約 4,864,509 件
https://w.atwiki.jp/asigami/pages/1311.html
曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE(SHOCK) BRIGHT STREAM (水樹奈々) DDR2013 激10 158 253/14 激譜面(10) 譜面 http //eba502.web.fc2.com/fumen/ddr/ddr2013/b_stream_4m.html 動画 http //www.youtube.com/watch?v=LT9EbIj6_OI (x3.5, Rainbow) http //www.nicovideo.jp/watch/sm20507624 http //www.nicovideo.jp/watch/sm20507624 (x2.5, Note) 解説 アニメ映画「魔法少女リリカルなのは The MOVIE 2nd A s」主題歌のカバー。 コメント コメント(感想など) 最新の10件を表示しています。コメント過去ログ 逆詐称だが踏んでて楽しい譜面。10入門にどうぞ。 - 2013-06-02 19 18 45
https://w.atwiki.jp/anison-rap/pages/155.html
【曲名】 To All Tha Dreamers 【アーティスト】 SOUL d OUT 【歌詞】 http //www.jtw.zaq.ne.jp/animesong/ya/yakitate/to.html 【作詞】 Diggy-MO , Bro.Hi 【作曲】 Diggy-MO , Shinnosuke 【編曲】 Shinnosuke 【作品】 焼きたて!!ジャぱん 【メディア】 TVアニメ 【テーマ】 ED主題歌 【初出】 2005年 【備考】 アニソンファンにいろんな意味で衝撃を与えた「アッラララァ」な曲。 Full
https://w.atwiki.jp/asuka-ch/pages/351.html
前ページ次ページアスカch大会/2012年 （正しくはD620pt C613pt A470pt B460pt） 概要 ルール 諸注意 縛りくじくじ引き方法 くじ引き条件 くじ内容◎：最も出やすい ○：出やすい △：出づらい ×：最も出づらい チャット文字色設定 スケジュール 裏方作業内容階層把握 縛り把握 参加者チーム 結果１日目 ２日目 最終スコア リンク追加 概要 アスカch１周年で使用した縛りくじ制度を適用する．前回大会はアスカch大会/2011年/07月01日アスカch2周年企画東西戦． 企画 ひのき 日時 2012年6月29日(金)、30日(土) 19時 制限時間 5時間(2時間半経過後に10分の休憩を含む) ダンジョン 白蛇島 チャット会場 アスカch Ustream IRC #asuka-ch 調子の悪い場合mibbitサーバーの#asuka-ch 階層報告では所属チームが分かるよう記述する． ルール ルール 到達フロアポイント制．複数周回カウント有効． AsukaTools おおむね可．故意でない強制終了での AsukaRestart は可．AsukaHack は不可．乱数値固定/非固定は自由 バグ利用 店主焼き不可 Asukagrid 可 エビマヨツール 可 Koppa 可（使い方） 諸注意 1人1日しか出られません。 途中参加、途中抜けはありです。19時よりも遅れて開始する場合，チームが受けている縛りを受けない 途中抜けをしてからの途中参加（入浴や食事など）の場合は，抜けている間に受けた縛りをすべて受ける 2周目はありです。 複数のチームが同階層だった場合、最高階層到達者のいる軍が勝利。それも同じな場合1つ下の記録で勝負する。 開会式は1日目18時30分から18時50分まで．閉会式は2日目集計終わり次第。 自ch配信者は自chチャットトピックを「アスカchのチャットを見ている」が分かるよう設定する 何かあれば#asuka-chまたはスカイプID suvenbobo(ひのきのぼう)に連絡をしてください。 縛りくじ 冒険が終了した場合，縛りはすべて解除される 縛り内容は重複する [次フロア1ターン目から実行]の同じ縛りが重複した場合，重複した回数の階層分に分けて実行するのではなく、1階でまとめて実行する。 アイテム破棄を指定された場合は床に置く．またはモンスターに当たらないように投げる．売却や使用など，有効活用することは認めない 現行の縛りと新たに受けた縛りが矛盾する場合，現行の縛りを解除し，新たに受けた縛りを適用する 誤って縛りを破った場合，その縛りを再び適用する．さらにペナルティくじ引きする 故意に縛りを破ってはならない アイテム破棄を指定されたときに対象のアイテムを所持していない場合，その縛りから免れる 装備禁止を指定されたとき，対象のアイテムを呪い状態で装備している場合，装備を外す手段があれば実施する．不可能ならば，装備を外す手段が出来次第実施する．おはらいの巻物．困った時の巻物．装備はずしのワナ．ケンゴウ系モンスター． 99階で実行すべき縛りを達成できないでダンジョンクリアした場合，ダンジョンクリアとみなすが2つのペナルティを課す．2周目はペナルティ遂行後に実施するチームスコア10ポイント減少 語尾に「にゃん」をつけ，とっておきの厨二病話をする くじ引き方法 くじ引きは Ustream IRC #asuka-ch-test で実施する．所属チームかくじ引き状況によって入力メッセージを選択する． 縛り A→B 縛り 自分 等、(自分のチーム)→(相手チーム)と指定してくじを引く 縛りを破った時は自分にペナルティーのくじを引く くじ引き条件 指定階層到達（20，40，60，80，100階） 泥棒BGMが鳴っている状態で次のフロアへ進む 自身に課されている縛りを破る縛り適用対象は自身になる 縛りリセットなど救済系を引いた場合は無効とし，もう一度引く くじ内容 ◎：最も出やすい 杖か草1つ捨てる{次フロア1ターン目から実行}[相手チーム]10 最大容量が一番大きい壺を1個割る{次フロア1ターン目から実行}[相手チーム]10 風が吹くまで粘る{次1フロア}[相手チーム]10 階段部屋に入ったらその部屋から出てはいけない{次1フロア}[相手チーム]10あかり状態になった際も部屋に入らなければ探索して構いません。不明瞭＆迷路に関しては即降りとします。 ただし明瞭大部屋状態(明瞭MH、大部屋を読んだ状態)に関しては探索を認めます。 次の階の開幕１ターン目は武器と盾を外した状態でいる{次フロア1ターン目から実行}[相手チーム]10 ○：出やすい 草即食べ＆壷即割り{次1フロア}[相手チーム]5店売り、浮島、呪われ草、水中に落ちたアイテムは非対象です。 視界内に対象が入った場合敵がいても処理をせず縛りを実行しに行ってください。 例外：何らかの原因(シンロンに飛ばされた、元締めに握られたなど)ですぐに食べら(割)れない場合は階段を降りる前に実行すればOKです レア印6種(衰・根・三・見・身・山)を使う場合は必ずメインにする。{死ぬまで}[相手チーム]5既に印にしている場合はこの縛りは適用されません。 食料を全て捨てる{次フロア1ターン目から実行}[敵全員]5食べるのは禁止です。 【食料】とは…各種おにぎり、かつおぶし、か印の入った武器のこと。 全部屋巡回{次1フロア}[相手チーム]5アリが掘った所と、バネフロアは免除されます。 明かりの使用、風待ちの実行は禁止です。 大部屋の巻物を使って大部屋にした場合は全巡回とみなします 杖と巻物を使用禁止{次1フロア}[相手チーム]5 1番容量の高い保存の壺を中身ごと1個捨てる。{次フロア1ターン目から実行}[相手チーム]5この縛りを受けてから保存の中身を入れ替えてから捨てるのは禁止です HPバーかメッセージウィンドゥどちらかみえなくする。{次1フロア}[相手チーム]5隠し方にはLimechatの最前面に表示するにチェックを入れる等があります。 罠を踏んだら壊れるまで踏み続ける{次1フロア}[相手チーム]5固定バネは免除です。罠を消す手段は踏む行為に限定します。 ただし、踏んでいる最中に敵の行動によりワナから離れた場合 再度踏みに行くタイミングは自由ですが必ず踏んで壊してください。 風で吹き飛ばされるとしても罠を必ず踏みに行ってください。 敵が目の前に居て罠を踏んだ場合は敵を処理せずに罠が壊れるまで踏み続けてください。 例外として、バネ及び丸太のワナは、階段を登るまでに踏んで壊せばOKとします。 △：出づらい 縛りリセット{即時}[相手チーム]2 縛りリセット{即時}[自チーム]2 厨二病を患ってたときの思い出を語る(語ってから動く){即時}[自分]2 保存と水がめの中身を合計3個捨てる。{次フロア1ターン目から実行}[相手チーム]2この縛りを受けてから保存の中身を入れ替えてから捨てるのは禁止です。 保存の中のアイテム２個と水１回分という捨て方は可能です。 水路で水を汲むのは可能です。 以降回復剣使用と回印の合成禁止[相手チーム]2既に回印が入ってる武器は使用可能です。 回印の入っている武器を他のベース剣に入れるのは禁止です。 元値3000G以上の腕輪の所持・使用禁止[相手チーム]2 以降装備に、印の追加禁止{次フロア1ターン目から実行}[相手チーム]2ねがいメッキ、未識別メッキはアウト。装備に読まないこと(ゲイズ、ペリカンは故意でなければセーフ) 追加してしまった武器、盾は使えません 語尾ににゃんをつける縛り{即時}[自分]2 壷を2つ捨てる{次フロア1ターン目から実行}[相手チーム]2 斜め移動iDash使用禁止{次1フロア}[相手チーム]2 ×：最も出づらい メニュー開けない、拾えない{次1フロア}[相手チーム]1 １ターン目に所持している武器と盾を合計２個の状態でいる{次フロア1ターン目から実行}[相手チーム]1この縛りは装備の数が３個以上だと次のフロアに行ってからでは間に合わないので 前階層で２個にしてから降りることになります。 チャット文字色設定 色例 色 Limechat2での色名 対象 ピンク fuchsia Aチーム 青 blue Bチーム 緑 green Cチーム 橙 orange Dチーム 赤 red 全体に関する各種事項 スケジュール 日程 内容 2012年6月17日 ひのき配信により計画開始 2012年6月23日 ひのき配信により実施日時，チーム，ルール確認，文字色など決定 2012年6月27日 ひのき配信により裏方情報更新．また事前協議によりチームメンバー変更（t2とぶたまんを交換） 2012年6月29日 企画第1日 2012年6月30日 企画最終日 裏方 金曜裏方Aチームひのき，Bチームはしこ，Cチームポタージュ，Dチームやっくん，へいほう 土曜裏方Aチームひのき，Bチーム天宮→はしこ，CチームPaul，Dチームせんにん 行=大会参加者欄の横並び 作業内容 階層把握 1時間毎(最後は残り時間30分)に#asuka-chに報告する．チームによって文字色を設定する． 縛り把握 抽選チャットの内容を把握する．誰かが縛りを破ってしまいそうなとき，文字色赤色で警告する．縛りを破ったのを確認したとき，ペナルティくじ引きを行うよう伝える． 参加者 http //asuka--sen-nin.ddo.jp/checker/event/3years/ チーム 日程 チーム メンバー 裏方の担当 29日（金） A ななしの(u1)，t2※，せんにん ひのき B くー(u2)，高幡，Paul はしこ C ハッサン(j1)，まめ，にろく ポタージュ D バグベア(j2)，くずもち，ななよん 前半やっくん．後半へいほう 30日（土） A からす(u1)，チアキ，MAD ひのき B ぶたまん※(u2)，はたらくくるま，しいな はしこ C カガミ(j1)，こりすけ，いつき Paul D カサギリ(j2)，Bear，へいほう せんにん ※スケジュールの都合でチーム変更をお願いしました 括弧内のu1やj2などの表記はアスカchを使用する事を示す．記載無き場合は自ch 結果 アスカのスクリーンショットはアスカch大会/2012年/06月末日アスカch3周年大会/結果SS集にて観覧できる． １日目 Aチーム ななしの147F(1回打開) t2 78F せんにん67F 292pt Bチーム くー71F 高幡77F Paul63F 211pt Cチーム ハッサン198F(1回打開) まめ23F にろく177F(1回打開) 398pt Dチーム バグベア90F くずもち62F ななよん65F 217pt ２日目 Aチーム からす117F(1回打開) チアキ45F MAD16F 178pt Bチーム ぶたまん94F はたらくくるま78F しいな77F 249pt Cチーム カガミ124F(1回打開) こりすけ33F いつき58F 215pt Dチーム カサギリ119F(1回打開) Bear173F(1回打開) へいほう111F(1回打開) 403pt 最終スコア 1位 Dチーム 620pt 2位 Cチーム 613pt 3位 Aチーム 470pt 4位 Bチーム 460pt リンク アスカch 風来ch アスカチェッカー画像うｐロダ 階層報告所 AsukaPlayers じゃわてぃーの多窓 Ustream/Jusin同時視聴ページ 獄卒ch獄卒チェッカー 追加 http //www37.atwiki.jp/uoasukatools/pages/19.html階層等の情報を自動的にlapcieさんのページへ報告できる。 AsukaTools の AsukaRepoter 使い方 http //lapcie.com/player/AsukaRepoter の結果を一覧できる
https://w.atwiki.jp/touhoukashi/pages/3899.html
