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https://w.atwiki.jp/pinballfx/pages/48.html
+目次 台構成Uランプ FeaturesSKILLSHOT ボールセーブ キックバック マルチプライヤー ボーナスボール コンボ Surturマルチボール Day Of The Deadマルチボール Wielding MJOLNIR Asgardの門Odin's Gift Brothers Duel The Destroyer Ymir’s Attack The Destroyer In Asgard Ymir Rages Again ファイナルミッション 実績 リンク コメント 台構成 Uランプ 中央、赤矢印が目印。 視点によってはわかりづらいが、勢いよくボールを打ち込むことで縦にボールが駆け上がり、上部の空中リターンレーンにボールを送るというランプ。 ボールに勢いがありすぎると、リターンレーンで跳ね返ってUランプから再度ボールが出てくる場合がある。 Features SKILLSHOT 勢いを調整し、S・I・Fの3つのターゲットのうち、点灯してるものにヒットさせればSkillShot50万点獲得。 ボールセーブ ボールセーブをアクティブにするには、上部中央3つのSIFターゲットをヒットします。 キックバック 左キックバックは、下部レーンにボールを通し、F・R・O・S・Tの5文字を全点灯させることで獲得。 右キックバックは、下部レーンにボールを通し、G・I・A・N・Tの5文字を全点灯で獲得。 マルチプライヤー 中央左 GoldenAppleのターゲットにヒットするか、右隣のUランプから空中レーンにボール届かせることで、GoldenAppleを１個獲得します。（GoldenAppleターゲット奥のホール２個獲得） GoldenAppleを10個集めると倍率UP(×2-10) ボーナスボール GoldenAppleを60個集めると、ボーナスボールが獲得できます。またはOdinのGiftゲームモードでランダムアワードとして取得することもできます。 コンボ 「コンボ」ライトの点灯中にランプとループに連続してボールを命中させると、コンボアワードが獲得できます。 Surturマルチボール バンパーに25回ヒット Uランプまたはゴールデンアップルに3回入れると3ボールマルチボール開始 点滅しているレーンに10回通す。通す度にSurtur JP獲得 アスガルドの門に残っているボールをロックする 3ボール残っている場合、（500万、200万、100万）合計800万点獲得 2ボール残っている場合、（200万、100万）合計300万点獲得 2球ロストで終了。 左右オービットにボールを通しS-U-R-T-U-Rを全点灯させる毎にレーンを通した時の点数アップ Day Of The Deadマルチボール 右サブフリッパーから左上のRelms of Hela穴にボールを3回命中させると、「Day Of The Dead」が開始できます。死の女神、Helaの多数の骸骨が四方八方から攻撃してきます。 このモードでは、プレイヤーはランプとオービットの前で骸骨にボールを当てて、骸骨の戦士をできる限り大勢打ち倒す必要があります。 各骸骨10万点からスタート。復活後1万点ずつ点数アップ Wielding MJOLNIR 右側下部にあるミニループの下のターゲット2つにボールを当てて、MJOLNIRの文字を全て表示させてから、その向こうにある穴にボールを命中させると、30秒間ダブルスコアのボーナスが獲得できます。 Surturマルチボール・Day OF The Deadマルチボール・Wielding MJOLNIRミッションライト点灯で1000万点獲得後、ライトリセット。 MJOLNIR（ミョルニル）：Thorが持つ伝説のハンマーの名前。Wikipedia Asgardの門 プレイヤーがミッションを開始するには、中央の穴にボールを3回命中させて、「URU」の文字を表示させる必要があります。3回目のショットの後、穴の上のAsgardの門が閉じて、門の向こう側にある小さな仕切りの中にボールを打ち込めるようになります。ミッションを開始するには、レインボーブリッジの穴にボールを命中させます。 Odin s Gift Asgardの門を開いた後、Relms of HelaとRainbow Bridgeの間のターゲットにヒット 右ランプが光るのでボールを通すと、エクストラボール、ボーナス得点、倍率アップがもらえる Brothers Duel このミッションでは、右のオービットと右のランプの前にあるオレンジ色のライトは、Lokiを表しています。このレーンにボールが当たるたびに、LokiがThorを攻撃します。蒼く点滅している他のランプと左のオービットは、Thorを表しています。これらのレーンにボールを当てると、ThorがLokiを攻撃します。ThorとLokiの開始時のヘルスポイントは、どちらも7点です。 レーンを通すたびに一ポイントずつダメージが通る。Lokiの体力を0にすれば勝ち。Thorの体力が0になれば負け。 LokiのレーンでもThorのレーンでも通るたびにSerpent JP獲得。クリアで1500万点。 右ランプのS-E-R-P-E-N-T全点灯で点数アップ The Destroyer このミッションでは、ThorとThe Destroyerは激突します。ThorはMjolnirのパワーを利用し、The Destroyerはエネルギー投射で対抗します。 Thorのパワーは、2つのオービット、右のミニループ、Uランプ、バンパーにボールを当てて、増やすことができます。 バンパーまたはランプにボールが命中しないと、The Destroyerの力が増大し、徐々にThorを押さえつけます。 このミッションは、どちらかのキャラクターが相手を地面に押し付けると、制覇または失敗となります。 Uランプにボールを通すごとにArmor JP獲得。Powerを0.00にすれば制覇、100万点獲得 右サブフリッパーを使いクロスランプのA-R-M-O-R全点灯で点数アップ Ymir’s Attack Thorは最初の攻撃に失敗し、Ymirが彼の体をつかみました。YmirはThorを凍らせようとし、ThorはMjolnirを使って攻撃してgiantの手から逃れようとします。 プレイヤーは点滅中のレーンにボールを当ててThorを自由にし、右のスピナーをチャージしてLokiからの魔法の力を補給してThorが凍えないようにしなければなりません。 黄色く点灯してるレーンにボールを通すと、1回攻撃。7回攻撃で制覇。 時間経過でThorの体温ゲージが減少していく。ゲージが0になると失敗。 右上、稲妻模様が表示されているレーンにボールを通しスピナーを回すことで、体温ゲージを上昇させることが出来る。 左サブフリッパーを使い稲妻のループのY-M-I-R全点灯で点数アップ The Destroyer In Asgard The Destroyerは、強力なエネルギーの稲妻を使ってThorを打ち負かそうとしますが、致命的な攻撃を仕掛ける前にエネルギーを蓄える必要があります。このときこそ、Thorがハンマーを使ってThe Destroyerに打撃を与える唯一の機会です。Mjolnirを投げるためには、オレンジ色に点滅しているレーンにボールを当てる必要があります。中央の穴は、ボールを右の腕に移動するのに役立ちます。タイマーの時間がなくなると、The Destroyerにはエネルギーの稲妻を放つために十分なパワーが貯まります。どちらのキャラクターもヘルスポイントを3点持っています。 右サブフリッパーを使いクロスランプのA-R-M-O-R全点灯で点数アップ Ymir Rages Again このミッションでは、Ymirは氷の塊を地面に叩きつけて、中央のランプ、右のランプと右のオービットの前に氷のブロックを作り上げます。次に、Ymirは冷たい息をThorに向かって吐きかけて、Thorを凍らせようとします。プレイヤーが稲妻で反撃するには、これらの氷のブロックを打ち落とし、被害を受けたレーンにボールを当てる必要があります。Ymirは稲妻の攻撃に3回まで耐えることができます。 Uランプに通すと玉が炎を纏うので、氷に当てる。2回当てると氷が壊れるので、そのレーンを通す。 左サブフリッパーを使い稲妻のループのY-M-I-R全点灯で点数アップ ファイナルミッション 5つあるメインミッションを全てクリア後、再びMissionホールにボールを入れる 3ボールマルチボール開始。8つあるオービット・ランプのうちどれか1つが点灯するのでボールを通す 8回オービット・ランプにボールを通す（最終的に全てのオービット・ランプに1回ずつ通すことになる） UランプとGoldenAppleのターゲットにホールができるので残っているボールをロックすればクリア 5000万点獲得 2球ロストで終了。全メインミッションライト消滅、最初からやり直し 中央のランプのA-S-G-A-R-D全点灯で点数アップ 実績 XBOX360 実績解除スレまとめ Pinball FX2 Asgard の敵 Thor ですべての Asgard ミッションを達成しましょう！ (シングル プレイヤー限定。) 5 立派な戦士 ThorでMjolnirを使い、Surturと多数のHelaを打ち負かしてください！(シングルプレイヤー限定。) 15 裏切り者 Thor で裏切り者の Loki を打ち負かしてください！ (シングル プレイヤー限定。) 30 リンク Marvel Pinball Thor Trailer http //www.youtube.com/watch?v=zOm0QXACl5g コメント コメント
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ECHOES WR #89 -Daily Lunch Special- 3/8 12 00 ~ 3/14 23 59 選曲 ふか pop n EX rank Name Score Result 1 hide 98040 result 2 ごま 94135 result 3 ヒオ 93195 result HYPER rank Name Score Result 1 こだま 91696 result jubeat EXH rank Name Score Result 1 こだま 974430 result 2 ka23 944707 result 3 しん 874738 result ADV rank Name Score Result 1 ねこまんま 999209 result BASIC rank Name Score Result 1 ねこまんま 1000000(EXC!) result REFLEC BEAT HARD rank Name Score Result 1 かにぱん 2397 result 2 ごま 2320 result 3 こだま 2265 result DDR SP-EXPERT rank Name Score Result 1 ふか 996440 result 2 きるしゅ 950830 result 3 hide 950530 result 4 うんぽこまる 880000 result 5 ごま 704170 result SP-DIFFICULT rank Name Score Result 1 ごま 923200 result SDVX Daily Lunch Special(tpz Overcute Remix) EXH rank Name Score Result 1 かにぱん 10000000(PUC!) result 2 ごま 9933085 result 3 こだま 9877323 result 4 ヒオ 9100371 result ADV rank Name Score Result 1 かにぱん 10000000(PUC!) result NOV rank Name Score Result 1 かにぱん 10000000(PUC!) result Daily Lunch Special～DeliciousREMIX～ EXH rank Name Score Result 1 かにぱん 10000000(PUC!) result 2 ごま 9992520 result 3 こだま 9981301 result 4 ヒオ 8840688 result ADV rank Name Score Result 1 かにぱん 10000000(PUC!) result NOV rank Name Score Result 1 かにぱん 10000000(PUC!) result
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DanceDanceRevolution X2 TOP 新規収録曲リスト / 新規収録曲詐称・逆詐称・個人差譜面リスト 旧曲リスト / 削除曲リスト / HAPPYモード収録曲リスト DRILL COURSEリスト / COURSEリスト 全曲ノート数リスト / 難易度変更情報 隠し要素 / メクルめくダンスパーティ / がんばれPiX キラキラ道中 リンク・EDIT関連 携帯サイト・メンバーズサイト 稼働前情報 DRILL COURSEリスト [#f2042124] SINGLE [#b2efaecc] DOUBLE [#bd6c9c72] DRILL COURSEリスト 初期状態から、Lv.1～Lv.10選択可能。 (前作の初期状態は1～5) 8/25 15 00から、Lv11～13が解禁 11/2 15 00から、Lv14～15が解禁 4曲設定。メーターゲージ フルゲージから開始され、ステージを通過ごとに若干回復する。 ただし回復は非常に遅い。減少もSN2までの3曲目以上に厳しくなっている(beatmaniaIIDXの段位認定並と思われる)。 コース選択時に決定ボタン長押しでオプション設定可能だが、CUTやJUMPなどの項目はない。 基本的にはSN2のNONSTOPモードと同形式(途中でオプション変更などはできない)。 曲の開始直後でのハイスピードの変更のみ可能。 beatmaniaIIDXにおける段位認定の様なモードで、Repricant-D-Actionフォルダ曲の解禁にも関わってくる。 SINGLE 曲順 曲名 DIFFICULTY BPM LEVEL Steps DANCE DRILL Lv.1 1 AFTER THE GAME OF LOVE BASIC 105 2 72 2 BABY BABY GIMME YOUR LOVE BASIC 96 2 62 3 GORGEOUS 2012 BASIC 135 3 81 4 DESTINY BASIC 155 3 116 TOTAL → 10 331 DANCE DRILL Lv.2 1 Baile Le Samba BASIC 92 3 55 2 I Need You BASIC 105 4 62 3 Try 2 Luv.U BASIC 115 4 73 4 THE SHINING POLARIS BASIC 147 4 107 TOTAL → 15 297 DANCE DRILL Lv.3 1 Saturday Night Love BASIC 128 4 111 2 Jam Marmalade BASIC 145 4 109 3 CUTIE CHASER BASIC 126 5 148 4 PUT YOUR FAITH IN ME BASIC 120 5 128 TOTAL → 18 496 DANCE DRILL Lv.4 1 think ya better D BASIC 136 5 148 2 Kind Lady BASIC 135 5 152 3 Love シュガ→ BASIC 155 5 131 4 BURNIN THE FLOOR BASIC 155 5 177 TOTAL → 20 608 DANCE DRILL Lv.5 1 LOVE AGAIN TONIGHT (For Melissa MIX) BASIC 150 5 191 2 KISS KISS KISS BASIC 150 5 199 3 STARS★★★ (2nd NAOKI s style) BASIC 140 6 184 4 Happy Wedding DIFFICULT 126 6 177 TOTAL → 22 751 DANCE DRILL Lv.6 1 Quickening BASIC 150 6 161 2 BRILLIANT 2U DIFFICULT 150 6 176 3 My Only Shining Star DIFFICULT 155 7 150 4 華爛漫 ～Flowers～ DIFFICULT 160 7 211 TOTAL → 26 698 DANCE DRILL Lv.7 1 B4U DIFFICULT 155 7 238 2 LEADING CYBER BASIC 150 8 258 3 TRIP MACHINE DIFFICULT 160 9 211 4 Saturn DIFFICULT 78-155 9 267 TOTAL → 33 974 DANCE DRILL Lv.8 1 Dance Dance Revolution DIFFICULT 150 8 245 2 Freeway Shuffle EXPERT 145 10 294 3 xenon DIFFICULT 158 10 271 4 PARANOiA EXPERT 180 11 319 TOTAL → 39 1129 DANCE DRILL Lv.9 1 Blue Rain EXPERT 144 11 298 2 ABSOLUTE EXPERT 144 11 311 3 革命 EXPERT 83-148 12 371 4 The Least 100sec EXPERT 200-263 12 429 TOTAL → 46 1409 DANCE DRILL Lv.10 1 INNOCENCE OF SILENCE EXPERT 71-142 12 296 2 DYNAMITE RAVE EXPERT 149 12 398 3 VANITY ANGEL EXPERT 140 12 325 4 AA EXPERT 154 13 386 TOTAL → 49 1405 DANCE DRILL Lv.11 1 CAN T STOP FALLIN IN LOVE (SPEED MIX) EXPERT 170 12 443 2 Across the nightmare CHALLENGE 300 13 372 3 Healing Vision(Angelic mix) EXPERT 46-196 13 479 4 on the bounce EXPERT 150 14 423 TOTAL → 52 1717 DANCE DRILL Lv.12 1 bertreffen EXPERT 174 13 405 2 Xepher CHALLENGE 170 15 530 3 Unreal EXPERT 90-180 15 398 4 MAX 300 EXPERT 300 15 555 TOTAL → 58 1888 DANCE DRILL Lv.13 1 NGO EXPERT 68-274 15 371 2 PARANOIA survivor MAX EXPERT 145-290 15 567 3 MAXX UNLIMITED EXPERT 140-320 15 555 4 MAX 300 (Super-Max-Me Mix) CHALLENGE 140-320 16 610 TOTAL → 61 2103 DANCE DRILL Lv.14 1 Fascination ～eternal love mix～ EXPERT 100-400 16 588 2 Trim EXPERT 85-340 16 467 3 SABER WING (Akira Ishihara Headshot mix) CHALLENGE 79-316 17 492 4 Fascination MAXX EXPERT 100-400 17 640 TOTAL → 66 2187 DANCE DRILL Lv.15 1 Trigger CHALLENGE 100-400 18 579 2 Healing-D-Vision CHALLENGE 180-360 18 525 3 PARANOiA ～HADES～ CHALLENGE 75-300 18 662 4 Pluto Relinquish CHALLENGE 100-800 18 557 TOTAL → 72 2323 DOUBLE 曲順 曲名 DIFFICULTY BPM LEVEL Steps DANCE DRILL Lv.1 1 BABY BABY GIMME YOUR LOVE BASIC 96 3 80 2 SO IN LOVE BASIC 112 2 86 3 i feel… BASIC 141 3 84 4 Forever Sunshine BASIC 128 3 95 TOTAL → 11 345 DANCE DRILL Lv.2 1 KISS ME ALL NIGHT LONG BASIC 155 3 130 2 A Stupid Barber BASIC 132 4 126 3 ABSOLUTE BASIC 144 4 135 4 HIGHER BASIC 132 4 159 TOTAL → 15 550 DANCE DRILL Lv.3 1 Don t Stop!(AMD 2nd MIX) BASIC 130 4 113 2 蒼い衝動 (for EXTREME) BASIC 145 4 131 3 LOVE２シュガ→ BASIC 155 4 134 4 HYSTERIA BASIC 190 4 158 TOTAL → 16 536 DANCE DRILL Lv.4 1 Silver Platform - I wanna get your heart - BASIC 140 4 94 2 dream of love BASIC 114 5 132 3 Kind Lady BASIC 135 5 140 4 A thing called LOVE BASIC 160 5 176 TOTAL → 19 542 DANCE DRILL Lv.5 1 サナ・モレッテ・ネ・エンテ BASIC 90 5 128 2 La Senorita BASIC 182 5 181 3 Let the beat hit em!