約 4,085,806 件
https://w.atwiki.jp/chant/pages/162.html
Organic Orange Orchestra Member かなえ ちえこ あきら まさ いぬ ようすけ(バンマス) Songs My Last Fight / Love Psychedelico Doesn t Really Matter / Janet Jackson Resolution / ROMANTIC MODE このままで / 西野カナ Others Oが3つなので『triO(トリオ)』っていいます.
https://w.atwiki.jp/pipopipo777/pages/16.html
http //www.haaretz.com/hasen/spages/1064909.html Always on the side of the egg By Haruki Murakami I have come to Jerusalem today as a novelist, which is to say as a professional spinner of lies. Of course, novelists are not the only ones who tell lies. Politicians do it, too, as we all know. Diplomats and military men tell their own kinds of lies on occasion, as do used car salesmen, butchers and builders. The lies of novelists differ from others, however, in that no one criticizes the novelist as immoral for telling them. Indeed, the bigger and better his lies and the more ingeniously he creates them, the more he is likely to be praised by the public and the critics. Why should that be? My answer would be this Namely, that by telling skillful lies - which is to say, by making up fictions that appear to be true - the novelist can bring a truth out to a new location and shine a new light on it. In most cases, it is virtually impossible to grasp a truth in its original form and depict it accurately. This is why we try to grab its tail by luring the truth from its hiding place, transferring it to a fictional location, and replacing it with a fictional form. In order to accomplish this, however, we first have to clarify where the truth lies within us. This is an important qualification for making up good lies. Today, however, I have no intention of lying. I will try to be as honest as I can. There are a few days in the year when I do not engage in telling lies, and today happens to be one of them. So let me tell you the truth. A fair number of people advised me not to come here to accept the Jerusalem Prize. Some even warned me they would instigate a boycott of my books if I came. The reason for this, of course, was the fierce battle that was raging in Gaza. The UN reported that more than a thousand people had lost their lives in the blockaded Gaza City, many of them unarmed citizens - children and old people. Any number of times after receiving notice of the award, I asked myself whether traveling to Israel at a time like this and accepting a literary prize was the proper thing to do, whether this would create the impression that I supported one side in the conflict, that I endorsed the policies of a nation that chose to unleash its overwhelming military power. This is an impression, of course, that I would not wish to give. I do not approve of any war, and I do not support any nation. Neither, of course, do I wish to see my books subjected to a boycott. Finally, however, after careful consideration, I made up my mind to come here. One reason for my decision was that all too many people advised me not to do it. Perhaps, like many other novelists, I tend to do the exact opposite of what I am told. If people are telling me - and especially if they are warning me - "don t go there," "don t do that," I tend to want to "go there" and "do that." It s in my nature, you might say, as a novelist. Novelists are a special breed. They cannot genuinely trust anything they have not seen with their own eyes or touched with their own hands. And that is why I am here. I chose to come here rather than stay away. I chose to see for myself rather than not to see. I chose to speak to you rather than to say nothing. This is not to say that I am here to deliver a political message. To make judgments about right and wrong is one of the novelist s most important duties, of course. It is left to each writer, however, to decide upon the form in which he or she will convey those judgments to others. I myself prefer to transform them into stories - stories that tend toward the surreal. Which is why I do not intend to stand before you today delivering a direct political message. Please do, however, allow me to deliver one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall Rather, it is carved into the wall of my mind, and it goes something like this "Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg." 高くて堅い壁があり、それに向って壊れる卵があるとき、私は常に卵の側に立ちたい。 Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be? そうです。たとえ壁が正しく卵が間違っていたとしても、私は卵の側に立ちたい。ほかの方々は、何が正しくて何が間違っているかを決めるべきだというかもしれませんが、たぶんそれは時間と歴史が決めるでしょう。いかなる理由であっても、小説家が壁の側に立って作品を書くならば、その作品にはいったいどんな価値があるというのでしょうか? What is the meaning of this metaphor? In some cases, it is all too simple and clear. Bombers and tanks and rockets and white phosphorus shells are that high, solid wall. The eggs are the unarmed civilians who are crushed and burned and shot by them. This is one meaning of the metaphor. この比喩の意味は何でしょうか? 場合によっては、それは単純で明確すぎるほどです。爆撃機に、戦車に、ロケットに、白リン弾、これらが高くて堅い壁にあたります。卵は、それらの兵器によって砕かれ燃やされ撃たれる、武装してない市民のことです。これが比喩の一つの意味です。 This is not all, though. It carries a deeper meaning. Think of it this way. Each of us is, more or less, an egg. Each of us is a unique, irreplaceable soul enclosed in a fragile shell. This is true of me, and it is true of each of you. And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own, and then it begins to kill us and cause us to kill others - coldly, efficiently, systematically. しかしこれが意味の全てではありません。もっと深い意味を導きます。次のように考えてください。多かれ少なかれ、私たち一人一人が卵です。私たち一人一人は、個性的で他人と取り替えることが出来ない精神を、壊れやすい殻の中に閉じ込めています。私もそうです。みなさん一人一人もそうです。私たち一人一人は、激しいかそうでないか程度の差はあれ、高くて堅い壁に立ち向かっています。その壁は、システムという名をもっています。システムは私たちを守ろうともしますが、時としてシステム自身が一人歩きを始め、やがて私たちを殺したり、私たちを殺しに差し向けたりし始めます、---冷徹に、効率的に、そしてシステマチックに。 I have only one reason to write novels, and that is to bring the dignity of the individual soul to the surface and shine a light upon it. The purpose of a story is to sound an alarm, to keep a light trained on The System in order to prevent it from tangling our souls in its web and demeaning them. I fully believe it is the novelist s job to keep trying to clarify the uniqueness of each individual soul by writing stories - stories of life and death, stories of love, stories that make people cry and quake with fear and shake with laughter. This is why we go on, day after day, concocting fictions with utter seriousness. My father died last year at the age of 90. He was a retired teacher and a part-time Buddhist priest. When he was in graduate school, he was drafted into the army and sent to fight in China. As a child born after the war, I used to see him every morning before breakfast offering up long, deeply-felt prayers at the Buddhist altar in our house. One time I asked him why he did this, and he told me he was praying for the people who had died in the war. He was praying for all the people who died, he said, both ally and enemy alike. Staring at his back as he knelt at the altar, I seemed to feel the shadow of death hovering around him. My father died, and with him he took his memories, memories that I can never know. But the presence of death that lurked about him remains in my own memory. It is one of the few things I carry on from him, and one of the most important. I have only one thing I hope to convey to you today. We are all human beings, individuals transcending nationality and race and religion, fragile eggs faced with a solid wall called The System. To all appearances, we have no hope of winning. The wall is too high, too strong - and too cold. If we have any hope of victory at all, it will have to come from our believing in the utter uniqueness and irreplaceability of our own and others souls and from the warmth we gain by joining souls together. Take a moment to think about this. Each of us possesses a tangible, living soul. The System has no such thing. We must not allow The System to exploit us. We must not allow The System to take on a life of its own. The System did not make us We made The System. That is all I have to say to you. I am grateful to have been awarded the Jerusalem Prize. I am grateful that my books are being read by people in many parts of the world. And I am glad to have had the opportunity to speak to you here today. 外国報道
https://w.atwiki.jp/aliceincradle/pages/97.html
Small MonstersSlime Mushroom Porifera Urchin Puppy Puppet Large MonstersContaminated Slime Contaminated Puppet Ground Snake Contaminated Urchin Contaminated Mushroom The Fool The Fire Fox Small Monsters Slime This monster will slowly slither towards the player whenever they enter its attack range,and attempt to damage them by either pouncing onto them or try to restrain them by attaching itself onto Noel's body at formidable speed. While weak on its own and can be easily disposed of, a swarm of them can easily overwhelm their target and corner them with the aforementioned grabs and pounces. Players can take them out safely with ground bombs and white arrow in the early game. Mushroom This monster will enter guard mode when the player approaches , and release sleeping gas with gas bombs in long range engagements. Shotgunning can take out a guarding mushroom with ease. When it is running low on mana, it will try to pluck out surrounding magical plants and absorb the mana resided within, and continues disrupting the player with gas bombs once revitalized. Porifera This close cousin of mushrooms will defend themselves with tornado and slowly close in onto the player when being pursued. Tornado can inflict confusion, and has great vertical reach. It also has the ability to heal its allies if left ignored. it is extremely vulnerable to shotgunning. Urchin The surprisingly common urchin will hover in mid-air and can deal direct damage upon contact, and will fire spikes at random intervals. Even though shielding can keep them at bay without hassle, players can be heavily wounded and knocked back by urchins' surprise dash attack if they let their guard down. Each of their attacks costs a vast portion of their mana, but they will actively seek out magical plants to refill their stamina when they have almost exhausted their mana. Puppy Even though this monster has a lovable name, it is a repulsive abomination mainly composed of tentacles and infested with worms. It shifts across the battleground with swiftness and moves erratically, so it can be challenging to land spells such as the white arrow on this monster. Sometimes, it may pounce forward and attempt to restrain the player like a playful dog. When it successfully pins down the player, it will extend its tentacles and absorb mana from its victim. If Noel has her limbs held in place by multiple monsters during the attack, players can only watch while Noel's legs are being shamefully pried apart and having her body toyed and tainted by the monsters; It becomes near impossible to break free once that occurs. When their body swells up and is wrapped around by worms, any damage they receive will be nullified as only their mana pool will be damaged instead of their actual health in that state. It is possible to one-shot them with energy ball as it does two hits, one from the direct impact, and one from the explosion. Puppet A tiny monster that reassembles a puppet. It will get close to the player and hurl rocks at them. But the projectile cannot reach some high-up places, it may even trip and fall on uneven terrains. They will die on spot whenever their mana is depleted. It will make different kinds of machinery, such as Homing Missile, ice、electric、Flame、thrower, Wooden Horse, jamming bit. If the puppet takes damage during the production process, the machine's production can be interrupted. Once completed, it will act as an enemy. Large Monsters Contaminated Slime A slime that is greatly enlarged and strengthened due to contamination. Swallowing will be its primary method of attacking at close range while going for aggressive ground pounds in longer ranges that is capable of dealing a massive chunk of damage if the player is being cornered. If the player fails to get away after being held by this monster, Noel will be vored alive and may have a chance to be incubated. When incubated, eggs may be hatched and forced out of Noel's womb if the player frequently casts spells while this status is active. The player will be entirely halted when the slimes are being discharged from Noel, which can put them in grave danger when in combat. Contaminated Puppet A.K.A The Golem. Its large body frame naturally means that it poses more threat than its smaller brethren. Even though its attacks are as simplistic as swinging its ginormous club around, it is still a deadly enemy to Noel, who is considered physically weak and deemed incompetent in battles nonetheless. It still lacks reliable means to attack straight up despite its enhanced physique. However, it tends to avoid spawning in areas that have elevations between surfaces. It is especially dangerous when encountered in a flat, enclosed area. Ground Snake Covered in a durable shell, normal spells can barely do any harm to it. It can deflect incoming spells and attack with tail whips. It will also burrow into the ground, and tries to restrain the player from below. Since it cannot sense dangers above while buried, it can be baited out with ground bombs which can temporarily stun it, giving the player an opportunity to attack. Contaminated Urchin Instead of hovering, this enormous specimen of the urchin family has adapted to fighting on land by moving along the surfaces, and will drop down onto the player when being above them. The player will get trapped by its spikes if comes in direct contact while receiving continuous damage. The properties of this monster make it inadvisable to get into close quarter engagements with it, but its predictable pattern makes them susceptible to spells. Contaminated Mushroom DETAWANE!! (THERE IT COMES!!) A gigantic mushroom under the effects of contamination, boasting its massive body and high agility brought by its quick hops, it can even back step away from the player. Its attacks consist of discharging high amount of sleeping gas, and pouncing in mid-ranges. Even though it does not have any destructive attacks in its arsenal, the player can be placed in danger when they come in contact with red spore, which contains leech seeds within and having their HP gradually drained. The only sensible course of action when infected by the spore is to try killing it quickly to avoid any further damage. ※ It got nerfed after the v0.20c patch due to its overwhelming power. ※ Even Hashino Mizuha, one of the game's developers, was defeated twice by this monster on the game-play test stream aired on 5/6. The Fool A monster that travels across the air. Mainly relies on lightning spell for attacking. It will warp around to evade incoming attacks and projectiles. The lightning spell can be deflected back to the sender with shield bash before being casted, It will no longer warp whenever its mana runs dry, leaving it to the player's mercy. The Fire Fox * The closest thing one can get for a boss in the current build of this game as it is highly dangerous; Engage it at your peril. It is capable of converting its mana into flames and manipulating them for both defense and attack; Having the flame orbiting around it like spirits for protection, and fight by either spewing fire towards the player, or launching magical napalms that will leave behind a trail of fire which can set Noel ablaze after the initial explosion. It is not uncommon to see it disengage in combat and pluck magical plants, as most of its attacks consume a large amount of its mana.
