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https://w.atwiki.jp/vocaloidenglishlyric/pages/1208.html
【Tags Gumi Utsu-P tT D】 Original Music title ディス・イズ・ラブソング English music title This Is Love Song Romaji music title Dhisu Izu Rabu Songu Music Lyrics written, Voice edited by 鬱P (Utsu-P) Music arranged by 鬱P (Utsu-P) Singer(s) Gumi (Megpoid) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： We are even more mindless than those bugs, although I don t know much about your intelligence. While dribbling with lines of words smeared with semen, I aim to dance a waltz with you. At a banquet covered in sticky menstrual blood, I saw a love game indescribable in pictures. Lures, sweet to the point of making me want to puke, were creeping inside people skirts. Forcing a smile to others boring jokes, I look at my reflection on a dirty glass cup. Suddenly a sense of self-aversion is growing within me am I the same as my dirtied reflection? This is how people clash with one another. As I snatch a pair of demon eyes, why don t you tell me how that red honey tasted? Please answer me. I won t be rescued from this night. My bosom hurts because I can t find any confidence. Ah, am I also all about sex? Or love? This banquet of blessing is hosted by demons and monsters whose pupils are glaring with undying light. Before they eat you up all the way to your innards, I wish to rescue you with my hands. From the very bottom of my one and only soul, I cry out your name " ". Beside me, I heard another gunshot, which killed a fetus. No one is grateful to me for what I m doing in this night. My bosom hurts, and I don t even understand my own heart anymore these days. I won t be rescued from this night. Into your furiously burning heart, I shall bring some love from hell. Am I also all about sex? Or love? I m not so sure anymore. Romaji lyrics (transliterated by animeyay)： bokutacha sokora no mushi yori teinou kimitacha dou da ka shiranai ga seieki-mamire no serifu o tarashi anata to no warutsu mezashimasu keiketsu betotsuku utage de mieta e ni sura naranee rabu geemu hakike ga suru hodo amai gijie ga sukaato no naka o haizutta waraenu jooku ni muri-yari egao kegareta gurasu ni utsuku boku fui ni osoikuru jiko e no ken o boku mo are to onaji ka hito to hito no butsukariai desu oni no me nusunde akai mitsu wa donna aji ga shita? kotaete o-kure sukuwarenai yoru mune ga itamu riyuu wa kakushin motenai aa, watashi mo sei? soretomo ai? giragira hikaru doukou ga musuu ni shukufuku no utage o ageru chimi-mouryou naizou made kuitsukusareru mae ni watashi no kono te de sukuidashitai yo futatsu to nai tamashii no okusoko de kimi no na o sakebu " " tonari de mata juusei kikoeta taiji-goroshi no mukuwarenai yoru mune ga kurushiku narite jibun no kokoro sae wakaranai hibi sukuwarenai yoru moesakaru kokoro no naka jigoku yori ai o todoke ni yuku yo watashi mo sei? soretomo ai? mou wakaranai [Utsu-P, UtsuP]
https://w.atwiki.jp/cryptwiki/pages/56.html
以下はがSakuracoinの経緯と開発者（Ohac氏）の活動と意見です。 私見として、現状のSakuracoin批判は度が過ぎていると思います。 おそらくSakuracoinが流行ることで、Monaに影響がでると考える人たちが行っているのだと思いますが、その人達の意見の多くは、 わたなべ氏の意志に反して勝手にコピーした Torを使用して取引所に不正に上場させようとしている というものが多いですが、これらは下記のまとめを読んでいただければ、それらの意見が曲解であるかということがわかるかと思います。 また、Torに関しては、Sakuracoin運営側がしているという証拠もなく、根拠の無い無意味な批判と思います。 （Torは性質上、使用者がわからないので運営者側がしていない、という確証もありませんが） 2014/05/11 5 03 VIPでの指摘により、337 名前：2chpool ◆bzJIFpVqts [sage] 投稿日：2014/02/04(火) 17 20 33.47 ID nkF7rTZ+0 のレスを追加しました。重要な欠落があったことをお詫びします。 230 ： 2chpool ◆bzJIFpVqts[sage] 投稿日：2013/12/23(月) 02 56 33.12 ID ktifmxiP0 [1/2回(PC)] 夜中にコッソリ公開 2ch発仮想コイン、モナーコイン コインの画像、公式サイト、poolは仮です。 最初のうちは、コインリセットがあっても泣かない人だけ試してください。 2chpoolのトップページ下からクライアントがダウンロードできます。 ソースもそのうちgitにアップします。 370 ： 名無しさん＠お腹いっぱい。[sage] 投稿日：2013/12/23(月) 09 00 34.35 ID Eb6MTh3A0 [6/8回(PC)] Monacoinが最大168 million、Dogecoinが100 billion、Litecoinが84 millionなので、 理論的にはMonacoinはDogecoinの600倍からLitecoinの1/2倍あたりの値幅が適正ということになるね 379 ： 名無しさん＠お腹いっぱい。[sage] 投稿日：2013/12/23(月) 09 29 15.46 ID I+ne+o/D0 [8/14回(PC)] . 370 解説有難う。 自分で調べるのが面倒で、掘った雰囲気だけでレスしてしまった。 日本語が通じると怠け者になるな。 最初だから沢山掘れるだけなのね。 Bitcoinフォーラムにもスレッド立てないとね。 自分らだけで利益独占（2ch内でプレマイン）とか思われたくないよね。 どなたか英語が堪能でコインの知識もある人がスレ立てしてはどうだろう。 381 ： 2chpool ◆bzJIFpVqts[sage] 投稿日：2013/12/23(月) 09 34 47.12 ID +zd6iyeT0 [1/1回(PC)] . 379 少々お待ちください。 現状はまだβテストのレベルなので、クライアントも修正する項目が残っております。 また、ソースの公開など環境を整えなければならないので、、、 世界的に公平性を保つなら、正式公開時にコインリセットもありだと思います。 383 ： 名無しさん＠お腹いっぱい。[sage] 投稿日：2013/12/23(月) 09 40 37.79 ID Eb6MTh3A0 [7/8回(PC)] . 379 それも大事だけどまずはMonacoinのインフラを整えることが重要では？ MonacoinのPoolをもっと作らなくてはいけないし、Mac, Linux用のクライアントも必要、 あとはMonacoin用のウェブサービスを立ち上げるためのmonacoindが欲しい それをするためにはソースコードがまず必要 ということで暇ができたらMonacoinのソースコードをGithubかBitbucketあたりに投げてください 作者 392 ： 2chpool ◆bzJIFpVqts[sage] 投稿日：2013/12/23(月) 09 51 45.16 ID EHb2xHMg0 [1/1回(PC)] . 383 それは後で公開します。 最初に書きましたが、コインリセットされても泣かない人だけ試してください。 .あと、使われている画像も仮なので、ちゃんとデザインしてくれる方がいると有難いです。 poolについてはクラウドサーバーで運営しているので、接続人数が増えれば対応します。 今回のサーバー停止は初期集中時cronタイミングの見積もりが甘かったためです。 また、dnsseedも稼働していて、一通りのbitcoinネットワークの形成はできていると思います。 先ずは、画像差し替え、MNCの修正、ソース公開、OSX版ｑｔの用意、くらいがローンチに必要と 考えています。 ああ、あとポータルサイトか・・・ 427 ： 名無しさん＠お腹いっぱい。[] 投稿日：2013/12/23(月) 10 48 17.34 ID hwi3zVCp0 [3/7回(PC)] 200kh/s、cudaminerでプールとソロ合わせて3時間回して1万1千mona貯まった 初めのうちは3分くらいに1ブロックだったけど今では約6分おき クライアントのMNC表記をMONAに修正するとしたら今のコインリセットされる？ 429 ： 2chpool ◆bzJIFpVqts[sage] 投稿日：2013/12/23(月) 10 59 30.25 ID s/bAT3jt0 [1/1回(PC)] . 427 表記の変更のみならリセットはされませんが、皆さんのご意見を伺って リセットした方がいいかなという気にはなってます。 公開も一旦やめた方がいいかな？ 437 ： 名無しさん＠お腹いっぱい。[sage] 投稿日：2013/12/23(月) 11 09 51.95 ID LjpCRG/R0 [3/3回(PC)] そうだな リセットするなら早めに告知してくれ 439 ： 名無しさん＠お腹いっぱい。[sage] 投稿日：2013/12/23(月) 11 13 07.13 ID GsFOHTi20 [1/1回(PC)] では、リセットします。 ここで、旧Monacoinのリセットが決定します。 ソースを公開していない状態で広まるのもまずいのでクライアント公開もやめました。 poolも一旦落とします。 コイン画像、QT起動時のスプラッシュ画像募集中！ 709 ： 2chpool ◆bzJIFpVqts[sage] 投稿日：2013/12/25(水) 01 40 10.24 ID S+LcZv1Z0 [1/1回(PC)] . 453 . 467 . 561 . 652（※これらの安価はMonacoinのウォレットに使用する画像を作ってくれた人へのレスです。） さん、ありがとうございます。 個人的には 561さんのシンプルデザインが好みかな～と。 アイコンは認知度という点で他のコインと同じく変えない方がいいかなと思っています。 公開時期ですが、今週はないです。 最低限コインデザイン、スプラッシュ画面は差し替えないといけないので。 それとLitecoinのライセンスを消している部分があったので、それを変更しないと怒られます。 また、初期の攻撃を気にしている方もいるので、ソース公開は少し間を置こうかと…。 必要なのは https //github.com/litecoin-project/litecoin/tree/master-0.8/src/qt/res/images https //github.com/litecoin-project/litecoin/tree/master-0.8/src/qt/res/icons https //github.com/litecoin-project/litecoin/tree/master-0.8/share/pixmaps に入っているLitecoinの物をモナーコイン仕様にしたものです。 ご協力頂けると助かります。 2chならマジックテープの財布だよな、と思ってMNCのスプラッシュはマジックテープの財布にしました。 旧クライアントはプログラム的には３日前からの開始で、公開時にガンガン掘れてしまったので 次回は公開の１日以内に設定し、最初はソロマイニングメインでpoolは数時間後に公開にしようと思います。 最初はソロマイニングの方が効率も良いのとpoolへの処理負荷を軽減するためです。 旧クライアントは出来ればこれ以上は拡散しないで欲しいです。 ここの人なら事情は分かっているのでいいのですが、経緯を知らない人が新モナーコインが 出たときに混乱すると思うので。 ※このレスで2chpool氏の旧Monacoinに対する意思を表明します。 ２chpoolスレ２ 89 ： 2chpool ◆bzJIFpVqts[sage] 投稿日：2013/12/31(火) 04 34 57.38 ID 130HEqku0 [2/6回(PC)] bitcointalk なんですが、アカウントがそれまで無かったのでnewbiesにしかトピック追加できませんでした。 https //bitcointalk.org/index.php?topic=392088.0 どなたかnewbieじゃない方、Alternate cryptocurrencies に書き込んでもらえるとありがたいです。 ↓本文ソース [center][img]http //monacoin.org/img/monacoin.png[/img] [size=15pt]http //monacoin.org/en/[/size] [b][color=blue][size=15pt]Specifications[/size][/color][/b] Algorithm Scrypt Premine none Block reward 50 MONA Block time 1.5 minutes Retarget 1056 blocks Totalcoins 168 million windows Qt https //drive.google.com/folderview?id=0B93mBzNdms5fd1AyWEJOcUlYeW8 usp=sharing mac Qt https //drive.google.com/folderview?id=0B93mBzNdms5fZ3RGVW1QMXN4bkk usp=sharing 104 ： 名無しさん＠お腹いっぱい。[sage] 投稿日：2013/12/31(火) 09 18 36.78 ID 5cERGisG0 [1/1回(PC)] . 89 スレ立ったぞ https //bitcointalk.org/index.php?topic=392436.0 立てた人乙 ここで、海外の暗号通貨の掲示板にスレッドが立ちます。 スレッドを2chpool氏の要望により立てたのは、Sakuracoinの開発者、「Ohac」氏です。 その中で、 #4 Why no premine? （なぜプレマインしてないと言えるの？） と質問がありました。 (海外ではプレマインは非常に嫌われます。) そこでOhac氏は Quote from nocoin on December 31, 2013, 12 25 39 AM （nocoin） Quote Sakuracoin is compatible with old monacoin （Sakuracoinは旧Monacoinと互換性があるよ。） Quote from ohac on December 31, 2013, 12 23 53 AM （Ohac） SakuraCoin is not Monacoin. （SakuracoinはMonacoinではありません。） Just another coin. （今回のものは別のコインです） I see. And this commit https //github.com/ohac/sakuracoin/commit/56f933d58d33d2cbdd09006647dc9fb1552d18b8 says for itself. Actually, I am not author of old (and new) Monacoin. （私はMonacoinの製作者ではありません。） I ve just post this topic on behalf of the author. （私はMonacoinの作者の代わりにこのトピックを投稿しました。） The author is in 2ch.net. （製作者は２chの住人です。） I reverse engeneered old Monacoin. (genesis block and exe file) （私は旧Monacoinをリバース・エンジニアリング（ソースコードの解析）しました。（ジェネシスブロックとEXEファイルを）） And named it SakuraCoin. （そしてそれをSakuracoinと名づけました。） The new Monacoin will have another genesis block. （新Monacoinは別のジェネシスブロックを持っています。） とレスをしました。 （ジェネシスブロックとは、ブロックチェーンの一番初めのブロックで、これをもとにブロックチェーンが作成されるので、これが変われば別の暗号通貨と同じ扱いになります。） 2chpoolスレ７ こちらでは、わたなべ氏による見解が書き込まれています。 337 名前：2chpool ◆bzJIFpVqts [sage] 投稿日：2014/02/04(火) 17 20 33.47 ID nkF7rTZ+0 Monacoinと競合するコインについて、私の見解を聞きたいとのメールを頂きました。 どのコインが生き残っていくかは利用者が決めることなので、良いんじゃないでしょうか。 そもそもMonacoinが99.9%Litecoinのソースだし、MITライセンスで配布している以上は 利用し、利用されながらその周辺が活性化するのが関わった開発者たちの目的だと思います。 おっぱいコインは脅威です ttp //tittiecoin.com/ また、したらばのスレッド（http //jbbs.shitaraba.net/internet/19552/storage/1388808055.html）で、旧Monacoinを流用した件についての書き込みがあります。 407 ：NanashiCoin：2014/02/12(水) 20 52 23 ID /Oa43dBw0 ちょっと純粋に聞かせてほしいんだけれども、 1.知っての通りこのコインは旧monaの後継として動いてるわけだけれど、 そもそも旧monaとしてもsakuraとしても海外のフォーラムなどといった場所で正式な告知をしていない点に関しての認識。 2.上に関連し、givawayとかを使いそのあたりの格差は埋めるとは言ってるけれども、 そもそも海外ですらpre-mineが問題になってる中で、その解決策で本当に受け入れられる（納得させられる）のか？ 3.旧monaであるがゆえに、いくらか通貨自体がロストしている可能性が高い件について。 4.そもそもこのsakuraを動かしている開発者近辺は、sakuraをどのような位置づけの通貨として考えているのか？ たぶんここは1とかを踏まえてになるのかな？ このあたりをちょっと聞いてみたい。 あとvipとかでsakuraの話題投下してた人が見てるかわからないけど、軽く言うことがあるとすればmonaやltc,btcがメインのところに 急に話を持ってったって主開発者が破棄してる以上、単なるスパムとしてしか認識されないから拒否反応示すだけだよ。 話を持っていくにしても、こちら側で向こうに対してここ(sakura)の認識を変えさせるだけの実績を作らないと。 まあそうじゃなくても向こうはアプローチをどうするかとかで若干停滞気味なとこがあってピリピリしてるからなぁ・・・ ちょっと別の話が入りましたが上の4つに関しての認識などを聞かせてもらえたらなと思います。 424 ：ohac ◆LltJe.lBnI：2014/02/12(水) 23 37 48 ID RoKBiZNY0 真面目な議論ばかりでアレですが。 . 407 人によって解釈は違うと思いますが、私の考えを一応書いておきます。 まず、私はそんなに深い意味を持ってsakuraを作ったわけではないです。 1. 旧monaは12/23にこっそりと公開されたので、海外に告知しても日本人による プレマイン通貨と批判されるだけと思うのと、新monaの告知の邪魔になるのもあれ なので何もやりませんでした。 それに英語でいろいろ書いたり、コメントに反応するのも大変ですし。 (新monaの告知は結局私がやりましたが、わたなべ氏のテキストをコピペしただけです。) あと、Bitcoin等の他の通貨によって、日本の資産が海外に取られている感じがして いたので、日本国内で回る通貨があった方がいいなぁと思っていて、2chからコイン が出てきそうだったのでずっとウォッチしていました。 それでようやく出てきたのが旧monaですが、特に不具合があったわけでもなく、 ソースも公開するはずだったものが公開されなかったので、冬休みの楽しみがなく なったと感じたのと、一度公開されたものを停止することなんて技術的にできるのか という疑問があり、やってみただけです。 twitterやしたらばでつぶやきながら、GitHubにもソースを上げながらやってましたし、 全然隠しているつもりはなかったのです。1/1までは他の人も掘っていましたし。 2.個人的には海外に持っていかれるよりはマシかと思っていたのですが、そうは思わ ない人が多いみたいなので、受け入れられるかどうかは私には分からないです。 ただ、どのコインでも完全に公平にはできないので、ある程度は仕方ないかと思います。 3.はしょうがないかと思います。誰かが亡くなられてもLostするでしょうし。 4. 日本版のCoinWarzみたいな感じになればいいなぁと思っていましたが、考えが 甘かったようです。これからも考えていかないといけないかと思っています。 433 ：NanashiCoin：2014/02/13(木) 01 53 17 ID YMObN14U0 ohac氏は旧モナコインのソースが公開されなかったと言っていますが 開発者が旧モナコインを製造過程という位置づけをしているなら正式版で ソースを公開していればライセンス的には問題は無いです 実際にモナコインは正式版として体裁を整えてソースも公開されています 過去ログを見る限り開発者はソースを公開しないうちは再配布を止めてくださいと お願いしているのでむしろそれを聞かずに配布を続行したのはライセンス的には 問題ないとはいえソフトウェア業界の紳士協定としてはＮＧです 512 ：ohac ◆LltJe.lBnI：2014/02/14(金) 22 30 38 ID ij91qtHk0 . 433 確かに、MITライセンスなのでソースを公開する義務はありませんし、問題はないと思います。 「あとでソースを公開する」と書いていたので、私がそれを期待していただけでした。 どうしてもLinuxで動かしたかったのです。 あと、私はバイナリの再配布はしておりません。 あくまでもLitecoinベースで新しく作成したのです。 たぶんクリーンルーム設計やフェアユースというやつになると思います。 逆アセンブルしたコードをそのまま起こしたというのではないですので。 作者の移行を無視してジェネシスブロックをコピーした件については本当に申し訳なく 思っていますが、そろそろ許していただけないでしょうか。わたなべさんには謝罪しましたし、今さらSakuracoinを止める訳にもいきませんし。 なお、Windows用のバイナリのビルドに手間取り、WindowsでSakuracoinを使いたいと思っておられた方にはご迷惑をおかけしました。 今もMac用のバイナリが用意できておりませんが、今はWebウォレットとプールがあるので年末年始のような状況よりはだいぶマシになっているかと思います。 285 ：BM ◆aGq5CgpBI6：2014/02/01(土) 20 19 35 ID Jhv2AH2U0 230 名前：以下、名無しにかわりましてVIPがお送りします[] 投稿日：2014/02/01(土) 20 00 12.70 ID FOSxvqxg0 . 215 ソフ板でたんまり採掘されてるから何とか価値をつけようと必死なんでしょ そういうのを無くすために海外にも公平に公開したんじゃないのかと だからMonacoinにsakuracoinを絡ませるのは反対 散々な言われようですね。 コインを持っている人間が率先して配らなければ仮想通貨のコミュニティは発展しないということを知らないのでしょうか？ 確かにたんまり俺やohacさんなどは貯めこんでいますが、これはブロックを進めるために掘った副産物ですし、このまま貯めこむつもりは毛頭ございません。 俺はsakuracoin、ひいては桜が大好きなので広めたいだけであって、このコインで得られる儲けには興味がありません。儲けるならlitecoinを掘っています。 また、俺はmonacoinの広報にも貢献しています。その際にはもちろん自発的にコインを持たざる不特定多数に配りましたし、コミュニティを広げるための活動で現金の財布からも出資しました。 当たり前ですが広報の時にはsakuracoinが有利になる発言はしませんでしたし、monacoinが不利になるようなこともしませんでした。 俺はただ仮想通貨が好きなだけです。仮想通貨で儲ける事ではなく、仮想通貨そのものが大好きです。 たまたまsakuracoinのブロック情報が旧monacoinから受け継がれたというだけで叩かれたのでは堪ったものではありません。 無断で引用された事こそは確かに許されざることだとは思いますが、だからといって有る事無い事言って実態の無い批判をするのは止めてください。 あなたがしていることはmonacoinのアンチと変わりません。あなたはそうなることを望んでいないはずです。 monacoinのスレでsakuracoinの宣伝はしたくないので直接は書き込みません。 長文失礼 286 ：ohac ◆LltJe.lBnI：2014/02/01(土) 20 29 37 ID bjxJGkNc0 正直、儲けたければ去年の12月前半のようにCoinWarzを見ながらマイニングを 継続してましたよ。 今の状態は精神的にも負担ですし。 ジェネシスブロックを解析して継続したのが気に入らないみたいですけど、 新規で作り直してもまたいろいろと理由を付けて攻撃されると思うので、 このまま続行したいと思います。 とレスされています。 また、このスレッドではSakuracoinの意義なども議論されています。 また、アドレスの頭文字がMonaの名残で「M」になっていることに関しても、 批判的な意見ではいかにも見栄えを良くするために無理やりこじつけたというニュアンスで語られることが多いですが、 実際には、上でのまとめを読んでいただければ、暗号通貨として運営するために必要なことであったということがわかるかと思います。 327 ：BM ◆aGq5CgpBI6：2014/02/07(金) 03 17 54 ID AnwMXWcA0 sakuracoinの意義について少し考えたのですが、 「日本古来の伝統文化を守り、支えるコミュニティのコイン」というのはどうでしょうか。 実際にどのような活動をして支えるのかはまだ思い付きませんが、名前的にはやはりこれがいいと思いました。 参考にしたサイト ttp //ja.m.wikipedia.org/wiki/%E3%82%B5%E3%82%AF%E3%83%A9 ttp //okwave.jp/qa/q544631.html 347 ：ohac ◆LltJe.lBnI：2014/02/08(土) 10 17 43 ID XlDmfPTY0 . 327 私もその案が良いと思います。 できたらなんらかのリアルマネー寄付活動と関連付けることができたらよいですね。 タダでgiveawayするのと平行して、寄付活動してくれた人には多めにgiveするとか。 証拠を付けるのは難しいので、「寄付したよ」という書き込みがあれば寄付したとみなすとかでもいいかも。寄付してなかったとしても寄付先の宣伝にもなるし悪いことではないと思うし。 あと私がgiveawayできる額は現在のところ10万SKRです。 全体の5%にも満たないですが。 以上がSakuracoinに関するまとめです。 Sakuracoinに関する大くの批判にコミュニティが沈んでしまわないように、微力ながら力添えするために作成しました。 日本の暗号通貨のコミュニティが健全に運営されていくことを望みます。 コメント欄です。意見は以下にお願いします。 根拠の無い批判、誹謗中傷は削除します。 ピンポンでのアクマのセリフで「どこで間違った」ってあったけど、最初から間違ってたんだよね。このコインも同じ。一連の流れを読んでも「拡散しないで」って言ってるのに対して「勝手に拡散した」としか取れない。最初から間違ってるんだよ。 - 名無しさん 誤訳 Sakuracoin is compatible with old monacoin （Sakuracoinは旧Monacoinと互換性がある） - 名無しさん ご指摘ありがとうございます。修正しました。 - wiki管理 うーん。使わないでねって言われてるのを勝手に使ったんだから叩かれても文句言えないんじゃ。そもそも仮想通貨や桜が好きなだけなら旧モナからジェネシスブロック引き継いだ意味がわからない - 名無しさん sakuracoinを広めたくて、なおかつ叩かれたくないなら旧sakuracoinとして破棄して、新sakuracoinを作ったらいい。できないならプレマインした分で儲けたいと思われて当然。名前は好きだから正常化してほしいもんだね。 - 名無しさん 1.関係者みたいなこと言ってるけど突然出てくる「BM ◆aGq5CgpBI6」って誰？ 2.「実際には、上でのまとめを読んでいただければ、暗号通貨として運営するために必要な～」さっぱりわからん - 名無しさん 名前
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CHAPTER XXXV UP CHAPTER XXXVII CHAPTER XXXVI The Glory and the Dream On the morning when the final results of all the examinations were to be posted on the bulletin board at Queen s, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you ll win one of them anyhow," said Jane, who couldn t understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I m not going to march up to that bulletin board and look at it before everybody. I haven t the moral courage. I m going straight to the girls dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do DON T sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen s they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls dressing room amid hearty cheers. "Oh, Anne I m so proud! Isn t it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane "Oh, won t Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you re glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It s not the first time I ve been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren t you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it s so good to be back again. It s so good to see those pointed firs coming out against the pink sky-- and that white orchard and the old Snow Queen. Isn t the breath of the mint delicious? And that tea rose--why, it s a song and a hope