(CLASSIC R STYLE) DIFFICULT 102 6 172 4 Miracle Moon(L.E.D.LIGHT STYLE MIX) DIFFICULT 138 6 203 TOTAL → 22 684 DANCE DRILL Lv.6 1 SOUL CRASH DIFFICULT 142 6 272 2 Why not DIFFICULT 175 6 263 3 un deux trois DIFFICULT 140 6 160 4 SUNKiSS DROP DIFFICULT 185 7 233 TOTAL → 25 928 DANCE DRILL Lv.7 1 MAKE IT BETTER DIFFICULT 119 7 181 2 V(for EXTREME) DIFFICULT 150 7 237 3 stealth DIFFICULT 160 8 237 4 Music In The Rhythm DIFFICULT 155 8 281 TOTAL → 30 936 DANCE DRILL Lv.8 1 321STARS DIFFICULT 192 8 241 2 Feelings Won t Fade(Extend Trance Mix) DIFFICULT 144 9 258 3 Raspberry Heart(English version) EXPERT 160 10 295 4 AM-3P EXPERT 130 10 240 TOTAL → 37 1034 DANCE DRILL Lv.9 1 TRIP MACHINE(luv MIX) DIFFICULT 160 10 251 2 Electrified EXPERT 140 11 286 3 華爛漫 -Flowers- EXPERT 160 11 359 4 TOMORROW EXPERT 140 11 285 TOTAL → 43 1181 DANCE DRILL Lv.10 1 革命 EXPERT 83-148 11 365 2 BROKEN MY HEART EXPERT 150 12 353 3 Votum stellarum -forest #25 DDR RMX- EXPERT 140 12 312 4 AFRONOVA EXPERT 200 13 357 TOTAL → 48 1387 DANCE DRILL Lv.11 1 CAN T STOP FALLIN IN LOVE (SPEED MIX) EXPERT 170 12 432 2 SEDUCTION EXPERT 95-190 13 358 3 Uranus CHALLENGE 81-162 13 402 4 Horatio EXPERT 165 14 422 TOTAL → 52 1614 DANCE DRILL Lv.12 1 Fly Away -mix del matador- EXPERT 130 13 363 2 CaptivAte～誓い～ EXPERT 160 13 419 3 Unreal EXPERT 90-180 14 396 4 MAX 300 EXPERT 300 15 485 TOTAL → 55 1663 DANCE DRILL Lv.13 1 Healing Vision (Angelic mix) EXPERT 49-196 14 471 2 Xepher CHALLENGE 170 15 515 3 SUPER SAMURAI EXPERT 170 16 485 4 Arrabbiata EXPERT 225 16 447 TOTAL → 61 1918 DANCE DRILL Lv.14 1 PARANOiA -Respect- EXPERT 300 15 524 2 PARANOIA survivor MAX CHALLENGE 145-290 16 613 3 MAX 300 (Super-Max-Me Mix) CHALLENGE 140-320 17 562 4 Fascination ～eternal love mix～ CHALLENGE 100-400 17 581 TOTAL → 65 2280 DANCE DRILL Lv.15 1 Fascination MAXX CHALLENGE 100-400 18 654 2 Healing-D-Vision CHALLENGE 180-360 18 517 3 Pluto Relinquish EXPERT 100-800 18 531 4 PARANOiA ～HADES～ CHALLENGE 75-300 18 653 TOTAL → 72 2355
https://w.atwiki.jp/dvdfeatures/pages/29.html
Flight of the Conchords The Complete First Season（シーズン1） 発売元：HBO 発売日：2007年11月6日 DVD枚数：2枚 リージョン1 ディスク1 1 - Sally 2 - Bret Gives up the Dream 3 - Mugged 4 - Yoko 5 - Sally Returns 6 - Bowie ディスク2 7 - Drive By 8 - Girlfriends 9 - What Goes on Tour 10 - New Fans 11 - The Actor 12 - The Third Conchord
https://w.atwiki.jp/thecockrockshockpop/pages/1794.html
http //www.dianakrall.com/ DVDLive in Rio DVD Live in Rio May 26th 2009 ( IDVDR ) 1. I Love Being Here With You / 2. Let s Fall In Love ( 恋をしよう ) / 3. Where Or When ( いつかどこかで ) [ with Orchestra ] / 4. Too Marvellous For Words [ with Orchestra ] / 5. I ve Grown Accustomed To His Face [ with Orchestra ] / 6. Walk On By [ with Orchestra ] / 7. Frim Fram Sauce / 8. Cheek To Cheek / 9. You re My Thrill / 10. Let s Face The Music And Dance / 11. Every Time We Say Goodbye ( いつもさよならを ) / 12. So Nice / 13. Quiet Nights [ with Orchestra ] / 14. Este Seu Olhar ( まなざし ) / 15. Boy From Ipanema ( イパネマの少年 ) / 16. I Don t Know Enough About You / 17. S Wonderful / 18. Exactly Like You
https://w.atwiki.jp/gunsoficarusjp/pages/74.html
Phobos Mine Launcher -フォボスマインランチャー- 爆破浮遊機雷を設置します。 各種性能 銃のステータス 種別 機雷 サイズ 軽量砲 直撃ダメージ 125[ピアッシング] 爆発部分ダメージ 100[インパクト] 爆発半径 60m アーミングタイム 3秒 発射速度 0.5発/秒 リロード時間 4秒 装弾数 1発 弾速 55m/s 有効射程 165ｍ ジッター 1° 砲座ごとに一度に設置できる機雷は最大5つ。 起爆しなかった場合、20分後に自動的に爆発する。 機雷を設置した船が撃破された場合、設置した機雷は消滅する。 機雷は味方の船が接触した場合も爆発し、ダメージを与える。 機雷を吊り下げているバルーンは200 のヘルス ポイントがあり、破壊することができる。 爆発部分ダメージヒット時に25%の確率で火災レベルを5上昇させる 爆発はノックバックを与える。 動きと射角、照準 水平角度 左60°、右60° 垂直角度 上45°、下15° 水平回転 30°/秒 垂直回転 25°/秒 ズーム倍率 ×1.1 説明 フォボスマインランチャー。 直接敵を撃つ砲座ではなく、浮遊機雷を設置する。 起爆判定は機雷の中心から半径20mに船が接近した時に発生し、半径60mの範囲に[ピアッシング]と[インパクト]属性のダメージを与える。 さらに、AoEダメージを与えた箇所に対しては、25%の確率で火災レベルを5上昇させる。 機雷は発射してから3秒後に展開され、その場に滞空する。 この展開されるまで時間がアーミングタイムとなっており、ガンナーツールを使用すると展開位置を変化させることができる。 発射までに敵船にあたった場合は125の[ピアッシング]属性ダメージを与えるだけとなる。 一度に設置できる機雷は各砲座5個までなので、仮に2つこの砲座が付いた船であれば、10個の機雷を設置しておくことができる。 爆発部分のダメージは[インパクト]属性となっている。 基本的には地形衝突ダメージに分類されており、砲座として出力できるものは珍しい。 属性としてはバルーンと船本体へのダメージ倍率が全属性中最大となっているほか、アーマーやコンポーネントでもあまり軽減されない。 ただし、パイロットツールImpact Bumpersでダメージを軽減されるという弱点もある。 機雷にはHP200のバルーンがついており、破壊することができる。 破壊すると機雷は落下するのだが、落下している途中はまだ機雷の判定が残っている。 機雷本体を攻撃することで爆破することも可能で、この場合は爆発した時点で攻撃判定が発生する。 また、敵船が設置した機雷はSpyglassなどでマーキングすることも可能なので、使用されたときは位置を知らせる意味でもマーキングした方がよいかもしれない。 戦術 機雷設置というユニークな特質を使用し、ラムアタックに対する妨害に使用したり、船のあまり使用しないスロットに搭載しておき、とりあえず設置しておくということもできる。 ただし、この機雷は自分たちの船や味方の船に対しても反応し、ダメージを与える。 むやみに設置するとかえって危険な場面もあるので、ある程度考えて設置していく必要がある。 特に船の前部、後部に設置している場合、船の経路上に機雷を設置しかねないため、より一層の注意が必要。 設置してある機雷は発射した時のガンナーツールに依存して性能が変化する。 Charged Roundsで配置した機雷であれば威力が高く、Burst Roundsで配置した機雷は爆発ダメージの範囲が広いといった次第。 いっそLochnagar Shotで配置しておくのも面白い。アーミングタイム減少効果により、撃ってすぐに機雷が展開されるようになる。 直接当てた時の[ピアッシング]ダメージもそれなりに高いので、いざとなったら直接ぶつける運用もできる。この場合機雷は展開されない。 そして弾道はかなり落ちるので、狙って当てるのは非常に難しい。 小ネタ Phobos(フォボス)といえば火星の衛星でおなじみだが、これはギリシャ神話の神「ポボス」からとられているのだとか。 このゲームにおいてはおそらく神の名前を冠している方だと考えられる。 名前の意味は"敗走"とのことだが、混乱、狼狽、恐怖を表す神とのことで、逃げながら機雷を設置するところからのイメージか。
https://w.atwiki.jp/oper/pages/1582.html
ATTO SECONDO SCENA PRIMA （Sala nel castello di Binasco preparata per tener tribunale. Guardie alle porte. Damigelle di Beatrice e Cortigiani） No. 7 - Coro d Introduzione DAMIGELLE Lassa! E può il ciel permettere Questo giudizio infame? CORO Ella non può sottrarsene Già cominciò l esame. Possa dinanzi ai giudici Darvi fedele amore Forza e virtù maggiore Che ad Orombel non diè! DAMIGELLE Come! L incauto, il debole Forse al timor cedè? CORO Dal tenebroso carcere, Ove rinchiuso ei venne, Al tribunal terribile Fermo si presentò. Quivi minacce e insidie Intrepido sostenne; Quivi martiri e spasimi, Quanti potea, sfidò. DAMIGELLE Ahi! sventurato! ahi misero! Né i barbari placò! CORO Tratto tre volte in aere, Tre volte in giù sospinto, Sol con profondi gemiti Prima il suo duol mostrò. Quindi spossato e livido, D atro pallor dipinto, China la fronte e mutolo, Esanime sembrò. DAMIGELLE Ahi ferrei cori! Ahi barbari! Tanto il meschin penò? CORO Ma poi che gli occhi languidi Ebbe dischiusi appena… Quando il feroce strazio Anco apprestar mirò… Più non potendo reggere All insoffribil pena Sé confessò colpevole, Complice lei gridò. DAMIGELLE Ahi! sventurata! ahi misera! Niuno salvar la può. （Si allontanano） SCENA SECONDA （Filippo, Anichino, soldati） FILIPPO Omai del suo destino arbitra solo Esser deve la legge. ANICHINO E qual v ha legge Che a voi non ceda? - Oh! ve ne prego, o Duca, Per l util vostro. A voi funesto io temo Questo giudizio già ne corse il grido Per le vicine terre, e il popol freme, E lei compiange. FILIPPO Né Filippo il teme. Fino al novello dì sian di Binasco （ai soldati） Chiuse le porte, né venir vi possa, Né uscirne alcuno. - Allor che il popol veda Quest idol suo di tanto error convinto, Dirà giustizia quel che forza or dice. ANICHINO E chi di Beatrice Retto giudice fia dove l accusa Filippo intenti? FILIPPO Or basta… Omai pon modo al tuo soverchio zelo. Il Consiglio s aduna. ANICHINO (Oh! istante! io gelo. SCENA TERZA （Escono i Giudici, e si vanno a collocare ai loro posti. Rizzardo presiede al consiglio. Filippo siede in un seggio elevato. La scena si empie di dame e di cavalieri in mezzo alle dame vedesi Agnese） No. 9 - Scena, Coro e Quintetto ANICHINO (O troppo a mie preghiere Sordo Orombello! Fu presago jeri Il mio timor). （Va a sedersi anch esso） AGNESE (Di mia vendetta è giunta L ora bramata… eppur non sono io lieta, Qual mi sgomenta il cor voce segreta!). SCENA QUARTA （Beatrice fra le guardie, e detti） GIUDICE Di grave accusa il peso Pende sul capo vostro - A noi d innanzi Vi possiate scolpar! BEATRICE E chi vi diede Di giudicarmi il dritto? Ovunque io volga Gli occhi sorpresi, altro non veggio intorno Che miei vassalli. FILIPPO E il tuo sovran non vedi? Il tradito tuo sposo? BEATRICE Io veggo un empio Che i beneficii miei paga d infamia, L amor mio di vergogna. FILIPPO Amor tu dici Tramar co miei nemici, Ribellarmi i vassalli e far mia corte Campo di tresche oscene Con citaredi, quanto abbietti, audaci, Chiami Filippo amar? BEATRICE Taci, deh! taci. Ferma udir posso ogni altra Accusa tua… ma il cor si scote e freme A sì vil taccia. Oh! non voler, Filippo, De Lascari la figlia, e d un eroe La vedova avvilir. GIUDICE Il reo t accusa Complice tuo. - Venga Orombello. BEATRICE (Oh cielo! La mia virtù sostieni). GIUDICE Eccolo. SCENA QUINTA （Orombello fra le guardie, e detti） AGNESE (Oh! come Lo ridusse infelice il furor mio!). OROMBELLO A quai nuovi martir tratto son io! GIUDICE Ti rinfranca a noi t appressa. Parla e il ver conferma a lei. （Orombello appoggiato sulle guardie s innoltra lentamente） BEATRICE Orombello! OROMBELLO (Oh! voce! è dessa… E morire io non potei!). BEATRICE Orombello!! – Oh sciagurato! Dal mentir che hai tu sperato? Viver forse? ah! dove io moro Vita speri da costoro? Tu morrai con me morrai, Ma qual reo, qual traditor. OROMBELLO Cessa, cessa. - Ah tu non sai… Di me stesso io son l orror. Io soffrii… soffrii tortura Cui pensiero non comprende… Non poté la fral natura Sopportar le pene orrende… La mia mente vaneggiava… Il dolor, non io, parlava… Ma qui, teco, al mondo in faccia, Or che morte ne minaccia, Innocente io ti proclamo, Grido perfidi costor. BEATRICE Grazie, o cielo! AGNESE (Oh! mio rimorso!). ANICHINO (L odi o Duca?). FILIPPO (L odo e fremo). GIUDICE Troppo omai tu sei trascorso Bada e trema. OROMBELLO Io più non tremo. Sol ch io mora perdonato Da quest angelo d amor! FILIPPO e GIUDICE V han supplizii, o forsennato, A strapparti il vero ancor. （Orombello si strascina verso Beatrice essa gli va incontro e lo regge） BEATRICE Al tuo fallo ammenda festi Generosa, inaspettata. Il coraggio mi rendesti, Moro pura ed onorata… Ti perdoni il ciel clemente, Col mio labbro, col mio cor. OROMBELLO Non morrai né ciel, né terra Soffrirà sì nero eccesso. A me stanco in tanta guerra, A me sia morir concesso. Mi offrirò col tuo perdono Lieto innanzi al mio signor. FILIPPO e GIUDICI (In quegli atti, in quegli accenti V ha poter ch io dir non posso, Cederesti ai lor lamenti, Ne saresti o cor commosso? No sottentri a vil pietade Inflessibile rigor). AGNESE e DAMIGELLE (Ah! sul cor, sul cor mi cade Quel compianto e quel dolor). FILIPPO Poi che il reo smentì se stesso, Fia sospesa la sentenza? ANICHINO Sciorgli