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https://w.atwiki.jp/summer2010/
How you can sign up for a visit If you are interested in visiting us during the camp, you must complete this form online. We will accommodate up to two families a day (2 persons / family). The slots are given to families on a first-come-first-served basis. You may sign up for only one slot. When you can sign up for a visit Please note that the slots are allocated either in the morning and/or in the afternoon of each day depending on the class offering. Please refer to the program schedule that was included in the Orientation Leaflet to learn more about the class schedule. Remarks Please arrive at the camp site five minutes before the time you signed up for. Kindly note that meals will not be provided for visitors. TIMETABLE WEEK 1 (July 19 – July 24) July 19 Mon July 20 Mon July 21 Sun July 22 Mon July 23 Mon July 24 Mon 8 45-11 30 unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied 13 00-17 00 unoccupied unoccupied unoccupied unoccupied WEEK 2 (July 25 – July 30) July 25 Sun July 26 Mon July 27 Mon July 28 Sun July 29 Mon July 30 Mon 8 45-11 30 unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied 13 00-17 00 unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied unoccupied Entry Form 名前 ：Name of student (e.g. George W. Bush) コメント：Name, Time for your visit (e.g. George H. W. Bush, Barbara P. Bush, July 26 Mon 8 45-11 30) ［投稿］：[Submit] test -- (Lin Kobayashi) 2010-06-03 14 06 16 test 2 -- (Lin Kobayashi) 2010-06-03 14 06 34 July 25 13 00-17 00 -- (Lin Kobayashi) 2010-06-03 14 06 57 名前 コメント すべてのコメントを見る . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
https://w.atwiki.jp/api_programming/pages/193.html
下位ページ Content ライブラリとサンプル（Libraries and samples） 必要条件（Prerequisites）Enable APIs for your project 認証証明書を作る（Create authorization credentials）Option 1 Custom URI scheme (Android, iOS, UWP)SHA-1 fingerprint Option 2 Loopback IP address (macOS, Linux, Windows desktop) Option 3 Manual copy/paste Option 4 Programmatic extraction アクセススコープを確認する（Identify access scopes） アクセストークンの受け取り方（Obtaining OAuth 2.0 access tokens）Step 1 Google OAuth 2.0 サーバーにリクエストを送るサンプル（Sample authorization URLs） パラメータ Step 2 Google prompts user for consent Step 3 Handle the OAuth 2.0 server response Step 4 認証コードとトークンを交換する (Exchange authorization code for refresh and access tokens)レスポンスサンプル Calling Google APIs AndroidでGoogle認証の準備をするProjectを作る *SHA-1 fingerprint を取得する OAuth 2.0 for Mobile Desktop Apps Note If you are new to OAuth 2.0, we recommend that you read the OAuth 2.0 overview before getting started. The overview summarizes OAuth 2.0 flows that Google supports, which can help you to ensure that you ve selected the right flow for your application. This document explains how applications installed on devices like phones, tablets, and computers use Google s OAuth 2.0 endpoints to authorize access to Google APIs. OAuth 2.0 allows users to share specific data with an application while keeping their usernames, passwords, and other information private. For example, an application can use OAuth 2.0 to obtain permission from users to store files in their Google Drives. Installed apps are distributed to individual devices, and it is assumed that these apps cannot keep secrets. They can access Google APIs while the user is present at the app or when the app is running in the background. This authorization flow is similar to the one used for web server applications. The main difference is that installed apps must open the system browser and supply a local redirect URI to handle responses from Google s authorization server. Alternatives For mobile apps, you may prefer to use Google Sign-in for Android or iOS. The Google Sign-in client libraries handle authentication and user authorization, and they may be simpler to implement than the lower-level protocol described here. For apps running on devices that do not support a system browser or that have limited input capabilities, such as TVs, game consoles, cameras, or printers, see OAuth 2.0 for TVs Devices or Google Sign-in for devices. ライブラリとサンプル（Libraries and samples） ライブラリと、ここで書いている Oauth 2.0 flow の実装サンプル AppAuth for Android library and codelab AppAuth for iOS library OAuth for Apps Windows Samples 必要条件（Prerequisites） Enable APIs for your project Any application that calls Google APIs needs to enable those APIs in the API Console. To enable the appropriate APIs for your project Open the Library page in the API Console. Select the project associated with your application. Create a project if you do not have one already. Use the Library page to find each API that your application will use. Click on each API and enable it for your project. 認証証明書を作る（Create authorization credentials） OAuth2.0 を使って Google APIs にアクセスするアプリケーションはアプリ特定するための認証証明書が必要。プロジェクトに証明書を作成するステップを説明（すでにプロジェクトがある前提） API Console の認証情報ページを開き 「認証情報を作成」 「Oauth クライアント ID」 フォームを埋める。この部分は、Google の認証がサポートするリダイレクト方法を記述する。アプリケーションに対し推奨される方法を一つ選び、適切な内容を記述する。 Option 1 Custom URI scheme (Android, iOS, UWP) 推奨適用先 Android apps, iOS apps, Universal Windows Platform (UWP) apps Form values アプリケーションの種類に Android, iOS, その他を選択する。 また、パッケージ名 もしくは bundle ID （アプリケーションの種類に依るが、リダイレクトに使うカスタム URI（例えば com.example.app））を入力する。 SHA-1 fingerprint JDKのbinフォルダに移動する（か、環境変数のパスを仕込んでおく） keytool -list -v -keystore "/Users/{ユーザー名}/.android/debug.keystore" -alias androiddebugkey -storepass android -keypass android UWPアプリでは、スキーム名は39文字以下にする Note redirect_uri は com.example.app redirect_uri_path で構成。path は /（バックスラッシュ）で始まること。加えて、the libraries and samples demonstrate some platform-specific implementations of custom URI scheme redirects. Option 2 Loopback IP address (macOS, Linux, Windows desktop) ローカルウェブサーバを立てることができる場合は、これができる。 推奨適用先 macOS, Linux, and Windows デスクトップアプリ (UWP以外) Form values Other Note See the redirect_uri parameter definition for more information about the loopback IP address. It is also possible to use localhost in place of the loopback IP, but this may cause issues with client firewalls. Most, but not all, firewalls allow loopback communication. Option 3 Manual copy/paste Important カスタムURI と ルーブバック IP アドレスのほうが信頼性が高く、セキュアであるし、ユーザーフレンドリな方法になる。この方法は将来的にサポートしないかもしれない。 この方法では、HTMLページの title フィールドに認証コードを載せる。ユーザーがマニュアルでコピーをする。 Traditionally, apps that used this option programmatically extracted the authorization code from the HTML page. The copy/paste option served as a fallback in case the value could not be parsed. 推奨適用先 自動リダイレクトなどを備えていないプラットフォームのもの。テレビとか。 Form values Other Option 4 Programmatic extraction Important 手動コピー・ペーストだが、認証コードのコピー・ペーストを指示できないもの。代わりに、認証ページ側で、ユーザーにウィンドウを閉じるように指示する。 ※非推奨、組込ブラウザや web-view 用。 ▸See programmatic extraction details アクセススコープを確認する（Identify access scopes） Scopes enable your application to only request access to the resources that it needs while also enabling users to control the amount of access that they grant to your application. Thus, there may be an inverse relationship between the number of scopes requested and the likelihood of obtaining user consent. Before you start implementing OAuth 2.0 authorization, we recommend that you identify the scopes that your app will need permission to access. The OAuth 2.0 API Scopes document contains a full list of scopes that you might use to access Google APIs. Note Incremental authorization is not supported for installed apps or devices. アクセストークンの受け取り方（Obtaining OAuth 2.0 access tokens） The following steps show how your application interacts with Google s OAuth 2.0 server to obtain a user s consent to perform an API request on the user s behalf. Your application must have that consent before it can execute a Google API request that requires user authorization. Step 1 Google OAuth 2.0 サーバーにリクエストを送る Step 1 Google OAuth 2.0 サーバーにリクエストを送る（Send a request to Google's OAuth 2.0 server） Google s authorization server にリクエストを送るhttps //accounts.google.com/o/oauth2/v2/auth. This endpoint handles active session lookup, authenticates the user, and obtains user consent. The endpoint is only accessible over SSL, and it refuses HTTP (non-SSL) connections. サンプル（Sample authorization URLs） The URLs are identical except for the value of the redirect_uri parameter. The URLs also contain the required response_type and client_id parameters as well as the optional state parameter. Each URL contains line breaks and spaces for readability. CUSTOM URI SCHEMEの場合 https //accounts.google.com/o/oauth2/v2/auth ?scope=email%20profile response_type=code state=security_token%3D138r5719ru3e1%26url%3Dhttps //oauth2.example.com/token redirect_uri=com.example.app /oauth2redirect client_id=client_id パラメータ 認証では、組込アプリに対して、以下のクエリ文字列パラメータを扱う パラメータ client_id 必須 アプリケーションの client ID。API コンソールで見られる。 redirect_uri 必須 認証後のリダイレクト先 The table below shows the appropriate redirect_uri parameter value for each method redirect_uri values Custom URI scheme com.example.app redirect_uri_pathcom.example.app は管理下にあるドメインの DNS 表記の逆順。The custom scheme must contain a period to be valid.redirect_uri_path は /oauth2redirect のような任意のパス。パスはシングルスラッシュ "/" で始めること。 Loopback IP address http //127.0.0.1 port or http //[ 1] port -Query your platform for the relevant loopback IP address and start an HTTP listener on a random available port. Substitute port with the -actual port number your app is listening on. Manual copy/paste urn ietf wg oauth 2.0 oob Programmatic extraction urn ietf wg oauth 2.0 oob auto response_type 必須 code にする。