https://w.atwiki.jp/oper/pages/3450.html
ATTO SECONDO La scena è composita, per fingere che l azione successivamente si svolga in più luoghi del palazzo di Teodorico in Ravenna. La parte a sinistra rappresenterà la loggia superiore che si vede nel mosaico del "Palatium" in Sant Apollinare nuovo. La parte a destra è bassa e cupa la camera dell antico palazzo barbarico avrà la severità di una cripta. Sopra una tavola di marmo, due candelabri in bronzo. Nella parte centrale, invece, la fantasia bisantina ha profuso colori. Tende negli intercolunni. Donello è sulla loggia, tra le giovani ancelle del palazzo ciarlano e ridono. ▼LUCILLA, CORO DONNE▲ Udite! ▼AGATA, CORO DONNE▲ Udiamo! ▼LUCILLA, CORO DONNE▲ Oh, bella! ▼SABINA, CORO DONNE▲ Zitte! ▼TUTTI▲ Oh, bella! oh nova! ▼AGATA, CORO DONNE▲ Or qual è questa prova? ▼LUCILLA, SABINA, CORO DONNE▲ Or qual è? ▼DONELLO▲ Passa immune, innanzi al sacro simulacro, ogni candida pulcella, ogni bella dama onesta; ma se donna a noi men cruda s avvicina, oh! reo portento! Ecco un rifolo di vento le dilacera la vesta e la svela tutta ignuda… ▼AGATA, LUCILLA, SABINA, CORO DONNE▲ No! Misera! Lontano, via dall idolo villano! ▼DONELLO▲ Dionea, marmo di rosa, splende in riva al Corno d oro è difesa al bel tesoro la virtù misteriosa. ▼AGATA, LUCILLA, SABINA, CORO DONNE▲ Falsa Dea, che è nemica di bellezza! Giù Dionea! Rompi il marmo! Frangi! Spezza! ▼DONELLO▲ E Teofano, il dì che un onda furibonda la consueta via le vieta e la caccia fuor della traccia, passa ignara, passa ignara qui d accanto… Ecco il soffio aquilonare involar diadema e manto e ogni grazia più segreta a miracolo mostrare… ▼AGATA, CORO DI DONNE▲ O Teofano, abbatti, atterra l alta imago che ti fa sì cruda guerra! ▼LUCILLA, SABINA, CORO DONNE▲ Dolce druda, abbatti, atterra l alta imago che ti fa sì cruda guerra! ▼DONELLO▲ Or io molto sarei vago di tentar con voi l arcano, che ciascuna è nova e pura e di suo candor sicura… ▼AGATA, LUCILLA, SABINA, CORO DONNE▲ Certo! ▼DONELLO▲ …e sol per talismano porteranno il filo e l ago. ▼AGATA, LUCILLA, SABINA, CORO DONNE▲ Oh, no! No! ▼AGATA, SABINA, CORO DONNE▲ Male ti fidi! ▼LUCILLA, CORO DONNE▲ Vuoi la prova? tristo a te! ▼AGATA, SABINA, CORO▲ Sfidi? Tristo a te… ▼MONICA▲ Come aveva nome codesta immite iddia? Come? ▼DONELLO▲ Afrodite. ▼MONICA▲ Malvagio nome… ▼DONELLO▲ O Monica, non sai era la dea dell amore… ▼MONICA▲ Oh l amore è un altra cosa, Donello! È più buono… è dono, è abbandono… (Fissa Donello con lo sguardo pieno d amore, e in quest atto la vede Silvana, che inquieta e torbida s aggira fra gli intercolunni e le tende) ▼SILVANA▲ Monica! (Monica sembra destarsi discende i gradini, s avvicina a Silvana) Che vuoi? ▼MONICA▲ Tu m hai chiamata, patrizia. ▼SILVANA▲ No, niente. No. Tu lo sai. D ogni ancella eri più cara al mio cuore e ti perdi. Non voglio, m intendi? Guardami in faccia. Sei bella. Salvarti dal roveto ardente prima che tutta t incendi. (Croscio di risa, dalla loggia le donne svolazzano via, seguite da Donello) Il sogno che t innamora è labile ombra. Non t ama. Tu sei la subita brama, la gioia di un ora; il fresco ramello che strappi alla siepe fiorita passando, e cader dalle dita ti lasci, che un altro è più bello. Nasconditi se tu rimani, sei perduta… Ti meraviglia che dentro io ti vegga sì chiaro? È vero? Di … Perchè taci? Di lagrime hai molli le ciglia… ma quelle che berrai domani sapranno di sale più amaro? Son dunque sì dolci i suoi baci? ▼MONICA▲ Tanto, tanto! ▼SILVANA▲ Ah! Sfacciata? Confessi la tua vergogna. ▼MONICA▲ Perdono! ▼SILVANA▲ Nel convento del Salvatore. ▼MONICA▲ Pietà! Se più non dovessi vederlo, morrei… ▼SILVANA▲ Non si muore. ▼MONICA▲ Sono colpevole, sono… Ma tu, che sai l esilio della luce e dell aria, tu, che nell ombra maceri l anima solitaria, all error mio giovine, tu, giovine, perdona! Per tutte le mie lagrime, tu, che soffri, sii buona! Ah! E s è un sogno fuggevole che m illude, che importa? Vivere un ora, vivere! Vivere! Domani io sarò morta. ▼SILVANA▲ Morresti in peccato mortale. ▼MONICA▲ Pietà… ▼SILVANA▲ E onta non hai, nè rossore? ▼MONICA▲ Solo a me feci male… ▼SILVANA▲ Nel convento del salvatore. ▼MONICA▲ Pietà! (Imperiosa, Silvana tende il braccio e l altra a capo chino piangendo va. Appare l Esarca e il corteggio. Silvana ha seguito lentamente Monica fin sulla loggia) ▼BASILIO▲ E dite al Papa, che non si dimentichi d esser soggetto di Bisanzio, e che io son braccio da metter, come Eraclio, a sacco San Giovanni Laterano. E di Papa Martino gli sovvenga. O Donello, oziare a lungo più non dovrai tra le mura di Ravenna. Forbisci arme ed arnese! Cavalcheremo per la via romea e su, attraverso l Appennino, andremo ad insegnar a questo nestoriano la regola ortodossa. Tempi duri. Ma Cristo vince. Vescovo! San Giovanni mi perdoni la minaccia, che manterrò. Ma voglio dormire questa notte ed altre sette nel mio cilicio, sulla terra nuda. Che pensi? ▼IL VESCOVO▲ Bene ti sia, patrizio. ▼BASILIO▲ Tempi duri. Ma Cristo vince. (ora si avvede di Silvana, che discende dalla loggia) Vieni mia donna, vieni che il tuo viso giovine e chiaro rammenti a noi, tristi asceti in piastra e maglia, che il Signore ne diede anche il sorriso. (I seguaci dell Esarca si inchinano alla patrizia, e fan atto d allontanarsi) ▼SILVANA▲ No; tu, Donello, resta. (all Esarca) Voglio che il figlio tuo narri compiutamente ciò che fu detto, questa sera, al supplizio di Agnese di Cervia. Comandagli che parli era presente. Voglio sapere. ▼BASILIO▲ Che intendi? Che avvenne? ▼DONELLO▲ Niente. Grida. Or giustizia è fatta. ▼BASILIO▲ Quali grida? ▼DONELLO▲ Mal s udiva. Che importa? La dissennava il terrore. L anima era già morta e la bocca urlava… ▼SILVANA▲ Il mio nome! ▼BASILIO▲ Io ti comando che parli! ▼DONELLO▲ Sì, il tuo nome. Che tu volevi salvarla, perchè la tua madre faceva malie; che avea legato a sue trame l Esarca… Le litanie sommersero la voce infame. ▼SILVANA▲ Mia madre! ▼BASILIO▲ (a Donello) Tu chiama il Prefetto la lingua che, prima in Ravenna, osi ripeter la sozza menzogna di strega, sia mozza. Senza indugiare. Ho detto. (Un ancella viene, accende i candelabri, esce in silenzio) ▼SILVANA▲ Dunque è vero? ▼BASILIO▲ Sì, vero. ▼SILVANA▲ E tu sapevi? ▼BASILIO▲ Una potenza misteriosa ardeva negli occhi di diamante era la sua voce gelida come lama. Io son la prova del suo fascino strano. Perchè volsi il passo verso la sua casa oscura? Chi mi chiamava? Ed era necessario obbedire a quel tacito comando come se ferrea mano mi traesse, come se stocco mi urgesse alle reni. Sorrise ambigua e disse Io t aspettavo. So il tuo destino. E allora ti vidi primamente, Silvana, e fui prigione. Forse è questo l amore nume ignoto che non temevo. Forse è questo l amore che non temevo. Le mie nozze brevi erano state un rito senza gioia, tra guerra e guerra, sempre in un campo e in arme, per la gloria di Cristo e dell Impero. Il mio cilizio mi cingeva i lombi di castità, per il regno dei cieli ma forse tu, Silvana, eri l amore. Questo è raggio di luce l altro è oscuro. Senza velarmi, tua madre mi disse le sue malie che fatto aveva la mia immagine, e me legato al suo potere l avrei difesa. Era certa! Era vero! Così l Esarca, il servo del Signore, salvò la maliarda dalla pena giusta, che le schiudeva il Purgatorio. E Cristo mi perdoni se la misera anima è presa dall eterno fuoco è mia colpa; e così, senza speranza, io prego tutto dì per la sua pace! ▼SILVANA▲ Ah! orrore! di te! di me! orrore che mi cinge la fronte, che mi stringe l arido cuore! Mia madre! È questo, madre, il segreto del tuo sguardo inquieto, del tuo sembiante mesto? Questo serrava la tua bocca amara? Oh, quanto amara! e il solco del perpetuo pianto? ▼BASILIO▲ Or datti pace, mia povera cara, non dimandar, non pensare… È vano. ▼SILVANA▲ E un grido non umano ravviva le tua pena. O madre misera. ▼BASILIO▲ No, tu non devi piangere sii forte. ▼SILVANA▲ E dentro me uno schianto risponde, senza lagrima! Orrore! Orrore! Io sono la tua figlia, vedi, e non ho il sollievo di una lagrima. Ah, se potessi piangere! ▼BASILIO▲ Dell oscuro passato sono chiuse le porte. No, tu non devi piangere sii forte. ▼SILVANA▲ Essa poteva evocare! Mirabile cosa… E in te nacque così grande amore, sì grande che non potevi vivere senza di me… ▼BASILIO▲ Ti rammenti, Silvana? ▼SILVANA▲ Terribile potenza! E credi tu che discenda per sangue? ▼BASILIO▲ Ora che pensi? ▼SILVANA▲ Forse la fiamma, che sì fiera avvampa entro di me, forse è il materno sangue… ▼BASILIO▲ Silvana! ▼SILVANA▲ (parlando sempre a sè) Forse questo è poco lume nella grande ombra che mi cerchia l anima… ▼BASILIO▲ L anima tua, Silvana, è dritta, è immune lo so. Non ti turbare prega e spera. (Appaiono due silenziari attendono immobili nell intercolunno centrale) Ora non star qui sola. Fa che vengano le donne ▼SILVANA▲ Sì. ▼BASILIO▲ Cristo ti guardi. ▼SILVANA▲ Sia. (Silvana è sola col suo tormento indomabile. Entra nella camera, dove sulla tavola fiammeggiano i due candelabri. Lentamente spegne le candele, fuor che una, sulla quale ha soffiato così debolmente e distrattamente, che è rimasta accesa) Evocare! La mia madre poteva… (La voce sembra morire) e venivano a lei… (Senza voce, muove le labbra ad un nome, come per provare il suo potere) Forse… Donello! (Poi ripete piano, estatica) Donello! Ah! posso! posso! (Donello è apparso viene dal fondo buio della camera. L evocatrice non lo vede, ma sente la sua presenza rabbrividisce prima che le braccia del giovine la tocchino. Si baciano, ebbri di perdizione) Donello! ▼DONELLO▲ Silvana! ATTO SECONDO La scena è composita, per fingere che l azione successivamente si svolga in più luoghi del palazzo di Teodorico in Ravenna. La parte a sinistra rappresenterà la loggia superiore che si vede nel mosaico del "Palatium" in Sant Apollinare nuovo. La parte a destra è bassa e cupa la camera dell antico palazzo barbarico avrà la severità di una cripta. Sopra una tavola di marmo, due candelabri in bronzo. Nella parte centrale, invece, la fantasia bisantina ha profuso colori. Tende negli intercolunni. Donello è sulla loggia, tra le giovani ancelle del palazzo ciarlano e ridono. LUCILLA, CORO DONNE Udite! AGATA, CORO DONNE Udiamo! LUCILLA, CORO DONNE Oh, bella! SABINA, CORO DONNE Zitte! TUTTI Oh, bella! oh nova! AGATA, CORO DONNE Or qual è questa prova? LUCILLA, SABINA, CORO DONNE Or qual è? DONELLO Passa immune, innanzi al sacro simulacro, ogni candida pulcella, ogni bella dama onesta; ma se donna a noi men cruda s avvicina, oh! reo portento! Ecco un rifolo di vento le dilacera la vesta e la svela tutta ignuda… AGATA, LUCILLA, SABINA, CORO DONNE No! Misera! Lontano, via dall idolo villano! DONELLO Dionea, marmo di rosa, splende in riva al Corno d oro è difesa al bel tesoro la virtù misteriosa. AGATA, LUCILLA, SABINA, CORO DONNE Falsa Dea, che è nemica di bellezza! Giù Dionea! Rompi il marmo! Frangi! Spezza! DONELLO E Teofano, il dì che un onda furibonda la consueta via le vieta e la caccia fuor della traccia, passa ignara, passa ignara qui d accanto… Ecco il soffio aquilonare involar diadema e manto e ogni grazia più segreta a miracolo mostrare… AGATA, CORO DI DONNE O Teofano, abbatti, atterra l alta imago che ti fa sì cruda guerra! LUCILLA, SABINA, CORO DONNE Dolce druda, abbatti, atterra l alta imago che ti fa sì cruda guerra! DONELLO Or io molto sarei vago di tentar con voi l arcano, che