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ここを編集 2010年4月発売。xxxHOLiC 春夢記の続編。 https //www.production-ig.co.jp/works/xxxholic-row/ 監督 水島努 原作 CLAMP 脚本 大川七瀬 キャラクターデザイン/総作画監督 黄瀬和哉 作画監督 いずみひろよ 小物設定 植田実 動画検査 吉田一枝 美術設定 荒井和浩 美術監督 小倉宏昌 色彩設計 佐藤真由美 撮影監督 小西庸平 デジタルワークス 濱中亜希子 特殊効果 村上正博、村上寿美江 編集 植松淳一 編集助手 村上義典 音響監督 若林和弘 調整 宮澤二郎 効果 伊藤道廣 録音助手 水谷睦 音響監督助手 原口昇 音楽 S.E.N.S. Project アニメーション制作 Production I.G ■関連タイトル DVD付初回限定版 「XXXHOLiC」 17巻 TV ANIMATION×××HOLiC EXTRA OFFICIAL GUIDE 新版 ×××HOLiC読本 原作コミック CLAMP／xxxHOLiC １巻 随時更新！ pixivFANBOX アニメ@wiki ご支援お待ちしています！ ムック本＆画集新刊／個人画集新刊／新作Blu-ray単巻／新作Blu-ray DVD-BOX アニメ原画集全リスト スタッフインタビューwebリンク集 最新登録アイテム Blu-ray 魔女見習いをさがして Blu-ray「どうにかなる日々」Blu-ray Happy-Go-Lucky Edition 初回限定生産 Blu-rayDisc付き 『ラブライブ! スーパースター!!』「始まりは君の空」【みんなで叶える物語盤】 BEM~BECOME HUMAN~豪華版Blu-ray Blu-ray 劇場版 魔法少女まどか☆マギカ 10th Anniversary Compact Collection Blu-ray ぐらぶるっ! Blu-ray 映画クレヨンしんちゃん 激突! ラクガキングダムとほぼ四人の勇者 Blu-ray CHRONO CROSS 20th Anniversary Live Tour 2019 RADICAL DREAMERS Yasunori Mitsuda Millennial Fair FINAL at NAKANO SUNPLAZA 2020 ゴブリンスレイヤー Blu-ray BOX 初回生産限定 グリザイア ファントムトリガー THE ANIMATION 03[Blu-ray] 特装版 ラブライブ! サンシャイン!! Saint Snow 1st GIG 〜Welcome to Dazzling White Town〜 Blu-ray Memorial BOX ゾンビランドサガ Blu-ray BOX 初回生産限定盤 Blu-ray 思い、思われ、ふり、ふられ 完全生産限定版 Blu-ray Fate/Grand Carnival 1st Season 完全生産限定版 Blu-ray Fate/Grand Carnival 2nd Season 完全生産限定版 Blu-ray ダンジョンに出会いを求めるのは間違っているだろうかIII OVA Blu-ray 映画プリキュアミラクルリープ みんなとの不思議な1日 BD特装版 Blu-ray アズールレーン 三笠大先輩と学ぶ世界の艦船 ぶるーれい Blu-ray 水瀬いのり Inori Minase 5th ANNIVERSARY LIVE Starry Wishes かぐや様は告らせたい~天才たちの恋愛頭脳戦~ 22 OVA同梱版 呪術廻戦 公式ファンブック よつばと! 15 監修 庵野秀明・樋口真嗣など 夢のかけら 東宝特撮映画篇 パラレルパラダイス 13 特装版 アイドルマスター ミリオンライブ! Blooming Clover 9 オリジナルCD付き限定版 美樹本晴彦マクロス画集 軌 わだち― 夜ノみつき 10th EUSHULLY WORKS しらこ画集 ILLUSTRATION MAKING VISUAL BOOK カズアキ画集 Kazuaki game artworks ライザのアトリエ2 ~失われた伝承と秘密の妖精~ 公式ビジュアルコレクション ぼくたちは勉強ができない 第21巻 音声ドラマ ミニ画集付き同梱版 あいきょう 荻pote作品集 ヒョーゴノスケ流 イラストの描き方 TVアニメ『くまクマ熊ベアー』オフィシャルファンブック 押井守原作・総監督 西村純二監督作品 『ぶらどらぶ』 解体新書公式コンプリートガイド OCTOPATH TRAVELER Design Works THE ART OF OCTOPATH 2016-2020 おそ松さん 3rd season SPECIAL BOOK 描きたい!!を信じる 少年ジャンプがどうしても伝えたいマンガの描き方 YMO1978-2043 「小冊子・YMO全トラックリスト2021 Amazon限定表紙版」付き To LOVEる -とらぶる- ダークネス FIGURE PHOTOGRAPHY COLLECTION 斉藤朱夏 CALENDAR 2021.4-2022.3 ラブライブ! サンシャイン!! Aqours DOME TOUR COMIC ILLUSTRATION BOOK ラブライブ! サンシャイン!! Aqours COMIC ILLUSTRATION BOOK 2020 Winter イジらないで、長瀞さん 10 特装版 「はたらく細胞」公式アニメ完全ガイド リスアニ! Vol.43.2「アイドルマスター」音楽大全 永久保存版VII アイドルマスター シャイニーカラーズ 3 CD付き特装版 ウルトラマンマックス 15年目の証言録 ウルトラマンZ特写写真集 じじぃ 人生は深いな 冴えない彼女の育てかた 深崎暮人画集 上 Flat. ぷよぷよ アートワークコレクション 古谷静佳1st写真集 re START THE IDOLM@STER CINDERELLA GIRLS STARLIGHT MASTER COLLABORATION! Great Journey ウルトラマンゼロ Blu-ray BOX クロスアンジュ 天使と竜の輪舞 Blu-ray BOX 初回生産限定版 小林さんちのメイドラゴンBlu-ray BOX ゆゆ式Blu-ray BOX スペシャルプライス版 とーとつにエジプト神 Blu-ray 直球表題ロボットアニメ 全話いっき見ブルーレイ 未来ロボ ダルタニアス 一挙見Blu-ray VOL.1 シュヴァルツェスマーケン 全話見Blu-ray ワールドトリガー一挙見Blu‐ray VOL.1 異世界魔王と召喚少女の奴隷魔術 魔王プレイボックス 初回生産限定 トータル・イクリプス 全話見Blu-ray Blu-ray Cutie Honey Universe Complete Edition 夜ノヤッターマン 全話いっき見ブルーレイ こみっくがーるず Blu-ray BOX 初回生産限定 Blu-ray 幼女社長 むじなカンパニーセット 初回生産限定 ログ・ホライズン 円卓崩壊 Blu-ray BOX 七つの大罪 憤怒の審判 Blu-ray BOX I Blu-ray 水樹奈々 NANA ACOUSTIC ONLINE 『Dr.STONE』2nd SEASON Blu-ray BOX【初回生産限定版】 魔術士オーフェンはぐれ旅 キムラック編 Blu‐ray BOX 今井麻美 Winter Live「Flow of time」 - 2019.12.26 at EX THEATER ROPPONGI - Blu-ray盤 Blu-ray 仮面ライダーゼロワン ショートアニメ EVERYONE'S DAILY LIFE 仮面ライダー一挙見Blu-ray 1号 2号・V3編 仮面ライダー一挙見Blu-ray X・アマゾン・ストロンガー編 スーパー戦隊一挙見Blu-ray 1975-1981 スーパー戦隊一挙見Blu-ray 1982-1986 半妖の夜叉姫 Blu-ray Disc BOX 1 完全生産限定版 裏世界ピクニック Blu-ray BOX上巻 初回生産限定 Levius レビウス Blu-ray BOX【期間限定版】 スーパー戦隊 学研の図鑑 江口寿史美人画集 彼女 アニメディスクガイド80's レコード針の音が聴こえる necomi画集 PHONOGRAPHIC フルーツバスケット アニメ2nd season 高屋奈月 Illustrations 2 彼女、お借りします TVアニメ第1期 公式設定資料集 ドラゴンボール 超戦士シールウエハースZ 超シールガイド ガンダムアーカイヴス『ガンダムビルドシリーズ』編 Angel Beats! 天使画集 Angel Diary PANZER FRAULEIN 野上武志画集 【陸編】 Angel's cage るび様画集 Sweet Dream はすね画集 画集 制服Girl's▼コレクション もりょ作品集 異世界ファンタジーのキャラクターコレクション 劇場版「美少女戦士セーラームーンEternal」公式ビジュアルBOOK アイドルマスター シャイニーカラーズ イラストレーション ワークス VOL.2 Blu-rayDisc付き 八十亀ちゃんかんさつにっき 10 特装版 あんさんぶるスターズ! Ready For Star 2巻 缶バッジ付 Switch エーペックスレジェンズ チャンピオンエディション New ポケモンスナップ -Switch 【PS4】BIOHAZARD VILLAGE PLAMAX 聖戦士ダンバイン サーバイン ノンスケール PS製 組み立て式プラスチックモデル スーパーミニプラ 無敵ロボ トライダーG7 3個入りBOX 魔道祖師 前塵編 完全生産限定版 HGUC 機動戦士ガンダム 閃光のハサウェイ Ξガンダム MG 機動戦士ガンダムSEED モビルジン 1/100スケール カンチ 青 ノンスケール ABS＆ダイキャスト製 塗装済み完成品 ☆赤ver 魔女の旅々17 ドラマCD付き特装版 クリストファー・ノーランの世界 メイキング・オブ・インターステラー BEYOND TIME AND SPACE 時空を超えて るるぶアズールレーン からかい上手の高木さん15からかいカレンダーカード付き特別版 「武装神姫」原案イラスト集 ALLSTARS 機動戦士ガンダム サンダーボルト 17 キャラクターブック付き限定版 とある科学の超電磁砲T OFFICIAL VISUAL BOOK Aqours 5周年記念アニメーションPV付きシングル「smile smile ship Start!」【BD付】
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Death Note 05. Tactics RAYE You there. LIGHT Yeah? RAYE Listen carefully. I came to Japan as part of a secret investigation so the local police can't find out that... And that I... LIGHT I understand. I promise I won't tell anyone that I met you. And of course, that includes my father. RAYE Well then, please excuse me. LIGHT It's just as I thought. Anyway I don't want the police to know that I've come into contact with an FBI agent, either. If my father ever found out, there's no doubt he let L know. It's obvious he doesn't suspect me. And as for the police, I'm sure they treat this as just another unfortunate accident. （ホテルにて） NAOMI Hey, welcome back. RAYE Huh, what a day! NAOMI Raye, what's the matter? Something happened, didn't it? I've never heard you sigh like that. RAYE Yeah. The bus I was on got hijacked, if you can believe it. NAOMI A bus-jacking? RAYE Some junkie robbed a bank two days ago, and I guess he wanted to try to take on a bus today. I didn't think this kind of thing happened here. NAOMI So you were already riding the bus when the hijacker got on? RAYE Yeah. And in the end the guy freaked out, jumped off the bus and got hit by a car. NAOMI Did he die? RAYE Yeah. Probably. I couldn't really stick around to see what happened to him. NAOMI You know. RAYE Hm? NAOMI It's a little hard to believe that was all a coincidence, don't you think? RAYE What do you mean? NAOMI Think about it. You got on a bus because you were investigating someone, right? And now you are telling me this criminal is most likely dead. Doesn't that suggest that you... RAYE That's enough. Look, darling. You and I know you used to be one of the best agents in the FBI. But now you are my fiancee, Naomi. We talked about this. You are not an agent any more, so just leave it alone. NAOMI But... RAYE You wouldn't get involved in the Kira case, and you wouldn't do anything dangerous. That was what you promised when we decided you'd come with me so I can meet your parents in Japan. You do remember that, don't you? NAOMI Yeah. I guess you are right. It's just force of habit. Sorry about that. RAYE No. I should be sorry. Let's forget about it. Anyway once we have a few kids running around, you'd probably be so busy you will forget you were ever an agent. Your mind will be occupied with better things, too. More importantly, tell me how I can convince your Dad I'm worthy with his daughter. Kira doesn't scare me half as much as he does. (月の部屋) RYUK Oh, let me guess. You are about to write down the name of that agent, aren't you? The one from the bus. LIGHT Not yet. I'm gonna wait one week before writing his name. If he dies right after meeting me, I'll only draw attention to myself. I'll write his name in here once I've given him time to investigate more people with ties to the police. It will be less obvious that way. In the meantime I think I use some those inmates I've been keeping alive to play around with L a little more. (Ｌの部屋) WATARI L. L Hm? WATARI Another victim. This one left what appears to be a suicide note. L Please, send it to me. L "Gods of Death",.. "L, do you know", "gods of death"... Is he trying to tell us that gods of death exist? Listen, Watari. Tell the police to monitor prison populations closely for the next few days. Kira may use other suicide notes to communicate with us. WATARI Understood. Death Note Chapter5「駆引」Maneuvering Ch5-2 Slots--Death of Raye Penber (町中） RYUK This place is crawling with humans. Are you gonna do it here? LIGHT Let's just say you're about to see the results of all the research and experiments I've been doing over the last few days. RYUK Experiments? LIGHT Yeah. I've been using known criminals who live in this part of the town to test out different killing methods and I've learned a lot about the death note. For example if I write a cause of death and the circumstances leading up to it, I can add a name afterwards and it'll still happen. RYUK Ohh, even I didn't know that one. LIGHT He's here. Right on time. Mr. Raye Pember. Turn around and you are dead. I am Kira. LIGHT That's right. Don't turn around or put your hands in your pockets. I won't hesitate to kill you here. RAYE It couldn't be. This voice. I've heard it somewhere. LIGHT But first, I'm gonna prove to you that I am Kira. Do you see the man working over there at the coffee shop? That's right. The one sweeping the floor. I'm gonna kill him just for you. RAYE But how? Don't do it. Man Ughh. LIGHT I'm afraid I had no choice but to kill him. I figured if I didn't kill at least one person, you wouldn't believe me, although that man has been repeatedly charged with sexual assault. He's managed to avoid conviction every time due to lack of evidence. He was a menace to society. He got what he deserved. I can only assume that L has already informed you of this, I can't kill someone who I haven't seen. I have to know their face. Which means, of course, I could easily kill all these people right now if I wanted to do. Go ahead and choose someone if you want. RAYE Don't do it. I believe you. You are Kira. LIGHT I'm sure you care more about your loved ones than any of these people here. Imagine how you'd feel if one of them was killed just because you refused to [cooperate]. I think you should consider them the real hostages at the moment. RAYE How do you know about her? LIGHT Haha. You seem surprised. I've been investigating you. And if you don't do exactly as I say, she will die. And so will the rest of your family, including you. And that's a promise. RAYE I...I understand. Just tell me what you need me to do. LIGHT I see you've got your laptop with you. I want the files containing the identities of all the FBI agents who came to Japan. RAYE I do have my laptop with me. It's the one I use for work, but I don't have the files you're looking for. LIGHT All right. Then, take this envelope. RAYE Huh? LIGHT First, take the transceiver out of the envelope, then put the ear piece in and await my instructions. RAYE A transceiver. This thing looks like a toy. But there'll be no record of this transmission anywhere. And it allows us to converse from a close distance even underground. He really thought this through. LIGHT All right. Now get on the Yamanote Line. Inner or outer route, it doesn't matter which direction you take. LIGHT I'll be close by at all times, which means I'll be watching your every move. When you get on the train, pick a spot in front of you and don't take your eyes off it. If I see you looking around, I will kill you. Once you boarded, I want you to take the seat closest to the doors. If it's occupied, wait until it's free. (車中） LIGHT Now I'm going to ask you something. If I have even the slightest suspicion that you are not being honest, your girlfriend is as good as dead. How many FBI agents are currently in Japan? Speak quietly into the transceiver and don't make it obvious. RAYE I believe it's four teams, three agents per team, for a total of twelve. LIGHT OK. Now take the papers out of the envelope. RAYE (reflection) Hum? What is this? LIGHT Of those twelve agents you mentioned, I want you to write down the name of your superior, the one who's heading up this investigation, in the space at the very top of the page. RAYE (reflection) What is the meaning of this? What is he after? Let's face it. He hasn't really left me any choice. Besides, it's not like he can kill them using just their names. LIGHT Next, take out your laptop and turn it on. Any minute now your boss is going to send you a message with a file attachment, it contains the names and photos of all the FBI agents currently active in Japan. RAYE But this...this is.. LIGHT Now one by one you're going to look at each photo and then write that agent's name in the space provided, you 're going to do this for each agent. RAYE (reflection) It doesn't make sense. If he's got the names already, why use me? What is he planning to do with them? LIGHT Good. Looks like you're done. Now put the transceiver and all the papers back into the original envelope and place them on the rack directly above your head. After that you're going to stay in your seat and ride the train for at least another thirty minutes. When you are absolutely certain that nobody would notice [you] leaving without the envelope, you can get off the train. RAYE (reflection) I know that voice. Why on earth can't I remember who it belongs to? Kira, who are you? (レイ、心臓麻痺で倒れる） RAYE Ughh! Light Yagami. LIGHT Farewell, Raye Pember. LIGHT Raye Pember wrote all of those names on pages taken from the death note. Ironic. Without even realizing it, he was actually signing a death warrant for all of his colleagues. As for Pember's boss, he died of a heart attack after sending all of his agents a file. And the other eleven investigators, they all died of heart attacks after receiving the same file. (Ｌの部屋） WATARI L, you have a call from the director of the FBI. DIRECTOR It's me. I've got a report in front of me right now stating that all of our agents in Japan are dead. All twelve died of heart attacks. I can only assume that Kira is behind this. Look, I'm sorry, but it's already decided. We are calling off our investigation. WATARI I have chief Yagami on the line. Souichiro L, I've just got off the phone with the director of the FBI. According to him, it seems that you arranged for the FBI to come to Japan and investigate everyone here associated with the taskforce. L Yes, I did. Souichiro So how do you explain this? Are we now suspects in our own investigation? L I felt that it was necessary to uncover Kira's identity. Suoichiro I cannot accept that. I found it unbelievable that you would spy on us. The very people working with you on this case. Man Hear that? Well, I knew all along we couldn't trust that guy. Man More importantly, Kira killed those FBI agents, didn't he? Man It's obvious he'll kill anyone who