【登録タグ Alstroemeria Records M ayame 夢消失 ～ Lost Dream 曲 繋々歌】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/juria/pages/76.html
Streamripper win32 console MyWiki より転記[2007-10-09][2006-05-23] 以下は ver.1.61.19 についての記述です。 （2007-10-09 時点の最新ヴァージョンは 1.62.2） http //streamripper.sourceforge.net/index.php ネットラジオを録音。（単一ファイル + cue シート、トラック別） SHOUTcast , Icecast , Tuner2 対応。AACの放送が増えましたね。 Streamripper winamp 2/5 plugin は有名ですが、敢えてコンソール版 GUI 版 StreamRipper32 は SHOUTcast のジャンル検索が可能。 ストリームの IP が 403 Forbidden になる場合は、Option の User Agentを 空白に。 コンソール版Usage 拡張子はストリーミングにより自動で付けられる（.mp3/.aac/.ogg） streamripper URL [OPTIONS] -h - Print this listing -v - Print version info and quit -a [file] - Rip to single file, default name is timestamped -A - Don t write individual tracks -d dir - The destination directory -D pattern - Write files using specified pattern %S Stream %A Artist %T Title %a Album %D Date and time (per song) %d Date and time (per execution) %q Sequence number (automatic detection) %Nq Sequence number (starting from number N) %% Percent sign("%%S/%%A/%%T") -s - Don t create a directory for each stream -r [[ip ]port] - Create relay server on base ip port, default port 8000 -R #connect - Max connections to relay, default 1, -R 0 is no limit -L file - Create a relay playlist file -z - Don t scan for free ports if base port is not avail -p url - Use HTTP proxy server at url -o always - Always overwrite tracks in complete -o never - Never overwrite tracks in complete -t - Don t overwrite tracks in incomplete -c - Don t auto-reconnect -l seconds - Number of seconds to run, otherwise runs forever -M megabytes - Stop ripping after this many megabytes -q [start] - Add sequence number to output file -i - Don t add ID3 tags to output file -u useragent - Use a different UserAgent than "Streamripper" -w rulefile - Parse metadata using rules in file. -m timeout - Number of seconds before force-closing stalled conn -k count - Skip over first count tracks before starting to rip -T - Truncate duplicated tracks in incomplete -E command - Run external command to fetch metadata --quiet - Don t print ripping status to console --debug - Save debugging trace --xs_??? - Invoke splitpoint detection rules (see README/man page) Tutorial (console) Documentation や同梱の README を参考に ストリーミングをトラック別に録音 streamripper URL ストリーミングを一つのファイルとしてリッピング、cue シートを作成 streamripper URL -a （ファイル名はタイムスタンプから付けられ、トラック別のファイルも作成される。 トラック別ファイル名は、アーティスト名 - 曲名） トラック別のファイルを作成したくない時は、-A を追加 streamripper URL -a [filename] -A 出力先フォルダを指定 streamripper URL -d /music/stream -s （-s ： stream ごとにフォルダを作らない） フォルダ名やディレクトリ構成を指定したい streamripper URL -D %A/%T （-A 付加時には無効。デフォルトのフォルダ名は stream 名） 最初の n 曲をスキップしてリッピングを開始する streamripper URL -a -k n （-A 付加時には無効。） cueシートとシングルファイルは日付時刻をファイル名に。 トラック別ファイルは日付時刻名のフォルダ内に出力し、ファイル名は [連番-アーティスト名-タイトル]、１曲目をスキップ。 streamripper URL -a %d -D %d/%1q-%A-%T -k 1 -
https://w.atwiki.jp/urawaza/pages/492.html
■Dreamcast Top ｜ 目錄 ｜ あ行 ｜ か行 ｜ さ行 ｜ た行 ｜ な行 ｜ は行 ｜ ま行? ｜ や行 ｜ ら行 ｜ わ行 目次（た行） ■(SAVE)21～Two One～ ■CHARGE'N BLAST ■(SAVE)Dance Dance Revolution 2ndMIX Dreamcast Edition ■(SAVE)DAYTONA USA 2001 ■DDR 2nMIX CLUB Version Dreamcast Edition ■(SAVE)DDR CLUB Version Dreamcast Edition ■(SAVE)Dead or Alive2（JP版/US版） ■(SAVE)Dの食卓2 ■Trick Style ■WWF ROYAL RUMBLE ■ダービー馬をつくろう！ ■(SAVE)ダイナマイト刑事2 ■タイピング オブ ザ デート ■チューチューロケット！ ■(SAVE)デ・ジ・キャラット ファンタジー ■デ・ラ・ジェットセットラジオ ■ディヴァインラブ ■ティンクルスタースプライツ ■(SAVE)でじこのまいブラ ■デスクリムゾン2 ■デスピリア ■テトリス4D ■てんたま 1stSunnySide ■どきどきアイドルスターシーカーRemix ■ドリームキャストマガジンGD-ROM Vol.1 ■ドリームキャストマガジンGD-ROM Vol.3 ■ドリームキャストマガジンGD-ROM Vol.5 ■ドリームパスポート ■ドリームパスポート3 ■トリコロールクライシス ■トレジャーストライク ■(SAVE)探偵紳士DASH！ ■(SAVE)超鋼戦紀キカイオー ■(SAVE)電車でGO!2 高速編3000番台 ■(SAVE)電脳戦機バーチャロン オラトリオ・タングラム ■(SAVE)東京バスガイド ■同窓会2 again refrain ■特撮冒険活劇 スーパーヒーロー烈伝 ■突撃!てけてけ!!トイ・レンジャー 目次（た行） Top ｜ 目錄 ｜ あ行 ｜ か行 ｜ さ行 ｜ た行 ｜ な行 ｜ は行 ｜ ま行? ｜ や行 ｜ ら行 ｜ わ行 ■Dreamcast
https://w.atwiki.jp/dive_kick/pages/22.html
ストリーム キック中に軌道を変えることができる化け物みたいなやつ 人物 出身、生年月日など不明。 365日モニターに映し出される無料コンテンツを否定し続け、誰かをを怒らせたり不快にさせたりする生活を送っていたが煽る相手を見つけるためにダイブキック界へ出発した。 特徴 2段ジャンプ（跳ぶというよりは「飛ぶ」）後にキックができるタイプのキャラだが、キック中にダイブかキックかで軌道をかえる事が出来る ・キック中ダイブで上に向く（足が横に向く。真横にキックも可能。） ・キック中キックで下に向く（足が下に向き、速く着地するようになる。） ファクター状態では画面外から小さいストリームが真横に飛んでいく。一定のタイミングで自分の高さに合わせて飛んでいくので立ち回りに活用していきたい。 技 空中 Flame Bait 斜め下地面に向かって火を吐く。地面に当たると燃え広がり、しばらくの間燃え続ける。相手が炎に当たると強制的にジャンプする。キックをキャンセルすることができる。自分が炎を踏むと一定時間足に炎をまとい、キック判定を強くするらしい 地上 Spoody PLS その場にダミーを置いて自身はステルス化する。無敵になったわけではないので注意。
https://w.atwiki.jp/tljtrans/pages/206.html
I m a friend of Reza Temiz. If this is Damien, he would know Reza Jericho. I don t work here. I m a friend of Reza Temiz. Jericho. Jesus, how did you―? Wait, let me just― Did Jericho send you? I haven t been able to contact him. What did you just do? I made sure that this remains a private conversation. How did you get in here? This place is a bloody fortress. I m getting good at finding my way into impenetrable fortresses. I m Zoë. Damien Cav― Right, you already know who I am. Which I find sort of disturbing. I told Jericho that he couldn t talk to anyone about this. Jericho s gone. Something s happened to him. But he left me enough info to locate you. He s disappeared? Jesus. That s not good. What about Rio? She went to see Jericho. Five days ago. Is she...are you close? We work together. Why, what s happened? I think she s dead. Are you serious? Jesus. I m in way over my head on this one. I shouldn t have asked her to go. What happened to her? I don t know. I found her in Jericho s apartment. She was hooked up to this white plastic thing, and there were wires going into her head. The Dreamer. That s what it s called. A Dreamer. It s not supposed to kill you. I know. They hooked me up to one. Who hooked you up to a Dreamer? Two girls. Twins. I don t know who they work for, but I m guessing they re connected to your company. I ve seen them around. They work for Ms Gilmore, the president. I think maybe they got to Rio as well. And they re after Jericho...after Reza. I was hoping he d made it here. I haven t heard from him since Thursday. Sorry. Rio