ciascuna è nova e pura e di suo candor sicura… AGATA, LUCILLA, SABINA, CORO DONNE Certo! DONELLO …e sol per talismano porteranno il filo e l ago. AGATA, LUCILLA, SABINA, CORO DONNE Oh, no! No! AGATA, SABINA, CORO DONNE Male ti fidi! LUCILLA, CORO DONNE Vuoi la prova? tristo a te! AGATA, SABINA, CORO Sfidi? Tristo a te… MONICA Come aveva nome codesta immite iddia? Come? DONELLO Afrodite. MONICA Malvagio nome… DONELLO O Monica, non sai era la dea dell amore… MONICA Oh l amore è un altra cosa, Donello! È più buono… è dono, è abbandono… (Fissa Donello con lo sguardo pieno d amore, e in quest atto la vede Silvana, che inquieta e torbida s aggira fra gli intercolunni e le tende) SILVANA Monica! (Monica sembra destarsi discende i gradini, s avvicina a Silvana) Che vuoi? MONICA Tu m hai chiamata, patrizia. SILVANA No, niente. No. Tu lo sai. D ogni ancella eri più cara al mio cuore e ti perdi. Non voglio, m intendi? Guardami in faccia. Sei bella. Salvarti dal roveto ardente prima che tutta t incendi. (Croscio di risa, dalla loggia le donne svolazzano via, seguite da Donello) Il sogno che t innamora è labile ombra. Non t ama. Tu sei la subita brama, la gioia di un ora; il fresco ramello che strappi alla siepe fiorita passando, e cader dalle dita ti lasci, che un altro è più bello. Nasconditi se tu rimani, sei perduta… Ti meraviglia che dentro io ti vegga sì chiaro? È vero? Di … Perchè taci? Di lagrime hai molli le ciglia… ma quelle che berrai domani sapranno di sale più amaro? Son dunque sì dolci i suoi baci? MONICA Tanto, tanto! SILVANA Ah! Sfacciata? Confessi la tua vergogna. MONICA Perdono! SILVANA Nel convento del Salvatore. MONICA Pietà! Se più non dovessi vederlo, morrei… SILVANA Non si muore. MONICA Sono colpevole, sono… Ma tu, che sai l esilio della luce e dell aria, tu, che nell ombra maceri l anima solitaria, all error mio giovine, tu, giovine, perdona! Per tutte le mie lagrime, tu, che soffri, sii buona! Ah! E s è un sogno fuggevole che m illude, che importa? Vivere un ora, vivere! Vivere! Domani io sarò morta. SILVANA Morresti in peccato mortale. MONICA Pietà… SILVANA E onta non hai, nè rossore? MONICA Solo a me feci male… SILVANA Nel convento del salvatore. MONICA Pietà! (Imperiosa, Silvana tende il braccio e l altra a capo chino piangendo va. Appare l Esarca e il corteggio. Silvana ha seguito lentamente Monica fin sulla loggia) BASILIO E dite al Papa, che non si dimentichi d esser soggetto di Bisanzio, e che io son braccio da metter, come Eraclio, a sacco San Giovanni Laterano. E di Papa Martino gli sovvenga. O Donello, oziare a lungo più non dovrai tra le mura di Ravenna. Forbisci arme ed arnese! Cavalcheremo per la via romea e su, attraverso l Appennino, andremo ad insegnar a questo nestoriano la regola ortodossa. Tempi duri. Ma Cristo vince. Vescovo! San Giovanni mi perdoni la minaccia, che manterrò. Ma voglio dormire questa notte ed altre sette nel mio cilicio, sulla terra nuda. Che pensi? IL VESCOVO Bene ti sia, patrizio. BASILIO Tempi duri. Ma Cristo vince. (ora si avvede di Silvana, che discende dalla loggia) Vieni mia donna, vieni che il tuo viso giovine e chiaro rammenti a noi, tristi asceti in piastra e maglia, che il Signore ne diede anche il sorriso. (I seguaci dell Esarca si inchinano alla patrizia, e fan atto d allontanarsi) SILVANA No; tu, Donello, resta. (all Esarca) Voglio che il figlio tuo narri compiutamente ciò che fu detto, questa sera, al supplizio di Agnese di Cervia. Comandagli che parli era presente. Voglio sapere. BASILIO Che intendi? Che avvenne? DONELLO Niente. Grida. Or giustizia è fatta. BASILIO Quali grida? DONELLO Mal s udiva. Che importa? La dissennava il terrore. L anima era già morta e la bocca urlava… SILVANA Il mio nome! BASILIO Io ti comando che parli! DONELLO Sì, il tuo nome. Che tu volevi salvarla, perchè la tua madre faceva malie; che avea legato a sue trame l Esarca… Le litanie sommersero la voce infame. SILVANA Mia madre! BASILIO (a Donello) Tu chiama il Prefetto la lingua che, prima in Ravenna, osi ripeter la sozza menzogna di strega, sia mozza. Senza indugiare. Ho detto. (Un ancella viene, accende i candelabri, esce in silenzio) SILVANA Dunque è vero? BASILIO Sì, vero. SILVANA E tu sapevi? BASILIO Una potenza misteriosa ardeva negli occhi di diamante era la sua voce gelida come lama. Io son la prova del suo fascino strano. Perchè volsi il passo verso la sua casa oscura? Chi mi chiamava? Ed era necessario obbedire a quel tacito comando come se ferrea mano mi traesse, come se stocco mi urgesse alle reni. Sorrise ambigua e disse Io t aspettavo. So il tuo destino. E allora ti vidi primamente, Silvana, e fui prigione. Forse è questo l amore nume ignoto che non temevo. Forse è questo l amore che non temevo. Le mie nozze brevi erano state un rito senza gioia, tra guerra e guerra, sempre in un campo e in arme, per la gloria di Cristo e dell Impero. Il mio cilizio mi cingeva i lombi di castità, per il regno dei cieli ma forse tu, Silvana, eri l amore. Questo è raggio di luce l altro è oscuro. Senza velarmi, tua madre mi disse le sue malie che fatto aveva la mia immagine, e me legato al suo potere l avrei difesa. Era certa! Era vero! Così l Esarca, il servo del Signore, salvò la maliarda dalla pena giusta, che le schiudeva il Purgatorio. E Cristo mi perdoni se la misera anima è presa dall eterno fuoco è mia colpa; e così, senza speranza, io prego tutto dì per la sua pace! SILVANA Ah! orrore! di te! di me! orrore che mi cinge la fronte, che mi stringe l arido cuore! Mia madre! È questo, madre, il segreto del tuo sguardo inquieto, del tuo sembiante mesto? Questo serrava la tua bocca amara? Oh, quanto amara! e il solco del perpetuo pianto? BASILIO Or datti pace, mia povera cara, non dimandar, non pensare… È vano. SILVANA E un grido non umano ravviva le tua pena. O madre misera. BASILIO No, tu non devi piangere sii forte. SILVANA E dentro me uno schianto risponde, senza lagrima! Orrore! Orrore! Io sono la tua figlia, vedi, e non ho il sollievo di una lagrima. Ah, se potessi piangere! BASILIO Dell oscuro passato sono chiuse le porte. No, tu non devi piangere sii forte. SILVANA Essa poteva evocare! Mirabile cosa… E in te nacque così grande amore, sì grande che non potevi vivere senza di me… BASILIO Ti rammenti, Silvana? SILVANA Terribile potenza! E credi tu che discenda per sangue? BASILIO Ora che pensi? SILVANA Forse la fiamma, che sì fiera avvampa entro di me, forse è il materno sangue… BASILIO Silvana! SILVANA (parlando sempre a sè) Forse questo è poco lume nella grande ombra che mi cerchia l anima… BASILIO L anima tua, Silvana, è dritta, è immune lo so. Non ti turbare prega e spera. (Appaiono due silenziari attendono immobili nell intercolunno centrale) Ora non star qui sola. Fa che vengano le donne SILVANA Sì. BASILIO Cristo ti guardi. SILVANA Sia. (Silvana è sola col suo tormento indomabile. Entra nella camera, dove sulla tavola fiammeggiano i due candelabri. Lentamente spegne le candele, fuor che una, sulla quale ha soffiato così debolmente e distrattamente, che è rimasta accesa) Evocare! La mia madre poteva… (La voce sembra morire) e venivano a lei… (Senza voce, muove le labbra ad un nome, come per provare il suo potere) Forse… Donello! (Poi ripete piano, estatica) Donello! Ah! posso! posso! (Donello è apparso viene dal fondo buio della camera. L evocatrice non lo vede, ma sente la sua presenza rabbrividisce prima che le braccia del giovine la tocchino. Si baciano, ebbri di perdizione) Donello! DONELLO Silvana! Respighi,Ottorino/La fiamma/III
https://w.atwiki.jp/team3babo/pages/27.html
# Theses two are the classic "Glass Cannons" we think of as wizards in MMOs. They amazing damage from range, but they have to balance that by playing with dangerous forces. # The Bright Wizard has "combustion". The more spells he casts, the more powerful his spells become, but he has to watch his gauge ... if he s near the top one wrong spell can cause massive explosions. The caster here can actually be a hindrance to the group if the caster isn t being careful. # The Sorceress is almost identical, only she wields dark magic instead of pyroclastic fury.
https://w.atwiki.jp/pocketplanes/pages/135.html
PORT SUDAN [ポート・スーダン] PORT SUDAN は AFRICA に位置する人口約 0.52 millionの都市。 PORT SUDAN Airportは Class 1 の空港。 “PORT SUDAN WAS FOUNDED BY THE BRITISH IN 1909 AS THE TERMINUS OF A RAIL LINKING THE RED SEA TO THE RIVER NILE.” OPEN(coins) 3585coins 宣伝(coins) 13585coins レベル1 レベル2 レベル3 アップグレードコスト(coins) - 7170 10755 LAYOVERS 5 10 15 CLOSE時の払戻(coins) 1792 5377 10755 空港 一覧 AFRICA [アフリカ] AL FASHIR・ALGIERS・BAMAKO・BEIRA・BENGHAZI・CAIRO・CAPE TOWN・CASABLANCA・DAKAR・DJIBOUTI・DURBAN・HARARE・IN SALAH・JOHANNESBURG・JUBA・KADUNA・KAMPALA・KANANGA・KHARTOUM・KINSHASA・KISANGANI・LAGOS・LILONGWE・LIVINGSTONE・LOBITO・MAHAJANGA・MOGADISHU・MOMBASA・MONROVIA・NAIROBI・PORT ELIZABETH・PORT SUDAN・TIMBUKTU・TRIPOLI・WINDHOEK・ZANZIBAR ASIA [アジア] ADEN・AHMEDABAD・ANADYR・BAGHDAD・BANGALORE・BANGKOK・BEIJING・BUTWAL・CEBU・CHENGDU・DELHI・DHAKA・GUANGZHOU・HANOI・HARBIN・HONG KONG・HYDERABAD・ISTANBUL・JAKARTA・JERUSALEM・KABUL・KANDAHAR・KARACHI・KOLKATA・KUCHING・KUWAIT CITY・LHASA・MAGADAN・MANILA・MUMBAI・MUSCAT・NAGASAKI・NANPING・NORILSK・NOVOSIBIRSK・OSAKA・PADANG・PALU・PEVEK・PORT MORESBY・RANGOON・RIYADH・SAPPORO・SENDAI・SEOUL・SHANGHAI・SHENYANG・SINGAPORE・TAIPEI・TEHRAN・TIKSI・TOKYO・ULAN BATOR・URUMQI・VLADIVOSTOK・XI AN・XINING・YAKUTSK・YINCHUAN EUROPE [ヨーロッパ] AMSTERDAM・ATHENS・BARCELONA・BEIRUT・BELFAST・BELGRADE・BERGEN・BERLIN・BERN・BORDEAUX・BRUSSELS・BUCHAREST・COPENHAGEN・CORDOBA(SPAIN)・GLASGOW・HAMMERFEST・HELSINKI・KIEV・LISBON・LONDON・LULEA・LYON・MADRID・MANCHESTER・MINSK・MOSCOW・MUNICH・MURMANSK・NAPLES・OSLO・OULU・PARIS・PERM・PRAGUE・REYKJAVIK・RIGA・ROME・ST.PETERSBURG・STOCKHOLM・TBILISI・TRONDHEIM・VENICE・VIENNA・VOLGOGRAD・WARSAW NORTH AMERICA [北アメリカ] ANCHORAGE・ATLANTA・BARROW・BISMARCK・BOSTON・CALGARY・CANCUN・CHARLESTON・CHICAGO・CHIHUAHUA・CINCINNATI・DALLAS・DENVER・DETROIT・EDMONTON・FAIRBANKS・GOOSE BAY・GUATEMALA・HAVANA・HILO・HONOLULU・HOUSTON・INUVIK・IQALUIT・JUNEAU・KANSAS CITY・KETCHIKAN・LAS VEGAS・LOS ANGELES・MEXICO CITY・MIAMI・MINNEAPOLIS・MONTERREY・MONTREAL・NEW ORLEANS・NEW YORK・NOME・NUUK・OAXACA・ORLANDO・OTTAWA・PANAMA CITY・PHILADELPHIA・PHOENIX・PORTLAND・QUEBEC・SALT LAKE CITY・SAN DIEGO・SAN FRANCISCO・SAN JOSE・SANTO DOMINGO・SASKATOON・SEATTLE・SPOKANE・ST.LOUIS・THUNDER BAY・TORONTO・VANCOUVER・WASHINGTON DC・WHITEHORSE・WINNIPEG・YELLOWKNIFE SOUTH AMERICA [南アメリカ] ARAGUAINA・ASUNCION・BARILOCHE・BELEM・BOGOTA・BRASILIA・BUENOS AIRES・CAMPO GRANDE・CARACAS・CORDOBA(ARGENTINA)・CUIABA・CUZCO・EASTER ISLAND・FORTALEZA・GEORGETOWN・IQUITOS・LA PAZ・LIMA・MANAUS・PORTO VELHO・PUNTA ARENAS・QUITO・RECIFE・RIO DE JANEIRO・SALVADOR・SANTIAGO・SAO PAULO・TERESINA OCEANIA [オセアニア] ADELAIDE・ALICE SPRINGS・AUCKLAND・BRISBANE・BROKEN HILL・BROOME・CAIRNS・CHRISTCHURCH・DARWIN・GERALDTON・HOBART・KALGOORLIE・KATHERINE・MELBOURNE・MOUNT ISA・NEWMAN・PERTH・PORT HEDLAND・ROCKHAMPTON・SYDNEY・WELLINGTON
https://w.atwiki.jp/elvis/pages/1418.html
