ゲーム攻略・無料ウィキレンタルのアットウィキ (@WIKI)

https://w.atwiki.jp/aniwotawiki/pages/21036.html

登録日：2012/06/30(土) 08 02 58 更新日：2024/07/11 Thu 15 08 39 所要時間：約 2 分で読めます ▽タグ一覧 2007年 OP THE_IDOLM@STER XENOGLOSSIA アイドルマスターオープニングテーマゼノグラシア井口裕香大久保薫微熱S.O.S!! 楽曲橋本みゆき畑亜貴良曲遠藤正明遠藤正明 ←もはや灼熱S.O.S！！黒須克彦「微熱S.O.S!!」は橋本みゆきの楽曲。作詞は畑亜貴、作曲は黒須克彦、編曲は大久保薫。 ▽目次概要アニメーション余談概要『アイドルマスターXENOGLOSSIA』の前期オープニングテーマであり、橋本みゆきの9作目のシングル曲でもある。「アイドルマスター」のOPらしくアップテンポでノリが良く可愛らしい曲調と、恋心に気付いた戦う女の子を歌った歌詞が特徴的で、まさしく「アイドルマスター」＋「ロボットアニメ」である『XENOGLOSSIA』に相応しい曲となっている。アニメーションアップテンポなオープニングに相応しく明るい雰囲気の映像になっている。ただ、ロボットアニメのオープニングなのにもかかわらず戦闘描写はあまり無く、日常生活の描写とキャラクターの魅力とペンギンを重視した作りになっているのが特徴。元がアイドル育成ゲームだったからだろうか…。ただ、伏線のようなシーンも何カ所か存在する。（例）格納庫に佇む人影キリンのストラップを握りしめる雪歩背中合わせの雪歩と春香にIDOLの目が後ろで光っている　春香はインベルの目だが、雪歩は…。ちなみに、サビ途中の振り向きどや顔に千早が入っていた事やアイドル達の集合一枚絵から、千早加入フラグが立っていたりする。 …が､そんなことはなかった｡余談橋本みゆきのアルバム『Prismatic colors』には、「微熱S.O.S!!(solitude version)」というアレンジ版が収録されており、原曲と比べて爽やかな感じにアレンジされている。『アイドルマスターXENOGLOSSIA』のキャラクターアルバム（キャラソンではなくサンライズのロボットアニメ主題歌をキャラクターの声優たちが歌うCD）とベストアルバムには、天海春香（CV.井口裕香）版が収録されている（OPサイズだが）。「スパロボOGネットラジオ　うますぎWAVE」内で遠藤正明がカバーした事があり、「アニぱら音楽館」では橋本みゆきとデュエットをした事もある（しかもフルで）。…もはや微熱どころか灼熱S.O.S!!である追記・修正は空を突き抜けた世界でフシギな想いを感じた人がお願いします。 △メニュー項目変更　この項目が面白かったなら……＼ポチッと/ -アニヲタWiki- ▷ コメント欄 [部分編集] アニメの内容で色々言われているけど、ワイこの歌好き。アイマス本編でもカバーされて出てこないかな… -- 名無しさん (2024-06-11 17 40 44) 名前コメント

