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https://w.atwiki.jp/eternalknightswiki/pages/117.html
[開幕推奨持込] (戦士、侍)ロンソ、H200、PUP*3、PMAX、Mスリ、ブライト [後攻め推奨持込] (戦士、侍)ロンソ、パワシ、ハンリン、PMAX、ポーションSP、ブライト、ハンター、C1 (戦士、侍)パワシ、マジリン、マジポ、ポーションSP、マジホ、ブライト、ハンター、C1 [立ち回り] エタナ３の最初の青城。簡単だが性能は悪い・・・が何故か人気があるような気がする。 開幕ハンリンもあり。基本的に入らない。入るならポイントをしっかり残せる時間に。 PUPは90まで上げて3枚使用。 マジホは４、５、６階あたりで。 [浮き目安] 開幕7~9分で80~130浮きほど。 後攻めは浮き110~140程度。
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手持ちのアイテムやチェストの中身を整理するMOD 手持ちのアイテムはコマンド、チェストの中身は棒で殴ると整理できる。 コマンド 説明 パーミッション /sort アイテム爛を整理 simplesort.inventory /sort hot 手持ちのアイテム欄を整理 〃 /sort all アイテム爛、手持ちのアイテム欄をまとめて整理 〃 チェストソートを有効にする simplesort.chest
https://w.atwiki.jp/vocaloidenglishlyric/pages/228.html
【Tags E Gumi buzzG tE A】 Original Music Title アイセンサー Eye Sensor (Ai Sensaa) Music Lyrics written, Voice edited by buzzG Music arranged by buzzG Singer Gumi(Megpoid) Extend Power Click here for the Japanese Lyrics English Lyrics (translated by blacksaingrain)： A long journey started to roll I recall you "I don’t know the temperature of the heart" Time just went by without knowing it No way, no way That’s a flame that no one wants I yearn so much that I can’t even shed tears I can’t be you What can be seen at the place where the released hand goes? The voice is trembling Everything broke and burnt out Even civilizations and written records turned to ashes No way, no way That’s a world that no one wants As it came off, I just knew an unknown pain It runs down my life Black rains, red rivers No one wants to see such a future, right? I didn’t want to see I yearn so much that I can’t even shed tears I’m pretending to be tough My mind is full of tears now The tears well up in my eyes that are not supposed to have water I don’t care about whatever it means Till the future we wanted Romaji lyrics (transliterated by blacksaingrain)： korogaridashita nagai tabi anata no koto omoidasu "kokoro no onndo wo shiranaino" shiranai mama de toki dake ga sugi No way No way sore wa dare mo nozomanai honoo kogare namida nanka denai yo watashi wa anata niwa narenai no toita te no ikisaki de nani wo miru no koe ga furueteru subete kowarete moetsukita bunnmei mo moji mo hai ni natta No way No way sore wa dare mo nozomanai sekai hagare obaeta bakari no shiranai itami inochi wo tsutau no kuroi ame akai kawa konna mirai wo mitaku wa nai desho mitakunakatta no kogare namida nanka denai yo tsuyogari kokoro wa ima naiteru no namida nannka deru hazu no nai hitomi kara afuredeta sono imi nante nandemo ii no watashitachi ga nozonda mirai made
https://w.atwiki.jp/spellbreakjapan/pages/64.html
1st Asia Spellbreak Community (ASC) SOLO tournament (A LEAGUE, B LEAGUE) June 8 (Sat) 22 00 JST, 21 00 HKT/SGT/AWST, 23 00 AEST, 13 00 GMT See the Player List here To enter, join the ASC discord here. https //discord.gg/mmn5NgR 日本語版 ASC Solo Tournament -A LEAGUE- High level open tournament for the top players on the Asia server Players that participant in A LEAGUE are not allowed to enter B LEAGUE ASC Solo Tournament -B LEAGUE- Held at the same time as A LEAGUE (specifically, each game is started immediately after a A LEAGUE game, this is to help reduce the number of top players in the B LEAGUE lobby) This is a tournament that anyone can join and enjoy, even beginners Players that place 1st in B LEAGUE two times within 6 months (or win twice consecutively) must enter A LEAGUE (this means not just getting a victory, but the player that wins overall on the night). Players that participant in A LEAGUE are not allowed to enter B LEAGUE Tournament Outline Held on the Asia server. Played in SOLO mode. The tournament consists of 3 rounds. The player with the most points after all 3 rounds is declared the winner. For players in A LEAGUE, the top 4 Japanese players are given the "Heavenly King" role on the SPELL BREAK (JP) discord server. All players in A LEAGUE are given the "Battle Mage" role on the SPELL BREAK (JP) discord server. All players in B LEAGUE are given the "Mage" role on the SPELL BREAK (JP) discord server. Tournament Rules General - Turn streamer mode off. - Team Leaders must be in the ready room (ALEAGUE voice chat or BLEAGUE voice chat) with the referees/organizers 5 mins before the event starts. - Players enter the lobby on the signal from the referees/organizers and check the number of players in the lobby. After confirming that all players are in the lobby, players leave the voice chat and play in the match. - Players rejoin the ready room (ALEAGUE voice chat or BLEAGUE voice chat) once they have uploaded their screenshots. - If you have an issue with anything. Please DM it to the Event Hosts. - If you are getting killed denied, please provide definite proof that it happened in that very game which happened. - If you are streaming the event, please put on a 3 minute delay. This is to prevent stream-sniping. - If you are streaming the event, please mention us in the title of your stream. *Example "Starscream | #1 Spellbreak Player | Streaming SIL Solos tournament |" * - No game resets will be conducted for any reason. If Spellbreak crashes during the match, you will get no points for that match. Screenshots - You must take and submit your own screenshots of the end-game screen. - Do not crop screenshots. - No phone screenshots allowed. - If your screenshots show multiple monitors or need to use your phone, download "Greenshot" and use that instead (can use Lightshot if you prefer). - You MUST post your screenshot after each defeat/victory. If you fail to provide a screenshot of your post-game screen you will not receive points. - IMPORTANT Attempting to manipulate your score or post-game screenshots, hack, or trick the system, will result in an immediate ban from all events hosted / organized by ASC. Points are accredited using the following system. 1st 10 points 2nd 9 points 3rd 7 points 4th-5th 5 points 6th-8th 3 points 9th -10th 1 points Eliminations 1 Point is earned for each elimination. 3 elims = extra 1 point 5 elims = another extra one point 7 elims = another extra one point. Back to Spellbreak JAPAN English top