gets in his way, whether they're criminals or not. Man So much for his sense of justice. He's a murderer. WATARI We have another victim. A note was found at the scene. L "L, do you know", "gods of death".. Hum? "Love apples". Damn you, Kira. Naomi He's dead...Raye's dead. No. He was murdered by Kira. Death Note Chapter5「駆引」Maneuvering Ch5-3 Confluence 「合流」 (月の家） SAYU Um, so what's the family meeting, Dad? SOUICHIRO I figured you're going to find out sooner or later. So I might as well tell you now. I don't want you to be alarmed. I'm sure you've heard of this Kira investigation. Well, I'm currently in charge of it. SAYU What? Are you serious? That's totally awesome, Dad. You're the best cop ever. SOUICHIRO That's not quite the point I'm trying to make. SAYU Oh? SOUICHIRO You see the truth is, the FBI sent 12 of their agents to Japan to assist us in finding Kira and all of them died yesterday. LIGHT Does that mean they were all killed by Kira? SAYU What? SOUICHIRO What I'm saying is, there's a chance that Kira will actually try to kill anyone who comes after him. His crimes are ruthless and more frightening than anything we've seen. Many detectives have already quit. SAYU Dad, you should quit, too. I don't want you to die. What if he gets you? SACHIKO That's right. Your life is so much more important than some job. SOUICHIRO I can't. I could never forgive myself if I walked away from this. I will not sit back and let evil triumph. SAYU But, Dad, you.. SACHIKO Please, dear.. LIGHT I think it's honorable of you, Dad. I'm proud to be able to call you my father. And if anything should ever happen to you, I'm going to find Kira. And make sure he gets executed. (捜査本部) SOUICHIRO We now know that Kira doesn't just target criminals. He'll kill anyone who opposes him. It's quite possible that we may all be killed by Kira. Think of your own lives, your families and all the others you'd be leaving behind. If anyone wants to leave this investigation, now is the time. You won't be demoted if you choose not to stay. You have my word. But if you are not absolutely sure, then we don't need you. You have to be willing to fight against him, even if that means making the ultimate sacrifice. That is all. MAN So, what are we gonna do? MAN I'm not sure. （ナオミ、バスの運転手を訪ねる） BUS DRIVER Oh, yeah. That's him, all right. There's no doubt about it. I remember him because he told us to get down. But I don't really remember any of the other passengers. NAOMI I see. Well, thanks for talking with me, anyway. I appreciate it. (reflection) It's a bit of long shot, but if what I'm thinking is right, Kira could be one of the passengers on the bus that day. If that is the case, then I know that he is close enough to use this bus route. (捜査本部） SOUICHIRO Five men, huh. Well six, including myself. Still I'm grateful to see there are as many as five of you willing to risk your lives to face evil. L That fact you've chosen to stay means you have a strong sense of justice. I trust all of you. AIZAWA Ha, h-hold on a second. L just said that he's decided to trust us now, but honestly what reason do we have to trust him? IDE Look, L. All of us have agreed to put our lives at risk to bring Kira to justice. So I hope you understand what this means. We were really stickin' our necks out here. AIZAWA But you never have to show your face, do you? You just give the orders. I don't see how you can expect us to work alongside you under those conditions. SOUICHIRO L, if all of us are going to work together on this investigation, and if you truly meant what you said about trusting the six of us, could you come here so we can all meet in person. L The thought had already crossed my mind. After all I did say that I trusted all of you. (Message is shown on L's PC) IDE Why is he seeking help now? There's only six of us. He solved all these difficult cases by himself in the past, so what makes this one so different? The way L's been conducting things so far, odds are he's gonna send a stand-in or a proxy of some kind to meet us instead of coming himself. It's not like we'd ever know. AIZAWA A proxy, huh? Well, that is possible. MATSUDA I believe L. I think we can trust him. And besides, I don't really see how we can solve this case without his help. MOGI I agree. SOUICHIRO From the beginning he's been very upfront about the fact that he would need the help of the police on this case. Perhaps we should think of it like... he's been waiting for this to happen all along. MATSUDA Why would he do something like that? SOUICHIRO There were number of people on the task force who distrusted L before this investigation began. And once we got started, we had detectives resigning left and right. Following that, classified information was leaked. So I'm not surprised that he didn't trust us. MATSUDA In other words he was waiting for the taskforce to get narrowed down to only those investigators he could trust. And to do that, he needed to weed out anyone who wasn't totally committed. SOUICHIRO Hmm. IDE If we're working with that guy, I'm leaving the task force. You don't have to worry. I won't try to follow you. I'm not interested in finding L. UKITA Well I think we can trust L, so I'd be willing to cooperate with him on this investigation. AIZAWA Count me in. L I'm staying in a suite at the Teito hotel at the moment. But I'll be switching hotels every few days from this point on. I want you to think these hotel rooms as the de facto headquarters of this investigation. If this arrangement is acceptable to all of you, then split into two groups, and stagger your arrivals so you come thirty minutes apart. Please arrange it so you are all here at midnight. L (reflection) Kira, it seems we are getting closer to each other in equal steps. It's only a matter of time, before we collide, so be it. I'm ready to show my face. I'll make my first public appearance as L. If you ever manage to find out about these secret meetings, I'm sure you'd feel compelled to move in. That's what I'm counting on. LIGHT (reflection) I've been quite active over these last few days. Think carefully. Was there anything I missed? And what comes next? There are endless possibilities. The real battle is only just beginning. L... (総一郎ドアをノックする） L It's unlocked. Please. Let yourselves in.
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ATTO III Scena Prima (Bipartita, che forma dalle ruine di un antico ippodromo già ricoperte in gran parte d edera, di spini e d altre piante selvagge. Megacle, trattenuto da Aminta per una parte, e dopo Aristea, trattenuta d Argene per l altra ma quelli non veggono queste) MEGACLE Lasciami. Invan t opponi. AMINTA Ah torna, amico, una volta in te stesso. In tuo soccorso pronta sempre la mano del pescator, ch or ti salvò dall onde, credimi, non avrai. Si stanca il cielo d assister chi l insulta. MEGACLE Empio soccorso, inumana pietà! Negar la morte a chi vive morendo. Aminta, oh Dio! lasciami. AMINTA Non fia ver. ARISTEA Lasciami, Argene. ARGENE Non lo sperar. MEGACLE Senza Aristea non posso, non degg io viver più. ARISTEA Morir vogl io, dove Megacle è morto. AMINTA (a Megacle) Attendi. ARGENE (ad Aristea) Ascolta. MEGACLE Che attender? ARISTEA Che ascoltar? MEGACLE Non si ritrova più conforto per me. ARISTEA Per me nel mondo non v è più che sperar. MEGACLE Serbarmi in vita... ARISTEA Impedirmi la morte... MEGACLE Indarno tu pretendi. ARISTEA In van presumi. AMINTA Ferma. (volendo trattenere Megacle, che gli fugge) ARGENE Senti infelice. (volendo trattenere Aristea, come sopra) ARISTEA (incontrandosi in Megacle) O stelle! MEGACLE (incontrando Aristea) O numi! ARISTEA Megacle! MEGACLE Principessa! ARISTEA Ingrato! E tanto m odii dunque e mi fuggi, che, per esserti unita s io m affretto a morir, tu torni in vita? MEGACLE Vedi a qual segno è giunta, adorata Aristea, la mia sventura; io non posso morir trovo impedite tutte le vie, per cui si passa a Dite. ARISTEA Ma qual pietosa mano... Scena Seconda ALCANDRO Oh sacrilego! Oh insano! Oh scellerato ardir! ARISTEA Vi sono ancora nuovi disastri, Alcandro? ALCANDRO In questo istante rinasce il padre tuo. ARISTEA Come! ALCANDRO Che orrore, che ruina, che lutto, se l Ciel non difendea, n avrebbe involti! ARISTEA Perché? ALCANDRO Già sai che per costumo antico questo festivo di con un solenne sacrificio si chiude. Or mentre al tempio venìa fra suoi custodi la sacra pompa a celebrar Clistene, perché non so, né da qual parte uscito, Licida impetuoso ci attraversa il cammin. Urta, rovescia i sorpresi custodi; al re s avventa "Mori", grida fremendo, e gli alza in fronte il sacrilego ferro. ARISTEA Oh Dio! ALCANDRO Non cangia il re sito o color. Severo il guardo gli ferma in faccia; e in grave suon gli dice "Temerario, che fai?" － Vedi se il Cielo veglia in cura de re! - Gela a que detti il giovane feroce. E dal ciglio, che tanto minaccioso parea, prorompe il pianto. ARISTEA Respiro. ARGENE Oh folle! AMINTA Oh sconsigliato! ARISTEA Ed ora il genitor che fa? ALCANDRO Di lacci avvolto ha il colpevole innanzi. AMINTA (fra sé) Ah! si procuri di salvar l infelice. (parte) MEGACLE E Licida che dice? ALCANDRO Alle richieste nulla risponde. È reo di morte, e pare che nol sappia, o noi curi. Ognor piangendo il suo Megacle chiama; a tutti il chiede, lo vuol da tutti; e fra suoi labbri, come altro no sappia dir, sempre ha quel nome. Sciagurato, in braccio a morte l aspra sorte già lo guida, e fa pietà. Dell amico il caro nome, negli estremi suoi momenti, sulle labbra sempre egl ha. (parte) MEGACLE Più resister non posso. Al caro amico, per pietà chi mi guida? ARISTEA Incauto! E quale sarebbe il tuo disegno? Il genitore sa che tu l ingannasti; sa che Megacle sei; perdi te stesso presentandoti al re; non salvi altrui. MEGACLE Col mio principe insieme almen mi perderò. (vuol partire) ARISTEA Senti. E non stimi consiglio assai miglior, che il padre offeso vada a placargli io stessa? MEGACLE Ah! che di tanto lusingarmi non so. ARISTEA Sì, questo ancora per te si faccia. MEGACLE Oh generosa, oh grande, oh pietosa Aristea! Ben lo diss io, quando pria ti mirai, che tu non eri cosa mortal. Va , mio conforto... ARISTEA Ah basta; non fa d uopo di tanto. Un sol de guardi tuoi mi costringe voler ciò che tu vuoi. Caro, son tua così, che per virtù d amor i moti del tuo cor risento anch io. Mi dolgo al tuo dolor; gioisco al tuo gioir; ed ogni tuo desir diventa il mio. (parte) Scena Terza MEGACLE Deh secondate, o numi, la pietà d Aristea. Argene, io voglio seguitarla da lungi. ARGENE Ah tanta cura non prender di costui. Vedi che l cielo è stanco di soffrirlo. Al suo destino lascialo in abbandono. MEGACLE Lasciar l amico! Ah così vil non sono. Lo seguitai felice quand era il ciel sereno, alle tempeste in seno voglio seguirlo ancor. Come dell oro il fuoco scuopre le masse impure, scuoprono le sventure de falsi amici il cuor. (Megacle esce) Scena Quarta ARGENE E pure, a mio dispetto, sento pietade anch io. AMINTA Misero dove fuggo? Oh di funesto! Oh Licida infelice! ARGENE È forse estinto quel traditor? AMINTA No; ma l sarà fra poco. ARGENE Non lo credere, Aminta. Hanno i malvagi molti compagni; onde già mai non sono poveri di soccorso. AMINTA Or ti lusinghi non v è più che sperar. Ha già deciso il pubblico consenso. Egli svenato fia su l ara di Giove. Esser vi deve l offeso re presente; e al sacerdote porgere il sacro acciaro. ARGENE E non potrebbe rivocarsi il decreto? AMINTA E come? Il reo già in bianche spoglie è avvolto. Il crin di fiori io coronar gli vidi; e l vidi, oh Dio! incaminarsi al tempio. Ah! forse è giunto ah! forse adesso, Argene, la bipenne fatal gli apre le vene. ARGENE Ah no, povero prence! (piange) AMINTA Che giova il pianto? ARGENE Ed Aristea non giunse? AMINTA Giunse; ma nulla ottenne. Il re non vuole, o non può compiacerla. ARGENE E Megacle? AMINTA Il meschino ne custodi se avvenne, che se ne andavano in traccia. Or l ascoltai chieder fra le catene di morir per l amico e, se non fosse ancor ei delinquente, ottenuto l avria. Ma un reo per l altro morir non può. ARGENE L ha procurato almeno! O forte! O generoso! Ed io l ascolto senza arrossir? Dunque ha più saldi nodi l amistà che l amore? Ah quali io sento d un emula virtù stimoli al fianco! Sì, rendiamoci illustri. In fin che dura, parli il mondo di noi. Faccia il mio caso meraviglia e pietà né si ritrovi nell universo tutto chi ripeta il mio nome a ciglio asciutto. Per salvar quell alma ingrata morirò con petto forte la mia morte, oh Dio, dov è? Vilipesa, abbandonata, voglio dar al traditore una prova del mio amore, un esempio di mia fé. Scena Quinta AMINTA Fuggi, salvati Aminta; Partir così? No. Si ritorni al tempio si vada incontro all ira dell oltraggiato re. Licida involva me ancor de falli sui si mora di dolor, ma accanto a lui. Son qual mare ignoto naufrago passaggiero, già con la morte a nuoto ridotto a contrastar. Ora un sostegno ed ora perde una stella; alfine perde la speme ancora, e s abbandona al mar. ATTO III Scena Prima (Bipartita, che forma dalle ruine di un antico ippodromo già ricoperte in gran parte d edera, di spini e d altre piante selvagge. Megacle, trattenuto da Aminta per una parte, e dopo Aristea, trattenuta d Argene per l altra ma quelli non veggono queste) MEGACLE Lasciami. Invan t opponi. AMINTA Ah torna, amico, una volta in te stesso. In tuo soccorso pronta sempre la mano del pescator, ch or ti salvò dall onde, credimi, non avrai. Si stanca il cielo d assister chi l insulta. MEGACLE Empio soccorso, inumana pietà! Negar la morte a chi vive morendo. Aminta, oh Dio! lasciami. AMINTA Non fia ver. ARISTEA Lasciami, Argene. ARGENE Non lo sperar. MEGACLE Senza Aristea non posso, non degg io viver più. ARISTEA Morir vogl io, dove Megacle è morto. AMINTA (a Megacle) Attendi. ARGENE (ad Aristea) Ascolta. MEGACLE Che attender? ARISTEA Che ascoltar? MEGACLE Non si ritrova più conforto per me. ARISTEA Per me nel mondo non v è più che sperar. MEGACLE Serbarmi in vita... ARISTEA Impedirmi la morte... MEGACLE Indarno tu pretendi. ARISTEA In van presumi. AMINTA Ferma. (volendo trattenere Megacle, che gli fugge) ARGENE Senti infelice. (volendo trattenere Aristea, come sopra) ARISTEA (incontrandosi in Megacle) O stelle! MEGACLE (incontrando Aristea) O numi! ARISTEA Megacle! MEGACLE Principessa! ARISTEA Ingrato! E tanto m odii dunque e mi fuggi, che, per esserti unita s io m affretto a morir, tu torni in vita? MEGACLE Vedi a qual segno è giunta, adorata Aristea, la mia sventura; io non posso morir trovo impedite tutte le vie, per cui si