Google OAuth 2.0 endpoint が認証コードを返すかどうか、を決定している scope 必須 アプリケーションがアクセスするユーザー情報。Google の確認画面で表示される。半角スペースで区切られたリストで指定する。The OAuth 2.0 API Scopes に scope の種類情報あり。 state 推奨 Specifies any string value that your application uses to maintain state between your authorization request and the authorization server s response. The server returns the exact value that you send as a name=value pair in the hash (#) fragment of the redirect_uri after the user consents to or denies your application s access request.You can use this parameter for several purposes, such as directing the user to the correct resource in your application, sending nonces, and mitigating cross-site request forgery. Since your redirect_uri can be guessed, using a state value can increase your assurance that an incoming connection is the result of an authentication request. If you generate a random string or encode the hash of a cookie or another value that captures the client s state, you can validate the response to additionally ensure that the request and response originated in the same browser, providing protection against attacks such as cross-site request forgery. See the OpenID Connect documentation for an example of how to create and confirm a state token. login_hint 任意 If your application knows which user is trying to authenticate, it can use this parameter to provide a hint to the Google Authentication Server. The server uses the hint to simplify the login flow either by prefilling the email field in the sign-in form or by selecting the appropriate multi-login session. Set the parameter value to an email address or sub identifier. Note Due to the fact that the client cannot keep the client_secret confidential, you cannot do incremental authorization with installed apps. Step 2 Google prompts user for consent このステップで、ユーザーがアプリケーションのアクセス要求を受け入れるかどうか決める。このステージで、 Google は確認ウィンドウを表示し、 Google API はユーザーの認証証明書とともにアクセスする権限を提供する。ユーザーはアプリケーションのアクセスを承認するか拒否するか決める。 Your application doesn t need to do anything at this stage as it waits for the response from Google s OAuth 2.0 server indicating whether the access was granted. That response is explained in the following step. Step 3 Handle the OAuth 2.0 server response アプリケーションが認証レスポンスを受ける方法は、これを扱うリダイレクトURIスキームに依存する。スキームによらず、レスポンスは認証コードかエラーを含む。たとえば、 error=access_denied なら要求が拒否されたことを示す。もし、ユーザーがアクセスを許可したら、認証コードをアクセストークンと交換し、リフレッシュトークン（後述）を受け取る。 Step 4 認証コードとトークンを交換する (Exchange authorization code for refresh and access tokens) 認証コードとアクセストークンを交換するために https //www.googleapis.com/oauth2/v4/token に次のパラメタをセットし送る。 Fields code 最初に受け取った code client_id API Console で確認したクライアントID client_secret API Console で受け取った Client Secred。ただし、Android, iOS, Chrome applications では不要。 redirect_uri One of the redirect URIs listed for your project in the API Console. grant_type authorization_code. The following snippet shows a sample request POST /oauth2/v4/token HTTP/1.1 Host www.googleapis.com Content-Type application/x-www-form-urlencoded code=4/P7q7W91a-oMsCeLvIaQm6bTrgtp7 client_id=your_client_id client_secret=your_client_secret redirect_uri=https //oauth2.example.com/code grant_type=authorization_code Google responds to this request by returning a JSON object that contains a short-lived access token and a refresh token. The response contains the following fields Fields access_tokenThe token that your application sends to authorize a Google API request. id_tokenNote This property is only returned if your request included an identity scope, such as openid, profile, or email. The value is a JSON Web Token (JWT) that contains digitally signed identity information about the user. refresh_tokenA token that you can use to obtain a new access token. Refresh tokens are valid until the user revokes access. Note that refresh tokens are always returned for installed applications. expires_inThe remaining lifetime of the access token in seconds. token_typeThe type of token returned. At this time, this field s value is always set to Bearer. Important Your application should store both tokens in a secure, long-lived location that is accessible between different invocations of your application. The refresh token enables your application to obtain a new access token if the one that you have expires. As such, if your application loses the refresh token, the user will need to repeat the OAuth 2.0 consent flow so that your application can obtain a new refresh token. レスポンスサンプル { "access_token" "1/fFAGRNJru1FTz70BzhT3Zg", "expires_in" 3920, "token_type" "Bearer", "refresh_token" "1/xEoDL4iW3cxlI7yDbSRFYNG01kVKM2C-259HOF2aQbI" } 関係ないレスポンスは無視してよし Calling Google APIs After your application obtains an access token, you can use the token to make calls to a Google API on behalf of a given user account or service account. To do this, include the access token in a request to the API by including either an access_token query parameter or an Authorization Bearer HTTP header. When possible, the HTTP header is preferable, because query strings tend to be visible in server logs. In most cases you can use a client library to set up your calls to Google APIs (for example, when calling the Drive API). You can try out all the Google APIs and view their scopes at the OAuth 2.0 Playground. HTTP GET examples A call to the drive.files endpoint (the Drive API) using the Authorization Bearer HTTP header might look like the following. Note that you need to specify your own access token GET /drive/v2/files HTTP/1.1 Authorization Bearer access_token Host www.googleapis.com/ Here is a call to the same API for the authenticated user using the access_token query string parameter GET https //www.googleapis.com/drive/v2/files?access_token= access_token curl examples You can test these commands with the curl command-line application. Here s an example that uses the HTTP header option (preferred) curl -H "Authorization Bearer access_token " https //www.googleapis.com/drive/v2/files Or, alternatively, the query string parameter option curl https //www.googleapis.com/drive/v2/files?access_token= access_token Refreshing an access token Access tokens periodically expire. You can refresh an access token without prompting the user for permission (including when the user is not present) if you requested offline access to the scopes associated with the token. To refresh an access token, your application sends an HTTPS POST request to Google s authorization server (https //www.googleapis.com/oauth2/v4/token) that includes the following parameters Fields refresh_tokenThe refresh token returned from the authorization code exchange. client_idThe client ID obtained from the API Console. client_secretThe client secret obtained from the API Console. (The client_secret is not applicable to requests from clients registered as Android, iOS, or Chrome applications.) grant_typeAs defined in the OAuth 2.0 specification, this field must contain a value of refresh_token. The following snippet shows a sample request POST /oauth2/v4/token HTTP/1.1 Host www.googleapis.com Content-Type application/x-www-form-urlencoded client_id= your_client_id client_secret= your_client_secret refresh_token= refresh_token grant_type=refresh_token As long as the user has not revoked the access granted to the application, the token server returns a JSON object that contains a new access token. The following snippet shows a sample response { "access_token" "1/fFAGRNJru1FTz70BzhT3Zg", "expires_in" 3920, "token_type" "Bearer" } Note that there are limits on the number of refresh tokens that will be issued; one limit per client/user combination, and another per user across all clients. You should save refresh tokens in long-term storage and continue to use them as long as they remain valid. If your application requests too many refresh tokens, it may run into these limits, in which case older refresh tokens will stop working. Revoking a token In some cases a user may wish to revoke access given to an application. A user can revoke access by visiting Account Settings. It is also possible for an application to programmatically revoke the access given to it. Programmatic revocation is important in instances where a user unsubscribes or removes an application. In other words, part of the removal process can include an API request to ensure the permissions granted to the application are removed. To programmatically revoke a token, your application makes a request to https //accounts.google.com/o/oauth2/revoke and includes the token as a parameter curl -H "Content-type application/x-www-form-urlencoded" \ https //accounts.google.com/o/oauth2/revoke?token={token} The token can be an access token or a refresh token. If the token is an access token and it has a corresponding refresh token, the refresh token will also be revoked. If the revocation is successfully processed, then the status code of the response is 200. For error conditions, a status code 400 is returned along with an error code. Note Following a successful revocation response, it might take some time before the revocation has full effect. Further Reading The Internet-Draft Best Current Practice OAuth 2.0 for Native Apps establishes many of the best practices documented here. Except as otherwise noted, the content of this page is licensed under the Creative Commons Attribution 3.0 License, and code samples are licensed under the Apache 2.0 License. For details, see our Site Policies. Java is a registered trademark of Oracle and/or its affiliates. AndroidでGoogle認証の準備をする プロジェクトを作る Projectを作る どのAPIを使うのか（とりあえず） * OAuth2.0 を使って Google APIs にアクセスするアプリケーションはアプリ特定するための認証証明書が必要。プロジェクトに証明書を作成するステップを説明（すでにプロジェクトがある前提） API Console の認証情報ページを開き 「認証情報を作成」 「Oauth クライアント ID」 フォームを埋める。この部分は、Google の認証がサポートするリダイレクト方法を記述する。アプリケーションに対し推奨される方法を一つ選び、適切な内容を記述する。 SHA-1 fingerprint を取得する Projectで、認証キーの発行に必要になる SHA-1 fingerprint を取得する debug.keystoreの場所を確認する通常は /Users/{ユーザー名}/.android/debug.keystore JDKのbinフォルダに移動する（か、環境変数のパスを仕込んでおく） keytool -list -v -keystore "/Users/{ユーザー名}/.android/debug.keystore" -alias androiddebugkey -storepass android -keypass androidパスワードを求められたら android を入力
