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• elvis @Wiki - Chronicle Books 4

  https://w.atwiki.jp/elvis/pages/1311.html

  Vietnam The Land We Never Knew John Balaban?Geoffrey Clifford? Sounding the Depths 150 Years of American Seascape Harold B. Nelson? Gifts of Age Book of Days Hc *Op* Chronicle Books California Painters New Work Henry T. Hopkins?Jim McHugh? Chef's Hat Naomi Kojima? Little Bunny and the Hungry Fox Ulf Nilsson?Eva Eriksson? Designer's Guide to Japanese Patterns 3 Jeanne Allen Great Vegetables from the Great Chefs Baba S. Khalsa? Calcutta Conversations Lina Fruzzetti?Akos Ostor? The Historic Hotels of Ireland A Select Guide Wendy Arnold?Robin Morrison? Little Bunny at the Beach Ulf Nilsson?Eva Eriksson? Family Bike Rides A Selective Guide to More Than Forty Paved Bike Paths in Northern California Milton Grossberg? Imperial Taste Chinese Ceramics from the Percival David Foundation (Percival David Foundation of Chinese Art Colloquies on Art AndArchaeology in Asia) Suzanne Kotz? Little American Cookbook Kent Russell?Karen Bailey? California from the Air Baron Wolman? English Style Postcards Suzanne Slesin?Stafford Cliff?Ken Kirkwood? Yesterday's Toys Celluloid Dolls, Clowns, and Animals Teruhisa Kitahara? Historic Hotels of London A Select Guide Wendy Arnold? James McNair's Pasta Cookbook James McNair? A Little San Francisco Cookbook Charlotte Walker?Brenda Rae Eno? Bed and Breakfast Northwest Myrna Oakley? The Lost World the Poison Belt Professor Challenger Adventures Arthur Conan, Sir Doyle? Yesterday's Toys Planes, Trains, Boats, and Cars Teruhisa Kitahara? A Little English Book of Teas Rosa Mashiter?Milanda Lopez? Japanese Style Postcards Suzanne Slesin?Stafford Cliff?Daniel Rozensztroch? The Other Guide to San Francisco Or, 107 Things to Do After You'Ve Taken the Cable Car to Fisherman's Wharf Jay Hansen? Spring Is Here Taro Gomi Down Below Aboard the World's Classic Yachts Matthew Walker? Japan Design The Four Seasons in Design Tanaka Ikko?Koike Kazuko? The Historic Country Hotels of England A Select Guide Wendy Arnold?Robin Morrison? The Toronto Guide Margaret Mackenzie?Roderick Mackenzie? Pat Welsh's Southern California Gardening A Month by Month Guide Pat Welsh?Patricia Curtan? Yesterday's Toys Robots, Spaceships, and Monsters Teruhisa Kitahara? A Little English Cookbook Rosa Mashiter?Jan Hill? Bed and Breakfast Colorado and the Rocky Mountain West Buddy Mays? Long Ago Lake A Book of Nature Lore and Crafts (Repr) Marne Wilkins?Martha Weston? Needlework Garden Inspiring Designs for Creative Embroidery Jane Iles? George and His Giant Shadow Jeffrey Severn? Success Stories How Eleven of Japan's Most Interesting Businesses Came to Be Leonard Koren? Penguins Wolfgang Kaehler? Designers Guide to Color James Stockton James McNair's Corn Cookbook James McNair? Postcats/Book and Postcards Lesley Anne Ivory? James McNair's Potato Cookbook James McNair?Patricia Brabant? East Meets Southwest Michael Fennelly?Charles Greer? A Little French Cookbook Janet Laurence?Diana Leadbetter? James McNair's Corn Cookbook James McNair? Irish Laws Mary Dowling Daley?Ian McCullough? Monet's Garden Russell Ash?Bernard Higton? James McNair's Pasta Cookbook James McNair?Patricia Brabant? Penguins Wolfgang Kaehler? James McNair's Potato Cookbook James McNair?Patricia Brabant? Spirit of Native American Beauty and Mysticism in American Indian Art Anna Lee Walters? When the World Screamed Other Stories (Professor Challenger Adventures) Arthur Conan, Sir Doyle? James McNair's Cheese Cookbook James Ncnair? Los Angeles Herald Examiner Guide to Los Angeles Restaurants Merrill Shindler? Caribbean Style Postcards (Postcard Books) Suzanne Slesin? Googie Fifties Coffee Shop Architecture Alan Hess? Seattle An Asahel Curtis Portfolio Archie Satterfield? On Flowers Book of Days Hc *Op* K./Slavin Kleinman? Dog Days A Book of Days Ruth Silverman? Designer's Guide to Color 2 James Stockton Designer's Guide to Color 2 (Designer's Guide to Color) James Stockton Mrs. Mustard's Baby Faces Jane Wattenberg? The Best of San Francisco (Chronicles Books) Don W. Martin?Betty Woo Martin? Greek Style Postcards (Postcard Books) Suzanne Slesin? Shrimp Jay Harlow?Victor Budnik? The Art of California Selected Works from the Collection of the Oakland Museum Christina Orr-Cahall? Machintosh's Masterwork Charles Rennie Machintosh and the Glasgow School of Art William Buchanan?Andrew Maculay?George Rawson?Peter Trowles? Picturing California A Century of Photographic Genius Bill Barich?Therese Thau Heyman?Oakland Museum? Total Design Objects by Architects Dorothy Spencer? Things I Can Make With Cloth Sabine Lohf? Jewish Proverbs Brenda Rae Eno? Hana Yasuhiro Ishimoto? San Francisco Stories Great Writers on the City John Miller? John Register Barnaby Conrad? Things I Can Make With Paper Sabine Lohf? Places to Go with Children in Miami and South Florida Cheryl Lani Juarez?Deborah Ann Johnson? Salad Amy Nathan?Kathryn Kleinman Cars Tin Toy Dreams Teruhisa Kitahara? Who Will Know Us? New Poems Gary Soto? Japanese Style Book of Days Baron Wolman Presents Fdny New York's Bravest! (The Working Fire Series) George Hall?Thomas K. Wanstall? Cheap Sleeps in Paris Sandra Gustafson? Trees (Postbox Collections) Aurum Press? Ski Camping Ron Watters? New Game Cuisine Selected Menus and Suggested Wines Janet Hazen? American Jukebox The Classic Years Vincent Lynch?Kazuhiro Tsuruta? Working Fire George Hall?John Burks? C Is for Curious An ABC of Feelings Woodleigh Hubbard? Longing for Darkness Kamante's Tales from Out of Africa Peter Beard? Designer's Guide to Color 4 Ikuyoshi Shibukawa?Yumi Takahashi? Visions from the Twilight Zone Arlen Schumer? Black Bear Daniel J. Cox? Cold Pasta James McNair? Little Caribbean Cookbook Jill Hamilton? Mughal India (Architectural Guides for Travelers) G. H. R. Tillotson? Robots Tin Toy Dreams Teruhisa Kitahara? My Friends Taro GomiSteve Pear Kavanagh?Richard Queeble Boucher? Harvey Steiman's California Kitchen The Kcbs Kitchen Cookbook Harvey Steiman? Offshore Fishing in Southern California and Baja Chuck Garrison? Designer's Guide to Color 4 Ikuyoshi Shibukawa?Yumi Takahashi? American Stories Fiction from the Atlantic Monthly C. Michael Curtis? Islamic Spain (Architectural Guides for Travelers) Godfrey Goodwin? Glasnost Bizarro Dan Piraro? Billboard Art Sally Henderson? The Historic Hotels of Paris A Select Guide Wendy Arnold?Robin Morrison? Legacy of the Cat Gloria Stephens?Tetsu Sekai No Neko Zukan Yamazaki?Tetsu Yamazaki Vintage Volkswagens Flat 4 Project? Ancient Cities of the Southwest A Practical Guide to the Major Prehistoric Ruins of Arizona, New Mexico Buddy Mays? California Crazy Roadside Vernacular Architecture Jim HeimannRip Georges? Who Likes Rain? Rod Dyer?Tiffany Passwaters? New Ark Cookbook Fresh and Simple Cuisine from the Pacific Northwest Nanci Main?Jimella Lucas? Complete Garden Guide to the Native Perennials of California Glenn Keator? John Register Barnaby Conrad? Swim for Fitness Marianne Brems? San Francisco 49'ers Glenn Dickey? Maya Explorer John Lloyd Stephens and the Lost Cities of Central America and the Yucatan Victor Wolfgang Von Hagen? The Japanese Cat at Home Nobuo Honda? James McNair's Cheese Cookbook James McNair?Patricia Brabant? Trademarks of the 20's and 30's Eric Baker?Tyler Blik? Seven Ancient Wonders of the World/Pop-Up Book Celia King? The Prune Gourmet Donna Rodnitzky?Jogail Wenzel?Ellie Densen? The Gardens of Southern California Helaine Kaplan Prentice? James McNair's Grill Cookbook James McNair? Mondo Bizarro Dan Piraro? Of Men and Mountains William O. Douglas? Cheap Eats in Paris Sandra Gustafson? Angels (Postbox Collection) Aurum Press? New Game Cuisine Selected Menus and Suggested Wines Janet Hazen? Body in Flames/Cuerpo En Llamas Francisco X. Alarcon? James McNair's Grill Cookbook James McNair? So-You Want to Be an Innkeeper The Complete Guide to Operating a Successful Bed Breakfast Inn Mary E. Davies?Pat Hardy?Joann M. Bell?Susan Brown? Vegetables Delphine HirasunaKit Hinrichs?Tom Tracy?Diane J. Hirasuna? The American Jukebox The Classic Years Vincent Lynch?Kazuhiro Tsuruta? Power and Grace The Working Horse Klaus Alvermann? Longing for Darkness Kamante's Tales from Out of Africa Peter Beard? Visions from the Twilight Zone Arlen Schumer? Things I Can Make With Corks Sabine Lohf? Black Bear Daniel J. Cox? Legacy of the Cat Gloria Stephens? Mark Adams Robert Flynn Johnson?Paul Mills?Lorna Price? Classical Turkey (Architectural Guides for Travelers) John Freely? Matchbook Art Yosh Kashiwabara? Food for All Seasons Savory Recipes from the Pacific Northwest David Pisegna? Places to Go With Children in the Southwest Gwynne Spencer? Kabuki Toshio Kawatake? Indian Villages of the Southwest A Practical Guide to the Pueblo Indian Villages of New Mexico and Arizona Buddy Mays? Wind Ups Tin Toy Dreams Teruhisa Kitahara? Little German Cookbook Gertrud Philipine Matthes?Ruth Bleakley-Thiessen? Finding a School for Your Child in San Francisco Marin David Denman? Computer Color 10,000 Computer-Generated Process Colors Michael Rogondino?Pat Rogondino? Gifts of Age Portraits and Essays of 32 Remarkable Women Charlotte Painter?Pamela Valois? Judy Zeidler's International Deli Cookbook Great Recipes from the Broadway Deli Judy Zeidler?Eric Donelan? Matisse/20 Notecards Envelopes San Francisco Museum of Modern Art? The Gift Kristin L. Franklin?Barbara Lavallee? Let's Do It Cole Porter?Ward Schumaker? James McNair Cooks Italian James McNair? Lakota Seeking the Great Spirit (Native American Wisdom) Terry P. Wilson? Chocolate The Food of the Gods Chantal Coady?Liz Wright? Wild Love Nan Richardson?Catherine Chermayeff? James McNair Cooks Southeast Asian James K. McNair? Arts and Crafts of Indonesia Anne Richter?John Storey? Places to Go With Children in Colorado (Fun Places to Go) Marty Meitus?Patti Thorn? Sexy Hieroglyphics 3,375 Do-It-Yourself Haiku Laurie Anne Fox? Florida Stories Tales from the Tropics John Miller?Kirsten Miller? Italy The Vegetarian Table (Vegetarian Table) Julia Della Croce?Deborah Jones? Sea Animals Amy Ericksen? By the Power of Their Dreams Songs, Prayers, and Sacred Shields of the Plains Indians Maureen E. Mansell? The Chicken Soup Book Old and New Recipes from Around the World Janet Hazen?Lilla Rogers? The Secret Language of Symbols A Visual Key to Symbols and Their Meanings David Fontana? Goal! Great Moments in World Cup History John S. Snyder? Chivalry The Path of Love (Medieval Wisdom) McKnight? Women's Work Textile Art from the Bauhaus Sigrid Weltge-Wortmann?Sigrid Wortmann Weltge? A Good Day for Soup Jeannette Ferrary?Louise Fiszer? Mark Tansey Judi Freeman?Alain Robbe-Grillet?Mark Tansey?Los Angeles County Museum of Art? Ink, Paper, Metal, Wood Painters and Sculptors at Crown Point Press Kathan Brown? Who's Getting Ready for Christmas Maggie Kneen? Venice Tales of the City (Chronicles Abroad) John Miller?Kirsten Miller? Designer's Guide to French Patterns Catherine Bindman? Alchemy The Art of Knowing (Medieval Wisdom) McKnight? France The Vegetarian Table (Vegetarian Table) Georgeanne Brennan Mexico The Vegetarian Table (Vegetarian Table) Victoria Wise The Basic Gourmet 100 Foolproof Recipes and Essential Techniques for the Beginning Cook Diane MorganDan Taggart?Kathleen Taggart?Georgia Vareldzis? Wild Babies Nan Richardson?Catherine Chermayeff?Umbra Editions (Firm)? Man As Art New Guinea Malcolm Kirk? Places to Go With Children in Miami and South Florida Cheryl Lani Juarez?Deborah Ann Johnson? The Antic Alphabet Lena Lencek? Arts and Crafts of Indonesia Anne Richter?John Storey? James McNair Cooks Southeast Asian James K. McNair? Mysticism The Experience of the Divine Medieval Wisdom (Little Wisdom Library) McKnight? Frida Kahlo The Brush of Anguish Martha Zamora?Marilyn Sode Smith? Jungle Animals Amy Ericksen? Spring Evenings, Summer Afternoons A Collection of Warm-Weather Recipes Barbara Scott-Goodman?Mary Goodbody?Tom Christopher? Monterey Bay and Beyond The Best of California's Central Coast from Santa Cruz to San Simeon Lucinda Jaconette? The Secret Language of Symbols A Visual Key to Symbols and Their Meanings David Fontana? Wild Beasts Photographs Nicolas Bruant? Cairo Tales of the City (Chronicles Abroad) John Miller?Kirsten Miller? Fire on the Mountain The Nature of Volcanoes Dorian Weisel?Carl Johnson? Designer's Guide to Scandinavian Patterns Thomas Parsons? On Being Happy Patrick Yee? Arthouse Graham Percy? At Adair's House More Columns from America's Favorite Former Single Mom Adair Lara? Polar Bear Downs Matthews?Dan Guravich? In the Spirit of Mother Earth Nature in Native American Art Jeremy Schmidt?Laine Thom Tina Modotti A Fragile Life Mildred Constantine? Irish Wisdom Classic Irish Triads Fergus Kelly?Aislinn Adams? Liplap's Wish Jonathan London?Sylvia Long That's the Way I See It David Hockney?Nikos Stangos? The Great Paper Toy Show Makiko Azakami? A Little Book of Irish Verse National Gallery of Ireland? Japanese Modern Graphic Design Between the Wars James Howard Fraser?Steven HellerSeymour Chwast Island Barbecue Spirited Recipes from the Caribbean Dunstan A. Harris?Brooke Scudder? More Weekends for Two in Northern California 50 All-New Romantic Getaways Bill Gleeson?John Swain? Homeless Portraits of Americans in Hard Times Howard Schatz?Beverly J. Ornstein? Folk Wisdom of Mexico Proverbios Y Dichos Mexicanos Jeff M. Sellers?Annika Maria Nelson? The Car Book Goran Uggla? A Little Book of Scottish Verse National Gallery of Scotland? "Are We There Yet?" And 99 Other Reasons Not to Have Kids Barbara Govednik?Ellen Toomey? Rub a Dub Dub Who's in the Tub? Jun Takabatake? The Candy Cookbook Recipes for Spectacular Truffles, Brittles, Toffees, Chocolates, and More Carole Bloom? Tips for Teens Telephone Tactics, Petting Practices, and Other Milestones on the Road to Popularity Benjamin Darling Mama Do You Love Me (Doll) Barbara M. Joosse? Feast of the Olive Cooking With Olives and Olive Oil Maggie Blyth Klein?Mary Rich? The Delectable Apple (Artful Kitchen) Kathleen Desmond Stang?Lynne Riding? In the Spirit of Mother Earth Nature in Native American Art Jeremy Schmidt?Laine Thom Too Little Too Big Colette Hellings?Dominique Maes? Indian Circus Mary Ellen Mark? A Little Book English Verse Appletree Press? Honey Paw and Lightfoot Jonathan London?Jon Van Zyle? Desert Dwellers Native People of the American Southwest Scott S. Warren? Weekends for Two in Northern California 50 Romantic Getaways Bill Gleeson?John Swain? Rock-A-Bye Rhymes Four Miniature Nursery Rhyme Books in a Rocking Horse Slipcase/Polly Put the Kettle On/Wee Willie Winkie/One, Two, Buckle My Shoe (Classic Illustrated Treasury) Charles Folkard? Russian Proverbs Chris Skillen?Vladimir Lubarov? Flying Sausages Simple, Savory Recipes for Creating and Cooking With Chicken and Turkey Sausages Bruce Aidells?Denis Kelly? Pep Talk Inspiration from America's Great Coaches Sheila Meehan?Mike Dowdall? The School in Murky Wood Malcolm Bird? Let's Be Safe Containing Such Useful Information As the Avoidance of Strangers and Their Candy, How Not to Be Run over by a Car, and How Generally Benjamin Darling Parallel Utopias The Quest for Community Richard Sexton? Saints A Visual Almanac of the Virtuous, Pure, Praiseworthy, and Good Tom Morgan? Over My Dead Body The Sensational Age of the American Paperpack 1945-1955 Lee Server? Terrific Tomatoes Simple Secrets for Glorious Gardens-Indoors and Out (A Garden Style Book) Mimi LuebbermannFaith Echtermeyer The Great Egg Hunt Maggie Kneen? Fragrant Flowers Simple Secrets for Glorious Gardens-Indoors and Out (A Garden Style Book) Georgeanne BrennanFaith Echtermeyer Postmark Paris A Little Album of Memories Leslie Jonath? Things I Can Make With Stones Sabine Lohf? Living Colors The Definitive Guide to Color Palettes Through the Ages Margaret Walch?Augustine Hope? Quick Bike Repairs (Do It/Purchase As a Prepack of 6) Redefinition? Hockey! Great Moments and Dubious Achievements John S. Snyder? Start a Garden (Do It/Purchase As a Prepack of 6) From the Garden/Cards and Envelopes (Artcarts) Deborah Schenck The City by the Bay/Blank Cards (Chronicle Artcards) Elisa Kleven? Harmony by Hand Navajo Weavings/Cards and Envelopes (Artcards) Mcquiston & Partners? Pasta Harvest Delicious Recipes Using Vegetables at Their Seasonal Best Janet Fletcher?John Vaughan? Dolls Toys of Native America A Journey Through Childhood Don McQuiston?Debra McQuiston? Dolls Toys of Native America A Journey Through Childhood Don McQuiston?Debra McQuiston? Hot Licks Great Recipes for Making and Cooking With Hot Sauces Jennifer Trainer Thompson?Mercedes McDonald? From Metal to Mozart The Rock and Roll Guide to Classical Music Craig Heller? Road to Rome An Artist's Year in Italy Marlene McLoughlin? This Is San Francisco A Classic Portrait of the City Robert O Brien? Ginger (Artful Kitchen) Lou Seibert Pappas? Household Emergencies (Do It K of 6) Bread for All Seasons Delicious and Distinctive Recipes for Year-Round Baking Beth Hensperger Mitsuaki Iwago's Whales Mitsuaki Iwago A Place in the World Called Paris Steven Barclay?Miles Hyman? Ken Hom's Quick and Easy Chinese Cooking Ken Hom?Paul Berg? Brahaus Samuele Mazza? Bread for All Seasons Delicious and Distinctive Recipes for Year-Round Baking Beth HenspergerVictoria Pearsons? Fix Your Plumbing (Do It) Citrus Ethel Brennan? Focaccia Simple Breads from the Italian Oven Carol Field?Joyce Oudkerk Pool? Playing Chess With the Heart Beatrice Wood at 100 Beatrice Wood?Marlene Wallace? The Brontes Scenes from the Childhood of Charlotte, Branwell, Emily and Anne Catherine Brighton? Lauren Groveman's Kitchen Nurturing Food for Family Friends Lauren Groveman? The Great American Carousel A Century of Master Craftsmanship Tobin Fraley? The Best of San Francisco A Witty and Somewhat Opinionated Insider's Guide to Everybody's Favorite City Don W. Martin?Betty Woo Martin? Bay Area Bike Rides Ray Hosler? Images of Ireland A Book to Keep and 15 Different Cards to Send (Chronicle Giftworks Series) Griffin Sabine An Extraordinary Address Book Nick Bantock A Little Canadian Cookbook (Little Book Series) Faustina Gilbey?Karen Bailey? Fathers and Daughters In Their Own Words Mariana Ruth Cook?William Styron? Flight into Egypt Binding the Book Timothy Ely? Scottish Toasts and Graces (Little Books) Charles MacLean?Catherine McWilliams? A Aga Jake Gordon Young? Efficient Housecleaning (Do It/Purchase As a Prepack of 6) Redefinition? Sun-Dried Tomatoes (Artful Kitchen) Ethel Brennan?Jack Molloy? Mendocino and Other Stories Ann Packer? Francis, the Earthquake Dog Judith Ross Enderle?Stephanie Gordon Tessler?Brooke Scudder? A Sense of Mission Historic Churches of the Southwest David Wakely?Thomas A. Drain? Turn It Up! 50 All-New, Fiery Recipes for Cooking With Chilies, Peppercorns, Mustards, Horseradish, and Ginger Janet Hazen?Joyce Oudkerk Pool? The Great American Carousel A Century of Master Craftsmanship Tobin Fraley? Places to Go With Children Around Puget Sound Elton Welke? Gardens in Art A Book to Keep and 15 Different Cards to Send (Chronicle Giftworks Series) Little Hawaiian Cookbook (Little Books) Kelly Malone?Georgianna Lagoria?Mary Mauphy? Good Night! Claire Masurel?Marie H. Henry? A Little Chicago Cookbook (Littel Books Series) Judith Ferguson?Susan David? Over My Dead Body The Sensational Age of the American Paperback 1945-1955 Lee Server? The Night I Followed the Dog Nina Laden? Fathers and Daughters In Their Own Words Mariana Ruth Cook?William Styron? Prague (Chronicles Abroad) John Miller?Kirsten Miller?