entrambi è mio pensiero Fia giustizia la clemenza. FILIPPO Sciorgli? AGNESE Oh! gioja! GIUDICI No non puoi, Vuol la legge i dritti suoi. Nuovo esame infra i tormenti Denno in pria subir costor. AGNESE, ANICHINO e DAMIGELLE (Ella pure!). BEATRICE (O iniqui!). OROMBELLO Oh! mostri! Chi porrà su lei le mani? Tuoni pria sui capi vostri, Tuoni il cielo… GIUDICI Si allontani. BEATRICE （ai Giudici） Deh! un istante… （a Filippo） Un solo accento Non temer di udir lamento… Sol t avverto… Il ciel ti vede… O Filippo! hai tempo ancor. FILIPPO Va pei rei non v è mercede… Ti abbandono al suo rigor. BEATRICE （si volge ad Orombello e a lui si avvicina） Vieni, amico… insiem soffriamo A soffrir per poco abbiamo. Il destin per breve pena Ci riserba eterno onor. OROMBELLO Teco io sono. AGNESE (Io reggo appena). ANICHINO (Oh! pietà! si spezza il cor). TUTTI, FILIPPO e GIUDICI Ite entrambi, e poi che il vero rimorso non vi detta, supplizio che vi aspetta. Vi costringa, e strappi il vel. AGNESE e ANICHINO (Chi mi cela al mondo intero?). (O misfatto! ho in core un gel!). BEATRICE Ah! se in terra a tai tiranni È virtude abbandonata, D una vita sventurata È la morte men crudel. OROMBELLO e BEATRICE Di costanza armiamo il core Qui supplizii, onore in ciel. （Orombello e Beatrice partono fra le guardie da lati opposti. Il consiglio si scioglie） SCENA SESTA （Agnese e Filippo. Filippo rimane pensoso, e passeggia a lunghi passi. Agnese si avvicina ad esso tremante） No. 10 - Recitativo AGNESE Filippo! FILIPPO Tu! - Ti appressa… D uopo ho d udir tua voce. AGNESE Oh! al cor ti scenda Pietosa sì, che al perdonar lo pieghi. FILIPPO Sei tu che preghi, Agnese! E per chi preghi? Vieni ogni tema sgombra Il regal serto è tuo. AGNESE Serto! Ah! piuttosto Si aspetta a me de penitenti il velo. FILIPPO Agnese! AGNESE Innanzi al cielo, Innanzi al mondo, io rea mi sento… rea Della morte cui danni un innocente. FILIPPO Qual dubbi or volgi, strani dubbi, in mente? Io sol rispondo, io solo Di quel reo sangue - Omai t acqueta, e pensa Che ad altri tu non dei, fuor che all amore, Di Beatrice il soglio. Ritratti. AGNESE Ah! mio Signor!… FILIPPO （severamente） Ritratti… il voglio. （Agnese parte piangendo） SCENA SETTIMA （Filippo solo, indi Anichino, Dame, Cortigiani） No. 11 - Aria di Filippo e Coro FILIPPO Rimorso in lei?… Dove io non ho rimorso Altri lo avrà? - Dove alcun l abbia, il celi Il mostrarlo è accusarmi. Esser tranquillo, Sereno io voglio - E il sono io forse, e il posso! No da terror percosso Mi sento io pur, qual se vicino avessi Terribil larva, qual se udissi intorno Una minaccia rimbombar sul vento - M inganno?… o mi colpi flebil lamento! （Porge l orecchio） No, non m inganno… è dessa, Ch io non n oda la voce - Oh! chi s appressa! （All uscir di Anichino si ricompone） ANICHINO Filippo, la duchessa Non confessò… pur la condanna a morte Tutto il consiglio, e il nome tuo sol manca Alla mortal sentenza. （Filippo riceve la sentenza） FILIPPO Non confessò!! ANICHINO Costante è l innocenza. CORO È in vostra man, signore, Dell infelice il fato Ceda il rigor placato Al grido di pietà. FILIPPO No… si resista… Il decreto fatal si segni alfine… （Si appressa al tavolino per segnare la sentenza si arresta） Ah! non poss io mi si solleva il crine. Qui mi accolse oppresso, errante, Qui dié fine a mie sventure… Io preparo a lei la scure! Per amor supplizio io do! Ah! mai più d uman sembiante Sostener potrò l aspetto Ah! nel mondo maledetto, Condannato in ciel sarò. CORO (Ella è salva, se un istante Il rimorso udire ei può). FILIPPO Ella viva. （Per stracciare la sentenza） Qual fragore! Chi si appressa? - Ite - vedete. （I cortigiani escono frettolosi） DAMIGELLE Crudo inciampo! FILIPPO Ebben? CORO Signore, Alle mura provvedete. Di Facin le bande antiche Si palesano nemiche, Osan chieder la duchessa, E Binasco minacciar. FILIPPO Ed io, vil, gemea per essa! M accingeva a perdonar! Si eseguisca la sentenza. （Sottoscrive） CORO Ah! Signor pietà, clemenza. FILIPPO Non son io che la condanno È la sua, l altrui baldanza. Empia lei, non me tiranno Alla terra io mostrerò. (Cada alfine, e tronco il volo Sia così di sua fidanza. Un sol trono, un regno solo Vivi entrambi unir non può). CORO (Ah! per lei non v ha speranza. Il destin l abbandonò). （Partono） SCENA OTTAVA （Vestibolo terreno che mette alle prigioni del castello. Grand arco a cui si ascende per una gradinata e dà accesso a lungo corridoio esterno. Damigelle, e famigliari di Beatrice escono dalle prigioni. Sono tutti vestiti a lutto. - D ogni lato sentinelle） No. 12 - Finale Secondo CORO Prega. - Ah! non sia la misera Nel suo pregar turbata. Mai non salì di martire Prece al Signor più grata Né mai più puro spirito Ei contemplò dal cielo, Santo d amor, di zelo, Santo del suo soffrir. Oh! la costanza impavida Onde sfidò i tormenti, Data le sia negli ultimi Terribili momenti! E la virtù che tentano Macchiare i suoi tiranni, Provin gli estremi affanni, Suggelli un pio morir! SCENA NONA （Beatrice esce dalla prigione umilmente vestita, e coi capelli sugli omeri passeggia lentamente e a fatica. Tutti la circondano inteneriti e in silenzio） BEATRICE Nulla diss io… Di sovrumana forza Mi armava il cielo… Io nulla dissi, oh, giòja! Trionfai del dolor. - Perché piangete! Né con me v allegrate? Io moro, o amici! Ma gloriosa, ma di mia virtute Nel manto avvolta. Non così gl iniqui, Che calpestata e afflitta han l innocenza!… Dell iniqua sentenza L universo gli accusi. CORO Ah! sì. BEATRICE Mia morte Filippo infami, e il sangue mio versato Piombi sul traditor, qualunque ei sia, Che dell indegno complice si rese. Dio lo punisca… colla vita. SCENA DECIMA （Agnese dall alto ode le parole di Beatrice, getta un grido e scende rapidamente） AGNESE Ah! TUTTI Agnese! AGNESE Pietà… la mia condanna Non proferir… a piedi tuoi mi lascia Morir d angoscia e di rimorso. BEATRICE Oh! Agnese! Rimorso in te! AGNESE Rimorso eterno. A morte Ti spingo io sola… Io d Orombello ardea. BEATRICE Oh! che dì tu? AGNESE Credea Te la mia rivale… e violai tue stanze, Furai tuoi scritti… e il sangue tuo comprai Coll onor mio… BEATRICE Perfida!… cessa… fuggi Ch io non ti vegga… ch io non sia costretta In quest ora funesta Col cor morente a maledir… AGNESE Oh! arresta… （Odesi dalle torri un flebile suono. Beatrice si scuote） BEATRICE Qual suon! CORO e ANICHINO Un altra vittima L ultimo canto intuona. OROMBELLO （dalle torri） Angiol di pace all anima La voce tua mi suona. Segui, o pietoso, e inspirami Virtù di perdonar… AGNESE Egli… perdona!… （Beatrice vivamente commossa si ap pressa ad Agnese. Segue il canto di Orombello） BEATRICE Con quel perdono, o misera, Ricevi il mio perdono. Salga con queste lagrime A un Dio di pace e amor. AGNESE Ah! la virtù di vivere Da te ricevo in dono… Vivrò, vivrò per piangere Finché si spezzi il cor. ANICHINO e CORO Salga quel pianto al trono D un Dio di pace e amor. （Odesi marcia funebre） BEATRICE Chi giunge? AGNESE Oimè! BEATRICE Lo veggio… Il funebre corteggio… SCENA ULTIMA （Rizzardo con Alabardieri e Uffiziali si presenta sulla gradinata） AGNESE, ANICHINO, CORI E più speme non v è! BEATRICE La mia costanza Non mi togliete. Anche una stilla, e poi Fia vuotato del tutto e inaridito Questo calice amaro. TUTTI E Iddio ritrarlo Dal labbro tuo non può! BEATRICE Mi dié coraggio Per consumarlo Iddio. （Rizzardo s innoltra cogli alabardieri） Eccomi pronta… AGNESE Io più non reggo （sviene） BEATRICE Addio Deh! se un urna è a me concessa Senza un fior non la lasciate, E sovr essa il ciel pregate Per Filippo, e non per me. （Si avvicina ad Agnese svenuta） Raccontate a questa oppressa Che morendo io l abbracciai Che all Eterno il core alzai A implorar per lei mercé. ANICHINO e CORO Oh! infelice! Oh a qual serbate Fur le genti orrendo esempio! Tristo il suolo in cui lo scempio Di tal donna, o Dio, si fe ! BEATRICE Per chi resta il ciel pregate, Per chi resta, e non per me. BEATRICE （ai soldati） Io vi seguo. CORI Deh! un amplesso… Un amplesso concedete… BEATRICE Io vi abbraccio… non piangete… CORI Chi non piange non ha cor. BEATRICE Ah! la morte a cui m appresso È trionfo, e non è pena. Qual chi fugge a sua catena, Lascio in terra il mio dolor. È del Giusto al sommo seggio Ch io già miro e già vagheggio, Della vita a cui m involo Porto solo - il vostro amor. （Beatrice si allontana fra le guardie, si volge dall alto e pronunzia l ultimo Addio.Tutti gli astanti s inginocchiano） CORI Il suo spirto, o ciel, ricevi, E perdona all uccisor. （Cala il sipario） ATTO SECONDO SCENA PRIMA Sala nel castello di Binasco preparata per tener tribunale. Guardie alle porte. Damigelle di Beatrice e Cortigiani No. 7 - Coro d Introduzione DAMIGELLE Lassa! E può il ciel permettere Questo giudizio infame? CORO Ella non può sottrarsene Già cominciò l esame. Possa dinanzi ai giudici Darvi fedele amore Forza e virtù maggiore Che ad Orombel non diè! DAMIGELLE Come! L incauto, il debole Forse al timor cedè? CORO Dal tenebroso carcere, Ove rinchiuso ei venne, Al tribunal terribile Fermo si presentò. Quivi minacce e insidie Intrepido sostenne; Quivi martiri e spasimi, Quanti potea, sfidò. DAMIGELLE Ahi! sventurato! ahi misero! Né i barbari placò! CORO Tratto tre volte in aere, Tre volte in giù sospinto, Sol con profondi gemiti Prima il suo duol mostrò. Quindi spossato e livido, D atro pallor dipinto, China la fronte e mutolo, Esanime sembrò. DAMIGELLE Ahi ferrei cori! Ahi barbari! Tanto il meschin penò? CORO Ma poi che gli occhi languidi Ebbe dischiusi appena… Quando il feroce strazio Anco apprestar mirò… Più non potendo reggere All insoffribil pena Sé confessò colpevole, Complice lei gridò. DAMIGELLE Ahi! sventurata! ahi misera! Niuno salvar la può. Si allontanano SCENA SECONDA Filippo, Anichino, soldati FILIPPO Omai del suo destino arbitra solo Esser deve la legge. ANICHINO E qual v ha legge Che a voi non ceda? - Oh! ve ne prego, o Duca, Per l util vostro. A voi funesto io temo Questo giudizio già ne corse il grido Per le vicine terre, e il popol freme, E lei