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読み方：サウンドホリック 主な名義：SOUND HOLIC，SWING HOLIC SOUND HOLICはGUCCI，高橋菜々(Nana Takahashi)，MasKaleido，panoman，8STYLEによる同人サークル。 beatmaniaIIDX 曲名 名義 初出 備考 BRAVE GLOW SOUND HOLIC feat. Nana Takahashi 20 tricoro ALBA -黎明- SOUND HOLIC feat. Nana Takahashi 21 SPADA SAMSARA SOUND HOLIC feat. Nana Takahashi 22 PENDUAL 時空トラベローグ SWING HOLIC feat. A～YA SURVIVOR SOUND HOLIC Vs. ZYTOKINE feat. Nana Takahashi 23 copula 合作：ZYTOKINE 麗～うらら～ SOUND HOLIC feat.Nana Takahashi XINOBIKILL SOUND HOLIC feat.Nana Takahashi 24 SINOBUZ FUZIN RIZIN SOUND HOLIC feat.Nana Takahashi 709sec. 1001 -ESCAPE- SOUND HOLIC feat.Nana Takahashi 25 CANNON BALLERS 神謳 -RESONANCE- SOUND HOLIC feat.Nana Takahashi Vs.GOD PHOENIX Prim 合作：T.Kakuta STARLIGHT JUNCTION SOUND HOLIC feat.Nana Takahashi EVANESCENT SOUND HOLIC feat.Nana Takahashi 26 Rootage Voo Doo Bamboleo SOUND HOLIC Vs. ZYTOKINE feat. CALEN 27 HEROIC VERSE 合作：ZYTOKINE AMRITA -不滅ノ花- SOUND HOLIC feat.Nana Takahashi 28 BISTROVER DanceDanceRevolution 曲名 名義 初出 備考 ALGORITHM SOUND HOLIC feat.Nana Takahashi A GuitarFreaks DrumMania 曲名 名義 初出 備考 TOXIC VIBRATION SOUND HOLIC Vs. T.Kakuta feat. YURiCa OverDrive 合作：T.Kakuta WITCH HUNT SOUND HOLIC feat.YURiCa Tri-Boost 悠久のPEGASUS SOUND HOLIC Vs. T.Kakuta feat.Nana Takahashi 合作：T.Kakuta ROZA DE ANDALUCIA SOUND HOLIC Vs. T.Kakuta feat.Nana Takahashi 合作：T.Kakuta LIPS NOISE HUNTER SOUND HOLIC Vs. T.Kakuta feat.Nana Takahashi Matixx 合作：T.Kakuta 鬼華-修羅の舞- SOUND HOLIC Vs. BEMANI Sound Team "T.Kakuta" feat.Nana Takahashi EXCHAIN 合作：T.Kakuta pop n music ジャンル 曲名 名義 初出 備考 NINE PIECE SOUND HOLIC ラピストリア jubeat 曲名 名義 初出 備考 EXROCISM SOUND HOLIC feat. Nana Takahashi saucer fulfill REFLEC BEAT 曲名 名義 初出 備考 HALOS SOUND HOLIC feat. Nana Takahashi groovin !! FUTURE FLIGHT SOUND HOLIC feat.Nana Takahashi VOLZZA ライセンス楽曲 JUST AFTER DARK -零- SOUND HOLIC feat.Nana Takahashi DREAMER SOUND HOLIC feat. 709sec. 悠久のリフレシア SOUND VOLTEX 曲名 名義 初出 備考 Earthquake Super Shock -SDVX Edit.- SOUND HOLIC feat. Nana Takahashi BOOTH Ha・lle・lu・jah SOUND HOLIC feat. Nana Takahashi Grip Break down!! - SDVX Edit. - SOUND HOLIC feat. Nana Takahashi TYCOON SOUND HOLIC feat. Nana Takahashi NEXT BILLIONAIRE SOUND HOLIC feat. Nana Takahashi II -infinite infection- SCAPEGOAT BOY -SDVX EDIT.- SOUND HOLIC feat. Nana Takahashi INDEPENDENT SKY SOUND HOLIC feat. Nana Takahashi III GRAVITY WARS TIEFSEE SOUND HOLIC Vs. dj TAKA feat. YURiCa 合作：dj TAKAbeatmaniaIIDX 22 PENDUALと同時収録 無双 SOUND HOLIC Vs. VENUS feat. Nana Takahashi 合作：Sota Fujimori，DJ YOSHITAKA 焔 MAGMA SOUND HOLIC feat. Nana Takahashi IV HEAVENLY HAVEN ライセンス曲 BLIZZARD BEAT SOUND HOLIC feat. Nana Takahashi VIVID WAVE ALTONA SOUND HOLIC Vs. SWING HOLIC III GRAVITY WARS コナステ BeatStream 曲名 名義 初出 備考 しゅわスパ大作戦☆ SOUND HOLIC feat. Nana Takahashi BeatStream 惑星☆ロリポップ SOUND HOLIC feat. Nana Takahashi CARNIVOROUS SOUND HOLIC feat.Nana Takahashi アニムトライヴ その他 曲名 名義 初出 備考 NEON WORLD SOUND HOLIC feat. Nana Takahashi BEMANI×TOHO project REITAISAI 2015
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Privacy Policy Katsutoshi Kato built the Suspension Master app as a Free app. This SERVICE is provided by Katsutoshi Kato at no cost and is intended for use as is. This page is used to inform visitors regarding my policies with the collection, use, and disclosure of Personal Information if anyone decided to use my Service. If you choose to use my Service, then you agree to the collection and use of information in relation to this policy. The Personal Information that I collect is used for providing and improving the Service. I will not use or share your information with anyone except as described in this Privacy Policy. The terms used in this Privacy Policy have the same meanings as in our Terms and Conditions, which is accessible at Suspension Master unless otherwise defined in this Privacy Policy. Information Collection and Use For a better experience, while using our Service, I may require you to provide us with certain personally identifiable information. The information that I request will be retained on your device and is not collected by me in any way. The app does use third party services that may collect information used to identify you. Link to privacy policy of third party service providers used by the app AdMob Log Data I want to inform you that whenever you use my Service, in a case of an error in the app I collect data and information (through third party products) on your phone called Log Data. This Log Data may include information such as your device Internet Protocol (“IP”) address, device name, operating system version, the configuration of the app when utilizing my Service, the time and date of your use of the Service, and