https://w.atwiki.jp/opengles/pages/34.html
Shader Objects [2.10.1] uint CreateShader(enum type); // type VERTEX_SHADER, FRAGMENT_SHADER void ShaderSource(uint shader, sizei count, const char **string, const int *length); void CompileShader(uint shader); void ReleaseShaderCompiler(void); void DeleteShader(uint shader); Loading Shader Binaries [2.10.2] void ShaderBinary(sizei count, const uint *shaders, enum binaryformat, const void *binary, sizei length); Program Objects [2.10.3] uint CreateProgram(void); void AttachShader(uint program, uint shader); void DetachShader(uint program, uint shader); void LinkProgram(uint program); void UseProgram(uint program); void DeleteProgram(uint program); Shader Variables [2.10.4] Vertex Attributes void GetActiveAttrib(uint program, uint index, sizei bufSize, sizei *length, int *size, enum *type, char *name); // *type returns FLOAT, FLOAT_VEC{2,3,4}, FLOAT_MAT{2,3,4} int GetAttribLocation(uint program, const char *name); void BindAttribLocation(uint program, uint index, const char *name); // Uniform Variables int GetUniformLocation(uint program, const char *name); void GetActiveUniform(uint program, uint index, sizei bufSize, sizei *length, int *size, enum *type, char *name); // *type FLOAT, FLOAT_VEC{2,3,4}, INT, INT_VEC{2,3,4}, BOOL, BOOL_VEC{2,3,4}, FLOAT_MAT{2,3,4}, SAMPLER_2D, SAMPLER_CUBE void Uniform{1234}{if}(int location, T value); void Uniform{1234}{if}v(int location, sizei count, T value); void UniformMatrix{234}fv(int location, sizei count, boolean transpose, const float *value); // transpose FALSE Shader Execution (Validation) [2.10.5] void ValidateProgram(uint program); Shader Queries Shader Queries [6.1.8] boolean IsShader(uint shader); void GetShaderiv(uint shader, enum pname, int *params); // pname SHADER_TYPE, DELETE_STATUS, COMPILE_STATUS, INFO_LOG_LENGTH, SHADER_SOURCE_LENGTH void GetAttachedShaders(uint program, sizei maxCount, sizei *count, uint *shaders); void GetShaderInfoLog(uint shader, sizei bufSize, sizei *length, char *infoLog); void GetShaderSource(uint shader, sizei bufSize, sizei *length, char *source); void GetShaderPrecisionFormat(enum shadertype, enum precisiontype, int *range, int *precision); // shadertype VERTEX_SHADER, FRAGMENT_SHADER // precision LOW_FLOAT, MEDIUM_FLOAT, HIGH_FLOAT, LOW_INT, MEDIUM_INT, HIGH_INT void GetVertexAttribfv(uint index, enum pname, float *params); // pname CURRENT_VERTEX_ATTRIB , VERTEX_ATTRIB_ARRAY_x // (where x may be BUFFER_BINDING, ENABLED, SIZE, STRIDE, TYPE, NORMALIZED) void GetVertexAttribiv(uint index, enum pname, int *params); // pname CURRENT_VERTEX_ATTRIB , VERTEX_ATTRIB_ARRAY_x // (where x may be BUFFER_BINDING, ENABLED, SIZE, STRIDE, TYPE, NORMALIZED) void GetVertexAttribPointerv(uint index, enum pname, void **pointer); // pname VERTEX_ATTRIB_ARRAY_POINTER void GetUniformfv(uint program, int location, float *params) void GetUniformiv(uint program, int location, int *params) Program Queries [6.1.8] boolean IsProgram(uint program); void GetProgramiv(uint program, enum pname, int *params); // pname DELETE_STATUS, LINK_STATUS, VALIDATE_STATUS, INFO_LOG_LENGTH, ATTACHED_SHADERS, ACTIVE_ATTRIBUTES, ACTIVE_ATTRIBUTE_MAX_LENGTH, ACTIVE_UNIFORMS, ACTIVE_UNIFORM_MAX_LENGTH void GetProgramInfoLog(uint program, sizei bufSize, sizei *length, char *infoLog);
https://w.atwiki.jp/tmtbnc/pages/59.html
Default styles Stacked forms Example buttons Default styles div class="span12" form fieldset legend Example form legend /legend div class="clearfix" label for="xlInput" X-Large input /label div class="input" input class="xlarge" id="xlInput" name="xlInput" size="30" type="text" / /div /div !-- /clearfix -- div class="clearfix" label for="normalSelect" Select /label div class="input" select name="normalSelect" id="normalSelect" option 1 /option option 2 /option option 3 /option option 4 /option option 5 /option /select /div /div !-- /clearfix -- div class="clearfix" label for="mediumSelect" Select /label div class="input" select class="medium" name="mediumSelect" id="mediumSelect" option 1 /option option 2 /option option 3 /option option 4 /option option 5 /option /select /div /div !-- /clearfix -- div class="clearfix" label for="multiSelect" Multiple select /label div class="input" select class="medium" multiple="multiple" name="multiSelect" id="multiSelect" option 1 /option option 2 /option option 3 /option option 4 /option option 5 /option /select /div /div !-- /clearfix -- div class="clearfix" label Uneditable input /label div class="input" span class="uneditable-input" Some value here /span /div /div !-- /clearfix -- div class="clearfix" label for="disabledInput" Disabled input /label div class="input" input class="xlarge disabled" id="disabledInput" name="disabledInput" size="30" type="text" placeholder="Disabled input here… carry on." disabled / /div /div !-- /clearfix -- div class="clearfix" label for="disabledInput" Disabled textarea /label div class="input" textarea class="xxlarge" name="textarea" id="textarea" rows="3" disabled /textarea /div /div !-- /clearfix -- div class="clearfix error" label for="xlInput2" X-Large input /label div class="input" input class="xlarge error" id="xlInput2" name="xlInput2" size="30" type="text" / span class="help-inline" Small snippet of help text /span /div /div !-- /clearfix -- /fieldset fieldset legend Example form legend /legend div class="clearfix" label for="prependedInput" Prepended text /label div class="input" div class="input-prepend" span class="add-on" @ /span input class="medium" id="prependedInput" name="prependedInput" size="16" type="text" / /div /div /div !-- /clearfix -- div class="clearfix" label for="prependedInput2" Prepended checkbox /label div class="input" div class="input-prepend" label class="add-on" input type="checkbox" name="" id="" value="" / /label input class="mini" id="prependedInput2" name="prependedInput2" size="16" type="text" / /div /div /div !-- /clearfix -- div class="clearfix" label for="appendedInput" Appended checkbox /label div class="input" div class="input-append" input class="mini" id="appendedInput" name="appendedInput" size="16" type="text" / label class="add-on active" input type="checkbox" name="" id="" value="" checked="checked" / /label /div /div /div !-- /clearfix -- div class="clearfix" label for="fileInput" File input /label div class="input" input class="input-file" id="fileInput" name="fileInput" type="file" / /div /div !-- /clearfix -- /fieldset fieldset legend Example form legend /legend div class="clearfix" label id="optionsCheckboxes" List of options /label div class="input" ul class="inputs-list" li label input type="checkbox" name="optionsCheckboxes" value="option1" / span Option one is this and that＆mdash;be sure to include why it’s great /span /label /li li label input type="checkbox" name="optionsCheckboxes" value="option2" / span Option two can also be checked and included in form results /span /label /li li label input type="checkbox" name="optionsCheckboxes" value="option2" / span Option three can＆mdash;yes, you guessed it＆mdash;also be checked and included in form results /span /label /li li label class="disabled" input type="checkbox" name="optionsCheckboxes" value="option2" disabled / span Option four cannot be checked as it is disabled. /span /label /li /ul span class="help-block" strong Note /strong Labels surround all the options for much larger click areas and a more usable form. /span /div /div !-- /clearfix -- div class="clearfix" label Date range /label div class="input" div class="inline-inputs" input class="small" type="text" value="May 1, 2011" / input class="mini" type="text" value="12 00am" / to input class="small" type="text" value="May 8, 2011" / input class="mini" type="text" value="11 59pm" / span class="help-inline" All times are shown as Pacific Standard Time (GMT -08 00). /span /div /div /div !-- /clearfix -- div class="clearfix" label for="textarea" Textarea /label div class="input" textarea class="xxlarge" id="textarea2" name="textarea2" rows="3" /textarea span class="help-block" Block of help text to describe the field above if need be. /span /div /div !-- /clearfix -- div class="clearfix" label id="optionsRadio" List of options /label div class="input" ul class="inputs-list" li label input type="radio" checked name="optionsRadios" value="option1" / span Option one is this and that＆mdash;be sure to include why it’s great /span /label /li li label input type="radio" name="optionsRadios" value="option2" / span Option two can is something else and selecting it will deselect options 1 /span /label /li /ul /div /div !