WikiBibliography of English Language Studies - den

https://w.atwiki.jp/englishlanguage/pages/26.html

DEN... Dendinger, L. N.1970"The Dynamic Structural Balance of Sir Gawain and the Green Knight", in Essays in Honor of Esmond Linworth Marilla, pp. 367-78. Louisianna State UP. Dendle, Peter. 2004. "How naked is Juliana?". Philological Quarterly 83(4) 355-370. Dendrinos, Bessie and Elini Haviara-Kehaidou1992Directness and indirectness in the discourse of male and female intruders', in Working Papers on Language, Gender and Sexism, 2(1). Denison, David.1985."The Origins of Periphrastic Do Ellegard and Visser Reconsidered", in R. Eaton, et al. (1985), pp. 45-60. Denison, David.1985."The Origin of Completive up in English". NM 86 37-61. Denison, David.1985."Why Old English had no prepositional passive". English Studies 66 189-204. Denison. David. 1985. "Some Observations on 'Being Teaching'". Studia Neophilologica 57 157–159. Denison, David.1986."On Word Order in Old English". Dutch Quarterly Review 16 277-95. Denison, David.1988."Auxiliary + impersonal in Old English". Folia Linguistica Historica 9(1) 139-66. Denison, David.1990."The Old English impersonal revived", in Sylvia Adamson, et al. (eds.), Papers from the 5th International Conference on English Historical Linguistics Cambridge, 6-9 April 1987. Amsterdam John Benjamins. Denison, David.1992."Counterfactual may have", in Internal and External Factors in Syntactic Change, ed. M. Gerristen D. Stein, pp. 229-56. Trends in Linguistics, Studies in Monographs, 61. Berlin Mouton. Denison, David.1993."Some Recent Changes in the English Verb". English Diachronic Syntax, ed. Maurizio Gotti, pp. 15-33. Milano Guerini. Denison, David.1993.English Historical Syntax. Longman. Denison, David.1994."A Corpus of Late Modern English Prose" in Corpora across the Centuries, ed. M. Kytoe, et al. Amsterdam Rodopi. Denison, David.1996."The Case of the Unmarked Pronoun", in English Historical Linguistics 1994 Papers from the 8th International Conference on English Historical Linguistics, ed. D. Britton, pp. 287-99. Current Issues in Linguistic Theory, 135. Amsterdam John Benjamins. Denison, David.1999."Slow, slow, quick, quick, slow The Dance of Language Change?", in "Woonderous Aenglissce" SELIM Studies in Medieval English Langauge, ed. L. Bringas, et al., pp. 51-64. Universidade de Vigo. Denison, David.2000."Combining English Auxiliaries", in Patheways of Change Grammaticalization in English, ed. O. Fischer, et al., pp. 111-48. Denison, David.2001."Gradience and Linguistic Change", in Historical Linguistics 1999, ed. Laurel J. Brinton, pp. 119-44. Amsterdam John Benjamins. Denison, David.2003."Log(ist)ic and simplistic S-curves", in Motives for Language Change, ed. Raymond Hickey, pp. 54-70. CUP. Denison, David. 2020. "Explaining Explanatory so", in Voices Past and Present - Studies of Involved, Speech-related and Spoken Texts In honor of Merja Kytö, ed. Ewa Jonsson Tove Larsson, pp. 208-225. Amsterdam John Benjamins. Denison, David, Ricardo Bermudez-Otero, Chris McCully Emma Moore (eds.) 2012. Analysing Older English. Cambridge Cambridge University Press. Denison, David and Marianne Hundt. 2013. "Defining relatives". Journal of English Linguistics 4(2) 135-167. Denning, K. S. Kemmer.1990.On Lauguage Selected Writings of Joseph H. Greenberg. Stanford University Press. Denning, K. W. R. Leben.1995.English Vocabulary Elements. OUP. Dennis, L.1940"The Progressive Tense Frequency of its Use in English". Publications of the Modern Language Association of America 55 855-65. Dent, R. W.1981.Shakespeare's Proverbial Language. Berkeley Los Angeles University of California Press. Dent, Susie.2003.The Language Report. OUP.

regina51 @ ウィキ - Rossolini Tempesta GT

https://w.atwiki.jp/regina51/pages/121.html

Rossolini Tempesta GT データベーススピード 8 ブースト 9 耐久力性 7 実車 Rossolini Tempestaを参考 Rossolini TempestaのGTバージョン。ても、耐久力性は優れていない。

プログラマの雑知識 - TERASOLUNA .NET

https://w.atwiki.jp/drip122/pages/26.html

TERASOLUNA .NETを使う開発環境フレームワーク TERASOLUNA Server/Client Framework for .NET ver 2.1.x.x OS　　Windows XP Professional SP2 (日本語版) CLR　　.NET Framework 2.0 統合開発環境　　Visual Studio 2005 Team Edition for Software Developers Webサーバ　：　インターネットインフォメーションサービス（以下、IIS） 5.1 ライブラリ Enterprise Library 3.1 - May 2007 Visual Studioをインストール Visual Studio 2005 Express Edition は2009/03に提供を終了するらしい。なので、Visual Studio 2008 Express EditionでTERA .NETが動作するか確かめる。 →isoファイルをダウンロードしてきて、ダウンロードする直前 IISをインストール http //www.aspdotnetnatokoro.com/pre/iis.aspx インストール用CDの挿入を求められ、挫折参考URLhttp //www.microsoft.com/japan/msdn/vstudio/express/ http //www.microsoft.com/Express/