Red Envelope Mystery Wallace Nichols? Poland (Countries of the World) Jeremy Nichols?Emilia Trembicka-Nichols? Paint Shop Pro 8 The Guide to Creating Professional Images Robin Nichols Paint Shop Pro 9 For Photographers Ken McMahon?Robin Nichols Prostitution, Polygamy, and Power Salt Lake City, 1847-1918 Jeffrey D. Nichols? Lincoln and the Indians Civil War Policy and Politics David A. Nichols? Ideology and the Image Social Representation in the Cinema and Other Media Bill Nichols? Many Thousand Gone (Afro-Amer. Studs.) Charles H Nichols? Ideology and the Image Social Representation in the Cinema and Other Media Bill Nichols? Representing Reality Issues and Concepts in Documentary Bill Nichols? Blurred Boundaries Questions of Meaning in Contemporary Culture Bill Nichols? Introduction to Documentary Bill Nichols? Introduction to Documentary Bill Nichols? Sally Ride (Scholastic News Nonfiction Readers) Catherine Nichols? Blurred Boundaries Questions of Meaning in Contemporary Culture Bill Nichols? Programmed Cost Accounting Gerald E Nichols? Targeting Economic Incentives for Environmental Protection (M I T Press Series on the Regulation of Economic Activity) Albert L. Nichols? The Danbury Scandals (Masquerade) Mary Nichols? The Danbury Scandals (Masquerade Large Print) Mary Nichols? A Dangerous Undertaking (Mills Boon Large Print Romances) Mary Nichols? To Win the Lady (Mills Boon) Mary Nichols? Jack Chiltern's Wife (Historical Romance) Mary Nichols? The Reluctant Escort (Historical Romance) Mary Nichols? The Incomparable Countess (Historical Romance) Mary Nichols? Lady Lavinias Match (Mills Boon Historical Romance) Mary Nichols? A Lady of Consequence (Historical Romance) Mary Nichols? The Hemingford Scandal (Mills Boon Historical Romance) Mary Nichols? Bachelor Duke (Ulverscroft Large Print Series) Mary Nichols? Merchandising Library Materials to Young Adults (Greenwood Professional Guides for Young Adult Librarians) Mary Anne Nichols? Working Man, Society Bride (Romance) Mary Nichols? Heart of the Lion (Masquerade) Mary Nichols? The Price of Honour (Masquerade) Mary Nichols? Devil-may-dare (Legacy of Love) Mary Nichols? A Dangerous Undertaking (Legacy of Love) Mary Nichols? To Win the Lady (Legacy of Love) Mary Nichols? The Last Gamble (Historical Romance) Mary Nichols? The Ruby Pendant (Historical Romance) Mary Nichols? Dear Deceiver (Historical Romance) Mary Nichols? Mistress of Madderlea (Historical Romance) Mary Nichols? Outrageous Dowager (Regency Collection) Sarah Westleigh?Nichols Jack Chiltern's Wife (Historical Romance) Mary Nichols? The Reluctant Escort (Historical Romance) Mary Nichols? His Lordship's Dilemma (Regency Collection) Megan Alexander?Mary Nichols? The Westmere Legacy (Historical Romance) Mary Nichols? The Honourable Earl (Historical Romance) Mary Nichols? The Incomparable Countess (Historical Romance) Mary Nichols? Lady Lavinia's Match (Historical Romance) Mary Nichols? A Lady of Consequence (Historical Romance) Mary Nichols? The Hemingford Scandal (Historical Romance) Mary Nichols? Marrying Miss Hemingford (Historical Romance) Mary Nichols? Mistress of Madderlea (Regency Lords and Ladies Collection) Mary Nichols?Paula Marshall? Bachelor Duke (Historical Romance) Mary Nichols? Talk of the Town (Historical Romance) Mary Nichols? An Unusual Bequest (Historical Romance) Mary Nichols? Working Man, Society Bride (Historical Romance) Mary Nichols? The Myth of the Modern Presidency David K. Nichols? The Myth of the Modern Presidency David K. Nichols? Quality Circles Handbook David Hutchins? Clandestine Radio Broadcasting A Study of Revolutionary and Counterrevolutionary Electronic Communication Lawrence C. Soley?John S. Nichols? Winning the World Lessons for America's Future from the Cold War (Humanistic Perspectives on International Relations) Thomas M. Nichols? The Nichols File of the Gentleman's Magazine Attributions of Authorship and Other Documentation in Editorial Papers at the Folger Library James M. Kuist? Air Force (Wisconsin/Warner Brothers Screenplays) Dudley Nichols? Air Force (Wisconsin/Warner Bros. Screenplay Series) Dudley Nichols? Anthology of Neo-Latin Poetry Fred J. Nichols? Romanesque Signs Early Medieval Narrative and Iconography Stephen G. Nichols? Images of Power (French Studies) Kevin Brownlee?Stephen G. Nichols? Romanesque Signs Stephen G. Nichols? Concepts of Criticism Rene Wellek?Stephen G. Nichols? Maurice Ravel Roger Nichols? The Use of Words in Context The Vocabulary of College Students (Cognition and Language) Cleavonne S. Stratton?Alan C. Nichols?Martha Alicia Chavez?John Wilson Black? Human Apolipoprotein Mutants Impact on Atherosclerosis and Longevity (Nato a S I Series Series a, Life Sciences) Italy) NATO Advanced Research Workshop on Human Apolipoprotein Mutants--Impact on Atherosclerosis and Longevity (1985 Limone sul Garda?Cesare R. Sirtori?Alex V. Nichols?Guido Franceschini? Every Child Needs a Praying Mom Fern Nichols?Janet Kobobel Grant? One Step at a Time The Remarkable True Story of Bob Wieland Bob Wieland?Sarah Nichols? Dictionary of Cults, Sects, Religions and the Occult George A. Mather?Larry A. Nichols?Alvin J. Schmidt? Masonic Lodge (Zondervan Guide to Cults and Religious Movements) George A. Mather?Larry A. Nichols? Mom's Prayer Journal A Guided Journal (Journals) Fern Nichols? Prayers from a Mom's Heart (Prayers from the Heart) Fern Nichols? Mom's Prayers from the Heart Journal (Prayers from the Heart) Fern Nichols? The Burning of the Rose Ruth Nichols? The Revolutionary 'I' Wordsworth and the Politics of Self-Presentation (Romanticism in Perspective) Ashton Nichols? The Russian Presidency Society and Politics in the Second Russian Republic Thomas M. Nichols? The Russian Presidency Society and Politics in the Second Russian Republic Thomas M. Nichols? The Best Dvds You've Never Seen, Just Missed, or Almost Forgotten A Guide for the Curious Film Lover Peter M. NicholsA. O. Scott Advance Agents of American Destiny Roy F. Nichols? American Frontier and Western Issues A Historiographical Review (Contributions in American History) R. L. Nichols? Arms Control and Nuclear Weapons U.S. Policies and the National Interest (Contributions in Military Studies) W. Gary Nichols?Milton L. Boykin? Reaching a Multicultural Student Community A Handbook for Academic Librarians (Greenwood Library Management Collection) Karen E. Downing?Barbara Macadam?Darlene P. Nichols? Worlds of Common Sense Equality, Identity, and Two Modes of Impulse Management (Contributions in Psychology) Pauline Nichols Pepinsky? Young Adults and Public Libraries A Handbook of Materials and Services (Greenwood Library Management Collection) Mary Anne Nichols?C. Allen Nichols? Reorganizing the Joint Chiefs of Staff The Goldwater-Nichols Act of 1986 (Contributions in Military Studies) Sam Nunn?Gordon Nathaniel Lederman? Representing Reality Issues and Concepts in Documentary Bill Nichols? Milagro Beanfield War John Treadwell Nichols? Manual of Surgical Infections (Little, Brown Spiral Manual) Sherwood L. Gorbach?John G. Bartlett?Ronald Lee Nichols? Italia, Italia Peter Nichols? Job to Be Done (The Language Project Fourways) Helen Solomon?Frank Nichols? Peter Ackroyd Peter Nichols?Jeremy Gibson?Julian Wolfreys? The Revolutionary I (Romanticism in Perspective Texts, Cultures, Histories) Ashton Nichols? Psychological Care for Ill and Injured People A Clinical Guide Keith Nichols Psychological Care for Ill and Injured People A Clinical Guide Keith Nichols Leading a Support Group A Practical Guide Keith NicholsJohn Jenkinson Wickedest Witch in the World (Knight Books) Beverley Nichols? Leslyn in London Grace Nichols?Annabel Large? Can I Buy a Slice of Sky? (Knight Books) Grace Nichols? Farm Journal's Country Cookbook Nell B. Nichols? The Nirvana Blues John Treadwell Nichols? The Magic Journey John Treadwell Nichols? Accidental Father (Intimate Moments, 994) Lauren Nichols? Tough Tackle (Blitz, No 2) Paul Nichols? Guts and Glory (Blitz, No 3) Paul Nichols? Team Spirit (Blitz, No 4) Paul Nichols? American Blood John Nichols? Champions (Blitz, No 7) Paul Nichols? On the Road (Blitz, No 8) Paul Nichols? Making the Team (Blitz, No 9) Paul Nichols? Captains (Blitz, No 10) Paul Nichols? An Elegy for September John Treadwell Nichols? Conjugal Bliss A Comedy of Marital Arts John Treadwell Nichols? Milagro Beanfield War John Treadwell Nichols? The Magic Journey John Treadwell Nichols?John Nichols? The Nirvana Blues A Novel John Treadwell Nichols?John Nichols? Accidental Heiress (Harlequin Silhouette Intimate Moments, No 840) Lauren Nichols? Accidental Hero (Silhouette Intimate Moments, 893) Lauren Nichols? Selected Letters of Berlioz Hector Berlioz?Hugh MacDonald?Roger Nichols? Eye of the Beholder (Silhouette Romances, No 403) Charlotte Nichols? Cowgirl Be Mine (Silhouette Special Edition) Elaine Nichols? Tales of a Drama Queen (Red Dress Ink) Lee Nichols? Bachelor in Blue Jeans (Silhouette Intimate Moments, No. 1164) Lauren Nichols? Madam C. J. Walker (Scholastic News Nonfiction Readers) Catherine Nichols? Deadly Reunion (Silhouette Intimate Moments) Lauren Nichols? Just a Whisper Away (Silhouette Intimate Moments) Lauren Nichols? Rings of Gold (Superomance, 392) Suzanne Nichols? Satin Whispers (Superromance, No 458) Suzanne Nichols? Montana Dreaming (Harlequin Superromance, No. 1085) Nadia Nichols? Buffalo Summer (Harlequin Superromance, 1138) Nadia Nichols? A Full House (Harlequin Superromance) Nadia Nichols? Montana Standoff (Harlequin Superromance) Nadia Nichols? Sharing Spaces (Harlequin Superromance) Nadia Nichols? Everything to Prove (Harlequin Superromance) Nadia Nichols? From Out of the Blue (Harlequin Superromance) Nadia Nichols? Sharing Spaces (Larger Print Superromance) Nadia Nichols? Everything to Prove (Larger Print Superromance) Nadia Nichols? From Out of the Blue (Larger Print Superromance) Nadia Nichols? Hand-me-down (Red Dress Ink) Lee Nichols? True Lies of a Drama Queen (Red Dress Ink) Lee Nichols? The Duke of Palermo And Other Plays, With an Open Letter to Mike Nichols Edmund Wilson? The Random House Pocket World Atlas Wendalyn Nichols?Helicon Publishing Ltd? Shadowfires Leigh Nichols? No Room for a Dog (A Young Camelot Book) Joan Kane Nichols?Doron Ben-Ami? Optimal Digestion New Strategies for Achieving Digestive Health Nancy Faass?Trent W., M.D. Nichols? Homemade Candy Inc. Farm Journal?Nell B. Nichols? Farm Journal's Freezing and Canning Cookbook Prized Recipes from the Farms of America Nell Nichols?Kathryn Larson? Handyman Linda Nichols? Turning Forty in the Eighties Personal Crisis, Time for Change Michael P. Nichols? The Sky's the Limit A Defense of the Earth John Treadwell Nichols? Keep It Simple A Defense of the Earth John Treadwell Nichols? Run to Me (Silhouette Intimate Moments) Lauren Nichols? Ernie's War The Best of Ernie Pyle's World War II Dispatches David Nichols? The New Grove Twentieth-Century French Masters Faure, Debussy, Satie, Ravel, Poulenc, Messiaen, Boulez (Composer Biography Series) Jean-Michel Nectoux?Roger Nichols?Patrick Govers?Gary W. Hopkins?Grif? A Ghost in the Music John Treadwell Nichols? The Sterile Cuckoo John Nichols? Ravel Remembered Roger Nichols? Keep It Simple A Defense of the Earth John Treadwell Nichols? The Wizard of Loneliness John Nichols? If Mountains Die A New Mexico Memoir John Treadwell Nichols?William Davis? The Sterile Cuckoo (Norton Paperback Fiction) John Treadwell Nichols? A Ghost in the Music (Norton Paperback Fiction) John Treadwell Nichols? National Health a Play in Two Acts P. Nichols? The Administration of Public Safety in Higher Education David Nichols? Ernie's America The Best of Ernie Pyle's 1930's Travel Dispatches Ernie Pyle?David Nichols? Tuxedo Sam A Penguin of a Different Color Cathy Nichols?Haruo