other statistics. Cookies Cookies are files with a small amount of data that are commonly used as anonymous unique identifiers. These are sent to your browser from the websites that you visit and are stored on your device s internal memory. This Service does not use these “cookies” explicitly. However, the app may use third party code and libraries that use “cookies” to collect information and improve their services. You have the option to either accept or refuse these cookies and know when a cookie is being sent to your device. If you choose to refuse our cookies, you may not be able to use some portions of this Service. Service Providers I may employ third-party companies and individuals due to the following reasons To facilitate our Service; To provide the Service on our behalf; To perform Service-related services; or To assist us in analyzing how our Service is used. I want to inform users of this Service that these third parties have access to your Personal Information. The reason is to perform the tasks assigned to them on our behalf. However, they are obligated not to disclose or use the information for any other purpose. Security I value your trust in providing us your Personal Information, thus we are striving to use commercially acceptable means of protecting it. But remember that no method of transmission over the internet, or method of electronic storage is 100% secure and reliable, and I cannot guarantee its absolute security. Links to Other Sites This Service may contain links to other sites. If you click on a third-party link, you will be directed to that site. Note that these external sites are not operated by me. Therefore, I strongly advise you to review the Privacy Policy of these websites. I have no control over and assume no responsibility for the content, privacy policies, or practices of any third-party sites or services. Changes to This Privacy Policy I may update our Privacy Policy from time to time. Thus, you are advised to review this page periodically for any changes. I will notify you of any changes by posting the new Privacy Policy on this page. These changes are effective immediately after they are posted on this page. Contact Us If you have any questions or suggestions about my Privacy Policy, do not hesitate to contact me atk2leaf130666@gmail.com This privacy policy page was created at privacypolicytemplate.net and modified/generated by App Privacy Policy Generator
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SET LIST from Japan (English ver) English page Japanese 10 songs , Hungarian 10 songs , Taiwanese 10 songs 日本語ページ 日本の10曲リスト , ハンガリーの10曲リスト , 台湾の10曲リスト Travelling (J-POP / WOMAN) Shonen Jidai (Boyhood) (Old J-POP / MAN) Memories Custom (J-POP / GROUP) Kimiwo Nosete (Carrying You) (ANIME / WOMAN) UE WO MUITE ARUKOU (I look up when I walk down) (Old J-POP / MAN) Sima-Uta (Island Song) (J-POP / GROUP) OSCA (Oscar) (J-POP / WOMAN) Sousei no Aquarion (Genisis Of Aquerion) (ANIME / WOMAN) HANA (Flower) (Traditional / Choras) Merry Christmas Mr.Lawrence (CINEMA / INSTRUMENTAL) Utada Hikaru - Travelling [2001] The singer, Utada Hikaru (1983-), one of the most well known Japanese artist has been making continuous hits ever since she debuted in 1998, Japan. The concept of this song "Traveling" is to cheer up everyone.It is simply about an ordinary person on Friday afternoon, but its upbeat rhythm and music are surely catchy. Hope you enjoy it, too. lyrics of the song "Travelling" in English , in Chinese More Info (Youtube) New! Her PVs using CG techniques are totaly amazing. Please Check it out! Travelling (PV) , Passioin (PV) , Sakura Drops (PV) , Colors (PV) , First Love (Live) You can find more video by searching for "Utada Hikaru" ! Inoue Yosui - Shounen Jidai (Boyhood) [1992] "Shonen Jidai (boyhood)" is singing about a boy s sentimentality over the end of Summer Now that fun Summer days have passed, my heart is filled with happy memory. I am seeking the continued path of those happy days. Inoue Yosui (1948-) originally composed this song as a main theme of the movie with same title. However, the song has been widely used on TV programs and advertisements, and also on school book of music. This song has been very popular among various generation and became one of the most famous works of his. More Info (Youtube) New! His carrier is over 30 years. The 2nd link was released in 1973, and 3rd was in 1993. Shounen Jidai (Live) , Yume No Naka He (PV) , Make Up Shadow (PV) Spitz - Memories Custom [2000] Spitz is Japanese veteran rock band formed in 1987. As we can often hear their songs on TV dramas or commercials, it has got big popularity among all ages and genders.The characteristic of the band is a high range of the vocal, the wonder lyric, and the sound mixed pop rock. This is so abstract and memorable number of their works. "Memories Custom". More Info (Youtube) New! We divide their songs into 2 part. 1st line - rock in sound, 2nd line - acorstic sound. Memories + 1 (Live) , Spica (PV) , Haru no Uta (PV) , 8823 (Live) Robinson (PV) , Ai no Kotoba (PV) , Cherry (PV) , Spider (PV) You can find more video by searching for "スピッツ" ! from "Castle in the Sky" - Kimi Wo Nosete (Carrying You) [1986] Do you know Japanese animation film "Laputa Castle in the Sky" (1986) by Miyazaki Hayao ? His animation films are loved nationally cross over generations. Perhaps many