compiange. FILIPPO Né Filippo il teme. Fino al novello dì sian di Binasco ai soldati Chiuse le porte, né venir vi possa, Né uscirne alcuno. - Allor che il popol veda Quest idol suo di tanto error convinto, Dirà giustizia quel che forza or dice. ANICHINO E chi di Beatrice Retto giudice fia dove l accusa Filippo intenti? FILIPPO Or basta… Omai pon modo al tuo soverchio zelo. Il Consiglio s aduna. ANICHINO (Oh! istante! io gelo. SCENA TERZA Escono i Giudici, e si vanno a collocare ai loro posti. Rizzardo presiede al consiglio. Filippo siede in un seggio elevato. La scena si empie di dame e di cavalieri in mezzo alle dame vedesi Agnese No. 9 - Scena, Coro e Quintetto ANICHINO (O troppo a mie preghiere Sordo Orombello! Fu presago jeri Il mio timor). Va a sedersi anch esso AGNESE (Di mia vendetta è giunta L ora bramata… eppur non sono io lieta, Qual mi sgomenta il cor voce segreta!). SCENA QUARTA Beatrice fra le guardie, e detti GIUDICE Di grave accusa il peso Pende sul capo vostro - A noi d innanzi Vi possiate scolpar! BEATRICE E chi vi diede Di giudicarmi il dritto? Ovunque io volga Gli occhi sorpresi, altro non veggio intorno Che miei vassalli. FILIPPO E il tuo sovran non vedi? Il tradito tuo sposo? BEATRICE Io veggo un empio Che i beneficii miei paga d infamia, L amor mio di vergogna. FILIPPO Amor tu dici Tramar co miei nemici, Ribellarmi i vassalli e far mia corte Campo di tresche oscene Con citaredi, quanto abbietti, audaci, Chiami Filippo amar? BEATRICE Taci, deh! taci. Ferma udir posso ogni altra Accusa tua… ma il cor si scote e freme A sì vil taccia. Oh! non voler, Filippo, De Lascari la figlia, e d un eroe La vedova avvilir. GIUDICE Il reo t accusa Complice tuo. - Venga Orombello. BEATRICE (Oh cielo! La mia virtù sostieni). GIUDICE Eccolo. SCENA QUINTA Orombello fra le guardie, e detti AGNESE (Oh! come Lo ridusse infelice il furor mio!). OROMBELLO A quai nuovi martir tratto son io! GIUDICE Ti rinfranca a noi t appressa. Parla e il ver conferma a lei. Orombello appoggiato sulle guardie s innoltra lentamente BEATRICE Orombello! OROMBELLO (Oh! voce! è dessa… E morire io non potei!). BEATRICE Orombello!! – Oh sciagurato! Dal mentir che hai tu sperato? Viver forse? ah! dove io moro Vita speri da costoro? Tu morrai con me morrai, Ma qual reo, qual traditor. OROMBELLO Cessa, cessa. - Ah tu non sai… Di me stesso io son l orror. Io soffrii… soffrii tortura Cui pensiero non comprende… Non poté la fral natura Sopportar le pene orrende… La mia mente vaneggiava… Il dolor, non io, parlava… Ma qui, teco, al mondo in faccia, Or che morte ne minaccia, Innocente io ti proclamo, Grido perfidi costor. BEATRICE Grazie, o cielo! AGNESE (Oh! mio rimorso!). ANICHINO (L odi o Duca?). FILIPPO (L odo e fremo). GIUDICE Troppo omai tu sei trascorso Bada e trema. OROMBELLO Io più non tremo. Sol ch io mora perdonato Da quest angelo d amor! FILIPPO e GIUDICE V han supplizii, o forsennato, A strapparti il vero ancor. Orombello si strascina verso Beatrice essa gli va incontro e lo regge BEATRICE Al tuo fallo ammenda festi Generosa, inaspettata. Il coraggio mi rendesti, Moro pura ed onorata… Ti perdoni il ciel clemente, Col mio labbro, col mio cor. OROMBELLO Non morrai né ciel, né terra Soffrirà sì nero eccesso. A me stanco in tanta guerra, A me sia morir concesso. Mi offrirò col tuo perdono Lieto innanzi al mio signor. FILIPPO e GIUDICI (In quegli atti, in quegli accenti V ha poter ch io dir non posso, Cederesti ai lor lamenti, Ne saresti o cor commosso? No sottentri a vil pietade Inflessibile rigor). AGNESE e DAMIGELLE (Ah! sul cor, sul cor mi cade Quel compianto e quel dolor). FILIPPO Poi che il reo smentì se stesso, Fia sospesa la sentenza? ANICHINO Sciorgli entrambi è mio pensiero Fia giustizia la clemenza. FILIPPO Sciorgli? AGNESE Oh! gioja! GIUDICI No non puoi, Vuol la legge i dritti suoi. Nuovo esame infra i tormenti Denno in pria subir costor. AGNESE, ANICHINO e DAMIGELLE (Ella pure!). BEATRICE (O iniqui!). OROMBELLO Oh! mostri! Chi porrà su lei le mani? Tuoni pria sui capi vostri, Tuoni il cielo… GIUDICI Si allontani. BEATRICE ai Giudici Deh! un istante… a Filippo Un solo accento Non temer di udir lamento… Sol t avverto… Il ciel ti vede… O Filippo! hai tempo ancor. FILIPPO Va pei rei non v è mercede… Ti abbandono al suo rigor. BEATRICE si volge ad Orombello e a lui si avvicina Vieni, amico… insiem soffriamo A soffrir per poco abbiamo. Il destin per breve pena Ci riserba eterno onor. OROMBELLO Teco io sono. AGNESE (Io reggo appena). ANICHINO (Oh! pietà! si spezza il cor). TUTTI, FILIPPO e GIUDICI Ite entrambi, e poi che il vero rimorso non vi detta, supplizio che vi aspetta. Vi costringa, e strappi il vel. AGNESE e ANICHINO (Chi mi cela al mondo intero?). (O misfatto! ho in core un gel!). BEATRICE Ah! se in terra a tai tiranni È virtude abbandonata, D una vita sventurata È la morte men crudel. OROMBELLO e BEATRICE Di costanza armiamo il core Qui supplizii, onore in ciel. Orombello e Beatrice partono fra le guardie da lati opposti. Il consiglio si scioglie SCENA SESTA Agnese e Filippo. Filippo rimane pensoso, e passeggia a lunghi passi. Agnese si avvicina ad esso tremante No. 10 - Recitativo AGNESE Filippo! FILIPPO Tu! - Ti appressa… D uopo ho d udir tua voce. AGNESE Oh! al cor ti scenda Pietosa sì, che al perdonar lo pieghi. FILIPPO Sei tu che preghi, Agnese! E per chi preghi? Vieni ogni tema sgombra Il regal serto è tuo. AGNESE Serto! Ah! piuttosto Si aspetta a me de penitenti il velo. FILIPPO Agnese! AGNESE Innanzi al cielo, Innanzi al mondo, io rea mi sento… rea Della morte cui danni un innocente. FILIPPO Qual dubbi or volgi, strani dubbi, in mente? Io sol rispondo, io solo Di quel reo sangue - Omai t acqueta, e pensa Che ad altri tu non dei, fuor che all amore, Di Beatrice il soglio. Ritratti. AGNESE Ah! mio Signor!… FILIPPO severamente Ritratti… il voglio. Agnese parte piangendo SCENA SETTIMA Filippo solo, indi Anichino, Dame, Cortigiani No. 11 - Aria di Filippo e Coro FILIPPO Rimorso in lei?… Dove io non ho rimorso Altri lo avrà? - Dove alcun l abbia, il celi Il mostrarlo è accusarmi. Esser tranquillo, Sereno io voglio - E il sono io forse, e il posso! No da terror percosso Mi sento io pur, qual se vicino avessi Terribil larva, qual se udissi intorno Una minaccia rimbombar sul vento - M inganno?… o mi colpi flebil lamento! Porge l orecchio No, non m inganno… è dessa, Ch io non n oda la voce - Oh! chi s appressa! All uscir di Anichino si ricompone ANICHINO Filippo, la duchessa Non confessò… pur la condanna a morte Tutto il consiglio, e il nome tuo sol manca Alla mortal sentenza. Filippo riceve la sentenza FILIPPO Non confessò!! ANICHINO Costante è l innocenza. CORO È in vostra man, signore, Dell infelice il fato Ceda il rigor placato Al grido di pietà. FILIPPO No… si resista… Il decreto fatal si segni alfine… Si appressa al tavolino per segnare la sentenza si arresta Ah! non poss io mi si solleva il crine. Qui mi accolse oppresso, errante, Qui dié fine a mie sventure… Io preparo a lei la scure! Per amor supplizio io do! Ah! mai più d uman sembiante Sostener potrò l aspetto Ah! nel mondo maledetto, Condannato in ciel sarò. CORO (Ella è salva, se un istante Il rimorso udire ei può). FILIPPO Ella viva. Per stracciare la sentenza Qual fragore! Chi si appressa? - Ite - vedete. I cortigiani escono frettolosi DAMIGELLE Crudo inciampo! FILIPPO Ebben? CORO Signore, Alle mura provvedete. Di Facin le bande antiche Si palesano nemiche, Osan chieder la duchessa, E Binasco minacciar. FILIPPO Ed io, vil, gemea per essa! M accingeva a perdonar! Si eseguisca la sentenza. Sottoscrive CORO Ah! Signor pietà, clemenza. FILIPPO Non son io che la condanno È la sua, l altrui baldanza. Empia lei, non me tiranno Alla terra io mostrerò. (Cada alfine, e tronco il volo Sia così di sua fidanza. Un sol trono, un regno solo Vivi entrambi unir non può). CORO (Ah! per lei non v ha speranza. Il destin l abbandonò). Partono SCENA OTTAVA Vestibolo terreno che mette alle prigioni del castello. Grand arco a cui si ascende per una gradinata e dà accesso a lungo corridoio esterno. Damigelle, e famigliari di Beatrice escono dalle prigioni. Sono tutti vestiti a lutto. - D ogni lato sentinelle No. 12 - Finale Secondo CORO Prega. - Ah! non sia la misera Nel suo pregar turbata. Mai non salì di martire Prece al Signor più grata Né mai più puro spirito Ei contemplò dal cielo, Santo d amor, di zelo, Santo del suo soffrir. Oh! la costanza impavida Onde sfidò i tormenti, Data le sia negli ultimi Terribili momenti! E la virtù che tentano Macchiare i suoi tiranni, Provin gli estremi affanni, Suggelli un pio morir! SCENA NONA Beatrice esce dalla prigione umilmente vestita, e coi capelli sugli omeri passeggia lentamente e a fatica. Tutti la circondano inteneriti e in silenzio BEATRICE Nulla diss io… Di sovrumana forza Mi armava il cielo… Io nulla dissi, oh, giòja! Trionfai del dolor. - Perché piangete! Né con me v allegrate? Io moro, o amici! Ma gloriosa, ma di mia virtute Nel manto avvolta. Non così gl iniqui, Che calpestata e afflitta han l innocenza!… Dell iniqua sentenza L universo gli accusi. CORO Ah! sì. BEATRICE Mia morte Filippo infami, e il sangue mio versato Piombi sul traditor, qualunque ei sia, Che dell indegno complice si rese. Dio lo punisca… colla vita. SCENA DECIMA Agnese dall alto ode le parole di Beatrice, getta un grido e scende rapidamente AGNESE Ah! TUTTI Agnese! AGNESE Pietà… la mia condanna Non proferir… a piedi tuoi mi lascia Morir d angoscia e di rimorso. BEATRICE Oh! Agnese! Rimorso in te! AGNESE Rimorso eterno. A morte Ti spingo io sola… Io d Orombello ardea. BEATRICE Oh! che dì tu? AGNESE Credea Te la mia rivale… e violai tue stanze, Furai tuoi scritti… e il sangue tuo comprai Coll onor mio… BEATRICE Perfida!… cessa… fuggi Ch io non ti vegga… ch io non sia costretta In quest ora funesta Col cor morente a maledir… AGNESE Oh! arresta… Odesi dalle torri un flebile suono. Beatrice si scuote BEATRICE Qual suon! CORO e ANICHINO Un altra vittima L ultimo canto intuona. OROMBELLO dalle torri Angiol di pace all anima La voce tua mi suona. Segui, o pietoso, e inspirami Virtù di perdonar… AGNESE Egli… perdona!