passa a Dite. ARISTEA Ma qual pietosa mano... Scena Seconda ALCANDRO Oh sacrilego! Oh insano! Oh scellerato ardir! ARISTEA Vi sono ancora nuovi disastri, Alcandro? ALCANDRO In questo istante rinasce il padre tuo. ARISTEA Come! ALCANDRO Che orrore, che ruina, che lutto, se l Ciel non difendea, n avrebbe involti! ARISTEA Perché? ALCANDRO Già sai che per costumo antico questo festivo di con un solenne sacrificio si chiude. Or mentre al tempio venìa fra suoi custodi la sacra pompa a celebrar Clistene, perché non so, né da qual parte uscito, Licida impetuoso ci attraversa il cammin. Urta, rovescia i sorpresi custodi; al re s avventa "Mori", grida fremendo, e gli alza in fronte il sacrilego ferro. ARISTEA Oh Dio! ALCANDRO Non cangia il re sito o color. Severo il guardo gli ferma in faccia; e in grave suon gli dice "Temerario, che fai?" － Vedi se il Cielo veglia in cura de re! - Gela a que detti il giovane feroce. E dal ciglio, che tanto minaccioso parea, prorompe il pianto. ARISTEA Respiro. ARGENE Oh folle! AMINTA Oh sconsigliato! ARISTEA Ed ora il genitor che fa? ALCANDRO Di lacci avvolto ha il colpevole innanzi. AMINTA (fra sé) Ah! si procuri di salvar l infelice. (parte) MEGACLE E Licida che dice? ALCANDRO Alle richieste nulla risponde. È reo di morte, e pare che nol sappia, o noi curi. Ognor piangendo il suo Megacle chiama; a tutti il chiede, lo vuol da tutti; e fra suoi labbri, come altro no sappia dir, sempre ha quel nome. Sciagurato, in braccio a morte l aspra sorte già lo guida, e fa pietà. Dell amico il caro nome, negli estremi suoi momenti, sulle labbra sempre egl ha. (parte) MEGACLE Più resister non posso. Al caro amico, per pietà chi mi guida? ARISTEA Incauto! E quale sarebbe il tuo disegno? Il genitore sa che tu l ingannasti; sa che Megacle sei; perdi te stesso presentandoti al re; non salvi altrui. MEGACLE Col mio principe insieme almen mi perderò. (vuol partire) ARISTEA Senti. E non stimi consiglio assai miglior, che il padre offeso vada a placargli io stessa? MEGACLE Ah! che di tanto lusingarmi non so. ARISTEA Sì, questo ancora per te si faccia. MEGACLE Oh generosa, oh grande, oh pietosa Aristea! Ben lo diss io, quando pria ti mirai, che tu non eri cosa mortal. Va , mio conforto... ARISTEA Ah basta; non fa d uopo di tanto. Un sol de guardi tuoi mi costringe voler ciò che tu vuoi. Caro, son tua così, che per virtù d amor i moti del tuo cor risento anch io. Mi dolgo al tuo dolor; gioisco al tuo gioir; ed ogni tuo desir diventa il mio. (parte) Scena Terza MEGACLE Deh secondate, o numi, la pietà d Aristea. Argene, io voglio seguitarla da lungi. ARGENE Ah tanta cura non prender di costui. Vedi che l cielo è stanco di soffrirlo. Al suo destino lascialo in abbandono. MEGACLE Lasciar l amico! Ah così vil non sono. Lo seguitai felice quand era il ciel sereno, alle tempeste in seno voglio seguirlo ancor. Come dell oro il fuoco scuopre le masse impure, scuoprono le sventure de falsi amici il cuor. (Megacle esce) Scena Quarta ARGENE E pure, a mio dispetto, sento pietade anch io. AMINTA Misero dove fuggo? Oh di funesto! Oh Licida infelice! ARGENE È forse estinto quel traditor? AMINTA No; ma l sarà fra poco. ARGENE Non lo credere, Aminta. Hanno i malvagi molti compagni; onde già mai non sono poveri di soccorso. AMINTA Or ti lusinghi non v è più che sperar. Ha già deciso il pubblico consenso. Egli svenato fia su l ara di Giove. Esser vi deve l offeso re presente; e al sacerdote porgere il sacro acciaro. ARGENE E non potrebbe rivocarsi il decreto? AMINTA E come? Il reo già in bianche spoglie è avvolto. Il crin di fiori io coronar gli vidi; e l vidi, oh Dio! incaminarsi al tempio. Ah! forse è giunto ah! forse adesso, Argene, la bipenne fatal gli apre le vene. ARGENE Ah no, povero prence! (piange) AMINTA Che giova il pianto? ARGENE Ed Aristea non giunse? AMINTA Giunse; ma nulla ottenne. Il re non vuole, o non può compiacerla. ARGENE E Megacle? AMINTA Il meschino ne custodi se avvenne, che se ne andavano in traccia. Or l ascoltai chieder fra le catene di morir per l amico e, se non fosse ancor ei delinquente, ottenuto l avria. Ma un reo per l altro morir non può. ARGENE L ha procurato almeno! O forte! O generoso! Ed io l ascolto senza arrossir? Dunque ha più saldi nodi l amistà che l amore? Ah quali io sento d un emula virtù stimoli al fianco! Sì, rendiamoci illustri. In fin che dura, parli il mondo di noi. Faccia il mio caso meraviglia e pietà né si ritrovi nell universo tutto chi ripeta il mio nome a ciglio asciutto. Per salvar quell alma ingrata morirò con petto forte la mia morte, oh Dio, dov è? Vilipesa, abbandonata, voglio dar al traditore una prova del mio amore, un esempio di mia fé. Scena Quinta AMINTA Fuggi, salvati Aminta; Partir così? No. Si ritorni al tempio si vada incontro all ira dell oltraggiato re. Licida involva me ancor de falli sui si mora di dolor, ma accanto a lui. Son qual mare ignoto naufrago passaggiero, già con la morte a nuoto ridotto a contrastar. Ora un sostegno ed ora perde una stella; alfine perde la speme ancora, e s abbandona al mar. Vivaldi,Antonio/L Olimpiade/III-2
https://w.atwiki.jp/pipopipo777/pages/38.html
http //www.publications.parliament.uk/pa/cm200809/cmhansrd/cm090113/debtext/90113-0001.htm 13 Jan 2009 Column 115 House of Commons, Tuesday 13 January 2009 The House met at half-past Two o’clock Prayers [Mr. Speaker in the Chair] Oral Answers to Questions Foreign and Commonwealth Office The Secretary of State was asked— House of Commons, Tuesday 13 January 2009Palestine Belarus Gaza Palestine 機械翻訳 1. Mr. Alistair Carmichael (Orkney and Shetland) (LD) What work his Department is undertaking in Palestine; and if he will make a statement. [246475] 彼の部を扱うことは、パレスチナでの仕事です。 そして、彼であれば、ステートメントを発表するでしょう。 The Minister of State, Foreign and Commonwealth Office (Bill Rammell) Mr. Speaker, before I answer the question may I say that, as you will be aware, the Foreign Secretary is on an official visit to India, where he is meeting the Indian Government and Opposition and making a speech on terrorism. He will also be discussing India’s relations with Pakistan in the aftermath of the Mumbai bombings, as well as other regional issues. My right hon. Friend sends his apologies. 議長さん、質問に答える前に、私が、あなたが意識するように、インドへの公式参拝にはForeign長官がいると言いますように、彼がインドの政府とOppositionと会合して、テロで演説しているところで。 また、彼はムンバイ爆撃の余波でパキスタンとのインドの関係について議論するでしょう、他の地域問題と同様に。 私の正しい恋人。 友人は彼の謝罪を送ります。 Our current focus is on securing an immediate and permanent ceasefire in Gaza. The Prime Minister and the Foreign Secretary have urged both sides to stop the violence and fulfil their humanitarian obligations. Last week’s United Nations Security Council resolution, tabled by the United Kingdom, called for an immediate ceasefire. The Government are also working on making a ceasefire sustainable, including exploring ways to stop arms trafficking and to open the crossings to Gaza. 私たちの現在の焦点がガザで即座の、そして、永久的な休戦を保証するところにあります。 首相とForeign長官には、暴力を止めて、それらの人道主義の義務を果たす促された両側があります。 先週のイギリスによって見送られた国連安全保障理事会の決議は、即時停戦を求めました。 また、政府は休戦を持続可能にするのに取り組んでいます、兵器が取引するのを止めて、ガザに交差点を開く方法を探るのを含んでいます。 Mr. Carmichael Does the Minister share my concern that many reports of Israeli activity in Gaza, including the use of phosphorescent shells and the use of heavy-fire shells in built-up areas and attacks on medical facilities, all constitute prima facie evidence of war crimes. What will the Government do to ensure that where that prima facie evidence exists there will be a full investigation and that those responsible will be brought to justice? 大臣は医療設備に対する市街地と攻撃における燐光性のシェルの使用と猛烈な砲火シェルの使用を含むガザでのイスラエルの活動の多くのレポートがすべて、戦争犯罪の明白な証拠を構成するという私の関心を共有しますか? 政府は、そんなに一見したところでは証拠がそこにどこに存在するかが、詳細な調査であり、責任があるものが裁判に処罰されるのを保証するために何をするでしょうか? Bill Rammell Extremely serious allegations about the conduct of both sides during the conflict have been made by the International Committee of the Red Cross and others. Those allegations have to be properly investigated. The hon. Gentleman referred to the alleged use of white phosphorus. Those allegations have been made but not substantiated and although the use of white phosphorus is not illegal the UK Government are very clear that it should not be used as an anti-personnel weapon and certainly not in a civilian environment. We 13 Jan 2009 Column 116 will continue to make our view very clear to the Israeli Government and to urge them, as we have done, to do everything possible to avoid civilian casualties. 闘争の間の両側の行為に関する非常に重大な主張は赤十字国際委員会と他のものによってされました。 それらの主張は適切に調査されなければなりません。 恋人。 紳士は黄リンの申し立てられた使用について言及しました。 それらの主張は、作られていますが、実体化されていません、そして、黄リンの使用は不法ではありませんが、イギリスの政府は、それが反人員兵器と確かに民間環境でないことのように使用されるべきでないのが非常に明確です。私たちは、私たちの視点をイスラエル政府に非常に明らかにして、それらを促し続けるつもりです、私たちが民間人の死傷者を避けるために手を尽くすためにしたように。 Derek Wyatt (Sittingbourne and Sheppey) (Lab) I understand that evidence of white phosphorus on civilians in Gaza has been confirmed. If that is the case, is it the intention of the UK to report the Israelis to the war crimes tribunal? 私は、ガザの民間人の黄リンに関する証拠が確認されたのを理解しています。 それがそうであれば、それはイギリスがイスラエル人を戦争犯罪法廷に報告するという意志ですか? Bill Rammell May I make it clear to my hon. Friend that my understanding is that the allegations have not been substantiated? Nevertheless, it is the case that extremely serious allegations about the conduct of both sides have been made. Those allegations have to be properly investigated and I remain absolutely firmly of that view. 私が恋人にそれを明らかにしますように。 友人、私の理解は、主張が実体化されていないということですか? それにもかかわらず、両側の行為に関する非常に重大な主張をしたのは、事実です。 それらの主張は適切に調査されなければなりません、そして、私はしっかりその視点を絶対に残します。 Mr. James Clappison (Hertsmere) (Con) But while these allegations are being made, is there not an interest in having some balance and remembering that this undoubtedly began through unprovoked aggression by Hamas firing a huge number of rockets into Israel, aimed at civilian targets? Would the proper step not be for Hamas to stop firing those rockets? As long as they are being fired, they are derailing the peace process in the middle east, which may be the intention. しかし、これらの主張をしている間、何か何らかのバランスを持っていて、これが確かに刺激されない攻撃性を通して民間目標が目的とされた、イスラエルに巨大な数のロケットを撃つハマスで始まったのを覚えていることへの関心がありませんか? 適切なステップはそれらのロケットを撃つのを止めるハマスのためのものでないでしょうか? 発火している限り、それらは中東で和平プロセスを脱線させています。(それは、意志であるかもしれません)。 Bill Rammell I visited Ashkelon, near the border, just before Christmas and the air raid sirens were going off while I was there. If that is happening on a sustained daily basis—as it has been—it is a real cause for concern. That is why we have argued as strongly as we have both for the rocket attacks to stop and also for an effective ceasefire. There has been massive loss of life in the Gaza strip; the figure is now 900 people, 250 of them—crucially—children. That is why we need a ceasefire and why we have argued so strongly for it and why we secured the Security Council resolution last week. 私はAshkelonを訪問しました、境界の近くで、私がそこにいた間、クリスマスと空襲サイレンがうまく行く予定であるすぐ前に。 それがそれのように持続している日課でナウいなら--それは関心の本当の原因です。 それは、私たちがともに私たちがロケット攻撃を止めなければならないのと同じくらい強さと有効な休戦のためにも論争した理由です。 大規模な死亡がガザ地区にありました。 図は現在の900人、重要に彼らの250人です--子供。 それは休戦がなぜ必要であったか、そして、私たちがなぜそれほど強くそれについて賛成の議論をするか、そして、私たちがなぜ先週安全保障理事会の決議を保証したかということです。 Dr. Phyllis Starkey (Milton Keynes, South-West) (Lab) May I remind the Minister that the allegations of international law abuse have been backed by the Israeli human rights organisation, B’Tselem, and by Amnesty? Christian Aid has just reported that one of its mother and baby clinics was bombed by the Israelis earlier this week and completely destroyed. May I press the Minister specifically on what the British Government will do to make sure that there is an independent investigation? Will he take the matter to the EU sub-committee on human rights to see whether the trade agreement can be suspended? 私は、国際法乱用の主張がイスラエルの人権機関、B TselemとAmnestyによって支持されたのを大臣に思い出させてもよいですか? クリスチャンのAidは、母親と赤ん坊の診療所の1つが今週、イスラエル人によって爆撃されて、完全に破壊されたとちょうど報告したところです。 私は、独立調査があるのを確実にするように特に英政府がすることの大臣に強要してもよいですか? 彼は、貿易協定が中断できるかどうか確認するために人権のEU小委員会にその物質を取るでしょうか? Bill Rammell I know that my hon. Friend has a genuine and long-standing interest in these issues. Our overriding priority at the moment is to do everything possible, both diplomatically and politically, to get to a ceasefire. That is what we are driving towards. Consistent with that, we have nevertheless repeatedly called both publicly and, crucially, privately on all parties to fulfil their humanitarian obligations and to facilitate the delivery and distribution of aid, and that we will continue to do. 私はそれを知っています。私の恋人。 友人は本物の、そして、長年の関心をこれらの問題に持っています。 私たちが現在優先権をくつがえすのは、休戦を始めるために外交的に政治的に手を尽くすことになっています。 それは私たちが運転していることです。 それと一致しています、それにもかかわらず、私たちは繰り返して公的に両方と呼びました、そして、彼らの人道主義の義務を果たして、援助と、その配送と分配を容易にするために、すべてのパーティーでは、重要に、そして、個人的に、し続けるつもりです。 Angus Robertson (Moray) (SNP) Is the Minister aware of diplomatic reports that the middle east envoy, Tony Blair, had to be recalled from holiday and from lucrative speaking engagements to deal with the present situation? Does he not share my concern that Mr. Blair has not even been to Gaza at this critical time? 中東使節(トニー・ブレア)が休日と、そして、有利な口約束から呼び戻されなければならなかったという外交レポートを意識している大臣は現在の状況に対処することになっていますか? 彼はブレアさんがこの重要な時にガザに行ったことさえないという私の関心を共有しませんか? 13 Jan 2009 Column 117 Bill Rammell Frankly, that is beneath contempt and does not do the hon. Gentleman justice. 率直に言って、それは、軽蔑にあって、恋人をしません。 紳士正義。 Mr. Mark Hendrick (Preston) (Lab/Co-op) My hon. Friend will be aware of the terrible humanitarian situation in Gaza and of the fact that 850 people have been killed, 250 of them children. What attempts are the Government making to ensure that Israel makes available more time to enable essential medical aid to get through to the Palestinians? I understand that only one fifth to one sixth of the required medical and food supplies are getting through now. 私の恋人。 友人はガザのひどい人道的状況と850人を殺してあるという彼らの250人が子供事実を知るでしょう。 政府は、イスラエルが不可欠の医療扶助がパレスチナ人に通じるのを可能にするより多くの時間を利用可能にするのを保証するためにどんな試みをしていますか? 私は、医学と食物の必要な供給の1/5?1/6だけが今通っているのを理解しています。 Bill Rammell I agree, and we have argued consistently that an immediate and sustainable ceasefire is urgently needed. In tandem, we have argued strongly that humanitarian aid—food, medical equipment and supplies—should be allowed in unfettered. My right hon. Friend the Foreign Secretary and I met humanitarian non-governmental organisations yesterday; they reported to us that just one fifth of the necessary supplies are getting in daily. That is the reason for the urgency and the reason why we have consistently and continually argued for a ceasefire. 私は同意します、そして、私たちは即座の、そして、持続可能な休戦が緊急に必要であると一貫して主張しました。 2人乗り自転車では、私たちは、自由にされて、その人道救助(食物、医療機器、および供給)が許容されるべきであると強く主張しました。 