people in the world know him through his works such as "Spirited Away" and "Howl s Moving Castle". The film "Castle in the Sky" is one of his best from his early works. Its plot is an adventure of a young boy and a girl in an alternative world motived by the late 19th Century of Europe. While it has been 20 years since the film is released, its quality and popularity are never faded today. Naturally, its theme song "Kimi Wo Nosete" got a nation-wide popularity in Japan. It is on school book of music, and sung by many people today. This song is composed by Hisaishi Joe (1950-), known as cooperation with film director such as Miyazaki Hayao and Kitano Takeshi. More Info about Miyazaki Hayao (Youtube) New! You can find the trailers of Miyazaki s films. "Castle in the Sky" Trailer , "Spirited Away" Trailer , "Howl s Moving Castle" Trailer More Info about Hisaishi Joe (Youtube) New! Hisaishi Joe is one of Japanese prominent composer. The links in 2nd line are piano and orchestral live are beautiful! Please Check it out! Kimi Wo Nosete (from "Castle in the Sky") , The Promise of The World (from Howl) Summer (Live) , 794BDH (Live) , Nausicaä (Live) , and more ! He published many CDs. My reccomendation are this one and this one . Sakamoto Kyu - UE O MUITE ARUKOU(I look up when I walk down) [1961] Sakamoto Kyu (1941-1985) was a popular singer who was active mainly in 1960 s and 1970 s. This is his most popular song. "UE O MUITE ARUKOU", or probably known as " SUKIYAKI ", is selling over 10 million records worldwide since its release in Japan in 1961. In 1962, this song made a big hit in France, Belgium, Holland, and the UK. In the UK, Kenny Ball played this song and ranked the UK hit chart in 10th. In the US, this song earned the "Golden Disk Award" for the first time to Non-American record. While you can find word-to-word translation in the URL below, it sings about a man walking on the street at summer night. He is looking up sky, trying not to drop tears from his eyes. lyrics of the song, "Ueomuitearukou" More Info (Youtube) New! 1st line - original SUKIYAKI and covered by other singers. 2nd line - Kyu s other songs. SUKIYAKI Original , Original Live , covered by Taste of Honey , covered by 4.p.m Good Thing (PV) , Ashita ga Arusa (Live) , Miagete Goran Sora No Hoshi Wo (Live) The boom - Sima-Uta (Island Song) [1992] "Shima Uta" is from the impressions of the author Miyazawa Kazufumi (1966-) s visit on Okinawa. While Okinawa s lovely southern islands for holiday resort, it also has a tragic side. Near the end of the 2nd world war, it was a battle site often referred as the "the Typhoon of Steel". "Shima Uta" hopes to send out an message from Okinawa to the world across the ocean the message is that the battle (the war) took away friends, lovers, family members, and everyone. What could we do to stop it. What can we do now not to repeat the same sort of tragedy happen again. lyrics of the song, "Shima-Uta" More Info (Youtube) New! 1st line - original Shima-Uta and covered by other singers. 2nd line - The Boom s other songs. Sima-Uta Original PV , covered by Natsukawa Rimi , coverd by Alfredo Casero Kaze ni Naritai (PV) , Kaeroukana (PV) , berangkat (PV) , Chuoh-sen (PV) Tokyo Jihen - OSCA (Oscar) [2007] This is the newest hit song from Japan released on last July, OSCA by Tokyo Jihen. Every single instruments sound very unique, and so does the vocal. It s famous singer Shiina Ringo (1978-) who is the main vocal of the band. Their style is sort of strange, and really unique that gets many people addicted to. The lyric on the song is almost meaningless! I know you guys gonna be addicted to this. Enjoy the art of nonsense. More Info (Youtube) New! 1st line - Shiina Ringo s solo songs. 2nd line - Tokyo Jihen s songs. Koko de Kiss Site (PV) , - Kabukichou no Joou (PV) , Kouhuku-Ron (PV) , gips (PV) OSCA (PV) , Gunjo-Biyori (PV) , Shoujo Robot (Live) You can find more video by searching for "椎名林檎" or "Shiina Ringo" on Youtube! from "Genesis of Aquarion" - Sousei no Aquarion [2005] This is the main theme song of "Genesis of Aquerion", which is a science fiction animation on the Earth in the future. In this story, once a disaster destroyed the world 12 thousands years before, and remaining human beings battle against disaster. This song got cult-like popularity among VIPPERs, and almost all Japanese Clickers have taken to this song. There s no limit of the power to accelerate their clicking speed. More Info (Youtube) New! Sousei no Aquarion is released 2 version, in differing language, with arranged. Check it out! Japanese Ver , English Ver (with lyric ) , Japanese ver (HQ Audio) Taki Rentarou - Hana (Flower) [1900] Taki Rentarou (1879-1903) is one of the most important figure of Japanese modern music, and he is one of the first composer who expressed Japanese sensibility by using the idiom of European music.Even though he died at a young age, he had composed some prominent songs. This song, "Hana (Flower)" is one of the most popular songs composed by him. It is originally written for 2 female voice and piano accompaniment, and appeared in 1900, the late Meiji era. The motif of the song is the spring scenery of Sumida-gawa (Sumida River), which flows in Tokyo.The expression of the lyric much accords with melody, therefore we really love it, and still sing it. More Info (Youtube) New! coming soon Sakamoto Ryuichi - Merry Christmas, Mr. Lawrence [1983] Sakamoto Ryuichi (1952-) is Japanese musician with a worldwide reputation, who is an Academy Awards-winning, Grammy-winning, and Golden Globe-winning. Sakamoto started his career from the late 1970s and joined the synth techno trio " Yellow Magic Orchestra " (YMO). The band succeeded internationally and influenced on the acid house and techno movements of the following decade. Next, he made a great success as film score composer. This is the main score of "Merry Christmas Mr.Lawrence", made him known to a broader public. The film, set in in Japanese war camp during the Second World War, deals with the peculiar friendship between Japanese soldiers and English prisoners beyond their position or culture. More Info (Youtube) New! 1st line - Ryuichi Sakamoto. 