Takahashi? Ambulatory Gynecology David H. Nichols?Patrick J. Sweeney? A Neuroimaging Atlas for Surgery of the Brain Including Radiosurgery and Stereotaxis Robert J., M.D. Coffey?Douglas A. Nichols?Michael A. King? Pearls for Nursing Practice Arlene Odom Nichols?Joy Day? Food Values of Portions Commonly Used Anna De Planter Bowes?Jean A.Thompson Pennington?Helen Nichols Church? Bowes Church's Food Values of Portions Commonly Used Anna De Planter Bowes?Helen Nichols Church?Jean A.T. Pennington? Clinical Pharmacology and Nursing Management Lynn Wemett Nichols?Roberta Todd Spencer?Frances West Bergan?Laurel A. Eisenhauer? Bowes Church's Food Values of Portions Commonly Used Spiral (Bowes and Church's Food Values of Portions Commonly Used) Jean A. T., Ph.D. Pennington?Anna De Planter Bowes?Helen Nichols Church? Motor Activities for the Underachiever David B. Nichols? Police Radar A Guide to Basic Understanding Robert E. Nichols? Chechen-English and English-Chechen Dictionary Johanna NicholsArbi Vagapov? University-Community Relations Living Together Effectively David Nichols? Creating a Safe Campus A Guide for College and University Administrators David Nichols? Beyond Uhura Star Trek and Other Memories Nichelle Nichols? Saturn's Child Nichelle Nichols?Margaret Wander Bonanno? Taurus Trouble The Zodiac Club Three Lynn J. Nichols? Literary Anecdotes of the Eighteenth Century John Nichols? The Disruption of American Democracy Roy F. Nichols? Chemistry of the Farm and the Sea (American Environmental Studies) James R. Nichols? Esoteric Anthropology The Mysteries of Man T. Nichols? Rehabilitation Medicine Philip John Russell Nichols?Elizabeth Ann Hamilton? Rehabilitation of the Severely Disabled Philip John Russell, etc. Nichols? The Mineral Reference Manual Ernest H. Nickel?Monte C. Nichols? Leading a Support Group Keith NicholsJohn Jenkinson Psychological Care in Physical Illness Keith A. Nichols? A Piece of My Mind (A Methuen Modern Play) Peter Nichols? Plays One Forget-Me-Not Lane, Hearts and Flowers, Neither Up Nor Down, Chez Nous, the Common, Privates on Parate (World Dramatists Series) Peter Nichols? Passion (A Methuen Modern Play) Peter Nichols? Poppy (Modern Plays) Peter Nichols? Poppy (Modern Plays S) Peter Nichols? Plays One Peter Nichols? Nichols Plays Two Peter Nichols? File on Nichols (Writer-Files) Andrew Parkin? Blue Murder A Play or Two (Methuen Drama) Peter Nichols? Classroom Teaching Skills The Research Findings of the Teacher Education Project E. C. Wragg? The Sky's the Limit A Defense of the Earth John Treadwell Nichols? Sport and Crime Reduction Geoff Nichols? Ingush-English and English-Ingush Dictionary Johanna NicholsRonald L. Sprouse? Sport and Crime Reduction Geoff Nichols? The Canti With a Selection of His Prose (Fyfield Books) Giacomo Leopardi?J. G. Nichols? How Like a Leaf An Interview With Thyrza Nichols Goodeve Donna Haraway?Thyrza Nichols Goodeve? How Like a Leaf An Interview With Thyrza Nichols Goodeve Donna Haraway?Thyrza Nichols Goodeve? Saturn's Child Nichelle Nichols?Margaret Wander Bonanno?Margaret Wander Bonanno? Halcyon (Fyfieldbooks) Gabriele D Annunzio?J. G. Nichols? Wild, Wild Woman Maggie Nichols? Father Figure Beverley Nichols? Honest Thieves F F Nichols? Effective Sales Management John Strafford? Harriet Tubman (Hello Reader!, Level 2 (Book Club Only)) Catherine Nichols?Brian Denington? Handyman Linda Nichols? Ravel (Master Musician) Roger Nichols? The Mineral Reference Manual Ernest H. Nickel?Monte C. Nichols? A Walk Out of the World Ruth Nichols? Food Drying at Home Naomi M. Nichols? The Digital Workplace Designing Groupware Platforms (Vnr Computer Library) Charles E. Grantham?Larry D. Nichols? Record Breakers A Chapter Book (True Tales Sports) Catherine Nichols? Pressure Vessel Engineering Technology Roy Woodward Nichols? Family Formula Book Cicely Nichols? Kids' Simply Scrumptious Microwaving Rosemary Dunn Stancil?Lorela Nichols Wilkins? The Microwave Cook's Complete Companion Rosemary Dunn Stancil?Lorela Nichols Wilkins? Escape to Romance and Everything but Love Pamela Nichols?Teri Lester? American Indian NICHOLS AMERIC?Roger L. Nichols?George R. Adams? Introduction to the Reading of Hegel Alexandre Kojeve?J.H. Nichols? Preschool I. Q. Sarah H Broman?Paul L. Nichols? Return on Ideas Making Innovation Pay David S. Nichols? Handbook of Family Development and Intervention (Wiley Series in Couples and Family Dynamics and Treatment) Mary-Anne Pace-Nichols?Dorothy Stroh Becvar?Augustus Y. Napier?William C. Nichols? Comparative Community Politics Terry Nichols Clark? Catharsis in Psychotherapy Michael P. Nichols?Melvin Zax? American Indian Roger L. Nichols?George R. Adams? The Whole Book Cultural Perspectives on the Medieval Miscellany (Recentiores Later Latin Texts and Contexts) Stephen G. Nichols?Siegfried Wenzel? Essentials of Mmpi-2 Assessment (Essentials of Psychological Assessment) David S. Nichols? Getting Started in Metals (Getting Started in) Jeffrey A. Nichols? Capital and Labour Theo Nichols Introductory Linear Electrical Circuits and Electronics Michael C. Kelley?Benjamin Nichols? Birds of Algonquin Legend Robert E. Nichols?Linda Hoffman Kimball? Unforgiving Minute Beverley Nichols? Encyclopedia of Embroidery Stitches Including Crewel Marion Nichols? The Harlequin Years Roger Nichols? Medieval Tile Designs (Dover Pictorial Archive Series) J. G. Nichols? Organization Theory A Public And Nonprofit Perspective Harold F. Gortner?Kenneth L. Nichols?Carolyn Ball? An Innkeeper's Horse (King of the Wind Storybooks) Catherine Nichols?Cindy Spenser? Polar Adventures A Chapter Book (True Tales) Catherine Nichols? A Colt Is Born (King of the Wind Storybooks) Joan Nichols?Stephen Moore? The Storm (Misty Picture Books) Marguerite Henry?Joan Nichols?Stephen Moore? Animal Masterminds A Chapter Book (True Tales) Catherine Nichols? Record Breakers A Chapter Book (True Tales) Catherine Nichols? Medical Marvels A Chapter Book (True Tales) Catherine Nichols? Medical Marvels A Chapter Book (True Tales Science) Catherine Nichols? Polar Adventures A Chapter Book (True Tales) Catherine Nichols? Peter Halley Maintain Speed Peter Halley?Rudi Fuchs?Thyrza Nichols Goodeve?Makiko Matake?Susan Kandel?Paparoni. Demetrio?David Rimanelli?Cory Reynolds? Fly-Fishing for Smallmouth Bob ClouserJay Nichols Therapy Horses (Horse Power) Catherine Nichols? McGee Stuckey's Bountiful Container A Container Garden Of Vegetables, Herbs, Fruits, And Edible Flowers Rose Marie Nichols McGee?Maggie Stuckey?Michael A. Hill? Diving Southeast Asia A Guide to Best Dive Sites in Indonesia, Malaysia, the Philippines and Thailand (Periplus Action Guides) David Espinosa?Heneage Mitchell?Kal Muller?Fiona Nichols?John Williams? Managing Chemicals in the 1980s Joanne K. Nichols? A Critical Review and Evaluation of the Published Half-Life Data for 239p+Pu (Reports) K.M. Glover?A.L. Nichols? Beyond the Checkout Andrew Nichols?Helen Mead? End of Queen Street Mary Nichols? When the Bough Breaks Mary Nichols? Hand You Hold Mary Nichols? Tangled Web Mary Nichols? Psychological Care in Physical Illness Keith A Nichols? Psychological Care in Physical Illness Keith A Nichols? Living with Capitalism Theo NicholsHuw Beynon? British Worker Question Theo Nichols Nichols on Eminent Domain Julius Sackman?Russel van Brunt?Patrick J. Rohan?Melvin Reskin?Tony Prince Brigham?Gideon Kanner? Life of Dante (Hesperus Classics) Giovanni Boccaccio?F. G. Nichols? Chilton's Chevrolet Cavalier, Buick Skyhawk, Olds Firenza, Cadillac Cimarron, Pontiac 2000 1982-88 Chilton Book Company Talking Caribbean John Agard?Valerie Bloom?Grace Nichols?Shirley Bignell?Gabrielle Bignell? History and Antiquities of Hinckley John Nichols? User-Friendly Frank Nichols? Dominican Gallery Aidan Nichols? British Olympic Team Handbook Peter Nichols? Catholic Thought Since the Enlightenment Aidan Nichols? Technology on Trial Public Participation in Decision-Making Related to Science and Technology K. Guild Nichols? Developments in Pressure Vessel Technology Materials and Fabrication R. W. Nichols? The Golden Age of Quaker Botanists Ann Nichols?Rosemary Morley? There is Power in the Wave Brian Nichols? FMTTM - Fly Me to the Moon Robert Nichols? Fly Me to the Moon Robert Nichols? Handcuffs and Other Restraints Alex R. Nichols? A Guidebook to Handcuffs and Other Restraints of the World Alex R. Nichols? Dr.Splitty's Buyers Guide Steve Nichols? Dr.Splitty's Restoration Guide Steve Nichols? Deliver Us from Evil (Ushaw Library Publications) Bridget Nichols?Alistair MacGregor? Developments in Pressure Vessel Technology Ray Woodward Nichols? Chilton's Repair Tune Up Guide Chevy Midsize 64-88 (Chilton Model Specific Automotive Repair Manuals) Chilton Book CompanyChilton s Automotives Editorial?The Nichols/Chilton? History and Memories of Atworth Deborah Nichols? Nondestructive Examination for Pressurized Components Roy Woodward Nichols?G J Dali? Developments in Stress Analysis for Pressurized Components Roy Woodward Nichols? Acorns Alan Beckett?Barbara Calvert?Patricia Lloyd?Jane Mason?Ann Merrin?Maureen Nichols?Naomi Stride?Patricia Welford?Phil Whitehead?
https://w.atwiki.jp/dynamix2ch/pages/37.html
こちらではイベントモードでプレイ・解禁できる楽曲や、 ストア内でfragを消費して購入できる楽曲をリストアップしています。 イベント期間については各ページにて確認してください。 恒常的に解禁可能 イベント楽曲モードにてプレイ可能 Wave Testモードにてプレイ可能 スペシャルイベント エイプリルフール限定 恒常的に解禁可能 [部分編集] イベントモード内でプレイできるわけではないが、ストア内にて他のイベント楽曲同様fragを消費してプレイできるようになる。イベント楽曲モードでプレイできる楽曲と異なり、解禁できる期間は設けられておらず、恒常的にストアに並んでいる。 また、Rankにより解放される楽曲の新規難易度譜面も恒常的にストアに並んでおり、fragを消費して解禁することができる。 Title Level Artist Time BPM 必要frag Casual Normal Hard MEGA GIGA 月下桜天国 2 5 8 - - Zuxin with Utsuro 2 12 138 5400 Play A Day 1 5 7 - - Mimi 2 37 133 5400 Stardust - - - 13 - mmry 1 50 130 10300 Actinium - - - 14 - Mimi 1 57 200 14000 パントマイム feat.IA - - - 12 - Utae 1 47 132 11111 Moonlight of Sand Castle - - - 11 - 旅人E 2 27 160 18888 Little Boy - - - - 14 mmry 2 19 125 30000 螢火虫の怨 - - - - 13 埋葬 2 40 100 30000 青坊 - - - 13 - Trillion 2 36 132.5 8888 Axis - - - 13 - mmry DCWH 2 00 130 5555 名無しの宣教師 2 6 7 13 - MIssionary 1 58? 194 1800 香港ノ奇術師 1 7 10 12 - Minzu 1 57 200 1800 Goldelius - - - - 13 Ayatsugu_Otowa 2 19 172 12415 Decomposition - - - - 14 Sihanatsuka 2 23 185 15550 Le ciel heureux 1 5 10 13 - P4koo 1 55 170 87000 春菊 (*1) - - - - 14 SUWAKI 2 17 171 60000 Perspicuus_Aestus (*1) - - - - 15 Ryusse 1 53 185 60000 + 2020/08/07以前 期間限定で解禁可能 以下の二つの譜面は無料曲の追加譜面であるが、例外的に下記のイベント楽曲と同様に扱われる。 これらがショップに追加されるイベントの開催時から次回イベント開始の3日後まで解禁可能。 Title Level Artist Time BPM Casual Normal Hard MEGA GIGA 春菊 - - - - 14 SUWAKI 2 17 171 Perspicuus_Aestus - - - - 15 Ryusse 1 53 185 イベント楽曲モードにてプレイ可能 原則、イベント開始とともにその楽曲が解禁可能となり、約一週間(9日間)ストアにて解禁できる。 ただし対応する曲を一度でもクリアしていないと解禁できない。 期間を過ぎてストアから消えてしまったら次の復刻までは解禁できない。 この際、前回クリアしていて買いそびれた場合には復刻時にももう一度クリアする必要があるので注意。 + 2016年追加曲 2016年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA 罪曲 3 6 10 11 - Missonary 1 55 190 Chrysoberyl - 6 10 14 - 黒猫 1 58 192 Offshore 1 4 7 12 - Nhato 2 55 132 GOEMON 3 5 9 - 14 ICBM 2 02 208 Go Escape - 5 10 12 - mmry 2 22 150 Cryonix - 7 10 13 15 sky_delta 1 55 184 Crank up 3 6 8 13 - litmus* 1 57 223 紅 - 7 10 - 15 モリモリあつし 1 59 208 Persephone 3 - 9 12 15 EBICO 2 13 185 Sakura Fubuki 4 7 10 14 15 Street 2 01 175 + 2017年追加曲 2017年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA AKI-ZAKURA 2 5 9 14 - Jun Kuroda + はがね 2 26 175 Vanilla_Sky 3 5 8 13 - Stereoberry 2 40 170 Hiccup Drunk 3 - 8 12 - udouddo 2 00 102 Flarebirds of Scarlet Prism - 6 10 13 - pan 2 16 194 Starbirds of Zenith Blue - 7 8 12 - pan 2 11 200 Cervelle Connexion - 4 8 12 - praw 2 29 142 Soul Army 2 - 8 13 - Sound Souler 2 35 128 Theme of Rabi-Ribi - 6 10 - 13 3R2 1 34 175 αterlβus - 6 8 12 14 Aoi 2 00 202 Evoltex (poppi n mix) - 6 10 13 15 Arch vs n3pu 1 46 205 DeaDLiNE 4 7 9 11 - kRM 2 04 198 Triumph & Regret - 7 10 12 - typeMARS 2 06 175 REconstruction - 4 8 12 14 Ryazan 1 57 180 Marion.net - 4 7 11 - MoonHare 2 02 190 Regenerate Violence 1 6 - 11 - V!C 2 34 178 You Spin Me Around 3 4 - 11 - RiraN 2 03 162 Before Sunrise 3 5 8 12 15 m1dy & M-Project 2 33 300 声が届かないのなら 2 4 8 - - からとP feat.脱線ぐーぅ 2 35 215 Bluebell 1 6 9 - - 5argon feat. imTiNEY 1 54 130 Mystic Night - 5 9 12 - U咲 2 08 130 Red Liquid - 4 8 13 - M-O-T-U 2 06 177 Mouse Runs For Cheese(short Edit) 3 - 9 13 14 sky_delta 2 10 183 Pandemik - 6 9 - 15 D.F.K.Soundsystem 2 01 210 Alter Ego 3 6 - 14 - モリモリあつし 2 16 145 Vexaria 3 5 9 - - ak+q 2 12 180 To soar 1 7 - 12 14 Aoi with mAoA9 2 13 195 High Speed Riders 1 4 10 12 - Cashew 2 34 161 Defended - 6 8 13 14 BlueWind x UN1C0DE 2 05 204 Purgatório 3 7 10 - - Vazio 2 14 199 Last farewell 3 - 7 12 - Un vs. らせん 2 19 203 Blue 1 6 8 - - RiraN 2 01 154 天泣 -fracture- 2 7 - 11 - Kamisys 2 29 180 Arcana Idola 2 6 9 12 14 紅葉月梛葉 1 59 200 Justice Justice 1 4 9 - - stereoberry feat. Sanca 2 33 140 Between Boundaries 3 7 11 - 15 DJ Counterforce 1 58 148 銀梅花 2 - 9 14 - 影翔鼓舞 1 59 190 Daydream - 6 10 13 - RiraN 2 28 150 OCCHOCO-REST-LESS - 5 8 13 14 MYUKKE. 2 09 135 Tunnelling 2 7 10 - - Kurorak 2 08 145 diSTractiOn PoInT - 4 10 11 14 Arctures vs DJ KemoNOiZE 2 37 145 Frontline B-Side 1 4 - 11 - HastyHat 2 02 160 The Endless for Traveler 3 - - 15 15 Se-U-Ra 1 58 200 Rocket Lanterns - 6 9 13 15 Farhan 2 10 128 Dement ~After Legend~ 1 6 11 - - Lunatic Sounds 2 09 210 Helios - 7 9 14 15 Rin 2 00 188 Against The Pseudo 3 6 9 - - Klavistr a.k.a. Phantom MasK 1 32 150 ^/7(L|?[_(L+# +&|^(o) - 4 8 14 15 Hyphen 2 06 195 Time&space (Dynamix Edit) 3 6 - 12 - Neutral Moon 1 56 175 16383 - 6 - 11 14 Kplecraft 2 19 160 + 2018年追加曲 2018年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA Hopeful Warrior 2 7 - 13 - MonstDeath vs Glúteos 2 00 177 Cross†Soul 2 6 8 14 15 HyuN feat. Syepias 2 15 200 BOUNCE THE TECH 3 - 8 - 15 Sound piercer vs. Iriss 2 00 154 Speedster, Trickster 2 4 9 - - Ms.+駄々子 2 19 179 JOACHIM D - 6 10 14 - WONDERTRAVELER project 1 55 164 Emulisy - 4 7 - 14 Hidra-Xjeil 2 01 190 Own The Night 1 6 - 12 - RiraN 1 53 150 曇る鑑《かがみ》の霧を含みて 3 5 8 - - Ino(chronoize) 2 03 268 ほしぞらトラベル 2 - 7 12 - 奏音 2 08 200 月奏リバイバル 3 6 9 - - かゆき feat.燈露 2 04 188 Peony 1 6 8 - - 一ノ瀬樹 Feat.Akane 2 24 180 Last Fate 1 4 8 - - 玖玲 2 29 190 万吨匿名信 - 4 9 11 - 埋葬 2 37 120 Xetta - - 10 13 15 TangJuan vs Black Box 2 07 200 Oriental Landscape 3 5 - 12 - カレイドサンスイ(庭師+4696-D) 2 34 160 Re_Construct - 5 9 13 15 Zekk 2 12 197 Dolqueen 1 4 8 - - onoken 2 00 200 交差して歪む過去と未来 3 6 10 - - colorless 2 01 200 PUPA 3 7 10 14 15 モリモリあつし 2 08 202 Angel × Angel 2 - 8 12 - Takahiro Aoki 2 31 174 Next Time (Feat.初音ミク) 2 5 9 - - SaMZIng 1 42 175 ぺたるすてっぷ - 4 8 11 - dawn-system feat. 一ノ瀬りと 2 18 146 SECONDED WORLD 2 6 - 12 - P4koo feat. 初音ミク 1 42 131 Nova Highway 1 5 9 - - aoWAVE 2 26 170 Lily - 4 9 - 14 Jun Kuroda 2 10 184 Envy Luvs Melancholy - 5 10 - 14 M-O-T-U 1 46 185 Crystal Clear Sky 2 5 - 12 - Takahiro Aoki 2 30 174 Startail - 4 9 - 15 Arch 2 37 175 夏色メランコリー - 4 7 11 - 奏音 feat. 駄々子 2 30 180 Arty Party 3 6 - 11 - yaseta 1 56 180 Ice Chandelier 3 6 10 13 14 pan 2 03 188 Unshakable 1 4 - 12 - RiraN 1 54 150 Prismatic Flipper 3 6 9 11 - polysha 2 03 180 Black:Magnam 3 6 - 12 15 adaptor 2 11 128 Nightmare Girl 4 7 - 13 - ケシksくん 2 34 90 Rain - 6 9 - 14 くるぶっこちゃん 2 22 200 Mechanical Jäger - 4 7 11 - 翡乃イスカ 2 13 150 Black sour Ruby 2 5 9 - - Cosine 2 09 175 Grenade - 6 8 13 - sky_delta 2 36 180 The Clockwork Doll 2 5 8 - - テヅカ 2 01 142 Lionhearted 2 4 8 - - SaMZIng 1 24 155 白色の夢で。 - 5 - 13 14 Natunoruno (Senonlts) 1 58 159 Wish 3 6 9 - - Omocha 2 10 191 Little Flower 1 5 9 - - ユヅキケイト 2 13 130 Anökumene - 4 10 13 - Jun Kuroda 1 56 186 炯眼の絶対零度 3 6 - 12 - polysha 1 57 175 Kreuz 2 5 - 11 - sky_delta 2 09 183 + 2019年追加曲 2019年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA Fernand System Operating!! 1 4 7 - - BTB 1 54 128 Mechanismós ton Antikythíron - 5 10 - 14 hurirai 2 01 240 Soul fire lit 3 5 8 - - Ryo Arue 2 00 175 Future City Ⅵ 3 4 9 - - syrela 2 15 147 Eschatology - 4 7 13 - Trerey-U 2 01 190 BLUFF 3 6 10 - - Ryo Arue 2 01 147 Life Style 3 - 9 13 - ArcadeStuff 1 57 142 Holy Lightbringer 1 5 8 - - Limstella 2 28 170 New Story 2 5 8 - - Elliot Hsu 2 10 155 Snowy Light - 6 9 12 - dotη 2 24 148 Dead Soul 3 - 7 11 14 Sound Souler 2 30 132 HYPER-NOVA - 5 7 13 - NeLiME 1 57 185 涅槃を灯すシャーデンフロイデ - 6 8 - 14 wotaku(from Jimmy'z) 1 52 245 Class memories - 4 9 13 - Antistar/Ctymax 2 26 145 CORONA 1 6 10 - - Lactic Acid Bacteria 1 58 188 Magic of love (Dynamix Ver) - 5 8 12 - HazeCat 2 42 174 NOISIΛ 2 - 7 11 - Xe (αirlemoneX) 2 04 199 soar to ∅ - 6 10 12 - Aoi 2 13 195 Sunset Road 3 6 8 - - pan 2 00 197 おもひでファンタジア 1 - 8 12 - 梅こふ茶漬け 2 02 202 HumaN 3 5 - 11 - SOTUI 2 14 180 Perpetual 2 4 8 - - Qu-ail 2 39 180 Kokytos - - 7 13 15 しーけー 2 00 190 哀しい竜とカイツール - 6 11 12 - Se-U-Ra 1 52 195 Knight of Tripletz (for DNX Edit) 2 4 8 - - Normal1zer 2 12 178 RASeed 1 4 7 - - CUT(Calixer+Und0+Turret) 2 32 178 Stargazer 2 5 10 - - Gowrock 1 56 147 demonic juggernauts - 6 8 11 - Δ→Low 2 22 260 オレンジ 1 5 8 - - kRM 残響P 1 55 186 Destruction 3 - 10 - 15 桃源郷華 2 30 205 The Path 3 - 10 - 15 Carnival 2 38 180 Youth 3 - 7 11 - Takuma Tsuda 2 22 183 ROAD to 773H 2 6 9 - - MYUKKE. 1 59 220 Fading Sky - 5 8 13 - CRYDITS GohanGakari 2 23 190 Link To Dungeons 4 6 - - 15 Carnival 2 32 175 Sky land 3 4 8 - - スコッティん 2 07 190 Sultan Madness - 5 7 13 - MonstDeath 2 10 182 Rudy 2 5 10 - - DusK with 化し目 2 17 176 Jack Out KIllER 4 6 9 14 15 MisoilePunch♪ ~タケノコ添え~ 2 17 173 Lonely Cat 3 - 7 11 - litmus* 2 32 128 At the peak 1 5 9 - - nay 2 01 130 Hall of Fame 2 - 8 12 - Mwk 2 11 174 Glory of the Sacred Kingdom 1 4 9 - - Limstella 2 08 188 Atomic Dropper - 6 8 12 - dotη 2 03 178 Faithtival 3 6 11 11 14 影翔鼓舞 1 45 190 Skrik (DNX edit) 3 7 - - 15 Lactic Acid Bacteria 2 00 200 Empty Stars 1 5 10 - - Sound Souler 2 22 180 Slyness Foxx 3 - 8 12 - udouddo 1 51 145 + 2020年追加曲 2020年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA Vector Matrix 2 5 9 - - Ceg*da-bo 2 11 151 Dead Master - 6 10 13 - Neutral Moon 2 03 175 Lumina - 5 9 12 - Wisp X Xomu 2 36 125 MOONLIT PARTY (Game Edit.) 2 6 9 - - Haruka Toki Song by TEA 1 53 131 Chromosphere 2 - 7 13 - 鈎兎(KagiUsagi) 2 03 176 Aujourd hui 2 5 8 - - Rébecca Missillier 2 04 192 Tenebris 2 5 8 - 14 Gabriel 1 59 148 Encore - 4 8 12 - ZxNX Hiryur 1 55 174 NaCl 3 6 9 - - Hi-Tech/Daily 2 06 140 Fireworks 2 7 - 12 - Eu 2 04 145 終の舞姫 5 9 12 15 15 Se-U-Ra 2 07 202 Chemical Infusion 1 - 8 11 - Hyphen 2 13 175 DestroY StresS 2 - 8 14 - jeNoth 2 33 145 Now Is The Time, Do It 3 6 - 11 - Roy Mikelate 2 14 158 Mass Control - 6 10 12 - yusi. 2 00 150 Hope!! 3 - 8 13 - Takahiro Aoki 2 31 174 Fatality Saga 2 - 7 11 - ああああ茶漬け 2 02 180 That s How We Rock 3 6 9 - - litmus* 2 28 128 Forbidden Area 3 6 9 - - KaKi 1 58 155 VENUS INVADER 3 - 10 14 - STARSTREAK CHAOS-TL12 2 02 154 ∀I∃Y§§ - 5 8 - 14 やみこう。 1 45 184 Sky Adventure! 2 6 9 13 14 hapi⇔krow 2 05 182 モシモシビット (Moshi Moshi Bit) 2 6 - 12 - Neutral Moon 3 15 150 Enhanced Lights 2 6 - 13 - Neutral Moon 1 59 175 UCHOUTEN Highway 5 8 11 14 15 Ruvver 1 57 220 CHAKA - - 11 14 15 Ruvver 2 09 200 MLG 2 - 7 11 - Vau Boy 2 01 170 Aeronautica - 4 9 12 - PTB10 2 11 148 紅に染まる森 2 6 10 - - けー 2 22 185 Laivisca 1 5 - 11 - 浅羽ロキ 2 20 176 Reef Hideout 1 6 8 - - Vau Boy Pendarr 2 25 170 Moving On 3 - 8 12 - CROWLIA 2 14 178 Nives Marinae 1 4 7 - - 浅羽ロキ 2 42 188 High-School QUEEN!!! 3 7 9 - - U-ske 2 00 200 The Last Arcady 5 - 10 - 15 SEPHID 2 19 125 Dangerous Insanity (2019 Rework) - 6 8 12 - MonstDeath Vs Neutral Moon 1 42 180 Mind Blast (Dynamix Edit) 1 - 7 - 14 EBIMAYO 2 21 170 Strawberry*passion 2 6 9 - - こふ 1 59 200 Reminds Me Of You (feat. Asuna Vanilla) 2 4 9 - - Vau Boy 2 25 150 Love like we re dying 3 5 - 13 - Arch 2 13 175 Partenza 2 5 9 - - Y-SHIN 2 13 220 + 2021年追加曲 2021年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA Counter Terrorists 2 6 - 11 - MusikPanzer 2 20 158 Heart Of Glass 4 7 10 - - ΣX3 [Sigma X3] 2 13 132 Fl0at on Air - 5 - 13 15 SSS [しゅーりん,seatrus,suzuka,kooridori] 1 59 188 My life is mine 1 4 8 - - Symphonian feat.kei_iwata 2 19 116 (XD) - 6 10 13 - Eu 2 16 178 WHIRLWIND - 5 10 13 14 Linne X SCTL[Illust.Keiyuu RED-FOX] 2 08 140 Smile Encounter 2 6 10 - - yaseta + Hidra-Xjeil 1 57 210 Mithril 1 4 9 - - N-Driver 2 41 114 depTh of mem0ry 3 5 - 12 - Daison 1 56 176 Cross Time 1 5 10 - - Y川 1 54 160 PIXEVLAZZ 1 4 - 13 - teknizer 2 10 155 Antithesis - 5 9 - 15 5argon 2 31 163 Infinity Bullet 1 6 8 - - 287 1 51 158 荼蘼 2 - 9 13 - rmk 2 32 191 恋スル Rabi-Love? 1 4 9 - - かゆき と うぐ 1 58 164 Lava Control - 6 9 14 - Zris 2 04 184 天照 2 - - 14 14 モリモリあつし 1 48 140 Happiness Bread 3 - 9 13 - Qutabire 2 37 178 シュガーハイ - 4 10 12 - MORNINGWELCOME feat.yurico 2 00 197 Calling 2 5 - 11 - モリモリあつし 1 58 144 Give It To Me - 6 9 - 14 OutLogic 2 29 175 428 Dance Showcase? 1 6 9 - - 古屋直雪 2 03 145 Hyperspace Jump? 2 6 - 13 - KARUT 2 14 150 Space Runners? 3 - 9 13 - Flashe 2 06 128 Creigis? - 5 9 13 15 OVERDRIVE. 2 17 238 Cumulus? 1 - 8 11 - Csky 2 31 145 玲瓏メテオ? 2 - 9 12 - Reku Mochizuki 2 24 170 Shinobi (Original Short Mix)? 3 - 9 13 - [sound shinobi] 2 46 170 Big Beats Blow? 1 4 8 - - 839 2 13 150 Kalis Mind - 5 9 - 14 MYUKKE. 1 59 190 Wanted Robbery? - 5 8 11 - KAH 2 17 133 Mid Night Metropolitan Highway? 3 - 9 13 - Takahiro Aoki 2 28 178 INNOceNsION - - 10 14 15 Qayo 2 12 214 Nightseeker 1 4 - 11 - わかどり 2 07 148 Dahlia 3 4 8 11 15 AAAAoi[ああああ+Aoi] 2 20 187 ほしのおとしもの 2 6 10 - - ああああ+Aoi 2 15 205 + 2022年追加曲 2022年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA INFiNiTE ENERZY -Overdoze- 4 - - 13 15 Reku Mochizuki 1 57 180 Re=correct 3 6 10 14 15 Roon_kun 2 09 187 NOVA 2 - 9 12 - Notorious [Nota TRIAL] 2 16 200 The Show s Over? - 6 10 12 - !すでのな 2 02 169 Let the bass kick? 1 4 8 - - Lure Rabbit 2 27 128 Dusky Disslove 3 6 10 - 15 Sound-Box 2 22 202 Φ - 5 - 12 15 Street (jacket Sin cK) 2 03 190 アリス失格 4 6 - - 15 wotaku 2 15 218 Fission 1 4 7 12 15 LousiKÆY/HLxQ.v.M 2 20 205 blueberry cheesecake 1 4 - 13 - αirlemoneΧ 2 02 182 Deda Dash? 1 5 8 - - Roon_kun 2 40 150 ASTRAEA? 2 - 9 - 14 WONDERTRAVELER Project 2 00 161 ニャンだふる♡サマー!! 3 6 9 - - Ponchi♪feat.はぁち 1 57 215 Sushi Tornado 3 - 11 14 - Halv 2 11 200 Riot Flavor 3 - 10 - 14 Takahiro Aoki 2 28 178 妄想♡ちゅー!!? 3 - 10 13 - Ponchi♪ feat.はぁち 1 51 238 Necroxus - 4 - 12 15 Se-U-Ra 2 23 234 FORTALiCE - 6 10 - 14 ZxNX 2 33 180 Vogue Flavour? 3 7 10 - - pan 2 00 232 Raving in Halloween? 3 - 10 13 - Jehezukiel 2 02 260 Viatores? 1 5 8 14 14 TQ☆ 2 13 144 ionosphere? - 5 9 13 - satie 1 55 165 Acrise? 3 - 7 - 14 L.Mity EspiDev 2 36 174 Spooky Macaron? - 6 - 14 15 Sobrem 1 56 201 Sin of Souls? 3 - 9 13 - iTIC 2 16 210 Tech-Nique? - 6 - 12 15 Raphiiel 2 28 175 War in the Mirrorworld 2 8 12 14 15 Aoi 2 00 171 In a vat? - 5 10 13 - teknizer 1 51 192 Once again (DNX Edit.)? 3 - - 11 15 Cansol 2 36 230 freewheeling 4 - 9 13 - ルゼ 2 10 118 Legacy? 