România de Wiki@ ウィキ - Isoroku Yamamoto

https://w.atwiki.jp/romaniaastyop/pages/55.html

Isoroku Yamamoto(山本五十六) a fost un ofițer naval japonez. Gradul său este feldmareșal.4 aprilie 1884 Născut în Sakanoue-cho, orașul Nagaoka, prefectura Niigata, Japonia S-a născut ca al șaselea fiu al tatălui său, Sadakichi Takano.El a fost numit ``Isoroku'' din cauza vârstei tatălui său la acea vreme.S-a subliniat că dorința lui Isoroku de a intra la Academia Navală a fost influențată de faptul că a auzit adesea despre Marina de la Sada Nomura, cu care mătușa sa se căsătorise, și de Riki Takano, care și-a propus să urmeze academia militară, dar a dat din cauza sănătății sale precare și în cele din urmă a murit din cauza unei boli.În 1901 (Meiji 34), a intrat la Academia Navală ca clasa a 32-a din 200 de studenți. Printre colegii săi se numără Teikichi Hori, Koichi Shiozawa, Shigetaro Shimada și Zengo Yoshida. În timp ce mergea la școală, a devenit prieten apropiat cu Teikichi Hori.În noiembrie 1904 (Meiji 37), în timpul războiului ruso-japonez, a absolvit locul 11 din 192 de studenți ai Academiei Navale. Când a absolvit, instructorul lui l-a avertizat să „vorbească mai mult”, iar el însuși l-a avertizat „să fie direct și cald”. Se va urca la bordul navei de studii „Kanzaki Maru” în calitate de candidat la postul de sublocotenent.În ianuarie 1905 (Meiji 38), a fost repartizat pe crucișătorul blindat „Nissin” ca candidat sublocotenent și a participat la Bătălia de la Marea Japoniei pe 27 mai. În această luptă navală, a pierdut degetele arătător și mijlociu ale mâinii stângi și a fost grav rănit la coapsa stângă. Potrivit înregistrărilor oficiale și a unei scrisori de la însuși Isoroku, se spune că cauza ar fi o „explozie a unei obuze inamice”, dar foștii oficiali ai Marinei spun că a fost cauzată de o tragere prematură în interiorul țevii din față a lui Nisshin a subliniat că există posibilitatea ca Uniforma militară pe care o purta în momentul rănirii a fost donată unui muzeu din orașul natal, chiar înainte de izbucnirea războiului din Pacific. Exista posibilitatea ca brațul stâng să fie amputat, dar și-a revenit.După aceea, a petrecut cinci luni pe crucișătorul protejat ``Suma'', cinci luni pe nava de luptă ``Kashima'', patru luni pe nava de apărare de coastă ``Mishima'' și patru luni pe distrugătorul ``Kagero''. .'' În paralel cu serviciul său pe navă, a petrecut 16 luni ca student la științe generale la Școala de artilerie navală și patru luni ca student la științe generale la Școala de torpile navale. După absolvire, el a servit pe distrugătorul Harusame și pe crucișătorul blindat Aso înainte de a fi repartizat pe crucișătorul de clasa a treia (nava de antrenament) Soya. La Soya, a condus antrenamentul al 37-lea sublocotenent de cadet și a îndrumat pe Narumi Inoue, Jinichi Kusaka, Jisaburo Ozawa și Tomoshige Samejima.În 1909 (Meiji 42), a fost numit atașat în Statele Unite. După ce a absolvit Colegiul Naval de Război Clasa O în 1911, a devenit instructor la Școala de artilerie navală și la Școala de contabilitate navală și a devenit un aliat al colegului său Mitsumasa Yonauchi (mai târziu ministru al Marinei și prim-ministru). Potrivit lui Shigezane Inoue, el era responsabil de cursul de știință a armelor.În decembrie 1914 (Taisho 3), a intrat la Colegiul Naval de Război (clasa A, clasa a XIV-a). Printre colegii săi se numără Kiyoshi Abu, Hiroshi Arima, Manbei Idemitsu și Toroku Akiyama. În 1915 (Taisho 4), în timp ce era încă student, el a moștenit familia Yamamoto, care era menținătorul principal al fostului domeniu Nagaoka, la sugestia lui Tadaatsu Makino. Notificarea de înregistrare către familia Yamamoto și schimbarea numelui către Ministerul Marinei a fost datată pe 20 septembrie a aceluiași an.În decembrie 1914 (Taisho 3), a intrat la Colegiul Naval de Război (clasa A, clasa a XIV-a). Printre colegii săi se numără Kiyoshi Abu, Hiroshi Arima, Manbei Idemitsu și Toroku Akiyama. În 1915 (Taisho 4), în timp ce era încă student, el a moștenit familia Yamamoto, care era menținătorul principal al fostului domeniu Nagaoka, la sugestia lui Tadaatsu Makino. Notificarea de înregistrare către familia Yamamoto și schimbarea numelui către Ministerul Marinei a fost datată pe 20 septembrie a aceluiași an.

beatmania IIDX DBR wiki - SOLID STATE SQUAD(A)

https://w.atwiki.jp/bemanidbr/pages/1392.html

VERSION GENRE TITLE ARTIST bpm notes 属性 17 SIRIUS HARDSTYLE SOLID STATE SQUAD kors k Vs. L.E.D. 155 3346 - 攻略・コメント名前コメント