rang me when she got into Casablanca and told me she d met with Jericho. That must have been right before... I found her in Jericho s apartment, and minutes later the EYE raided the place. I was arrested, but they let me go the next morning. Is there anyone who isn t involved in this? This what? I decided to track Reza down in order to help him. He s my best friend. But I don t know what this is, or what I ve gotten myself involved in. Now Reza s vanished, and you re the only lead I have left. Can you please just tell me what this is? You don t know anything? Only what I ve picked up on the way here. Reza never shares his stories with me. I know that WATIcorp is working on something, and that they ve been testing it out on people in Newport. You called it the Dreamer . I know that the Dreamer is probably connected to the Static somehow, and that s most likely what Reza was investigating in the first place. And I also know that WATIcorp is keen to keep all of this under wraps. Keen enough to kill people. Apart from that... I have no idea who you are, what you ve told Reza, what Rio was doing in his apartment, and what this Dreamer thing is all about. So you re going to have to fill me in, and I m not leaving here until you do. I ve come too far to go back now. If I can t help Reza, at least I want to know why. I want the truth. Right. Wow. Okay. I understand you want the truth. I wish I could tell you... I m putting myself at great risk here, Zoë. I don t know who you are. For all I know, you could be working for the corporation. Then again, if you do, I m already done for anyway, so... You re right about all of it. We...WATIcorp s working on something big. The Dreamer. It s a device that ll let you dream anything you ve got a mind to dream. Lucid dreams. You re awake and in control. Can you just imagine the possibilities? Every other entertainment medium would simply disappear overnight. Why watch a movie when you can dream it? However... About three months ago, something happened. There was a...contamination in the network that connects each Dreamer console with the central processor, Dreamcore. I used to work on the network code, the parts that link the Dreamers with DreamNet. When the problem appeared, my bosses asked me to head up the group charged with identifying the problem on this end, to weed out the bugs. What we discovered was that DreamNet was beginning to slip out of our control. There was a contamination, but it wasn t a bug. It wasn t internal. We figured someone had hacked into the network, and introduced a virus or worm. Something sneaky and adaptable. It didn t take me long to realise there was a link between the Static and our problems. The Static wasn t the cause...it was the effect. Whatever had infiltrated DreamNet was, for lack of a better word, leaking out onto the Wire, causing glitches and system crashes. When I told my supervisors, I was instructed to not ask any questions, and to just keep working on the problem. So I did what they told me. But at the same time I started digging deeper on my own. And that s when I met Rio. She was working with the biological systems that run our code and operates DreamNet - the central processor known as Dreamcore. She d been digging, too, and, like me, she d reached an impasse. So we started working together to identify and nail down the contamination. So we kept digging, and then one day, about a week ago, we discovered something that changed everything... WATI isn t making these things to entertain people. They re making them to spy on and to control people. DreamNet was designed to record people s dreams. And Dreamcore was designed to analyse them. And that s just the beginning. By feeding data back through the Dreamer, they can plant thoughts, instructions...even hypnotic suggestions in people s heads. DreamNet is the biggest brainwashing experiment of all time, disguised as mindless entertainment. What? Oh. Right. Exactly. Someone s trying to take control of the network. The most dangerous weapon of all time... Rio and I, we realised we had to tell someone, but we also knew that the corporation would do anything to protect their secret. If we went to the media, we d be dead. We had to find someone with the guts to expose WATI, while protecting our identities. The Hand That Bites. Who better to expose this conspiracy than Jericho and his notorious feed? We knew he wouldn t be afraid to go up against WATIcorp. This is... And you re sure about this, Damien? It sounds like, like science-fiction. The people behind it seem to believe that it s possible, and the Dreamer works. I ve tried it many times. It s incredible, like nothing you ve ever experienced. But to know they have free access to your innermost thoughts... I won t use it again, that s for sure. Not with everything I know now. I go down to sub-level fifty-eight. In exactly half an hour from now, you ll disengage the alarm, and I ll open the door. Remember that once you re through, the door will be tagged for maintenance by the security systems. I got that. And the rest of it? Thanks, Damien. You too. Good. Keep in mind that I can t call you while we re inside the building, so we won t be in touch until this is over. Best of luck, Zoë. I got it. All of it. I m not sure that s the right word, but I don t know how else to describe it. I could hear the voices of thousands of people around me. It does sound as though the Azadi have plans with this tower, April-an. But I cannot see what that would be. As for this place you discovered deep below us, this...chamber of dreams? This worries me, April-an. Dreams are powerful things. Combined with this Azadi machine, if that is what it is, it could have serious consequences. I tried going back through, but the rock s solid. There s a half mile of mountain between us and the caves. Without the portal, there s no way down there. I will look at the wall in the cellar where you said the portal opened