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【Tags Luka Rin Toraboruta-P tI S】 Original Music title ソラトバズ English music title I Don t Fly Romaji music title Sora Tobazu Music Lyrics written, Voice edited by トラボルタP (Toraboruta-P) Music arranged by トラボルタP (Toraboruta-P) Singer(s) 鏡音リン (Kagamine Rin), Chorus by 巡音ルカ (Megurine Luka) Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： The flightless bird envies the flying birds Looking up to the huge sky, The bird laments over who it is Ah, everyone else is so fortunate Why only am I with these wings Those who can gracefully fly high Are passing me one by one I don t care, that s life But I m just pretending to be strong To be honest I can t fully accept it... The flightless bird noticed Recently that all it said were complaints Depressed and bowing down its head, It stared at its feet Ah, that s right! I do have These feet to move ahead Crossing over fields and mountains Kicking up some dirt I bravely step forward Step by step Those who can fly, those who can walk fast Are yet passing me by Go ahead, don t worry about me Everybody should go at their own pace I can neither fly nor walk fast I won t stop I ve made up my mind on that Romaji lyrics (transliterated by motokokusanagi2009)： tobe nai tori wa omou toberu yatsu tte īnā ōzora o nagame te tobe nai mi o nageku ah nande minna zurui ya nande boku dake konna tsubasa de umareta nda sora toberu mono yūga ni takaku tsugitsugi boku o oi koshite iku yo ki ni shite nai sa sonna monda to tsuyogatte iru kedo hontō wa tsurai nda... tobe nai tori wa omou saikin guchi bakari dā shonbori kubi kashige ashimoto o nagameta ah sō datta nda boku datte motte ita nda mae ni susumeru kono ryōashi o no o koe yama koe daichi o kette kiri tto ī kao de ippo zutsu sora toberu mono ayumi hayai mono sore demo boku o oi koshite iku yo o saki ni dōzo boku ni kamawazu jibun no hohaba de minna ikeba ī sora tobezu tomo ayumi osoku tomo susumi tsuzuke yō to boku wa kimeta nda [Toraboruta-P, ToraborutaP]
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rman でバックアップを取る dbca で rmanリポジトリ(データベース)を作成する。グローバル・データベース名 rmanrep SID rmanrep パスワード oracle キャラクタセット Unicode(AL32UTF8) 各国語キャラクタセット UTF8 oranavi で自動起動設定を ON にする。 rman ユーザを作成する。 $ export ORACLE_SID=rmanrep $ sqlplus "/ as sysdba" create user rman identified by rman quota unlimited on users; grant connect, resource, recovery_catalog_owner to rman; $ rman catalog rman/rman create catalog; connect target sys/oracle@orcl register database; backup database; rman tips Miracle Linux V4.0 で rman を使用できない $ which rman /usr/bin/X11/rman ← Oracle の rman とは別のプログラムを呼び出している。 アーカイブログ手動削除後に再同期するには crosscheck copy; delete expired copy; delete obsolete; リカバリ・カタログを更新する resync catalog; rman リポジトリの設定を確認する $ export ORACLE_SID=rmanrep rman connect target sys/manager@orcl.db01.oracle.co.jp connect catalog rman/rman@rmanrep show all RMAN 20003 エラーが発生する場合 reset database; DBA SQL DDL取得 set pagesize 0 SELECT DBMS_METADATA.GET_DDL( TABLE , USER_TABLES.TABLE_NAME), DBMS_METADATA.GET_DEPENDENT_DDL( INDEX , USER_TABLES.TABLE_NAME) FROM USER_TABLES; 表ロック調査 COL USERNAME FOR A8 COL OBJECT_NAME FOR A8 COL LMODE FOR 9999 COL PROGRAM FOR A8 COL CTIME FOR 9999 SELECT S.USERNAME, S.SID, S.SERIAL#, O.OBJECT_NAME, LMODE, V.CTIME, S.PROGRAM FROM DBA_OBJECTS O, V$LOCKED_OBJECT L, V$SESSION S, V$LOCK V WHERE O.OBJECT_ID = L.OBJECT_ID AND L.SESSION_ID = S.SID AND L.SESSION_ID = V.SID AND V.TYPE = TM ORDER BY CTIME DESC; 行ロック調査 SELECT S.USERNAME, S.SID, S.SERIAL#, O.OBJECT_NAME, LMODE, V.CTIME, S.PROGRAM FROM DBA_OBJECTS O, V$LOCKED_OBJECT L, V$SESSION S, V$LOCK V WHERE O.OBJECT_ID = L.OBJECT_ID AND L.SESSION_ID = S.SID AND L.SESSION_ID = V.SID AND V.TYPE = TX ORDER BY CTIME DESC; SQL調査 SELECT A.SQL_TEXT, A.ADDRESS FROM V$SQLAREA A, V$SESSION B WHERE A.ADDRESS = B.SQL_ADDRESS AND B.SID = ANY(SELECT SID FROM V$LOCK WHERE TYPE IN ( TX , TM )); 統計情報収集（スキーマ単位） BEGIN DBMS_STATS.GATHER_SCHEMA_STATS ( ownname = スキーマ名 , options = GATHER AUTO ); END; / 統計情報収集（テーブル単位） BEGIN DBMS_STATS.GATHER_TABLE_STATS( OWNNAME = スキーマ名 ,TABNAME = テーブル名 ); END; / 統計情報収集日付の確認 SELECT TABLE_NAME NAME, LAST_ANALYZED FROM USER_TABLES ORDER BY TABLE_NAME; 統計情報の内容確認 SELECT TABLE_NAME, NUM_ROWS, AVG_ROW_LEN, BLOCKS FROM USER_TABLES ORDER BY TABLE_NAME; セッションを強制終了する SELECT SID|| , ||SERIAL#|| , ||STATUS|| , ||USERNAME FROM V$SESSION WHERE USERNAME = C_LIVE ; SID|| , ||SERIAL#|| , ||STATUS|| , ||USERNAME --------------------------------------------- 199,7860,INACTIVE,C_LIVE 213,6979,INACTIVE,C_LIVE ALTER SYSTEM KILL SESSION 199,7860 ALTER SYSTEM KILL SESSION 213,6979 DBID を確認する $ sqlplus "/ as sysdba" select dbid from v$database; select username, default_tablespace from dba_users; select FILE_NAME, TABLESPACE_NAME from dba_data_files; http //www.dbforums.com/archive/index.php/t-1066637.html select dbms_metadata.get_ddl( TRIGGER , name , owner ) from dual; ユーザ作成 $ sqlplus /nolog connect / as sysdba create user scott profile default identified by tiger default tablespace user01 temporary tablespace temp account unlock; grant resource, connect to amashin; quit; UNDO保存を保証する。 select tablespace_name, retention from dba_tablespaces; alter tablespace UNDOTBS1 retention guarantee; データファイルの自動拡張を有効化する。 select file_name, tablespace_name from dba_data_files; select autoextensible, tablespace_name from dba_data_files; alter database datafile /opt/app/oracle/oradata/orcl/undotbs01.dbf autoextend on; ユーザのアカウントロックを解除する。 -- ロック解除 alter user SCOTT account unlock; -- パスワード変更 $ sqlplus scott/tiger SCN からタイムスタンプを求める。 select current_scn scn, scn_to_timestamp(current_scn) timestamp from v$database; タイムスタンプから SCN を求める。 select timestamp_to_scn(systimestamp) scn, systimestamp timestamp from dual; SQL*Plus CSV書き出し set linesize 1000 set pagesize 0 set trimspool on spool user_data.txt select " ||id|| "," ||name|| " from users; シノニム PUBLICシノニムを作成する $ sqlplus "/ as sysdba" CREATE PUBLIC SYNONYM emp FOR scott.emp; シノニムを削除する drop public synonym samplelink; データベースリンク データベースリンクの定義を確認する $ export ORACLE_SID=orcl $ sqlplus "/ as sysdba" select owner,db_link,username,host,created from dba_db_links; データベースリンクを作成する $ export ORACLE_SID=orcl $ sqlplus "/ as sysdba" create public database link samplelink connect to scott identified by tiger using orcl.db01.oracle.co.jp ; データベースリンクを使用する $ export ORACLE_SID=orcl $ sqlplus scott/tiger select * from emp@samplelink データベースリンクを削除する drop public database link samplelink; スタンドバイ・データベースを rman でバックアップすると、ORA-19573 エラーが発生する 症状 ORA-19573 cannot obtain sub-shared enqueue for datafile 6 原因 RMAN in version 9.2.0.1 のバグです。(bug 2688591 (TAR 2708247.999)) 処置方法 SQL shutdown immediate; SQL startup nomount; SQL alter database mount standby database; SQL alter database recover managed standby database disconnect from session; 参考情報 http //www.trivadis.ch/Images/standbybackup_en_tcm17-7294.pdf If you create a new tablespace on the primary database, perform a logfile switch and want to back up this tablespace on the standby database,RMAN in version 9.2.0.1 aborts with an error RMAN backup tablespace test; ORA-19573 cannot obtain sub-shared enqueue for datafile 6 This behavior has now been accepted as bug 2688591 (TAR 2708247.999). But there is a workaround stopping and starting the standby database, after which the backup works correctly. export/import 全データベースモードでエクスポートする $ export ORACLE_SID=orcl $ exp system/パスワード file=fulldump.dmp log=fulldump.log full=y ユーザーモードでエクスポートする $ export ORACLE_SID=orcl $ exp scott/tiger file=scott.dmp owner=scott ユーザーモードでインポートする $ imp scott/tiger file=sccot.dmp fromuser=sccot touser=sccot destroy=y ignore=y ORA-19809 リカバリ・ファイルの制限を超えています pfile の db_recovery_file_dest_size を増やす。 $ export ORACLE_SID=devel $ sqlplus "/ as sysdba" SQL create pfile= $ORACLE_BASE/admin/$ORACLE_SID/pfile/init$ORACLE_SID.ora from spfile; SQL exit $ vi $ORACLE_BASE/admin/$ORACLE_SID/pfile/init$ORACLE_SID.ora 編集した pfile から spfile を作成する。 $ cd $ORACLE_BASE/admin/$ORACLE_SID/pfile $ mv init$ORACLE_SID.ora init$ORACLE_SID.ora.org $ sqlplus "/ as sysdba" SQL create spfile from pfile= $ORACLE_BASE/admin/$ORACLE_SID/pfile/init$ORACLE_SID.ora ; SQL startup 参考 14 ORA-19400～ORA-24276 SQL*Loader コマンド $ export ORACLE_SID=orcl $ sqlldr userid=user01/******** control=testtbl.ctl data=testtbl.dat シーケンスを使用する(参考URL) LOAD DATA CHARACTERSET JA16SJIS INTO TABLE T_COMPANY_RAW FIELDS TERMINATED BY , trailing nullcols (ID "SEQ_COMPANY_RAW_ID.NEXTVAL", CORP_TYPE, NAME, ・ ・ FUTURE) 改行があるデータの流し込み load data CHARACTERSET JA16SJIS append continueif last != " into table test_table fields terminated by , enclosed by " ( ID, NAME, VALUE, TESTDATE DATE "YYYYMMDD") 日付データの流し込み load data CHARACTERSET JA16SJIS append into table t_answers fields terminated by , trailing nullcols ( id, campaign_id, user_id, registered "to_date( registered, YYYY/MM/DD HH24 MI SS )" ) 「データ・ファイルのフィールドが最大長を超えています。」 load data CHARACTERSET JA16SJIS append into table t_encourage fields terminated by , ( ID, CAT2_ID, MAILBODY char(4000)) Oracle 10g R10.2.0.1 インストール (MiracleLinuxV3.0) memoRPM を更新してから Oracle をインストールする DHCP を使用している場合、一時的にTCP/IPの設定で固定IPアドレスを割り当ててから、Oracle をインストールする ダウンロードOracle 10g R10.2.0.1 をダウンロードする rootユーザでログインする ランレベルを 5 に変更する # init 5 oranavi を起動する # oranavi Oracle DBMS のインストール全てデフォルト設定でインストール Oracle 9i R9.2.0.4.0 インストール後に必要な作業 Run the following commands and scripts in order from $ORACLE_HOME in migrate mode on all updated databases. If you are using the OLAP option, then ensure the database listener is up. $ sqlplus "/ as sysdba" startup migrate spool patch.log @?/rdbms/admin/catpatch.sql shutdon immediate startup This step is optional, and will recompile all invalid PL/SQL packages now instead of when the packages are accessed the first time. The utlrcmp.sql script can be used to parallelize this in multiprocessor machines. @?/rdbms/admin/utlrp.sql Enter the following commands if using Oracle OLAP option alter user olapsys identified by password account unlock; connect olapsys/password @?/cwmlite/admin/postamd.sql ORA-06512 → 参考URL 現象 ORA-00604 error occurred at recursive SQL level 1 ORA-06521 PL/SQL Error mapping function ORA-06512 at "SYS.OLAPIHISTORYRETENTION", line 1 ORA-06512 at line 6 原因 BUG 3386542 処置 (metalink Note 266728.1) Disable OLAPISTARTUPTRIGGER and OLAPISHUTDOWNTRIGGER to avoid error from being generated. ALTER TRIGGER OLAPISTARTUPTRIGGER DISABLE; ALTER TRIGGER OLAPISHUTDOWNTRIGGER DISABLE; rmanでデータベースを複製する 前提条件Miracle Linux V3.0 Oracle 10g Standard Edition ターゲット・データベースへ接続できるようにする $ vi /opt/app/oracle/product/10.1.0/db_1/network/admin/tnsnames.ora ACCOUNT1.DB01.ORACLE.CO.JP = (DESCRIPTION = (ADDRESS_LIST = (ADDRESS = (PROTOCOL = TCP)(HOST = 192.168.0.101)(PORT = 1521)) ) (CONNECT_DATA = (SERVICE_NAME = account1.db01.oracle.co.jp) (SERVER = DEDICATED) ) ) ACCOUNT1.RESEARCH01.ORACLE.CO.JP = (DESCRIPTION = (ADDRESS_LIST = (ADDRESS = (PROTOCOL = TCP)(HOST = 192.168.0.102)(PORT = 1521)) ) (CONNECT_DATA = (SERVICE_NAME = account1.oracle.co.jp) (SERVER = DEDICATED) ) ) $ vi /opt/app/oracle/product/10.1.0/db_1/network/admin/listener.ora (SID_DESC = (GLOBAL_DBNAME = account1.db01.oracle.co.jp) (ORACLE_HOME = /opt/app/oracle/product/10.1.0/db_1) (SID_NAME = account1) ) $ sqlplus scott/tiger@account1.db02.oracle.co.jp ターゲット・データベースのバックアップ (複製側) # su - oracle $ mkdir -p /opt/app/oracle/oradata/account1/backups ← ターゲットデータベース側・複製側の両方で作成する $ export ORACLE_SID=orcl $ sqlplus /nolog conn / as sysdba create user rman identified by rman temporary tablespace temp default tablespace users quota unlimited on users; grant recovery_catalog_owner, connect, resource to rman; $ rman catalog rman/rman@orcl connect target sys/manager@account1.db01.oracle.co.jp; create catalog; register database; configure retention policy to redundancy = 1; configure controlfile autobackup on; configure controlfile autobackup format for device type disk to /opt/app/oracle/oradata/account1/backups/%F ; backup database format /opt/app/oracle/oradata/account1/backups/full_%d_%T_s%s_p%p ; backup archivelog all delete all input format /opt/app/oracle/oradata/account1/backups/arc_%d_%T_s%s_p%p ; 補助データベースを作成する $ orapwd file=/opt/app/oracle/product/10.1.0/db_1/dbs/orapwaccount1 password=manager entries=30 force=y alter system set remote_login_passwordfile= EXCLUSIVE scope=spfile; shutdown immediate startup force nomount show parameters remote_login_passwordfile; $ cd /opt/app/oracle/admin/account1/ $ mkdir pfile bdump cdump create udump $ cd /opt/app/oracle/admin/account1/pfile $ vi initaccount1.ora DB_NAME=account1 CONTROL_FILES=(/opt/app/oracle/oradata/account1/control01.ctl, /opt/app/oracle/oradata/account1/control02.ctl, /opt/app/oracle/oradata/account1/control03.ctl) $ export ORACLE_SID=account1 $ sqlplus "/ as sysdba" create spfile from pfile= /opt/app/oracle/admin/account1/pfile/initaccount1.ora ; startup force nomount $ lsnrctl start $ rman target sys/manager@account1.db01.oracle.co.jp auxiliary sys/manager@account1.db02.oracle.co.jp duplicate target database to account1 nofilenamecheck; duplicate target database for standby nofilenamecheck; フラッシュバックドロップ ごみ箱の中を見る。 SELECT original_name, type, ts_name, droptime, dropscn, object_name FROM user_recyclebin; テーブルをリストアする。 flashback table test to before drop; インデックスをリストアするテーブルをリストアすると、インデックスや制約も復活するが、名前はごみ箱の中の時のままなので、手動でリネームする。 select index_name from user_indexes where table_name = TEST ; alter index "BIN$ExUXY+Nfh9zgQAB/AQAI6g==$0" rename to PK_TEST; ごみ箱を空にする。 purge dba_recyclebin; purge user_recyclebin; purge tablespace user01 user test; purge table test; purge index pk_test; ごみ箱を介さずに削除する。 drop table test purge; drop user scott cascade; drop tablespace user01 including contents; フラッシュバックデータベースを有効にする DB_RECOVERY_FILE_DEST、DB_RECOVERY_FILE_DEST_SIZE が設定されているか確認する。 select name,value from v$parameter where name like db_recovery_file_dest% ; 設定されていなければ、設定する。 alter system set db_recovery_file_dest= /opt/app/oracle/flash_recovery_area scope =both; alter system set db_recovery_file_dest_size = 2147483648 scope = both; アーカイブログモードにする。 shutdown immediate startup mount alter database archivelog; alter database open; archive log list; フラッシュバックログの保存期間を確認する。 select name, value from v$parameter where name = db_flashback_retention_target ; フラッシュバックデータベース機能を有効化する。 shutdown immediate startup mount alter database flashback on; alter database open select log_mode, flashback_on from v$database; どの時点までフラッシュバックできるか確認する。 select flashback_size/1024/1024 "SIZE(M)", estimated_flashback_size/1024/1024 "EST_SIZE(M)", oldest_flashback_scn, to_char(oldest_flashback_time, YYYY-MM-DD HH24 MI SS ) from v$flashback_database_log; フラッシュバックデータの書き込みサイズを確認する。 select to_char(begin_time, HH24 ) hour, flashback_data/1024 "FLASHBACK_DATA(K)", redo_data/1024 "REDO_DATA(K)" from v$flashback_database_stat; フラッシュバックデータベースを実行する SQL shutdwon immediate SQL startup mount SQL flashback database to scn 608964; SQL flashback database to time "to_timestamp( 06-05-06 22 41 00.059098 )"; RMAN flashback database to scn 608964; RMAN flashback database to time "to_timestamp( 06-05-06 22 41 00.059098 )"; RMAN flashback database to sequence 1 thread 1; データベースをオープンする。 shutdown immediate startup mount alter databse open read only; -- 読み取り専用でオープンする場合 alter database open resetlogs; -- 読み書き可能でオープンする場合 フラッシュバックログから表領域を除外する alter tablespace example flashback off; select name, flashback_on from v$tablespace; ブロック破損 ブロック破損の診断 $ dbv file=/opt/app/oracle/oradata/orcl/system01.dbf SQL analyze table test validate structure cascade; SQL analyze index pk_test validate structure; rman で物理破損ブロックを検出する。 RMAN backup validate datafile 1; SQL select * from v$database_block_corruption; rman で論理破損ブロックを検出する。 RMAN backup check logical datafile 1; rman で物理破損チェックを行わずにバックアップを行う。 RMAN backup nochecksum datafile 1; 破損ブロックを含んだままバックアップをとる。 