2nd line - Yellow Magic Orchestra. Sakamoto and YMO s Live is totaly great ! Please Check it out! Merry Christmas Mr. Lawrence (Live 96) , Merry Christmas Mr. Lawrence (Live 86) , The Last Emperor (Live 1996) , Ballet Mecanique (PV 86) , Self Portrait (Live 86) Technopolis (PV 79) , Rydeen (Live 79) , 1000 Knives (Live 79) , Taiso (PV 82) You can find more Sakamoto s video and YMO s video on Youtube !
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ip_morale|Morale ip_morale_text|Morale represents the ability and willingness of the troops in a party to summon up the endurancebraveryand discipline they need to face the stresses of battle and the march. It is not the same thing as the troops' happiness. Elite troops may grumble and whine about the hardships of campaigning -- but then stand together as one when the arrows start to fly. On the other handa commander who gives his men everything they want may find that they grow softand waiver before the enemy's charge.^^ Morale's greatest impact is on a party's behavior in battledetermining how aggressively troops engage the enemyand how likely they are to break and run if they perceive the tide of battle turning against them. Morale also affects a party's march speedas a less motivated party will move more slowlyas the men are not pushing themselves to their physical limitand pause more frequentlyas it waits for stragglers to catch up. Finallya party with very low morale will start to suffer desertions.^^ Some factors that affect morale are intuitive. For examplea charismatic commander with a reputation for winning battles can infuse his or her men with a sense of confidence. Leaders who give their men well ample and varied supplies of foodand pay them on time demonstrate that they care about their troops' welfareand are less likely to lead them into disaster.^^ Other factors are less intuitive -- particularly those related to a party's sense of group cohesion. In a small tight-knit partyfor examplemen will often fight hard against daunting odds to avoid showing cowardice before their comrades-in-arms. A large party on the other hand may see its cohesion strainedas the commander has less time to supervise the menlisten to their grievancesand resolve their disputes. Frequent battles will strengthen the bonds between menwhile long periods without combat will see the troops become bored and quarrelsome.^^ The morale reportaccessibly by hitting the 'reports' button will give the player a sense of the factors affecting his or her men's morale. ip_economy|Economy ip_economy_text|Towns and villages in Calradia need a wide variety of goods for their populations to remain healthy and productive. First in importance is food. Grain is the staple crop of Calradiabut people also need fat and protein in the form of meatfishor cheese. It takes almost as much work to preserve meat as to produce it in the first placeso salt is also in high demand. After food comes clothing heavy woollighter linens or luxurious velvet. Finallypeople need the tools of their trade ironwarepotteryleatherwareandof course armsarmorand horses for war.^^Most agricultural products are produced in the villageswhile artisans in the towns specialize in manufactured or artisanal goods like fabrics or ironware. Alsodifferent resources can be found in different parts of the country. Consequentlythe key to prosperity in Calradia is trade -- both between the villages and the townsand between the major towns themselves.^^When trade flowsgoods will be available and affordablethe population of a center will be healthy and energeticand migrants will flock from the nearby regions. The center will produce moreconsume moreand be able to contribute more in taxes to their lords. When trade dries uptowns and villages will see their workers flee to seek work elsewhereand economic activity will drift to a stand-still. Thusit is in the interests of rulers to protect trade routes from the hazards of war and banditry. A smart merchanthowevermay want to seek out towns which have become isolated from the rest of the landas he or she may be able to turn a tidy profit from the resulting price imbalances.^^Because villagers usually plan to take their goods to market in townsvillage markets will be rather quiet placesand villagers will buy cheap and sell dear. Serious merchants will stick to the towns to make a profitalthough some parties may decide to make a quick stop in a village to acquire supplies.