私の正しい恋人。 友人、Foreign長官と私は、昨日、人道主義の非政府組織と会合しました。 彼らは、ちょうど必要な供給の1/5が毎日入っていると私たちに報告しました。 それは、緊急の理由と私たちが一貫して、そして絶えず休戦について賛成の議論をした理由です。 Sir John Butterfill (Bournemouth, West) (Con) Does the hon. Gentleman not think it ironic that the present Israeli Government were elected on a programme of withdrawing settlements and negotiating a twin-state arrangement independently, and have shown evidence of that purpose by withdrawing from Gaza and removing their own settlements from the area? Are not the present circumstances therefore primarily the responsibility of Hamas, which failed to take up the offers made by the Israeli Government, but continued its programme of rocketing civilians? 恋人をします。 紳士は、現在のイスラエル政府が解決から撤退して独自に双子の州のアレンジメントを交渉するプログラムのときに選出されたのが、皮肉であると考えて、ガザから撤退して、その領域からそれら自身の解決を取り除くことによって、その目的の示された証拠を持っていませんか? したがって、現在の事情は主としてハマスの責任ではありませんか?(イスラエル政府によってされた申し出を始めませんでしたが、それは、急騰している民間人のプログラムを続けていました)。 Bill Rammell I believe very strongly there are responsibilities on all sides. The situation in the Gaza strip and southern Israel is desperate; that is why we urgently need a ceasefire. We must remember that as long as the conflict is taking place, the prospects for a longer-term and durable middle east peace settlement are moving further away. That is why dealing with the situation is so important and why we have argued as strongly as we have for a ceasefire. 私は、責任が四方に非常に強くあると信じています。 ガザ地区と南イスラエルの状況は破れかぶれです。 それは、休戦が緊急に必要である理由です。 私たちは、闘争が起こっている限り、より長い期間、長持ちする中東和平調停の見通しがもっと遠くへ離れているのを覚えていなければなりません。 それは時局に処するのがなぜとても重要であるか、そして、私たちがなぜ休戦のために私たちが論争したのと同じくらい強く論争したかということです。 Mark Durkan (Foyle) (SDLP) Yesterday, the Foreign Secretary adequately and unequivocally condemned the terrorist means being used by Hamas. Does the Minister of State accept that the essence of terrorism is to attack civilians and civil infrastructure with a view to achieving or imposing political ends? When, therefore, will the Government similarly condemn the onslaught by Israel on the people of Gaza and stop the twin pretence that there is either military equivalence or moral difference between the terror tactics being deployed by the Israelis and those used by Hamas? 昨日、ハマスによって使用されることでForeign長官は、適切に、明確にテロリスト手段を非難しました。 国務大臣は、テロの本質が政治的目的を達成するかまたは課すために民間人と民間インフラストラクチャを攻撃することであると受け入れますか? したがって、政府は、いつガザの人々の上で同様にイスラエルによる猛攻撃を非難して、テロ戦術の間には、軍事の等価性か道徳的な違いのどちらかがあるという双子の見せかけが、イスラエル人とハマスによって使用されたものによって配備されるのを止めるでしょうか? Bill Rammell We have consistently and rightly argued that the sustained rocket attacks on the state of Israel are wrong and unacceptable; but we have also rightly called for a cessation of the Israeli activity in the Gaza strip. At the beginning of the conflict—this is the point the hon. Gentleman is driving at—a European Union statement was made that described the Israeli response as disproportionate. We supported that view and that is one of the reasons why we have argued as strongly as we have for a ceasefire. 私たちは、イスラエルの州に対する持続しているロケット攻撃が間違っていて容認できないと一貫して、正しく主張しました。 しかし、また、私たちは正しくガザ地区でのイスラエルの活動の休止を求めました。 闘争の始めに、これはポイントです。恋人。 紳士は、声明がされたヨーロッパ連合で運転することですイスラエルの応答が不均衡であると記述した。 私たちはその視点を支持しました、そして、それは私たちが休戦のために私たちが論争したのと同じくらい強く論争した理由の1つです。 13 Jan 2009 Column 118 Belarus 2. Mr. Gary Streeter (South-West Devon) (Con) What recent discussions he has had with the Government of Belarus on human rights in that country. [246476] The Minister for Europe (Caroline Flint) I met the Prime Minister of Belarus in London on 17 November. I urged the Government to make tangible human rights progress in a number of areas, including greater freedom of the media, engagement with civil society and political opponents of the regime. Mr. Streeter I am grateful to the Minister for that reply. She will know that, since 1994, that country has been run by an autocratic Soviet-style president, who keeps himself in office by locking up political opponents and rigging elections— [ Interruption. ] —nothing like this country whatsoever. Given that we are talking about a European country—a country in the centre of Europe—surely the UK and EU can do more to support the movements for change and the opposition in Belarus, and to bring about a peaceable, transforming, democratic revolution in that country. Caroline Flint I thank the hon. Gentleman for his comments. I know that he plays an important role in human rights issues. I reaffirm to the House that, although the EU, with the UK’s support, has opened up some opportunities, there is a six-month window come March this year, Foreign Ministers will take a decision on whether some of the opening up and reduction of restrictions should continue. Although some small progress has been made in the past few months in relation to the media and political prisoners, a lot more could be done. It is up to those who run Belarus to make the effort. We shall continue to press, as we have for many years through our mission in Belarus, to support those who want more democratic engagement and freedom of expression. Mr. Mark Francois (Rayleigh) (Con) During last September’s elections in Belarus, the Organisation for Security and Co-operation in Europe provided a team of observers, who concluded in their subsequent report that despite some minor improvements, “Further substantial efforts are required if Belarus is to conduct genuinely democratic elections in line with OSCE commitments.” Does the Minister have any real evidence of progress made by the authorities in Belarus since then—progress that might give us greater confidence that the country is at last moving towards a more pluralistic, democratic model in which we can have some confidence? Caroline Flint The OSCE election monitors made a number of recommendations, as the hon. Gentleman points out. In my previous answer, I referred to some small progress; for example, there have been no further political prisoners, and the opposition press has been given some limited circulation in Minsk. However, undoubtedly, in the next few months, we would like to see some opportunity for the OSCE recommendations to be fulfilled on the ground, including in relation to freedom of the press, the engagement of the opposition parties, and the ability for people to make their views 13 Jan 2009 Column 119 known, including through demonstrations. Also, we would like an end to use of the law to harass those with different political views from those of the people who run the country. We will continue to press on all those fronts. Mr. Bernard Jenkin (North Essex) (Con) To what extent do the Government hold Russia responsible for the state of human rights in Belarus? Is it not interesting that while Ukraine struggles for freedom and democracy, and has its gas supplies cut off, Belarus has free and easy gas supplies from Russia without any agreement whatever? Caroline Flint We should remember that while there is, clearly, a long-standing relationship between Belarus and Russia, it is Belarus that has approached the European Union and the Council of Europe, indicating a desire and a wish to have, in future, a good partnership with the west. The country recently received an International Monetary Fund loan, because it faces huge difficulties with its economy. The future is about holding those in Belarus to account, in terms of what we would expect in a good partnership with the European Union. At the same time, we should recognise that Belarus initiated contact with the EU and the west. If that means that we can improve human rights, trade, and so forth, that is a good thing. Gaza 3. Mr. Jim McGovern (Dundee, West) (Lab) If he will make a statement on the political situation in Gaza. [246477] The Minister of State, Foreign and Commonwealth Office (Bill Rammell) The UK Government are extremely concerned about the current violence in Gaza. We are in close contact with all the key players and are at the centre of efforts to reach a ceasefire and secure urgent humanitarian assistance. The Foreign Secretary was instrumental in gaining Security Council agreement around a British text, which became resolution 1860; that now needs to be reflected in reality on the ground. For any ceasefire to be sustainable, it has to include action to stop illegal arms trafficking into Gaza and opening the crossings into Gaza. Mr. McGovern May I thank the Minister for that response? Last week, along with three other hon. Members—my hon. Friends the Members for Glasgow, Central (Mr. Sarwar), for Livingston (Mr. Devine), and for Stoke-on-Trent, Central (Mark Fisher)—I visited Pakistan, where we were fortunate enough to meet the Prime Minister, the President, and the Leader of the Opposition, all of whom expressed deep concern about what is happening in Gaza. I was left with the overwhelming impression that without peace in Palestine, there will not be peace anywhere in the middle east. Does the Minister agree that current efforts are being undermined by the conflict in Palestine, and that the Palestinian moderates, who seek a peaceful settlement with Israel, are being undermined by the conflict? Bill Rammell There is widespread, genuine concern across the whole international community at the current situation. I share with my hon. Friend a real concern, and I say this as a friend of the state of Israel there is a real risk that current actions will reinforce extremism 13 Jan 2009 Column 120 within the region and the wider world, and undermine those who are arguing for peace, particularly in the Arab states. Alistair Burt (North-East Bedfordshire) (Con) But is not one of the fears of the world that the tragic loss of life in Gaza today will be compounded, and be seen to have been in vain, unless on this occasion, when hostilities stop, they do so on the basis of the chance of a secure, long-lasting peace? That will not be the case until Hamas and its allies move tangibly towards an acceptance of, and stop terrorising, the state of Israel. Bill Rammell I strongly agree with the hon. Gentleman. While Hamas remains committed to the obliteration of the state of Israel and to acts of terror, launching rocket attacks on a regular basis, we will not make progress. We need to move forward and agree a ceasefire, which must address the critical issue of arms smuggling across the border. That is one reason why the talks in Egypt are incredibly important. David Cairns (Inverclyde) (Lab) According to reports from Egypt, the Speaker of the Iranian Parliament, Ali Larijani, and Saeed Jalili from the Iranian security services are actively encouraging Hamas not to enter into a ceasefire and, indeed, to step up the rocket attacks. Does my hon. Friend agree that those reports not only underline Iran’s wholly malign influence in this region but underscore genuine fears among the Israeli public that behind Hamas is a country led by a lunatic and committed to the destruction of the state of Israel? Bill Rammell There are genuine and long-stated concerns about the regional role played by Iran. We constantly urge all parties and states in the region to work with us to try to secure a ceasefire as the first step that is desperately needed for the Palestinians in Gaza and for the Israelis. Sir Nicholas Winterton (Macclesfield) (Con) Would the Minister not accept that the situation in Gaza is horrific? There are no words to describe what is going on there at the moment, but does he not accept that if Hamas gave an undertaking to stop the rocketing of Israel, the Israeli defence forces would withdraw, and it would give all those who are concerned about the future of Gaza, particularly President Abbas of the Palestinian Authority, the opportunity to bring peace? Will he tell us what influence President Abbas, for whom I have great respect, is trying to bring to the chaotic situation in Gaza? Bill Rammell President Abbas has been crucially involved in all the discussions, and he was involved in the discussion that led up to the Security Council resolution in New York last week. I very much agree with the hon. Gentleman that we need a ceasefire, and a key element of that ceasefire is stopping on a sustainable basis the rocket attacks by Hamas into Israel. If that is to happen, we must address in a real and meaningful way the smuggling of arms across the border. Andrew Gwynne (Denton and Reddish) (Lab) The Foreign Secretary was right to emphasise the need to facilitate Palestinian unity in his statement on Monday, which is difficult, given the violent methods that Hamas employed to seize control of the Gaza strip, executing Fatah supporters and expelling Palestinian trade unionists. 13 Jan 2009 Column 121 Is my hon. Friend concerned about reports coming out of the Gaza strip that the execution of Fatah supporters has resumed? If so, what are the British Government doing to make their views known? Bill Rammell We make very clear our opposition to such actions, and we need to move forward. We need Palestinian recognition, but that fundamentally requires movement on the part of Hamas. Mr. William Hague (Richmond, Yorks) (Con) The Minister rightly said that the Government have argued for better access for humanitarian aid to Gaza, but will he say more specifically what the Government can do, or are doing, about the representations from the ICRC on the creation of safe passage, particularly for ambulances, for the evacuation of the most urgent medical cases, and on the need for both sides to meet their obligations under international law to protect aid workers at all times? Is he satisfied that all necessary plans are being made now, so that Gaza can receive a great deal of aid and assistance for its civilian population whenever there is a cessation of hostilities? Bill Rammell We are certainly working to that effect, and the announcement that the Government made last week of $10 million additional support for aid is a demonstration of that commitment. We need to keep arguing, too, that we need to reach that ceasefire as quickly as possible but, notwithstanding that, we must ensure that the aid is getting through on an unfettered basis, and continuing discussions are taking place about what is the most effective route to get that aid into Gaza. next section トップページ