up. Perhaps I can learn how this musical magic works. I must say that I am intrigued. Keep this under wraps, Na ane. Don t let anyone get wind of what you re doing. Not even Benrime. We don t know what we re dealing with yet. Of course. I shall be cautious. Perhaps this is the opportunity we have been praying for. If we do not soon find a weakness in the Azadi front... Then we keep fighting them with the weapons we already have. What else can we do? I am not suggesting we lay down our arms, April-an. But we are fast dwindling in numbers. We re not dead yet, Na ane. And it might be that this new information will help us. Not a day goes by when someone is not killed, captured and sent west to an unknown fate, or abandons the cause. We may soon need an alternative to force. They are many, we are few, and the Azadi support amongst the common people grows daily. If that tower is as important as I suspect it is, we have a new target. I ll talk to some contacts, see what they know, and what they ve heard. Tell Brynn and Chawan to get the remaining supplies on their own. They ll need to leave tomorrow evening as planned. We can t afford any delays. Will you not go with them? I haven t decided yet. It depends on what information I manage to dig up. If I get a lead, I ll have to follow it. So be it. I may wait for you, but I will leave a message with Benrime if I, too, set course for home. He is eager. He is open. He is perfect. 彼は熱心です。率直です。彼なら大丈夫です。 I hope you are right. He is our last hope... そうだと良いのだが。彼は我々の最後の望みだ…。 Have faith. The undreaming will be unleashed, and it will― 信じてください。アンドリーミングは解き放たれるでしょう、そして― Quiet, brother. The walls have ears. 静かに。壁に耳ありだ。 Oops. Sorry! Did you want something? No, it s nothing! Sorry! You all right, girl? Where...where am I? You re still at The Fringe. You don t remember? I don t know. I... How did I get back here? Back? You haven t moved all night. Couple of guests found you passed out. You were drugged. That s what it looks like. I checked the cameras, but there was nothing on them. The crystals were wiped. When we found you last night, I called a friend of mine. A doctor. She came by and checked you out. She said you were on some kind of synth, but that you d sleep it off. So I closed the room and kept an eye on you all night. That s not possible. I was...somewhere else. April, she― I met April. April Ryan! I was in Arcadia, the place she spoke about. I was there! So...so I couldn t possibly have been here. Zoë... Look, I ve been checking in on you every fifteen minutes all night long. You couldn t have gone anywhere without me noticing. You were fed some kind of hallucinogenic. You ve probably been having very vivid dreams. Maybe you re right. But it felt real enough. Dreams Was it all just a dream? That s impossible! I was there! I spoke with April. She was...she wasn t very cooperative. But I did speak with her. Real There s no way it was just a dream! All I know is that you ve been sleeping right here since we found you. Sorry about that. It was a potent drug. My friend couldn t identify it - like I said, some kind of synth - but she said the readings were off the chart. Your mind was on fire. She also said you d be fine, once the drugs had worn off. I would ve called a hospital, but I figured we d both be happier without corporates sniffing around. My clientele is a bit...sensitive about their privacy. And I figured you d feel the same way. I m glad you didn t call anyone. As far as the EYE s concerned, I m still in Casablanca. You left Emma and me at the table to make a call. Twenty minutes later some guests found you passed out in the booth. They gave up their reservation quite willingly. They didn t want to get involved. Sorry? Girl, it s not your fault that someone drugged you. But you might want to consider getting out of this before you get hurt. You don t remember anything? I can t just abandon Reza. No. Last night s a blur. The first thing I remember is waking up in... No, I don t remember anything from The Fringe. Huh. Actually, I m not receiving any signal here. You re, uh, a ghost. Thanks. That sounds perfect. I could definitely use a shower and a change of clothes. I didn t see anyone. But apparently our friend Marcus Crozier checked in just before the incident. Did you see whoever did this to me? And he brought two guests. Wait, I remember...part of it. Marcus, the twins... Hi, this is Reza. I m either busy or I m sleeping. Either way, let me know what s up, and I ll call you right back. Thanks. Come on. Let s move out. Your journey is about to begin. Follow me. あなたの旅は始まろうとしています。こちらへ。 April. I m pleased to see you. Pleased...and surprised. I m just as surprised as you are, Gordon. How, uh, how have you been? I...don t know. This place... I m both a part of it and apart from it. I m no longer who I once was, though I remain who I once was. There is natural dichotomy to the Balance. Positive and negative, reality and dream...being and unbeing. Sounds confusing. I don t envy your role. You re standing in the middle of a very busy intersection. I don t know any other way to be anymore. I...remember. But my memories feel like they belong to someone else. So, April... You have come to me with questions? I didn t know where else to turn. Something s going on with the twin worlds, and I need to know what you know. You re right. Something touches the Balance between the twin worlds. Dreams. Threads that weave through the Divide. But the Balance remains undisturbed. Dreams have always passed between the world of Stark and the world of Arcadia. That is how the worlds stay connected, how magic and science remain inextricably tied to each other. The laws of nature, of the universe, are stronger than the artifice of the Divide. So it s not something dangerous? Not you I don t know, April. There are forces far stronger than the Balance at play here. Dreams make up the fabric of cosmos. Yet my responsibility lies solely with