… Beatrice vivamente commossa si ap pressa ad Agnese. Segue il canto di Orombello BEATRICE Con quel perdono, o misera, Ricevi il mio perdono. Salga con queste lagrime A un Dio di pace e amor. AGNESE Ah! la virtù di vivere Da te ricevo in dono… Vivrò, vivrò per piangere Finché si spezzi il cor. ANICHINO e CORO Salga quel pianto al trono D un Dio di pace e amor. Odesi marcia funebre BEATRICE Chi giunge? AGNESE Oimè! BEATRICE Lo veggio… Il funebre corteggio… SCENA ULTIMA Rizzardo con Alabardieri e Uffiziali si presenta sulla gradinata AGNESE, ANICHINO, CORI E più speme non v è! BEATRICE La mia costanza Non mi togliete. Anche una stilla, e poi Fia vuotato del tutto e inaridito Questo calice amaro. TUTTI E Iddio ritrarlo Dal labbro tuo non può! BEATRICE Mi dié coraggio Per consumarlo Iddio. Rizzardo s innoltra cogli alabardieri Eccomi pronta… AGNESE Io più non reggo sviene BEATRICE Addio Deh! se un urna è a me concessa Senza un fior non la lasciate, E sovr essa il ciel pregate Per Filippo, e non per me. Si avvicina ad Agnese svenuta Raccontate a questa oppressa Che morendo io l abbracciai Che all Eterno il core alzai A implorar per lei mercé. ANICHINO e CORO Oh! infelice! Oh a qual serbate Fur le genti orrendo esempio! Tristo il suolo in cui lo scempio Di tal donna, o Dio, si fe ! BEATRICE Per chi resta il ciel pregate, Per chi resta, e non per me. BEATRICE ai soldati Io vi seguo. CORI Deh! un amplesso… Un amplesso concedete… BEATRICE Io vi abbraccio… non piangete… CORI Chi non piange non ha cor. BEATRICE Ah! la morte a cui m appresso È trionfo, e non è pena. Qual chi fugge a sua catena, Lascio in terra il mio dolor. È del Giusto al sommo seggio Ch io già miro e già vagheggio, Della vita a cui m involo Porto solo - il vostro amor. Beatrice si allontana fra le guardie, si volge dall alto e pronunzia l ultimo Addio.Tutti gli astanti s inginocchiano CORI Il suo spirto, o ciel, ricevi, E perdona all uccisor. Cala il sipario Bellini,Vincenzo/Beatrice di Tenda
https://w.atwiki.jp/fallout_jp/pages/727.html
# (822) Vance, the drug dealer in the Hub {1099}{}{?} {1199}{}{} #{100}{}{You see Vance.} {100}{}{ Vance だ} #{101}{}{What can I do for you?} #{102}{}{I buY stufF.} #{103}{}{Who are you?} #{104}{}{What goes on in this building?} #{105}{}{I ve heard you ve got what I need. Can I score some?} #{106}{}{Nevermind. Bye.} {101}{}{ いらっしゃい。} {102}{}{ かイものスる} {103}{}{ あなたは？} {104}{}{ この建物で何が行われているんだ？} {105}{}{ ここで扱ってると聞いたんだが。ちょっとブツを分けてもらえない か？} {106}{}{ 何でもない。それじゃ。} #{107}{}{The name s Vance, and that s all you need to know. Can I get you anything?} #{108}{}{How should I know, if you don t tell me what you re selling?} #{109}{}{Good to meet you Vance. What do you have to sell?} #{110}{}{Empty} #{111}{}{Nevermind. Bye.} {107}{}{ 名はVance。それさえ知っておけば十分だ。何か欲しいものは？} {108}{}{ そんなこと言われても。せめて何を売ってるか教えてくれないか？} {109}{}{ よろしくVance。何を売っているんだ？} {110}{}{ 空白} {111}{}{ 何でもない。それじゃあ。} #{112}{}{If you don t already know, you shouldn t be here. Now leave.} #{113}{}{I GO WHEREVER I DAMN WELL PLEASE! GO TO HELL!} #{114}{}{OK. I ll leave.} {112}{}{ 知らないんなら客じゃない。帰ってくれ。} {113}{}{ 気分次第でどこにだって邪魔するんだよ！死ねや！} {114}{}{ 分かった。帰るよ。} #{115}{}{Nevermind is right! Now get out of here!} #{116}{}{Make me... if you can, freak!} #{117}{}{OK OK... I m leavin .} {115}{}{ 何でもないときたか！では出て行ってもらおう！} {116}{}{ 追い出してみろよ・・・やれるんならな！気違い風情が。} {117}{}{ 分かった分かった・・・出て行くよ。} #{118}{}{You seem OK. Here s what I ve got.} {118}{}{ 問題なさそうだな。売り物を見ていけ。} #{119}{}{ Barter } {119}{}{ 取引 } #{120}{}{What can I do for you?} #{121}{}{want morE.} #{122}{}{I would like to buy some more stuff.} #{123}{}{I don t like your kind.} #{124}{}{Who are your friends over there?} #{125}{}{Who are your firends in the back room?} #{126}{}{Just hangin out.} {120}{}{ いらっしゃい。} {121}{}{ もっトホしー} {122}{}{ また買い物がしたい。} {123}{}{ お前のような奴は気に食わん。} {124}{}{ あそこにいるあんたのツレは何て名前だ？} {125}{}{ 奥にいるあんたのツレは何て名前だ？} {126}{}{ ぶらぶらしてるだけだ。} #{127}{}{Sorry to hear that. Now leave.} #{128}{}{NO!} #{129}{}{I m leaving.} {127}{}{ それは残念。帰ってくれ。} {128}{}{ 断る！} {129}{}{ またな。} #{130}{}{That s Justin and Chad. They re here to make sure nobody causes any trouble.} #{131}{}{They look like a couple of pansies.} #{132}{}{Nice to meet you guys.} #{133}{}{I m just going to hang out for a while, if it s all right with you guys.} {130}{}{ ＪｕｓｔｉｎとＣｈａｄだ。つまらんいざこざが起きないようここで 眼を光らせている。} {131}{}{ ２人ともホモっぽいな。} {132}{}{ みんなよろしく。} {133}{}{ しばらくブラブラさせてもらうかな。そちらが構わないならだが。} #{134}{}{Just some friends of mine. That s all you need to know. Don t ask too many questions.} #{135}{}{Very well. What do you have to sell?} #{136}{}{I know what you re doing here and I don t like it.} #{137}{}{I m just going to hang out for a while, if it s all right with you guys.} {134}{}{ ただのダチだ。それだけ知っておけば十分。 何でも聞こうとする な。} {135}{}{ そりゃどうも。何を売っているんだ？} {136}{}{ お前らがここで何をやっているかは承知している。気に入らんな。} {137}{}{ しばらくブラブラさせてもらうかな。そちらが構わないならだが。} #{138}{}{Let s get down to business.} #{139}{}{OK, whadda you got?} #{140}{}{I think I ll just hang out for a while.} {138}{}{ ビジネスの話をしようか。} {139}{}{ よし。何がある？} {140}{}{ しばらくブラブラさせてもらおうかな。} #{141}{}{You re not welcome here. Now get outta here!} #{142}{}{I m going to send you to Hell where your kind belongs.} #{143}{}{Sorry. Excuse me.} #{144}{}{Hey, calm down. We just had a misunderstanding. Let s talk.} {141}{}{ 一体何の用で来た。さっさと出て行け！} {142}{}{ お前らがいるべき場所に送り届けてやる――地獄にな。} {143}{}{ おっと、失礼。} {144}{}{ おいおい、落ち着けよ。単なる誤解だ。話し合おう。} #{145}{}{I don t want any trouble, so I think it would be best if you leave before # I do something you ll regret.} #{146}{}{noooooooo!} #{147}{}{OhhKaay. I go.} #{148}{}{I don t care what you think.} #{149}{}{Nevermind. Bye.} {145}{}{ トラブルはお断りだ。自分の身が大事なら帰った方がいい。でないと 後悔する破目になるぞ。} {146}{}{ いやぁぁぁぁぁ！} {147}{}{ わーかーーた。かえる} {148}{}{ お前の考えなどどうでもいい。} {149}{}{ それは失礼。それじゃ。} #{150}{}{Don t use it all in one place.} #{151}{}{Thanks.} #{152}{}{Ug.} {150}{}{ 一度に全部使うなよ。} {151}{}{ ありがとう。} {152}{}{ うっ}
https://w.atwiki.jp/tljtrans/pages/199.html
He doesn t know a lot about women, does he? Yes. Yes, you re right. I m so stupid! What should I do? Oh, but who am I kidding? Why would she want to go to the museum again? Ah, I really blew it. I m going home. Women love it when guys are impulsive and romantic. Take her to dinner, sweep her off her feet. Surprise Yuriko does love surprises, and we haven t really gone out on a date in so long. Wait, that s her! That s Yuriko! She s here! Yuriko! Yuriko, over here! I m sorry I m late, Kenji. There was a technical problem with the train. I tried to call, but the Static― Don t worry about it, Yuriko. You re here now. It s nothing bad. I just want to talk. I ve been very distant lately, and I want to make up for it. I know you understand, but it s not just about work. I haven t been there for you as much as I ve wanted to. You had a date with your boyfriend to visit the museum? How― How did you know? He was here waiting for you, but he left a little while ago. He did? Was he upset? Did he say anything? No, he didn t really say anything. He just left. I don t know if he was angry or not. Not much There s no point getting into what he was saying He seemed to believe you weren t going to show up, and that it was all his fault. His fault I ll just tell her what he told me Delayed She probably has a good reason for being late It s not anyone s fault that you were delayed. There s a security scanner on this thing. It won t let me through. You re late. Late I feel really bad about being late...again It won t happen again. I doubt that. You lack commitment, Zoë. You re my most talented student, but talent isn t everything. So I m a few minutes late now and again. What s the big deal? I m not that late It s not about minutes and seconds, Zoë. It s about passion and commitment. You are my most talented student, but talent isn t everything. You don t take our work seriously anymore. Everything you do should matter, Zoë. If not...don t do it. You don t take our work seriously anymore. You re wasting both your time and mine. If you lack passion for what you do, it s not worth doing. But let s leave it at that and get started on today s lesson. I know I m late sometimes. I m sorry. I don t want to waste your time. She s right, I m often late It s not just my time you re wasting, but also your own time. If your heart s not in it, Zoë, why bother? You re very talented, but talent matters little if you lack passion and commitment. What s a few minutes now and again? I mean― Why is she criticising me when I m here on time? The minutes and seconds are not important. But the fact that you seem to not care anymore...that is important. You are my most talented student, Zoë, but your heart s not in it anymore. You lack passion and commitment. I d like to practice some more. I want to go another round with Jama Good. Find your position. I m sorry, it s nothing. Cable car. I suppose that s the only way to get across the canyon. I m not sure what that is. Ticket . Oh, okay, it s for getting into the cable car and across the canyon to the museum. Great. That makes sense. Buy after The subway. It connects with the main Vactrax terminal just south of the city. I m not going back. Not until I ve found Reza. It won t accept it. Try ticket stub That s not going to work. The pieces keep falling apart. Try broken ticket My train was so late. I tried to call him, but there was only static... I thought he d wait for me, but maybe he got fed up. Oh, no! I tried to get here in time, but my train was held up. I even tried to call, but there was only static. Maybe you should try calling him again? Call Why isn t she calling him now? I don t know, it s really none of my business. Why should I get involved? I― I m sorry, I didn t mean to bother you. You re right, but he s been going through a lot at work lately. It s really affected his confidence, and I haven t been supportive enough. You