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開催日：2011 / 03 / 20 参加人数：157名 フォーマット：レガシー（～MBS） Live Coverage of StarCityGames.com Open Dallas/Fort Worth autolink 優勝：Affinity‐Tezzeret 準優勝：Merfolk 第3位：UBG‐Team America 第4位：ANT‐UB 第5位：Merfolk 第6位：Maverick‐Order 第7位：BGW Rock 第8位：Lands 第9位：Dredge 第10位：Bant‐Order 第11位：Zoo‐Zenith 第12位：Painter‐Red 第13位：UW Control‐CounterTop ThopterSword +b 第14位：UBG Tempo‐Team America 第15位：Zoo‐Zenith 第16位：Bant‐New Horizon 優勝：Affinity‐Tezzeret 使用者：Blake McCracken Main Deck 4《ダークスティールの城塞/Darksteel Citadel》 4《教議会の座席/Seat of the Synod》 4《囁きの大霊堂/Vault of Whispers》 4《ちらつき蛾の生息地/Blinkmoth Nexus》 2《刻まれた勇者/Etched Champion》 4《金属ガエル/Frogmite》 4《エーテリウムの達人/Master of Etherium》 4《メムナイト/Memnite》 3《マイアの処罰者/Myr Enforcer》 4《羽ばたき飛行機械/Ornithopter》 4《信号の邪魔者/Signal Pest》 4《頭蓋囲い/Cranial Plating》 3《バネ葉の太鼓/Springleaf Drum》 4《オパールのモックス/Mox Opal》 4《ボーラスの工作員、テゼレット/Tezzeret, Agent of Bolas》 4《物読み/Thoughtcast》 Sideboard 3《真髄の針/Pithing Needle》 3《大祖始の遺産/Relic of Progenitus》 3《エーテル宣誓会の法学者/Ethersworn Canonist》 3《悪魔の布告/Diabolic Edict》 3《思考囲い/Thoughtseize》 準優勝：Merfolk 使用者：Scott Barrentine Main Deck 12《島/Island》 4《変わり谷/Mutavault》 4《不毛の大地/Wasteland》 3《珊瑚兜の司令官/Coralhelm Commander》 4《呪い捕らえ/Cursecatcher》 4《アトランティスの王/Lord of Atlantis》 4《メロウの騎兵/Merrow Reejerey》 4《銀エラの達人/Silvergill Adept》 1《誘惑蒔き/Sower of Temptation》 1《川の殺し屋、シグ/Sygg, River Cutthroat》 4《霊気の薬瓶/AEther Vial》 1《大祖始の遺産/Relic of Progenitus》 3《行き詰まり/Standstill》 4《目くらまし/Daze》 1《残響する真実/Echoing Truth》 4《Force of Will》 2《呪文貫き/Spell Pierce》 Sideboard 1《真髄の針/Pithing Needle》 1《大祖始の遺産/Relic of Progenitus》 1《トーモッドの墓所/Tormod s Crypt》 1《誘惑蒔き/Sower of Temptation》 2《基本に帰れ/Back to Basics》 1《不忠の糸/Threads of Disloyalty》 3《青霊破/Blue Elemental Blast》 2《ハーキルの召還術/Hurkyl s Recall》 1《梅澤の十手/Umezawa s Jitte》 2《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 第3位：UBG‐Team America 使用者：Gerry Thompson Main Deck 2《Bayou》 4《霧深い雨林/Misty Rainforest》 4《汚染された三角州/Polluted Delta》 2《Tropical Island》 4《Underground Sea》 2《新緑の地下墓地/Verdant Catacombs》 4《不毛の大地/Wasteland》 4《闇の腹心/Dark Confidant》 4《タルモゴイフ/Tarmogoyf》 2《土を食うもの/Terravore》 4《渦まく知識/Brainstorm》 3《目くらまし/Daze》 4《Force of Will》 4《喉首狙い/Go for the Throat》 2《呪文嵌め/Spell Snare》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 4《Hymn to Tourach》 1《コジレックの審問/Inquisition of Kozilek》 2《思案/Ponder》 2《思考囲い/Thoughtseize》 Sideboard 3《恐ろしい死/Ghastly Demise》 2《クローサの掌握/Krosan Grip》 2《呪文貫き/Spell Pierce》 3《水没/Submerge》 2《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 1《壌土からの生命/Life from the Loam》 2《大渦の脈動/Maelstrom Pulse》 第4位：ANT‐UB 使用者：James Lance Main Deck 3《島/Island》 2《沼/Swamp》 1《霧深い雨林/Misty Rainforest》 4《汚染された三角州/Polluted Delta》 2《沸騰する小湖/Scalding Tarn》 2《Underground Sea》 2《新緑の地下墓地/Verdant Catacombs》 4《ライオンの瞳のダイアモンド/Lion s Eye Diamond》 4《水蓮の花びら/Lotus Petal》 1《むかつき/Ad Nauseam》 4《渦まく知識/Brainstorm》 4《陰謀団の儀式/Cabal Ritual》 1《蒸気の連鎖/Chain of Vapor》 4《暗黒の儀式/Dark Ritual》 4《強迫/Duress》 2《Grim Tutor》 1《不正利得/Ill-Gotten Gains》 4《冥府の教示者/Infernal Tutor》 4《思案/Ponder》 3《定業/Preordain》 1《苦悶の触手/Tendrils of Agony》 3《思考囲い/Thoughtseize》 Sideboard 4《闇の腹心/Dark Confidant》 3《ザンティッドの大群/Xantid Swarm》 1《むかつき/Ad Nauseam》 1《蒸気の連鎖/Chain of Vapor》 1《残響する真実/Echoing Truth》 1《根絶/Extirpate》 1《再建/Rebuild》 1《拭い捨て/Wipe Away》 1《思考囲い/Thoughtseize》 1《Tropical Island》 第5位：Merfolk 使用者：Alex Bertoncini Main Deck 13《島/Island》 1《ミシュラの工廠/Mishra s Factory》 4《変わり谷/Mutavault》 4《不毛の大地/Wasteland》 4《珊瑚兜の司令官/Coralhelm Commander》 4《呪い捕らえ/Cursecatcher》 4《アトランティスの王/Lord of Atlantis》 2《マーフォークの君主/Merfolk Sovereign》 4《メロウの騎兵/Merrow Reejerey》 4《銀エラの達人/Silvergill Adept》 1《誘惑蒔き/Sower of Temptation》 3《大いなる玻璃紡ぎ、綺羅/Kira, Great Glass-Spinner》 4《霊気の薬瓶/AEther Vial》 4《目くらまし/Daze》 4《Force of Will》 Sideboard 1《誘惑蒔き/Sower of Temptation》 4《水流破/Hydroblast》 3《呪文貫き/Spell Pierce》 3《水没/Submerge》 2《梅澤の十手/Umezawa s Jitte》 2《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 第6位：Maverick‐Order 使用者：Chris Elrod Main Deck 2《森/Forest》 2《平地/Plains》 2《地平線の梢/Horizon Canopy》 1《Maze of Ith》 2《霧深い雨林/Misty Rainforest》 3《Savannah》 4《不毛の大地/Wasteland》 4《吹きさらしの荒野/Windswept Heath》 1《ガイアの揺籃の地/Gaea s Cradle》 2《Karakas》 2《ドライアドの東屋/Dryad Arbor》 1《獣相のシャーマン/Fauna Shaman》 4《聖遺の騎士/Knight of the Reliquary》 3《ルーンの母/Mother of Runes》 4《貴族の教主/Noble Hierarch》 3《クァーサルの群れ魔道士/Qasali Pridemage》 4《タルモゴイフ/Tarmogoyf》 1《テラストドン/Terastodon》 1《コロンドールのマンガラ/Mangara of Corondor》 1《大祖始/Progenitus》 4《剣を鍬に/Swords to Plowshares》 1《梅澤の十手/Umezawa s Jitte》 4《緑の太陽の頂点/Green Sun s Zenith》 4《自然の秩序/Natural Order》 Sideboard 1《大祖始の遺産/Relic of Progenitus》 2《エーテル宣誓会の法学者/Ethersworn Canonist》 1《沈黙のオーラ/Aura of Silence》 1《窒息/Choke》 1《赤の防御円/Circle of Protection Red》 1《果たし合いの場/Dueling Grounds》 3《悟りの教示者/Enlightened Tutor》 3《流刑への道/Path to Exile》 1《ガドック・ティーグ/Gaddock Teeg》 1《ボジューカの沼/Bojuka Bog》 第7位：BGW Rock 使用者：Sang Jung Main Deck 1《森/Forest》 1《平地/Plains》 1《沼/Swamp》 3《Bayou》 1《ボジューカの沼/Bojuka Bog》 1《地平線の梢/Horizon Canopy》 4《湿地の干潟/Marsh Flats》 2《Scrubland》 4《新緑の地下墓地/Verdant Catacombs》 4《不毛の大地/Wasteland》 1《Karakas》 4《闇の腹心/Dark Confidant》 4《聖遺の騎士/Knight of the Reliquary》 4《タルモゴイフ/Tarmogoyf》 4《師範の占い独楽/Sensei s Divining Top》 2《破滅的な行為/Pernicious Deed》 4《剣を鍬に/Swords to Plowshares》 1《梅澤の十手/Umezawa s Jitte》 4《Hymn to Tourach》 2《コジレックの審問/Inquisition of Kozilek》 4《思考囲い/Thoughtseize》 4《名誉回復/Vindicate》 Sideboard 4《エーテル宣誓会の法学者/Ethersworn Canonist》 1《破滅的な行為/Pernicious Deed》 3《悪魔の布告/Diabolic Edict》 4《根絶/Extirpate》 1《強迫/Duress》 2《非業の死/Perish》 第8位：Lands 使用者：Adam Cai Main Deck 1《森/Forest》 1《Bayou》 1《陰謀団のピット/Cabal Pit》 1《Glacial Chasm》 4《Maze of Ith》 4《ミシュラの工廠/Mishra s Factory》 2《霧深い雨林/Misty Rainforest》 1《裂け岩の扉/Riftstone Portal》 2《リシャーダの港/Rishadan Port》 3《Savannah》 3《平穏な茂み/Tranquil Thicket》 3《Tropical Island》 4《不毛の大地/Wasteland》 1《吹きさらしの荒野/Windswept Heath》 1《アカデミーの廃墟/Academy Ruins》 1《Karakas》 1《The Tabernacle at Pendrell Vale》 1《ヴォルラスの要塞/Volrath s Stronghold》 1《永遠の証人/Eternal Witness》 3《聖遺の騎士/Knight of the Reliquary》 1《世界のるつぼ/Crucible of Worlds》 2《仕組まれた爆薬/Engineered Explosives》 4《モックス・ダイアモンド/Mox Diamond》 4《踏査/Exploration》 3《輪作/Crop Rotation》 3《直観/Intuition》 4《壌土からの生命/Life from the Loam》 1《蟲の収穫/Worm Harvest》 Sideboard 4《虚空の杯/Chalice of the Void》 1《忘却石/Oblivion Stone》 1《Zuran Orb》 4《神聖の力線/Leyline of Sanctity》 3《クローサの掌握/Krosan Grip》 1《天啓の光/Ray of Revelation》 1《ボジューカの沼/Bojuka Bog》 第9位：Dredge 使用者：Daniel Rude Main Deck 4《セファリッドの円形競技場/Cephalid Coliseum》 2《ダクムーアの回収場/Dakmor Salvage》 3《Underground Sea》 4《知られざる楽園/Undiscovered Paradise》 1《雲の宮殿、朧宮/Oboro, Palace in the Clouds》 3《恐血鬼/Bloodghast》 1《炎の血族の盲信者/Flame-Kin Zealot》 4《ゴルガリの墓トロール/Golgari Grave-Troll》 1《ゴルガリの凶漢/Golgari Thug》 4《ナルコメーバ/Narcomoeba》 4《朽ちゆくインプ/Putrid Imp》 2《失われた真実のスフィンクス/Sphinx of Lost Truths》 4《臭い草のインプ/Stinkweed Imp》 2《いたずら好きな魔道士/Trickster Mage》 1《エメリアの盾、イオナ/Iona, Shield of Emeria》 4《黄泉からの橋/Bridge from Below》 3《渦まく知識/Brainstorm》 2《打開/Breakthrough》 4《陰謀団式療法/Cabal Therapy》 4《入念な研究/Careful Study》 3《戦慄の復活/Dread Return》 Sideboard 3《無のロッド/Null Rod》 1《祖神に選ばれし者/Ancestor s Chosen》 1《オーラ泥棒/Aura Thief》 1《魅力的な執政官/Blazing Archon》 1《領土を滅ぼすもの/Realm Razer》 2《蒸気の連鎖/Chain of Vapor》 2《残響する真実/Echoing Truth》 3《もみ消し/Stifle》 1《引き裂かれし永劫、エムラクール/Emrakul, the Aeons Torn》 第10位：Bant‐Order 使用者：AJ Sacher Main Deck 1《森/Forest》 1《島/Island》 4《霧深い雨林/Misty Rainforest》 1《Savannah》 4《Tropical Island》 1《Tundra》 2《新緑の地下墓地/Verdant Catacombs》 4《吹きさらしの荒野/Windswept Heath》 1《樹木茂る山麓/Wooded Foothills》 2《ドライアドの東屋/Dryad Arbor》 1《獣相のシャーマン/Fauna Shaman》 4《貴族の教主/Noble Hierarch》 1《クァーサルの群れ魔道士/Qasali Pridemage》 1《ロウクスの戦修道士/Rhox War Monk》 1《スクリブのレインジャー/Scryb Ranger》 3《タルモゴイフ/Tarmogoyf》 1《大祖始/Progenitus》 4《渦まく知識/Brainstorm》 4《Force of Will》 3《呪文貫き/Spell Pierce》 4《剣を鍬に/Swords to Plowshares》 4《緑の太陽の頂点/Green Sun s Zenith》 4《自然の秩序/Natural Order》 4《思案/Ponder》 Sideboard 3《真髄の針/Pithing Needle》 1《冷淡なセルキー/Cold-Eyed Selkie》 1《クァーサルの群れ魔道士/Qasali Pridemage》 1《誘惑蒔き/Sower of Temptation》 2《クローサの掌握/Krosan Grip》 1《流刑への道/Path to Exile》 1《ガドック・ティーグ/Gaddock Teeg》 3《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 2《ヴェンディリオン三人衆/Vendilion Clique》 第11位：Zoo‐Zenith 使用者：Austin Beatty Main Deck 1《森/Forest》 1《山/Mountain》 1《平地/Plains》 4《乾燥台地/Arid Mesa》 2《地平線の梢/Horizon Canopy》 2《Plateau》 1《Savannah》 3《Taiga》 2《吹きさらしの荒野/Windswept Heath》 4《樹木茂る山麓/Wooded Foothills》 1《ドライアドの東屋/Dryad Arbor》 2《渋面の溶岩使い/Grim Lavamancer》 4《聖遺の騎士/Knight of the Reliquary》 4《クァーサルの群れ魔道士/Qasali Pridemage》 4《タルモゴイフ/Tarmogoyf》 4《野生のナカティル/Wild Nacatl》 2《森の知恵/Sylvan Library》 4《稲妻/Lightning Bolt》 2《稲妻のらせん/Lightning Helix》 4《流刑への道/Path to Exile》 4《Chain Lightning》 4《緑の太陽の頂点/Green Sun s Zenith》 Sideboard 1《難問の鎮め屋/Vexing Shusher》 2《自然に帰れ/Back to Nature》 3《クローサの掌握/Krosan Grip》 2《稲妻のらせん/Lightning Helix》 3《発展の代価/Price of Progress》 2《梅澤の十手/Umezawa s Jitte》 1《ガドック・ティーグ/Gaddock Teeg》 1《ボジューカの沼/Bojuka Bog》 第12位：Painter‐Red 使用者：Drew Feder Main Deck 9《山/Mountain》 4《古えの墳墓/Ancient Tomb》 1《乾燥台地/Arid Mesa》 4《裏切り者の都/City of Traitors》 1《沸騰する小湖/Scalding Tarn》 4《絵描きの召使い/Painter s Servant》 4《帝国の徴募兵/Imperial Recruiter》 1《カルガの竜王/Kargan Dragonlord》 3《月の大魔術師/Magus of the Moon》 4《猿人の指導霊/Simian Spirit Guide》 2《特務魔道士ヤヤ・バラード/Jaya Ballard, Task Mage》 2《金属モックス/Chrome Mox》 4《丸砥石/Grindstone》 3《師範の占い独楽/Sensei s Divining Top》 2《血染めの月/Blood Moon》 4《稲妻/Lightning Bolt》 2《マグマの噴流/Magma Jet》 3《紅蓮破/Pyroblast》 3《赤霊破/Red Elemental Blast》 Sideboard 3《罠の橋/Ensnaring Bridge》 3《漸増爆弾/Ratchet Bomb》 3《大祖始の遺産/Relic of Progenitus》 4《三なる宝球/Trinisphere》 1《ファイレクシアの破棄者/Phyrexian Revoker》 1《棘鞭使い/Stingscourger》 第13位：UW Control‐CounterTop ThopterSword +b 使用者：Alex Khanin Main Deck 1《教議会の座席/Seat of the Synod》 5《島/Island》 2《平地/Plains》 4《溢れかえる岸辺/Flooded Strand》 3《霧深い雨林/Misty Rainforest》 1《沸騰する小湖/Scalding Tarn》 2《Tundra》 2《Underground Sea》 1《Volcanic Island》 1《アカデミーの廃墟/Academy Ruins》 1《仕組まれた爆薬/Engineered Explosives》 1《罠の橋/Ensnaring Bridge》 1《真髄の針/Pithing Needle》 4《師範の占い独楽/Sensei s Divining Top》 1《弱者の剣/Sword of the Meek》 2《飛行機械の鋳造所/Thopter Foundry》 4《相殺/Counterbalance》 1《Moat》 1《忘却の輪/Oblivion Ring》 4《渦まく知識/Brainstorm》 2《対抗呪文/Counterspell》 4《悟りの教示者/Enlightened Tutor》 4《Force of Will》 2《呪文貫き/Spell Pierce》 4《剣を鍬に/Swords to Plowshares》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 Sideboard 1《仕組まれた爆薬/Engineered Explosives》 1《真髄の針/Pithing Needle》 1《大祖始の遺産/Relic of Progenitus》 1《トーモッドの墓所/Tormod s Crypt》 3《闇の腹心/Dark Confidant》 2《翻弄する魔道士/Meddling Mage》 2《平和の番人/Peacekeeper》 1《謙虚/Humility》 2《流刑への道/Path to Exile》 1《呪文貫き/Spell Pierce》 第14位：UBG Tempo‐Team America 使用者：Chris VanMeter Main Deck 1《Bayou》 4《霧深い雨林/Misty Rainforest》 4《汚染された三角州/Polluted Delta》 2《Tropical Island》 4《Underground Sea》 3《新緑の地下墓地/Verdant Catacombs》 4《不毛の大地/Wasteland》 4《タルモゴイフ/Tarmogoyf》 4《墓忍び/Tombstalker》 1《大いなる玻璃紡ぎ、綺羅/Kira, Great Glass-Spinner》 2《仕組まれた爆薬/Engineered Explosives》 4《渦まく知識/Brainstorm》 3《目くらまし/Daze》 4《Force of Will》 2《喉首狙い/Go for the Throat》 1《殺し/Snuff Out》 3《もみ消し/Stifle》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 4《Hymn to Tourach》 4《思案/Ponder》 Sideboard 2《虚無の呪文爆弾/Nihil Spellbomb》 1《破滅的な行為/Pernicious Deed》 1《恐ろしい死/Ghastly Demise》 2《クローサの掌握/Krosan Grip》 2《燻し/Smother》 1《殺し/Snuff Out》 2《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 1《消耗の蒸気/Consuming Vapors》 3《非業の死/Perish》 第15位：Zoo‐Zenith 使用者：Casey Steiner Main Deck 1《森/Forest》 1《山/Mountain》 1《平地/Plains》 1《地平線の梢/Horizon Canopy》 2《Plateau》 2《Savannah》 2《Taiga》 4《不毛の大地/Wasteland》 4《吹きさらしの荒野/Windswept Heath》 4《樹木茂る山麓/Wooded Foothills》 1《Karakas》 1《ドライアドの東屋/Dryad Arbor》 3《渋面の溶岩使い/Grim Lavamancer》 3《聖遺の騎士/Knight of the Reliquary》 4《貴族の教主/Noble Hierarch》 3《クァーサルの群れ魔道士/Qasali Pridemage》 4《タルモゴイフ/Tarmogoyf》 1《土を食うもの/Terravore》 4《野生のナカティル/Wild Nacatl》 1《ガドック・ティーグ/Gaddock Teeg》 2《森の知恵/Sylvan Library》 3《稲妻/Lightning Bolt》 4《剣を鍬に/Swords to Plowshares》 4《緑の太陽の頂点/Green Sun s Zenith》 Sideboard 2《真髄の針/Pithing Needle》 2《エーテル宣誓会の法学者/Ethersworn Canonist》 2《クローサの掌握/Krosan Grip》 3《精神壊しの罠/Mindbreak Trap》 3《紅蓮破/Pyroblast》 2《戦争の報い、禍汰奇/Kataki, War s Wage》 1《ボジューカの沼/Bojuka Bog》 第16位：Bant‐New Horizon 使用者：Shane Remelt Main Deck 1《森/Forest》 1《溢れかえる岸辺/Flooded Strand》 3《地平線の梢/Horizon Canopy》 4《霧深い雨林/Misty Rainforest》 3《Tropical Island》 3《Tundra》 4《不毛の大地/Wasteland》 3《吹きさらしの荒野/Windswept Heath》 1《Karakas》 4《聖遺の騎士/Knight of the Reliquary》 4《タルモゴイフ/Tarmogoyf》 2《土を食うもの/Terravore》 1《ヴェンディリオン三人衆/Vendilion Clique》 2《仕組まれた爆薬/Engineered Explosives》 4《渦まく知識/Brainstorm》 4《目くらまし/Daze》 4《Force of Will》 4《もみ消し/Stifle》 4《剣を鍬に/Swords to Plowshares》 4《思案/Ponder》 Sideboard 2《トーモッドの墓所/Tormod s Crypt》 2《静寂/Serenity》 3《青霊破/Blue Elemental Blast》 2《クローサの掌握/Krosan Grip》 2《呪文貫き/Spell Pierce》 1《水没/Submerge》 2《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 1《ボジューカの沼/Bojuka Bog》
https://w.atwiki.jp/oper/pages/3572.html
このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 PROLOGO Scena Unica （Spalti di un castello. A sinistra mura diroccate da cui si domina vasto spazio di paese. A destra una gradinata che mette al castello. È vicina la notte） ▼ALBANO▲ （guardando dalle mura） Orrenda vista!… Le lontane valli sembrano un mar di fuoco. I rosseggianti gioghi… le torri… i ruderi difformi dei castelli abbattuti eruttan nembi vorticosi di fumo. In quelle tetre caligini agitarsi come funerei spettri ecco i germani corridori!… （rifuggendo costernato） O patria! O Lituania mia… Chi ti soccorre? De' tuoi forti figli prostrato è il braccio e ti abbandona iddio!… （Aldona che viene dal castello con séguito di Donne e Fanciulli, e detti） ▼ALDONA▲ （agitata） Quali novelle?… Arnoldo ancor dal campo non ritornò?… Walter con esso uscia stamane… ▼ALBANO▲ Ultimi sempre a ritirarsi dal campo i generosi. Una triste giornata ohimè! si compie. ▼ALDONA▲ Tanto terror giammai non invase quest'alma. （volgendosi al coro） Al cielo alziamo la prece della sera… ▼TUTTI▲ Ah sì! Preghiamo!… Preghiam pei vegliardi scorati e fuggenti, preghiam per le madri pensose e gementi che al bacio dei figli sospirano invan. Preghiamo pei forti che caddero estinti, preghiam per la fede suprema dei vinti, pegli orfani ignudi che attendono il pan. ▼ALBANO▲ Preghiam che al riscatto del popolo oppresso insorga il gigante dai bardi promesso chiamando a vendetta gli spersi guerrier. ▼TUTTI▲ Preghiam che in quel giorno dai tetri burroni siccome ruggito di mille leoni echeggi un sol grido va' fuori, stranier! （Walter, Arnoldo, pochi Soldati e detti） ▼ALDONA▲ （correndo incontro a Walter e ad Arnoldoche vengono dal ponte） Walter… fratel… ▼ARNOLDO▲ Sventura a noi! ▼TUTTI▲ Perduti! ▼ARNOLDO▲ Caddero i forti invan Iltradimentovinse il valor… Un condottiero il campoabbandonava… ▼ALBANO▲ E il traditor?… ▼ARNOLDO▲ Vitoldo… ▼TUTTI▲ Infamia eterna a lui!… ▼ALDONA▲ Né via di scampo rimane più? ▼ARNOLDO▲ Sol una. ▼ALDONA▲ Quale? ▼ARNOLDO▲ Vieni… e il saprai… ▼ALDONA▲ （a Walter） Walter, tu resti? ▼WALTER▲ Qui attenderò. ▼ALBANO, CORO▲ Quale mistero! ▼ALDONA▲ （avviandosi verso il castello） Io tremo… ▼ARNOLDO▲ （dalla gradinata volgendosi al coro） Fratelli all'are vi prosternate… la vostra fede nel duol temprate… fermi a combattere, pronti a morir!