and a prayer all in one. And it s GOOD to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were INFATUATED with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I ve so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I m tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You ve done splendidly, Anne. I suppose you won t be teaching now that you ve won the Avery?" "No. I m going to Redmond in September. Doesn t it seem wonderful? I ll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn t it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can t afford to send him to college next year, after all, so he means to earn his own way through. I expect he ll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn t," said Marilla in a troubled tone. "He s had some real bad spells with his heart this spring and he won t spare himself a mite. I ve been real worried about him, but he s some better this while back and we ve got a good hired man, so I m hoping he ll kind of rest and pick up. Maybe he will now you re home. You always cheer him up." Anne leaned across the table and took Marilla s face in her hands. "You are not looking as well yourself as I d like to see you, Marilla. You look tired. I m afraid you ve been working too hard. You must take a rest, now that I m home. I m just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It s not the work--it s my head. I ve got a pain so often now--behind my eyes. Doctor Spencer s been fussing with glasses, but they don t do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I ll have to. I can t read or sew with any comfort now. Well, Anne, you ve done real well at Queen s I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn t believe in the higher education of women at all; she says it unfits them for woman s true sphere. I don t believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father s and he d always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he d think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad s Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You ve been working too hard today, Matthew," she said reproachfully. "Why won t you take things easier?" "Well now, I can t seem to," said Matthew, as he opened the yard gate to let the cows through. "It s only that I m getting old, Anne, and keep forgetting it. Well, well, I ve always worked pretty hard and I d rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I d be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I d rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that-- rather than a dozen boys. Well now, I guess it wasn t a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I m proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXV UP CHAPTER XXXVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 12 41 (Tue)
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サンギル語 ｜Austronesian languages｜Malayo-Polynesian languages｜Sulawesi languages｜ 言語類型 現用言語 使用文字 ラテン文字【Latn?】 type living language writing system Latin alphabet ISO 639-3 【sxn】 言語名別称 alternate names Sangihé Sangih Sangirese Sangi 方言名 dialect names Central Tabukang Kandar Manganitu North Tabukang (Tabukang, Tabukan) Siau South Tabukang Tagulandang (Tahulandang) Tamako Taruna 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia
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A model of the perceived stigma of nondrinkers in the workplace (2021-10-28) The impact of virtuality on team effectiveness in organizational and non‐organizational teams A meta‐analysis (2021-10-21) A stage of limbo A meta‐synthesis of refugees' liminality (2021-10-15) Effectiveness of source‐monitoring training in reducing halo error and negativity bias in a performance appraisal setting (2021-10-06) Perceptions of organizational politics A restricted nonlinearity perspective of its effects on job satisfaction and performance (2021-10-05) Organisational interventions to improve employees' health and wellbeing A realist synthesis (2021-09-24) Do Temporary Workers Always Lower Workgroup Effectiveness? The Moderating Effect of Job Similarity in Blended Workgroups (2021-09-20) Mercurial Hearts A Dyadic Perspective on the Role of Affect Spin in Work‐Family Conflict and Marital Satisfaction (2021-09-20) Cultural Intelligence and Language Competence Synergistic Effects on Avoidance, Task Performance, and Voice Behaviors in Multicultural Teams (2021-09-20) Business Owner‐Employees Contagion of Work‐Related Affect and Employees’ Innovative Behavior in Small Firms (2021-09-20) Leader‐Follower Congruence in Need for Achievement and Work Outcomes The Mediating Role of Leader‐Member Exchange (2021-09-20) You Wouldn’t Like Me When I’m Angry A Daily Diary Study of Displaced Online Aggression in Dual‐Earner Couples (2021-09-20) The Effect of Attachment Diversity on Team Performance and the Moderating Role of Perceived Organizational Support (2021-09-20) Assessing Facets of Mindfulness in the Context of Work The Mindfulness@Work Scale as a Work‐Specific, Multidimensional Measure of Mindfulness (2021-09-20) Candidate Effects on Election Outcomes Political Skill, Campaign Efficacy, and Intentions in a British General Election (2021-09-20) A Resource‐Based Perspective on Organizational Citizenship and Counterproductive Work Behavior The Role of Vitality and Core Self‐Evaluations (2021-09-20) A Low‐Intensity, High‐Frequency Intervention to Reduce Procrastination (2021-09-20) Human Resource Management A human capital‐based framework of career, well‐being, and social information reasons for managerial lateral job assignment preferences (2021-12-06) Navigating the era of disruption How emotions can prompt job crafting behaviors (2021-11-23) High commitment work systems and employee well‐being The roles of workplace friendship and task interdependence (2021-11-12) Chief executive officer positive framing and employee ownership (2021-11-10) Meaningfulness of work and supervisory‐rated job performance A moderated‐mediation model (2021-11-10) The experience of commitment in the contemporary workplace An exploratory reexamination of commitment model antecedents (2021-11-10) HR ambidexterity and absorptive capacities A paradox‐based approach to HRM capabilities and practice adoption in MNC subsidiaries (2021-11-10) Stingy principals or benevolent stewards Reward practices in family versus nonfamily trucking companies (2021-11-10) Pay for beauty? A contingent perspective of CEO facial attractiveness on CEO compensation (2021-11-10) How does affect relate to job search effort and success? It depends on pleasantness, activation, and core self‐evaluations (2021-11-10) Do leaders condone unethical pro‐organizational employee behaviors? The complex interplay between leader organizational identification and moral disengagement (2021-11-10) The double‐edged sword of job crafting The effects of job crafting on changes in job demands and employee well‐being (2021-11-10) Issue Information (2021-11-10) Corrigendum (2021-11-10) The dynamics of diplomatic careers The shift from traditional to contemporary careers (2021-11-03) The road taken and the path forward for HR devolution research An evolutionary review (2021-10-20) It takes two to tango Knowledge transfer between expatriates and host country nationals (2021-10-20) Recruitment brand equity for unknown employers Examining the effects of recruitment message claim verifiability and credibility on job pursuit intentions (2021-10-08) The performance impact of gender diversity in the top management team and board of directors A multiteam systems approach (2021-09-17) The dark side of leader–member exchange Observers' reactions when leaders target their teammates for abuse (2021-09-09) Unraveling the relationship between high‐performance