB2C0 0x2E313131 _L 0x203AB2C4 0x00584441 113 !Env _L 0x203AB2D0 0x2E333131 _L 0x203AB2D4 0x00584441 116 !Env _L 0x203AB2E0 0x2E363131 _L 0x203AB2E4 0x00584441