RMAN run { set maxcorrupt for datafile /opt/app/oracle/oradata/orcl/system01.dbf to 2; backup datafile /opt/app/oracle/oradata/orcl/system01.dbf ; } rman によるブロックメディアリカバリ RMAN blockrecover datafile 1 block 1; RMAN blockrecover corruption list; 簡単なジョブの作成 ジョブを作成する $ export ORACLE_SID=rmanrep $ sqlplus "/ as sysdba" BEGIN DBMS_SCHEDULER.CREATE_JOB ( job_name = SYS.BACKUP , job_type = EXECUTABLE , job_action = /home/oracle/devel/shell/backup.sh , start_date = SYSTIMESTAMP, repeat_interval = FREQ=DAILY;BYHOUR=5;BYMINUTE=0 , enabled = TRUE, auto_drop = FALSE, comments = ORCLデータベースのバックアップ ); END; / ジョブを削除する BEGIN DBMS_SCHEDULER.DROP_JOB(job_name = sys.backup ); END; / プログラムとスケジュールを使用したジョブの作成 SCOTTユーザに CREATE JOB 権限を与える $ export ORACLE_SID=orcl $ sqlplus "/ as sysdba" GRANT CREATE JOB TO SCOTT; CONNECT SCOTT/TIGER; ストアドプロシージャの作成 CREATE OR REPLACE PROCEDURE test_del( p_id test.id%TYPE) AS BEGIN DELETE FROM test WHERE ID = p_id; END test_del; / プログラムの作成 BEGIN -- プログラムの作成 DBMS_SCHEDULER.CREATE_PROGRAM( program_name = SCOTT.TEST_PROGRAM , program_type = STORED_PROCEDURE , program_action = SCOTT.TEST_DEL , number_of_arguments = 1, enabled = FALSE, comments = TEST表のDELETE ); -- プログラム引数の定義 DBMS_SCHEDULER.DEFINE_PROGRAM_ARGUMENT( program_name = SCOTT.TEST_PROGRAM , argument_name = P_ID , argument_position = 1, argument_type = NUMBER ); -- プログラムの有効化 DBMS_SCHEDULER.ENABLE( SCOTT.TEST_PROGRAM ); END; / スケジュールの作成 BEGIN DBMS_SCHEDULER.CREATE_SCHEDULE( schedule_name = SCOTT.MONTHLY_SCHEDULE , start_date = SYSTIMESTAMP, repeat_interval = FREQ=MONTHLY;BYMONTHDAY=15 , comments = 毎月15日実行 ); END; / プログラムとスケジュールを利用したジョブの作成 BEGIN DBMS_SCHEDULER.CREATE_JOB( job_name = SCOTT.TEST_JOB , program_name = SCOTT.TEST_PROGRAM , schedule_name = SCOTT.MONTHLY_SCHEDULE , enabled = FALSE, auto_drop = FALSE, comments = TEST表のDELETE ); DBMS_SCHEDULER.SET_JOB_ARGUMENT_VALUE( job_name = SCOTT.TEST_JOB , argument_name = P_ID , argument_value = 10 ); DBMS_SCHEDULER.ENABLE( SCOTT.TEST_JOB ); END; / PL/SQL PL/SQL実行後、エラーを表示する。 SHOW ERROR DBMS_OUTPUT.PUT_LINE などでの画面出力を有効にする。 SET SERVEROUTPUT ON
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【登録タグ RegaSound V Vivid Parasol らむだーじゃん ネクロファンタジア 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/vocaloidenglishlyric/pages/492.html
【Tags Awa'awa-P G Miku tS】 Original Music title ごめんなsorry English music title Sorrysorry Romaji music title Gomen nasorry Music Lyrics written, Voice edition by あわあわp (Awa awa-P) Music arranged by あわあわp (Awa awa-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： Sorry Really sorry Tera-sorry Soz In all the language in the world I wanna put my apology into words But I m afraid I can only understand Thai Sorry Really sorry Tera-sorry Soz I ll use emoticon or something So forgive me please Please forgive me Let me add just a few words to conclude "Accept my apologisorry" Sorry for smashing Das Nachtpfauenauge Sorry for writing you a fake love letter Sorry for inviting you in a dangerous occult Sorry, sorry, in many ways Sorry for my passing the entrance exams for collage alone Sorry for not telling it to you soon Sorry for licking your recorder Sorry that the song doesn t have the second bridge Sorry Really sorry Tera-sorry Soz I wanna tell you "sorry" in a lost language But I m afraid it s already been lost Sorry Really sorry Tera-sorry Soz I ll use emoticon or something So forgive me please Please forgive me Let me add just a few words to conclude "Accept my apologisorry" I ll jump, land, kneel and bow until my forehead touches the ground Gomennasorry Hey, be together [Translation Notes] Das Nachtpfauenauge A kind of moth. Romaji lyrics (transliterated by blacksaingrain)： gomen maji gomen tera gomen sa-sen sekaijuu no gengo de suman wo tsutaetaindakedo ainiku tai go shika wakaranai yo gomen maji gomen tera gomen sa-sen m（≧д≦）n kaomoji toka tsukeru kara yurushite onegai onegai yurushite saigo ni hitokoto dake suimasorry kujakuyamamayu kowashite gomen nise no rabureta- kaite gomen yabai shuukyou sasotte gomen nanka iroiro gomen gomen daigaku ore dake ukatte gomen shibaraku sore damattete gomen riko-da- no saki namete gomen nanka Bmero mo nakute gomen gomen maji gomen tera gomen sa-sen ushinawareta gengo de suman wo tsutaetaindakedo ainiku ushinawarechatteru yo gomen maji gomen tera gomen sa-sen m（≧д≦）n kaomoji toka tsukeru kara yurushite onegai onegai yurushite saigo ni hitokoto dake suimasorry janpingu dogeza gomenasorry nee be together [Awa awa-P, Awa Awa-P, Awaawap, Awaawa-P]
https://w.atwiki.jp/hoshiba2/pages/32.html
ウェブサイト新着情報 目元の飛沫・花粉をしっかりカット！「AIR VISOR」に高カット率モデルが新登場！ - PR TIMES コロナ禍で新たに”飛沫対策需要”が拡大 先行販売店舗では、前年比約4.5倍の売り上げを記録 花粉対策アイウェア「AIR VISOR」が再販！ - PR TIMES スマホ動画をバイザーで100型相当にして楽しむ「VISOR-X」 - AV Watch 手のひらサイズの映画館！？ハンズフリーで、どこでも大画面で臨場感溢れるスマホ映像を楽しめるスマホ専用バイザー「VISOR-X」 - PR TIMES 目の前に画面があるってどんな感じ？ VRじゃないシンプルなヘッドマウントスクリーン｢VISOR-X｣を使ってみた - GIZMODO JAPAN スマホでの動画やゲームを大画面化！ バイザー型スマホガジェット｢VISOR-X｣を使ってみた - Lifehacker JAPAN スマホ動画をどこでも大画面で楽しめる？持ち運びも簡単な｢VISOR-X｣がキャンペーン開始 - Lifehacker JAPAN Dell製VR HMD「Visor」レビュー。Windows MR対応VR HMDの実力をDellのゲーマー向けノートPCで確かめてみた - 4Gamer.net 【Zoff】花粉対策メガネ「AIR VISOR ディズニーモデル」、1月19日発売 - PR TIMES 頭部のフィット感抜群なDELLのVRヘッドセット「Dell Visor」とDELL製ゲーミングノートPCでVRを体験してみた - GIGAZINE Steam VRに対応しコンテンツが大幅増加! セットアップが容易なVRデバイス「Dell Visor with Controllers」 - PC Watch 最安価な「Dell Visor」はWindows Mixed Realityヘッドセットの本命か？ (1/2) - ASCII.jp DELL、TGS2017でMRヘッドセット「Visor」をお披露目 - ASCII.jp デル、Windows Mixed Realityを採用したVRヘッドセット「Dell Visor」 - 価格.com 【Zoff】花粉対策メガネ「AIR VISOR ディズニーモデル」全8種類登場 - PR TIMES 【Zoff】花粉対策メガネ「AIR VISOR」シリーズ全32種類の店舗販売を開始 - PR TIMES 花粉カット率最大98.4％! Zoff 「AIR VISOR」新発売!! - PR TIMES 薄くなった頭髪をかぶるだけでフサフサにできるサンバイザーと合体したカツラ「Flair Hair Visor」 - GIGAZINE ブログ新着情報 #blogsearch2 technorati検索結果 #technorati
https://w.atwiki.jp/englishlanguage/pages/810.html
SOR... Sorensen, Janet. 2000. The Grammar of Empire in Eighteenth-Century British Writing. Cambridge Cambridge University Press. Sorlin, Sandrine. 2018. "The Rolling Stones Promoting Monty Python The Power of Irony and Banter", in The Pragmatics of Irony and Banter, ed. Manuel Jobert Sandrine Sorlin, pp. 195-210. Amsterdam John Benjamins.