work systems and firm performance A mediation analysis (2021-09-07) How and when do prior international experiences lead to global work? A career motivation perspective (2021-09-03) The treatment of disabled individuals in small, medium‐sized, and large firms (2021-09-01) What you see is what you get? Measuring companies' projected employer image attributes via companies' employment webpages (2021-08-30) Assessing job crafting competencies to predict tradeoffs between competing outcomes (2021-08-13) How workplace support for the COVID‐19 pandemic and personality traits affect changes in employees' affective commitment to the organization and job‐related well‐being (2021-07-21) Exploring the pandemic's potential effects on workers' collectivist values, prosocial behaviors, and attitudes toward mistreatment (2021-07-16) Leveraging green HRM for firm performance The joint effects of CEO environmental belief and external pollution severity and the mediating role of employee environmental commitment (2021-07-13) The effects of negative mentoring experiences on mentor creativity The roles of mentor ego depletion and traditionality (2021-06-08) Does pay for individual performance truly undermine employee creativity? The different moderating roles of vertical and horizontal collectivist orientations (2021-06-04) Human Resource Management Journal Discretion as a double‐edged sword in global work The perils of international business travel (2021-11-19) The effects of firm financialization on human resource management How financialization affects the design of managerial jobs (2021-11-16) Issue Information (2021-11-13) Imagining the newcomer–supervisor relationship Future relational self in the workplace (2021-11-13) Refugee employment support The HRM–CSR nexus and stakeholder co‐dependency (2021-11-13) From crafting what you do to building resilience for career commitment in the gig economy (2021-11-13) The interaction between gender and informal social networks An East Asian perspective (2021-11-13) Star performers, unit performance and unit turnover A constructive replication (2021-11-13) Identification with management and the organisation as key mechanisms in explaining employee reactions to talent status (2021-11-13) A liminal lens on integrating refugees into the workplace Conceptualising a theoretical model (2021-11-13) Leading through paradox in a COVID‐19 world Human resources comes of age (2021-11-13) How symbolic human resource function actions affect the implementation of high‐performance work practices The mediating effect of influence on strategic decision‐making (2021-11-13) Blending mindfulness practices and character strengths increases employee well‐being A second‐order meta‐analysis and a follow‐up field experiment (2021-11-13) COVID‐19 and the uncertain future of HRM Furlough, job retention and reform (2021-11-13) Studying mutuality and perversity in the impacts of human resource management on societal well‐being Advancing a pluralist agenda (2021-11-13) Generational categories A broken basis for human resource management research and practice (2021-11-13) HRM and the COVID‐19 pandemic How can we stop making a bad situation worse? (2021-11-13) Putting the system back into training and firm performance research A review and research agenda (2021-11-13) A temporal perspective on refugee employment – Advancing HRM theory and practice (2021-11-10) Human resources analytics A legitimacy process (2021-11-03) Towards a more inclusive human resource community Engaging ethnic minority microbusinesses in human resource development programmes targeted at more productive methods of operating (2021-10-21) Employee voice, psychologisation and human resource management (HRM) (2021-10-20) Staffing effectiveness across countries An institutional perspective (2021-10-16) How is human resource management research (not) helping practice? In defence of practical implications (2021-10-08) ‘It's so fake’ Identity performances and cynicism within a people analytics team (2021-10-04) Beating the advertising drum for the employer How legal context translates into good HRM practice (2021-10-04) Identifying the linguistic markers of intuition in human resource (HR) practice (2021-09-28) ‘Americanization’ and the drivers of the establishment and use of works councils in three post‐socialist countries (2021-09-26) Computer use and pay for performance (2021-09-25) Small firms, owner managers and (strategic?) human resource management (2021-09-04)
https://w.atwiki.jp/cosmos_memo/pages/2769.html
SAKURAスキップ fourfolium ADVANCED Level 6 BPM 165 Notes 346 1 口口口口 |－－－－| 口口口口 |－－－－| 口口口口 |－－－－| 口口口口 |－－－－| 2 ③口②① |①－－－| ④口口口 |②－－－| ⑤口口口 |③－④－| ⑥口口口 |⑤－⑥－| 3 口口口口 |－－①－| 口④③口 |－－②－| 口口口② |－－③－| 口口口① |④－－－| 4 ①②口③ |①－－－| 口口口④ |②－－－| 口口口⑤ |③－④－| 口口口⑥ |⑤－⑥－| 5 口口②② |－－①－| ①口口口 |－－②－| ①③③口 |－－③－| 口口口口 |－－－－| 6 口口口口 |①－－－| 口①①口 |－－－－| 口口口口 口口口口 口②③口 口④⑤口 口口口口 |②－③－| 口口口口 |④－⑤－| 7 口口口口 |－－①－| 口口口口 |②－③－| 口③口口 |－－－－| 口①②口 |－－－－| 8 口⑤⑥口 |①－－－| 口③④① |②－－－| 口口口口 |③－④－| 口口②口 |⑤－⑥－| 9 口口口口 |－－－－| 口口口口 |－－－－| 口口口口 |－－－－| 口口口① |－－①－| 10 ⑤口④⑥ |－－①－| 口③口口 |②－③－| 口口②口 |④－－－| 口①口口 |⑤－⑥－| 11 口①口口 |－－①－| 口口②⑤ |②－③－| 口③口口 |④－－－| 口口④口 |－－⑤－| 12 ③②①④ |－－①－| 口⑤口口 |②－③－| 口⑥口口 |④－－－| 口口口口 |⑤－⑥－| 13 口口口口 |－－①－| ⑤⑥口⑤ |②－③－| 口口④③ |④－－－| 口口①② |⑤－⑥－| 14 ⑥④口⑤ |－－①－| 口口③口 |②－③－| 口②口口 |④－－－| 口口①口 |⑤－⑥－| 15 口口①口 |－－①－| 口②口⑤ |②－③－| 口口③口 |④－－－| 口④口口 |－－⑤－| 16 口口口⑦ |－－①－| 口⑥⑤⑦ |②－③－| 口④③口 |④－⑤－| 口②①口 |⑥－⑦－| 17 ①③③口 |－－①－| ①口口口 |－－②－| 口②②口 |③－－－| 口口口口 |－－－－| 18 ①口口口 |①－－－| ②口口口 |②－－－| ③④口⑤ |③－－－| 口④口⑤ |④－⑤－| 19 口口口口 |－－－－| ④④③③ |①－－－| 口口②口 |②－－－| 口口①口 |③－④－| 20 口③口④ |－－－－| 口③口④ |①－－－| 口①②口 |②－－－| 口口口口 |③－④－| 21 口口口口 |－－－－| 口口口口 |①－－－| 口①①口 |②－－－| 口②②口 |－－－－| 22 ①口口口 |①－－－| ②口口口 |②－－－| ③④口⑤ |③－－－| 口④口⑤ |④－⑤－| 23 口口口口 |－－－－| ④④③③ |①－－－| 口口②口 |②－－－| 口口①口 |③－④－| 24 口口口⑦ |－－①－| 口⑥⑤口 |②－③－| 口④③口 |④－⑤－| 口②①口 |⑥－⑦－| 25 ①口口口 |－－①－| 口③③口 |－－②－| 口口②口 |③－－－| 口口口口 |－－－－| 26 口口口口 |①－②－| 口口口口 |③－④－| ⑧⑦⑥⑤ |⑤－⑥－| ①②③④ |⑦－⑧－| 27 ①②③④ |－－①－| 口口口口 |②－③－| 口口口口 |④－－－| 口口口口 |－－－－| 28 口口⑥口 |①－②－| 口②①⑤ |③－④－| 口④③口 |－－⑤－| 口口口口 |－－⑥－| 29 ①口口口 |－－－－| ②口口口 |①－－－| ③口口口 |②－－－| 口口口口 |③－－－| 30 口口口口 |①－②－| 口口口口 |③－④－| ⑧⑦⑥⑤ |⑤－⑥－| ①②③④ |⑦－⑧－| 31 ①②③④ |－－①－| 口口口口 |②－③－| 口口口口 |④－－－| 口口口口 |－－－－| 32 口⑥⑤口 |①－②－| 口口⑦口 |③－④－| 口④③口 |－－⑤－| 口②①口 |⑥－⑦－| 33 口口口口 |－－－－| 口口口口 |－－－－| ①口口① |－－－－| 口口口口 |①－－－| 34 口①口口 |①－－－| 口③②④ |②－③－| 口⑤口口 |－－④－| 口口口口 |－－⑤－| 35 口口口口 |－－－－| 口口口口 |－－－－| 口口口口 |－－①－| 口③②① |②－③－| 36 口口口口 |①－－－| 口口口口 |②－③－| ④②③口 |－－④－| ①口⑤口 |－－⑤－| 37 口口③口 |－－①－| 口口②口 |②－－－| 口口口口 |③－－－| 口①口口 |－－－－| 38 口口口口 |①－－－| 口④口口 |－－－－| ①②③① |－－②－| 口口口口 |③－④－| 39 口口①口 |①－－－| 口口②口 |②－－－| 口口③口 |③－－－| 口口④口 |④－－－| 40 口口口口 |①－－－| ①②③① |－－－－| 口④口口 |－－②－| 口口口口 |③－④－| 41 口口口口 |①－－－| 口口口口 |－－－－| 口口①口 |－－－－| 口口口口 |－－－－| 42 ④④④④ |①－－－| ③③③口 |②－－－| ②②口口 |③－－－| ①口口口 |④－－－| 43 ②②②② |－－①－| 口口③口 |－－－－| 口①①口 |②－－－| 口口口口 |－－③－| 44 ⑤口④⑥ |－－①－| 口③口口 |②－③－| 口口②口 |④－－－| 口①口口 |⑤－⑥－| 45 口①口口 |－－①－| 口口②⑤ |②－③－| 口③口口 |④－－－| 口口④口 |－－⑤－| 46 ③②①④ |－－①－| 口⑤口口 |②－③－| 口⑥口口 |④－－－| 口口口口 |⑤－⑥－| 47 口口口口 |－－①－| ⑤口口⑤ |②－③－| 口口④③ |④－－－| 口⑥①② |⑤－⑥－| 48 ⑦④口⑥ |－－①－| 口口③⑤ |②－③－| 口②口口 |④－⑤－| 口口①口 |⑥－⑦－| 49 口口①口 |－－①－| 口②口⑤ |②－③－| 口口③口 |④－－－| 口④口口 |－－⑤－| 50 口口口⑦ |－－①－| 口⑥⑤⑦ |②－③－| 口④③口 |④－⑤－| 口②①口 |⑥－⑦－| 51 ①③③口 |－－①－| ①口④口 |－－②－| 口②②口 |③－－－| 口口口口 |－－④－| 52 ⑥口④⑦ |－－①－| ⑤③口口 |②－③－| 口口②口 |④－⑤－| 口①口口 |⑥－⑦－| 53 口①口口 |－－①－| ⑤口②口 |②－③－| 口③口口 |④－－－| 口口④口 |－－⑤－| 54 口①②③ |－－①－| 口④⑤⑥ |②－③－| 口⑦口口 |④－⑤－| 口口口口 |⑥－⑦－| 55 ④口口⑥ |－－①－| 口⑤③⑤ |②－③－| ②口口口 |④－－－| 口口①口 |⑤－⑥－| 56 口①口口 |－－①－| ⑥口②⑥ |②－③－| ⑤③口⑤ |④－－－| 口口④口 |⑤－⑥－| 57 口口①口 |－－①－| 口②⑤口 |②－③－| 口口③口 |④－－－| 口④口口 |－－⑤－| 58 ①口口口 |－－①－| 口⑦⑦② |②－③－| ③口口⑥ |④－⑤－| ⑤口口④ |⑥－⑦－| 59 ③③③③ |－－①－| 口口口口 |－－②－| 口②②口 |③－－－| 口①①口 |－－－－| 60 口口口口 |①－②－| ①③④② |③－④－| 口⑤⑥口 |⑤－⑥－| 口⑦⑧口 |⑦－⑧－| 61 ④口口④ |－－①－| ③口口③ |②－③－| ②口口② |④－－－| ①口口① |－－－－| 不確定度 0
https://w.atwiki.jp/0794/pages/79.html