the channeling of energies between Stark and Arcadia, between science and magic. And you don t know anything about these dreams? I know this. Your role in these events has come to an end. You are not the one who will set things right this time. I m...not. Who will? That s not for me to see. Your fate has always been tied to the Balance, April. I see where our paths intersect. I can t see into the Dreaming. The Dreaming? What s that? The Dreaming? The place where everything begins. You, me, this realm, the twin worlds...time, matter, cosmos. Everything. It all begins in the Dreaming. You re being obtuse. You know I hate it when people are being obtuse. I m sorry. I don t know any more than that. But you don t have to carry the burden on your shoulders this time around, April. You re free. Go live your life. Let the past go. That s easy for you to say. There s meaning to your existence. Me? I wasn t who I thought I was. I honestly have no idea who I am anymore. Everyone kept telling me I was important, that I was needed. Then one day, I...wasn t. I was just lost. So don t tell me I m free. Don t tell me to go live my life. You don t know. You have a purpose. We all do, April. You just haven t found yours yet. But this isn t it. Let it go. Okay. Done. I m officially letting this one go. There s nothing more you can tell me? Only what I sense. Dreams are passing from Stark to Arcadia, but not the other way around. A slow trickle that may grow to a torrent. But this does not concern the Balance, and so it does not concern me. I guess that s good news. Thank you. Thank you. Safe journeys, April. I am at the crossroads between waking and dream. 私は夢と現実との岐路に立っている。 One path leads back to the world I left behind. The other path... 一方は私が後にした世界に通じている。もう一方は…。 The other path leads to a place of shadows. もう一方は影の世界へと通じている。 But in truth, it is too late. My choice was made many years ago, when I first embarked on this journey. I cannot turn back. だが、もう遅い。私は何年も前に選択し、そして旅が始まった。後戻りはできない。 I am at a crossroads, but for me there is only one path. 私は岐路にいるが、選択の余地はない。 I leave behind these words in the hope that, someday, they will serve as a map for someone else. いつか、だれかの道しるべとなることを願い、これを書き残す。 To whomever reads this, Godspeed on your journey. If you ever decide to follow in my footsteps, look me up. これを読む者へ、旅の無事を祈る。もし私の足跡をたどるなら、私を訪ねてほしい。 Ex-calling Hi, Reza. Hello. Are you busy? Mmm, not really. Why? I need to talk to you. Can you meet me at Moca Loco? Sure. When? Now? I m already on my way there. All right. I ll see you in a couple of minutes. Great. See you there. One Brian Westhouse. Brian Westhouse。 I don t usually look this pale, but that s what you get for being in a coma. But that would be a lie. The only thing I could have said...is goodbye. It might just be the most important thing ever. I think he ll be very lonely when I m gone. Security spider. I hate spiders. Security spider. Shit. I really hate those things. Spider revealed What was that? Must be some kind of viral ad... Wonkers, I don t have time to― ―but remember the time we hopped the Vactrax to Europolis without telling anyone, and you got completely shitfaced? Wh-what? I had to carry you to that sleazy hotel down on Jarl Street, and you spent half the night throwing up. Zoë, this is Reza. I, uh, modified Wonkers a bit to make him play a pre-recorded message in case something happened to me. I don t want you to worry. All this means is that I haven t checked in with him for twenty-four hours. I m probably okay. However, in case something s happened, I need you to do me a favour. I keep an updated copy of my notebook in my apartment at all times. It contains everything about the story I m currently working on. I wire over my notes and research twice a day. I need you to get that notebook now, and take it somewhere safe. If I m... If I m in trouble, get the information inside to my editor. You ll need to decrypt it first, so talk to you-know-who. She can take care of that, I m sure. To find the notebook - I keep it somewhere safe - go to my apartment and tell Lucia what I told you the day you left for Cape Town. She will find the notebook for you. Like I said earlier, I m probably okay. Maybe I just forgot to check in. Maybe Wonkers has malfunctioned. But get the notebook, just in case. You re the only person I can trust with this, Zoë. Keep it safe, and I ll see you soon, okay? ―which is why men wear cups. Diane? Well, that s a kick in the groin, Ryan. Thanks! Now, who are you, and what were you doing in my laboratory? The next morning you bought me that antique lighter. Remember? Wonkers, my best mechanical friend. He s a genuine Watilla, but he s a bit...outdated by now. Second examine Poor old Wonker is brainless. Literally. Examine brainless Pick up Reza doesn t have a cat... And why is the door to his apartment open? Oh, my God...the building s being raided! Commandos On your knees! Hands behind your head! Listen, I― I warned you! Please deliver it to Jericho as soon as possible. My mobile s beeping! Beeping I spoke with Jericho a couple of days ago. He called me, asked me some questions, I answered them. That s all. Okay, well, I guess that s a start. Victory Hotel. Return encounter Oh, hello dear. I see. So Benrime sent you to find Magda. Now why would she do a thing like that? And why would she say something like that? Because I m...I m, um, not from around here. That much is quite obvious. Because... Probably because I m not from around here, and I need help. Anyone can see that. You stick out like a black beetle in a flour sack. And that is a very dangerous thing to do. Very well, I will do what I can to assist you. You will certainly need it. I just want to go home again April... I may have heard that name before. What would you with her? I don t know. I need to find her. We have something in common, and I think...I think she s in trouble. And you intend to save her? How do you propose to do that? I don t know that either. I just need to find her. Hmm. Well, I apologise, but I cannot help you there. 