• ━G【к】K━ Wiki - sorarisの部屋

  https://w.atwiki.jp/gkk_wiki/pages/9.html

  報告 sorarisです． GKKクランを脱退することに決めました． このホームページの私に関する項目は随時削除していきます． GKKの皆さんへ 勝手ながらクラン抜けさせてもらいました． GKKに所属できたことを誇らしく思います． 今までどうもありがとう．楽しかったです． 以上

• KEROTV RANKING - POP ASSORT

  https://w.atwiki.jp/keroro00innovator/pages/1850.html

  POP ASSORT POP ASSORT アーティスト STAR☆ANIS 発売日 2014年6月25日 レーベル ランティス デイリー最高順位 2位(2014年6月28日) 週間最高順位 4位(2014年7月1日) 月間最高順位 9位(2014年6月) 年間最高順位 92位(2014年) 初動売上 4653 累計売上 6457 収録内容 曲名 タイアップ 視聴 1 笑顔のSuncatcher アイカツ! 劇中歌 2 CHU-CHU♡RAINBOW 3 Sweet Sp!ce 4 永遠の灯 5 オーロラプリンセス 6 ミトレジャーノ! 7 アイドル活動! ～いちご＆あかり Ver.～ 8 キラキラデイズ ランキング 週 月日 順位 変動 週/月間枚数 累計枚数 1 7/1 4 新 4653 4653 2014年6月 9 新 4653 4653 2 7/8 12 ↓ 1008 5661 3 7/15 ↓ 464 6125 4 7/22 332 6457 2014年7月 ↓ 1804 6457 関連CD COOL MODE Sexy Style

• SOUND VOLTEX @ wiki - Last Resort

  https://w.atwiki.jp/sdvx/pages/6291.html

  Last Resort/ xi Lv CHAIN 譜面属性 BPM TIME Version Genre Illustrator Effect NOVICE 07 0917 252 IV38 FLOOR 《激情》掻き抱くAI - 嬬武器烈風刀◆ぺぬ MAD CHILD VX ADVANCED 14 1602 何ともつかぬ感情に、 -《激情》-嬬武器烈風刀◆ぺぬ EXHAUST 17 2093 振り回されて、傷ついて、慈しんで、溺れて、溺れて、溺れて -《激情》-嬬武器烈風刀◆ぺぬ MAXIMUM 19 2808 「この苦しさが"ヒト"だと云うならば、僕は…」 -《激情》-嬬武器烈風刀◆ぺぬ +難易度投票 NOVICE 選択肢 投票数 投票 詐称 0 強 0 中 0 弱 0 逆詐称 0 ADVANCED 選択肢 投票数 投票 詐称 4 強 0 中 0 弱 0 逆詐称 0 EXHAUST 選択肢 投票数 投票 詐称 0 強 0 中 1 弱 3 逆詐称 0 MAXIMUM 選択肢 投票数 投票 詐称 4 強 4 中 3 弱 0 逆詐称 0 動画検索 攻略・解説 譜面・楽曲の攻略についてはこちらへどうぞ 見辛さ解消の為に改行や文頭の編集、不適切なコメントを削除することがあります 名前 コメント ※文頭に[ bgcolor(#aaf){NOV}]、[ bgcolor(#ffa){ADV}]、[ bgcolor(#faa){EXH}]、[ bgcolor(#888){MXM}]をコピー ペーストすると見やすくなります コメント 楽曲やイラストなどのコメントについてはこちらへどうぞ xi氏の中ではかなりの高速曲。あのFDよりも速い。速い… -- (名無しさん) 2018-02-23 21 57 34 BPM 2 5 2 -- (名無しさん) 2018-02-26 17 38 54 ADV地雷すぎる・・・イルネスヘブンより全然むずいやんけ -- (名無しさん) 2018-02-28 14 43 56 名前 コメント すべてのコメントを見る