I am going to update it every Wednesday Work and 【AD】 Git 【AD】 Baza like correction etc. Characters introduction Chapter 1 Revenge version of Cu It transforms in about ♂ small dice of Cu and Pepengin and it transforms it into Delfaitar that parents were killed by the angel army. ♀ is curious of the selah rappee. It lives in the danger area of ♂ planet Dego of Fimpepengin (Kiristonca islands). Commander Deldar of Gale satan army Gale company Radelpingargal company belonging Ricsatanisgal company belonging Angel army- It makes a surprise attack though it is belonging of the Zerofaitargelnia base of hex ASG equipment and it aims at Gald. Josefheringalgald angel martial base belonging Chapter 2 Tabihan of planet Chapter 2 Tabihan of planet The color of penguin s of Wrenn ♂ skin is green, and Pold birth. In the color of ♀ skin of Risarape, Orengeren is a childhood friend. No Utsbshikingmanimon ** (Sex doesn t exist in Kingmanimon). However, the habit of saying. I am for revenge of Chapter 1 Cu episode 1 curiosity episode 2 past episode 3 departure A star of the episode 4 sterility episode 5 position episode 6 power episode 7 preparations episode 8 unexpected episode 9 battle An end of episode 10 war episode 11 aggression episode 12 severe cold episode 13 record episode 14 relief episode 15 invasion last story ending last story lateral biography ending G Lateral biography fatigue, comment from the people who appeared Chapter 2 Tabia of planet The first story flowering plant The second story street The third story is done business. The fourth story city The fifth Hanashiiro The sixth story business strategy Anecdote characters It lives in the danger area of ♂ planet Dego of Fimpepengin (Kiristonca islands). Story of anecdote fin Postscript Chapter of postscript Git Chapter of postscript Baza It is an impression column of the novel. It writes by all means and ruining is deleted as soon as it discovers it. 名前 コメント すべてのコメントを見る
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アンジェラ 剣による近接攻撃と、身にまとったリボンによる遠距離斬撃を使うMelee／Ranged併用の物理特化キャラ。 流血による継続ダメージ効果を与える技が多く、流血状態の敵へのボーナスを持つパワーもある。 課金購入価格： 900Ｇ ES交換レート： 400個 装備可能インシグニア： Guardians / S.H.I.E.L.D. 使用可能コスチュームコア： プロメシウム コスチューム Asgard s Assasin ---G デフォコス 1602 950G 魔女狩り時代を舞台にした平行世界編コス 能力値 ステータス 初期値 最終値 Durability 4 ? Strength 4 ? Fighting 3 ? Speed 3 ? Energy 1 ? Intelligence 2 ? ヒーローシナジーLv25効果 Areaダメージ値 ＋2.5％ ヒーローシナジーLv50効果 SPEED ＋1 パワー ※各数値はレベル1、ランク1、装備なしの時のもの。(赤字)はLv60、ランク20、装備なしの時のもの。 Assassin s Armory 暗殺者の兵装 名称 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Rending Blades BasicMelee 神血の剣の黄金の閃きにより近寄る敵を切り倒す 1 Physical 35-53 2.4 命中時HP3回復 0 Rage of Xiphos MeleeBleed 疾風の如き愛剣サイフォスが敵に流血の傷をもたらす 1 PhysicalPhysical(出血) 46-6934/0.5秒 CT8秒 継続ダメージ付与 8秒 24 Whirling Wrath MeleeArea 神血の刃を旋回させ、真紅の渦により血を流す敵に天罰を下す 6 Physical ???-??? 2 出血(Bleeding)状態の敵に対してダメージ＋40％ 8 Leader of the Hunt 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Hunter s Blades 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Know My Name and Weep 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Ichor s Wrath 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Heavenly Ribbons 天界の帯紐 名称 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Writhing Ribbons 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Binding Ribbons 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Piercing Ribbons 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Hypnotic Ribbons 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Living Ribbons 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Constrain - スペシャライゼーション 解禁Lv 属性 威力 速度 効果 消費SP Barrage - スペシャライゼーション 解禁Lv 属性 威力 速度 効果 消費SP Ribbon Shield - スペシャライゼーション 解禁Lv 属性 威力 速度 効果 消費SP Stuning Ichors 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Wingless One 翼なき天使 名称 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Heavenly Charge 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Daughter of Odin 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Take Flight 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Nothing For Nothing 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Angelic Smite 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Heaven s Fury 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Ultimate Power 52Lvで解禁される必殺技 名称 種別 説明 解禁Lv 属性 威力 速度 効果 消費SP Hel And Back AreaRibbon 説明 52 属性 威力 CT10分 効果 消費SP パワー個別解説 Assassin s Armory Rending Blades Basic剣撃。他のキャラと比べてやや射程が長め。 Rage of Xiphos 光速連続斬撃。出血効果付き。 Whirling Wrath 全周広範囲攻撃。出血中の敵に対して+40％威力UP。 Leader of the Hunt 防御系Passive。 Hunter s Blades SPを消費して高火力の斬撃を続ける。左クリック候補の主力パワー。 横の範囲がかなり広い。 Know My Name and Weep 前方扇状に威力高めの単発斬撃。ブルネラ状態の敵に対してダメージ＋40％。 見た目にかなり地味。 Ichor s Wrath 大振りの近接範囲攻撃。常にブルータルが発生。同ツリーのパワーのCTをリセットする。 出血、ブルネラ、ウィークン、いずれかの状態異常の敵に対してはエグゼキュート効果を発揮する。 Stuning IchorsとCTを共有しているため、実質二択技。火力では劣るが、取り回しではこちらの方が優秀。 Heavenly Ribbons 他ツリーのPassive効果により、リボン攻撃全般に対して出血効果が付与される。 Writhing Ribbons 全周少範囲にブルネラとスロウ付与。 必須技だが、見た目にかなり地味なせいで、攻撃がヒットしたのかどうか視認し辛い。 Binding Ribbons スタン＋Weaken付与技。 Piercing Ribbons 前方扇状、中程度の射程範囲に4連続攻撃。HP回復効果あり。 Hypnotic Ribbons 周囲の敵を混乱させる。 Living Ribbons トグルをONにするとリボンが自動的に周囲の敵を攻撃する。 Constrain リボンの自動攻撃時、敵を引き寄せる Barrage リボンの自動攻撃頻度が2倍になる Ribbon Shield リボンが低確率で射撃攻撃を無効化してくれるようになる Stuning Ichors 武器を投げて往復ヒットさせるスタン付きの高威力技。常にブルータルが発生。 出血、ブルネラ、ウィークン、いずれかの状態異常の敵に対してはエグゼキュート効果を発揮する。 Ichor s WrathとCTを共有しているため、実質二択技。 往復する分Wrathより火力は高いが、弾速の遅い攻撃では往復ヒットしない事も多い。 Wingless One Heavenly Charge ダッシュ移動技。 バージョンアップでプレイヤーとカーソル位置との距離によってダッシュの伸びが変化するようになった。 終わり際の攻撃判定をきっちり当てるために短距離、移動速度を稼ぐために遠距離、と言った使い分けが可能。 Daughter of Odin 攻撃系Passive。 Take Flight 飛行移動技。 Nothing For Nothing シグネチャー。 キーを押す度に攻撃を行うタイプの連続斬撃。3回攻撃するか、初弾から8秒が経過するとクールタイムに入る。 連続して当てると威力が上がっていくこのパワー単体でのブルネラ効果も持っている。 三発目の威力が特に大きく、空振りしないよう位置取りに気を使いたい。 Angelic Smite ジャンプして飛び込みつつ、広範囲大ダメージ。 数秒間リボン技の威力を＋10％する効果があり、このパワー自体に出血効果もある。 Heaven s Fury 指定地点に瞬時に移動しつつ、その場で周囲にランダム10連撃。 派手で爽快だが、一発一発の威力は低め。 攻撃中は無敵になるので、前線に留まる際の安定感にも繋がる。 ULTIMATE 一定時間全集広範囲にダメージを与え続け、その間ずっと無敵になる。 攻撃終了後は一定時間回復効果とクリブルUPのバフが(自身のみに)付与される。 範囲は広いが、攻撃が終わるまで移動できないため、ボス移動による空振りに注意。
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CHAPTER XXXII UP CHAPTER XXXIV CHAPTER XXXIII The Hotel Concert 第33章 ホテルの演芸会（コンサート）（松本訳） "Put on your white organdy, by all means, Anne," advised Diana decidedly. They were together in the east gable chamber; outside it was only twilight--a lovely yellowish-green twilight with a clear-blue cloudless sky. A big round moon, slowly deepening from her pallid luster into burnished silver, hung over the Haunted Wood; the air was full of sweet summer sounds--sleepy birds twittering, freakish breezes, faraway voices and laughter. But in Anne s room the blind was drawn and the lamp lighted, for an important toilet was being made. The east gable was a very different place from what it had been on that night four years before, 「four years before」そろそろ終盤モードになって、回想している when Anne had felt its bareness penetrate to the marrow of her spirit with its inhospitable chill. CHAPTER III with impression? Marilla Cuthbert is Surprised との比較 Changes had crept in, Marilla conniving at them resignedly, until it was as sweet and dainty a nest as a young girl could desire. 「young girl」もちろん little ではないけれども、big でもない。bigよりも young のほうが大人っぽい気がするのは気のせいかしら The velvet carpet with the pink roses and the pink silk curtains of Anne s early visions had certainly never materialized; but her dreams had kept pace with her growth, 「her dreams had kept pace with her growth」そうでなくちゃ。ここでも、growth 成長が重要なキーワードとなっている and it is not probable she lamented them. The floor was covered with a pretty matting, 床といえば、マリラお手製の丸いマットがあっただけ。「The floor was bare, too, except for a round braided mat in the middle such as Anne had never seen before.」CHAPTER III with impression? Marilla Cuthbert is Surprised and the curtains that softened the high window and fluttered in the vagrant breezes were of pale-green art muslin. 