… ▼ALDONA▲ （presso al fratello guardando Walter） Giammai no 'l vidi così turbato… qual ne sovrasta tremendo fato? Un mortal gelo mi scese al cor. ▼WALTER▲ （con dolore, fra sè） Sì bella… e giovane… e amata tanto… abbandonarla dovrò nel pianto… fra noi per sempre l'abisso aprir!. ▼ALBANO▲ Morta è la patria… tutto è perduto… o vecchio bardo, spezza il liuto… canto di schiavi non sale al ciel. ▼CORO▲ Pria che vederti, patria adorata, dagli empi teutoni contaminata, a noi fia gaudio per te morir. （Arnoldo e Aldona entrano nel castello seguiti dal Coro） （Walter e Albano） ▼WALTER▲ （appressandosi ad Albano） Mio vecchio Alban… Noi partirem fra un'ora. ▼ALBANO▲ （riscuotendosi） Che intendi? ▼WALTER▲ （additando il castello） Un grido di dolore immenso da quelle antiche sale fra poco echeggerà. Misera Aldona! Mia sposa… angelo mio… qual diverrai allor che dal fratello il tremendo tuo fato apprenderai! Sì… partirem!… Due corridori al varco ci attendono del ponte. ▼ALBANO▲ （con gioia） E saria vero? L'alto disegno ch'io nel cor ti posi… che da gran tempo in te fremea… ▼WALTER▲ Compirloio decisi… o morir… ▼ALBANO▲ （con entusiasmo） Sia benedetta l'ora che a te, schiavo in germana terra, paterno istinto di pietà mi avvinse! Benedette le veglie in cui ti appresi della patria lontana il santo amor; e gli inni ardenti onde nel cor ti accesi l'abominio del teutono oppressor!… ▼WALTER▲ （prorompendo con fuoco） Pera l'idra fatal che al mondo intero la schiavitù minaccia e lo squallor!… ▼ALBANO▲ Di sua fralezza a noi noto è il mistero… e il mostro orrendo feriremo al cor. ▼WALTER▲ Sui démoni crociati il poter mio col delitto e le stragi innalzerò… e il tempio infame… i sacerdoti… il dio nel gran giorno dell'ira abbatterò. ▼ALBANO▲ Oh! Ch'io t'abbracci… ch'io ti chiami figlio! ▼WALTER▲ Mi sarà guida il tuo paterno amore. Or va' qui Aldona rivedròprofferto fia qui l'addio fatale che dall'angelo il démone per sempre dividerà. ▼ALBANO▲ Bada! Il suo duol potria… ▼WALTER▲ Non paventar! Tutto il tremendo abisso già misurai… Forte son io. ▼ALBANO▲ Ti attendo… （Walter e Aldona） ▼WALTER▲ （gettandosi ai piedi di Aldona） Mia sposa… angelo mio… pietà… perdono!… ▼ALDONA▲ （rialzandolo） Sorgi… e la voce del mio core ascolta. （con calma solenne） Walter… da me tu parti… tu infrangi il nostro amor… vano saria pregarti, fia muto il mio dolor. La folgor non si arresta per lacrime o sospir, in terra a me non resta che piangere e morir… Ma per morir beata, Walter, sol basta a me questo pensier, che amata un tempo io fui da te. ▼WALTER▲ （con passione） Aldona! Io t'amo ancora! ▼ALDONA▲ （con accento di rimprovero） Perché mentir tu vuoi? Un dì mi amasti… ed ora so che non m'ami più. ▼WALTER▲ Crudel! Del nostro addio perché tu inaspri il duolo? ▼ALDONA▲ Se amata ancor foss'io… non partiresti solo… concesso a me saria i passi tuoi seguir… e della patria martire al fianco tuo morir. ▼WALTER▲ Il mio cammin qual sia dunque… tu ignori ancor?… Ebben… mi ascolta… e fremerai d'orror. Notte cupa è il mio cammino di delitti e tradimenti, è il deserto ove Caino giurò l'odio dei viventi. Pria ch'io renda al Lituano la perduta libertà… per me a fiumi il sangue umano sulla terra scorrerà. ▼ALDONA▲ （atterrita） Cielo! ▼WALTER▲ Tu tremi… Aldona… ▼ALDONA▲ E non arretri tu pure inorridito innanzi a questo abisso di sciagure e di colpe? ▼WALTER▲ Maledetto chi mi vi ha spinto!… Anatema su voi esecrati satelliti di Roma… per cui santa è la guerra del fratricidio… e solo omaggio a dio spegner le vite e desolar la terra. （conducendo Aldona verso le mura） Vedi laggiù quei fuochi? È un rogo solola Lituania dei germani al carro aggiogati i fratelli i dorsi ignudi sotto la verga dei feroci sgherri gemono sangue… ▼ALDONA▲ （coprendosi il volto） O patria mia… o patria mia… ▼WALTER▲ Tale è il destin serbato a tutti noi… tale sarebbe, o Aldona, l'avvenir de' tuoi figli… ▼ALDONA▲ Ah! No! Va', parti! Come sposa un dì t'amai, ora un dio per me sarai… vivrò mesta… il ciel pregando… alla patria… a te vivrò. ▼WALTER▲ Tale, Aldona, era l'amore ch'io chiedeva al tuo gran core; alla patria, a te pensando, l'universo io sfiderò. ▼ALBANO▲ （dall'interno） Walter! ▼WALTER▲ Mi chiama iddio… ▼ALDONA▲ Mi abbraccia e parti. ▼ALDONA, WALTER▲ Addio! Disgiunti per poco da un fato crudel, in libera patria ci rivedremo… o martiri nel ciel. （Arnoldo, dal castello） ▼WALTER▲ Arnoldo… a lei soltantorimani… or tu. ▼ALDONA▲ （al fratello, reprimendo le lagrime） Fratel… ▼ARNOLDO▲ （abbracciando Aldona） Fa' cor!… ▼ALDONA▲ Ti frena, o pianto… ▼WALTER▲ Forza le doni il ciel! （Walter si allontana rapidamente. Aldona si abbandona piangendo nelle braccia del Fratello） ATTO PRIMO Scena Unica （Dieci anni dopo. Piazza della cattedrale di Marienburgo. Le case sono parate a festa. Popolo che irrompe festoso nella piazza quindi Vitoldo e Duci. Albano, in disparte osservando） ▼POPOLO▲ Nel gaudio salutiam del fausto dì l'albor! Ad incontrar moviam l'eletto del signor! ▼VITOLDO▲ Corrado Wallenrod! Uno stranier! ▼DONNE▲ （con enfasi） Un valoroso, un generoso, che di sua fama la terra empì. ▼VITOLDO▲ （ai duci） Un libertino dedito al vino, che in orge infami consuma i dì… ▼POPOLO▲ Egli sui lidi ispani de' Mauri fu il terror, passò fra i musulmani qual dio vendicator! Giusto è che a lui dell'ordine spetti il supremo onor. （Sopraggiunge un drappello di Giovinette e di Garzoni, che gettano fiori e intrecciano danze） ▼CORO▲ Festose canzoni o bardi intonate;fanciulle, garzoni,le danze intrecciate; per voi nel tripudio dei balli, dei canti, la terra si ammanti di vergini fior! ▼VITOLDO▲ （Fra sè） L'ambìto potere colui m'ha involato, nemico placato per sempre mi avrà! ▼ALBANO▲ （Fra sè） Si esplori ogni volto, si noti ogni accento un tetro sgomento nell'alma mi sta. （Squillo di tromba. Il Popolo si porta in fondo alla piazza ad osservare. I Garzoni e le Giovinette intanto si schierano sulla gradinata del tempio） ▼POPOLO▲ I lituani… i dieci prigionier che in omaggio al supremo cavalier, siccome il rito vuol, morranno al nuovo sol. （Si avanzano lentamente i Prigionieri incatenati, sospinti dagli Scherani） ▼DUCI▲ Giù! Il capo nella polve!… A terra! A terra, sulla soglia di dio, pagani immondi! （i prigionieri piegano i ginocchi estenuati. Dalla cattedrale partono i suoni dell'organo） ▼VOCI INTERNE▲ Spirto creator su lui discendi! Ravviva la sua fede e l'inconsunto ardor in sen gli accendi! ▼PRIGIONIERI▲ Già l'ultimo martir si appresta a noi… Questi feroci Teutoni vedran come a morir vadan gli eroi! ▼VITOLDO▲ （Fra sè） Di quelle preci il suon m'è insulto e sfida… È il pianto di quei miseri che un traditor io son al cor mi grida. ▼ALBANO▲ Il vindice guerrier gran dio tu ispira! Afferma la sua fede! Nel trepido pensier raccendi l'ire! ▼POPOLO E DUCI▲ L'eletto del signor ora vedremo… Dal labbro suo fatidico l'inno di guerra ancor tuonare udremo!… （seguìto da soldati che scendono dalla gradinata della chiesa） ▼UN ARALDO▲ Aprite il passo! ▼TUTTI▲ Omaggio di Cristo ai cavalier!… （Dalla chiesa esce l'Arcivescovo di Marienburgo, con séguito di Abati, Monaci, ecc. Quindi il Principe di Germania dal fondo della piazza, seguìto da Cavalieri, Araldi, ecc） ▼TEUTONI, DUCI▲ ▼POPOLO▲ Sul brando la mano, la croce sul petto, dell'ordin sovrano si avanza l'eletto… echeggi dal tempio tua voce alle genti, speranza ai credenti, degli empi terror. （Corrado, preceduto dai Cavalieri teutoni, si presenta sull'alto della gradinata, vestito da gran maestro dell'ordine teutonico. Al suo fianco l'Arciconturo, Albano, Scudieri e Araldi. Tutti chinano la fronte l'Arcivescovo ed il Principe consegnano a Corrado le insegne e gli emblemi dell'ordine teutonico） ▼WALTER (Corrado)▲ Umil soldato della croce, indegno ministro del signore, omaggi vani per me non chieggo. Un'alta meta il cielo prefisse all'opre mie. Or chi potrebbe quella meta vietarmi?… Dalla polve voi mi elevaste al più sublime trono… Per voi, fratelli, onnipotente io sono! ▼TUTTI▲ Arnese vano nella tua mano di dio la spada non resterà… Guerra!… Morte ai pagani!… ▼VITOLDO E DUCI▲ Stermini ai Lituani!… ▼WALTER (Corrado)▲ （con impeto） Chi ardisce?… （reprimendosi） No! La voce questa non è che dei redenti al core parlava un dì la croce… Delle spietate guerre cessi l'obbrobrio omai cessin gli immani sacrifizi di sangue!… Agli schiavi idolatri… ai prigionieri sien sciolte le catene… Tale è il comando che da dio mi viene. （Corrado preceduto dagli Scudieri discende dalla gradinata; dietro lui, gli Abati, Monaci, Cavalieri teutoni, etc. etc. ） ▼TEUTONI▲ Pe 'l labbro ispirato il cielo ha parlato… Chi mai, chi resiste del cielo al voler? Sia gloria all'eletto dell'ordin sovrano, all'arbitro, al duce dei nostri pensier! ▼POPOLO▲ Pe 'l labbro ispirato il cielo ha parlato… Chi mai, chi resiste del cielo al voler? Sia gloria all'eletto dell'ordin sovrano, al pio sacerdote, al prode guerrier! ▼VITOLDO E DUCI▲ Nel fiero sembiante, nell'occhio fiammante riflessa è l'ambascia di un cupo mister… Del cielo all'eletto la fronte pieghiamo… Sia gloria ed omaggio al prode guerrier!… ▼PRIGIONIERI▲ Sien grazie al potente, sien grazie al clemente che a noi della patria riapre il sentier!… Per sempre ai redenti sui lidi lontani fia sacro il tuo nome, pietoso stranier!… （Il corteo s'allontana, seguito dai Duci e dal Popolo ultimi i Prigionieri, che si disperdono. La piazza rimane sgombra. Non rimane più che Uno dei prigionieri, il quale con occhio attonito accompagna la Folla） ▼ARNOLDO▲ Ciò che udii… ciò che vidi… E non è questo un sogno schernitor?… Demente forse di due lustri la tenebra e l'affanno mi resero così, che di fantasmi tutta si investa all'occhio mio la luce?… Non è delirio il mio… caddero i ceppi… Questa che il sen mi inonda è la serena, è la pura… la santa aura de' cieli… No! Delirio non è!… Ben era desso il mio Walter… l'amico… il fratel mio… Qual altro esser potea l'angiol pietoso che dalla tomba a ridestarmi venne?… O rimembranze… gioie… speranze della mia prima, avventurosa età… tutte rivivere vi sento in cor in questo nuovo albor di libertà! Dio ti ringrazio del lungo strazio che sì immenso gioir mi preparò! Perdona… assolvi lo sciagurato, che nelle tenebre dal duol prostrato… ogni fede smarrita, a te imprecò! （si inginocchia sui gradini del tempio） （Aldona, in abito da pellegrino, e detto） ▼ALDONA▲ （arrestandosi spossata） Affranta son, pure alla meta io giunsi… già la notte si avanza… Ove un asilo mi fia dato trovar? Cittàfatale, covo nefando di crociate jene, tetra sei tu siccome a me ti pinse il pensier di tue gesta inorridito. （vedendo Arnoldo） Un uom che prega! L'umil veste, il piofervor… tutto mi dice Aldona… ei t'è fratello… è un infelice… ▼ARNOLDO▲ （alzandosi） Presso Walter si corra… ▼ALDONA▲ （timidamente ad Arnoldo） Perdonate… ▼ARNOLDO▲ Qual voce!… Un pellegrino!… ▼ALDONA▲ Una infelice donna che da confin remoto qui venne a sciorre un voto. ▼ARNOLDO▲ Lituana all'accento… ▼ALDONA▲ （commossa） E voi… voi pure?… ▼ARNOLDO▲ Nelle valli di Kowno il sole io vidi… ▼ALDONA▲ （con crescente commozione） Che intendo!… E voi la patria abbandonaste… （Fra sè） Oh! Come mi batte il cor! ▼ARNOLDO▲ Qui i teutoni mi trasser prigionier… Ma voi!… （Fra sè） Gran dio! Qual ansia!. ▼ALDONA▲ （animatissima） Il nome… il vostro nome… deh!… per pietà svelatemi… ▼ARNOLDO▲ Arnoldo… ▼ALDONA▲ È dunque ver!… Fratello… ▼ARNOLDO▲ Aldona!… Ah! Dimmi che folle non son io… ▼ALDONA▲ （abbracciando Arnoldo） Te 'l dica il bacio mio… e il pianto del mio cor. ▼ARNOLDO▲ Come qui giunta?… ▼ALDONA▲ （interrompendolo） In carcerelanguisti? ▼ARNOLDO▲ I casi miei ridir che giova?… Libero… felice appieno or son!… Ma tu?… Dentro le mura d'un chiostro io ti lasciai… ▼ALDONA▲ Nel chiostro la sventura si oblia… l'amor giammai; là… delle suore ancella piansi… pregai… soffersi… ma il voto non proffersi, mentito al ciel non ho. Walter fu sempre il dio che nel mio cor regnò… ▼ARNOLDO▲ E tu di rivederlosempre sperasti? ▼ALDONA▲ Da più di una voce mi gridava nel cor va'!… parti, Aldona, di Marienburgo sulle vie ti reca… ivi il fato si compie… ivi il tuo sposo… ivi l'amante… il nume dell'oppressa tua patria incontrerai… E sola… in veste da pellegrino corsi anelante l'aspro cammino… e qui venuta, nell'ombre avvolta del suo trionfo… sperai gioir. Dirgli t'amo, anco una volta… e benedirlo pria di morir. ▼ARNOLDO▲ Ebben… lo sappi… gioisci, o suora; del dì promesso spuntò l'aurora… Walter io vidi… Walter è qui… ▼ALDONA▲ Tu… lo vedesti? ▼ARNOLDO▲ D'oro fulgente… al par di un nume bello e possente. ▼ALDONA▲ （con gioia entusiastica） Tu lo vedesti!!! ▼ARNOLDO▲ （additando la chiesa） Da quella soglia ei parlò ai vinti pace e perdon… La man sull'elsa… la croce in petto, mite all'accento, fiero all'aspetto, tremate, o teutoni! dicea col guardo, del cielo vindice la spada io son. ▼ALDONA▲ （con massimo entusiasmo） E qui respira… qui regna… ed io fra le sue braccia non volo ancor? （ad Arnoldo） Vieni… ▼ARNOLDO▲ Né pensi?… ▼ALDONA▲ Con noi sta iddio! ▼VOCI INTERNE▲ Largo ai giullari… ai trovator!… Dei cavalier la festa corriam a rallegrar! ▼ARNOLDO▲ Quai voci! ▼ALDONA▲ Odi, fratel? ▼ARNOLDO▲ I trovatori, i bardi… che muovono al castel! （Menestrelli, Aldona, Arnoldo） ▼MENESTRELLI▲ Sull'arpe volate festose ballate, sorrisi giocondi, facezie d'amor! La notte si inondi di canti, di suoni, e un gaudio celeste respiri ogni cor! ▼ALDONA, ARNOLDO▲ Del lieto drappello sull'orme muoviamo, la fede ci guidi, ci ispiri l'amor! （Albano, e detti） ▼ALBANO▲ （facendosi incontro ad Arnoldo） Straniero… lituano… ove ti inoltri? ▼ARNOLDO▲ Albano! ▼ALBANO▲ （riconoscendolo） Ciel!… ▼ALDONA▲ Ne ravvisi? ▼ALBANO▲ （sommessamente） E osate? Incauti, che sperate?… ▼ALDONA▲ Vederlo… la sua voceudir… ▼ALBANO▲ Qual ansia atroce!… ▼ALDONA, ARNOLDO▲ Il varco a tutti aperto vietato a noi sarà?… ▼ALBANO▲ （come ispirato） Ah! no… Qui iddio vi adduce! Venite a questo cor!… Della superna luce sento irradiarmi ancor! Cauti seguitemi!… ▼ALDONA, ARNOLDO▲ Teco noi siamo!… Ogni tuo cenno compier giuriamo… ▼ALDONA, ARNOLDO, ALBANO▲ Fermi, prudenti, in dio fidenti… pronti a combattere, pronti a morir! （escono insieme） PROLOGO Scena Unica Spalti di un castello. A sinistra mura diroccate da cui si domina vasto spazio di paese. A destra una gradinata che mette al castello. È vicina la notte ALBANO guardando dalle mura Orrenda vista!… Le lontane valli sembrano un mar di fuoco. I rosseggianti gioghi… le torri… i ruderi difformi dei castelli abbattuti eruttan nembi vorticosi di fumo. In quelle tetre caligini agitarsi come funerei spettri ecco i germani corridori!… rifuggendo costernato O patria! O Lituania mia… Chi ti soccorre? De' tuoi forti figli prostrato è il braccio e ti abbandona iddio!… Aldona che viene dal castello con séguito di Donne e Fanciulli, e detti ALDONA agitata Quali novelle?