^^A player who wants to know about the factors affecting a region's prosperity can speak to the guildmaster of the local town. Other information can be gleaned from passers-byalthough they might not know very much outside of their own particular trade. ip_courtship|Courtship ip_courtship_text|Players may wish to marry into one of Calradia's noble families. Marriage is not necessary for a player to rise in power and staturebut it does provide players with an opportunity to improve their relation with lords and establish a claim to the throne.^^Marriage requirements will be different for males and females. A male character will usually need to pursue a traditional path of courtship. He should establish a reputation in Calradian aristocratic societyget on good terms with his bride's parents or guardiansand then woo the lady according to local custom. If a player grows impatienthe may attempt to take a shortcut -- but there will be consequences in his relations with other lords.^^A male character should keep in mind that other lords will be competing with him for the affections of the kingdom's ladies. Alsoa lady's tastes are unpredictableand a player may also find that the object of his love does not love him in return. Romancein Calradia as elsewheredoes not always prosper. Of coursea player may resort to otherless gentlemanly means of winning a lady's heartbut againthat will have a serious impact on his reputation.^^To get started on the path of courtshipa male player should try to get involved in the social life of the Calradian aristocracy attending feasts and tournaments. Alsowandering troubadours and poets can serve as a useful repository of information on courtshipand keep the player up to date about the latest gossip.^^Female characters can also marry -- but they should keep in mind that Calradian society is very traditionalandas adventurersthey have chosen a very unconventional path for a woman. A female character may have to look for a while to find a lord who is open-minded enough to marry her.^^On the bright sidea female character does not have to go through the elaborate rituals of courtshipand she also may gain more from a marriage than her male counterpart. For a woman adventurermarriage can be a quick path to power -- and an unscrupulous character may be able to use her husband as a tool of her political ambitions. ip_politics|Politics ip_politics_text|The realms of Calradiaalthough they represent different culturesall adhere to the same basic political system feudalism. Feudalism is based on the relationships between individuals the oaths of loyalty given by a vassal to his or her liege. In exchange for this oaththe vassal will usually receive a fiefa parcel of land whose income will be used by the vassal to raise troops to support the liege in time of war. A liege also has an obligation to protect his vassalsand to treat them justly.^^This is how it works in theoryanyway. In practicevassals will not always work in their factions' interestsparticular as they are often quarreling with one another. Nobles have different personalitiesand sometimes those personalities clash. Orperhaps two nobles were once friendsbut fell out over in the aftermath of a setback or a defeat -- or because they both were wooing the same lady. Jealousies will also surface as they vie for the favor of the king -- perhaps over newly conquered landsor over who will be given the coveted office of marshalthe lord in charge of organizing large-scale campaigns.^^When one realm in Calradia makes war on anotherthe political unity of the each kingdom is as important as the quality or number of its soldiers in determining the outcome. In a cohesive kingdom nobles will join together in a large force to sweep their opponents before them. In a kingdom divided by petty quarrelslords will fail to respond to the marshal's summonsor drift away to attend to their own business if a campaign is not going well. A faction's political cohesion will also impact warfare when campaigns are not in progress. In a divided factionlords will be less likely to join together on raids and patrolsand come to each other's defense.^^If it seems self-defeating for nobles to bicker and quarrel when the enemy is just over the horizonkeep this in mind -- ultimatelya noble's loyalty goes not to a particular faction or culturebut to himself and to his family. If a noble fears that his faction is collapsingor if he is being neglected by his liege he can usually find a reason to withdraw his oath of allegianceand change sides. Players should keep this in mindas they may find that there are opportunities to turn discontented former enemies into allies. ip_character_backgrounds|Character Backgrounds ip_character_backgrounds_text|A player character in Calradia may choose to come from a variety of social backgrounds. This choice will affect not just his or her starting skills and equipmentbut also the course of his or her career as an adventurer.^^War and politics in Calradia are traditionally dominated by male aristocrats. A nobleman player character may find that he is invited into this 'old boys' club' fairly quicklybut women and commoners may face a few extra hurdles on the way. If you choose to start the game as a male nobleman you can think of it as the 'easy' setting. Starting as a noblewoman or a male commoner is somewhat more difficultand starting as a female commoner is probably the most challenging way to begin a game.