窓はフリルがついているだけで白だった。「the window, with an icy white muslin frill over it」CHAPTER III with impression? Marilla Cuthbert is Surprised The walls, hung not with gold and silver brocade tapestry, but with a dainty apple-blossom paper, 壁にはもちろん何もなかった。「The whitewashed walls were so painfully bare and staring that she thought they must ache over their own bareness. 」CHAPTER III with impression? Marilla Cuthbert is Surprised もちろん、sheはアン 「apple-blossom」りんごの花といえば、もちろん、White Way of Delight 歓びの白い路（松本訳）（CHAPTER II with impression Matthew Cuthbert is surprised ） were adorned with a few good pictures given Anne by Mrs. Allan. Miss Stacy s photograph occupied the place of honor, 「photograph」当時は、せがんでいただいたものなのでしょうか。それとも、差し上げたものなのでしょうか（ステイシー先生からアンへとなると差し上げるは言葉遣いがちょっとヘンですが。あ、プレゼントと言えばいいのか）。アヴォンリーやカーモディには写真屋さんはなさそうなので、撮影や焼き増しはシャーロットタウンで、かしら？ and Anne made a sentimental point of keeping fresh flowers on the bracket under it. Tonight a spike of white lilies faintly perfumed the room like the dream of a fragrance. There was no "mahogany furniture," but there was a white-painted bookcase filled with books, 「bookcase」本棚といえば、本の入っていないトマスのおばさんの、ガラスの扉のもの。「a bookcase in her sitting room with glass doors. There weren t any books in it」 そして、もちろん、ケイティ・モーリス（CHAPTER VIII with impression? Anne s Bringing-up Is Begun） a cushioned wicker rocker, a toilet table befrilled with white muslin, a quaint, gilt-framed mirror with chubby pink Cupids and purple grapes painted over its arched top, 「mirror」鏡といえば、縦8インチ、横6インチの小さなもの「a little six-by-eight mirror」（CHAPTER III with impression? Marilla Cuthbert is Surprised） that used to hang in the spare room, 「in the spare room」客用寝室に掛けてあっただけあって、紫（最も高貴な色）が使ってあったり、キューピッドがいたりする and a low white bed. 「bed」ベッドは、古風の高さのあるものでした。「the bed, a high, old-fashioned one, with four dark, low- turned posts.」（CHAPTER III with impression? Marilla Cuthbert is Surprised）いつ替えたのでしょう。ベッドの中にもぐったとかベッドの上に倒れた／腰かけたといった描写はいくつもありますが、ベッドそのものの描写はない などなどと、読者に思い出してもらいたいという仕掛けが、あまり工夫されているわけでもなくあるパラグラフ Anne was dressing for a concert at the White Sands Hotel. The guests had got it up in aid of the Charlottetown hospital, and had hunted out all the available amateur talent in the surrounding districts to help it along. Bertha Sampson and Pearl Clay of the White Sands Baptist choir 「Pearl Clay of the White Sands Baptist choir」パール・クレイ（真珠色の粘土）、ホワイトサンズ（白い砂）。物語クラブでお話を作ったとき、ダイアナは困るとすぐに登場人物を殺してしまうとアンは批評していましたが（CHAPTER XXVI with impression The Story Club Is Formed ）、登場人物の名前に困ると、つい、土地の名前を借りてくる癖がモードにはあった？？？（Charlotte Gillisがシャーロットタウンに行く前のところに出てきたり…… CHAPTER XXIX with impression An Epoch in Anne s Life ） 「Baptist」松本訳注第33章(1) p. 525参照 had been asked to sing a duet; Milton Clark of Newbridge was to give a violin solo; Winnie Adella Blair of Carmody was to sing a Scotch ballad; 気にしすぎでしょうけども「Winnie Adella Blair of Carmody」の頭文字がWABCとABCになっているのも意味があるか（あまり面白くない駄洒落かなにか）と思ってしまったり…… and Laura Spencer of Spencervale Spencervaleの Laura Spencerさん…… and Anne Shirley of Avonlea were to recite. As Anne would have said at one time, it was "an epoch in her life," 「"an epoch in her life"」もう、自分の作品を「古典扱い」にしている？＞モードやりすぎよ…… CHAPTER XXIX with impression An Epoch in Anne s Life ） and she was deliciously athrill with the excitement of it. Matthew was in the seventh heaven of gratified pride over the honor conferred on his Anne 「the seventh heaven」チャーリー・スローンとマシューは似ている……（CHAPTER XVII with impression? A New Interest in Life） and Marilla was not far behind, although she would have died rather than admit it, and said she didn t think it was very proper for a lot of young folks to be gadding over to the hotel without any responsible person with them. Anne and Diana were to drive over with Jane Andrews and her brother Billy in their double-seated buggy; and several other Avonlea girls and boys were going too. There was a party of visitors expected out from town, and after the concert a supper was to be given to the performers. 「supper」ホテルの夕食はディナーじゃなかったの？残念。そういえば、アンはダイアナと一緒にバリーさんに連れていってもらってディナーをいただいたんでしょうか。この丁度１年前あたりのことですが（CHAPTER XXX with impression The Queens Class Is Organized） "Do you really think the organdy will be best?" queried Anne anxiously. "I don t think it s as pretty as my blue-flowered muslin--and it certainly isn t so fashionable." "But it suits you ever so much better," said Diana. "It s so soft and frilly and clinging. The muslin is stiff, and makes you look too dressed up. But the organdy seems as if it grew on you." Anne sighed and yielded. Diana was beginning to have a reputation for notable taste in dressing, and her advice on such subjects was much sought after. She was looking very pretty herself on this particular night in a dress of the lovely wild-rose pink, from which Anne was forever debarred; but she was not to take any part in the concert, so her appearance was of minor importance. All her pains were bestowed upon Anne, who, she vowed, must, for the credit of Avonlea, be dressed and combed and adorned to the Queen s taste. "Pull out that frill a little more--so; here, let me tie your sash; now for your slippers. I m going to braid your hair in two thick braids, and tie them halfway up with big white bows-- 「braids」緑色に髪を染めてしまって、ばっさり切ってから（CHAPTER XXVII with impression Vanity and Vexation of Spirit）、２年４ヶ月。みっともないということはないにせよ、まだあまり長くなっていないはず。せいぜい、肩くらい。そうすると、太めに編んだ２本の髪を大きな白いリボンでまとめてちょっと浮かすといっても、短いので、編んだ髪をきゅっと後ろでまとめて（まとめ方によってはおだんご？）白いリボンに隠れるくらいでしょうか no, don t pull out a single curl over your forehead--just have the soft part. There is no way you do your hair suits you so well, Anne, and Mrs. Allan says you look like a Madonna when you part it so. I shall fasten this little white house rose just behind your ear. There was just one on my bush, and I saved it for you." "Shall I put my pearl beads on?" asked Anne. "Matthew brought me a string from town last week, and I know he d like to see them on me." Diana pursed up her lips, put her black head on one side critically, and finally pronounced in favor of the beads, which were thereupon tied around Anne s slim milk-white throat. "There s something so stylish about you, Anne," said Diana, with unenvious admiration. "You hold your head with such an air. I suppose it s your figure. I am just a dumpling. I ve always been afraid of it, and now I know it is so. Well, I suppose I shall just have to resign myself to it." "But you have such dimples," said Anne, smiling affectionately into the pretty, vivacious face so near her own. 「the pretty, vivacious face so near her own」顔を近づけて：ふたりの親しさ、近しさがよくでている。これを読むと、ダイアナとはじめて会った日の様子を読者に思い出させる、そういうふうに仕込んであるとは考えすぎ？「The two little girls walked with their arms about each other.」（CHAPTER XII with impression? A Solemn Vow and Promise） "Lovely dimples, like little dents in cream. I have given up all hope of dimples. My dimple-dream will never come true; but so many of my dreams have that I mustn t complain. Am I all ready now?" "All ready," assured Diana, as Marilla appeared in the doorway, a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face. 「a gaunt figure with grayer hair than of yore and no fewer angles, but with a much softer face.」マリラもいくらか変わったところがある。やせていかつい体つきは変わらないが、白髪が増え、やさしい顔つきになった「Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks ... She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor.」（CHAPTER I with impression Mrs. Rachel Lynde is Surprised） "Come right in and look at our elocutionist, Marilla. Doesn t she look lovely?" 「elocutionist」あとでプロがでてくる伏線 Marilla emitted a sound between a sniff and a grunt. "She looks neat and proper. 「She」会話の流れからだけでなく、アンをSheと言っていることからも、ダイアナと話していることがわかる。