… Arnoldo ancor dal campo non ritornò?… Walter con esso uscia stamane… ALBANO Ultimi sempre a ritirarsi dal campo i generosi. Una triste giornata ohimè! si compie. ALDONA Tanto terror giammai non invase quest'alma. volgendosi al coro Al cielo alziamo la prece della sera… TUTTI Ah sì! Preghiamo!… Preghiam pei vegliardi scorati e fuggenti, preghiam per le madri pensose e gementi che al bacio dei figli sospirano invan. Preghiamo pei forti che caddero estinti, preghiam per la fede suprema dei vinti, pegli orfani ignudi che attendono il pan. ALBANO Preghiam che al riscatto del popolo oppresso insorga il gigante dai bardi promesso chiamando a vendetta gli spersi guerrier. TUTTI Preghiam che in quel giorno dai tetri burroni siccome ruggito di mille leoni echeggi un sol grido va' fuori, stranier! Walter, Arnoldo, pochi Soldati e detti ALDONA correndo incontro a Walter e ad Arnoldoche vengono dal ponte Walter… fratel… ARNOLDO Sventura a noi! TUTTI Perduti! ARNOLDO Caddero i forti invan Iltradimentovinse il valor… Un condottiero il campoabbandonava… ALBANO E il traditor?… ARNOLDO Vitoldo… TUTTI Infamia eterna a lui!… ALDONA Né via di scampo rimane più? ARNOLDO Sol una. ALDONA Quale? ARNOLDO Vieni… e il saprai… ALDONA a Walter Walter, tu resti? WALTER Qui attenderò. ALBANO, CORO Quale mistero! ALDONA avviandosi verso il castello Io tremo… ARNOLDO dalla gradinata volgendosi al coro Fratelli all'are vi prosternate… la vostra fede nel duol temprate… fermi a combattere, pronti a morir!… ALDONA presso al fratello guardando Walter Giammai no 'l vidi così turbato… qual ne sovrasta tremendo fato? Un mortal gelo mi scese al cor. WALTER con dolore, fra sè Sì bella… e giovane… e amata tanto… abbandonarla dovrò nel pianto… fra noi per sempre l'abisso aprir!. ALBANO Morta è la patria… tutto è perduto… o vecchio bardo, spezza il liuto… canto di schiavi non sale al ciel. CORO Pria che vederti, patria adorata, dagli empi teutoni contaminata, a noi fia gaudio per te morir. Arnoldo e Aldona entrano nel castello seguiti dal Coro Walter e Albano WALTER appressandosi ad Albano Mio vecchio Alban… Noi partirem fra un'ora. ALBANO riscuotendosi Che intendi? WALTER additando il castello Un grido di dolore immenso da quelle antiche sale fra poco echeggerà. Misera Aldona! Mia sposa… angelo mio… qual diverrai allor che dal fratello il tremendo tuo fato apprenderai! Sì… partirem!… Due corridori al varco ci attendono del ponte. ALBANO con gioia E saria vero? L'alto disegno ch'io nel cor ti posi… che da gran tempo in te fremea… WALTER Compirloio decisi… o morir… ALBANO con entusiasmo Sia benedetta l'ora che a te, schiavo in germana terra, paterno istinto di pietà mi avvinse! Benedette le veglie in cui ti appresi della patria lontana il santo amor; e gli inni ardenti onde nel cor ti accesi l'abominio del teutono oppressor!… WALTER prorompendo con fuoco Pera l'idra fatal che al mondo intero la schiavitù minaccia e lo squallor!… ALBANO Di sua fralezza a noi noto è il mistero… e il mostro orrendo feriremo al cor. WALTER Sui démoni crociati il poter mio col delitto e le stragi innalzerò… e il tempio infame… i sacerdoti… il dio nel gran giorno dell'ira abbatterò. ALBANO Oh! Ch'io t'abbracci… ch'io ti chiami figlio! WALTER Mi sarà guida il tuo paterno amore. Or va' qui Aldona rivedròprofferto fia qui l'addio fatale che dall'angelo il démone per sempre dividerà. ALBANO Bada! Il suo duol potria… WALTER Non paventar! Tutto il tremendo abisso già misurai… Forte son io. ALBANO Ti attendo… Walter e Aldona WALTER gettandosi ai piedi di Aldona Mia sposa… angelo mio… pietà… perdono!… ALDONA rialzandolo Sorgi… e la voce del mio core ascolta. con calma solenne Walter… da me tu parti… tu infrangi il nostro amor… vano saria pregarti, fia muto il mio dolor. La folgor non si arresta per lacrime o sospir, in terra a me non resta che piangere e morir… Ma per morir beata, Walter, sol basta a me questo pensier, che amata un tempo io fui da te. WALTER con passione Aldona! Io t'amo ancora! ALDONA con accento di rimprovero Perché mentir tu vuoi? Un dì mi amasti… ed ora so che non m'ami più. WALTER Crudel! Del nostro addio perché tu inaspri il duolo? ALDONA Se amata ancor foss'io… non partiresti solo… concesso a me saria i passi tuoi seguir… e della patria martire al fianco tuo morir. WALTER Il mio cammin qual sia dunque… tu ignori ancor?… Ebben… mi ascolta… e fremerai d'orror. Notte cupa è il mio cammino di delitti e tradimenti, è il deserto ove Caino giurò l'odio dei viventi. Pria ch'io renda al Lituano la perduta libertà… per me a fiumi il sangue umano sulla terra scorrerà. ALDONA atterrita Cielo! WALTER Tu tremi… Aldona… ALDONA E non arretri tu pure inorridito innanzi a questo abisso di sciagure e di colpe? WALTER Maledetto chi mi vi ha spinto!… Anatema su voi esecrati satelliti di Roma… per cui santa è la guerra del fratricidio… e solo omaggio a dio spegner le vite e desolar la terra. conducendo Aldona verso le mura Vedi laggiù quei fuochi? È un rogo solola Lituania dei germani al carro aggiogati i fratelli i dorsi ignudi sotto la verga dei feroci sgherri gemono sangue… ALDONA coprendosi il volto O patria mia… o patria mia… WALTER Tale è il destin serbato a tutti noi… tale sarebbe, o Aldona, l'avvenir de' tuoi figli… ALDONA Ah! No! Va', parti! Come sposa un dì t'amai, ora un dio per me sarai… vivrò mesta… il ciel pregando… alla patria… a te vivrò. WALTER Tale, Aldona, era l'amore ch'io chiedeva al tuo gran core; alla patria, a te pensando, l'universo io sfiderò. ALBANO dall'interno Walter! WALTER Mi chiama iddio… ALDONA Mi abbraccia e parti. ALDONA, WALTER Addio! Disgiunti per poco da un fato crudel, in libera patria ci rivedremo… o martiri nel ciel. Arnoldo, dal castello WALTER Arnoldo… a lei soltantorimani… or tu. ALDONA al fratello, reprimendo le lagrime Fratel… ARNOLDO abbracciando Aldona Fa' cor!… ALDONA Ti frena, o pianto… WALTER Forza le doni il ciel! Walter si allontana rapidamente. Aldona si abbandona piangendo nelle braccia del Fratello ATTO PRIMO Scena Unica Dieci anni dopo. Piazza della cattedrale di Marienburgo. Le case sono parate a festa. Popolo che irrompe festoso nella piazza quindi Vitoldo e Duci. Albano, in disparte osservando POPOLO Nel gaudio salutiam del fausto dì l'albor! Ad incontrar moviam l'eletto del signor! VITOLDO Corrado Wallenrod! Uno stranier! DONNE con enfasi Un valoroso, un generoso, che di sua fama la terra empì. VITOLDO ai duci Un libertino dedito al vino, che in orge infami consuma i dì… POPOLO Egli sui lidi ispani de' Mauri fu il terror, passò fra i musulmani qual dio vendicator! Giusto è che a lui dell'ordine spetti il supremo onor. Sopraggiunge un drappello di Giovinette e di Garzoni, che gettano fiori e intrecciano danze CORO Festose canzoni o bardi intonate;fanciulle, garzoni,le danze intrecciate; per voi nel tripudio dei balli, dei canti, la terra si ammanti di vergini fior! VITOLDO Fra sè L'ambìto potere colui m'ha involato, nemico placato per sempre mi avrà! ALBANO Fra sè Si esplori ogni volto, si noti ogni accento un tetro sgomento nell'alma mi sta. Squillo di tromba. Il Popolo si porta in fondo alla piazza ad osservare. I Garzoni e le Giovinette intanto si schierano sulla gradinata del tempio POPOLO I lituani… i dieci prigionier che in omaggio al supremo cavalier, siccome il rito vuol, morranno al nuovo sol. Si avanzano lentamente i Prigionieri incatenati, sospinti dagli Scherani DUCI Giù! Il capo nella polve!… A terra! A terra, sulla soglia di dio, pagani immondi! i prigionieri piegano i ginocchi estenuati. Dalla cattedrale partono i suoni dell'organo VOCI INTERNE Spirto creator su lui discendi! Ravviva la sua fede e l'inconsunto ardor in sen gli accendi! PRIGIONIERI Già l'ultimo martir si appresta a noi… Questi feroci Teutoni vedran come a morir vadan gli eroi! VITOLDO Fra sè Di quelle preci il suon m'è insulto e sfida… È il pianto di quei miseri che un traditor io son al cor mi grida. ALBANO Il vindice guerrier gran dio tu ispira! Afferma la sua fede! Nel trepido pensier raccendi l'ire! POPOLO E DUCI L'eletto del signor ora vedremo… Dal labbro suo fatidico l'inno di guerra ancor tuonare udremo!… seguìto da soldati che scendono dalla gradinata della chiesa UN ARALDO Aprite il passo! TUTTI Omaggio di Cristo ai cavalier!… Dalla chiesa esce l'Arcivescovo di Marienburgo, con séguito di Abati, Monaci, ecc. Quindi il Principe di Germania dal fondo della piazza, seguìto da Cavalieri, Araldi, ecc TEUTONI, DUCI POPOLO Sul brando la mano, la croce sul petto, dell'ordin sovrano si avanza l'eletto… echeggi dal tempio tua voce alle genti, speranza ai credenti, degli empi terror. Corrado, preceduto dai Cavalieri teutoni, si presenta sull'alto della gradinata, vestito da gran maestro dell'ordine teutonico. Al suo fianco l'Arciconturo, Albano, Scudieri e Araldi. Tutti chinano la fronte l'Arcivescovo ed il Principe consegnano a Corrado le insegne e gli emblemi dell'ordine teutonico WALTER (Corrado) Umil soldato della croce, indegno ministro del signore, omaggi vani per me non chieggo. Un'alta meta il cielo prefisse all'opre mie. Or chi potrebbe quella meta vietarmi?… Dalla polve voi mi elevaste al più sublime trono… Per voi, fratelli, onnipotente io sono! TUTTI Arnese vano nella tua mano di dio la spada non resterà… Guerra!… Morte ai pagani!… VITOLDO E DUCI Stermini ai Lituani!… WALTER (Corrado) con impeto Chi ardisce?… reprimendosi No! La voce questa non è che dei redenti al core parlava un dì la croce… Delle spietate guerre cessi l'obbrobrio omai cessin gli immani sacrifizi di sangue!… Agli schiavi idolatri… ai prigionieri sien sciolte le catene… Tale è il comando che da dio mi viene. Corrado preceduto dagli Scudieri discende dalla gradinata; dietro lui, gli Abati, Monaci, Cavalieri teutoni, etc. etc. TEUTONI Pe 'l labbro ispirato il cielo ha parlato… Chi mai, chi resiste del cielo al voler? Sia gloria all'eletto dell'ordin sovrano, all'arbitro, al duce dei nostri pensier! POPOLO Pe 'l labbro ispirato il cielo ha parlato… Chi mai, chi resiste del cielo al voler? Sia gloria all'eletto dell'ordin sovrano, al pio sacerdote, al prode guerrier! VITOLDO E DUCI Nel fiero sembiante, nell'occhio fiammante riflessa è l'ambascia di un cupo mister… Del cielo all'eletto la fronte pieghiamo… Sia gloria ed omaggio al prode guerrier!… PRIGIONIERI Sien grazie al potente, sien grazie al clemente che a noi della patria riapre il sentier!… Per sempre ai redenti sui lidi lontani fia sacro il tuo nome, pietoso stranier!… Il corteo s'allontana, seguito dai Duci e dal Popolo ultimi i Prigionieri, che si disperdono. La piazza rimane sgombra. Non rimane più che Uno dei prigionieri, il quale con occhio attonito accompagna la Folla ARNOLDO Ciò che udii… ciò che vidi… E non è questo un sogno schernitor?… Demente forse di due lustri la tenebra e l'affanno mi resero così, che di fantasmi tutta si investa all'occhio mio la luce?… Non è delirio il mio… caddero i ceppi… Questa che il sen mi inonda è la serena, è la pura… la santa aura de' cieli… No! Delirio non è!… Ben era desso il mio Walter… l'amico… il fratel mio… Qual altro esser potea l'angiol pietoso che dalla tomba a ridestarmi venne?… O rimembranze… gioie… speranze della mia prima, avventurosa età… tutte rivivere vi sento in cor in questo nuovo albor di libertà! Dio ti ringrazio del lungo strazio che sì immenso gioir mi preparò! Perdona… assolvi lo sciagurato, che nelle tenebre dal duol prostrato… ogni fede smarrita, a te imprecò! si inginocchia sui gradini del tempio Aldona, in abito da pellegrino, e detto ALDONA arrestandosi spossata Affranta son, pure alla meta io giunsi… già la notte si avanza… Ove un asilo mi fia dato trovar? Cittàfatale, covo nefando di crociate jene, tetra sei tu siccome a me ti pinse il pensier di tue gesta inorridito. vedendo Arnoldo Un uom che prega! L'umil veste, il piofervor… tutto mi dice Aldona… ei t'è fratello… è un infelice… ARNOLDO alzandosi Presso Walter si corra… ALDONA timidamente ad Arnoldo Perdonate… ARNOLDO Qual voce!… Un pellegrino!… ALDONA Una infelice donna che da confin remoto qui venne a sciorre un voto. ARNOLDO Lituana all'accento… ALDONA commossa E voi… voi pure?… ARNOLDO Nelle valli di Kowno il sole io vidi… ALDONA con crescente commozione Che intendo!… E voi la patria abbandonaste… Fra sè Oh! Come mi batte il cor! ARNOLDO Qui i teutoni mi trasser prigionier… Ma voi!… Fra sè Gran dio! Qual ansia!. ALDONA animatissima Il nome… il vostro nome… deh!… per pietà svelatemi… ARNOLDO Arnoldo… ALDONA È dunque ver!… Fratello… ARNOLDO Aldona!… Ah! Dimmi che folle non son io… ALDONA abbracciando Arnoldo Te 'l dica il bacio mio… e il pianto del mio cor. ARNOLDO Come qui giunta?… ALDONA interrompendolo In carcerelanguisti? ARNOLDO I casi miei ridir che giova?… Libero… felice appieno or son!… Ma tu?… Dentro le mura d'un chiostro io ti lasciai… ALDONA Nel chiostro la sventura si oblia… l'amor giammai; là… delle suore ancella piansi… pregai… soffersi… ma il voto non proffersi, mentito al ciel non ho. Walter fu sempre il dio che nel mio cor regnò… ARNOLDO E tu di rivederlosempre sperasti? ALDONA Da più di una voce mi gridava nel cor va'!… parti, Aldona, di Marienburgo sulle vie ti reca… ivi il fato si compie… ivi il tuo sposo… ivi l'amante… il nume dell'oppressa tua patria incontrerai… E sola… in veste da pellegrino corsi anelante l'aspro cammino… e qui venuta, nell'ombre avvolta del suo trionfo… sperai gioir. Dirgli t'amo, anco una volta… e benedirlo pria di morir. ARNOLDO Ebben… lo sappi… gioisci, o suora; del dì promesso spuntò l'aurora… Walter io vidi… Walter è qui… ALDONA Tu… lo vedesti? ARNOLDO D'oro fulgente… al par di un nume bello e possente. ALDONA con gioia entusiastica Tu lo vedesti!!! ARNOLDO additando la chiesa Da quella soglia ei parlò ai vinti pace e perdon… La man sull'elsa… la croce in petto, mite all'accento, fiero all'aspetto, tremate, o teutoni! dicea col guardo, del cielo vindice la spada io son. ALDONA con massimo entusiasmo E qui respira… qui regna… ed io fra le sue braccia non volo ancor? ad Arnoldo Vieni… ARNOLDO Né pensi?… ALDONA Con noi sta iddio! VOCI INTERNE Largo ai giullari… ai trovator!… Dei cavalier la festa corriam a rallegrar! ARNOLDO Quai voci! ALDONA Odi, fratel? ARNOLDO I trovatori, i bardi… che muovono al castel! Menestrelli, Aldona, Arnoldo MENESTRELLI Sull'arpe volate festose ballate, sorrisi giocondi, facezie d'amor! La notte si inondi di canti, di suoni, e un gaudio celeste respiri ogni cor! ALDONA, ARNOLDO Del lieto drappello sull'orme muoviamo, la fede ci guidi, ci ispiri l'amor! Albano, e detti ALBANO facendosi incontro ad Arnoldo Straniero… lituano… ove ti inoltri? ARNOLDO Albano! ALBANO riconoscendolo Ciel!… ALDONA Ne ravvisi? ALBANO sommessamente E osate? Incauti, che sperate?… ALDONA Vederlo… la sua voceudir… ALBANO Qual ansia atroce!… ALDONA, ARNOLDO Il varco a tutti aperto vietato a noi sarà?… ALBANO come ispirato Ah! no… Qui iddio vi adduce! Venite a questo cor!… Della superna luce sento irradiarmi ancor! Cauti seguitemi!… ALDONA, ARNOLDO Teco noi siamo!… Ogni tuo cenno compier giuriamo… ALDONA, ARNOLDO, ALBANO Fermi, prudenti, in dio fidenti… pronti a combattere, pronti a morir! escono insieme Ponchielli,Amilcare/I Lituani/II