^^Howeverwomen have some starting advantages. Simply by taking up armsa female warrior will draw attention to herselfand she may find that she can build up her reputation faster than a male. Alsoit is traditionally easier for a woman to marry up the social ladder than it is for a manand a woman may find she can gain more from a strategic marital alliance than her male counterpart.^^Finallykeep in mind that the game does not place any limits on the upward mobility of characters based on their background. Noble or commonmale or femalemarried or unmarried -- anyone can rise to become ruler of all Calradiaif they are sufficiently braveluckyor resourceful. ip_military_campaigns|Military Campaigns ip_military_campaigns_text|When kingdoms in Calradia go to wartheir armies have two basic offensive options. They can try to attack villages and lay waste to the countrysidedamaging their enemy's prestige and economy. Orthey can try to seize and hold castles or townstaking territory This second option can involve longbloody siegesbut will yield more decisive results.^^It is important to note that the realms of Calradia do not field standing armieswhich remain in the field as long as the ruler desires. RatherCalradian realms are protected by feudal levies comprised of the major nobles and their individual retinues. Sometimesthese nobles launch their own private attacks into enemy territorybut the most decisive events will usually take place when the great hosts are assembled. The kingdom's marshala noble appointed by the kingwill summon the host before the campaign and lead them out to battle. Howeverhe should be careful not to keep them in the field too long. Otherwisethe host will begin to disintegrateas the vassals drift off to pursue their own businessand the army will be vulnerable to a counter-attack.^^For this reasonthe rhythm of wars in Calradia often resemble the rhythm of a duel between two individual combatants. One side will gather its strength and seek to land a blow against the enemy's territory. If the marshal spends too little time gathering the vassals he may not be able to do any real damage. If he spends too much timethen the campaign may end before it has even begun. A large realm will have an advantage over a smaller onejust as a brawny combatant has an edge over a smaller foebut a realm's political cohesion can also be a factorjust as a fighter with great stamina can outlast her opponent. Sometimesthe armies of two realms will meet head onresulting in a major battle in which both numbers and morale will decide the outcome.^^Kingdoms will have imperfect intelligence about their enemies. Attacking lords will need to frequently scout enemy territory to determine which fortresses may be vulnerable. An army defending its homeland will benefit from the alarms raised by castles and townswhich broadcast intelligence about enemy movements in the area. Such intelligence will be imprecisehoweverparticularly when it comes to numbers. A defending force which sets out to raise a siege or rescue a village may be able to overwhelm an unprepared attacker -- or it may miscalculateand find that it is the one to be overwhelmed. Attackersin turnmust be careful how far they advance into enemy territorywith aggressive marshals venturing further than cautious ones.^^Players will be expected to join in their faction's military campaigneither by joining the hostor by scouting ahead into enemy territory. Some players may find that their realm's marshal is too cautiousor too aggressivefor their tastes. In this casethey can intrigue with other lords to try to replace the marshalor build support to become the marshal themselves.^^Most wars are of limited duration. A king who goes to war willfor the sake of honorfeel obligated to pursue the conflict for a short while. Howeverunless he is soundly beating his enemy. he may soon start looking for a way out of the conflictlest he leave himself vulnerable to an attack by a third party. Calradia's rulers are keenly aware that today's ally may be tomorrow's enemyand vice versa. ip_crap|Crap ip_crap_text|A player character in Calradia may choose to come from a variety of social backgrounds. This choice will affect not just his or her starting skills and equipmentbut also the course of his or her career as an adventurer.^^War and politics in Calradia are traditionally dominated by male aristocrats. A nobleman player character may find that he is invited into this 'old boys' club' fairly quicklybut women and commoners may face a few extra hurdles on the way. If you choose to start the game as a male noblemanyou can think of it as the 'easy' setting. Starting as a noblewoman or a male commoner is somewhat more difficultand starting as a female commoner is probably the most challenging way to begin a game.^^Howeverwomen have some starting advantages. Simply by taking up armsa female warrior will draw attention to herselfand she may find that she can build up her reputation faster than a male. Alsoit is traditionally easier for a woman to marry up the social ladder than it is for a manand a woman may find she can gain more from a strategic marital alliance than her male counterpart.^^Finallykeep in mind that the game does not place any limits on the upward mobility of characters based on their background. Noble or commonmale or femalemarried or unmarried -- anyone can rise to become ruler of all Calradiaif they are sufficiently braveluckyor resourceful.