• GAZA兵器と人間・資料庫 @ wiki - 13 Jan 2009 英国下院での討論

  https://w.atwiki.jp/pipopipo777/pages/38.html

  http //www.publications.parliament.uk/pa/cm200809/cmhansrd/cm090113/debtext/90113-0001.htm 13 Jan 2009 Column 115 House of Commons, Tuesday 13 January 2009 The House met at half-past Two o’clock Prayers [Mr. Speaker in the Chair] Oral Answers to Questions Foreign and Commonwealth Office The Secretary of State was asked— House of Commons, Tuesday 13 January 2009Palestine Belarus Gaza Palestine 機械翻訳 1. Mr. Alistair Carmichael (Orkney and Shetland) (LD) What work his Department is undertaking in Palestine; and if he will make a statement. [246475] 彼の部を扱うことは、パレスチナでの仕事です。 そして、彼であれば、ステートメントを発表するでしょう。 The Minister of State, Foreign and Commonwealth Office (Bill Rammell) Mr. Speaker, before I answer the question may I say that, as you will be aware, the Foreign Secretary is on an official visit to India, where he is meeting the Indian Government and Opposition and making a speech on terrorism. He will also be discussing India’s relations with Pakistan in the aftermath of the Mumbai bombings, as well as other regional issues. My right hon. Friend sends his apologies. 議長さん、質問に答える前に、私が、あなたが意識するように、インドへの公式参拝にはForeign長官がいると言いますように、彼がインドの政府とOppositionと会合して、テロで演説しているところで。 また、彼はムンバイ爆撃の余波でパキスタンとのインドの関係について議論するでしょう、他の地域問題と同様に。 私の正しい恋人。 友人は彼の謝罪を送ります。 Our current focus is on securing an immediate and permanent ceasefire in Gaza. The Prime Minister and the Foreign Secretary have urged both sides to stop the violence and fulfil their humanitarian obligations. Last week’s United Nations Security Council resolution, tabled by the United Kingdom, called for an immediate ceasefire. The Government are also working on making a ceasefire sustainable, including exploring ways to stop arms trafficking and to open the crossings to Gaza. 私たちの現在の焦点がガザで即座の、そして、永久的な休戦を保証するところにあります。 首相とForeign長官には、暴力を止めて、それらの人道主義の義務を果たす促された両側があります。 先週のイギリスによって見送られた国連安全保障理事会の決議は、即時停戦を求めました。 また、政府は休戦を持続可能にするのに取り組んでいます、兵器が取引するのを止めて、ガザに交差点を開く方法を探るのを含んでいます。 Mr. Carmichael Does the Minister share my concern that many reports of Israeli activity in Gaza, including the use of phosphorescent shells and the use of heavy-fire shells in built-up areas and attacks on medical facilities, all constitute prima facie evidence of war crimes. What will the Government do to ensure that where that prima facie evidence exists there will be a full investigation and that those responsible will be brought to justice? 大臣は医療設備に対する市街地と攻撃における燐光性のシェルの使用と猛烈な砲火シェルの使用を含むガザでのイスラエルの活動の多くのレポートがすべて、戦争犯罪の明白な証拠を構成するという私の関心を共有しますか? 政府は、そんなに一見したところでは証拠がそこにどこに存在するかが、詳細な調査であり、責任があるものが裁判に処罰されるのを保証するために何をするでしょうか? Bill Rammell Extremely serious allegations about the conduct of both sides during the conflict have been made by the International Committee of the Red Cross and others. Those allegations have to be properly investigated. The hon. Gentleman referred to the alleged use of white phosphorus. Those allegations have been made but not substantiated and although the use of white phosphorus is not illegal the UK Government are very clear that it should not be used as an anti-personnel weapon and certainly not in a civilian environment. We 13 Jan 2009 Column 116 will continue to make our view very clear to the Israeli Government and to urge them, as we have done, to do everything possible to avoid civilian casualties. 闘争の間の両側の行為に関する非常に重大な主張は赤十字国際委員会と他のものによってされました。 それらの主張は適切に調査されなければなりません。 恋人。 紳士は黄リンの申し立てられた使用について言及しました。 それらの主張は、作られていますが、実体化されていません、そして、黄リンの使用は不法ではありませんが、イギリスの政府は、それが反人員兵器と確かに民間環境でないことのように使用されるべきでないのが非常に明確です。私たちは、私たちの視点をイスラエル政府に非常に明らかにして、それらを促し続けるつもりです、私たちが民間人の死傷者を避けるために手を尽くすためにしたように。 Derek Wyatt (Sittingbourne and Sheppey) (Lab) I understand that evidence of white phosphorus on civilians in Gaza has been confirmed. If that is the case, is it the intention of the UK to report the Israelis to the war crimes tribunal? 私は、ガザの民間人の黄リンに関する証拠が確認されたのを理解しています。 それがそうであれば、それはイギリスがイスラエル人を戦争犯罪法廷に報告するという意志ですか? Bill Rammell May I make it clear to my hon. Friend that my understanding is that the allegations have not been substantiated? Nevertheless, it is the case that extremely serious allegations about the conduct of both sides have been made. Those allegations have to be properly investigated and I remain absolutely firmly of that view. 私が恋人にそれを明らかにしますように。 友人、私の理解は、主張が実体化されていないということですか? それにもかかわらず、両側の行為に関する非常に重大な主張をしたのは、事実です。 それらの主張は適切に調査されなければなりません、そして、私はしっかりその視点を絶対に残します。 Mr. James Clappison (Hertsmere) (Con) But while these allegations are being made, is there not an interest in having some balance and remembering that this undoubtedly began through unprovoked aggression by Hamas firing a huge number of rockets into Israel, aimed at civilian targets? Would the proper step not be for Hamas to stop firing those rockets? As long as they are being fired, they are derailing the peace process in the middle east, which may be the intention. しかし、これらの主張をしている間、何か何らかのバランスを持っていて、これが確かに刺激されない攻撃性を通して民間目標が目的とされた、イスラエルに巨大な数のロケットを撃つハマスで始まったのを覚えていることへの関心がありませんか? 適切なステップはそれらのロケットを撃つのを止めるハマスのためのものでないでしょうか? 発火している限り、それらは中東で和平プロセスを脱線させています。(それは、意志であるかもしれません)。 Bill Rammell I visited Ashkelon, near the border, just before Christmas and the air raid sirens were going off while I was there. If that is happening on a sustained daily basis—as it has been—it is a real cause for concern. That is why we have argued as strongly as we have both for the rocket attacks to stop and also for an effective ceasefire. There has been massive loss of life in the Gaza strip; the figure is now 900 people, 250 of them—crucially—children. That is why we need a ceasefire and why we have argued so strongly for it and why we secured the Security Council resolution last week. 私はAshkelonを訪問しました、境界の近くで、私がそこにいた間、クリスマスと空襲サイレンがうまく行く予定であるすぐ前に。 それがそれのように持続している日課でナウいなら--それは関心の本当の原因です。 それは、私たちがともに私たちがロケット攻撃を止めなければならないのと同じくらい強さと有効な休戦のためにも論争した理由です。 大規模な死亡がガザ地区にありました。 図は現在の900人、重要に彼らの250人です--子供。 それは休戦がなぜ必要であったか、そして、私たちがなぜそれほど強くそれについて賛成の議論をするか、そして、私たちがなぜ先週安全保障理事会の決議を保証したかということです。 Dr. Phyllis Starkey (Milton Keynes, South-West) (Lab) May I remind the Minister that the allegations of international law abuse have been backed by the Israeli human rights organisation, B’Tselem, and by Amnesty? Christian Aid has just reported that one of its mother and baby clinics was bombed by the Israelis earlier this week and completely destroyed. May I press the Minister specifically on what the British Government will do to make sure that there is an independent investigation? Will he take the matter to the EU sub-committee on human rights to see whether the trade agreement can be suspended? 私は、国際法乱用の主張がイスラエルの人権機関、B TselemとAmnestyによって支持されたのを大臣に思い出させてもよいですか? クリスチャンのAidは、母親と赤ん坊の診療所の1つが今週、イスラエル人によって爆撃されて、完全に破壊されたとちょうど報告したところです。 私は、独立調査があるのを確実にするように特に英政府がすることの大臣に強要してもよいですか? 彼は、貿易協定が中断できるかどうか確認するために人権のEU小委員会にその物質を取るでしょうか? Bill Rammell I know that my hon. Friend has a genuine and long-standing interest in these issues. Our overriding priority at the moment is to do everything possible, both diplomatically and politically, to get to a ceasefire. That is what we are driving towards. Consistent with that, we have nevertheless repeatedly called both publicly and, crucially, privately on all parties to fulfil their humanitarian obligations and to facilitate the delivery and distribution of aid, and that we will continue to do. 私はそれを知っています。私の恋人。 友人は本物の、そして、長年の関心をこれらの問題に持っています。 私たちが現在優先権をくつがえすのは、休戦を始めるために外交的に政治的に手を尽くすことになっています。 それは私たちが運転していることです。 それと一致しています、それにもかかわらず、私たちは繰り返して公的に両方と呼びました、そして、彼らの人道主義の義務を果たして、援助と、その配送と分配を容易にするために、すべてのパーティーでは、重要に、そして、個人的に、し続けるつもりです。 Angus Robertson (Moray) (SNP) Is the Minister aware of diplomatic reports that the middle east envoy, Tony Blair, had to be recalled from holiday and from lucrative speaking engagements to deal with the present situation? Does he not share my concern that Mr. Blair has not even been to Gaza at this critical time? 中東使節(トニー・ブレア)が休日と、そして、有利な口約束から呼び戻されなければならなかったという外交レポートを意識している大臣は現在の状況に対処することになっていますか? 彼はブレアさんがこの重要な時にガザに行ったことさえないという私の関心を共有しませんか? 13 Jan 2009 Column 117 Bill Rammell Frankly, that is beneath contempt and does not do the hon. Gentleman justice. 率直に言って、それは、軽蔑にあって、恋人をしません。 紳士正義。 Mr. Mark Hendrick (Preston) (Lab/Co-op) My hon. Friend will be aware of the terrible humanitarian situation in Gaza and of the fact that 850 people have been killed, 250 of them children. What attempts are the Government making to ensure that Israel makes available more time to enable essential medical aid to get through to the Palestinians? I understand that only one fifth to one sixth of the required medical and food supplies are getting through now. 私の恋人。 友人はガザのひどい人道的状況と850人を殺してあるという彼らの250人が子供事実を知るでしょう。 政府は、イスラエルが不可欠の医療扶助がパレスチナ人に通じるのを可能にするより多くの時間を利用可能にするのを保証するためにどんな試みをしていますか? 私は、医学と食物の必要な供給の1/5?1/6だけが今通っているのを理解しています。 Bill Rammell I agree, and we have argued consistently that an immediate and sustainable ceasefire is urgently needed. In tandem, we have argued strongly that humanitarian aid—food, medical equipment and supplies—should be allowed in unfettered. My right hon. Friend the Foreign Secretary and I met humanitarian non-governmental organisations yesterday; they reported to us that just one fifth of the necessary supplies are getting in daily. That is the reason for the urgency and the reason why we have consistently and continually argued for a ceasefire. 私は同意します、そして、私たちは即座の、そして、持続可能な休戦が緊急に必要であると一貫して主張しました。 2人乗り自転車では、私たちは、自由にされて、その人道救助(食物、医療機器、および供給)が許容されるべきであると強く主張しました。 私の正しい恋人。 友人、Foreign長官と私は、昨日、人道主義の非政府組織と会合しました。 彼らは、ちょうど必要な供給の1/5が毎日入っていると私たちに報告しました。 それは、緊急の理由と私たちが一貫して、そして絶えず休戦について賛成の議論をした理由です。 Sir John Butterfill (Bournemouth, West) (Con) Does the hon. Gentleman not think it ironic that the present Israeli Government were elected on a programme of withdrawing settlements and negotiating a twin-state arrangement independently, and have shown evidence of that purpose by withdrawing from Gaza and removing their own settlements from the area? Are not the present circumstances therefore primarily the responsibility of Hamas, which failed to take up the offers made by the Israeli Government, but continued its programme of rocketing civilians? 恋人をします。 紳士は、現在のイスラエル政府が解決から撤退して独自に双子の州のアレンジメントを交渉するプログラムのときに選出されたのが、皮肉であると考えて、ガザから撤退して、その領域からそれら自身の解決を取り除くことによって、その目的の示された証拠を持っていませんか? したがって、現在の事情は主としてハマスの責任ではありませんか?(イスラエル政府によってされた申し出を始めませんでしたが、それは、急騰している民間人のプログラムを続けていました)。 Bill Rammell I believe very strongly there are responsibilities on all sides. The situation in the Gaza strip and southern Israel is desperate; that is why we urgently need a ceasefire. We must remember that as long as the conflict is taking place, the prospects for a longer-term and durable middle east peace settlement are moving further away. That is why dealing with the situation is so important and why we have argued as strongly as we have for a ceasefire. 私は、責任が四方に非常に強くあると信じています。 ガザ地区と南イスラエルの状況は破れかぶれです。 それは、休戦が緊急に必要である理由です。 私たちは、闘争が起こっている限り、より長い期間、長持ちする中東和平調停の見通しがもっと遠くへ離れているのを覚えていなければなりません。 それは時局に処するのがなぜとても重要であるか、そして、私たちがなぜ休戦のために私たちが論争したのと同じくらい強く論争したかということです。 Mark Durkan (Foyle) (SDLP) Yesterday, the Foreign Secretary adequately and unequivocally condemned the terrorist means being used by Hamas. Does the Minister of State accept that the essence of terrorism is to attack civilians and civil infrastructure with a view to achieving or imposing political ends? When, therefore, will the Government similarly condemn the onslaught by Israel on the people of Gaza and stop the twin pretence that there is either military equivalence or moral difference between the terror tactics being deployed by the Israelis and those used by Hamas? 昨日、ハマスによって使用されることでForeign長官は、適切に、明確にテロリスト手段を非難しました。 国務大臣は、テロの本質が政治的目的を達成するかまたは課すために民間人と民間インフラストラクチャを攻撃することであると受け入れますか? したがって、政府は、いつガザの人々の上で同様にイスラエルによる猛攻撃を非難して、テロ戦術の間には、軍事の等価性か道徳的な違いのどちらかがあるという双子の見せかけが、イスラエル人とハマスによって使用されたものによって配備されるのを止めるでしょうか? Bill Rammell We have consistently and rightly argued that the sustained rocket attacks on the state of Israel are wrong and unacceptable; but we have also rightly called for a cessation of the Israeli activity in the Gaza strip. At the beginning of the conflict—this is the point the hon. Gentleman is driving at—a European Union statement was made that described the Israeli response as disproportionate. We supported that view and that is one of the reasons why we have argued as strongly as we have for a ceasefire. 私たちは、イスラエルの州に対する持続しているロケット攻撃が間違っていて容認できないと一貫して、正しく主張しました。 しかし、また、私たちは正しくガザ地区でのイスラエルの活動の休止を求めました。 闘争の始めに、これはポイントです。恋人。 紳士は、声明がされたヨーロッパ連合で運転することですイスラエルの応答が不均衡であると記述した。 私たちはその視点を支持しました、そして、それは私たちが休戦のために私たちが論争したのと同じくらい強く論争した理由の1つです。 13 Jan 2009 Column 118 Belarus 2. Mr. Gary Streeter (South-West Devon) (Con) What recent discussions he has had with the Government of Belarus on human rights in that country. [246476] The Minister for Europe (Caroline Flint) I met the Prime Minister of Belarus in London on 17 November. I urged the Government to make tangible human rights progress in a number of areas, including greater freedom of the media, engagement with civil society and political opponents of the regime. Mr. Streeter I am grateful to the Minister for that reply. She will know that, since 1994, that country has been run by an autocratic Soviet-style president, who keeps himself in office by locking up political opponents and rigging elections— [ Interruption. ] —nothing like this country whatsoever. Given that we are talking about a European country—a country in the centre of Europe—surely the UK and EU can do more to support the movements for change and the opposition in Belarus, and to bring about a peaceable, transforming, democratic revolution in that country. Caroline Flint I thank the hon. Gentleman for his comments. I know that he plays an important role in human rights issues. I reaffirm to the House that, although the EU, with the UK’s support, has opened up some opportunities, there is a six-month window come March this year, Foreign Ministers will take a decision on whether some of the opening up and reduction of restrictions should continue. Although some small progress has been made in the past few months in relation to the media and political prisoners, a lot more could be done. It is up to those who run Belarus to make the effort. We shall continue to press, as we have for many years through our mission in Belarus, to support those who want more democratic engagement and freedom of expression. Mr. Mark Francois (Rayleigh) (Con) During last September’s elections in Belarus, the Organisation for Security and Co-operation in Europe provided a team of observers, who concluded in their subsequent report that despite some minor improvements, “Further substantial efforts are required if Belarus is to conduct genuinely democratic elections in line with OSCE commitments.” Does the Minister have any real evidence of progress made by the authorities in Belarus since then—progress that might give us greater confidence that the country is at last moving towards a more pluralistic, democratic model in which we can have some confidence? Caroline Flint The OSCE election monitors made a number of recommendations, as the hon. Gentleman points out. In my previous answer, I referred to some small progress; for example, there have been no further political prisoners, and the opposition press has been given some limited circulation in Minsk. However, undoubtedly, in the next few months, we would like to see some opportunity for the OSCE recommendations to be fulfilled on the ground, including in relation to freedom of the press, the engagement of the opposition parties, and the ability for people to make their views 13 Jan 2009 Column 119 known, including through demonstrations. Also, we would like an end to use of the law to harass those with different political views from those of the people who run the country. We will continue to press on all those fronts. Mr. Bernard Jenkin (North Essex) (Con) To what extent do the Government hold Russia responsible for the state of human rights in Belarus? Is it not interesting that while Ukraine struggles for freedom and democracy, and has its gas supplies cut off, Belarus has free and easy gas supplies from Russia without any agreement whatever? Caroline Flint We should remember that while there is, clearly, a long-standing relationship between Belarus and Russia, it is Belarus that has approached the European Union and the Council of Europe, indicating a desire and a wish to have, in future, a good partnership with the west. The country recently received an International Monetary Fund loan, because it faces huge difficulties with its economy. The future is about holding those in Belarus to account, in terms of what we would expect in a good partnership with the European Union. At the same time, we should recognise that Belarus initiated contact with the EU and the west. If that means that we can improve human rights, trade, and so forth, that is a good thing. Gaza 3. Mr. Jim McGovern (Dundee, West) (Lab) If he will make a statement on the political situation in Gaza. [246477] The Minister of State, Foreign and Commonwealth Office (Bill Rammell) The UK Government are extremely concerned about the current violence in Gaza. We are in close contact with all the key players and are at the centre of efforts to reach a ceasefire and secure urgent humanitarian assistance. The Foreign Secretary was instrumental in gaining Security Council agreement around a British text, which became resolution 1860; that now needs to be reflected in reality on the ground. For any ceasefire to be sustainable, it has to include action to stop illegal arms trafficking into Gaza and opening the crossings into Gaza. Mr. McGovern May I thank the Minister for that response? Last week, along with three other hon. Members—my hon. Friends the Members for Glasgow, Central (Mr. Sarwar), for Livingston (Mr. Devine), and for Stoke-on-Trent, Central (Mark Fisher)—I visited Pakistan, where we were fortunate enough to meet the Prime Minister, the President, and the Leader of the Opposition, all of whom expressed deep concern about what is happening in Gaza. I was left with the overwhelming impression that without peace in Palestine, there will not be peace anywhere in the middle east. Does the Minister agree that current efforts are being undermined by the conflict in Palestine, and that the Palestinian moderates, who seek a peaceful settlement with Israel, are being undermined by the conflict? Bill Rammell There is widespread, genuine concern across the whole international community at the current situation. I share with my hon. Friend a real concern, and I say this as a friend of the state of Israel there is a real risk that current actions will reinforce extremism 13 Jan 2009 Column 120 within the region and the wider world, and undermine those who are arguing for peace, particularly in the Arab states. Alistair Burt (North-East Bedfordshire) (Con) But is not one of the fears of the world that the tragic loss of life in Gaza today will be compounded, and be seen to have been in vain, unless on this occasion, when hostilities stop, they do so on the basis of the chance of a secure, long-lasting peace? That will not be the case until Hamas and its allies move tangibly towards an acceptance of, and stop terrorising, the state of Israel. Bill Rammell I strongly agree with the hon. Gentleman. While Hamas remains committed to the obliteration of the state of Israel and to acts of terror, launching rocket attacks on a regular basis, we will not make progress. We need to move forward and agree a ceasefire, which must address the critical issue of arms smuggling across the border. That is one reason why the talks in Egypt are incredibly important. David Cairns (Inverclyde) (Lab) According to reports from Egypt, the Speaker of the Iranian Parliament, Ali Larijani, and Saeed Jalili from the Iranian security services are actively encouraging Hamas not to enter into a ceasefire and, indeed, to step up the rocket attacks. Does my hon. Friend agree that those reports not only underline Iran’s wholly malign influence in this region but underscore genuine fears among the Israeli public that behind Hamas is a country led by a lunatic and committed to the destruction of the state of Israel? Bill Rammell There are genuine and long-stated concerns about the regional role played by Iran. We constantly urge all parties and states in the region to work with us to try to secure a ceasefire as the first step that is desperately needed for the Palestinians in Gaza and for the Israelis. Sir Nicholas Winterton (Macclesfield) (Con) Would the Minister not accept that the situation in Gaza is horrific? There are no words to describe what is going on there at the moment, but does he not accept that if Hamas gave an undertaking to stop the rocketing of Israel, the Israeli defence forces would withdraw, and it would give all those who are concerned about the future of Gaza, particularly President Abbas of the Palestinian Authority, the opportunity to bring peace? Will he tell us what influence President Abbas, for whom I have great respect, is trying to bring to the chaotic situation in Gaza? Bill Rammell President Abbas has been crucially involved in all the discussions, and he was involved in the discussion that led up to the Security Council resolution in New York last week. I very much agree with the hon. Gentleman that we need a ceasefire, and a key element of that ceasefire is stopping on a sustainable basis the rocket attacks by Hamas into Israel. If that is to happen, we must address in a real and meaningful way the smuggling of arms across the border. Andrew Gwynne (Denton and Reddish) (Lab) The Foreign Secretary was right to emphasise the need to facilitate Palestinian unity in his statement on Monday, which is difficult, given the violent methods that Hamas employed to seize control of the Gaza strip, executing Fatah supporters and expelling Palestinian trade unionists. 13 Jan 2009 Column 121 Is my hon. Friend concerned about reports coming out of the Gaza strip that the execution of Fatah supporters has resumed? If so, what are the British Government doing to make their views known? Bill Rammell We make very clear our opposition to such actions, and we need to move forward. We need Palestinian recognition, but that fundamentally requires movement on the part of Hamas. Mr. William Hague (Richmond, Yorks) (Con) The Minister rightly said that the Government have argued for better access for humanitarian aid to Gaza, but will he say more specifically what the Government can do, or are doing, about the representations from the ICRC on the creation of safe passage, particularly for ambulances, for the evacuation of the most urgent medical cases, and on the need for both sides to meet their obligations under international law to protect aid workers at all times? Is he satisfied that all necessary plans are being made now, so that Gaza can receive a great deal of aid and assistance for its civilian population whenever there is a cessation of hostilities? Bill Rammell We are certainly working to that effect, and the announcement that the Government made last week of $10 million additional support for aid is a demonstration of that commitment. We need to keep arguing, too, that we need to reach that ceasefire as quickly as possible but, notwithstanding that, we must ensure that the aid is getting through on an unfettered basis, and continuing discussions are taking place about what is the most effective route to get that aid into Gaza. next section トップページ