-- /clearfix -- div class="actions" input type="submit" class="btn primary" value="Save changes" ＆nbsp; button type="reset" class="btn" Cancel /button /div /fieldset /form /div Stacked forms div class="span12" form action="" class="form-stacked" fieldset legend Example form legend /legend div class="clearfix" label for="xlInput3" X-Large input /label div class="input" input class="xlarge" id="xlInput3" name="xlInput3" size="30" type="text" / /div /div !-- /clearfix -- div class="clearfix" label for="stackedSelect" Select /label div class="input" select name="stackedSelect" id="stackedSelect" option 1 /option option 2 /option option 3 /option option 4 /option option 5 /option /select /div /div !-- /clearfix -- /fieldset fieldset legend Example form legend /legend div class="clearfix error" label for="xlInput4" X-Large input /label div class="input" input class="xlarge error" id="xlInput4" name="xlInput4" size="30" type="text" / span class="help-inline" Small snippet of help text /span /div /div !-- /clearfix -- div class="clearfix" label id="optionsCheckboxes" List of options /label div class="input" ul class="inputs-list" li label input type="checkbox" name="optionsCheckboxes" value="option1" / span Option one is this and that＆mdash;be sure to include why it’s great /span /label /li li label input type="checkbox" name="optionsCheckboxes" value="option2" / span Option two can also be checked and included in form results /span /label /li /ul span class="help-block" strong Note /strong Labels surround all the options for much larger click areas and a more usable form. /span /div /div !-- /clearfix -- /fieldset div class="actions" button type="submit" class="btn primary" Save changes /button ＆nbsp; button type="reset" class="btn" Cancel /button /div /form /div Example buttons div class="span12" h3 Example buttons /h3 p Button styles can be applied to anything with the code .btn /code applied. Typically you’ll want to apply these to only code ＆lt;a＆gt; /code , code ＆lt;button＆gt; /code , and select code ＆lt;input＆gt; /code elements. Here’s how it looks /p div class="well" style="padding 14px 19px;" button class="btn primary" Primary /button ＆nbsp; button class="btn" Default /button ＆nbsp; button class="btn info" Info /button ＆nbsp; button class="btn success" Success /button ＆nbsp; button class="btn danger" Danger /button /div h3 Alternate sizes /h3 p Fancy larger or smaller buttons? Have at it! /p div class="well" a href="#" class="btn large primary" Primary action /a a href="#" class="btn large" Action /a /div div class="well" style="padding 16px 19px;" a href="#" class="btn small primary" Primary action /a a href="#" class="btn small" Action /a /div h3 Disabled state /h3 p For buttons that are not active or are disabled by the app for one reason or another, use the disabled state. That’s code .disabled /code for links and code disabled /code for code ＆lt;button＆gt; /code elements. /p h4 Links /h4 div class="well" a href="#" class="btn large primary disabled" Primary action /a a href="#" class="btn large disabled" Action /a /div h4 Buttons /h4 div class="well" button class="btn large primary disabled" disabled="disabled" Primary action /button ＆nbsp; button class="btn large" disabled Action /button /div /div
https://w.atwiki.jp/oper/pages/846.html
ACT TWO Scene 1 42. CHORUS Envy, eldest born of hell, Cease in human breasts to dwell, Ever at all good repining, Still the happy undermining! God and man by thee infested, Thou by God and man detested, Most thyself thou dost torment, At once the crime and punishment! Hide thee in the blackest night Virtue sickens at thy sight! Hence, eldest born of hell, Cease in human breasts to dwell, Scene 2 (Jonathan and David) 43. Recitative JONATHAN Ah, dearest friend, undone by too much virtue! Think you, an evil spirit was the cause Of all my father s rage? It was, indeed, A spirit of envy, and of mortal hate. He has resolv d your death; and sternly charg His whole retinue, me especially, To execute his vengeance. 44. Air JONATHAN But sooner Jordan s stream, I swear, Back to his spring shall swiftly roll, Than I consent to hurt a hair Of thee, thou darling of my soul. 45. Recitative DAVID Oh, strange vicissitude! But yesterday He thought me worthy of his daughter s love; Today he seeks my life. JONATHAN My sister Merab, by his own gift thy right, He hath bestow d on Adriel. DAVID Oh, my prince, would that were all! It would not grieve me much the scornful maid Didst thou observe?) with such disdainful pride Receiv d the king s command! But lovely Michal, As mild as she is fair, outstrips all praise. 46. Air DAVID Such haughty beauties rather move Aversion, than engage our love. They can only our cares beguile, Who gently speak, and sweetly smile. If virtue in that dress appear, Who, that sees, can love forbear? Such beauties... (da capo.) 47. Recitative JONATHAN My father comes retire, my friend, while I With peaceful accents try to calm his rage. (Exit David) Scene 3 (Saul and Jonathan) 48. Recitative SAUL Hast thou obey d my orders, and destroy d My mortal enemy, the son of Jesse? JONATHAN Alas, my father! He your enemy? Say, rather, he has done important service To you, and to the nation; Hazarded his life for both, and slain our giant foe, Whose presence made the boldest of us tremble. 49. Air JONATHAN Sin not, O king, against the youth, Who ne er offended you Think, to his loyalty and truth, What great rewards are due! Think with what joy this godlike man You saw, that glorious day! Think, and with ruin, if you can, Such services repay. 50. Air SAUL As great Jehovah lives, I swear, The youth shall not be slain Bid him return, and void of fear Adorn our court again. 51. Air JONATHAN From cities stormed, and battles won, What glory can accrue? By this the hero best is known, He can himself subdue. Wisest and greatest of his kind, Who can in reason s fetters bind The madness of his angry mind! Scene 4 52. Recitative JONATHAN Appear, my friend. (Enter David) SAUL No more imagine danger Be first in our esteem; with wonted valour Repel the insults of the Philistines And as a proof of my sincerity, (aside) Oh, hardness to dissemble! (To David) Instantly espouse my daughter Michal. 53. Air DAVID Your words, O king, my loyal heart With double ardour fire If God his usual aid impart, Your foes shall feel what you inspire. In all the dangers of the field, The great Jehovah is my shield. (Exeunt David and Jonathan) 54. Recitative SAUL Yes, he shall wed my daughter! But how long Shall he enjoy her? He shall lead my armies! But have the Philistines no darts, no swords, To pierce the heart of David? Yes, this once To them I leave him; they shall do me right! Scene 5 (David and Michal) 55. Recitative MICHAL A father s will has authorized my love No longer, Michal, then attempt to hide The secret of my soul. I love thee, David, And long have loved. Thy virtue was the cause; And that be my defence. 56. Duet MICHAL O fairest of ten thousand fair, Yet for thy virtue more admir d! Thy words and actions all declare The wisdom by thy God inspir d. DAVID O lovely maid! Thy form beheld, Above all beauty charms our eyes Yet still within thy form conceal d, Thy mind, a greater beauty, lies. BOTH How well in thee does Heav n at last Compensate all my sorrows past. (Exeunt) 57. CHORUS Is there a man, who all his ways, Directs, his God alone to please? In vain his foes against him move Superior pow r their hate disarms; He makes them yield to virtue s charms, And melts their fury down to love. 58. Symphony Scene 6 (David and Michal) 59. Recitative DAVID Thy father is as cruel, and as false, As thou art kind and true. When I approach d him, Elissa New from the slaughter of his enemies, His eyes with fury flam d, his arms he rais d, With rage grown stronger; By my guiltless head The javelin whizzing flew, and in the wall Mock d once again his impotence of malice. 60. Duet DAVID At persecution I can laugh; No fear my soul can move, In God s protection safe, And blest in Michal s love. MICHAL Ah, dearest youth, for thee I fear! Fly, begone, for death is near! DAVID Fear not, lovely fair, for me Death, where thou art, cannot be; Smile, and danger is no more. MICHAL Fly, or death is at the door! See, the murd rous band comes on! Stay no longer, fly, begone! Scene 7 (Michal and Doeg) 61. Recitative MICHAL Whom dost thou seek? And who hast sent thee hither? DOEG I seek for David, and am sent by Saul. MICHAL Thy errand? DOEG Tis a summons to the Court. MICHAL Say he is sick. DOEG In sickness or in health, Alive or dead, he must be brought to Saul; Show me his chamber. (David s bed discovered with an image in it) Do you mock the king? This disappointment will enrage him more Then tremble for th event. (Exit) 62. Air MICHAL No, no, let the guilty tremble At ev ry thought of danger near. Though numbers, armed with death, assemble, My innocence disdains to fear. Though great their power as their spite, Undaunted still, my soul, remain For greater is Jehovah s might, And will their lawless force restrain. Scene 8 63. Recitative MERAB Mean as he was, he is my brother now, My sister s husband; and to speak the truth, Has qualities which justice bids me love, And pity his distress. My father s cruelty Strikes me with horror! At th approaching feast I fear some dire event, unless my brother, His friend, the faithful Jonathan, avert Th impending