2 5 9 12 14 Jehezukiel 2 02 151 Back Out - - 9 12 15 RiraN 2 15 158 Sunset Toybox feat. 桃雛なの? - 8 11 13 - テヅカ x Aoi 2 15 175 2000VOLT 5 - - 11 15 ALTA 1 59 200 + 2023年追加曲 2023年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA Waldjaegerin? 3 - 9 12 14 Abel 2 18 200 You Were With A Boy? - 5 10 13 - Vau Boy 2 43 170 You Psy? - 5 - 12 15 Night Yard 2 33 160 Polaris Australis? - 7 - 13 14 くるぶっこちゃん 2 34 205 Rule The World? 2 6 10 - - Vau Boy 2 40 170 Physical Cosmology? 3 6 10 14 14 7mai vs pan 2 03 195 Virtual Nature? - 5 10 - 15 荒谷サトル 2 18 145 ELYXiVN ELYXiUM? 3 6 9 13 15 Reku Mochizuki 2 15 191 Decoherence? 2 6 10 13 - surk 2 20 155 ISERA (DNX Edit)? 2 6 10 13 - Jehezukiel Ice 2 33 152 Eldredth 3 5 8 14 - Nordius Dystancius 2 15 174 Kyubi - - 10 14 14 Halv 2 01 200 Zephyr 2 5 8 12 - TQ☆ 2 38 156 lodeinfo - 7 - 12 14 dingerbox 2 37 120 Ultimate Lachesism - 5 9 - 15 FallN Leav 2 13 190 ムーンリット・ワンダラー 3 5 9 - - みーに 2 21 97 Guilty Hostage - 6 - 11 15 CS4W 2 03 173 Ennor 3 7 12 13 15 Raimukun 2 08 186 Volcano 2 6 10 - 15 Takahiro Aoki 2 36 178 NightTheater 2 5 9 12 - わかどり 2 09 151 lehigh 3 - 10 - 14 ディンガー vs 橙ミャオ 2 15 170 MEGA POP - 4 11 15 - Urtica_Ferox_ 2 00 170 Ragnarøk 3 - 10 13 - Dokuwaki feat.薔薇姫メイデン・クライネ 1 56 260 City Girl in the Love - 6 10 - 14 udon! 2 06 150 脫潾 2 - 8 11 - Pica 2 19 150 Pumpkin Lolipop 2 6 9 - - pan 2 22 250 Wuthering Weapon - 6 10 14 - Takahiro Aoki 2 19 200 魑魅戴天 - 5 9 14 - mayoi 1 56 150 haptime - 6 11 - 14 dingerbox 2 34 400 ((unidentified new entry)) - 7 10 12 - LIXION 2 20 180 taunami - 5 10 - 14 lunul x nuno 2 18 180 Welcome, SSSpooky!!! 2 6 9 - 14 Tanchiky Vs. 打打だいず 2 25 190 Lacrimosa - 5 - 13 15 Abel RiraN 2 14 222 Distance - 5 9 13 - Central Divide vs. surk 2 18 146 Assassin 2 - 9 14 - TKG 2 02 163 Hauynite 4 - 11 - 15 RYOQUCHA CS4W 2 40 175 - 2024年追加曲 2024年追加曲 [部分編集] Title Level Artist Time BPM Casual Normal Hard MEGA GIGA FREEZE? 3 - 8 11 - lixound feat.薛南 2 06 131 Alone? - 6 12 14 - LillyRazy 2 19 160 BIT TECH COMPUTER? - 4 9 14 - KUROI 2 47 175 Amphisbaena? - 7 10 14 15 打打だいず vs. siromaru 2 19 187 Far East Frontline? 3 - 7 13 - Night Yard 2 18 150 Sleepless? 4 - 9 14 - TKG vs Withecker 2 32 163 Ephemeral Echo? 3 - 8 12 - Kenuno 2 12 178 GIFT? 3 6 10 - 15 Notorious(Nota TRIAL) 2 29 200 Phoenixismia? - 5 8 11 - C4ydora (CS4W + Pirendora) 2 36 150 FUNK TIME!!!? 3 - 9 14 - RAYの丼/VQMD 2 47 180 The Dystopia s Tomorrow? 1 6 - - 13 Moonset 2 30 200 HeracleS? - 7 10 14 15 打打だいず vs. siromaru 2 22 191 Supernova? - 5 9 13 - Synthtonix 2 05 150 The Defiant’s Anthem? - 5 - 12 14 Takahiro Aoki 2 41 200 活著 - 6 - 11 15 Zero D Max 2 41 216 Abyss Breaker 3 - 10 - 15 打打だいず 2 16 195 Wuthering Wind 1 - 7 12 - Takahiro Aoki 2 19 200 Bonus Time 3 - - 13 15 Neple 2 38 234 Resonance of Soul - 6 8 13 - 裸(ラオウ)王 2 01 250 HOPE 3 - 9 14 - Notorious(Nota TRIAL) 2 07 200 frerejacques 2 - 9 12 - dingerbox 2 32 150 scualee 1 7 10 - 15 Aoi 2 00 150 Mamba - 6 11 - 14 Takahiro Aoki 2 26 180 LOVE 3 - 8 12 - Notorious(Nota TRIAL) 2 25 200 TYPE-Rebellion - 6 8 12 15 Aoi 2 35 180 WING 3 7 11 12 - Notorious(Nota TRIAL) 1 59 200 AndLadix - 4 9 13 - ADA vs Halv 2 25 181 Wave Testモードにてプレイ可能 [部分編集] Wave Testでの各Classクリア(Chipによるアシストの有無は問わない)によって解禁出来るようになる。 各曲1つの難易度のみ実装されている。 Title Level Artist Time BPM Casual Normal Hard MEGA GIGA anamnésis 3 - - - - Xenoe 2 25 170 Evils Was Coming - 5 - - - dwi kashiwagi 2 14 145 Ornament - - 7 - - SLT 2 39 140 .reversive(Dynamix Ver.) - - 8 - - SECTION 2 39 138 Utopia - - 9 - - typeMARS 2 02 150 bewitched - - - 11 - Cashew 2 22 175 Crocus - - - 12 - RiraN 1 48 150 Gleam stone - - - 13 - adaptor 2 02 140 Energy - - - 13 - Tada 2 12 173 αterlβus (*2) - - - - 14 Aoi 2 00 202 Sakura Fubuki (*2) - - - 14 - Street 2 01 175 Prime - - - - 14 Pokku'n 2 31 194 Worldwide RAVE-Attack!! - - - - 15 Ryazan 2 37 177 Xetta (*3) - - - - 15 TangJuan vs Black Box 2 07 200 Helios (*4) - - - - 15 Rin 2 00 188 Between Boundaries (*4) - - - - 15 DJ Counterforce 1 58 148 スペシャルイベント DynamixとROG Phone 5sとの特別コラボで実装された楽曲 特定の難易度を指定された回数クリアすることで、fragを使用して解禁出来た(現在入手不可) 当楽曲は今まで復刻したことが無く、復刻は絶望的な可能性がある。 Title Level Artist Time BPM Casual Normal Hard MEGA GIGA RE IGNITE-Republic of Gamers - 6 9 - 14 WeiFan Chang 1 26 135 エイプリルフール限定 [部分編集] こちらはエイプリルフール限定で遊べる曲(譜面)であり、ストアで解禁することはできない。 2020年エイプリルフール Title Level Artist Time BPM Casual Normal Hard MEGA GIGA ǝɹǝɥdsᴉɯǝH - - - - 91 ARForest 2 04 193 2021年エイプリルフール Title Level Artist Time BPM Casual Normal Hard MEGA GIGA Go Escape - - - - 41 mmry 2 22 150
https://w.atwiki.jp/v-lyrics/pages/437.html
Last SmileLast Smile [ TAG L-L Miku ShakeP title] Music ShakeP(Shake Sphere)/鮭P(Shake Sphere) Lyric ShakeP(Shake Sphere)/鮭P(Shake Sphere) Arrange ShakeP(Shake Sphere)/鮭P(Shake Sphere) Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm3034754 http //www.nicovideo.jp/watch/sm3034754 Translations ■ Show/Hide Romaji umikaze ni yureru yawarakana kimi no kami ni tada mitoreru koto sae mo dekinaku naru kaerimichi no kooen no benchi (bench) wa yuuhi ni tsutsumareteru zutto utsumuiteta kimi ga futo tsubuyaku "arigatoo..." kimi ga kureta egao no wake mada boku niwa wakaranain dakedo kirei sugite kanashisoo na saigo no egao ga ichiban suteki datta yagate sora no iro ga aoiro ni somatte yuku an-nani hayakatta kana? mune ga tsumaru moshimo toki wo tomeru nara machigai naiyo kono isshun kimi no kokyuu wo kanjiteru kono kyori ga itoshikute kimi ga kureta egao no wake mada boku niwa wakaranain dakedo mabataki sae dekinai hodo saigo no egao wa utsukushikattanda kakugo shita kimochi ga kuzuredashi sooda "sorejane..." to aruki dashita kimi ga fuini furimuki zama mise ta sono egao wa kirei sugite kanashi sugite demo tabun kitto wasure rarenai kimi ga kure ta egao no wake mada boku ni wa wakaranain dakedo mabataki sae dekinai hodo saigo no egao wa utsukushikattanda 2009-09-01 Checked by damesukekun 2009-09-01 10 06 Generated automatically [部分編集] ■ Show/Hide Translation Last Smile 2009-09-01 First Entry 2009-09-01 14 48 25 (Tue) Last update Trasnlated by damesukekun Title Last Smile Lyric Your soft hair is swaying in the sea breeze I can t taken in it any longer, even just be On our way to return the benches in the park is enveloped with the sunset You ve been looking down and now suddenly mutter "Thanks..." I can t catch on yet why you gave me a smile Still your smile, the last smile was so beautiful and kinda sad It was the best smile The sky is being dyed with blue by and by I didn t know it changed its color so fast I get choked up Could I stop the time surely, I would stop this moment cause I m holding this relationship dear the touchy relationship where I feel your breath I can t catch on yet why you gave me a smile Still your smile, the last smile was so beautiful and I even forgot to wink my eyes Ah, I know what s coming but my mind is about to collapse "Bye for now..." you said You started to walk and suddenly gave me a smile over your shoulder It was so beautiful, it was so sad It never fades away in my heart for sure I can t catch on yet why you gave me a smile Still your smile, the last smile was so beautiful and I even forgot to wink my eyes Note This translation is by permission of the composer. 作者様のご了解のもと翻訳しました。 Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-09-01 14 48 25 (Tue) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/878.html http //nicosound.anyap.info/sound/sm3034754 http //www.nicomimi.com/play/sm3034754 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=poz8UtZDQyw [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=poz8UtZDQyw (Information in this page is based on HatsuneMiku@Wiki) _
https://w.atwiki.jp/oper/pages/2896.html
ACTE SECOND Scène Première (Mercure, Citheron) MERCURE Je viens soulager Junon dans sa colère, Par un aveu qu elle croyait sincère, Athènes deviendra l objet de son courroux Et déjà l espoir la console D y surprendre à la fois la Nymphe et son Epoux. (Un nuage conduit par des Aquilons traverse le théâtre.) Vous voyez qu elle y vole. En toute liberté, Jupiter va paraître. Il vient... CITHERON Retirons-nous dans ce bois écarté. MERCURE. Nous verrons tout sans nous faire connaître. (Ils se retirent tous les deux à l écart.) Scène Seconde (Jupiter, Momus, dans un Char à demi-descendu. Aquilons suspendus en l air) JUPITER (aux Aquilons.) Aquilons trop audacieux, Craignez ma colère; Fuyez de ces lieux. Pour voir de près la beauté qui m est chère, Pour lui rendre un hommage aussi vif que sincère, Je quitte le séjour des Cieux. Aquilons trop audacieux, Craignez ma colère; Fuyez de ces lieux. (Les Aquilons disparaissent, des nuages couvrent le char où sont Jupiter et Momus. Platée s avance du fond du théâtre.) Scène Troisième PLATEE (Elle s approche du nuage qui s est étendu 1jusqu à terre, et le considère) A l aspect de ce nuage; Je ne saurais m abuser! Jupiter sait tout oser Mais aurai-je le courage De recevoir son hommage, Ou de le refuser? (Les nuages font quelques mouvements.) Le nuage s entrouvre Je vois du mouvement Je crois qu il me découvre Mon adorable amant. (La partie d en-bas des nuages se sépare et remonte dans la partie d en-haut. Jupiter paraît sous la forme d un Quadrupède, un petit Amour l enchaîne de guirlandes de fleurs.) Quelle métamorphoses! Dois-je approcher? Je n ose. C est une épreuve assurément Que Jupiter prépare à ma flamme nouvelle. Venez, venez, j y suis fidèle, Quelque soit ce déguisement. (Elle s en approche à une certaine distance, et de temps en temps le regarde tendrement.) Apprenez-moi ce qu Amour vous inspire; Et ce que votre coeur prétend. Vous soupirez, et je soupire; Il suffit d un si doux accent. Vous dites tout sans rien me dire. Ah! Que l amour est éloquent! (Pendant que Platée dit ces paroles, Jupiter lui répond avec des sons naturels à la forme qu il a prise; et après quoi il change de forme et prend celle d un Oiseau battant des ailes à demie hauteur du théâtre.) Quoi! vous disparaissez!... Sous quel nouveau plumage Me représentez-vous Le plus beau des Hiboux? Oiseaux de ce bocage, Venez tous, Chantez* Mais quel ramage! (On entend le charivari des Oiseaux à l aspect du Hibou, qui après s être perché quelque temps, s envole sans que Platée s en aperçoive.) Oiseaux, voue en êtes jaloux, Changez de langage, Rendez hommage Au plus beau des Hiboux. (Elle s aperçoit que l Oiseau s est envolé.) Hélas! Il s envole! Je ne le vois plus. (Elle parcourt le théâtre.) Jupiter... Jupiter... mes cris sont superflus. Il faudra donc que mon coeur s en désole. Hélas! Il s envole! Je ne le vois plus. (Pendant qu elle s occupe à pleurer, on entend subitement un grand coup de tonnerre. Une pluie de feu tombe du ciel elle parcourt le Théâtre toute effrayée.) Ciel! Quelle terrible rosée! (Jupiter arrive sur le Théâtre sous sa véritable forme, suivi de Momus! Il est armé de son foudre est en feu et dont il effraie Platée.) JUPITER (à Platée, lorsque son foudre est éteint) Charmant objet de mes dignes amours; Ne soyez plus longtemps abusée. Comptez sur mon secours. (Il jette son foudre.) J éloigne de mes mains la foudre redoutable; Je ne viens point vous alarmer. Jupiter avec vous devenu plus traitable, Ne s occupera plus que du plaisir d aimer. (Elle reste toujours tremblante.) Seriez-vous infidèle à mes tendres voeux?... PLATEE ...Ouffe. JUPITER. Je vous offre des voeux constants Vous ne répondez rien... PLATEE