• d2peca - Nezeramontias/SoulDatabaseO-Ztable

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  Name (N) (M) (H) 特徴 Spawn Area Spawn Area2 Spawn Area3 Oblivion Knight - - - - The Chaos Sanctuary - - Oddity - - - - Forgotten Temple Ruined Fane Durance of Hate Lv3 Oderus - - ● SCD, Absorb Kagero Lv2 Kagero Lv3 - Omega Knight - ● - - Kagero Lv1 - - Overlord - - - - Pit of Acheron - - Pain Worm - - - - Halls of Pain - - Phase Knight ● ● - - Kagero Lv4 Kagero Lv5 - Pindleskin - - - - Nihlathak s Temple - - Pit Load - ● - - Plains of Despair - - Pit Viper - - - - Swampy Pit Lv1 Swampy Pit Lv2 Flayer Dungeon Lv1 Plague Bugs ● - ● - Spider Forest Great Marsh - Plague Bearer ● - - - Lost City Ancient Tunnels - Poison Spinner - - - - Arachnid Lair - - Poison Spitter - - - - Sewers Lv1 (Act3) - - Possessed Guard - - - - Palace Cellar Lv2 - - Preserved Dead ● - - - Tal Rasha s Tomb Swampy Pit Lv1 Sewers Lv1 (Act3) Prowling Dead ● - - - Nihlathak s Temple Halls of Anguish Icy Cellar Psycho Guard - - - - Palace Cellar Lv3 Tal Rasha s Chamber - Putrid Defiler - - - - Halls of Pain - - Quill Bear - - - - Cold Plain - - Quill Rat ● - ● QuillRat変身 Blood Moor Cold Plain - Radament - ● - 変身 骨召喚 Sewers Lv3 (Act2) - - Rage Scythe - - - - Glacial Trail Drifter Cavern - Rancid Defiler - - - - Worldstone Keep Lv3 - - Rank Defiler - - - - Throne of Destruction - - Rat Man - - - - Catacombs Lv1 Catacombs Lv2 Catacombs Lv3 Rat Man Shaman ● ● - - Catacombs Lv3 Spider Forest Swampy Pit Lv1 Razor Beast - - - - Rocky Waste - - Razor Spine - - - - Rocky Waste - - Reanimated Horde - - - - Glacial Trail - - Red Storm ● - ● テレポート Arcane Sanctuary - - Returned ● - - 骨召喚 Black Marsh Halls of the Dead Lv1 Halls of the Dead Lv2 Returned Mage - - - - Tamoe Highland - - Rhino Beetle - - - - Mystery Egg - - Rock Dweller - - - - Tal Rasha s Tomb Tal Rasha s Chamber - Rock Man - - - - Hole Lv1 Hole Lv2 - Rock Worm - - - - Maggot Lair Lv1 Maggot Lair Lv2 - Rock Worm Young - - - - Maggot Lair Lv1 Maggot Lair Lv2 - Rogue - - - - Stony Field Dark Wood - Rogue Captain - - ● 安売り・FE矢 Pit Lv2 Outer Cloister - Rot Walker - - - - Frozen River - - Runt - - - - Tower Cellar Lv2 Pit Lv2 - Runt Shaman - - - - Tower Cellar Lv2 Pit Lv2 - Saber Cat - - - - Dry Hills - - Salamander - - - - Valley of Snakes Claw Viper Temple Lv1 Claw Viper Temple Lv2 Sand Fisher ● - - - Palace Cellar Lv1 Palace Cellar Lv3 - Sandman - - ● - Lost City - - Sand Maggot - - - - Maggot Lair Lv2 Maggot Lair Lv3 - Sand Maggot Young - - - - Maggot Lair Lv2 Maggot Lair Lv3 - Sand Raider - - - - Sewers Lv1 (Act2) - - Sand Leaper ● - - - Rocky Waste - - Sand Warrior - - ● ... - - - Satan ● - - 高性能, Zeal Kagero Lv6 - - Scarab - - - - Maggot Lair Lv1 Maggot Lair Lv3 - Schizophrenic ● - - - Pit of Acheron - - Scorching Dead Archer - - - - Outer Steppes Plains of Despair - Scream Skeleton Archer - - - - Worldstone Keep Lv1 - - Serpent Magus - - ● - Forgotten Temple Ruined Fane Disused Reliquary Sexton - - - - Kurast Bazaar - - Shadow Reaper - ● - - Kagero Lv1 Kagero Lv2 Kagero Lv3 Shadow Serpent - ● ● - Kagero Lv2 Kagero Lv3 - Shadow Stalker - - - - Arcane Sanctuary - - Shadow Wraith - ● - - Kagero Lv4 Kagero Lv5 - Sickle Skeleton - - ● - Outer Steppes - - Skeleton - - ● 骨召喚 Burial Grounds Mausoleum Cave Lv1 Skeleton Archer - - - - Underground Passage Lv1 Underground Passage Lv2 Dark Wood Ski-Jir - - - - Worldstone Keep Lv1 Worldstone Keep Lv2 - Slayer - - - - Bloody Foothills Frigid Highlands Arreat Plateau Slouch - - - - Crystalline Passage - - Smokey - - - - Inner Cloister - - Snake Bowman ● - - ストレイフ、ガイデッド Claw Viper Temple Lv1 - - Snow Drifter - - - - Drifter Cavern - - Snow King ● - - KB Frozen Tundra - - Soul Killer(ダーツ) - - ● Slow Flayer Jungle Flayer Dungeon Lv1 Flayer Dungeon Lv3 Soul Killer(近接) - - ● - Flayer Jungle Flayer Dungeon Lv1 Flayer Dungeon Lv3 Soul Killer Shaman - - - - Flayer Jungle Flayer Dungeon Lv1 - Spear Cat - - - - Dry Hills Halls of the Dead Lv3 - Specter - - - - Arcane Sanctuary - - Spell Sucker - - - - Swampy Pit Lv3 - - Spider Magus - - - - Ruined Temple - - Spike Fiend - - - - Dark Wood Black Marsh - Spike Giant - - - - Black Marsh - - Spikefist - - - - Kurast Causeway Travincal - Spirit Bear - - - - The Ancients Way Icy Cellar Arreat Summit Spirit Drinker - - ● - Kagero Lv2 Kagero Lv3 - Steel Scarab - - - - Canyon of the Magi Tal Rasha s Tomb - Steel Weevil ● - - - - - - Storm Caster - - - - The Chaos Sanctuary - - Storm Lord - - - - River of Flame - - Storm Rider - - - - Upper Kurast Kurast Causeway - Strangler - - - - City of the Damned River of Flame - Stygian Dog - - - - City of the Damned - - Stygian Doll ● - ● - Lower Kurast Kurast Bazaar - Stygian Doll Shaman ● - - 3属性レジストオーラ Lower Kurast Kurast Bazaar - Stygian Fury ● - ● - Frozen River Arreat Summit Worldstone Keep Lv2 Stygian Hag - - - - City of the Damned - - Stygian Harlot - - ● - Crystalline Passage Frozen River The Ancients Way Succubus ● ● - マナ吸い River of Flame Arreat Plateau - Sucker - - - - Spider Forest - - Summoner - ● - ... Arcane Sanctuary - - Swamp Ghost - - - - Ruined Temple Sewers Lv1 (Act3) Sewers Lv2 (Act3) Tainted - - - - Pit Lv2 Catacombs Lv1 Catacombs Lv2 Talic - - - - Arreat Summit - - Terrax - - ● - Tal Rasha s Tomb Tal Rasha s Chamber - The Banished - - - - Catacombs Lv3 - - The Countess - - - - Tower Cellar Lv3 - - The Smith - - - - Barracks - - The Summoner - - - - Arcane Sanctuary - - Thorn Beast - - - - Tamoe Highland - - Thorned Hulk - - ● ... Spider Forest Flayer Jungle - Thrasher - - - - Flayer Jungle Upper Kurast - Tin Man ● - - 鉄ゴレ Durance of Hate Lv1 Durance of Hate Lv2 - Titan - - - - River of Flame - - Tomb Creeper - - - - Lost City - - Tomb Viper - - - - Catacombs Lv3 - - Training Snake - - - - Pit Lv1 Jail Lv1 Jail Lv2 Treasure Giant ● ● - - Infernal Pit - - Treasure Hoarder - ● ● 親蟲変身 毒耐性 Infernal Pit - - Treasure Maggot ● ● ● - Infernal Pit - - Treasurebus ● ● ● - Infernal Pit - - Trelon - - - - Halls of the Dead Lv2 - - Trocopotaca - - - - Ancient Tunnels - - Undead Fetish - - ● - Tal Rasha s Tomb Tal Rasha s Chamber - Undead Flayer - - - - Flayer Dungeon Lv1 Flayer Dungeon Lv2 Flayer Dungeon Lv3 Undead Hyper Doll ● ● ● - Kagero Lv1 Kagero Lv2 - Undead Rat Man - - - - Catacombs Lv1 Catacombs Lv2 - Undead Scavenger - - - - Far Oasis - - Undead Soul Killer ● - - - Swampy Pit Lv3 Sewers Lv1 (Act3) Sewers Lv2 (Act3) Undead Stygian Doll ● - - - Swampy Pit Lv1 Swampy Pit Lv2 Swampy Pit Lv3 Undead Voodoo Fetish ● - - - Halls of Pain Worldstone Keep Lv1 - Unraveler ● - - - Tal Rasha s Tomb Tal Rasha s Chamber - Urdar ● - - Smite River of Flame - - Venom Load - - - - Plains of Despair The Chaos Sanctuary - Vile Archer - - - - Black Marsh Hole Lv1 Hole Lv2 Vile Hunter - - - - Underground Passage Lv2 - - Vile Temptress - - - - Drifter Cavern - - Vile Witch - - ● - Worldstone Keep Lv1 - - Vip Viper - - - - Dry Hills Far Oasis - Viper Archer - - - - Swampy Pit Lv1 Swampy Pit Lv2 - Voodoo Fetish - ● - - Glacial Trail - - Voodoo Fetish Blower ● - - - Crystalline Passage - - Voodoo Fetish Shaman - - - - Glacial Trail - - Wailing Beast - - - - Ruined Temple Disused Fane - Warped Fallen - ● - ... - - - Warped One - - - - Kagero Lv3 - - Warped Shaman - - - - Kagero Lv3 - - Webbed Mistress ● - - - Halls of Anguish Halls of Pain - Widow - - - - Spider Cavern Arachnid Lair - Wild Boar - - - - Stony Field Dark Wood - Winged Nightmare - - ● ライフ吸い Flayer Jungle - - World Killer Young - ● - 不要 River of Frame - - Worlock - - - - The Chaos Sanctuary Kagero Lv1 - Wraith - - - - Jail Lv1 Cathedral - Wrath Minion - - - - Kagero Lv6 - - Yeti - - - - Outer Cloister - - Yuanti Bowman - - - - Icy Cellar - - Zealot - ● - - Sewers Lv2 (Act3) Upper Kurast Kurast Causeway Zombie - - ● - Blood Moor Den of Evil -