https://w.atwiki.jp/touhoukashi/pages/3622.html
【登録タグ G Free SOUND HOLIC YURiCa/花たん Z 曲 秘封 -HIFUU- 衛星カフェテラス】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/i_ro/pages/188.html
This article or section is in need of attention from an expert on the subject.Please help recruit one or improve this article yourself. See the talk page for details. This article or section needs to be updated. Job Base(s) Sage Scholar Job Type 3-2 Changes At Geffen Tower Number of Skills 26 Total Skill Points 101 Total Quest Skills 0 Job Bonuses STR AGI VIT INT DEX LUK +3 +3 +5 +10 +7 +3 + ← クリックで目次を開く OverviewAoE Magic Summons Insignias Job Change Guide BuildsINT/AGI Hindsight/Fist Spell INT/DEX Offensive AoE VIT/DEX Support/Summoner EquipmentWeapons Armors Shields Garments Footgear Accessories Class DataSkills Summon Skills Job Bonuses External Links Overview AoE Magic Unlike their predecessors, sorcerers have the ability to do area of effect damage. Psychic Wave will be your most used area spell due to its major damage, large AoE, and and neutral element (you can "endow" your psychic wave via summons). Diamond Dust (Ice element) has an average AoE, damage, and cast time. Earth Grave (Earth element) has an average AoE, lower damage, and a quick cast time (has the ability to knock units out of hide/cloak). Varetyr Spear (Wind element) has a smaller AoE, average damage, quick cast time, and has a short cast range (damage is effected by atk / matk and requires a target unit). The 3 elemental spells are heavly based on the level of their corresponding endow. Killing Cloud (Poison element) has an average AoE, damage, and cast time (requires 2x red gemstones and hits multiple times). Summons Sorcerers have the ability to summon elementals that have very powerful abilities to help the summoner. There are 3 levels for each element, each having a different summoning requirement (catalyst). A summons stats are directly based on that of the sorcerer (ie A high agi / flee sorcerer will create a summon with high flee). Summons each have the ability to change the element of Physic Wave, change the Sorcerers Elemental Resistance (100% resist of that element), and boost certain elemental spell's damage. On top of that, each element has a speciality. Fire - Used mostly for its abilty to boost the Atk of the sorcerer and increase the recovery amount of Warmer (+10%). Water - Used mostly for its ability to boost the Matk of the sorcerer. Wind - Used mostly for its abilty to boost ASPD and create a very strong defensive barrier. Earth - No decent speciality. Insignias At first, insignias can be a little confusing and hard to use, but they can be extremely powerful. Insignias require a bit of setup and coordination and also have high skill requirements. Insignias can be created of the 4 basic elements. Only one of each insignia can be placed at a time (insignias do not share the same cooldown). Insignias are 3x3 ground enchants. Each cast cost 1/2/3 Scarlet Point, which can be bought in geffen tower (200z ea). Each insignia has the ability to boost the counter element no matter which level you use. For example, if you use Fire Insignia Level 1/2/3, any unit INSIDE the insignias 3x3 AoE will take +50% damage to water elemental attacks. Each insignia has 3 levels. Level 1 - Boosts the ability of that corresponding elemental summon. Level 2 - Changes weapons element to the insignias element. Any unit, friend, or monster that stands INSIDE the insignias 3x3 AoE attack will change. For example, if you are wearing fire armor, and a monster hits you while THEY are standing in the insignia, you will take reduced damage (Fire attack vs Fire Armor - 1/4 damage taken). If you have 100% immunity to that element, you will take 1 damage. Level 3 - Increases that players elements magic damage when THEY are standing inside the insignia and additional bonuses to that element (faster cast time, more matk, etc). Additional Examples Your tank comes back with a few more monsters than he is able to handle. If you know what armor they are using, placing a level 2 insignia on top of the monsters will reduce the damage they take by 1/4. Precasting magic while standing in level 3 insignias. A tank, with 100% fire resistance, tanking an MVP. Fire insignia level 2 on the MVP will reduces its damage considerably and increase all incomming water attacks by +50%. Put a Water Insignia 3 on your casters to give them a boost to their water magic damage. Job Change Guide A Sage needs to be 99/50 in order to job change into a Sorcerer. A Scholar needs to be at least 99/60 in order to job change into a Sorcerer. See Sorcerer Job Change Guide for detailed information. Builds INT/AGI Hindsight/Fist Spell STR× 1 AGI× 100-120 VIT× 20-80 INT× 110-120 DEX× 1-50 LUK× 1-40 This is similar to the Hindsight Sage/Scholar build. However a Sorcerer has a new spell available to them, Fist Spell. Since this skill is the first hit and only hit, int and matk become more important for the initial burst damage than aspd, hindsight is then used to finish the opponent off. Primary Skills Used Fist Spell Hindsight Fire Bolt Cold Bolt Lightning Bolt Double Bolt INT/DEX Offensive AoE STR 1-50 AGI 1-50 VIT 1-100 INT 110-120 DEX 100-120 LUK 1-30 The offensive AoE strips itself of it's former single target spell past and ascends to the utilization of magics that damage multiple foes. They use their intelligence to increase the amount of destruction they do. Since INT is directly in their spell formuli, each point in INT will increase damage more than an equivalent in an MATK increase alone. High amounts are key, thus the MATK one can gain through LUK or gear is inferior to equal amounts of INT. Sorcerer AoE spells have a very short after cast delay, but I high reuse delay. A common practice of comboing the AoE spells to reach high damage output is key. Unlike it's Warlock counterpart, Sorcerers gain very little for the support of Magic Strings, as reuse delays cannot be reduced. The strongest AoE is Psychic Wave, and is neutral element. The next tier are the spells Diamond Dust, Earth Grave, and Varetyr Spear. Getting at least one other second tier AoE is essential for effective combos, but learning all three severely limits the other spells you can aquire. It is suggest to gain at least one Elemental Summon ally, as they can change the element of your Psychic Wave. Preferably, the Fire Spirit Agni is the best choice. Due to the severe lack of fire spells. This will also increase the healing effects of Warmer. Which, when stacked with using Indulge to also recover SP; proves to be incredibly effective and will save you a ton of supplies. Not to mention, if you choose to use Fire Walk, that damage will also increase. Offensive Sorcerers are a good balance of defense