ruin. I know he ll do his best. 64. Air MERAB Author of peace, who canst control Every passion of the soul; To whose good spirit alone we owe Words that sweet as honey flow With thy dear influence his tongue be fill d, And cruel wrath to soft persuasion yield. Scene 9 (Saul at the Feast of the New Moon) 65. Symphony 66. Accompagnato SAUL The time at length is come when I shall take My full revenge on Jesses s son. No longer shall the stripling make His sov reign totter on the throne. He dies -- this blaster of my fame, Bane of my peace, and author of my shame! Scene 10 (Saul and Jonathan) 67. Recitative SAUL Where is the son of Jesse? Comes he no To grace our feast? JONATHAN He earnestly ask d leave To go to Bethlem, where his father s house, At solemn rites of annual sacrifice, Requir d his presence. SAUL O perverse, rebellious! Thinkst thou I do not know that thou hast chose The son of Jesse to thy own confusion? The world will say thou art no son of mine, Who thus canst love the man I hate; the man Who, if he lives, will rob thee of thy crown Send, fetch him thither; for the wretch must die. JONATHAN What has he done? And wherefore must he die? SAUL Darest thou oppose my will? Die then thyself! (He throws the javelin. Exit Jonathan, then Saul) 68. CHORUS Oh, fatal consequence Of rage, by reason uncontroll d! With every law he can dispense; No ties the furious monster hold From crime to crime he blindly goes, Nor end, but with his own destruction knows. ACT TWO Scene 1 42. CHORUS Envy, eldest born of hell, Cease in human breasts to dwell, Ever at all good repining, Still the happy undermining! God and man by thee infested, Thou by God and man detested, Most thyself thou dost torment, At once the crime and punishment! Hide thee in the blackest night Virtue sickens at thy sight! Hence, eldest born of hell, Cease in human breasts to dwell, Scene 2 (Jonathan and David) 43. Recitative JONATHAN Ah, dearest friend, undone by too much virtue! Think you, an evil spirit was the cause Of all my father s rage? It was, indeed, A spirit of envy, and of mortal hate. He has resolv d your death; and sternly charg His whole retinue, me especially, To execute his vengeance. 44. Air JONATHAN But sooner Jordan s stream, I swear, Back to his spring shall swiftly roll, Than I consent to hurt a hair Of thee, thou darling of my soul. 45. Recitative DAVID Oh, strange vicissitude! But yesterday He thought me worthy of his daughter s love; Today he seeks my life. JONATHAN My sister Merab, by his own gift thy right, He hath bestow d on Adriel. DAVID Oh, my prince, would that were all! It would not grieve me much the scornful maid Didst thou observe?) with such disdainful pride Receiv d the king s command! But lovely Michal, As mild as she is fair, outstrips all praise. 46. Air DAVID Such haughty beauties rather move Aversion, than engage our love. They can only our cares beguile, Who gently speak, and sweetly smile. If virtue in that dress appear, Who, that sees, can love forbear? Such beauties... (da capo.) 47. Recitative JONATHAN My father comes retire, my friend, while I With peaceful accents try to calm his rage. (Exit David) Scene 3 (Saul and Jonathan) 48. Recitative SAUL Hast thou obey d my orders, and destroy d My mortal enemy, the son of Jesse? JONATHAN Alas, my father! He your enemy? Say, rather, he has done important service To you, and to the nation; Hazarded his life for both, and slain our giant foe, Whose presence made the boldest of us tremble. 49. Air JONATHAN Sin not, O king, against the youth, Who ne er offended you Think, to his loyalty and truth, What great rewards are due! Think with what joy this godlike man You saw, that glorious day! Think, and with ruin, if you can, Such services repay. 50. Air SAUL As great Jehovah lives, I swear, The youth shall not be slain Bid him return, and void of fear Adorn our court again. 51. Air JONATHAN From cities stormed, and battles won, What glory can accrue? By this the hero best is known, He can himself subdue. Wisest and greatest of his kind, Who can in reason s fetters bind The madness of his angry mind! Scene 4 52. Recitative JONATHAN Appear, my friend. (Enter David) SAUL No more imagine danger Be first in our esteem; with wonted valour Repel the insults of the Philistines And as a proof of my sincerity, (aside) Oh, hardness to dissemble! (To David) Instantly espouse my daughter Michal. 53. Air DAVID Your words, O king, my loyal heart With double ardour fire If God his usual aid impart, Your foes shall feel what you inspire. In all the dangers of the field, The great Jehovah is my shield. (Exeunt David and Jonathan) 54. Recitative SAUL Yes, he shall wed my daughter! But how long Shall he enjoy her? He shall lead my armies! But have the Philistines no darts, no swords, To pierce the heart of David? Yes, this once To them I leave him; they shall do me right! Scene 5 (David and Michal) 55. Recitative MICHAL A father s will has authorized my love No longer, Michal, then attempt to hide The secret of my soul. I love thee, David, And long have loved. Thy virtue was the cause; And that be my defence. 56. Duet MICHAL O fairest of ten thousand fair, Yet for thy virtue more admir d! Thy words and actions all declare The wisdom by thy God inspir d. DAVID O lovely maid! Thy form beheld, Above all beauty charms our eyes Yet still within thy form conceal d, Thy mind, a greater beauty, lies. BOTH How well in thee does Heav n at last Compensate all my sorrows past. (Exeunt) 57. CHORUS Is there a man, who all his ways, Directs, his God alone to please? In vain his foes against him move Superior pow r their hate disarms; He makes them yield to virtue s charms, And melts their fury down to love. 58. Symphony Scene 6 (David and Michal) 59. Recitative DAVID Thy father is as cruel, and as false, As thou art kind and true. When I approach d him, Elissa New from the slaughter of his enemies, His eyes with fury flam d, his arms he rais d, With rage grown stronger; By my guiltless head The javelin whizzing flew, and in the wall Mock d once again his impotence of malice. 60. Duet DAVID At persecution I can laugh; No fear my soul can move, In God s protection safe, And blest in Michal s love. MICHAL Ah, dearest youth, for thee I fear! Fly, begone, for death is near! DAVID Fear not, lovely fair, for me Death, where thou art, cannot be; Smile, and danger is no more. MICHAL Fly, or death is at the door! See, the murd rous band comes on! Stay no longer, fly, begone! Scene 7 (Michal and Doeg) 61. Recitative MICHAL Whom dost thou seek? And who hast sent thee hither? DOEG I seek for David, and am sent by Saul. MICHAL Thy errand? DOEG Tis a summons to the Court. MICHAL Say he is sick. DOEG In sickness or in health, Alive or dead, he must be brought to Saul; Show me his chamber. (David s bed discovered with an image in it) Do you mock the king? This disappointment will enrage him more Then tremble for th event. (Exit) 62. Air MICHAL No, no, let the guilty tremble At ev ry thought of danger near. Though numbers, armed with death, assemble, My innocence disdains to fear. Though great their power as their spite, Undaunted still, my soul, remain For greater is Jehovah s might, And will their lawless force restrain. Scene 8 63. Recitative MERAB Mean as he was, he is my brother now, My sister s husband; and to speak the truth, Has qualities which justice bids me love, And pity his distress. My father s cruelty Strikes me with horror! At th approaching feast I fear some dire event, unless my brother, His friend, the faithful Jonathan, avert Th impending ruin. I know he ll do his best. 64. Air MERAB Author of peace, who canst control Every passion of the soul; To whose good spirit alone we owe Words that sweet as honey flow With thy dear influence his tongue be fill d, And cruel wrath to soft persuasion yield. Scene 9 (Saul at the Feast of the New Moon) 65. Symphony 66. Accompagnato SAUL The time at length is come when I shall take My full revenge on Jesses s son. No longer shall the stripling make His sov reign totter on the throne. He dies -- this blaster of my fame, Bane of my peace, and author of my shame! Scene 10 (Saul and Jonathan) 67. Recitative SAUL Where is the son of Jesse? Comes he no To grace our feast? JONATHAN He earnestly ask d leave To go to Bethlem, where his father s house, At solemn rites of annual sacrifice, Requir d his presence. SAUL O perverse, rebellious! Thinkst thou I do not know that thou hast chose The son of Jesse to thy own confusion? The world will say thou art no son of mine, Who thus canst love the man I hate; the man Who, if he lives, will rob thee of thy crown Send, fetch him thither; for the wretch must die. JONATHAN What has he done? And wherefore must he die? SAUL Darest thou oppose my will? Die then thyself! (He throws the javelin. Exit Jonathan, then Saul) 68. CHORUS Oh, fatal consequence Of rage, by reason uncontroll d! With every law he can dispense; No ties the furious monster hold From crime to crime he blindly goes, Nor end, but with his own destruction knows. Handel,George Frideric/Saul/III
https://w.atwiki.jp/fcjack/pages/176.html
64bit環境向けに制作されたアップグレードパッチで、グラフィックの強化とマルチプレイヤーマップの追加をします。グラフィックについては、テクスチャ変更、バンプマップの追加、視認距離の増加、波止場のミッションに新たなエリアを追加します。 詳細 公式ページ(AMD) 4gamer.net ダウンロード Farcry Files 32bitOSで利用出来るようにしたものはこちら Farcry Files 正直なところインストールする利点はほとんどありません。バンプマップは良いですが、テクスチャ関係は改悪です。AMDのページに32bit版と比較する動画がありますが、パッチに関係なく存在するものを消したりしているハッタリ動画なので注意。