• オペラ対訳プロジェクト - Mozart,Wolfgang Amadeus/Così fan tutte+/I-1

  https://w.atwiki.jp/oper/pages/3575.html

  登場人物 フィオルディリージ：フェラーラ出身でナポリに住む姉妹 ドラベルラ：フェラーラ出身でナポリに住む姉妹 グルエルモ：フィオルディリージの恋人 フェルランド：ドラベルラの恋人 デスピーナ：侍女 ドン・アルフォンソ：老哲学者 合唱 兵士たち、召使たち、水夫たち等 序曲 第１幕 第１景 カフェテラス （フェルランド、グリエルモ、ドン・アルフォンソ） No.1　三重唱 フェルランド あのドラベルラ がそんなこと、 ばかばかしい、 あの姿を そのままに、 優しい愛 の真心。 グルエルモ あのフィオルディリージ が裏切り、 ばかなこと、 愛の誓い いつまでも、 変わることは あるものか。 ドン・アルフォンソ 無駄に歳（とし）は とらんつもりだ。 このあたりで 議論はよそう。 フェルランド、グリエルモ いや、このまま には済まされぬ、 聞き捨てならぬ その言葉。 ドン・アルフォンソ これはどうも… フェルランド、グリエルモ 証拠を見せろ、 でなければ 刀を抜け、 長いよしみ もこれまで。 （剣に手をかける） フェルランド、グリエルモ （独白） 命にかけて 聞き捨てならぬ、 今の言葉、 かりそめにも 聞き捨てはならない（ならぬ）。 フェルランド 今の言葉、今の言葉、 さぁ答えろ、さぁ答えろ。 グリエルモ 聞き捨てはならぬ、 聞き捨てはならぬ、 さぁ答えろ、さぁ答えろ。 ドン・アルフォンソ （独白） ばかげたこと！ これはどうも、 何とかうまく 証しを立てねば、 まぁ待ってくれ、まぁ待ってくれ。 レチタティーヴォ フェルランド、グリエルモ 取り消すか、剣を 抜いて相手になるか。 ドン・アルフォンソ （落ち着いて） 争うのは テーブルの上だけだ。 フェルランド それならば答えろ、 なぜ彼女の愛の誠を 認めないのだ！ ドン・アルフォンソ ＜カット＞ 何と無邪気な！ フェルランド 冗談はやめろ、天に誓って… ドン・アルフォンソ 俺は地に誓おうか、 愛する友よ、 これだけは君らに 分かってもらいたい、 彼女らといえど ほかの女たちと変わらぬただの 女だということを、つまり女神でも なければ天使でもないと… フェルランド、グリエルモ 彼女は あ…永遠に、変わらず… ドン・アルフォンソ まぁ落ち着いて とくと見るがいい。 女の真心とは何かと！ No.2　三重唱 ドン・アルフォンソ （冗談まじりに） いつも変わらぬ女 の真心とは、 話には聞くが、さてほんとに あるものか、さあそれは、誰も知らない。 フェルランド （情熱的に） あの人に限り、 ドラベルラ、 変わらぬ真心。 あの人に限り、 変わらぬ真心、 ドラベルラ。 グリエルモ あの人に限り、 フィオルディリージ、 変わらぬ真心。 あの人に限り、 変わらぬ真心、 フィオルディリージ。 ドン・アルフォンソ そんなものがこの 世にあるのもか、 ばかげた話さ。 いつも変わらぬ女 の真心とは、 話には聞くが、 ほんとに、あるものか、 誰も知らぬ、誰も知らぬ。 レチタティーヴォ フェルランド 詩人の夢さ。 グリエルモ 年寄の愚かさ。 ドン・アルフォンソ まぁいい、では聞くが、 一体どこに その証拠がある、女たちの 変わらぬ誠の、 またその上に君たちだけ を愛するという？ フェルランド 長い経験… グリエルモ 高い教養… フェルランド 大したものだ… グリエルモ 妙なるハルモニー… フェルランド 岩のごとく… グリエルモ 揺るがぬ彼女の… フェルランド 愛の… グリエルモ 真心… フェルランド 気高い… ドン・アルフォンソ 涙、くちづけ、口説（くぜつ）、ため息、 笑わせちゃいかん。 フェルランド 何だと、 ばかにするのか？ ドン・アルフォンソ まぁ静かに。 もしそれを証明し たら君らの考えも変わるかな？ グリエルモ そんなこと！ フェルランド ありえない！ ドン・アルフォンソ よしやろう！ フェルランド 賭けは、 ドン・アルフォンソ 百ゼッキーネ。 グリエルモ お望みどおり。 ＜カット＞ ドン・アルフォンソ ではここで、誓うか、 あの二人には何も言わない、 知らせないと。 フェルランド 誓う。 ドン・アルフォンソ 軍人の名誉にかけるか？ グリエルモ わが名誉にかけて。 ドン・アルフォンソ 私の指図どおり 異存はないか？ フェルランド よし。 グリエルモ すべて。 ドン・アルフォンソ ブラヴィッシミ！ フェルランド、グリエルモ ブラヴィッシモ、 シニョール　ドン・アルフォンソ！ フェルランド 君の金で楽しませてもらおう。 グリエルモ （フェルランドに） その金で俺は何をしようか？ No.3　三重唱 フェルランド 妙なるセレナーデ、 あの人のために、 捧げよう、妙なるセレナーデ。 グリエルモ あの人のために 僕はすばらしい ご馳走を用意しよう、 すばらしいご馳走を。 ドン・アルフォンソ わしも呼んでくれるか？ フェルランド、グリエルモ 勿論あなたも お招きしましょう、 勿論あなたも。 フェルナンド、グリエルモ、ドン・アルフォンソ わが恋のために 杯（はい）を重ねよう。 愛の女神を 讃えていざ乾杯、 わが恋のために 杯（はい）を重ねよう。 わが恋のために 杯（さかずき）を上げ、 愛の女神に 感謝を捧げよう。 （退場） 第２景 海岸にある庭園 （フィオルディリージとドラベルラは脇の壁に掛っている肖像画を見つめている） No.4　二重唱 フィオルディリージ まぁ見てご覧よ、 この絵姿、 ねぇ、ねぇ、この口もと、 気高い姿 この世にま れなお方。 ドラベルラ これを見てよ、 燃えるような瞳、 胸を焦がし 焼き尽くす 燃える瞳、 胸を焦がし 焼き尽くす。 フィオルディリージ りりしい雄姿、 そして恋人。 ドラベルラ 優しい声は 甘い蜜のように、 そして火のような情熱。 フィオルディリージ 私、夢のように幸せ。 ドラベルラ 私こんなに幸せ。 フィオルディリージ、ドラベルラ もしもこのこ ころがいつか 変わることがあれば。 フィオルディリージ あれば、あればとんでも ないことよ。 とんでもないことよ。 もしもこのこ ころがいつか 変わることがあれば、あた しの命の終わる時、 命の終わる時ですわ、 もしもそんなことがあれば。 ドラベルラ あたしの、命の終わる 時ですわ。 終わる時ですわ、 命の終わる時ですわ、 もしそんなことがあれば、 もしもこのこ ころがいつか 変わることがあればあた しの命の終わる時。 フィオルディリージ そんなことが、そんなことが、 あればそんな、ことがあれば、 とても生きておれませぬ。 レチタティーヴォ ＜カット＞ 第３景 （前景の人々、ドン・アルフォンソ） フィオルディリージ あの方がみえたわ。 ドラベルラ いえ違うわ、あれはアルフォンソ 様よ、つまらない。 フィオルディリージ ようこそ シニョール　ドン・アルフォンソ。 ドン・アルフォンソ いやどうも。 ドラベルラ 何か、あったのかしら、あの方が 見えないのは、どうかなさったの？ 私の… フィオルディリージ あの方は… ドン・アルフォンソ あぁ何ということだ！ No.5　アリア ドン・アルフォンソ 何と申したらいいやら、 口は開いても 喉につかえて 言葉にならぬ。 どうしたら、いいやら、 ほんとにとんだこと！ 何と申したらいいやら（別訳：どうすればいいことやら）、 悪いお知らせ、 これは辛くて、 この口からは 辛くて言えませぬ。 レチタティーヴォ フィオルディリージ どうぞ、お願いです、ドン・アルフォンソ、 死んでしまいそうです。 ドン・アルフォンソ お二人とも 気を確かに持って。 ドラベルラ あぁ神よ、何か 恐ろしいことが、まさかもしや あの方がお亡くなりに？ フィオルディリージ あの方も？ ドン・アルフォンソ あぁいくらか、それよりはましです。 ドラベルラ お怪我？ ドン・アルフォンソ いや。 フィオルディリージ ご病気？ ドン・アルフォンソ でもない（別訳：いやいや）。 フィオルディリージ ではそれは？ ドン・アルフォンソ 出陣です、 国王の命令で。 フィオルディリージ、ドラベルラ まぁ、ひどい！ フィオルディリージ でお立ちは？ ドン・アルフォンソ 今すぐに。 ドラベルラ 引き止めることはできないの？ ドン・アルフォンソ 駄目です。 フィオルディリージ 何も言わずに。 ドン・アルフォンソ お会いするのが彼らに は恐ろしいのです。 もし望まれるなら、 そこに… ドラベルラ 何処に？ ドン・アルフォンソ さぁ君たち、入りたまえ。 第４景 （フィオルディリージ、ドラベルラ、ドン・アルフォンソ、旅支度のフェルランド、グリエルモ） No.6　五重唱 グリエルモ おぉ、神よ、この足は 石のように重い。 フェルランド あぁ声も震えて 何も言えませぬ。 ドン・アルフォンソ いかなる悲しみも 雄々しく耐えるのだ。 フィオルディリージ、ドラベルラ 恐ろしいことを、 今はそのお手で あたしの哀れなこの胸を ただ一突きに。 フェルランド、グリエルモ 愛しき恋人よ、 しばしの別れ。 ドラベルラ （フェルランドに） いえ、いえ、ゆかずに。 フィオルディリージ （グリエルモに） お別れするより。 ドラベルラ あなたのお傍で。 フィオルディリージ 死なせてください。 フェルナンド （ドン・アルフォンソにそっと） 聞いたか？ グリエルモ （ドン・アルフォンソにそっと） 聞いたか？ ドン・アルフォンソ （二人にそっと） 聞いたが、最後に、 笑うは、誰かな。 フィオルディリージ、ドラベルラ 如何に、はかなき我が身の 喜び、冷たき定めか。 フェルランド はかなき我が身の 冷たき定めか。 ドン・アルフォンソ、グリエルモ つかの間の夢か、 はかなき我が身の。 つかの間の夢か、 冷たき定めか。 全員 あぁこれがこの世の 悲しき定め、 悲しきこの世の定め（か）？ フィオルディリージ あぁなぜこんなことに。 ドラベルラ どうして、なぜこんなことに。 フェルランド あぁ、なぜこんなことに。 ドン・アルフォンソ、グリエルモ あぁ、なぜこんなことに。 全員 なぜこんなことに。 レチタティーヴォ ＜カット＞ No.7　小二重唱 ＜カット＞ ドン・アルフォンソ （独白） なかなかうまいぞ、二人とも 大したものだ。 （小太鼓の音が遠くから聞えて来る） フェルランド あぁもう太鼓 の音が聞こえる、 聞こえる、すぐに行かなければ。 ドン・アルフォンソ もう迎えの船が。 フィオルディリージ あぁどうしよう。 ドラベルラ どうしよう。 第５景 （フィオルディリージ、ドラベルラ、ドン・アルフォンソ、フェルランド、グリエルモ、兵士、人々） （少し離れた所で軍隊のマーチ。海岸に小船が到着する。その後、一隊の兵士たちが入って来る。男たち、女たちが続く。） No.8　合唱 兵士たち、人々 進め強者（つわもの）、 我らが勇士、 我らが行く手に 敵するものなし、 恐れずにゆけ。 太鼓打ち鳴らして、 敵を打ち破れ。 今ぞ祖国のために 立つときぞいざ、 おぉ我らが勇士。 レチタティーヴォ ドン・アルフォンソ さぁ我が友よ、急がぬと船 に遅れるぞ、出発の時間だ。 フィオルディリージ 我が… ドラベルラ いとしの君… フェルランド 我が… グリエルモ 宝… フィオルディリージ せめてひととき… ドン・アルフォンソ ＜カット＞ 船は待っている。 ＜カット＞ ＜カット＞ もう時間はないぞ。 フェルランド、グリエルモ さらば恋人よ。 フィオルディリージ、ドラベルラ もうお終いね。 No.9　五重唱 フィオルディリージ （泣きながら） 毎日、手紙を あたしの愛しい方。 ドラベルラ （泣きながら） あたしには 二度づつ、きっとよ。 フェルランド 大丈夫、忘れはせぬ。 グリエルモ 優しい、優しいことを。 ドン・アルフォンソ （独白） 笑わなければ 俺は死にそうだ。 フィオルディリージ 忘れないで… ドラベルラ 信じているわ。 フェルランド さらば。 グリエルモ さらば。 フィオルディリージ、ドラベルラ さらば。 フィオルディリージ、ドラベルラ、フェルランド、グリエルモ あぁこの胸は張り裂けそう！ この胸は張り裂けそうだ。 さらば、さらば、さらば（別訳：さよなら、さよなら、さよなら）。 ドン・アルフォンソ これはたまらぬ、 俺は死にそうだ、 腹の皮が破れて 死んでしまう。 兵士たち、人々 進め強者（つわもの）、 等々。 （合唱が繰り返している間に、フェルランドとグリエルモは小太鼓の音の中、小船に乗って去って行く。兵士たちも去り、男たち、女たちも退場する。恋人たちは海岸で動かずにいる。） 第６景 （フィオルディリージ、ドラベルラ、ドン・アルフォンソ） レチタティーヴォ ＜カット＞ ドン・アルフォンソ すばらしい恋人、よき友よ。 No.10　三重唱 フィオルディリージ、ドラベルラ、ドン・アルフォンソ 風よやさしく、 波静かに、 願いに答えて ゆく手守れ、 安らかに。 （フィオルディリージとドラベルラ退場） 第７景 レチタティーヴォ ＜カット＞ 第８景 レチタティーヴォ ＜カット＞ 第９景 （デスピーナ。フィオルディリージとドラベルラが絶望して現れる。） レチタティーヴォ デスピーナ （小さなお盆にココアを載せて持って来る） お食事でございます、お嬢様。 （ドラベルラには床に身を投げ出す） フィオルディリージ、ドラベルラ 神様、何という？ フィオルディリージ あぁ！ ドラベルラ あぁ！ （二人は女性用の装身具をすべて取ってしまう） デスピーナ どうなさって？ フィオルディリージ 毒を頂戴。 ドラベルラ 刀はないの？ デスピーナ お嬢様、お静かに。 ドラベルラ 下がって、気が狂いそうよ、 この苦しさ。 その窓をお閉め、光りもいや、 息をするのもいや、何もいや、 この悲しみを、癒す術（すべ）は。 さぁ、早く行って、さぁ、早く、 あぁ私をひとりにしてよ！ No.11　アリア ドラベルラ この痛手に 気も狂いそう、 この胸を 掻き乱す 苦しさは この世の 終りか。 この悲しみ、 たとえ生き 長らえても 望みもなし、 虚ろなる 我が心に 残るは、 ただ恨 みのみ（よ）。 レチタティーヴォ デスピーナ シニョーラ　ドラベルラ、 シニョーラ　フィオルディリージ、 何が起こりましたの？ ドラベルラ 恐ろしいことよ！ デスピーナ それはまた何が。 フィオルディリージ あの方々は もうここにいないのよ。 デスピーナ （笑いながら） それだけで？ すぐお帰りですわ。 ドラベルラ どうして！ デスピーナ （笑いながら） 大丈夫、 それで何処へ？ ドラベルラ 戦争に行ったのよ。 デスピーナ それはまたすばらしい。 勲章を持って帰るわ。 フィオルディリージ もし戦死したら。 デスピーナ それなら、なお、 おめでたいことですわ。 フィオルディリージ （怒って） ばかなことを。 デスピーナ あら二人失う代わりにほかの全部が ご自分のものですわ。 フィオルディリージ あぁ私のグリエルモ、 生きてはいられないわ。 ドラベルラ あぁ私のフェルランド、 私にとってこの世は墓場だわ。 デスピーナ まぁ、お可哀想に、でも この世の中に死ぬほど値打ちの ある男なんか、何処を探しても いやしませんわ。 ＜カット＞ デスピーナ まぁそのうち元気でお帰り になりますよ、とにかく今は 涙なんか流して いないで、お楽しみになることを お考えなさいませ。 フィオルディリージ （非常に怒って） 楽しむ？ デスピーナ はい、さよう、ゆっくりと お楽しみなさいませ、浮気 でもなさっては、あの方々と同じに。 ドラベルラ 類（たぐい）なき私の真心、 いつまでも変ることなきを。 デスピーナ これは子供たちの お相手でとんだ暇つぶし。 No.12　アリア デスピーナ 男に、誠を 求めるのは？ 誠を求めるなんて？ それは無理というもの、 それは、とても。 （笑いながら） お気にさわりましたら どうぞお許しください。 誰も彼も 同じこと、 同じように 風の中の 枝のように 気はそぞろに フラフラ。 動き回る、 流し目も、 甘い言葉 もその場の 楽しみが ほしいため。 男たちは 皆同じ、 明日（あす）になれば 気も変わる、 どれもこれも 似たもの。 女のほうも 負けぬように 軽い気持ちで やりましょう。 男たちに 負けぬよう、 軽い気持ちで やりましょう。 ときどきの気 まぐれで ラララ、ラララ、ラララ、ラ。 好きなように やりましょう。 男たちに 負けぬよう、 軽い気持ちで やりましょう。 （退場） Personaggi FIORDILIGI e DORABELLA, Dame Ferrarese e sorelle abitanti in Napoli GUGLIELMO, Ufficiale, amante di Fiordiligi FERRANDO, Ufficiale, amante di Dorabella DESPINA, Cameriera delle dame DON ALFONSO, vecchio Filosofo CORO Soldati, Servitori, Marinari, Convitati alle nozze, Popolo. Ouvertura ATTO PRIMO SCENA PRIMA Bottega di caffè. Ferrando, Guglielmo e Don Alfonso N. 1 - Terzetto FERRANDO La mia Dorabella Capace non è, Capace non è Fedel quanto bella Il cielo la fé, Fedel quanto bella Il cielo la fé. GUGLIELMO La mia Fiordiligi Tradirmi non sa, Tradirmi non sa Uguale in lei credo Costanza e beltà, Uguale in lei credo Costanza e beltà. DON ALFONSO Ho i crini già grigi, Ex cathedra parlo; Ma tali litigi Finiscano qua. FERRANDO e GUGLIELMO No, detto ci avete Che infide esser ponno; Provar ce l dovete, Se avete onestà. DON ALFONSO Tai prove lasciamo… FERRANDO e GUGLIELMO No, no, le vogliamo O, fuori la spada, O, fuori la spada, O, fuori la spada, Rompiam l amistà. Metton mano alla spada FERRANDO e GUGLIELMO fra sé Sul vivo mi tocca Sul vivo mi tocca Chi lascia di bocca Sortire un accento Che torto, che torto le fa. FERRANDO Che torto le fa, che torto le fa, Che torto le fa, che torto le fa. GUGLIELMO Che torto, che torto le fa, Che torto, che torto le fa, Che torto le fa, che torto le fa. DON ALFONSO fra sé O pazzo desire! Cercar di scoprire Quel mal che, trovato, Meschini, meschini ci fa, Meschini ci fa, meschini ci fa. Recitativo GUGLIELMO Fuor la spada! Scegliete Qual di noi più vi piace. DON ALFONSO placido Io son uomo di pace, E duelli non fo, se non a mensa. FERRANDO O battervi, o dir subito Perché d infedeltà le nostre amanti Sospettate capaci! DON ALFONSO Cara semplicità, quanto mi piaci! FERRANDO Cessate di scherzar, o giuro al cielo!… DON ALFONSO Ed io, giuro alla terra, Non scherzo, amici miei; Solo saper vorrei Che razza di animali Son queste vostre belle, Se han come tutti noi carne, ossa e pelle, Se mangian come noi, se veston gonne, Alfin, se Dee, se donne son… FERRANDO e GUGLIELMO Son donne, Ma… son tali, son tali… DON ALFONSO E in donne pretendete Di trovar fedeltà? Quanto mi piaci mai, semplicità! N. 2 - Terzetto DON ALFONSO scherzando E la fede delle femmine Come l araba fenice Che vi sia, ciascun lo dice, ciascun lo dice; Dove sia, dove sia, nessun lo sa. FERRANDO con fuoco La fenice è Dorabella, Dorabella, La fenice è Dorabella! La fenice è Dorabella, Dorabella è la fenice, Dorabella. GUGLIELMO La fenice è Fiordiligi, Fiordiligi, La fenice è Fiordiligi! La fenice è Fiordiligi, Fiordiligi è la fenice, Fiordiligi. DON ALFONSO Non è questa, non è quella Non fu mai, non vi sarà, Non vi sarà, non vi sarà. E la fede delle femmine Come l araba fenice Che vi sia, ciascun lo dice; Dove sia, dove sia, Nessun lo sa, nessun lo sa. Recitativo FERRANDO Scioccherie di poeti! GUGLIELMO Scempiaggini di vecchi! DON ALFONSO Orbene; udite, Ma senza andare in collera Qual prova avete voi che ognor costanti Vi sien le vostre amanti; Chi vi fe sicurtà che invariabili Sono i lor cori? FERRANDO Lunga esperienza… GUGLIELMO Nobil educazion… FERRANDO Pensar sublime… GUGLIELMO Analogia d umor… FERRANDO Disinteresse… GUGLIELMO Immutabil carattere… FERRANDO Promesse… GUGLIELMO Proteste… FERRANDO Giuramenti… DON ALFONSO Pianti, sospir, carezze, svenimenti. Lasciatemi un po ridere… FERRANDO Cospetto! Finite di deriderci? DON ALFONSO Pian piano E se toccar con mano Oggi vi fo che come l altre sono? GUGLIELMO Non si può dar! FERRANDO Non è! DON ALFONSO Giochiam! FERRANDO Giochiamo. DON ALFONSO Cento zecchini. GUGLIELMO E mille se volete. DON ALFONSO Parola… FERRANDO Parolissima. DON ALFONSO E un cenno, un motto, un gesto Giurate di non far di tutto questo Alle vostre Penelopi. FERRANDO Giuriamo. DON ALFONSO Da soldati d onore? GUGLIELMO Da soldati d onore. DON ALFONSO E tutto quel farete Ch io vi dirò di far? FERRANDO Tutto. GUGLIELMO Tuttissimo. DON ALFONSO Bravissimi! FERRANDO E GUGLIELMO Bravissimo, Signor Don Alfonsetto! FERRANDO A spese vostre or ci divertiremo. GUGLIELMO a Ferrando E de cento zecchini, che faremo? N. 3 - Terzetto FERRANDO Una bella serenata Far io voglio alla mia Dea. Far io voglio, far io voglio alla mia Dea. GUGLIELMO In onor di Citerea Un convito io voglio far, In onor di Citerea Un convito io voglio far. DON ALFONSO Sarò anch io de convitati? FERRANDO E GUGLIELMO Ci sarete, sì signor, Ci sarete, sì signor, Ci sarete, sì signor. FERRANDO, GUGLIELMO E DON ALFONSO E che brindisi replicati Far vogliamo al Dio d amor, E che brindisi replicati Far vogliamo al Dio d amor, E che brindisi replicati Far vogliamo al Dio d amor, E che brindisi replicati Far vogliamo al Dio d amor, E che brindisi replicati Far vogliamo al Dio d amor! partono SCENA SECONDA Giardino sulla spiaggia del mare. Fiordiligi e Dorabella guardano un ritratto che lor pende dal fianco N. 4 - Duetto FIORDILIGI Ah, guarda, sorella, Se bocca più bella, Guarda, guarda, se bocca più bella, Se petto più nobile Si può ritrovar, Si può ritrovar. DORABELLA Osserva tu un poco, Che fuoco ha ne sguardi! Se fiamma, se dardi Non sembran scoccar, Se fiamma, se dardi Non sembran scoccar, Non sembran scoccar. FIORDILIGI Si vede un sembiante Guerriero ed amante. DORABELLA Si vede una faccia Che alletta, che alletta, che alletta E minaccia, e minaccia, e minaccia. FIORDILIGI Felice son io, Felice son io. DORABELLA