and offense, and can achieve the 100 total VIT necessary to become immune to stun in PvP and WoE. Primary Skills Used Psychic Wave Diamond Dust Earth Grave Varetyr Spear Killing Cloud VIT/DEX Support/Summoner STR 1-100 AGI 1-100 VIT 90-120 INT 40-80 (INT is now necessary due to it being in the cast time formula and Soul Exhale only giving half your current sp.) DEX 100-120 LUK 30-100 The Support type is going to be very rare due to the nerfs Renewal gave to the Scholar class. Soul Exhale now has a 5 second fixed cast time and only gives half of your current sp. Gone are the days that Champions can be filled instantly and quickly for fast leveling. Magnetic Earth has also lost it's usefulness as most 3rd class skills bypass it. Dispell has also been given a large fixed cast time. Due to this and the lack of new support skills, the niche that Scholars used to have has been diminished. The role has not been lost! Due to the advent of status inflicting spells such as Diamond Dust and Arullo, the AoE healing abilities of warmer with no catalyst cost (especially with fire summon), and the supporting skill that can be achieved through Summon skills, the Sorcerer can be a very powerful support. Primary Skills Used Fiber Lock Blinding Mist Safety Wall Soul Exhale Soul Siphon Dispell Indulge Arrullo Warmer Striking Extreme Vacuum Diamond Dust Equipment Since the Sorcerer class is more versatile than its predecessors, they can wear different sets of weapons and armors. Weapons Kronos The most powerful two-handed staff a Sorcerer can wield, this weapon is a must-have for Caster Builds due to its INT and MATK bonuses. This weapon is most effective when refined up to +10, which would give a total of 8 INT. Ledger of Death The deadliest Book ever made, this can potentially give the highest bonus to ASPD, which is indispensable for Hindsight-based builds. Laphine Staff This staff is a viable weapon for those Support builds that rely on fast-cast skills. Note It is suggested that these weapons are upgraded to +10 in order to attain their greatest effects. Armors Orleans's Gown Shields Thorny Buckler Orleans's Server Garments Nydhorgg's Shadow Garb Compounded with the right card, this garment can provide great damage reduction, which is of utmost importance to any Magician class. Footgear Variant Shoes The HP and SP bonuses can ensure a more resolute presence in WoE and PVP situations. Do NOT upgrade the item to get the most HP and SP bonus. Accessories Orleans's Glove Bison Horn Class Data Skills See Sage Skills or Scholar Skills for 2nd class Skills. Skill Description Levels Type Striking× Increase the atk of target based on your learned endow levels. 5 Supportive Warmer× Stops ice based status ailments and heals allies within the area of effect. 5 Supportive Arrullo× Causes a unit to go into a deep sleep 5 Active Extreme Vacuum× Creates a tornado of air, immobilizing all units in an area 5 Active Fist Spell× Transfers bolt damage to the sorcerer's hands for the next X attacks. 5 Active Psychic Wave× Deals neutral property damage in an area. 5 Offensive Diamond Dust× Deals ice property damage in an area. Has a chance of causing the Freezing effect. 5 Offensive Varetyr Spear× Calls a lightning spear down on target unit, damaging and stunning those nearby. 5 Offensive Earth Grave× Deals earth property damage in an area. Has a chance of causing the Bleeding effect. 5 Offensive Killing Cloud× Create a deadly poison cloud that poisons and damamges units. 5 Offensive Poison Burst× Deal high damage to a unit that is poisoned. 5 Offensive Electric Walk× Create a trail of lightning behind the sorcerer. 5 Offensive Fire Walk× Create a trail of fire behind the sorcerer. 5 Offensive Summon Skills Skill Description Levels Type Elemental Action× Forces your summoned spirit to use an offensive skill 1 Active Element Analyze× Reassemble and Disassemble elemental stones in their counterparts 2 Active Spirit Control× Changes your summoned spirit to Passive / Defensive / Offensive mode 3 Active Spirit Cure× Consumes 10% of your own HP/SP to heal 10% of the HP/SP of the summoned spirit. 1 Supportive Spirit Sympathy× Increases the Attack of all elemental summons by 25*SkillLV 5 Passive Call Agni× Summon one of three fire elementals 3 Active Call Aqua× Summon one of three water elementals 3 Active Call Tera× Summon one of three earth elementals 3 Active Call Ventus× Summon one of three wind elementals 3 Active Fire Insignia× Creates an insignia on the ground that boosts fire damage 3 Supportive Earth Insignia× Creates an insignia on the ground that boosts earth damage 3 Supportive Wind Insignia× Creates an insignia on the ground that boosts wind damage 3 Supportive Water Insignia× Creates an insignia on the ground that boosts water damage 3 Supportive Job Bonuses Stat\Amount +1 +2 +3 +4 +5 +6 +7 +8 +9 +10 STR 10 11 33 AGI 20 21 41 VIT 4 14 23 32 45 INT 1 2 5 12 13 22 30 39 46 50 DEX 3 15 19 24 31 40 44 LUK 47 48 49 External Links - Sage ・ Scholar ・ Sorcerer Sage ・ Scholar ・ Sorcerer 2nd ClassSkills Cast Cancel× ・ Create Elemental Converter× ・ Deluge× ・ Dispell× ・ Dragonology× ・ Earth Spike× ・ Elemental Change× ・ Endow Blaze× ・ Endow Tornado× ・ Endow Tsunami× ・ Endow Quake× ・ Free Cast× ・ Heaven s Drive× ・ Hindsight× ・ Hocus-pocus× ・ Magic Rod× ・ Magnetic Earth× ・ Sense× ・ Spell Breaker× ・ Study× ・ Volcano× ・ Whirlwind× TranscendentSkills Blinding Mist× ・ Double Bolt× ・ Fiber Lock× ・ Foresight× ・ Indulge× ・ Mind Breaker× ・ Soul Exhale× ・ Soul Siphon× 3rd ClassSkills Arrullo× ・ Diamond Dust× ・ Earth Grave× ・ Electric Walk× ・ Extreme Vacuum× ・ Fire Walk× ・ Fist Spell× ・ Killing Cloud× ・ Poison Burst× ・ Psychic Wave× ・ Striking× ・ Varetyr Spear× ・ Warmer× Spirit-relatedSkills Elemental Action× ・ Element Analyze× ・ Spirit Control× ・ Spirit Cure× ・ Spirit Sympathy× ・ Call Agni× ・ Call Aqua× ・ Call Tera× ・ Call Ventus× ・ Fire Insignia× ・ Earth Insignia× ・ Wind Insignia× ・ Water Insignia× Quests Sage Job Change Guide ・ Sage Skill Quest ・ Rebirth Walkthrough ・ Sorcerer Job Change Guide Weapons× Book× ・ Dagger× ・ Rod× - Classes of Ragnarok Online Classes of Ragnarok Online Novice Class Novice ・ High Novice ・ Super Novice First Class / High First Class Acolyte ・ Archer ・ Mage ・ Merchant ・ Swordman ・ Thief Second Class Priest ・ Monk ・ Hunter ・ Bard ・ Dancer ・ Wizard ・ Sage ・ Blacksmith ・ Alchemist ・ Knight ・ Crusader ・ Assassin ・ Rogue Transcendent Second Class High Priest ・ Champion ・ Sniper ・ Minstrel ・ Gypsy ・ High Wizard ・ Scholar ・ Mastersmith ・ Biochemist ・ Lord Knight ・ Paladin ・ Assassin Cross ・ Stalker Third Class Arch Bishop ・ Sura ・ Ranger ・ Maestro ・ Wanderer ・ Warlock ・ Sorcerer ・ Mechanic ・ Geneticist ・ Rune Knight ・ Royal Guard ・ Guillotine Cross ・ Shadow Chaser Expanded Class Gunslinger ・ Ninja ・ TaeKwon Kid Expanded Second Class TaeKwon Master ・ Soul Linker ・ Kagerou ・ Oboro ・ Rebel× Doram Summoner Categories Pages needing expert attention | Articles Needing To Be Updated | Sorcerer | Classes | Sage | Scholar