https://w.atwiki.jp/xboxonescore/pages/1087.html
Yes, Your Grace 項目数：35 総ポイント：1000 難易度： ゲーム・実績ともに日本語なし Hey there Pick a nickname for Cedani. 5 Just don t hurt yourself! Practice sword fighting with Asalia for the first time. 5 Cold heart. Tell Lorsulia she will be fine, instead of "I Love You". 5 Ooof, what s that smell? Pet Dusty three times. 5 This couldn t end well. Get through the wedding night. 20 Let s throw a party! Buy all upgrades for wedding. 40 A fine saddle for a hedgehog. Buy a rooster for Cedani. 10 Little help goes a long way. Help Stefan. 10 I have a business. Invest in Tavern business. 10 I believe in magic. Buy all gemstones from fortune teller. 25 Empty walls. Sell all paintings from the castle. 15 It s time for Magic! Unlock Witch. 10 Keep the monsters at bay. Unlock Hunter. 10 I m a King and a detective! Find all evidence and clues for Royal Trial. 40 I ve got this. Buy all upgrades for Radovian Battle. 50 This was... tough. Win battle against Radovia. 60 This one I love. Give Aurelea a gift. 10 Got to help where we can. Help all Radovians. 45 They re nothing but barbarians. Refuse all Radovians. 45 The pay s too short. Run out of gold. 5 We won t eat tonight. Run out of supplies. 5 I don t need people... oh wait. Hit zero villager contentment. 5 Yes, Your Grace. Complete the game. 100 秘密の実績 I m an... entrepreneur! Turn the Tavern into a... Public house. 10 Fandustic! Help Lord Etton with his Dust trade. 30 Thank you, old friend. Audry takes the blame during the Royal Trial. 40 I will show him! Confront Ivo. 30 Nothing can stop love. Let Asalia run away with Maya. 30 Whatever it takes. Make Asalia marry Varid. 30 Farewell, my daughter. Say Goodbye to Lorsulia. 25 Prepared for the worst. Buy all upgrades for the Siege. 60 Master of Dark Magic. Flawlessly complete the Dark Ritual. 50 Arrrgghh! Bear saved Cedani. 50 Family matters. Don t lose Aurelea or Cedani. 70 Mad King. Make Asalia marry Varid, let Aurelea die, kill the deserter, kill Lord Jovan, kill Beyran, kill Rado 40
https://w.atwiki.jp/usb_audio/pages/15.html
原文：Audio Data Formats 1.0(PDF) USB Device Class Definition for Audio Data Formats Release 1.0 March 18, 1998 i Universal Serial Bus Device Class Definition for Audio Data Formats Release 1.0 March 18, 1998 USB Device Class Definition for Audio Data Formats Release 1.0 March 18, 1998 ii Scope of This Release This document is the 1.0 release of this device class definition. Contributors Gal Ashour IBM Corporation Billy Brackenridge Microsoft Corporation Oren Tirosh Altec Lansing Craig Todd Dolby Laboratories Remy Zimmermann Logitech Geert Knapen Philips ITCL Interleuvenlaan 74-76 B-3001 Leuven-Heverlee BELGIUM Phone +32 16 390 734 Fax +32 16 390 600 E-mail Geert.Knapen(at)innet.be Revision History Revision Date Filename Author Description 0.1 Dec. 1, 96 Frmts01.doc Geert Knapen Initial version 0.2 Jan. 1, 97 Frmts02.doc Geert Knapen Corrected typos. 0.3 Mar. 1, 97 Frmts03.doc Geert Knapen Adapted template and contents to correspond with core document. 0.9rc Apr. 1, 97 Frmts09rc.doc Geert Knapen Brought in line with core document. Added Type II descriptors and requests. 0.9 May 1, 97 Frmts09.doc Geert Knapen Added details for MPEG and AC-3. Added format-specific requests. 0.9CE Sep 1, 97 Frmts09CE.doc Geert Knapen Copy-edited for publication on the web. 0.9a Oct 1, 97 Frmts09a.doc Geert Knapen Incorporated RRs 1.0RC Mar 1, 98 Frmts10RC.doc Geert Knapen Added the Transfer Delimiter concept. Cleaned up the formatting. 1.0 Mar 18, 98 Frmts10.doc Geert Knapen Changed all references to 1.0 USB Device Class Definition for Audio Data Formats Release 1.0 March 18, 1998 iii Copyright © 1997, USB Implementers ForumAll rights reserved. INTELLECTUAL PROPERTY DISCLAIMER THIS SPECIFICATION IS PROVIDED “AS IS” WITH NO WARRANTIES WHATSOEVER INCLUDING ANY WARRANTY OF MERCHANTABILITY, FITNESS FOR ANY PARTICULAR PURPOSE, OR ANY WARRANTY OTHERWISE ARISING OUT OF ANY PROPOSAL, SPECIFICATION, OR SAMPLE. A LICENSE IS HEREBY GRANTED TO REPRODUCE AND DISTRIBUTE THIS SPECIFICATION FOR INTERNAL USE ONLY. NO OTHER LICENSE, EXPRESS OR IMPLIED, BY ESTOPPEL OR OTHERWISE, TO ANY OTHER INTELLECTUAL PROPERTY RIGHTS IS GRANTED OR INTENDED HEREBY. AUTHORS OF THIS SPECIFICATION DISCLAIM ALL LIABILITY, INCLUDING LIABILITY FOR INFRINGEMENT OF PROPRIETARY RIGHTS, RELATING TO IMPLEMENTATION OF INFORMATION IN THIS SPECIFICATION. AUTHORS OF THIS SPECIFICATION ALSO DO NOT WARRANT OR REPRESENT THAT SUCH IMPLEMENTATION(S) WILL NOT INFRINGE SUCH RIGHTS. Dolby™, AC-3™, Pro Logic™ and Dolby Surround™ are trademarks of Dolby Laboratories, Inc. All other product names are trademarks, registered trademarks, or service marks of their respective owners. Please send comments via electronic mail to techsup(atusb.org) USB Device Class Definition for Audio Data Formats Release 1.0 March 18, 1998 iv Table of Contents Scope of This Release.........................................................................................................ii Contributors........................................................................................................................ii Revision History ..................................................................................................................ii Table of Contents ...............................................................................................................iv List of Tables .......................................................................................................................v 1 Introduction ..................................................................................................................6 1.1 Related Documents .................................................................................................6 1.2 Terms and Abbreviations.........................................................................................6 2 Audio Data Formats......................................................................................................8 2.1 Transfer Delimiter....................................................................................................8 2.2 Type I Formats ........................................................................................................8 2.2.1 USB Packets ....................................................................................................8 2.2.2 Audio Subframe................................................................................................9 2.2.3 Audio Frame.....................................................................................................9 2.2.4 Audio Streams ..................................................................................................9 2.2.5 Type I Format Type Descriptor .......................................................................10 2.2.6 Supported Formats .........................................................................................11 2.3 Type II Formats .....................................................................................................12 2.3.1 Encoded Audio Frames...................................................................................12 2.3.2 Audio Bitstreams.............................................................................................12 2.3.3 USB Packets ..................................................................................................13 2.3.4 Bandwidth Allocation.......................................................................................13 2.3.5 Timing ............................................................................................................13 2.3.6 Type II Format Type Descriptor ......................................................................13 2.3.7 Rate feedback ................................................................................................15 2.3.8 Supported Formats .........................................................................................15 2.4 Type III Formats ....................................................................................................26 2.4.1 Type III Format Type Descriptor .....................................................................26 3 Adding New Audio Data Formats ..............................................................................28 Appendix A. Additional Audio Device Class Codes .....................................................29 A.1 Audio Data Format Codes......................................................................................29 A.1.1 Audio Data Format Type I Codes....................................................................29 A.1.2 Audio Data Format Type II Codes...................................................................29 A.1.3 Audio Data Format Type III Codes..................................................................29 A.2 Format Type Codes ...............................................................................................30 A.1 Format-Specific Control Selectors .........................................................................30 A.3 ..................................................................................................................................30 