少なくともはじめは I like that way of fixing her hair. But I expect she ll ruin that dress driving over there in the dust and dew with it, and it looks most too thin for these damp nights. Organdy s the most unserviceable stuff in the world anyhow, and I told Matthew so when he got it. But there is no use in saying anything to Matthew nowadays. Time was when he would take my advice, 「Time was when」= There was time when but now he just buys things for Anne regardless, and the clerks at Carmody know they can palm anything off on him. 「palm off」だましてつかませる：あとで、palmも鍵になる マシューがアンの服を、レイチェルやマリラの助けを借りずに買ってやっている！はいはい、ちゃんと CHAPTER XXV with impression? Matthew Insists on Puffed Sleeves を思い出しましたよ Just let them tell him a thing is pretty and fashionable, and Matthew plunks his money down for it. Mind you keep your skirt clear of the wheel, Anne, and put your warm jacket on." 「your... Anne」ここではもちろん、アンに言っている Then Marilla stalked downstairs, thinking proudly how sweet Anne looked, with that "One moonbeam from the forehead to the crown" 「One moonbeam from the forehead to the crown」松本訳注第33章(2) p. 525参照 and regretting that she could not go to the concert herself to hear her girl recite. "I wonder if it IS too damp for my dress," said Anne anxiously. "Not a bit of it," said Diana, pulling up the window blind. "It s a perfect night, and there won t be any dew. Look at the moonlight." "I m so glad my window looks east into the sunrising," said Anne, この言葉を聞いて（読んで）、アンがグリーンゲイブルズではじめて迎えた朝の様子（CHAPTER IV with impression? Morning at Green Gables）を思い出してしまうのは、モードのワナにはまってしまったのかしら going over to Diana. "It s so splendid to see the morning coming up over those long hills and glowing through those sharp fir tops. It s new every morning, 「It s new every morning」松本訳注第33章(3) p. 525参照 and I feel as if I washed my very soul in that bath of earliest sunshine. Oh, Diana, I love this little room so dearly. I don t know how I ll get along without it when I go to town next month." "Don t speak of your going away tonight," begged Diana. "I don t want to think of it, it makes me so miserable, and I do want to have a good time this evening. What are you going to recite, Anne? And are you nervous?" "Not a bit. I ve recited so often in public I don t mind at all now. 緊張していないとの答えも、あとの伏線 I ve decided to give `The Maiden s Vow. 「The Maiden s Vow」松本訳注第33章(4) p. 526参照 It s so pathetic. Laura Spencer is going to give a comic recitation, but I d rather make people cry than laugh." "What will you recite if they encore you?" "They won t dream of encoring me," scoffed Anne, who was not without her own secret hopes that they would, and already visioned herself telling Matthew all about it at the next morning s breakfast table. "There are Billy and Jane now-- I hear the wheels. Come on." Billy Andrews insisted that Anne should ride on the front seat with him, so she unwillingly climbed up. She would have much preferred to sit back with the girls, where she could have laughed and chattered to her heart s content. このdouble-seated buggyに、アン、ビリーが前、ダイアナ、ジェーンが後ろに乗り込んだということは２列はみな前向き There was not much of either laughter or chatter in Billy. He was a big, fat, stolid youth of twenty, with a round, expressionless face, and a painful lack of conversational gifts. 「a painful lack of conversational gifts」このビリーの描写、ちょっとひどーい But he admired Anne immensely, and was puffed up with pride over the prospect of driving to White Sands with that slim, upright figure beside him. Anne, by dint of talking over her shoulder to the girls and occasionally passing a sop of civility to Billy--who grinned and chuckled and never could think of any reply until it was too late--contrived to enjoy the drive in spite of all. It was a night for enjoyment. The road was full of buggies, all bound for the hotel, and laughter, silver clear, echoed and reechoed along it. When they reached the hotel it was a blaze of light from top to bottom. They were met by the ladies of the concert committee, one of whom took Anne off to the performers dressing room which was filled with the members of a Charlottetown Symphony Club, 「Charlottetown Symphony Club」松本訳注第33章(5) p. 527参照 among whom Anne felt suddenly shy and frightened and countrified. Her dress, which, in the east gable, had seemed so dainty and pretty, now seemed simple and plain--too simple and plain, she thought, among all the silks and laces that glistened and rustled around her. 「the silks and laces」ここでは特定の、ではないのですが、絹とレースで華やかさを表している What were her pearl beads compared to the diamonds of the big, handsome lady near her? And how poor her one wee white rose must look beside all the hothouse flowers the others wore! Anne laid her hat and jacket away, and shrank miserably into a corner. She wished herself back in the white room at Green Gables. It was still worse on the platform of the big concert hall of the hotel, where she presently found herself. The electric lights dazzled her eyes, 「electric lights」電灯！ the perfume and hum bewildered her. She wished she were sitting down in the audience with Diana and Jane, who seemed to be having a splendid time away at the back. She was wedged in between a stout lady in pink silk and a tall, scornful-looking girl in a white-lace dress. 「a stout lady in pink silk and a tall, scornful-looking girl in a white-lace dress」絹やレースの華やかなドレスを着た人の代表（ほとんど生贄？）の登場 The stout lady occasionally turned her head squarely around and surveyed Anne through her eyeglasses until Anne, acutely sensitive of being so scrutinized, felt that she must scream aloud; and the white-lace girl kept talking audibly to her next neighbor about the "country bumpkins" and "rustic belles" in the audience, languidly anticipating "such fun" from the displays of local talent on the program. Anne believed that she would hate that white-lace girl to the end of life. 「to the end of life」久々の big words Unfortunately for Anne, a professional elocutionist was staying at the hotel and had consented to recite. She was a lithe, dark-eyed woman in a wonderful gown of shimmering gray stuff like woven moonbeams, with gems on her neck and in her dark hair. She had a marvelously flexible voice and wonderful power of expression; the audience went wild over her selection. Anne, forgetting all about herself and her troubles for the time, listened with rapt and shining eyes; but when the recitation ended she suddenly put her hands over her face. She could never get up and recite after that--never. Had she ever thought she could recite? Oh, if she were only back at Green Gables! 「if she were only」仮定法：できさえすればいいのに、できない At this unpropitious moment her name was called. Somehow Anne--who did not notice the rather guilty little start of surprise the white-lace girl gave, and would not have understood the subtle compliment implied therein if she had--got on her feet, and moved dizzily out to the front. She was so pale that Diana and Jane, down in the audience, clasped each other s hands in nervous sympathy. Anne was the victim of an overwhelming attack of stage fright. Often as she had recited in public, she had never before faced such an audience as this, and the sight of it paralyzed her energies completely. Everything was so strange, so brilliant, so bewildering--the rows of ladies in evening dress, the critical faces, the whole atmosphere of wealth and culture about her. Very different this from the plain benches 「Very different this from」たぶん、This was very different fromとすると普通の文になる at the Debating Club, filled with the homely, sympathetic faces of friends and neighbors. These people, she thought, would be merciless critics. Perhaps, like the white-lace girl, they anticipated amusement from her "rustic" efforts. She felt hopelessly, helplessly ashamed and miserable. Her knees trembled, her heart fluttered, a horrible faintness came over her; not a word could she utter, and the next moment she would have fled from the platform despite the humiliation which, she felt, must ever after be her portion if she did so. But suddenly, as her dilated, frightened eyes gazed out over the audience, she saw Gilbert Blythe away at the back of the room, bending forward with a smile on his face--a smile which seemed to Anne at once triumphant and taunting. In reality it was nothing of the kind. Gilbert was merely smiling with appreciation of the whole affair in general and of the effect produced by Anne s slender white form and spiritual face against a background of palms in particular. 