https://w.atwiki.jp/pipopipo777/pages/16.html
http //www.haaretz.com/hasen/spages/1064909.html Always on the side of the egg By Haruki Murakami I have come to Jerusalem today as a novelist, which is to say as a professional spinner of lies. Of course, novelists are not the only ones who tell lies. Politicians do it, too, as we all know. Diplomats and military men tell their own kinds of lies on occasion, as do used car salesmen, butchers and builders. The lies of novelists differ from others, however, in that no one criticizes the novelist as immoral for telling them. Indeed, the bigger and better his lies and the more ingeniously he creates them, the more he is likely to be praised by the public and the critics. Why should that be? My answer would be this Namely, that by telling skillful lies - which is to say, by making up fictions that appear to be true - the novelist can bring a truth out to a new location and shine a new light on it. In most cases, it is virtually impossible to grasp a truth in its original form and depict it accurately. This is why we try to grab its tail by luring the truth from its hiding place, transferring it to a fictional location, and replacing it with a fictional form. In order to accomplish this, however, we first have to clarify where the truth lies within us. This is an important qualification for making up good lies. Today, however, I have no intention of lying. I will try to be as honest as I can. There are a few days in the year when I do not engage in telling lies, and today happens to be one of them. So let me tell you the truth. A fair number of people advised me not to come here to accept the Jerusalem Prize. Some even warned me they would instigate a boycott of my books if I came. The reason for this, of course, was the fierce battle that was raging in Gaza. The UN reported that more than a thousand people had lost their lives in the blockaded Gaza City, many of them unarmed citizens - children and old people. Any number of times after receiving notice of the award, I asked myself whether traveling to Israel at a time like this and accepting a literary prize was the proper thing to do, whether this would create the impression that I supported one side in the conflict, that I endorsed the policies of a nation that chose to unleash its overwhelming military power. This is an impression, of course, that I would not wish to give. I do not approve of any war, and I do not support any nation. Neither, of course, do I wish to see my books subjected to a boycott. Finally, however, after careful consideration, I made up my mind to come here. One reason for my decision was that all too many people advised me not to do it. Perhaps, like many other novelists, I tend to do the exact opposite of what I am told. If people are telling me - and especially if they are warning me - "don t go there," "don t do that," I tend to want to "go there" and "do that." It s in my nature, you might say, as a novelist. Novelists are a special breed. They cannot genuinely trust anything they have not seen with their own eyes or touched with their own hands. And that is why I am here. I chose to come here rather than stay away. I chose to see for myself rather than not to see. I chose to speak to you rather than to say nothing. This is not to say that I am here to deliver a political message. To make judgments about right and wrong is one of the novelist s most important duties, of course. It is left to each writer, however, to decide upon the form in which he or she will convey those judgments to others. I myself prefer to transform them into stories - stories that tend toward the surreal. Which is why I do not intend to stand before you today delivering a direct political message. Please do, however, allow me to deliver one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall Rather, it is carved into the wall of my mind, and it goes something like this "Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg." 高くて堅い壁があり、それに向って壊れる卵があるとき、私は常に卵の側に立ちたい。 Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be? そうです。たとえ壁が正しく卵が間違っていたとしても、私は卵の側に立ちたい。ほかの方々は、何が正しくて何が間違っているかを決めるべきだというかもしれませんが、たぶんそれは時間と歴史が決めるでしょう。いかなる理由であっても、小説家が壁の側に立って作品を書くならば、その作品にはいったいどんな価値があるというのでしょうか？ What is the meaning of this metaphor? In some cases, it is all too simple and clear. Bombers and tanks and rockets and white phosphorus shells are that high, solid wall. The eggs are the unarmed civilians who are crushed and burned and shot by them. This is one meaning of the metaphor. この比喩の意味は何でしょうか？ 場合によっては、それは単純で明確すぎるほどです。爆撃機に、戦車に、ロケットに、白リン弾、これらが高くて堅い壁にあたります。卵は、それらの兵器によって砕かれ燃やされ撃たれる、武装してない市民のことです。これが比喩の一つの意味です。 This is not all, though. It carries a deeper meaning. Think of it this way. Each of us is, more or less, an egg. Each of us is a unique, irreplaceable soul enclosed in a fragile shell. This is true of me, and it is true of each of you. And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own, and then it begins to kill us and cause us to kill others - coldly, efficiently, systematically. しかしこれが意味の全てではありません。もっと深い意味を導きます。次のように考えてください。多かれ少なかれ、私たち一人一人が卵です。私たち一人一人は、個性的で他人と取り替えることが出来ない精神を、壊れやすい殻の中に閉じ込めています。私もそうです。みなさん一人一人もそうです。私たち一人一人は、激しいかそうでないか程度の差はあれ、高くて堅い壁に立ち向かっています。その壁は、システムという名をもっています。システムは私たちを守ろうともしますが、時としてシステム自身が一人歩きを始め、やがて私たちを殺したり、私たちを殺しに差し向けたりし始めます、---冷徹に、効率的に、そしてシステマチックに。 I have only one reason to write novels, and that is to bring the dignity of the individual soul to the surface and shine a light upon it. The purpose of a story is to sound an alarm, to keep a light trained on The System in order to prevent it from tangling our souls in its web and demeaning them. I fully believe it is the novelist s job to keep trying to clarify the uniqueness of each individual soul by writing stories - stories of life and death, stories of love, stories that make people cry and quake with fear and shake with laughter. This is why we go on, day after day, concocting fictions with utter seriousness. My father died last year at the age of 90. He was a retired teacher and a part-time Buddhist priest. When he was in graduate school, he was drafted into the army and sent to fight in China. As a child born after the war, I used to see him every morning before breakfast offering up long, deeply-felt prayers at the Buddhist altar in our house. One time I asked him why he did this, and he told me he was praying for the people who had died in the war. He was praying for all the people who died, he said, both ally and enemy alike. Staring at his back as he knelt at the altar, I seemed to feel the shadow of death hovering around him. My father died, and with him he took his memories, memories that I can never know. But the presence of death that lurked about him remains in my own memory. It is one of the few things I carry on from him, and one of the most important. I have only one thing I hope to convey to you today. We are all human beings, individuals transcending nationality and race and religion, fragile eggs faced with a solid wall called The System. To all appearances, we have no hope of winning. The wall is too high, too strong - and too cold. If we have any hope of victory at all, it will have to come from our believing in the utter uniqueness and irreplaceability of our own and others souls and from the warmth we gain by joining souls together. Take a moment to think about this. Each of us possesses a tangible, living soul. The System has no such thing. We must not allow The System to exploit us. We must not allow The System to take on a life of its own. The System did not make us We made The System. That is all I have to say to you. I am grateful to have been awarded the Jerusalem Prize. I am grateful that my books are being read by people in many parts of the world. And I am glad to have had the opportunity to speak to you here today. 外国報道
https://w.atwiki.jp/vocaloidenglishlyric/pages/97.html
【Tags Miku U doriko tT tE】 Original Project DIVA extend Music Title 歌に形はないけれど Even Though My Song has no Form (Uta ni Katachi wa Nai Keredo) Music Lyrics written, Voice edited by doriko Music arranged by doriko Singer 初音ミク (Hatsune Miku) Fanmade Promotional Videos Click here for the Japanese Lyrics English Lyrics (by Mαrvel)： The faint crimson-painted petals of time Flutters within the light I should have smiled The vivid days Which we left this at The sand castle crumbles in the waves The dream should end soon If I wake up in this plain white world I won t grasp anything with the arm I ll stretch out The sky I looked up at gets closer to me What did I just lose? In the clear waves Our shadows that reflect are blue and afar That day I took knowledge of the world That became the light I will sing I gave you a smile when you were crying Even if by only a small degree I want to be your helping hand On that day I had burst into tears You were like that to me Here are the things that I forgot All of which are the treasures you gave These things that didn t have any form Won t fade through time In the clear waves No matter how many times it vanishes The sand castle that I leave with you In there, I will gather the light I will sing I gave you a smile when you were crying An unreliable person I might be, but I want to protect you Far apart from me, to where you are This light will go flap its wings across the sky I want this song to reach you The things I give you, are my everything Even though these didn t have any form At the corner of your heart I want to become a shining star Romaji lyrics (transliterated by Mαrvel)： usubeni no toki wo irodoru hanabira hirahira mau hikari no naka boku wa waraeta hazu azayakana hibi ni bokura ga nokoshita suna no shiro wa nami ni tokete kitto yume ga owaru masshiro na sekai de me wo samaseba nobasu ude wa nani mo tsukamenai miageta sora ga chikaku naruhodo ni boku wa nani wo ushinatta? sukitooru nami utsuru bokura no kage wa aoku tooku ano hi boku wa sekai wo shiri sore wa hikari to natta boku wa utau yo egao wo kureta kimi ga naiteru toki honno sukoshi dake demo ii kimi no sasae ni naritai boku ga naiteshimatta hi ni kimi ga sou datta youni boku ga koko ni wasuretamono subete kimi ga kureta takaramono katachi no nai mono dake ga toki no naka de iroasenai mama sukitooru nami nando kieteshimatte mo suna no shiro wo boku wa kimi to nokosu darou soko ni hikari wo atsume boku wa utau yo egao wo kureta kimi ga naiteru toki tayori no nai boku da keredo kimi no koto wo mamoritai tooku hanareta kimi no moto he kono hikari ga sora wo koete habataite yuku sonna uta wo todoketai boku ga okurumono wa subete katachi no nai mono dakedo kimi no kokoro no katasumi de kagayaku hoshi ni naritai
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Organic Orange Orchestra Member かなえ ちえこ あきら まさ いぬ ようすけ（バンマス） Songs My Last Fight / Love Psychedelico Doesn t Really Matter / Janet Jackson Resolution / ROMANTIC MODE このままで / 西野カナ Others Oが３つなので『triO（トリオ）』っていいます.
https://w.atwiki.jp/vocaloidenglishlyric/pages/516.html
【Tags Luka U-ta-P tR R】 Original Music title regeneration Romaji music title regeneration Music Lyrics written, Voice edited by ウタP(U-ta-P) Music arranged by ウタP(U-ta-P) Singer(s) 巡音ルカ (Megurine Luka) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： Under the moonlight that shines the dark night They gather under the moonlight Arias ring in the world that reached the day of perishing Travelers who recited with hopes in their minds open the legendary memories And set out with me for the hill where bells ring Animals running on the earth, birds flying in the sky Recite to protect lives belongs to the world I follow the wind and set leaves of words free in the sky Let the singing voice of prayers fill everything The sounds of bells are now melting into the song The best wishes to lives that were newly woven and born again The sun beams come down through trees and gently surround them who gather The breeze sways grasses in the grassland. The memories burn the heart. Led to the land, the twin stars meet again Even if we go the different ways, it s a fate to encounter Now, recite, my friend, to let it reach the place beyond the sky The song you sing will be a guide that leads them to tomorrow Even if the sand of time falls and today is gone May the unchangeable feelings lit in the heart ring on this planet! Praise my friend and dedicate the verse, Fill the prayers and soar into the sky Now, the ancient verse will be the light Making the wheel of fortune turn , the feelings go around A child who steps toward tomorrow, be with the wind The best wishes to lives that were newly woven and born again Now, recite, my friend. Romaji lyrics (transliterated by blacksaingrain)： yami yo wo terasu tsukikage sono hikari no moto tsudou horobi no toki wo mukaeta sekai ni hibiku Aria negai wo kakete utatta tabibito wa ware to tomo ni denshou no kioku himo toki kane no naru oka mezasu daichi wo kakeru kemono sora wo wataru tori tachi kono yo ni yadoru inochi mamoru tame utae kaze wo oikakete sora ni tokihanatsu koto no wa inori no utagoe takaku subete wo mitase yo kane no oto ga ima uta ni toketeyuku umarekawari aratani tsumugareta inochi ni sachi are yasashiku tsutsumu komorebi tsudou mono tachi wo iyasu sougen yurasu soyokaze mune wo kogasu omoide kano chi ni michibikarete meguriau futatsuboshi yuku michi tagaou tomo kaikousuru sadame iza utae tomo yo sora no kanata e todoku youni kimi ga kuchizusamu uta wa asu no shirube to naru toki no suna ochite kyou ga sarou tomo kokoro ni tomosu yuruginaki omoi kono hoshi ni hibike tatae yo tomo wo sasage yo uta wo mitase yo inori sora eto maiagare inishie no uta ga ima hikari to naru sadame no haguruma mawashi omoi wa meguriyuku kaze to tomo ni are asu eto ayumu ko yo umarekawari aratani tsumugareta inochi ni sachi are iza utae tomo yo [Uta-P, UtaP, U-taP, U-ta-P]