201 Twins? They re working together. They were in Reza s apartment back in Casablanca. And they were here last night. So they must ve been the ones who drugged you. Maybe. But I don t understand why they didn t just...kill me. I mean, that s the second time they ve attacked me, and I m still walking. If there s one thing I ve learned it s to not look a gift horse in the mouth. You re alive. Don t ask too many questions. Ow. Maybe you re right. Maybe I should just go home while I m still... You okay, Zoë? Just my head. Yeah, I m okay. You can stay here as long as you need to. And I can call my doctor friend again. No need to go to a hospital. No, I should go home. Thanks, Charlie. I really appreciate it. No problem, girl. Drop by if you re ever in town again. And keep me updated. If you find your friend, or if you...if you hear from April. I will, Charlie. Thanks for everything. Hi, it s me again. I m in― I met Charlie, and I followed your tracks to the hotel. It s too noisy here. I should use one of the VIP rooms upstairs like Charlie suggested. Can t use I hope everything s okay, Reza. Please call me if you― when you get this message. That must be Charlie. Examine, haven t met Charlie seems like a really nice guy. Examine, have met Emma. Her full name is Emma de Vrijer. I read an article about her a while back. She s a performance sculptor. Emma s really down-to-earth. Marcus! I was just about to― Reaction That guy should be selling cars, not junk. Examine far met He looks like he could sell pretty much anything. And, okay, he does. He s a friendly guy. Examine near met He s selling something. Well-stocked store...or garbage dump? There s a door up there. A...mysterious door. There s a neon sign on that wall. The Fringe . Liv s been my best friend through thick and thin. She s awesome. Examine Olivia If Liv doesn t have it in stock, she can get it for you in twenty-four hours - whatever it is. There s so much crap in here, it s a miracle Liv keeps track of it all. Jama Mbaye, my martial arts teacher. Information. He ll know what to do with it. Yes. Yes, I m Helena Chang. How do you know my name? Why did you react to my name earlier? Do you know my father, Gabriel? Castillo She acted a bit strange when I told her my name Your father? No. No, I...I knew a Castillo once. A long time ago. I m sorry, but I don t have time for chit chat. I have to leave. Wait, I need to ask you― What kind of information? Information What s in that package? I m sorry, but that s really none of your business. The package is for Jericho s eyes only. I have to leave. Please deliver the package to Jericho right away. And thanks again for your help. I shall not forget it, Zoë Castillo. Hey. Hey, wait! Dammit. Reza has some serious explaining to do. Between the familiar and the unknown, between certainty and doubt, my choice would seem obvious. 既知と未知、確信と疑念とに関わらず、私の選択は明白だった。 Any sane man would turn around, return to the world he knows, forget what he has learned, and live his life in blissful ignorance. まともな者なら、自分の世界に戻り、すべてを忘れ、屈託のない幸福な人生を送っただろう。 Hiya, Wonkers. Wonkers? Don t you get bored, just sitting here in my room? I know I do. Bored Doesn t Wonkers ever get bored? Zoë! Do you want to play a game? Not today. I m just not in the mood. Oh. Okay, then. Yes, Zoë? Remind me what s on my schedule today, Wonkers. Wonkers can interface with our home server and remind me about appointments I don t get bored. I think a lot. You do? About what? About the fun times we ve had together, Zoë. The memories make me happy. Wonkers, that s...sad. Why? I m not programmed to feel sad, Zoë. I m programmed to feel happy, always. Lucky you. I wish I knew what that was like... Well, there s the gym at eleven thirty. Right. And after that? No, Zoë. That s all. I really need a job... What s on my schedule again? Just the gym, Zoë. You don t have anything else on your schedule. Right. I m absolutely pathetic. So what are the headlines today? He keeps track of all the headlines that might interest me Gagan Garlanka was spotted with Chinese model Vivian Zhu last evening at the swanky Europolis nightclub Bitte . Witnesses told― Mmm, no. Next story, please. Casawi playboy Baptiste Messod shocked audiences at― Skip the entertainment news. Is there anything else? It turns out that Bingo! branded diet wine has more calories than― Do you have any real news? You ve programmed me to track entertainment news and diet related headlines, Zoë. If you want to reprogram my newsfilter, that s easy. Oh. No, I guess I ll...access a newsfeed. I need to get going. Exit Are you sure you don t want to play a game? We haven t played a game in so long. I m sorry, Wonkers. I just...haven t felt much like playing lately. Okay, then. Thanks, Wonkers. Talk to Wonkers Yes? Can I help you? After meeting Charlie What were they talking about? 何のことを話していたのだろう？ Whispering monks comment 囁いていた僧侶のコメント He s meditating. I shouldn t disturb him. During ritual He s waiting for me to step into the circle. After ritual Please, traveller. Step onto the dais. どうぞ、旅の方。台座に上がってください。 