「palms」またもやpalm。ここでは、ヤシ／シュロの木ととるのが素直。palmの入ったイディオムでは、上のマシューのところの「だましてつかませる（palm off）」のほか、「yeild (give) the palm to ～に勝ちを譲る、負ける」もある。ここは、ギルバートがアンの出演を素直に認めていて、しかも、自分が出ていないことも許している、ということがあるのかも、なんて思ってしまったり。想像しすぎかしら。againstという単語からそんな気がしてきてしまったのですが……。ギルバートはもう何度も出演している、という話題がCHAPTER XIX with impression? A Concert a Catastrophe and a Confession にあったりします。 "Hasn t it been a delightful time?" sighed Anne rapturously. "It must be splendid to get up and recite there. Do you suppose we will ever be asked to do it, Diana?" "Yes, of course, someday. They re always wanting the big scholars to recite. Gilbert Blythe does often and he s only two years older than us. もっともこれはThe Avonlea Debating Clubの話で、ホワイトサンズのホテルのConcertに比べれば小さなもの。 Josie Pye, whom he had driven over, sat beside him, and her face certainly was both triumphant and taunting. But Anne did not see Josie, and would not have cared if she had. She drew a long breath and flung her head up proudly, courage and determination tingling over her like an electric shock. She WOULD NOT fail before Gilbert Blythe-- またまたあ、もう…… he should never be able to laugh at her, never, never! Her fright and nervousness vanished; and she began her recitation, her clear, sweet voice reaching to the farthest corner of the room without a tremor or a break. Self-possession was fully restored to her, and in the reaction from that horrible moment of powerlessness she recited as she had never done before. When she finished there were bursts of honest applause. Anne, stepping back to her seat, blushing with shyness and delight, found her hand vigorously clasped and shaken by the stout lady in pink silk. "My dear, you did splendidly," she puffed. "I ve been crying like a baby, actually I have. There, they re encoring you-- they re bound to have you back!" "Oh, I can t go," said Anne confusedly. "But yet--I must, or Matthew will be disappointed. He said they would encore me." "Then don t disappoint Matthew," said the pink lady, laughing. Smiling, blushing, limpid eyed, Anne tripped back and gave a quaint, funny little selection that captivated her audience still further. The rest of the evening was quite a little triumph for her. When the concert was over, the stout, pink lady--who was the wife of an American millionaire--took her under her wing, and introduced her to everybody; and everybody was very nice to her. The professional elocutionist, Mrs. Evans, came and chatted with her, telling her that she had a charming voice and "interpreted" her selections beautifully. 「"interpreted"」わざわさクォーテーションで（Puffin Books版ではシングル）囲んでいるところを見ると、「解釈」と「演出（表現）」の両方をもったいぶって説明され、ほめられたんでしょうか Even the white-lace girl paid her a languid little compliment. They had supper in the big, beautifully decorated dining room; 「supper」やはりdinnerではないので、少し軽い？ Diana and Jane were invited to partake of this, also, since they had come with Anne, but Billy was nowhere to be found, having decamped in mortal fear of some such invitation. He was in waiting for them, with the team, 「team」（車、ソリにつながれた）動物の１組。大型馬車だけあって、２頭立て？ however, when it was all over, and the three girls came merrily out into the calm, white moonshine radiance. Anne breathed deeply, and looked into the clear sky beyond the dark boughs of the firs. Oh, it was good to be out again in the purity and silence of the night! 人工的な室内よりやっぱりプリンスエドワード島の自然のほうがいい、は、アンのいつもの、そして、下での発言にある気持そのもの。あ、ここでは、CHAPTER II with impression Matthew Cuthbert is surprised の「This Island is the bloomiest place. I just love it already, and I m so glad I m going to live here. I ve always heard that Prince Edward Island was the prettiest place in the world, and I used to imagine I was living here, but I never really expected I would.」とのアンのおしゃべりを思い出すべきでしょうか How great and still and wonderful everything was, with the murmur of the sea sounding through it and the darkling cliffs beyond like grim giants guarding enchanted coasts. "Hasn t it been a perfectly splendid time?" sighed Jane, as they drove away. "I just wish I was a rich American and could spend my summer at a hotel and wear jewels and low-necked dresses and have ice cream and chicken salad every blessed day. 「chicken salad」鶏料理はやはり贅沢？ I m sure it would be ever so much more fun than teaching school. Anne, your recitation was simply great, although I thought at first you were never going to begin. I think it was better than Mrs. Evans s." "Oh, no, don t say things like that, Jane," said Anne quickly, "because it sounds silly. It couldn t be better than Mrs. Evans s, you know, for she is a professional, and I m only a schoolgirl, with a little knack of reciting. I m quite satisfied if the people just liked mine pretty well." "I ve a compliment for you, Anne," said Diana. "At least I think it must be a compliment because of the tone he said it in. Part of it was anyhow. There was an American sitting behind Jane and me--such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say--didn t we, Jane?--`Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint. There now, Anne. But what does Titian hair mean?" "Being interpreted it means plain red, I guess," laughed Anne. "Titian was a very famous artist who liked to paint red-haired women." 「Titian」松本訳注第33章(6) p. 527参照 "DID you see all the diamonds those ladies wore?" sighed Jane. "They were simply dazzling. Wouldn t you just love to be rich, girls?" "We ARE rich," said Anne staunchly. "Why, we have sixteen years to our credit, 胸の張れる１６年間。こういうメッセージ性はこの「赤毛のアン」の人気のひとつかも。そして、アンがグリーンゲイブルズに来てから幸せな日々を過ごしてきたことの意味でもある and we re happy as queens, and we ve all got imaginations, more or less. Look at that sea, girls--all silver and shadow and vision of things not seen. We couldn t enjoy its loveliness any more if we had millions of dollars and ropes of diamonds. You wouldn t change into any of those women if you could. Would you want to be that white-lace girl and wear a sour look all your life, as if you d been born turning up your nose at the world? Or the pink lady, kind and nice as she is, so stout and short that you d really no figure at all? Or even Mrs. Evans, with that sad, sad look in her eyes? She must have been dreadfully unhappy sometime to have such a look. You KNOW you wouldn t, Jane Andrews!" これ、アン。アラン夫人の言葉を忘れたのかい。Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don t they?CHAPTER XXVI with impression The Story Club Is Formed "I DON T know--exactly," said Jane unconvinced. "I think diamonds would comfort a person for a good deal." ジェーンのこの言葉も、それはそれで普通の感覚 "Well, I don t want to be anyone but myself, even if I go uncomforted by diamonds all my life," declared Anne. "I m quite content to be Anne of Green Gables, with my string of pearl beads. I know Matthew gave me as much love with them as ever went with Madame the Pink Lady s jewels." ワタシはワタシ。グリーンゲイブルズのアンでいたい。こういうふうに言える子供時代を過ごせるのは幸せ CHAPTER XXXII UP CHAPTER XXXIV 27 28 July 2007 今日 - | 昨日 - | Total - since 27 July 2007 last update 2007-07-28 13 14 05 (Sat)
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* ｜Australian languages｜ 言語類型 消滅言語 使用文字 type extinct language writing system ISO 639-3 【pmd】 言語名別称 alternate names Pallangahmiddang Wavaroo Wave Veroo Waveroo Way.you.rong Way.you.roo Wayerroo Waywurru Wayyouroo Wee.er.roo Wee.her.roo 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International LINGUIST List Wikipedia