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Code Geass 23. At Least with Sorrow I, Euphemia li Britannia, bid all of you within the sound of my voice to heed the following command Seek out any Japanese you can find, and please kill them! Leave not a single one of them alive! STAGE 23 AT LEAST WITH SORROW Euphemia has betrayed us here! All units, descend upon the stadium! Grind the Britannians to dust! Damn you, Euphemia! You deceived us! DAMN ELEVENS! Now I see. You were planning this all along! The Black Knights! Crush the Britannians! Euphy! Euphy, where are you?! Get away from me! I don't have time to waste on you! Oh my! This is turning into a mess. How dare you... trampling over the hopes of our people! Euphemia! Stop it! Are you Japanese? You dare raise a hand against Euphemia li Britannia? Huh? Ah-ha, so there you are... you ridiculous royal puppet. Oh, you were on that island, weren't you? Yeah! Now suffer the hand of vengeance and-- Wait! I'll deal with her. You defiant Japanese! Now what, Zero? Do we take her prisoner? There's no point. Leave her. I have to kill them all! These Japanese people -- they have to die! It jammed up... I have to... hurry! I think it goes in here. Oh, I thought you were one of them. So, I was thinking, we could run the Specially Administrated Zone of Japan together. Oh, wait... Japan? Yes. I would've like that. You and I together... Euphy... Lelouch... why? Farewell, Euphy. You may have been the first girl I ever loved. NOOOOOOO! Suzaku! Why now, of all times?! I'm no match for that Hadron Cannon! I will never allow you to kill Lelouch! Suzaku! GET OUT OF MY WAY!!! Arrg, damn it! Please! You have to save Euphy! Do something! You mustn't let her die! You still haven't made contact with Darlton?! No, Your Highness. There was a report he'd been injured, but nothing beyond that. Viceroy, emergency message from the Avalon. From the Avalon? Yes. The Special Zone at Fuji has fallen to the Black Knights. What was that?! They're moving to intercept our forces. Also... Princess Euphemia... "Equality?!" You can shove that straight up your administrated ass! You lured us into a death trap! You just made the biggest mistake in your lives! You got that?! That's right! Don't screw with the Japanese! Lucked out, didn't we? I can't believe they left all these footage and equipment behind. Yes. Once we're done editing, we can throw it on the Net for the entire world to see. It's pretty clear which side justice is on. How curious. You don't feel any loyalty toward Britannia, do you? Loyalty? Mmm-hmm. Britannia's glory has ripened on the vine; my talents are wasted serving them. You're more of an honest man than I thought you were. And what will you do now? Hard to say. The only reason I came here was to gather data. But I'd feel bad abandoning you all, and I find Zero so... amusing. How wonderful to finally meet you! This girl -- she's a relative of Suzaku's. Zero, are you prepared to walk beside us in what's to come? The opposite! From this point on, the Six Houses of Kyoto will be under my control! I won't hear any objections! All other paths of survival for you... have now vanished! We should inform Viceroy Cornelia. Don't worry, I'll be taking care of that. Will she last until we reach the bureau? I'm afraid not. I'll contact Prince Schneizel then. Excuse me. Suzaku... Euphy! Euphy... I have to know -- why did you issue that order at the stadium? Order...? What are you talking about? Never mind that... Suzaku... you're Japanese, aren't you? Yeah? Euphy! No! I mustn't-- I--I can't even think such a thing! No, please...! Suzaku? Yes, Euphy? The ceremony... did it go all right? Is Japan okay...? Euphy... don't you remember? People of Japan and all who are oppressed by the empire of Britannia! Long have I waited, all through the struggles against Britannia's injustices, I've waited for them to come to their senses! But that hope was betrayed, by an act of barbarism that can only be called a genocide! How about everyone that was there? Are the Japanese happy? Never forgive Euphemia! She's a murderer! She's a filthy witch! Liar! Euphemia is the symbol of Britannia's hypocrisy -- a murderer cloaked in the flag of a nation! How was the ceremony...? Do you think I did... okay? I hope that bitch burns in hell! We're finished with your lie! Death to them all! Euphy... the Special Zone is... a great success! The Japanese people were given back their home... and you did it! Oh, thank God... I hereby declare our independence from Britannia! But don't take this to mean the resurrection of your fallen nation! We will not turn back the hands of time! The new Japan we go on to build shall be one broad enough to accept all peoples, histories, and ideologies where the strong shall not reign over the weak! And it shall be called... THE UNITED STATES OF JAPAN! He's done it! This is the birth of a nation! How strange... I can't see... your face anymore... Keep going... to school... I had to stop... before I-- before I had the chance to finish... Euphy, you can still go yourself! I know! Why don't we go to Ashford Academy together? The student council is so much fun! Euphy...! You have to do it... for me... 'kay? Please, Euphy! No, don't go! Suzaku... I'm so happy... that we... Zero! Zero! Zero! Zero! Dear God... Area Fukushima, Byakko Squad, en route to lbaraki. Area Tama, continuing with barricade construction. Area Hamamatsu-- You plan to assault the Tokyo Settlement? Yes. This is the best chance we'll get. Don't worry about it -- your Geass has no effect on me. You know that, don't you? That's true, isn't it? Hmph, with my Geass out of control now, I can never see anyone. Yes, Nunnally? Hi Lelouch. I was wondering, um... do you suppose I could talk to Euphy again? I was thinking that the three of us could go to the school festival together. You see, Milly said they were organizing another one since everything got all messed up the other day. So I was hoping that we could go to the new one together too. Oh, I'm sorry... I know you don't want us meeting ever again. But I thought maybe, if there was some way you and I could maybe see her just one last time... Nunnally, haven't you heard the news? Oh, well, the radio cut off mid-broadcast earlier. Why do you ask? Did something happen? Of course not. Everything is just fine. Sorry. I'll be home by tomorrow. We'll discuss it when I'm back. Right. All right, so you can't switch off your Geass -- are there any changes you've noticed? Not really. It's just... Euphy... she tried to resist the