Io sono, io sono felice. FIORDILIGI E DORABELLA Se questo mio core Mai cangia desio, Mai cangia, mai cangia desio, FIORDILIGI Amore, amore mi faccia Vivendo penar, Mi faccia vivendo penar, Se questo mio core Mai cangia desio, Amore mi faccia vivendo penar, Amore mi faccia vivendo penar, Amore mi faccia vivendo penar, Amore mi faccia vivendo penar, DORABELLA Amore, amore mi faccia Vivendo penar. Mi faccia vivendo penar, Amore mi faccia vivendo penar, Amore mi faccia vivendo penar, Se questo mio core Mai cangia desio, Amore mi faccia vivendo penar. Amore mi faccia vivendo penar, FIORDILIGI E DORABELLA Vivendo penar, vivendo penar, Mi faccia penar, mi faccia penar, Amore mi faccia vivendo penar. Recitativo FIORDILIGI Mi par che stamattina volentieri Farei la pazzarella ho un certo foco, Un certo pizzicor entro le vene… Quando Guglielmo viene… se sapessi Che burla gli vo far! DORABELLA Per dirti il vero, Qualche cosa di nuovo Anch io nell alma provo io giurerei Che lontane non siam dagli imenei. FIORDILIGI Dammi la mano io voglio astrologarti. Uh, che bell Emme! E questo È un Pi! Va bene matrimonio presto. DORABELLA Affé che ci avrei gusto! FIORDILIGI Ed io non ci avrei rabbia. DORABELLA Ma che diavol vuol dir che i nostri sposi Ritardano a venir? Son già le sei. SCENA TERZA Le suddette e Don Alfonso. FIORDILIGI Eccoli. DORABELLA Non son essi è Don Alfonso, L amico lor. FIORDILIGI Ben venga Il signor Don Alfonso! DON ALFONSO Riverisco. DORABELLA Cos è? Perché qui solo? Voi piangete? Parlate, per pietà che cosa è nato? L amante… FIORDILIGI L idol mio… DON ALFONSO Barbaro fato! N. 5 - Aria DON ALFONSO Vorrei dir, e cor non ho, e cor non ho, Balbettando il labbro va. Fuor la voce uscir non può, Ma mi resta mezza qua. Che farete? Che farò? Oh, che gran fatalità! Dar di peggio non si può, ah non si può, Ho di voi, di lor pietà, Ho di voi, di lor pietà, Ho di voi, di lor pietà, Di voi pietà, di lor pietà. Recitativo FIORDILIGI Stelle! Per carità, signor Alfonso, Non ci fate morir. DON ALFONSO Convien armarvi, Figlie mie, di costanza. DORABELLA Oh Dei! Qual male È addivenuto mai, qual caso rio? Forse è morto il mio bene? FIORDILIGI E morto il mio? DON ALFONSO Morti… non son, ma poco men che morti. DORABELLA Feriti? DON ALFONSO No. FIORDILIGI Ammalati? DON ALFONSO Neppur. FIORDILIGI Che cosa, dunque? DON ALFONSO Al marzial campo Ordin regio li chiama. FIORDILIGI E DORABELLA Ohimè, che sento! FIORDILIGI E partiran? DON ALFONSO Sul fatto. DORABELLA E non v è modo d impedirlo? DON ALFONSO Non v è. FIORDILIGI Né un solo addio?… DON ALFONSO Gl infelici non hanno Coraggio di vedervi. Ma se voi lo bramate, Son pronti… DORABELLA Dove son? DON ALFONSO Amici, entrate. SCENA QUARTA Fiordiligi, Dorabella, Don Alfonso. Ferrando e Guglielmo in abito da viaggio. N. 6 - Quintetto GUGLIELMO Sento, oddio, che questo piede È restio nel girle avante. FERRANDO Il mio labbro palpitante Non può detto pronunziar. DON ALFONSO Nei momenti più terribili Sua virtù l eroe palesa. FIORDILIGI E DORABELLA Or che abbiam la nuova intesa, A voi resta a fare il meno; Fate core, fate core a entrambe in seno Immergeteci l acciar. FERRANDO E GUGLIELMO Idol mio, la sorte incolpa Se ti deggio abbandonar. DORABELLA a Ferrando Ah, no, no, non partirai! FIORDILIGI a Guglielmo No, crudel, non te n andrai! DORABELLA Voglio pria cavarmi il core! FIORDILIGI Pria ti vo morire ai piedi! FERRANDO sottovoce a Don Alfonso Cosa dici? GUGLIELMO sottovoce a Don Alfonso Te n avvedi? DON ALFONSO sottovoce ai due amanti Saldo, amico, Saldo, amico Finem lauda, finem lauda! FIORDILIGI E DORABELLA Il destin, il destin così defrauda Le speranz, le speranzee de mortali. FERRANDO Il destin così defrauda Le speranz de mortali. DON ALFONSO E GUGLIELMO Il destin così defrauda Le speranz de mortali, Il destin così defrauda Le speranz de mortali. TUTTI Ah, chi mai fra tanti mali, Chi mai può la vita amar, Chi, chi, chi, chi, chi, può mai la vita amar,(chi)? FIORDILIGI Ah chi mai può la vita amar. DORABELLA Chi mai può, chi mai può la vita amar. FERRANDO Chi mai, chi mai può la vita amar. DON ALFONSO E GUGLIELMO Chi mai, chi può la vita amar. TUTTI Chi mai può la vita amar. Recitativo GUGLIELMO Non piangere, idol mio! FERRANDO Non disperarti, Adorata mia sposa! DON ALFONSO Lasciate lor tal sfogo. È troppo giusta La cagion di quel pianto. si abbracciano teneramente FIORDILIGI Chi sa s io più ti veggio! DORABELLA Chi sa se più ritorni! FIORDILIGI Lasciami questo ferro ei mi dia morte, Se mai barbara sorte In quel seno a me caro… DORABELLA Morrei di duol; d uopo non ho d acciaro. FERRANDO E GUGLIELMO Non farmi, anima mia, Quest infausti presagi! Proteggeran gli Dei La pace del tuo cor ne giorni miei. N. 7 - Duettino FERRANDO E GUGLIELMO Al fato dan legge Quegli occhi vezzosi Amor li protegge, Né i loro riposi Le barbare stelle Ardiscon turbar. Il ciglio sereno, Mio bene, a me gira Felice al tuo seno Io spero tornar. DON ALFONSO fra sé La commedia è graziosa, e tutti due Fan ben la loro parte. Si sente un tamburo in distanza FERRANDO Oh cielo! Questo È il tamburo funesto Che a divider mi vien dal mio tesoro. DON ALFONSO Ecco, amici, la barca. FIORDILIGI Io manco. DORABELLA Io moro. SCENA QUINTA Fiordiligi, Dorabella, Don Alfonso, Ferrando, Guglielmo, soldati e popolani. Marcia militare in qualche distanza. Arriva una barca alla sponda; poi entra nella scena una truppa di soldati, accompagnata da uomini e donne N. 8 - Coro SOLDATI E POPOLANI Bella vita militar! Ogni dì si cangia loco; Oggi molto, doman poco, Oggi molto, doman poco, Ora in terra ed or sul mar. Il fragor di trombe e pifferi, Lo sparar di schioppi e bombe, Forza accresce al braccio e all anima Vaga sol di trionfar. Bella vita militar! Recitativo DON ALFONSO Non v è più tempo, amici andar conviene Ove il destino, anzi il dover, v invita. FIORDILIGI Mio cor… DORABELLA Idolo mio… FERRANDO Mio ben… GUGLIELMO Mia vita… FIORDILIGI Ah, per un sol momento… DON ALFONSO Del vostro reggimento Già è partita la barca; Raggiungerla convien coi pochi amici Che su legno più lieve Attendendo vi stanno. FERRANDO E GUGLIELMO Abbracciami, idol mio. FIORDILIGI E DORABELLA Muoio d affanno. N. 9 - Quintetto FIORDILIGI piangendo Di scrivermi ogni giorno Giurami, vita mia! DORABELLA piangendo Due volte ancora Tu scrivimi, se puoi. FERRANDO Sii certa, sii certa, o cara. GUGLIELMO Non dubitar, non dubitar mio bene. DON ALFONSO fra sé Io crepo, se non rido, Io crepo, se non rido! FIORDILIGI Sii costante a me sol… DORABELLA Serbati fido. FERRANDO Addio. GUGLIELMO Addio. FIORDILIGI E DORABELLA Addio. FIORDILIGI, DORABELLA, FERRANDO E GUGLIELMO Mi si divide il cor, bell idol mio! Mi si divide il cor, bell idol mio! Addio! Addio! Addio! DON ALFONSO Io crepo, se non rido, Io crepo, se non rido, Io crepo, se non rido, se non rido, se non rido. SOLDATI E POPOLANI Bella vita militar! Ecc. mentre si ripete il coro, Ferrando e Guglielmo entrano nella barca che poi s allontana tra suon di tamburi ecc. I soldati partono seguiti dagli uomini e dalle donne. Le amanti restano immobili sulla sponda del mare SCENA SESTA Fiordiligi, Dorabella e Don Alfonso. Recitativo DORABELLA in atto di chi rinviene da un letargo Dove son? DON ALFONSO Son partiti. FIORDILIGI Oh dipartenza Crudelissima, amara! DON ALFONSO Fate core, Carissime figliuole. Facendo moto col fazzoletto Guardate da lontano Vi fan cenno con mano i cari sposi. FIORDILIGI salutando Buon viaggio, mia vita! DORABELLA salutando Buon viaggio! FIORDILIGI Oh Dei! Come veloce Se ne va quella barca! Già sparisce, Già non si vede più. Deh, faccia il cielo Ch abbia prospero corso. DORABELLA Faccia che al campo giunga Con fortunati auspici. DON ALFONSO E a voi salvi gli amanti, a me gli amici. N. 10 - Terzettino FIORDILIGI, DORABELLA e DON ALFONSO Soave sia il vento, Tranquilla sia l onda, Ed ogni elemento Benigno risponda Ai nostri/vostri desir. partono le due donne SCENA SETTIMA Don Alfonso solo Recitativo DON ALFONSO Non son cattivo comico! va bene… Al concertato loco i due campioni Di Ciprigna e di Marte Mi staranno attendendo or senza indugio Raggiungerli conviene. Quante smorfie, Quante buffonerie! Tanto meglio per me… Cadran più facilmente Questa razza di gente è la più presta A cangiarsi d umore. Oh, poverini! Per femmina giocar cento zecchini? «Nel mare solca e nell arena semina E il vago vento spera in rete accogliere Chi fonda sue speranze in cor di femmina.» SCENA OTTAVA Camera gentile con diverse sedie, un tavolino, ecc.; tre porte due laterali, una di mezzo.Despina sola Recitativo DESPINA frullando il cioccolatte Che vita maledetta È il far la cameriera! Dal mattino alla sera Si fa, si suda, si lavora, e poi Di tanto che si fa nulla è per noi. È mezza ora che sbatto; Il cioccolatte è fatto, ed a me tocca Restar ad odorarlo a secca bocca? Non è forse la mia come la vostra, O garbate signore, Che a voi dèssi l essenza, e a me l odore? Per Bacco, vo assaggiarlo cospettaccio! Com è buono! Si forbe la bocca Vien gente. Oh ciel, son le padrone! SCENA NONA Despina. Fiordiligi e Dorabella ch entrano disperatamente. Recitativo DESPINA presentando il cioccolatte sopra una guantiera Madame, ecco la vostra colazione. Dorabella gitta tutto a terra Diamine, cosa fate? FIORDILIGI Ah! DORABELLA Ah! Si cavano entrambe tutti gli ornamenti donneschi. DESPINA Che cosa è nato? FIORDILIGI Ov è un acciaro? DORABELLA Un veleno dov è? DESPINA Padrone, dico!… DORABELLA Ah, scostati! Paventa il tristo effetto D un disperato affetto Chiudi quelle finestre… Odio la luce, Odio l aria che spiro… odio me stessa, Chi schernisce il mio duol, chi mi consola. Deh, fuggi per pietà, fuggi, fuggi, Fuggi per pietà, lasciami sola! N. 11 - Aria DORABELLA Smanie implacabili Che m agitate, Entro quest anima Più non cessate Fin che l angoscia Mi fa morir, Mi fa morir. Esempio misero D amor funesto D amor funesto Darò all Eumenidi, Se viva resto, Col suono orribile De miei sospir, De miei sospir, De miei sospir. Recitativo DESPINA Signora Dorabella, Signora Fiordiligi, Ditemi che cos è stato? DORABELLA Oh, terribil disgrazia! DESPINA Sbrigatevi in buon ora. FIORDILIGI Da Napoli partiti Sono gli amanti nostri. DESPINA ridendo Non c è altro? Ritorneran. DORABELLA Chi sa! DESPINA come sopra Come, chi sa? Dove son iti? DORABELLA Al campo di battaglia. DESPINA Tanto meglio per loro Li vedrete tornar carchi d alloro. FIORDILIGI Ma ponno anche perir. DESPINA Allora, poi, Tanto meglio per voi. FIORDILIGI sorge arrabbiata Sciocca, che dici? DESPINA La pura verità due ne perdete, Vi restan tutti gli altri. FIORDILIGI Ah, perdendo Guglielmo Mi pare ch io morrei! DORABELLA Ah, Ferrando perdendo Mi par che viva a seppellirmi andrei! DESPINA Brave, «vi par», ma non è ver ancora Non vi fu donna che d amor sia morta. Per un uomo morir!… Altri ve n hanno Che compensano il danno. DORABELLA E credi che potria Altr uom amar chi s ebbe per amante Un Guglielmo, un Ferrando? DESPINA Han gli altri ancora Tutto quello ch hanno essi. Un uom adesso amate, Un altro n amerete uno val l altro, Perché nessun val nulla. Ma non parliam di ciò; sono ancor vivi E vivi torneran; ma son lontani, E piuttosto che in vani Pianti perdere il tempo, Pensate a divertirvi. FIORDILIGI con trasporto di collera Divertirci? DESPINA Sicuro! E, quel ch è meglio, Far all amor come assassine, e come Faranno al campo i vostri cari amanti. DORABELLA Non offender così quell alme belle, Di fedeltà, d intatto amore esempi. DESPINA Via, via! Passaro i tempi Da spacciar queste favole ai bambini. N. 12 - Aria DESPINA In uomini, in soldati Sperare fedeltà? In uomini sperare fedeltà? In soldati sperare fedeltà? Fedeltà, fedeltà? ridendo Non vi fate sentir, per carità, Non vi fate sentir, per carità! Di pasta simile Son tutti quanti, Son tutti quanti Le fronde mobili, L aure incostanti Han più degli uomini Stabilità. Mentite lagrime, Fallaci sguardi, Voci ingannevoli, Vezzi bugiardi, Son le primarie Lor qualità. In noi non amano Che il lor diletto; Poi ci dispregiano, Neganci affetto, Né val da barbari Chieder pietà. Paghiam, o femmine, D ugual moneta Questa malefica Razza indiscreta; Amiam per comodo, Per vanità, Amiam per comodo, Per vanità! Amiam per comodo, Per vanità, La ra la, la ra la, la ra la, la. Amiam per comodo, Per vanità, Amiam per comodo, Per vanità, Amiam per comodo, Per vanità. partono All rights reserved © Asahina Takashi Mozart,Wolfgang Amadeus/Così fan tutte+/I-2