A.3.1 MPEG Control Selectors.................................................................................30 A.3.2 AC-3 Control Selectors ...................................................................................30 USB Device Class Definition for Audio Data Formats Release 1.0 March 18, 1998 v List of Tables Table 2-1 Type I Format Type Descriptor........................................................................10 Table 2-2 Continuous Sampling Frequency ...................................................................10 Table 2-3 Discrete Number of Sampling Frequencies....................................................11 Table 2-4 Type II Format Type Descriptor.......................................................................13 Table 2-5 Continuous Sampling Frequency ...................................................................14 Table 2-6 Discrete Number of Sampling Frequencies....................................................14 Table 2-7 MPEG Format-Specific Descriptor ..................................................................16 Table 2-8 Set MPEG Control Request Values .................................................................18 Table 2-9 Get MPEG Control Request Values.................................................................18 Table 2-10 Dual Channel Control Parameter Block ........................................................19 Table 2-11 Second Stereo Control Parameter Block ......................................................19 Table 2-12 Multilingual Control Parameter Block...........................................................20 Table 2-13 Dynamic Range Control Parameter Block ....................................................20 Table 2-14 Scaling Control Parameter Block ..................................................................21 Table 2-15 High/Low Scaling Control Parameter Block .................................................21 Table 2-16 AC-3 Format-Specific Descriptor...................................................................22 Table 2-17 Set AC-3 Control Request Values..................................................................23 Table 2-18 Get AC-3 Control Request Values .................................................................23 Table 2-19 Mode Control Parameter Block .....................................................................24 Table 2-20 Dynamic Range Control Parameter Block ....................................................24 Table 2-21 Scaling Control Parameter Block ..................................................................25 Table 2-22 High/Low Scaling Control Parameter Block .................................................25 Table 2-23 Type III Format Type Descriptor....................................................................26 Table 2-24 Continuous Sampling Frequency .................................................................27 Table 2-25 Discrete Number of Sampling Frequencies..................................................27 Table A-1 Audio Data Format Type I Codes....................................................................29 Table A-2 Audio Data Format Type II Codes...................................................................29 Table A-3 Audio Data Format Type III Codes..................................................................29 Table A-4 Format Type Codes .........................................................................................30 Table A-5 MPEG Control Selectors .................................................................................30 Table A-6 AC-3 Control Selectors....................................................................................30 1 - 6 - 11 - 16 - 21 - 26 - 31 ここを編集
https://w.atwiki.jp/mainichi-matome/pages/431.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 More moms going down, to ensure grades go up!「母は、成績を落とさないためにフェラチオをする」 この記事の影響イエール大学のポスター 『プリンセス・マサコ』の作者への影響 1997年の元記事 記事の問題点 拡散状況 関連ページ More moms going down, to ensure grades go up! 「母は、成績を落とさないためにフェラチオをする」 http //mdn.mainichi-msn.co.jp/waiwai/archive/news/2002/01/20020106p2g00m0dm999000c.html (リンク切れ) http //s02.megalodon.jp/2008-0601-2241-04/williamgibsonboard.com/eve/forums/a/tpc/f/880007756/m/7931086551 (ここから引用) 執筆：マイケル・ホフマン （注意：1997年のWaiWaiの元記事はタケシ・イトウ名義） （2002年1月6日配信） Dad comes home from an "adult toy store" and hands his wife a chastity belt. She nods and turns to the couple s 15-year-old son. "Let s go," she says. They disappear into the boy s bedroom. The story begins with Japan s obsessive exam culture. A boy s whole future can depend on the senior high school he gets into. Some mothers will do anything to make sure their junior high school sons pass the all-determining entrance exams. Anything? Pretty nearly. 父親は「大人のオモチャ屋」から帰って来て、彼の妻に貞操帯を手渡す。 彼女はうなづき、15歳の息子のところへ行く。 「行きましょう。」と、彼女は言う。彼らは少年の寝室へと消える。この話は日本の強迫的な試験文化と共に始まる。少年のすべての未来は、彼が入学する高校にかかっている。彼女らの中学生の息子が入学試験に合格するのを確実にするためには、どんなことでもする母親もいる。どんなことでも？ほとんどそれに近い。 Asahi Geino hears the story of (not their real names) Meiko, 38, and her son Haruki from Kanagawa cram school director Yukio Shibagaki, who wrote a book on experiences like theirs. Every evening at 8 00, Haruki would vanish into his room, ostensibly to study. Meiko was pleased -- until one night she caught a glimpse of him through the slightly open door and realized he was not studying but masturbating. Intrigued, she peeked into his room the following night, and the night after that. The conclusion was inescapable. At the rate he was going, he would not be ready for his tests. アサヒ芸能は、神奈川県の塾経営者のユキオ・シバガキ(*1)から、38歳のメイコ（仮名）と彼女の息子ハルキについての話を聞いた。ユキオは、彼女たちと同じような経験についての本を書いた。毎晩８時に、ハルキは表面上勉強するために彼の部屋へと消えていく。メイコはそれが嬉しかった―ある晩わずかに開いているドアを通って彼をちらりと見て、彼が勉強しておらず、オナニーをしていたとわかった時まで。彼女は好奇心をそそられ、次の晩、またその次の晩、彼の部屋を覗き見た。結論は不可避的なものだった。彼はテストの準備ができていないようだった。 "I d better have a talk with him," she thought -- and did. "Mom," he said, shyly but firmly, "I wanna do it with you." "With me!" What to do? Be shocked and angry, or calm and understanding? "Let s see what your father says." Father was surprised but kept his head. "No genital sex," he stipulated. "However, if it s just a question of making the boy feel good, I won t say no." 彼女は考えた―「私は息子と話したほうがいい。」「お母さん」と彼は内気にだがしっかりと言った。「お母さんといっしょにしたい。」「私といっしょに!」どうすべきだろう？ショックを受けるべき？怒るべき？それとも、落ち着くべき？理解してあげるべき? 「お父さんが何と言うかきいてみましょう」父親は驚いたが冷静だった。 彼は、「生殖器のセックスはダメだ」と決めた。「しかし、それが息子を気持ちよくさせるだけのものであるなら、私は反対するつもりはない」 And so every evening Haruki s studying was prefaced by a 15-minute maternal blow job. His concentration improved; his marks soared. Everyone was happy -- except dad, whose doubts grew as time passed. Weren t things going a little too far? The chastity belt, at least, would close the last frontier. それから毎晩、ハルキの勉強は15分間の母親のフェラチオで始められた。彼の集中力は向上した。彼の成績は急上昇した。皆は幸福だった―――時間が経ち、その行為に対する疑問がふくらんだ父親を除いては。物事が少し行き過ぎてしまったのではないだろうか？ 貞操帯は少なくとも最後の未開の地を封印しているだろう。 Our first reaction is disbelief, but Shibagaki swears the story is not only true but also fairly typical, and special high school instructor Tadashi Sato, to whom Asahi Geino goes for confirmation, agrees. "I often hear stories like that," he says. The mother-son relationship has always had rich dramatic potential; the steadily contracting nuclear family can enrich the drama to the point of deviance. "Mothers do want their children to pass those exams," says Sato. "We re not talking about just a few cases." 最初私たちは信じられなかったが、アラガキは、この話が本当であるだけではなく、かなりよくある話だと言い、それに特別な高校のインストラクターのタダシ・サトウ(*2)も同意すると誓った（アサヒ芸能が確認した）。「私はしばしばそのような話を聞きます。」と、彼は言った。母親と息子との関係には、豊かなドラマチックな可能性を秘めている。核家族は異常なところまでドラマを豊かにすることができる。「母親は、自分の子供にどうしても試験に合格して欲しいのです。」と、サトウは言う。「私たちは例外的なケースだけに関して話しているわけではありません。」 Nor are we talking only about 15-year-olds. Akiko (as we ll call her) is 28, her son Atsushi 12. He too faces entrance exams -- junior high school ones. The boy seemed to be studying. Why was he floundering? "Why?" Akiko asked him one day. The answer was a seeming non sequitur, but Akiko saw the point. "I want to see a woman naked." Akiko undressed. "I ll do it again for you if you do well on your next test, OK?" He did very well. 15歳のケースだけではない。アキコは28歳であり、彼女の息子アツシは12である。彼もまた中学の入学試験に直面している。 彼は勉強しているように見えた。なぜ彼は悩んでいたのか? 「なぜ？」アキコはある日、彼にたずねた。アキコは、外観上からの不確かな推論だったが、答えを理解した。「僕は裸の女性を見たい。」アキコは服を脱いだ。「あなたが次のテストでいい成績だったら、私はあなたのためにまたこれをやるわ。」 彼の成績はよくなった。 There are endless ramifications to the sex-for-grades business, Asahi Geino discovers. Teachers too get in on the act. Some third-year junior high school teachers are not above capitalizing on the leverage they wield. Some ask for money in return for influential written recommendations. Others ask for sex. Thus Mari, 37-year-old mother of a daughter about to graduate junior high, took to visiting the girl s divorced teacher at his home. One afternoon the teacher s 14-year-old son showed up unexpectedly. "Me too!" he insisted. And Mari obliged, says Shibagaki. 「成績のためのセックスビジネス」には終わらない細分化の傾向があると「アサヒ芸能」が発見した。教師もその行為に加わっている。ある者は推薦状の見返りにお金を求める。他の者はセックスを求める。そして、中学を卒業する娘を持つ37才の女性マリは、娘の離婚した教師の家へ通い始めた。ある午後、教師の14才の息子が突然現れ、「僕も！」と言った。そしてマリは受け入れた、とシバガキは言った。 この記事の影響 イエール大学のポスター 1997年10月5日のMainichi Daily News(紙媒体の英字新聞)紙面で 「More moms going down to ensure grades go up!」という表題の記事が紙面で出ています。 文章自体は同じではありませんが、 登場人物の名前などが重複しており、出典も同じく「アサヒ芸能」です。(1997年10月9日号) 282 名前 可愛い奥様  Mail sage 投稿日 2008/08/06(水) 13 42 43 ID ryTaCvXjO 話ぶったぎってスマソ 「男の見方 女の見方」(養老猛 長谷川眞理子著PHP文庫) でこんな文章があった 146頁を抜粋 要約 イェール大学で日本関係のセミナーや講演のお知らせで 「日本の最近のポップカルチャーにおける母と息子の相姦関係について」というポスターがあった。 