Step up again Hey, Zoë. Are we still on for tonight? Definitely. We have the house to ourselves. Just bring a bottle of wine and a date. Wine, I can do - but a date? You ll just have to invite some more guys over. See you tonight, Zoë! I m looking for Charlie. Charlie I can t find Charlie Charlie s right over there. Has talked to Charlie After meeting Emma He s down there, past the bar. Time to move on Whatever. Uh-huh. The place is kinda quiet, isn t it? Quiet This place looks completely dead Look, it s a cocktail lounge, not a café. Right now, it s the middle of the afternoon. Things heat up around midnight, and everyone stays until sunup. Right. That makes sense. Where s Charlie again? He s right over on the other side of the bar. It s not like he s hard to find or anything. So...have you worked here long? Small talk Make with the small talk Why are you asking me questions? Uh...no reason. Okay, so stop. It s annoying. Charlie said I could use one of the VIP rooms to make a call. Private Where s that private room Charlie spoke about? Upstairs. There s an empty one all the way down on your left. Don t stay long. It s been reserved. And don t talk to the VIPs. Because you re...not. Where s the VIP room you said I could use? Upstairs. All the way down on your left. Does it get any more crowded than this? Lounge There aren t exactly a whole lot of people here This is an exclusive cocktail lounge. People don t come here for the crowds. They come here to chill out. It just seems a little dull, that s all. Look, this is how the rich and famous like to party, okay? If you don t like it, you can go back to...to...wherever. Casablanca. Whatever. I. Don t. Care. Time to run That s the hostess. Carlita s coming over tonight for the, uh, soirée . I don t know Jawhar very well, but I ve met him a few times. He s, uh, nice. I guess. Jawhar...something. I don t know his last name. Hey, how are you? I hear you re having a party tonight. Is that right? No. Well, yes, a few close friends are dropping by. You re, um, welcome to join us. If you want. Sorry. I m going nightcrawling with some buddies from college. We ll be running the gauntlet until Monday. Cool. Sounds fun. Good luck with that. Enjoy your weekend. Olivia s store, Alien the Cat . She does quite well for herself. She s got lots of regular customers. So how about them Casawi Critters, Ryan? Well, Diane, funny you should ask. Cricket s coming home, folks, and the Critters are knocking them down like there s no tomorrow! In the opening innings, the Casawi fast-bowlers came out gunning for glory with the fire-power to back it up. Blessed be the Six, child, you startled me! You speak English! Oh, thank God. Listen, I m not sure what s happ― Speak what? Who are you? Where do you come from? I― I don t know. I think I m...I m dreaming. It s just that, no matter what I do, I can t seem to wake up. Dream? This is no dream, child. Do you need me to pinch your arm? What? No. N-no, that s... I m... The twins, they did something to me, something― How did you get in? We don t open until midday. Open what? The inn, child! What do you think? Are you soft-witted or... By the Balance, you are from...from the other side, aren t you? Gracious me, another Shifter. (Sighs) Why do they always end up here? Another what? You must go see Minstrum Magda immediately. She will explain everything. Minstrum Magda? Leave now, but be cautious, and don t speak a word of this to anyone. They have ears everywhere. L-look, I don t know what s going on, and I don t know what a Shifter is or why I m supposed to see this Magda person, and― I understand that you re frightened, child. You don t understand! I have absolutely no idea what s going on! Did you say April Ryan ? Yeah! Do you know her? No. I don t recognise the name. You need to see Minstrum Magda, child. (Deep breath) I guess I don t have a choice, dream or no dream. Where can I find her? She moves around, but Blind Bob ought to know where she is. He s right outside. You can t miss him. Blind Bob, Minstrum Magda, underground cities and strange monsters... I feel like I m inside some kind of fairytale. All right. I ll go talk to, uh, Blind Bob. Thank you. What s your name? Benrime Salmin, child. I m the innkeeper of the Journeyman Inn. I m Zoë. And thank you. I m sure I will see you again. You re the only person I know in this...this place. Blind Bob Just a quick reminder about how we fight. You have light and heavy attacks. Excellent work, Zoë. Have I taught you nothing, Zoë? You need to focus. Where s your mind at? (Fighting noises) Oof! Aah! Ugh! I know this already. It is worth repeating. Light attacks are fast, but can be blocked. Heavy attacks are slow, but they are also unblockable. If you re quick, however, you can dodge a heavy attack. And that will give you the upper hand, since an opponent needs time to recover. Don t get too cocky now. Remember, keep your guard up, block my punches, and attack only when my defenses are down. Got it? Got it. Let s go. Those are Mani wheels, imprinted with the mantra Om Mani Padme Hum . It s a blessing. Liv s been my best friend for years. Dad. "This is an automatic reminder sent by..." Shit. The gym. I have to hurry. I think Dad misses wearing a lab coat. He usually has to wear a suit these days. My backpack. Nothing much in there. Jardin des Roses. The definition of a godforsaken cul-de-sac. Dad hasn t bought any new furniture since I left for university. Dad s carry-on luggage. I should clean up that mess...at some point. I need some new clothes. I don t have anything to wear. My backpack s in here, somewhere. Backpack My backpack s in here. Backpack again Wonkers. Third examine I ll have to put Wonkers together again after all this is over, or I won t be able to live with myself. Examine brainless again Huh? Those clothes are clean...I think. Dad and I have a great system for keeping the kitchen clean. We don t use it. The kitchen hasn t seen much use lately. I m not cooking anything. Not as long as there s take-away. When was the last time anyone pruned anything back there? We so need a new gardening bot. There s the party tonight. There s nothing before that? Hey, Wonkers, I...need you to switch yourself off for me. Switch off Because... Because I just need you to go to sleep for a bit. All right, Zoë. Promise to wake me up later? Sorry. I ll put you back together once this is all over. I just need to twist the neck like... ...that. Ouch. That s it. The processing crystal. I promise. Nighty-night. Home sweet home. I never thought I d be moving back here. It s a weekday, and no one s working, not even a maintenance bot. What s happened to this city? Liv s having her lunch. It s an ancient postbox. Jardin des Roses. Carlita.