Pardonnez-moi, j étouffe, Et je soupire en même temps. JUPITER (à Momus.) En attendant qu un doux hymen s apprête, Qu on réjouisse ici ma nouvelle conquête Momus, rassemblez tous vos jeux; Que l allégresse de la fête Egale l excès de mes feux. MOMUS Sujets divers que le délire Enchaîne à jamais dans ma cour, Venez, du Dieu qui vous inspire Soutenez la gloire en ce jour. Scène Quatrième (Jupiter, Momus, Platée, Choeur et troupe des suivants de Momus, Mercure et Citheron, travestis parmi cette troupe) LE CHOEUR (avec étonnement, autour de Platée.) Qu elle est comique! Qu elle est belle! A tant d appas qui ne se prendrait pas? Jupiter soupire pour elle. Le charmant objet que voilà! Ah! Qu elle est belle! Ah! La belle ! Hà! (Platée est tantôt fâchée et tantôt bien aise selon ce que dit ce choeur; après lequel on entend une symphonie extraordinaire.) MOMUS Mais une nouvelle harmonie Annonce apparemment Terpsichore, ou Thalie. Scène Cinquième (La folie, une lyre à la main; et les acteurs de la scène précédente) LA FOLIE Vous vous trompez, Momus, non, non. MOMUS Que vois-je? O ciel! LA FOLIE C est moi, c est La Folie Qui vient de dérober la Lire d Apollon. MOMUS, CHOEUR Honneur, honneur à la Folie, Qui tient la Lyre d Apollon. (Différents quadrilles des Suivantes de Momus et de la folie; les uns d un caractère gai, habillés en Pompons; les autres d un caractère sérieux, vêtus en Philosophes Grecs entrent en dansant, la folie, en touchant de sa Lyre, anime leurs danses qui sont de leurs différents caractères.) LA FOLIE Formons les plus brillants concerts; Quand Jupiter porte les fers De l incomparable Platée, Je veux que les transports de son âme enchantée, S expriment par mes chants divers. (Elle fait des accords sur sa Lyre, pour l effrayer.) Admirez tout mon art célèbre. Faisons d un image funèbre Une allégresse par mes chants. (Elle prélude de nouveau sur sa Lyre; ensuite elle s accompagne.) Aux langueurs d Apollon, Daphné se refusa L Amour sur son tombeau, éteignit son flambeau, La métamorphosa. C est ainsi que l Amour de tout temps s est vengé Que l Amour est cruel, quand il est outragé! Aux langueurs d Apollon, Daphné se refusa; L Amour sur son tombeau, éteignit son flambeau, La métamorphosa. LE CHOEUR Honneur, honneur à la Folie, Elle surpasse Polymnie; Honneur à ses divins accents. LA FOLIE Jugez par du beau simple et des sons plus touchants, Si je connais la mélodie. Ecoutez bien... surtout ma symphonie. (Elle prélude encore sur sa Lyre, et s accompagne.) Que les plaisirs les plus aimables S empressent à l envi de seconder l amour Jeux et ris qui formez sa Cour, En égayant ses feux, vous les rendrez durables. Sans cesse accompagnez nos pas, Plaisirs badins, c est dans vos bras Que notre ardeur se renouvelle. Si Zéphyr ne badinait pas, Flore lui serait moins fidèle. (Elle veut recommencer la reprise, elle s interrompt elle-même par exclamation.) Vous Vous admirez mon art suprême, J attriste l allégresse même, Par mes sons plaintifs et dolents. LE CHOEUR Honneur, honneur à la Folie, Elle surpasse Polymnie; Honneur à ses divins accents. LA FOLIE Je veux finir Par un coup de génie. (A Momus et à ses Suivants.) Secondez-moi, je sens que je puis parvenir Au chef-d oeuvre de l harmonie. (Seule d abord, puis avec Momus, Mercure, Citheron et tous les choeurs.) Hymen, hymen, l Amour t appelle Prépare à Jupiter une chaîne nouvelle, Viens couronner la nouvelle Junon. PLATEE (à ce mot de nouvelle Junon.) Hé, bon, bon, bon. LA FOLIE, MOMUS, MERCURE CITHERON, CHOEURS, PLATEE (à différentes reprises.) Que la flamme qui brûle son âme, Allume ton brandon. Hé, bon, bon, bon, Venez tôt, venez donc. Hé, bon, bon, bon. Venez donc. (On danse à différentes reprises de ce Choeur, et à la fin; tous se retirent en dansant avec Platée qu on fait danser aussi.) ACTE SECOND Scène Première (Mercure, Citheron) MERCURE Je viens soulager Junon dans sa colère, Par un aveu qu elle croyait sincère, Athènes deviendra l objet de son courroux Et déjà l espoir la console D y surprendre à la fois la Nymphe et son Epoux. (Un nuage conduit par des Aquilons traverse le théâtre.) Vous voyez qu elle y vole. En toute liberté, Jupiter va paraître. Il vient... CITHERON Retirons-nous dans ce bois écarté. MERCURE. Nous verrons tout sans nous faire connaître. (Ils se retirent tous les deux à l écart.) Scène Seconde (Jupiter, Momus, dans un Char à demi-descendu. Aquilons suspendus en l air) JUPITER (aux Aquilons.) Aquilons trop audacieux, Craignez ma colère; Fuyez de ces lieux. Pour voir de près la beauté qui m est chère, Pour lui rendre un hommage aussi vif que sincère, Je quitte le séjour des Cieux. Aquilons trop audacieux, Craignez ma colère; Fuyez de ces lieux. (Les Aquilons disparaissent, des nuages couvrent le char où sont Jupiter et Momus. Platée s avance du fond du théâtre.) Scène Troisième PLATEE (Elle s approche du nuage qui s est étendu 1jusqu à terre, et le considère) A l aspect de ce nuage; Je ne saurais m abuser! Jupiter sait tout oser Mais aurai-je le courage De recevoir son hommage, Ou de le refuser? (Les nuages font quelques mouvements.) Le nuage s entrouvre Je vois du mouvement Je crois qu il me découvre Mon adorable amant. (La partie d en-bas des nuages se sépare et remonte dans la partie d en-haut. Jupiter paraît sous la forme d un Quadrupède, un petit Amour l enchaîne de guirlandes de fleurs.) Quelle métamorphoses! Dois-je approcher? Je n ose. C est une épreuve assurément Que Jupiter prépare à ma flamme nouvelle. Venez, venez, j y suis fidèle, Quelque soit ce déguisement. (Elle s en approche à une certaine distance, et de temps en temps le regarde tendrement.) Apprenez-moi ce qu Amour vous inspire; Et ce que votre coeur prétend. Vous soupirez, et je soupire; Il suffit d un si doux accent. Vous dites tout sans rien me dire. Ah! Que l amour est éloquent! (Pendant que Platée dit ces paroles, Jupiter lui répond avec des sons naturels à la forme qu il a prise; et après quoi il change de forme et prend celle d un Oiseau battant des ailes à demie hauteur du théâtre.) Quoi! vous disparaissez!... Sous quel nouveau plumage Me représentez-vous Le plus beau des Hiboux? Oiseaux de ce bocage, Venez tous, Chantez* Mais quel ramage! (On entend le charivari des Oiseaux à l aspect du Hibou, qui après s être perché quelque temps, s envole sans que Platée s en aperçoive.) Oiseaux, voue en êtes jaloux, Changez de langage, Rendez hommage Au plus beau des Hiboux. (Elle s aperçoit que l Oiseau s est envolé.) Hélas! Il s envole! Je ne le vois plus. (Elle parcourt le théâtre.) Jupiter... Jupiter... mes cris sont superflus. Il faudra donc que mon coeur s en désole. Hélas! Il s envole! Je ne le vois plus. (Pendant qu elle s occupe à pleurer, on entend subitement un grand coup de tonnerre. Une pluie de feu tombe du ciel elle parcourt le Théâtre toute effrayée.) Ciel! Quelle terrible rosée! (Jupiter arrive sur le Théâtre sous sa véritable forme, suivi de Momus! Il est armé de son foudre est en feu et dont il effraie Platée.) JUPITER (à Platée, lorsque son foudre est éteint) Charmant objet de mes dignes amours; Ne soyez plus longtemps abusée. Comptez sur mon secours. (Il jette son foudre.) J éloigne de mes mains la foudre redoutable; Je ne viens point vous alarmer. Jupiter avec vous devenu plus traitable, Ne s occupera plus que du plaisir d aimer. (Elle reste toujours tremblante.) Seriez-vous infidèle à mes tendres voeux?... PLATEE ...Ouffe. JUPITER. Je vous offre des voeux constants Vous ne répondez rien... PLATEE Pardonnez-moi, j étouffe, Et je soupire en même temps. JUPITER (à Momus.) En attendant qu un doux hymen s apprête, Qu on réjouisse ici ma nouvelle conquête Momus, rassemblez tous vos jeux; Que l allégresse de la fête Egale l excès de mes feux. MOMUS Sujets divers que le délire Enchaîne à jamais dans ma cour, Venez, du Dieu qui vous inspire Soutenez la gloire en ce jour. Scène Quatrième (Jupiter, Momus, Platée, Choeur et troupe des suivants de Momus, Mercure et Citheron, travestis parmi cette troupe) LE CHOEUR (avec étonnement, autour de Platée.) Qu elle est comique! Qu elle est belle! A tant d appas qui ne se prendrait pas? Jupiter soupire pour elle. Le charmant objet que voilà! Ah! Qu elle est belle! Ah! La belle ! Hà! (Platée est tantôt fâchée et tantôt bien aise selon ce que dit ce choeur; après lequel on entend une symphonie extraordinaire.) MOMUS Mais une nouvelle harmonie Annonce apparemment Terpsichore, ou Thalie. Scène Cinquième (La folie, une lyre à la main; et les acteurs de la scène précédente) LA FOLIE Vous vous trompez, Momus, non, non. MOMUS Que vois-je? O ciel! LA FOLIE C est moi, c est La Folie Qui vient de dérober la Lire d Apollon. MOMUS, CHOEUR Honneur, honneur à la Folie, Qui tient la Lyre d Apollon. (Différents quadrilles des Suivantes de Momus et de la folie; les uns d un caractère gai, habillés en Pompons; les autres d un caractère sérieux, vêtus en Philosophes Grecs entrent en dansant, la folie, en touchant de sa Lyre, anime leurs danses qui sont de leurs différents caractères.) LA FOLIE Formons les plus brillants concerts; Quand Jupiter porte les fers De l incomparable Platée, Je veux que les transports de son âme enchantée, S expriment par mes chants divers. (Elle fait des accords sur sa Lyre, pour l effrayer.) Admirez tout mon art célèbre. Faisons d un image funèbre Une allégresse par mes chants. (Elle prélude de nouveau sur sa Lyre; ensuite elle s accompagne.) Aux langueurs d Apollon, Daphné se refusa L Amour sur son tombeau, éteignit son flambeau, La métamorphosa. C est ainsi que l Amour de tout temps s est vengé Que l Amour est cruel, quand il est outragé! Aux langueurs d Apollon, Daphné se refusa; L Amour sur son tombeau, éteignit son flambeau, La métamorphosa. LE CHOEUR Honneur, honneur à la Folie, Elle surpasse Polymnie; Honneur à ses divins accents. LA FOLIE Jugez par du beau simple et des sons plus touchants, Si je connais la mélodie. Ecoutez bien... surtout ma symphonie. (Elle prélude encore sur sa Lyre, et s accompagne.) Que les plaisirs les plus aimables S empressent à l envi de seconder l amour Jeux et ris qui formez sa Cour, En égayant ses feux, vous les rendrez durables. Sans cesse accompagnez nos pas, Plaisirs badins, c est dans vos bras Que notre ardeur se renouvelle. Si Zéphyr ne badinait pas, Flore lui serait moins fidèle. (Elle veut recommencer la reprise, elle s interrompt elle-même par exclamation.) Vous Vous admirez mon art suprême, J attriste l allégresse même, Par mes sons plaintifs et dolents. LE CHOEUR Honneur, honneur à la Folie, Elle surpasse Polymnie; Honneur à ses divins accents. LA FOLIE Je veux finir Par un coup de génie. (A Momus et à ses Suivants.) Secondez-moi, je sens que je puis parvenir Au chef-d oeuvre de l harmonie. (Seule d abord, puis avec Momus, Mercure, Citheron et tous les choeurs.) Hymen, hymen, l Amour t appelle Prépare à Jupiter une chaîne nouvelle, Viens couronner la nouvelle Junon. PLATEE (à ce mot de nouvelle Junon.) Hé, bon, bon, bon. LA FOLIE, MOMUS, MERCURE CITHERON, CHOEURS, PLATEE (à différentes reprises.) Que la flamme qui brûle son âme, Allume ton brandon. Hé, bon, bon, bon, Venez tôt, venez donc. Hé, bon, bon, bon. Venez donc. (On danse à différentes reprises de ce Choeur, et à la fin; tous se retirent en dansant avec Platée qu on fait danser aussi.) Rameau,Jean-Philippe/Platée/III