著者の長谷川氏は周りの人達に聞かれて丁度四月一日だったのでエイプリルフールではと？思ったそうですが どうも真面目な講演のようで。この講演にはいけなかったとのこと 公演で見かけたポスターの話は1998年の本なので、2002年のこの記事が掲載された時期よりも古い話になってしまうが、 同様の英字新聞の1997年の記事があったことから、この記事の以前のバージョンがポスターのもとになっている可能性がある。 （検証必要。） 『プリンセス・マサコ』の作者への影響 187 ：可愛い奥様：2008/06/28(土) 01 23 05 ID kv9yqktt0 597 名前：名無しさん＠全板トナメ参戦中[sage] 投稿日：2008/06/28(土) 01 14 30 ID IcRdh0yU0 731 名前：可愛い奥様[] 投稿日：2008/06/28(土) 00 49 58 ID FTzbDCXX0 日本人は変態だから殺してもOK。 毎日新聞変態ニュースネタの収拾が付かなくなっているわけですが、母親が中学生の息子にフェラチオを する云々という聞くに堪えない卑猥なネタは、話題となったこの皇室侮辱本の87ページにも出てくるわけ です。内容としては、「美智子皇后と皇太子殿下は重度なマザコン関係である。極端な例を挙げれば、 80年代の調査では（どんな調査だよ！！何より具体的な引用先はこの本では触れられていない。）成績が 優秀であった中学生の息子にご褒美として性的なサービスをする日本人の母親が報告されている。つまり、 そんな日本の母子である皇后と皇太子は、性的な関係はあるかどうかはわからないが、重度のマザコンで あるに違いない。」というような内容です。「まさかウソだろ。」と思った方は実際に読んでみてくださいな。 しかも、この本を書いたベン・ヒルズもオーストラリア人であり、英文毎日の編集長代理ライアン・コネル と同じ国の出身なわけです。ライアン・コネル氏の奥さんは日本人だそうですが、この本の取材にも協力し ているベン・ヒルズ氏の奥さんは母親がホリプロ役員、父親が劇団四季の創立メンバーである在日韓国人三世 の金森マユ氏（現在はオーストラリアに帰化）です。金森マユ氏は統一教会系の世界女性平和連合の反日イベント に参加・協力するなどかなり香ばしい方です。で、このベン・ヒルズ氏の書いた皇室侮辱本を読んだ外国人が、 「日本人の母親は子供に性的サービスを行う。」等と検索すると、同じくオーストラリア人のライアン・コネル氏 編集の日本人変態記事がヒットするわけです。しかも、日本の三大紙の一つ毎日新聞のサイトなわけで、 検索した外国人は、「やっぱり、日本人は変態だし、日本の皇室も変態だ」と思うわけです。 というわけで、鯨を喰らい、インセストタブーを犯す変態日本人など殺しても構わんという事になります。 毎日新聞さん、本当にありがとうございました。 1997年の元記事 同名のタイトルの記事。筆者は(TI)とあり、タケシ・イトウ名義での記事。 日本語タイトルは”「受験生」バカ母SEX献身の実例”。英字新聞だが、英文の途中に日本語のタイトルが挿入されている。 疑問点2002年の記事の筆者はMichael Hoffmanだが、1997年の元の記事の筆者はタケシ・イトウだったこと。 以上は2008年8月11日頃、有志による紙媒体での記事の調査の結果判明。詳細は→紙媒体時代のWaiwaiコーナー 記事の問題点 日本の教育熱心な母親の像を性的な話に結びつけている。 アメリカでこの記事が読まれ、日本の現状として理解された可能性がある。 拡散状況 Japan Stippy http //www.stippy.com/japan-waiwai-archives/more-mums-going-down-to-ensure-grades-go-up/ Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20020106 Orient Expat http //www.orientexpat.com/forum/index.php?showtopic=3013 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2002/01/20020106.php 英語サイト http //www.e-budo.com/forum/showthread.php?t=27069 http //forums.letsjapan.org/viewtopic.php?f=1 t=255065 start=120 http //forums.nightly.net/-Japan-s-SEX0r-Siblings--t8193.html 部分転載：http //www.outie.net/forums/viewthread.php?tid=11271 部分転載：http //www.outpostnine.com/forum/showpost.php?p=193002 http //www.quake3world.com/forum/viewtopic.php?t=2087 http //www.sankakucomplex.com/2008/06/21/hentai-rag-forced-to-back-down/ 部分転載：http //www.shoujoai.com/forum/topic_show.pl?pid=3602 http //www.stormfront.org/forum/showthread.php/stop-rape-white-america-10200.html http //williamgibsonboard.com/eve/forums/a/tpc/f/880007756/m/7931086551 ( 魚拓 ) 部分転載：http //www.zgeek.com/forum/showthread.php?t=37994 南アフリカドメイン ｈｔｔｐ //forums.prophecy.co.za/f9/moms-go-down-grades-go-up-5279/ ドイツ語 リンクのみ？：http //www.urlgebaffe.de/uga.html?3769 フィンランド語？ リンクのみ？：http //itsetyydytys.org/keskustelu/index.php?topic=2435.msg208020#msg208020 Blogger：その他 http //tnk86tkhk.blogspot.com/2008/06/forgery-article-of-mainichi-daily-news.html 関連ページ Blogger：その他 Japan Stippy Japanese Style Noodles Orient Expat WaiWai Archive WaiWaiの記事を転載した英語サイト：E WaiWaiの記事を転載した英語サイト：L WaiWaiの記事を転載した英語サイト：N WaiWaiの記事を転載した英語サイト：O WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：T WaiWaiの記事を転載した英語サイト：W WaiWaiの記事を転載した英語サイト：Z WaiWaiの記者一覧 「受験生」バカ母SEX献身の実例 よくある質問(FAQ) ビラのキャッチフレーズとコネル氏の記事との対応表(仮) 元記事一覧 問合せ先一覧 文部科学省 毎日新聞英語版から配信された記事2002年 良識のある見方の一例
https://w.atwiki.jp/mrfrtech/pages/30.html
Market Analysis The worldwide Security Assertion Markup Language (SAML) verification market size is relied upon to enroll a dramatic CAGR 14.9% during the gauge time frame. SAML Authentication market to reach USD 2.8 billion by 2026. The SAML confirmation is a normalized technique for validation to demonstrate one s personality and empower admittance to every one of the outside applications and administrations they want to get to. SAML is a bunch of guidelines that empower all web clients to sign in utilizing a web-based interface and consistently access the data or other internet-based administrations without logging in giving qualifications on various occasions. SAML is an open-source XML convention that empowers the trading of data for validation and approval between a personality supplier and specialist organization (normally a cloud or an electronic application). SAML is also referred to with terms like token-based verification, security token administrations, combined confirmation, and personality alliance. It was first delivered by the Organization for the Advancement of Structured Information Standards (OASIS) in 2002. The increment drives the security declaration markup language SAML Authentication market in the requirement for viable administration of mass characters and the ascent popular for a predictable and brought together approach to guarantee the security of personalities. Moreover, the expansion in Internet infiltration and fast advancements in the telecom business expand the utilization of the Internet over cell phones in arising economies. For example, India supports the development of the security affirmation markup language (SAML) verification market. The rising pattern for BYOD is setting out open doors for SAML arrangements and is relied upon to take the SAML Authentication market development to a higher level. In any case, this market development is hampered by the restricted mindfulness in regards to the accessibility of recognizable proof and verification conventions to forestall unapproved venture access. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10472 Market Segmentation By component, the global security assertion markup language (SAML) authentication market has been divided into solution and service. By deployment, the global security assertion markup language (SAML) authentication market has been divided into cloud-based and on-premises segments. Based on vertical, the global security assertion markup language (SAML) authentication market has been divided into BFSI, IT telecom, energy utilities, healthcare, oil gas, manufacturing, retail, and others. The security assertion markup language (SAML) authentication market has been analyzed for five regions—North America, South America, Europe, Asia-Pacific, and the Middle East Africa. Regional Analysis The security affirmation markup language (SAML) verification market is assessed to enlist a remarkable CAGR over the gauge time frame. The geographic investigation of the security declaration markup language (SAML) validation market has been directed for North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. North America is relied upon to enlist the biggest piece of the pie essentially because of the presence of central industry participants. The US is relied upon to lead the market in North America because of the elements, for example, an expansion in the reception of SAML verification arrangements, development in IoT, BYOD pattern in huge and little associations, and an ascent in inner and outer dangers. The European market for security attestation markup language (SAML) confirmation is relied upon to remain at the second situation during the audit time frame chiefly because of the administrative consistence prerequisites and quick monetary development across nations like the UK and Germany. Also, the expanding number of cloud-based administrations are expanding the responsiveness of the data, which, thusly, is helping the market development. Asia-Pacific is relied upon to be the third overwhelming locale as far as taking on security statement markup language (SAML) validation across industry verticals. A few business associations store their delicate data over the cloud, requiring a solid verification framework to deal with character and access the executives. The provincial market has been divided into China, India, Japan, and the remainder of the Asia-Pacific. China is the main nation-level market, while India is projected to be the quickest developing country during the gauge time frame. The Chinese market is relied upon to report the most elevated piece of the pie, attributable to the elements like an enormous number of clients in a venture, making them fundamental for executing SAML validation arrangements and administrations. Moreover, India sees an expansion in its quantity specialist co-ops in the country. Industry News In July 2019, programmers took the individual data of in excess of 106 million individuals from monetary company Capital One - the third-biggest backer of charge cards in the US. Moreover, In August 2018, aggressors took USD 13.5 million from India s Cosmos bank by undermining their monetary frameworks. Key Players The key players in the global security assertion markup language (SAML) authentication market are Thales (France), Ping Identity (US), Amazon Web Services, Inc. (US), Okta (US), Oracle (US), miniOrange Inc. (US), Zoho Corp. (India), OneLogin, Inc. (US), SSO Easy (US), SAASPASS (US), Auth0 Inc. (US), BIO-key International (US), RCDevs (Luxembourg), Ariel Software Solutions Pvt. Ltd. (India), and Microsoft (US). Browse Full Report Details @ https //www.marketresearchfuture.com/reports/security-assertion-markup-language-authentication-market-10472 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Passport Radar Market https //www.my-diary.org/edit/a/viewentry/546452249 Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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