https://w.atwiki.jp/keroro00innovator/pages/2685.html
THE IDOLM@STER LIVE THE@TER DREAMERS 05 THE IDOLM@STER LIVE THE@TER DREAMERS 05 発売日 2016年1月27日 レーベル ランティス デイリー最高順位 2位(2016年1月27日) 週間最高順位 3位(2016年2月2日) 月間最高順位 4位(2016年1月) 年間最高順位 46位(2016年) 初動売上 10555 累計売上 12141 収録内容 曲名 アーティスト タイアップ 視聴 3 Dreaming! 双海亜美(下田麻美),木下ひなた(田村奈央),野々原茜(小笠原早紀),ロコ(中村温姫),松田亜利沙(村川梨衣),横山奈緒(渡部優衣),四条貴音(原由実),豊川風花(末柄里恵),三浦あずさ(たかはし智秋),百瀬莉緒(山口立花子) THE IDOLM@STER ミリオンライブ! キャラソン 4 "Your" HOME TOWN 双海亜美(下田麻美)×木下ひなた(田村奈央) 5 fruity love 野々原茜(小笠原早紀)×ロコ(中村温姫) 7 夜に輝く星座のように 松田亜利沙(村川梨衣)×横山奈緒(渡部優衣) 8 秘密のメモリーズ 四条貴音(原由実)×豊川風花(末柄里恵) 9 たしかな足跡 三浦あずさ(たかはし智秋)×百瀬莉緒(山口立花子) ランキング 週 月日 順位 変動 週/月間枚数 累計枚数 1 2/2 4 新 10555 10555 2016年1月 5 新 10555 10555 2 2/9 7 ↓ 981 11536 3 2/16 ↓ 340 11876 4 2/23 265 12141 2016年2月 ↓ 1586 12141 関連CD THE IDOLM@STER LIVE THE@TER DREAMERS 04 THE IDOLM@STER LIVE THE@TER DREAMERS 06 THE IDOLM@STER SideM ST@RTING LINE-07 彩 THE IDOLM@STER SideM ST@RTING LINE-08 FRAME THE IDOLM@STER キャラソンシリーズ
https://w.atwiki.jp/asuka-ch/pages/254.html
突発！！表チームバトル！！ やまびこの里 VS アンチやまびこの山 概要 ルールやまびこの里チーム アンチやまびこの山チーム 参加者と配信場所 戦果 リンク 読みを答えよ 概要 3時間RTA 見苦しい低層ループを避けるため，すべてのプレイヤーが AsukaHackShibariHojoTextを使いうろこの盾と鉄扇を所持しスタート やまびこ派はこれに加え，やまびこの盾を所持する． やまびこ派は必ずメイン盾に山印を入れること． ただし合成のタイミングは自由． 逆にアンチやまびこ派は，やまびこの盾，印を使ってはならない． 企画 橘 日時 2010年12月8日（水） 20時30分 ダンジョン 白蛇島 制限時間 3時間 チャット会場 #asuka-ch 階層報告先 #asuka-ch2 裏方 橘 ルール ルール チーム内での(i)到達階層，(ii)経過時間/(i)，(iii)経過ターン/(i)それぞれの平均値を比べ，優勢だった項目を多く占めている側が勝利 AsukaTools おおむね可．故意でない強制終了での AsukaRestart は可．AsukaHackShibariHojoText を使用する．乱数値固定/非固定は自由 バグ利用 換金・変化バグ可．店主焼き可 Asukagrid 可 エビマヨツール 可 Koppa 可（使い方） やまびこの里チーム AsukaHackShibariHojoText鉄扇，うろこの盾，やまびこの盾 やまびこの盾がにぎりへんげの被害に遭うのを見越し，複数所持しても良いが「修正値が最低の盾を使用する」「余った盾の換金を禁止・即時破棄する」ことが条件 メイン盾に山印を入れること アンチやまびこの山チーム AsukaHackShibariHojoText鉄扇，うろこの盾 やまびこの盾または山印入り盾の装備を禁ずる．店売り・修正値化への利用などは制限しない 参加者と配信場所 配信場所が明示されていない参加者は自chで配信する． やまびこの里 アンチやまびこの山 チェキ(ust2) にろく ななみん(jus2) へいほう(us1) ななよん(jus1) チアキ Paul 戦果 Paulは2時間近く遅れての参加だったため，結果には反映しない． (i)到達階層 [Floor] (ii)経過時間/(i) [minute/Floor] (iii)経過ターン/(i) [Turn/Floor] アンチやまびこの山 (i) (ii) (iii) にろく 41 2.1 296 へいほう 111 1.51 167.17 チアキ 31 2.387 300.065 チーム平均 61 1.999 254.411 やまびこの里 (i) (ii) (iii) チェキ 51 2.254 301 ななみん 89 2.011 203.348 ナナシ 89 1.78 241.887 (Paul) 24 1.75 250.458 チーム平均 76.333 2.015 248.602 条件(i)，(iii)の2項目について優勢だったやまびこの里チームが勝利した． リンク アスカch 風来ch アスカチェッカー画像うｐロダ 階層報告所 AsukaPlayers じゃわてぃーの多窓 Ustream/Jusin同時視聴ページ 獄卒ch獄卒チェッカー 読みを答えよ 語彙力 戦火 漁り火 篝火 船尾 萎縮 台本 橘