• Grand Theft Auto Ⅳ(グランドセフトオート４)GTAⅣ攻略wiki - ROMAN'S SORROW

  https://w.atwiki.jp/xbox360gta4/pages/102.html

  ROMAN'S SORROW Russian Revolutionのすぐ後です ～携帯電話～ Roman Niko please come and meet me in the alleyway off of Hopper Street in EIC. Quickly cousin. 急いでEIC（East Island City）のHopper Streetの路地に来てくれ、Niko。急いでくれよ。 Niko Roman, what are you doing? Why are you whispering? I will be there soon. Roman、何やってるんだ？なんでヒソヒソ声なんだ？すぐそっちに行く。 ～路地～ Niko Roman? Roman? Where are you? Roman？Roman？どこに居るんだ？ Roman In here, I'm stuck. Let me out... ここだ、閉じ込められた。助けてくれ･･･。 Niko Shit, man... what are you doing there. なんてザマだよ、おい･･･。そこで何してるんだ？ Roman I got scared... people started calling the house and hanging up. 怖いんだよ･･･。いろんな人が無言電話をしてくるんだ。 Roman You weren't answering your phone! What happened? 何で電話に出なかったんだ！何があったんだ？ Niko We've got a big problem. Dimitri was not a man of his word. ヤバいことになった。Dimitriは、ヤツが言っているような男じゃなかった。 Roman So, we're dead? つまり俺達は死ぬのか？ Niko More or less. だいたいそんなところだ。 Roman Everything was fine before you. お前が来る前は何もかも順調だったのに。 Niko Yes, yes... 分かった、分かってる…… Roman Fine and now this. Thank you. Thanks a lot! 順調から一気にこれかよ。ありがとよ。まったく恩に着るぜ！ Niko I'm sorry. Whatever. 俺が悪かったよ！これでいいか？ Roman What's done is done. 済んだ事は済んだ事だ。 Niko Yes, but there's a bigger problem... ああ、だけど、もっと深刻な問題がある･･･。 Roman What? 何だって？ Niko That guy I owed money to, Bulgarin. 俺が金を借りてる（ことになっている）Bulgarinだ。 Roman Yes, the guy in Europe...who lives by the Adriatic. あぁ、ヨーロッパのアイツか･･･。確か。アドリア海に住んでる。 Niko Yeah, yeah, he's here now. あぁ、そいつだ。ヤツは今この町に居るんだ。 Roman Great. そいつぁ最高だな。 Niko I'm sorry... I've ruinned your life. すまねえ･･･。俺はお前の人生をめちゃくちゃにした。 Roman No. Don't be like that...we can find a way out of this... やめろよ。そんな風に言うな･･･。逃げ道を探そうぜ･･･。 Niko bunch of idiot Russians... ロシアのクソったれどもめ･･･。 Niko ： I will kill every one of them. 一人残らず殺してやる。 Roman No...that's exactly what you won't do. やめろ･･･。それだけは絶対にダメだ。 Roman We don't have time for revenge. We can't afford it. 俺達に復讐の時間なんてないんだよ。そんな余裕は無い。 Niko What can we afford? 何なら余裕があるんだ？ Roman We can lay low...and start over. 目立たないように隠れて･･･。そしてまた最初から始めるんだ。 Roman Please...come on, let's go back to the apartment. 頼むよ･･･。さぁ、アパートへ帰ろう。 Roman We can pick up our stuff, and then get out of here. I'll call Mallorie, she might have somewhere we can hide out. 荷物をまとめて、ここから出て行こう。俺はMallorieに電話してみる。彼女ならどこか良い隠れ家を知ってるかもしれない。 指示 Go to Roman's apartment. Romanのアパートへ向かえ。 ～移動中～ (RomanからMallorieへの電話) Roman Hey beautiful. Listen, me and Niko are in a bit of trouble - need to get out Broker a few days. やぁ、お嬢さん。聞いてくれ、俺とNikoは今ちょっとした問題を抱えてるんだ - 何日かBrokerから離れなくちゃならない。 Roman Any of your cousin have a place we could use out in Bohan? どこかBohanにいい隠れ家を持ってる従兄弟とかっているかい？ Roman You're an angel - beautiful and kind. I love you. We'll see you there. あんたは俺の天使だ - きれいで、やさしい。愛してるよ、向こうで会おう。 Roman Maybe things are not so bad. もしかしたら思ったよりもマシな状況なのかもな。 Niko This, I did not expect. これはこれは、考えもしなかったな。 Roman I was thinking about getting out of the cab business. Last night iIhad a dream... 俺はタクシービジネスを止めようか考えてたところなんだ。昨日夢を見てね･･･。 Niko Really? 本当か？ Roman Yes, you and I had a place of our own. A place where people come to eat and relax. A classy place. None of this fast-food, diner bullshit. We own a real reastaurant, a tavem. It is a place of distinction, you know? あぁ、お前と俺は、自分の店を持っていたんだ。人がゆっくりと食事を楽しみに来る店だ。上品な店だよ。ファストフードやダイナーなんかメじゃない。オレ達は本物のレストラン、バーを持ってるんだ。特別な場所だよ、わかるか？ Niko I can't see myself selling down. 俺がそこにいる姿が、想像できないな。 Roman Not now, but in the dream you've met the right woman. She is beautiful. Pure like my Mallorie. In the dream mallorie and me are married. Everything is perfect. This could be the start of that. A fresh begining. 今じゃないが、その夢ではお前は理想の女性に出会っていた。美人で、Mallorieみたいに純粋だ。夢の中ではMallorieとオレは結婚してた。すべてが完璧だった。これはその夢に向けてのスタートなのかもしれない。新鮮な始まりだ。 Niko All I know is we have to get as far from Dimitri and Bulgarin as we can. 今俺に分かるのは、とにかくDimitriやBulgarin達からできるだけ遠くに逃げなきゃいけないってことだけだ。 Roman We will, but i have left something important at the apartment. Something I must show you, cousin. そりゃそうだが、アパートに大切なものを置いてきたんだ。お前にも見せてやりたいんだ。 ～家の近く～ Roman What the fuck? ウソだろ？ Roman Holy fuck, it's fucking burning. the whole place... I've got to go in, I've got to get something. 何てこった、火事だ！何もかもが焼けちまう…。中に入らないと。取りに行かなきゃならない物があるんだ。 Niko Leave it, cousin. this place is gone. あきらめろ、Roman。ここはもう駄目だ。 Roman They burnt it...they fucking burnt it, Niko! アイツらが燃やしやがったんだ･･･。燃やしやがったんだよ、Niko！ 指示 Go to the depot. 倉庫に向かえ。 Roman Do you know how long it took me to get a place of my own? You got off the boat and was here for you. 俺がここを手に入れるのに、どれだけの時間がかかったと思ってるんだ？お前はいいさ、船を下りたらすぐ目の前にあったんだからな。 Niko I know you were. あぁ、知ってるさ。 Roman I got here and I had nothing, nobody. I worked my way up from the fucking dirt. 俺は無一文でここに来て、知り合いもいなかった。ゼロからここまで這い上がってきたんだ。 ～事務所の近く～ Roman Jesus! It's on fire, fuck! 何てこった！丸焼けだ、クソっ！ Roman I've got nothing left. Not my home, not my business, nothing. They took it all. 何もかもなくなっちまった。家も、会社も、何もかもだ。ヤツらがすべて奪いやがったんだよ。 Niko I'm sorry, Roman. I'm really sorry but we have to go. We'll meet Mallorie in Bohan. You still have her. 悪かった、Roman。本当にすまないが、もうここにはいられないんだ。BohanでMallorieに会おう。お前にはまだ彼女が残ってる。 Roman Do you know how long it took me to get set up here? You don't because it was easy for you. You had it all from day one. It took me months to get some cash together. Finally I bought a cab and then another, then I got the depot... I slepy under my desk at thatplace for over a year...then i got the apartment, the apartment you thought was so shitty. Well, it doesn't matter. Now it's gone along with everything else. ここまで来るのに、どれだけの時間がかかったと思ってんだよ？お前には分からないだろうな、お前にとっちゃ一瞬だったんだから。お前は最初から全てあったけど俺は違う。何ヶ月もかけて金を貯めた。ようやくタクシーを手に入れて、それでまた一台って、それで念願のタクシー会社を手に入れたんだ。あそこのデスクの下で一年以上も寝泊りした･･･。その後でやっと、お前がクソだと吐き捨てたあのアパートを手に入れたんだぞ。それがもう、今じゃ話すだけ後の祭りだ。あれもこれも、全部パーになっちまったんだからな。 Niko I said I was sorry. 悪かったって言ってるだろ。 Rｏman You have a lot to apologize for. Since you got here I've had my computer smashed, I've been beaten up, i was kidnapped and then shot in the stomach, my apartment got burned down and so did my buseiness. Things have been going so great, just great, since you showed up. 謝る事は他にもたくさんあるだろう！お前が来てからというもの、ろくなことがねぇ。コンピューターはぶっ壊されるし、おれ自身もボコられて誘拐される。あげくには腹まで撃たれ、アパートもビジネスもろとも焼かれちまった。こうも物事が良い方向になるとはね！最高だ！全部お前が現ここに来てからだ。 Niko You remember that time we went to the bar back home and found it razed to the ground? Just a pile of rubble...everything smashed, except for that one bottle of vodka. よう、覚えてるか？昔、地元で一緒に飲みに出かけたら、行った先のバーが跡形もなく壊されてた。何もかもがぶっ壊されてて、瓦礫しかなかった中、ただ一本ウォッカのボトルがきれいに残っていた。 Roman Yeah...we sat down and finished it off there and then. Wait...wait... I don't want to talk about back home. We're here in America now and I should be thinking about my life here, my life which is ruined. ああ、覚えてる。その場で腰を下ろして一緒にそのボトルを開けたっけな･･･って、おい、昔話をしてる場合じゃねぇよ。俺は今、アメリカに住んでいて、ここでの生活の事を考えておかなきゃならないんだよ！お前がぶっ壊してくれた、この生活をな！ (Mallorieから電話) Roman Hey beautiful,, what's up? やぁ、お嬢さん。どうした？ Roman No, what do you mean? いいや、何の事？ Roman I haven't been crying, it's my allergies. Niko is wearing this new cologne. 泣いてるわけないだろ。アレルギー体質なんだよ。Nikoが新しいコロンつけてるんだ。 Roman Yeah, trying to impress Michelle or something. ああ、うん。Michelleにアピールしたいみたいだな。 Roman We're coming to your cousin's, are you there? キミの従兄弟のとこに向かうよ。居るだろ？ Roman Great, see you in a bit, beautiful. 良いね。じゃあ、また後で。お嬢さん。 Roman My dream, it was just that...a dream. I can't have the tavern now. I have nothing to buy it with. I have, I have nothing. 俺の夢は…夢に過ぎなかった。もう酒場を持つなんてできなくなっちまった。それを買う金すらもだ。何もかも失っちまった！ Niko I told you, you still have Mallorie. 言っただろ、お前にはまだMallorieがいるんだ。 Roman But I wanted to really have her. I wanted to marry her. だけど俺は彼女をものにしたい！彼女と結婚したいんだ！ Niko You can stil do that. それは今からでもまだ出来るだろ。 Roman I had bought her a ring. That is what I wanted to show you. It was a beautiful ring. It was worthy of her. 彼女に指輪を買ったんだ。見せたかったものはその指輪だ。すげぇきれいな指輪だ。彼女にぴったりの指輪だったんだ。 Roman Now I have nothing! 今は、もう何もない！ Niko Comne on, Roman, pull yourself together. You've been here before. Positive mental attitude. Come on. 頼むぜ、Roman、しっかりしろ！こんな状況は初めてじゃないだろ？前向きに行こうぜ。 Niko At least they wannt me dead and not you. 少なくとも、奴らが殺したいのはお前じゃなくて、俺だ。 Roman I don't think it will be much difference to them, Niko. One dead Bellic will give them a little bit of happiness while they wait for next. そんなの、ほとんど関係ないぞ、Niko。チンピラを一人ぶっ殺したぐらいじゃ飽き足らず、そいつの家族もついでに殺っちまうよう連中だぞ。 Roman We must deal with it. Being on Bohan. （そういったことも含めて）うまくやっていくしかないんだ。Bohanへ行くぞ。 Niko Okay. ああ。 ～到着～ Roman Here we are, the begining of our new lives...again. 着いたぜ。ここが俺達の新しい生活の始まりだ･･･再再出発だな。 ～室内～ Roman Not so bad... I mean, I don't think. 悪くは･･･ない、と思うな。 Niko Yes, great! (皮肉っぽく)あぁ、立派なもんだな！ Roman Come on, what's wrong? おい、何が不満なんだ？ Niko What's wrong? What's wrong? Where should I start? 不満？不満か？どこから説明すれば良いんだ？ Niko Alright, I'll start with you - what's wrong with you? Fifteen minutes ago you were cowering in fear because you didn't know what was going to happen. 説明してやるよ･･･まずお前だ！15分前のお前は、この先、何が起こるか分からないって散々ビビリまくってたよな？ Niko Now, you know everything is shit and we are going to be killed, and you're all cheerful. それが今じゃ何だ？もう殺されるしかないと分かったらその陽気な振るまい。 Niko I don't get it! 俺にゃ理解できねえよ！ Roman I guess I'm an optimist. 楽観主義者って事で良いだろ？ Niko An idiot, not an optimist. 楽観主義者？阿呆の間違いだろ。 Roman I was bored of Broker anyway! I'm glad you turned up and made some Russian killers burn down my home and business! どうせBrokerにはうんざりしてたんだよ！お前がどっかのロシアマフィアにケンカ売ってくれたおかげで、俺の住処とビジネスが丸焦げになったから、ちょうどよかったぜ！ Roman Oh, yeah, thanks Niko! Thanks a bunch! Is that better? ああ、ほんと、マジでありがとよ！どうだ、Niko？これで良いのか？ Niko Much! あぁ、十分だよ！ Mallorie Thank God you're okay... (Nikoを見て)both of you. あぁ、あなた、良かったわ･･･(Nikoを見て)2人とも無事みたいね。 Niko We've fucked - we've broke and on the run. 状況は最悪だけどな。文無しの上に逃亡中だ。 Mallorie No, I'm from up here, Niko. I know a bunch of people who might be able to help out. 大丈夫よNiko、私、この辺が地元だから知り合いはたくさんいるの。助けにはなるわ。 Mallorie Why don't you come and meet me at the community center later on? どう？あとでコミュニティーセンターに来たらいいわ。 Mallorie I've got to go to work. Bye, Pappy. あ、仕事に行かなきゃ。それじゃまたね、パパ。 Roman So I guess we start again. さて、再出発と行きますか。 Niko Sure. I'm going out. ああ。俺はちょっと出てくる。 ～次のミッションまでにかかってきた電話～ その１ Dimitri Niko Bellic, we did not find your body with other in the warehouse. Mr.Bulgarin and I were very disappointes. Niko Bellic、あの工場にキミの死体がなかったようだな。Bulgarin氏も私も、残念でならないよ。 Niko I was loyaal to you, Dimitri. Why did you turn on me? Dimitri、俺はお前の味方だった。なぜ裏切った？ Dimitri You think I could survive in a cesspit of a city like this be aligning myself with a bottom feeder like you? この街の下水みたいな場所で、お前みたいな底辺の人間に合わせて、俺が生きていくとでも思っていたのか？ Dimitri You, who has so many enemies? あちこちで敵に囲まれている、誰でもないお前に？ Dimitri You robbed Bulgarin, you killed Mikhail. You know no more of loyality than I do. お前はBulgarinの金を盗んで、Mikhailを殺した。それでよく味方なんて言えたものだな。 Niko You know why I killed Faustin. It was not my choice. Faustinを殺した理由なら、知っているだろ？選択の余地は無かったんだ。 Dimitri I will find you, Niko. I have burnt you and your cousin out of Hove Beach. 必ず探し出してやるぞ、Niko。私はHove Beachからお前とお前の従兄弟を焼き出してやった。 Dimitri I will smoke you out of any other hiding place you have in this city. See you soon, Niko. どこに隠れようとも、そこから炙り出してやる。楽しみにな、Niko。 その２ Brucie Nickie, we got to talk serious. Nickie(Niko)、まじめな話がしたいんだ。 Niko Alright man. If you want my advice, the only way you're going to get your balls back to normal if you stop juicing or you get implants. 分かった。俺のアドバイスでよけりゃ。金玉をまともな状態にしたきゃ、ステロイドを止めるか、ホルモンの手術を受けるしかないな。 Brucie How many times I have to tell you homie, my balls are golden. Okay? 何回言ったら気が済むんだ！俺の金玉は”黄金”そのものなんだよ！なぁ！？ Brucie I wanna talk about Roman. He's got a problem. Romanの事なんだ。あいつはちょっと普通じゃない。 Brucie He's gambling like animal. Online, in clubs, everywhere. You need to control your cousin bro. 完全にギャンブルに狂っちまいやがった。ネット上でも、クラブでも、見境なく金を賭けまくってる。従兄弟だろ、なんとかしろよ。 Niko Roman's a grown up. He can look after himself, Brucie. Romanは立派な大人だ。自分のケツは自分でふけると思うぜ、Brucie。 Brucie He's getting involved with some serious cats, homie. Even people I might think twice about dealing with. And I am one dangerous mother fucker, okay? よう、奴は今、ちょっとヤバい奴と付き合いがあるぜ。この俺ですら･･･この世で最も危険な男ですら、取引はちょっと考え直すくらいの野郎だ。 Brucie Put him in Gamblers Anonymous or something. I'm starting to think hi's more interested in cards than chassing pussy. Romanをギャンブル依存症カウンセリングかなんかに行かせろよ。奴はこれまで以上に、カード遊びとオ○ンコに明け暮れ始めてるぜ。 Brucie And that ain't cool. you dig? そんなの全くクールじゃない。分かるか？ Niko Sure, Brucie. Thanks for the heads up. ああ、もちろんさ、Brucie。忠告ありがとうな。