tried your best to get here on time. Don t blame yourself. Blame him for leaving. Tried She tried to be here on time, didn t she? I...I guess you re right. There s not much I can do about it now. I think I ll just go home. You re right. I just hope he will talk to me. You tried to call. He should have waited for you. Waited He should have waited for her I m over an hour late. He s probably so angry with me. I m going home. If you tell him why you were so late, I m sure he won t be upset. She should just explain to him why she was late Guys are easy. All you need to do is lay a guilt-trip on him, and he ll be eating out of your hand in no time. Guilt She should just make him feel guilty, that always works Kenji s not like that. He ll feel rejected, and he might not even take my call. Maybe he ll talk to me in a week or two. I ll just have to hope for the best. I guess the only thing I can do now is go home...and wait. I hope so. Thank you so much for the advice. I don t really have any way of showing my gratitude, but maybe you would like my ticket to the museum? I won t need it now. That would be great. I ve been trying to get one, but the machine s out of order and the ticket office is closed. What a happy coincidence! Here you go...and thanks again. Yeah, hi, um...I need a ticket to the museum, and I was thinking...? ...that I would give you my ticket, since my boyfriend already left? Exactly. That s exactly what she should do Well, I was thinking I might go by myself, so I don t know... Not give, but maybe you could sell it to me? I d feel bad about taking the ticket without giving her anything in return You don t need to pay me. I m going home. You can have my ticket for free. Yes! Um. I mean, thanks. I hope everything works out for you guys. I really need it. The ticket office is closed, and the machine s out of order. You re my last and only hope. If that s the case... Well, there s no point in me going alone anyway. I ll just be crying the whole time. Here, take it. Olivia? Yeah, sweetie, it s me. Are you― What? You re breaking up, Liv. ―still working― I didn t get all of that, Liv, but call me when you have a name, okay? (Beat) Hello? Yes, sweetie? Thank you. I really appreciate the help. Very well. I will see you tomorrow. And don t be late. Do you have a minute? I d like to chat with Jama for a bit What is it, Zoë? You ve never really told me about your past, Jama. What did you do before coming to Casablanca? Jama never talks about herself Why do you ask? I don t mean to intrude, but I ve been training with you for six years, and I still know so little about you. You re not intruding, Zoë. It s a fair question. I am, after all, your instructor. Before the Collapse, I worked in corporate security in Shanghai. Basic protective duty for Dragon Motors. Why did you quit? It definitely sounds like something you d be good at. I was one of the best. But I did things I wasn t too proud of, and I saw things I couldn t stomach. I had to get out before... Before what? The corporate world operates by its own laws, Zoë. The EYE doesn t serve the people, and the Yuan rules. I was just following orders. I m sorry. I m not comfortable talking about this. Unlike some of my colleagues, I got out before the work got the better of me. How long have you owned this gym, Jama? When did Jama open her gym? You ought to know the answer to that question, Zoë. After all, you were one of my earliest students. Right. I was fourteen when I started here, so...six years ago, was it? Do you still think I lack passion? I d like to know Jama s honest opinion of me You are extremely talented, Zoë. Amongst the best I ve ever trained. But, like I told you before, your heart s not in it. You can t get by on talent alone. If you have no passion for martial arts, you won t be able to improve beyond your current level. You have to decide what you want and how much you want it. Maybe this isn t for you? As it is, you re just wasting your talent. And my time. I have to get going. Thank you, Jama. I ll see you tomorrow, Zoë. Don t be late. I don t know Jawhar very well, but I ve met him a few times. He s a, uh, a guy. Jawhar...something or other. I don t know his last name. You can still get organic vegetables in this market. Hey, so do you have a name for me? The line s even worse than before, Liv. I can barely hear you. Atta girl. So the person you need to get in touch with is one Damien Cavanaugh. With a C . And an A-U-G-H ...and an A-V-A-N in the middle. I remember Reza talking to Rio on the phone when I last saw him. So Damien Cavanaugh s the source. How do I find him? He s a resident of Wati City, but he s not currently on the Wire. I believe WATIcorp s shielded. Mobiles won t work inside the main campus. Hey, there s a free sticker inside. I m not buying any more. I don t even like gum. Hello, there. Riko Oh! Hello, miss. She looks really sad. She doesn t look very happy. Are you okay, Riko? You don t look very happy. Hmm? Oh! Well, my big brother Ren was supposed to look after me while grandmother and my little brother Hiro went to the museum. Give ticket Oh! Hello, miss Zoë-san! I really wish there was something I could do to help her. Feel sorry for I can t give her my ticket. I need it more than she does. Can t help Hi Riko. Riko? Yes? Oh! Hello, miss Zoë-san. I hope she finds her grandmother. Given ticket I already gave her a ticket. She doesn t need two. Give repaired ticket Homeless Boy Homeless Woman Come. Please be quiet. We are resting. He s one of the Dark People. Actually, I don t think they see themselves as individuals, which would make him all of the Dark People. Or, uh... Welcome to our city. The White of the Kin is expecting you. The White Dragon Sister? Crow? Is that really you? Crow arrives Hi. I m Zoë. They weren t kidding when they said they ve collected everything ever written. They re from all over Arcadia, in every kind of language. There must be hundreds of thousands, maybe millions, of books down there. The white of the Kin. I haven t seen her in, what, ten years? That must be the woman they call the White Dragon. I can definitely see white, but not so much the dragon. Dark Person Liv s closed up the store. I might be able to use this broomstick to block the door! Near We ve got a service that takes care of the house and the laundry, but they only stop by once a week. I m running out of clean clothes. I d forgotten all about your winning personality. Thanks anyway. You try standing here, see how you like it. What in the name of the Mo-Jaal do you want? I thought I d stop by to say hello. Coming back Keep walking. Just keep walking. Um... I m glad I don t have to share a bathroom with Dad. He s...messy. My favourite place in the world. I take the longest showers. I mean, what else is there to do? There s a walkway over to the other side of the canyon, but it s blocked by these turnstiles. I can t decide what to get. Everything s so good here. Maybe a brownie? Talk to at coffee shop No time for chit-chat. I have things to do, places to see, people to kill― I mean meet! Talk to walking How you doin ? I can t believe they re using the Static as an excuse to raise prices on vegetables. They re already too expensive. After this whole Static thing started happening, I haven t left the city. It s just too dangerous. Who knows, we might be facing another Collapse. I like this neighbourhood more than the rest of Casablanca. It s cleaner and quieter, and people aren t as stressed. Hey, what s up? Greet I m really curious about this Project Alchera thing that WATIcorp is working on. No one knows what it is, but I m sure it ll be absolutely fantastic. Hey, Zoë, what s going on? Nothing much, huh? That s cool. That s cool. Jama s going to be upset with you for being late. She s not in the best mood today. If late Before the Collapse, I had my own business. Now I have nothing, not even a place to sleep. Hello! Lady! Come, please! Calls to Zoë You! Come buy! Best store in Venice! Cheap! Top quality! Made in China! You d better get out of here before anybody sees you, lady. You look like you have money. This is no place for pretty, rich girls. You better get outta here before the Shakespeareans spot you. Every day since the Collapse has been a struggle. Why do I keep going? I mean, what s the point? My God, that s...Reza s lighter. What are you doing here? You cannot be here! 何をしている？ 立ち去れ！ Unwelcome visitor You... You again You can t stop. You must save her! Saved It looks almost like a doll s house. A very big, and very black, doll s house. Where. The hell. Am I. PLACEHOLDER Hooded man speaks in a foreign tongue, almost like chanting. By the Balance... What is this place? In the name of the Goddess and the Six, you will lay down your arms and submit to our swords! Spare us the theatrics, publican. We know that you shelter rebels. Rebels? Of course not. This is a peaceful and law-abiding establish― If that is the case, you will receive an official apology and recompense from the Office of the Emissary. The Azadi are strict, but fair. That s all I have to say about that. This area used to be crawling with magicals. It s much quieter and cleaner now, after the Azadi moved them to the ghetto. I have to go to school, but I don t like it there. I want to become a soldier! Business has really picked up after the Azadi blessed us with their fabulous technology! In fact, I m opening up a new shop soon! Why are you talking to me? I don t know you. You re not City Watch, are you? I ve never broken the law. Blessed be the Six. I want to be a soldier when I grow up, with a uniform and everything. Wow, what kind of sword is that? Are you a general in the army? Can I sign up? This area used to be crawling with magicals. It is quieter now, after the Azadi moved them to the ghetto. You re Azadi, are you not? You probably hear this a lot, but I want to thank you for what you ve done for our city. What can steam technology do