BAYONETTA@wiki - enemy_fortitudo

https://w.atwiki.jp/bayonetta/pages/112.html

フォルティトゥード（Fortitudo）中世の時代、霊力の強い人々の間で、天の理を威すと信じられた偉大なる意思「四元徳（カーディナルバーチュズ）」の一人で、「忍耐、勇気（フォルティトゥード）」と呼ばれる人知を超えた存在。巨大な顔二つの龍の頭を持ち、大地を裂いて煮え滾る溶岩を呼び起こす荒々しい姿で描かれることが多いが、実際にその姿を目にしたものは一人もいない。コンパチキャラの「カレッジ」についてもここで解説。攻略はこちら備考 Fortitudoはラテン語。fortis（強い）を含む語で、肉体的な強さ（忍耐力・耐久力）と精神的な強さ（勇気・勇敢さ）の双方を表す。 HPを0に減らすと顔面露出、緑とか黄色とか気持ち悪い。某シーンでは節制さんと一緒にヘカトンケイルから目潰しを食らう。時々トリ頭が地面に嵌って動けなくなる。女ひとり相手にガツガツしすぎである。神谷ディレクターの実況動画によれば、当初のアイデアでは神の像の頭部だった。同じく顔の向きは普通だった。上下逆さまにしたのは、その方が異様な雰囲気が出るから。体に付いている鎖は巨大感を出す為に付け加えられた。トリ頭の牙は鋭いデザインだったが、天使という設定なので鋭さを取り除いた。魔獣召喚がマルファスなのは翼繋がりだからである。声優はルカの父親、及び冒頭のナレーションを演じたGeorge Ball。カレッジ（Courage）概要フォルティトゥードの弱体化版。オリジナルより一回り小さく、緑がかり、背びれなどの飾りが少ない。チャプター15で唯一登場しない量産型と思われがちだが、龍の頭だけ登場。初登場チャプター10 Verse5 攻撃パターン CH 攻撃法備考 10 連続噛み付き予備動作でジャンプ。攻撃は左・右と来る。同時噛み付き予備動作でジャンプ。攻撃後、地面に顔が埋まる。首伸ばし予備動作で仰け反ったあと、両方の首が突っ込んでくる。踏みつけ片足で踏み付ける。地響きでこちらの動作を止める効果あり。踏み潰し翼を使って少し滞空→その場に着地。範囲が狭いので離れていればほぼ当たらない。歩行地面を揺らしながら数歩移動。身体全体に判定あり。尻尾薙ぎ背後に回ると使用。掛け声が長い。漏らし股下へ行くと発生。デコの先辺りが発光→爆発。火炎放射左から右へ薙ぐように火炎放射。火炎弾龍の口から2発連射。 14 緑玉火炎弾落とすヘイロウ 1000 備考 Courageは英語で「勇気」の意。

Language & Writing - Lithuanian【lit】

https://w.atwiki.jp/satoschi/pages/351.html

Lithuanian【lit】リトアニア語 00 Indo-European 01 Balto-Slavic 02 Baltic 03 Eastern (Baltic) Latin script (Fraktur variant)【Latf】 Latin script【Latn】《現》living language ポーランド【PL】リトアニア【LT】言語名別称　alternate names Lietuviskai 【リトアニア】リトアニア語 Lietuvi Lietuviu Lietuvių 【リトアニア】リトアニア語 Litauisch 【独】リトアニア語 Litauische Litewski 【ポーランド】リトアニア語 Litovskiy (Litovskij) 【露】リトアニア語　◆Литовский Lituanien 【仏】リトアニア語リトワニア語リトゥアニア語リトアニヤ語方言名　dialect names Aukshtaitish (Aukshtaichiai, Aukstaitiskai, Highland Lithuanian, Aukstaitian, Aukštaitian) アウクシュタイティヤ方言 Dzukish (Dzukiskai) ズキヤ Shamaitish (Samogitian, Zhemaitish, Zemaitis, Zemaitiskai, Zemachiai, Lowland Lithuanian) サモギティア語（ジャマイティヤ）→Samogitian【sgs】へ移行。 Suvalkietiskai スヴァルキヤ参考文献　references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia (Lithuanian language) Wikipedia (Aukštaitian dialect) ウィキペディア（リトアニア語）

東方同人CDの歌詞＠Wiki - 03 Little Lady

https://w.atwiki.jp/touhoukashi/pages/2919.html

【登録タグ 3L Crimson Glory L NJK Record おてんば恋娘曲】【注意】現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。この問題は、以下のいずれかが原因となっています。ページがAMP表示となっているウィキ内検索からページを表示しているこれを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*

東方同人CDの歌詞＠Wiki - 03 Liminality

https://w.atwiki.jp/touhoukashi/pages/1298.html

【登録タグ FELT Ground Snow L Rebirth StoryⅡ Vivienne 彼岸帰航　～ Riverside View 曲】【注意】現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。この問題は、以下のいずれかが原因となっています。ページがAMP表示となっているウィキ内検索からページを表示しているこれを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*