Geass... and my orders... I was wondering if my power had weakened... but I think... I think such a malignant command was simply against her nature. And so? I guess that's all. It was something... We have our contract. I promised to stay with you... to the very end. We weren't fast enough! We may have managed to keep the news off the Net, but there's insurrections all over the map! That's correct! The Black Knights are the largest of the insurgent groups. They are now absorbing all of the masses and advancing on the Tokyo Settlement! All our units are in play right now. We're completely on our own! Yes, and with so many honorary Britannians turning on us, our enemies number in the tens of thousands! Lord Guilford! Forget it! We cannot move without Her Highness' word! But sir! The viceroy's been shut up in Princess Euphemia's room ever since she canceled the attack orders! And we still can't confirm Gen. Darlton's whereabouts. Everyone in Toyama Squad is at your disposal. Roger that. Any weaponry? Some explosives from Gokayama. But we don't have enough vehicles. Can any of us ride with you? The best we can offer are freight trains. That okay? Looks like the groups from Yamanashi joined up with us. Yeah, and the remnants of the Blood of the Samurai faction too. Our numbers are growing by the minute! I hope everyone in the student council can get away. On the contrary, for the first time in a while I'm glad. Yes... I forgot the art of kindness ages ago, Marianne. I hope you're all right, Kaname. You're working in Shizuoka now, right? Yeah, I'm fine over here. Look, Chigusa, we need to talk about something important when I get back. Hm? What's wrong? Well, that's the first time you've called me by that name. Oh, you're right. Does it sound weird? Not a bit! Anyway, I'll be here. There she is -- that Brit woman! Watch us from your window, huh?! Admit it -- you're some sort of spy! As the insurgents draw closer, security in the ghettos continues to worsen. The government is asking all citizens to stay in their homes until further notice. Do you think the fighting will come our way as well? O--of course not! Princess Cornelia has her regular forces stationed here. There's no way! I hope so... Geez, back up, will you? You're scaring me. Nunnally, what about Lelouch? Is he back here yet? Lelouch? Is something the matter? No, not really... Man, I wish you'd go back to calling him Lulu. It's time you two made up. Lulu? What, you mean I called him that? Oh, there you go again. Lulu... Nina, they want us upstairs in school! The insurgents are headed toward Tokyo! Right. And Zero's coming, isn't he? Please... wait for me, Princess Euphemia. I'll avenge you, I swear! Euphy... I just don't understand. Why did you give that order? Shall I tell you? Huh? A child? How did you get on board? How do you do, Suzaku Kururugi. You may call me V.V. V.V.? They've broken the Atsugi line as well! Maybe the homeland can help us! They'll never make it in time. Then we should evacuate this area right away! Don't panic! Huh?! P--Princess Cornelia! I've put the Glaston Knights on standby. Place all our forces on the outskirts of Tokyo! We can end this! We just need to take down Zero! Kill Cornelia, and the day will be ours! You all have your orders! Now be ready! Diethard, have Tohdoh handle the front line. I'm leaving you in charge here. Yes, very well, Zero. You're Sumeragi's... Thank goodness I made it in time! That was so mean of you, the way you headed off to the battle without me! I've been a huge fan of yours ever since your big debut! I was hoping that I'd finally get to talk to you. Wow, you're really tall, aren't you? Don't worry though, I'll catch up with you pretty soon! L--Lady Kaguya, I thought the heads of the Six Houses remained in Fuji. I followed after you! So I can watch my future husband fight. Don't joke around. Well, once you win this battle, you'll eventually need a wife, won't you? I mean, I know your identity is a big secret and all, but you're gonna need somebody as your public face, right? Really? You believe we're going to win this battle? Of course! I am the goddess of victory after all. I'd be lucky to have you then. Unfortunately, I've already made a contract with the devil. Huh? I have no room in my life for deities right now. Hurry! We have to get this experimental subject back to the homeland! The pressure! The internal pressure is rising! Now, of all times...! Good morning to you it was. Hear me, Britannia! This is Zero! A rebel against oppressors who abuse their power! We will wait until midnight. You have until then to surrender to me. This is your only warning -- heed it. Twelve midnight, not a single second later. Gen. Darlton, you're in no condition to do this! I don't care! I have to be... at Her Highness' side...! Your little bluff is meaningless, Zero. The Tokyo Settlement is an impenetrable fortress. You can still turn back, you know. Your actions here will affect more than just Area 11. You -- and this entire world -- will be steeped in war. I'm aware of that, and yet all the same. Euphy? How could that be possible? No... it must be an impostor. Lelouch, it's me. Suzaku... why are you calling me now? Lelouch... are you at the school? No, but I will be soon. I see. I called because there's something I want you to tell everyone for me. Yes, and what would that be? The sky -- make sure no one looks up the sky. What? Lelouch... is there anyone you could ever hate so much that you'd actually want to kill them? There is. Yes. I used to feel that sort of thinking was unacceptable -- that unless you followed the rules, killing someone was just murder. But now... it's hatred that's guiding me. I'm fighting to kill someone. I'm going to become a murderer in the skies of Tokyo, so please... Embrace your hate. Just think of Euphy. I made my own mind up long ago -- I've no intention of turning back. For Nunnally, you mean. Yes. I have to go now. Thank you, Lelouch. Forget about it. I mean, you and I are friends after all. For the last seven years. Right. See you then. Yeah, later. What the hell?! These hands of mine have been dirty for a long time now, Suzaku. Your coming to face me now doesn't matter at all -- hell, I welcome it even. I mean, of course, you and I are friends... Perhaps this is what I've longed for ever since that day the destruction and loss of everything. That's right -- destruction always comes before creation, and for that goal, even my own conscience must be cast aside. The only path left to me is straight ahead. Now then... That's right -- only by pushing forward will I find atonement. Even if my enemy is the greatest empire on the planet, there's no turning back for me now! Everything is in place. The time has come to overthrow the old world order!