for you? The question you should be asking is, what can t it do? And the answer is, nothing! You re Azadi, aren t you? Are you from Sadir? Any new inventions I should know about? Any advances in steam technology heading our way? Talk to Kian The tower s where the Emissary holds office. She runs the Azadi administration here in the Northlands. They say there are new recruits on the way. I ll be glad to see some fresh blood around here. If I m lucky, I might get transferred somewhere warmer soon... The construction of our glorious tower will soon be complete. We will bring peace and progress to this continent. It s only a matter of time. Only trueborn are allowed inside without an escort, citizen. You ll need the proper paperwork if you seek an appointment. I m sorry, citizen. Only trueborn Azadi are allowed to enter the tower without an appointment and the required paperwork. I am expected in the Emissary s office. I should go inside. We re only here to protect and to serve. There s no reason to fear us...unless you ve done something illegal. What are you doing out at this hour, citizen? Return to your home and go to bed. She looks like a mix between a leopard and a human. I wish I looked like that. You don t see a lot of Zhid in the cities, and there are even fewer these days. They prefer to stay in the mountains. The door s bolted and locked from the outside. Even if I could reach that bolt, I wouldn t be able to lift it. Rebels! Wati City was built by WATIcorp. There s no place like it. It s safe, clean, and everyone s part of the happy WATI family! Hiro s going to be in so much trouble for that... Oh, thank you again for the ticket, Ms Zoë-san! Hiro! What are you doing? Find April... Save April... Still a few minutes left. I ll have to wait. What is...that. Is it a man? Zoë, I hope you get this message. I had to leave quickly. The worm was... They found it. And they will track it back to me. I ve spent most of my time here sleeping. I must have been completely exhausted. This is a really strange place. Have you seen anything like it? Okay. No legs. Hovering. But, yeah, I ve seen weirder things. Not a lot, but a few. This is good. I can deal. He wants me to follow him to the library - and to the White Dragon. Gordon. Talk about a blast from the past. Examine close after talk Wednesday, September 23rd. This is Dr Park. Dr Zubov is currently with the subject in her room. Jiva? This is it. These are the coordinates Damien gave me. Outside It can t be...but it does look like the skeleton of an animal. A very large animal. We call him the captain. That s her. She will tell me where to find the Scorpion. Is that... Who the hell are... I m sorry, I was just― Don t be sorry. Be on time. Ah, there you are. Right on time. For a change. On time What do you mean for a change ? Exactly what I said. You re often late. Today you re not. Jama? I m glad I was able to get her a ticket. Examine on other side I wish there was something I could do to help Riko. We re not open yet. If you want anything, you ll have to talk to Charlie over there. Talk to before party I don t think you can afford to buy a cocktail here, miss. Talk to at party You don t have to apologise for having to work long hours. I understand. That s what I want to talk to you about. Not at the museum, though. We re going somewhere else. A surprise? Really? But Kenji, you don t like surprises. I do. I just haven t shown you that side of me yet. Garod Nana Nya Not much. I m on my way to the gym. No gym Nothing much. I was just at the gym. Again? I m impressed. You re there almost every day, aren t you? I have a lot of time on my hands. Lucky you. I don t know about that. I don t feel particularly lucky. I just feel like I m wasting time. I thought you were going back to, what was it, Cape Town University? I was. I might. I just don t know if school s the right thing for me at this point. Hi, Zoë. The usual? That sounds pretty pathetic, doesn t it? I guess this is what they call going through a phase . At least, I hope it s just a phase. We all have those. You ll be fine. I hope so. Anyway, thanks, Karen. See you later? I think I ll skip the caffeine today. I m already pretty wired. Later visits So who was that? Boyfriend? The guy you were just with. The cute one. He comes by pretty often, but I ve never seen the two of you together. Oh. Reza. Ex-boyfriend. Was it serious? It was. At least, I was pretty serious. Sorry to hear that. He s a real cutie. And he s got a personality. A rare combination. But you re just friends now. Just friends. What, are you thinking about making a move? Oh? Getting your fix elsewhere? And betray Moca Loco? I think not. (Laughs) Okay. I can t tempt you with a brownie either? Or a chocolate muffin? Hey, are you okay? Why, do I look that bad? No, I m...okay. I didn t sleep much last night. What s up, Zoë? Nothing much. I ll see you later. Please, I really need this. There must be something you can do to help me out. I desperately need that lockpick So you have something in stock, but you don t want to sell it to me? Thanks for nothing. Angry He s starting to annoy me Hmm. Don t know. Old man want to help, but... Maybe we can make trade? Have a nice day. Why, thank you! And you have an even nicer one, young lady! Except what? I see. Isn t this the spice stall? Benrime told me to go to the spice stall. It s just that...well, my delivery is a, em, a tiny bit delayed this morning. Really? How delayed? Oh, I m sure it ll be here any... Quite a bit, to be honest with you. Quite a bit. Excuse me? A few hours! At most. Before lunchtime, I m sure! Or by teatime. If he s not here by dinnertime, I ll eat my left shoe! The ghetto? Oh, you re an out-of-towner? Welcome to Marcuria, etcetera, etcetera! Wonderful, wonderful. Why can t the carriages come through? That way, they can be with their own. We don t bother them, they don t bother us. Fantastic! Wonderful! Well. Once in a while, the Azadi help the magicals weed out...undesirables. And your supplier is stuck in, what, traffic? On the other side of the ghetto, up Burrow Crook, towards Cold Stone Gate. Why, right below the Journeyman! (Sigh) I just came from there. Right, so you d― Wait! Wait, wait wait. Why don t we help each other out, eh? If you pick up my delivery of Mrs Mullins Mixed Spices - our specialty - and bring them back here, I can give you Benrime s order! I m here to take you up on your offer. Oh, goodness me! Thank you, young lady! How indescribably wonderful! Hello, hello, hello! What a beautiful morning. Fantastic. Um, no. No, I couldn t find him. Sorry. Make up an excuse Really? Oh well, you tried your best. That s all that matters. Thanks ever so much for the effort. Oh. Uh. It was... You re...you re welcome. Yes, I did get the spices. Tell the man the truth Oh, fantastic! Wonderful! Great news! Now I can get back to business. I ve had to turn customers away all morning. Yeah. That s...that s good. Only, I don t have the spices anymore. Fantast― What? What happened? You didn t get mugged, did you? Did you get mugged? Oh, my! No! No, I didn t get mugged. I...just don t have the spices anymore. I see. Okay, okay, deep breath, it s not a problem, everything s fine, I m sure there s a perfectly good explanation. There s no working around this one, I m afraid. The spices are gone. Right. Excellent. Small problem, nothing major, just a minor bump in the road. I ll be back on my feet in no time. Yeah. Um. I m sure you will. Sorry. Have to run. Bit of a hurry. Bye now! Mmm, yes, things will probably pick up again. Except my customers will head elsewhere if I don t... Thank you so much, young lady! You saved my day! Wonderful, wonderful. All is well! My customers are happy, my children are fed, rent s paid, and mother s got her medicine. You re always welcome into my home, young lady! Fantastic! Wonderful! It s really too bad, though. I m all out of stock, and I m turning customers away. There won t be any sales today. Oh. Look, I m― I m so sorry. I wish there was something I could do. But I m sure things will pick up tomorrow! And my seven children can go one day without dinner. Fantastic. Yeah. Of course you can t! You did your very best! You wasted your precious time and got nothing in return. Not to worry, not to worry, I m sure I can delay paying rent on the stall for a few more days. Mind you, it could take a while. Doesn t look like they re reopening the ghetto anytime soon. How have you been? Apologetic He s got a point So what in the name of the Balance are you doing here? I m... I m really happy to see you, too. Honestly. C-Crow? Uh, hello? In the middle of a conversation here? I don t know her. If you want to make a lot of money, there s no better place than Casablanca. I see him down here all the time. He must live close by. Excuse me? Do you mind? Talk to while in conversation Hell, yeah. My home network s been going on and off. Even my fridge lost Wire contact last night. It forgot to order my supply of Bingo! Cola. So what do you think is happening? I don t know, but I know this. When I came down for breakfast this morning, all my milk was ruined. God, that s terrible. What will we do without the Wire? It s like, you can t trust anything to function properly anymore. Exactly. I can t live like this. It s unacceptable. My life is completely dependent on the Wire. I can t have the Static screwing things up. What if I m disconnected? Talk to otherwise She s connected to that same device the girl in Reza s apartment was connected to. Strange. Sleeping She looks like she s in her own world. Awake Please. We re having a private conversation here. Don t pay attention to her. Some people are just so rude. Who are you? Are you anyone? You don t look like anyone. Have you noticed any Static lately? My God, he s just a kid... Piss off, sister. Better leave me be. I m almost a Shakespearean by now, and I ll get my name soon. I told you to leave me the fuck