• オペラ対訳プロジェクト - Handel,George Frideric/Samson/III

  https://w.atwiki.jp/oper/pages/2493.html

  ACT THREE Scene 1 Samson, Micah, Harapha and Chorus of Israelites. 61. Recitative Micah More trouble is behind, for Harapha Comes on amain, speed in his steps and look. Samson I fear him not, nor all his giant brood. Enter Harapha. Harapha Samson, to thee our lords thus bid me say This day to Dagon we do sacrifice With triumph, pomp, and games; we know, thy strength Surpasses human race; come then, and show Some public proof to grace this solemn feast. Samson I am an Hebrew, and our law forbids My presence at their vain religious rites. Harapha This answer will offend; regard thyself. Samson Myself, my conscience and intemal peace! Am I so broke with servitude, to yield To such absurd commands, to be their fool, And play before their God? - I will not come. Harapha My message, giv n with speed, brooks no delay. 62. Air Harapha Presuming slave, to move their wrath! For mercy sue, Or vengeance due Dooms in one fatal word thy death! Consider, ere it be too late, To ward th unerring shaft of fate. 63. Recitative Micah Reflect then. Samson, matters now are strain d Up to the height, whether to hold, or break. He s gone, whose malice may inflame the lords. Samson Shall I abuse this consecrated gift Of strength, again returning with my hair, By vaunting it in honour to their god And prostituting holy things to idols? Micah How thou wilt here come off surmounts my reach; Tis Heav n alone can save, both us and thee. 64. Chorus of Israelites With thunder arm d, great God, arise! Help, Lord, or Israel s champion dies! To thy protection this thy servant take, And save, oh, save us for thy servant s sake! With thunder arm d. . . da capo 65. Recitative Samson Be of good courage, I begin to feel Some inward motions, which do bid me go. Micah In time thou hast resolv d, again he comes. Enter Harapha. Harapha Samson, this second summons send our lords Haste thee at once; or we shall engines find To move thee, though thou wert a solid rock. Samson Vain were their art if tried, I yield to go, Not through your streets be like a wild beast trail d. Harapha You thus may win the lords to set you free. Samson In nothing I ll comply that s scandalous Or sinful by our law. - Brethren, farewell! Your kind attendance now, I pray, forbear, Lest it offend to see me girt with friends. Expect of me you ll nothing hear impure, Unworthy God, my nation, or myself. Micah So may st thou act as serves His glory best. Samson Let but that spirit (which first rush d on me In the camp of Dan) inspire me at my need 66. Accompagnato Samson Then shall I make Jehovah s glory known! Their idol gods shall from his presence fly, Scatter d like sheep before the God of hosts. 67. Air Samson Thus when the sun from s wat ry bed All curtain d with a cloudy red, Pillows his chin upon an orient wave; The wand ring shadows ghastly pale, All troop to their infemal jail Each fetter d ghost slips to his sev ral grave. 68. Accompagnato Micah With might endu d above the sons of men, Swift as the lightning s glance His errand execute, And spread His name amongst the heathen round. 69. Air and Chorus Micah The Holy One of Israel be thy guide, The Angel of thy birth stand by thy side! To fame immortal go, Heav n bids thee strike the blow The Holy One of Israel is thy guide. Israelites To fame immortal go Heav n bids thee strike the blow The Holy One of Israel is thy guide. Scene 2 Micah, Manoah, and Chorus of Israelites. 70. Recitative Micah Old Manoah, with youthful steps, makes haste To find his son, or bring us some glad news. Manoah I come, my brethren, not to seek my son, Who at the feast does play before the lords; But give you part with me, what hopes I have To work his liberty. 71. Air Philistine, at a distance Great Dagon has subdu d our foe And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 72. Chorus of Philistines, at a distance Great Dagon has subdu d our foe. And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 73. Recitative Manoah What noise of joy was that? It tore the sky. Micah They shout and sing, to see their dreaded foe Now captive, blind, delighting with his strength. Manoah Could my inheritance but ransom him, Without my patrimony, having him The richest of my tribe. Micah Sons care to nurse Their parents in old age; but you, - your son! 74. Air Manoah How willing my paternal love The weight to share Of filial care, And part of sorrow s burden prove! Though wand ring in the shades of night, Whilst I have eyes he wants no light. 75. Recitative Micah Your hopes of his deliv ry seem not vain, In which all Israel s friends participate. Manoah I know your friendly minds, and - A symphony of horror and confusion. Heav n! What noise! Horribly loud, unlike the former shout. 76. Chorus of Philistines, at a distance Hear us, our God! Oh, hear our cry! Death, ruin, falI n, no help is nigh, Oh mercy, Heav n, we sink, we die! 77. Recitative Micah Noise call you this? An universal groan, As if the world s inhabitation perish d! Blood, death, and ruin, at their utmost point! Manoah Ruin indeed! Oh, they have slain my son! Micah Thy son is rather slaying them; that cry From slaughter of one foe could not ascend. But see, my friends, One hither speeds, an Hebrew of our tribe. Scene 3 Enter a Messenger. 78. Recitative Messenger Where shall I run, or which way fly the thoughts Of this most horrid sight? O countrymen, You re in this sad event too much concem d! Micah The accident was loud, we long to know from whence. Messenger Let me recover breath; it will burst forth. Manoah Tell us the sum, the circumstance defer. Messenger Gaza yet stands, but all her sons are falI n. Manoah Sad, not to us! But now relate by whom? Messenger By Samson done. Manoah The sorrow lessens still, And nigh converts to joy. Messenger O Manoah! In vain I would refrain; the evil tale Too soon will rudely pierce thy aged ear. Manoah Suspense in news is torture, speak them out! Messenger Then take the worst in brief - Samson is dead. Manoah The worst indeed! My hopes to free him hence Are baffled all! But death, who sets all free, Hath paid his ransom now. Micah Yet, ere we give the reins to grief, say first How died he? Death to life is crown, or shame. Messenger Unwounded of his enemies he fell, At once he did destroy, and was destroy d; The edifice, where all were met to see, Upon their heads, and on his own he pulI d! Manoah Oh, lastly overstrong against thyself! A dreadful way thou took st to thy revenge Glorious, yet dearly bought! 79. Air and Chorus Micah Ye sons of lsrael, now lament, Your spear is broke, your bow s unbent. Your glory s fled, Amongst the dead Great Samson lies, For ever, ever, clos d his eyes! Israelites Weep, Israel, weep a louder strain; Samson, your strength, your hero, is slain! 80. Recitative Manoah Proceed we hence to find his body Soak d in vile Philistine blood; with the pure stream, And cleansing herbs wash off his clodded gore; Then solemnly attend him to my tomb With silent obsequies, and fun ral train. 81. Symphony dead march 82. Recitative Micah The body comes; we ll meet it on the way With laurels ever green, and branching palm; Then lay it in his monument, hung round With all his trophies, and great acts enrolI d In verse heroic, or sweet lyric song. Manoah There shall all IsraeI s valiant youth resort, And from his memory inflame their breasts To matchless valour, whilst they sing his praise. Enter Israelites with the body of Samson. 83. Air and Chorus Manoah Glorious hero, may thy grave Peace and honour ever have; After all thy pain and woes Rest etemal, sweet repose! Israelites Glorious hero, may thy grave Peace and honour ever have! 84. Solo and Chorus Israelite Woman The virgins too shall on their feastful days Visit his tomb with flow rs, and there bewail His lot unfortunate in nuptial choice. Virgins Bring the laurels, bring the bays, Strew his hearse, and strew the ways! Israelite Woman May ev ry hero fall like thee, Through sorrow to felicity! Virgins Bring the laurels, bring the bays Strew his hearse and strew the ways! Israelites Glorious hero, may thy grave Peace and honour ever have, After all thy pains and woes, Rest etemal, sweet repose! 85. Recitative Manoah Come, come! No time for lamentation now, No cause for grief; Samson like Samson fell, Both life and death heroic. To his foes Ruin is left; to him eternal fame. Micah Why should we weep or wail, dispraise or blame, Where all is well and fair to quiet us? Praise we Jehovah then, who to the end Not parted from him, but assisted still, Till desolation fill d Philistia s lands, Honour and freedom giv n to Jacob s seed. 86. アリア イスラエルの女 輝くセラフィム（熾天使）よ、炎の列となり、 朗々たる、高く掲げた天使のラッパを吹き鳴らせ。 ケルビム（智天使）の軍勢よ、心地よい合唱隊に加わり、 黄金の弦を張った不滅のハープを掻き鳴らせ。 87. Chorus of Israelites Let their celestial concerts all unite, Ever to sound his praise in endless blaze of light. ACT THREE Scene 1 Samson, Micah, Harapha and Chorus of Israelites. 61. Recitative Micah More trouble is behind, for Harapha Comes on amain, speed in his steps and look. Samson I fear him not, nor all his giant brood. Enter Harapha. Harapha Samson, to thee our lords thus bid me say This day to Dagon we do sacrifice With triumph, pomp, and games; we know, thy strength Surpasses human race; come then, and show Some public proof to grace this solemn feast. Samson I am an Hebrew, and our law forbids My presence at their vain religious rites. Harapha This answer will offend; regard thyself. Samson Myself, my conscience and intemal peace! Am I so broke with servitude, to yield To such absurd commands, to be their fool, And play before their God? - I will not come. Harapha My message, giv n with speed, brooks no delay. 62. Air Harapha Presuming slave, to move their wrath! For mercy sue, Or vengeance due Dooms in one fatal word thy death! Consider, ere it be too late, To ward th unerring shaft of fate. 63. Recitative Micah Reflect then. Samson, matters now are strain d Up to the height, whether to hold, or break. He s gone, whose malice may inflame the lords. Samson Shall I abuse this consecrated gift Of strength, again returning with my hair, By vaunting it in honour to their god And prostituting holy things to idols? Micah How thou wilt here come off surmounts my reach; Tis Heav n alone can save, both us and thee. 64. Chorus of Israelites With thunder arm d, great God, arise! Help, Lord, or Israel s champion dies! To thy protection this thy servant take, And save, oh, save us for thy servant s sake! With thunder arm d. . . da capo 65. Recitative Samson Be of good courage, I begin to feel Some inward motions, which do bid me go. Micah In time thou hast resolv d, again he comes. Enter Harapha. Harapha Samson, this second summons send our lords Haste thee at once; or we shall engines find To move thee, though thou wert a solid rock. Samson Vain were their art if tried, I yield to go, Not through your streets be like a wild beast trail d. Harapha You thus may win the lords to set you free. Samson In nothing I ll comply that s scandalous Or sinful by our law. - Brethren, farewell! Your kind attendance now, I pray, forbear, Lest it offend to see me girt with friends. Expect of me you ll nothing hear impure, Unworthy God, my nation, or myself. Micah So may st thou act as serves His glory best. Samson Let but that spirit (which first rush d on me In the camp of Dan) inspire me at my need 66. Accompagnato Samson Then shall I make Jehovah s glory known! Their idol gods shall from his presence fly, Scatter d like sheep before the God of hosts. 67. Air Samson Thus when the sun from s wat ry bed All curtain d with a cloudy red, Pillows his chin upon an orient wave; The wand ring shadows ghastly pale, All troop to their infemal jail Each fetter d ghost slips to his sev ral grave. 68. Accompagnato Micah With might endu d above the sons of men, Swift as the lightning s glance His errand execute, And spread His name amongst the heathen round. 69. Air and Chorus Micah The Holy One of Israel be thy guide, The Angel of thy birth stand by thy side! To fame immortal go, Heav n bids thee strike the blow The Holy One of Israel is thy guide. Israelites To fame immortal go Heav n bids thee strike the blow The Holy One of Israel is thy guide. Scene 2 Micah, Manoah, and Chorus of Israelites. 70. Recitative Micah Old Manoah, with youthful steps, makes haste To find his son, or bring us some glad news. Manoah I come, my brethren, not to seek my son, Who at the feast does play before the lords; But give you part with me, what hopes I have To work his liberty. 71. Air Philistine, at a distance Great Dagon has subdu d our foe And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 72. Chorus of Philistines, at a distance Great Dagon has subdu d our foe. And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 73. Recitative Manoah What noise of joy was that? It tore the sky. Micah They shout and sing, to see their dreaded foe Now captive, blind, delighting with his strength. Manoah Could my inheritance but ransom him, Without my patrimony, having him The richest of my tribe. Micah Sons care to nurse Their parents in old age; but you, - your son! 74. Air Manoah How willing my paternal love The weight to share Of filial care, And part of sorrow s burden prove! Though wand ring in the shades of night, Whilst I have eyes he wants no light. 75. Recitative Micah Your hopes of his deliv ry seem not vain, In which all Israel s friends participate. Manoah I know your friendly minds, and - A symphony of horror and confusion. Heav n! What noise! Horribly loud, unlike the former shout. 76. Chorus of Philistines, at a distance Hear us, our God! Oh, hear our cry! Death, ruin, falI n, no help is nigh, Oh mercy, Heav n, we sink, we die! 77. Recitative Micah Noise call you this? An universal groan, As if the world s inhabitation perish d! Blood, death, and ruin, at their utmost point! Manoah Ruin indeed! Oh, they have slain my son! Micah Thy son is rather slaying them; that cry From slaughter of one foe could not ascend. But see, my friends, One hither speeds, an Hebrew of our tribe. Scene 3 Enter a Messenger. 78. Recitative Messenger Where shall I run, or which way fly the thoughts Of this most horrid sight? O countrymen, You re in this sad event too much concem d! Micah The accident was loud, we long to know from whence. Messenger Let me recover breath; it will burst forth. Manoah Tell us the sum, the circumstance defer. Messenger Gaza yet stands, but all her sons are falI n. Manoah Sad, not to us! But now relate by whom? Messenger By Samson done. Manoah The sorrow lessens still, And nigh converts to joy. Messenger O Manoah! In vain I would refrain; the evil tale Too soon will rudely pierce thy aged ear. Manoah Suspense in news is torture, speak them out! Messenger Then take the worst in brief - Samson is dead. Manoah The worst indeed! My hopes to free him hence Are baffled all! But death, who sets all free, Hath paid his ransom now. Micah Yet, ere we give the reins to grief, say first How died he? Death to life is crown, or shame. Messenger Unwounded of his enemies he fell, At once he did destroy, and was destroy d; The edifice, where all were met to see, Upon their heads, and on his own he pulI d! Manoah Oh, lastly overstrong against thyself! A dreadful way thou took st to thy revenge Glorious, yet dearly bought! 79. Air and Chorus Micah Ye sons of lsrael, now lament, Your spear is broke, your bow s unbent. Your glory s fled, Amongst the dead Great Samson lies, For ever, ever, clos d his eyes! Israelites Weep, Israel, weep a louder strain; Samson, your strength, your hero, is slain! 80. Recitative Manoah Proceed we hence to find his body Soak d in vile Philistine blood; with the pure stream, And cleansing herbs wash off his clodded gore; Then solemnly attend him to my tomb With silent obsequies, and fun ral train. 81. Symphony dead march 82. Recitative Micah The body comes; we ll meet it on the way With laurels ever green, and branching palm; Then lay it in his monument, hung round With all his trophies, and great acts enrolI d In verse heroic, or sweet lyric song. Manoah There shall all IsraeI s valiant youth resort, And from his memory inflame their breasts To matchless valour, whilst they sing his praise. Enter Israelites with the body of Samson. 83. Air and Chorus Manoah Glorious hero, may thy grave Peace and honour ever have; After all thy pain and woes Rest etemal, sweet repose! Israelites Glorious hero, may thy grave Peace and honour ever have! 84. Solo and Chorus Israelite Woman The virgins too shall on their feastful days Visit his tomb with flow rs, and there bewail His lot unfortunate in nuptial choice. Virgins Bring the laurels, bring the bays, Strew his hearse, and strew the ways! Israelite Woman May ev ry hero fall like thee, Through sorrow to felicity! Virgins Bring the laurels, bring the bays Strew his hearse and strew the ways! Israelites Glorious hero, may thy grave Peace and honour ever have, After all thy pains and woes, Rest etemal, sweet repose! 85. Recitative Manoah Come, come! No time for lamentation now, No cause for grief; Samson like Samson fell, Both life and death heroic. To his foes Ruin is left; to him eternal fame. Micah Why should we weep or wail, dispraise or blame, Where all is well and fair to quiet us? Praise we Jehovah then, who to the end Not parted from him, but assisted still, Till desolation fill d Philistia s lands, Honour and freedom giv n to Jacob s seed. 86. Air Israelite Woman Let the bright seraphim in burning row, Their loud, uplifted angel trumpets blow. Let the cherubic host, in tuneful choirs, Touch their immortal harps with golden wires. 87. Chorus of Israelites Let their celestial concerts all unite, Ever to sound his praise in endless blaze of light. Handel,George Frideric/Samson

• BEMANIシリーズ歌詞wiki - 18 Resort Anthem

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  beatmaniaIIDX 18 Resort Anthem 曲名 ジャンル アーティスト Answer STARPOP 星野奏子 Believe In Me HARDCORE Uraken feat. Calyn Tsukishima Bounce Bounce Bounce DANCEHALL kors k feat.Kanata Okajima＆楽天斎 BROKEN EDEN SYMPHONIC-TEK MYTHOLOGIA by MLREC. DAYDREAMER GIRLY ROCK ピンクターボ Fantasia HYPER FANTASIA TЁЯRA Get Out? ELECTRO 壱岐尾彩花 I FIGHT ME DRUM BASS kobo feat.Marsha La Mar CATALÀ LOUNGE seiya-murai feat.David Solanes Venzala Mermaid girl BUBBLEGUM DANCE Cream puff Never Fade Away IIDX HANDZ UP!! Sota Fujimori feat. dj MAX STEROID passionate fate HANDZ UP Ryu☆ reunion CYBER WALTZ Tatsh Stay my side R B DJ Yoshitaka feat.RINA Take Me Higher SYNTHETIC ELECTRO Sota Fujimori feat.Sachi WISE UP! RESORT HOUSE 木之下慶行 feat.星野奏子 XANADU OF TWO DANCE POP T.Kakuta With Starving Trancer + 森永真由美 You Were The One ITALO HOUSE good-cool ft. Brenda Vaughn ZETA ～素数の世界と超越者～ IDM Zektbach おおきなこえで WORLD/POPS 猫叉Master feat.Sana かげぬい Ver.BENIBOTAN NATSU MATSURI CULTVOICE by S.S.D.PRODUCTS 夕焼け ～Fading Day～ AURAL ADRENALINE JAKAZiD 恋愛レボリューション21 -秋葉工房mix-? EUROBEAT DJ Command feat. うさ＆ともみん 旅人リラン ELECLORE XOGO BRYKK 黒髪乱れし修羅となりて 撫子メタル 村正クオリア Eternal Tears WINTER BALLADE ツガル Medicine of love MAGICAL POP イロハ＆リリナ Raise your hands OKINAWA ANTHEM Keiichi Ueno feat.RIISA WE LOVE SHONAN SURF＆DUB Studio Bongo Mango feat.Likkle Mai DM STAR ～関西 energy style～ SPEED RAVE NAOKI