alone, didn t I? Back off, sister, or I ll call in my dogs. I think I d better leave him be. Talk to third time I m hungry. I know, Sara, but there s nothing I can do. You can talk to Othello. He s got food. You know I can t talk to him. He ll want something in return. Maybe I can go talk to him? You re not going anywhere near Othello. You don t know what he and the other Shakespeareans might do to you. I m just so hungry. I ll figure something out. Just try to think about something other than food. Museum ticket Thanks for your help. Here, I know it s not much, but I want you to have these tickets. We won t be needing them. Thank you. And good luck. You shouldn t be listening in on people s private conversations, lady. Go back to whatever mall you crawled out of, and leave us be. Eavesdrop too close Give second ticket Azmael be damned, how many nights in a row am I going to be posted here? I m sick of the cold and the dark. Hmm. This Goddessless place is starting to grate on me. What I wouldn t give to see the spires and bridges of Sadir again! I d settle for a decent bath. Haven t had one in a month. I hear you. What in the name of the Goddess are we doing in this city anyway? There s nothing here but magicals, rebellion,and heresy. It won t be long, I m sure. Our armies will crush the rebellion and― And what? This place will never be civilised. We should burn it all down and leave it for the dogs. Have faith, brother. Light will conquer darkness. The glory of the Empire will bless the world, as prophesised. Even this bloody hole. That s what they keep telling us. Yet here I am, freezing my dick off, counting the months until my first leave. Progress demands sacrifice, brother. What are you doing? Burrow Crook s closed down this way. You ll have to wait until the morning. Trying to eavesdrop They re guarding the entrance to the ghetto. There s a curfew between sundown and sunup. Barely. This is crazy. I know. We ll have to keep it short. Any news about Reza? Everyone s waiting for WATIcorp to reveal what Project Alchera is all about. I think it s a new robot to replace the Watilla. I ll need to use my mobile to make a purchase. I need my mobile to use the machine. So typical. No, of course not. That would be too easy. You can say what you will about the Azadi, but they are skilled builders. I like to come here in the mornings to admire the tower. Isn t it amazing? And to think, a decade ago there was only a decrepit temple here. I think they might get suspicious if I keep staring at them all the time. Really? I m sorry, I was, um, looking for...a bathroom. No bathroom. Staff only. Sorry. Please, ma am, do not touch the exhibits. Please, stay away from the exhibits. If you touch them, the alarm goes off, and I have to manually reset it. That machine looks brand new. It definitely doesn t fit in with the rest of the stuff down here. That beer tap looks out of place. It s too shiny and modern. This market used to be crowded before the Azadi closed these gates. Now most people go to the west gate. Fish! Snapjaws! Flappers! Torsk! Get your fresh fish! Get yer fish, fresh from the ocean! He s guarding that alley. I wonder what s in there. I m guarding contraband merchandise confiscated from those thieving magicals. The Azadi have brought us peace and prosperity. So what if there are soldiers everywhere? I think it s a small price to pay. I m not complaining. I got alumiplastic over my head at night, a hot barrel to keep me warm, and enough emergency rations to last me a month. I don t talk to outsiders. Another homeless guy. Casablanca may be a bit dull...but I m so glad I live there, and not here. No one should have to grow up in a place like this. Ja, uh, there was a, a girl here. I never saw her before. Yeah, I know. She knocked me out cold― I mean, bitch snuck up on me! I ve been lookin for her. Where is she? Knocked him out I dunno, Vinnie. I lost her. Stupid friggin Viking. Can t trust no one to do nothin round here... Come on, let s find her! She up here, is she? That little bitch tricked me. Been lookin for her all over. Let her go Hva? Faen, Vinnie. What did I say about the yibbo talk? Sorry, Vinnie. I didn t mean to― Don t just stand there, mate. We got to find her! What are you on about, mate? You been seein things again? No. I mean, ja, I been saw a girl. Jævla søt også... One more word in that bloody language, mate, and I swear to God... Sorry, Vinnie. Where s this girl, then? Don t know, Vinnie. I sorta...lost her. Useless git. Come on, we need to find her. There you are! Fought her already No one tricks Wazza and gets away with it! Talked to her How did she get in? Never saw her Veit a faen jeg! Bloody foreigners... Ah, yeah. Pizza s done. Fair dinkum! Vinnie s pizza is done Oy! You tricked me back there! You re not looking for a room! Come to Wazza! Vinnie finds Zoe wandering the halls after dialogue I know you re still in here, darlin . Vinnie knows Zoë is hiding somewhere
https://w.atwiki.jp/metalmetabo/pages/34.html
- visitors In vivo analysis of intracellular amino acid labelings by GC/MS. C Wittmann, M Hans, E Heinzle - Analytical biochemistry, 2002 - mendeley.com ... TBDMS derivatization of amino acids is especially useful in metabolic network analysis, because M-57 fragments containing the entire carbon skeleton of the analyte can be observed by GC/MS with high signal intensities 8. The potential of the method is exemplified for ... Comparative metabolic flux analysis of lysine-producing Corynebacterium glutamicum cultured on glucose or fructose nih.gov [HTML]P Kiefer, E Heinzle, O Zelder, C … - Applied and …, 2004 - Am Soc Microbiol ... A comprehensive approach to 13 C tracer studies, labeling measurements by gas chromatography-mass spectrometry, metabolite balancing, and isotopomer modeling, was applied for comparative metabolic network analysis of lysine-producing Corynebacterium glutamicum ... It is all about metabolic fluxes nih.gov [HTML]J Nielsen - Journal of bacteriology, 2003 - Am Soc Microbiol http //scholar.google.com/scholar?q=related xAvLLrdbbNYJ scholar.google.com/ hl=ja as_sdt=2000 ... I. Experimental observations. Biotechnol. Bioeng. 55 305-316.[CrossRef] 21; Thykaer, J., B. Christensen, and J. Nielsen. 2002. Metabolic network analysis of an adipoyl-7-ADCA producing strain of Penicillium chrysogenum elucidation of adipate degradation.Metab. Eng. ... Using topology of the metabolic network to predict viability of mutant strains biomedcentral.com [PDF]Z Wunderlich, L Mirny - Genome Biology, 2005 - biomedcentral.com http //scholar.google.com/scholar?q=related sTavonuje7wJ scholar.google.com/ hl=ja as_sdt=2000 ... Ph.D. Thesis. University of Leeds; 1994. 14. Papp B, Pal C, Hurst LD Metabolic network analysis of the causes and evolution of enzyme dispensability in yeast. Nature 2004, 429(6992) 661-664. 15. Jeong H, Tombor B, Albert R, Oltvai ZN, Barabasi AL The large-scale ... Novel proteins, putative membrane transporters, and an integrated metabolic network are revealed by quantitative proteomic analysis of Arabidopsis cell … plantphysiol.org [HTML]H Eubel, EH Meyer, NL Taylor, JD Bussell, N O … - Plant …, 2008 - Am Soc Plant Biol http //scholar.google.com/scholar?q=related aCgbR-dAtyMJ scholar.google.com/ hl=ja as_sdt=2000 ... This is aided by a metabolic network analysis that reveals a tight integration of functions and highlights specific metabolite nodes that most probably represent entry and exit metabolites that could require transport across the peroxisomal membrane. ... High-throughput phenomics experimental methods for mapping fluxomes bjmu.cn [PDF]U Sauer - Current opinion in Biotechnology, 2004 - Elsevier http //scholar.google.com/scholar?q=related XvhSxXXwbn4J scholar.google.com/ hl=ja as_sdt=2000 ... From its early days when material fluxes were balanced within assumed reaction networks [7.], metabolic network analysis [6. and 8.] has matured to actually identify the topology of active reactions and pathways and to quantify the molecular flux through them on a variety of ... Use of genome-scale microbial models for metabolic engineering KR Patil, M Åkesson, J Nielsen - Current opinion in biotechnology, 2004 - Elsevier http //scholar.google.com/scholar?q=related oAOz5SBTVHAJ scholar.google.com/ hl=ja as_sdt=2000 ... incorporate genome-scale biological data. Genome-scale stoichiometric models of microorganisms represent a first step in this direction. FBA, flux balance analysis; MFA, metabolic flux analysis; MNA, metabolic network analysis. ... Network identification and flux quantification in the central metabolism of Saccharomyces cerevisiae under different conditions of glucose repression nih.gov [HTML]AK Gombert, M Moreira dos Santos, B … - Journal of …, 2001 - Am Soc Microbiol http //scholar.google.com/scholar?q=related R5V_AodxCrwJ scholar.google.com/ hl=ja as_sdt=2000 ... flux estimates. The use of 13 C-labeled substrates enables both identification of the metabolic network structure and quantification of the metabolic fluxes and is therefore referred to as metabolic network analysis (5). This kind ... Metabolic flux analysis of Escherichia coli K12 grown on 13C-labeled acetate and glucose using GC-MS and powerful flux calculation method freelogy.org [PDF]J Zhao, K Shimizu - Journal of biotechnology, 2003 - Elsevier http //scholar.google.com/scholar?q=related w1m-5IKYKpsJ scholar.google.com/ hl=ja as_sdt=2000 Structural and functional analysis of cellular networks with CellNetAnalyzer biomedcentral.com [HTML]S Klamt, J Saez-Rodriguez, ED Gilles - BMC Systems Biology, 2007 - biomedcentral.com http //scholar.google.com/scholar?q=related bzwlVku0FL8J scholar.google.com/ hl=ja as_sdt=2000 ... CNA extends its predecessor FluxAnalyzer, originally developed for metabolic network analysis[7], by new methods for signalling and regulatory networks, ie for networks where signal flows are dominating (in contrast to mass flows in metabolic networks). ...