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このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 PROLOGO （L'antro de L'eternità） ▼LA NATURA▲ Alme pure, e volanti, che dal giro, che forma il serpe eterno annodando i principi, uscir dovete, scese, giuste sedete, fatte aurighe, al governo de corpi misti, e post'il freno al senso, i spazi della vita correte illustri, acciò virtù su 'l dorso qui vi ritorni, terminato il corso. ▼L'ETERNITÀ▲ Chi qua sale immortale vive vita infinita, divinizza la Natura. Ma sassosa faticosa è la via, che qui invia, è la strada alpestra, e dura. ▼LA NATURA E L'ETERNITÀ▲ Il colle d'Alcide conduce quassù eccelsa virtù a quest'alta cima i spirti sublima. ▼IL DESTINO▲ Gran madre, ottima duce, antica augusta produttrice ferace di ciò, che dentro gl'elementi ha vita; perché resti scolpita nell'antro adamantino tua nobile fattura quivi ascende il Destino. ▼LA NATURA▲ Immutabil garzone più vecchio di Saturno e più di me, entra, che 'l varco non si vieta a te. ▼IL DESTINO▲ Diva, che eterni, e divi con stellati caratteri nel foglio del sempiterno i nomi noti, e scrivi; dal serpentino tuo sferico foglio eternizza Calisto. Al firmamento, nova forma s'accresca, ed ornamento. ▼L'ETERNITÀ▲ Chi la chiama alle sfere? Qual merto l'immortala? ▼IL DESTINO▲ Il mio volere. Non si chiede ragione di ciò, che 'l fato termina, e dispone, sono i decreti miei arcani anco agli dèi. ▼L'ETERNITÀ, NATURA, DESTINO▲ Calisto alle stelle. Di rai scintillanti i vaghi sembianti s'adornino eterni. Ai poli superni s'accreschin fiammelle. Calisto alle stelle. ATTO PRIMO Scena Prima （Selva arida） ▼GIOVE▲ Del foco fulminato, non stempraro le fiamme delle sfere i zaffiri; ogn'orbe è intero. Ben l'infimo emisfero serba caldi vapori, ancora ardente, già la terra languente con mille bocche, e mille, chiede, febbricitante, alti soccorsi, abbandonati i corsi nell'urne lor s'hanno racchiusi i fiumi. Esalazioni, e fumi mandano al cielo inariditi i prati, e sfioriti, e schiomati vivono a pena i boschi. Or tocca a noi ch'avem del mondo, e provvidenza, e cura ristorar gl'egri, e risarcir natura. ▼MERCURIO▲ Tu padre, e tu signore delle cose composte, ed increate, tu monarca del tutto, all'arido, al distrutto. Dalle cime beate dell'Olimpo sublime tornar le pompe prime, e le sembianze belle potevi pur senza lasciar le stelle. Tem'io, che qui disceso, invece d'apportare al mal ristoro non uccidi il penante, e in modi novi non distruggi, e rinnovi la progenie de' sassi depravata. Più che mai scellerata l'umanità, tra vizi abominandi, il folgore disprezza, e tu ch'il mandi. ▼GIOVE▲ Pria si renda il decoro alla gran madre, che poscia con le squadre de' ribelli, e nocenti di Licaon rinnoverò gl'esempli. Ma Mercurio, chi viene? Qual ninfa arciera in queste parti arriva? Oh, che luci serene, più luminose non le vidi mai ▼MERCURIO▲ Del re è cangiato in lupo, di Licaone appunto. Ch'ulula per le selve il suo misfatto è costei prole illustre, e d'arco armata segue la faretrata Cinzia severa, e anch'ella, rigida quanto bella, non men del casto, e riverito nume, della face amorosa aborre il lume. ▼GIOVE▲ Semplici giovanette votarsi all’infeconda, e per le selve disumanarsi in compagnia di belve. Scena Seconda ▼CALISTO▲ Piante ombrose dove sono i vostri onori? Vaghi fiori dalla fiamma inceneriti, colli, e liti di smeraldi già coperti or deserti del bel verde, io vi sospiro dove giro, calda, il piede, e sitibonda, trovo l'onda rifuggita entro la fonte, nella fronte bagnar posso, ho 'l labbro ardente. Inclemente si chi tuona arde la terra? Non più Giove, ah non più guerra. ▼MERCURIO▲ Dell'offese del foco la bella ti fa reo. ▼GIOVE▲ Cillenio, ahi che poteo un raggio di quel bello la mia divinità render trafitta. Caramente rubello al suo fattor, quel viso, se potessi morir, m'avrebbe ucciso. ▼MERCURIO▲ Scendesti per sanare, e fisico imperito l'egra t'inferma nel smorzar a pieno il colpevole ardor, t'accendi il seno con fiamme di Cocito. ▼CALISTO▲ Da questa scaturigine profusa son l'acque anco perdute. Refrigerio, e salute alle viscere mie chi porgerà? M'arde fiero calor, e per me stilla di salubre umor il torrente, la fonte, il rio non ha. ▼GIOVE▲ Scenderanno da cieli per ricrearti, o bella le menti eterne, e quasi serve a gara t'arrecheran l'ambrosia, a dèi sì cara. Vedi della sorgente in copia scaturir fredd'i cristalli. Della tua dolce bocca amorosetta, vaga mia languidetta, nell'onda uscita immergi i bei coralli. ▼CALISTO▲ Chi sei tu, che comandi all'acque, o meraviglie alte, inaudite, e dai lor centri ad irrigar le mandi le sponde incenerite? ▼GIOVE▲ Chi sa cose maggiori far con un cenno. Gl'astri, e gl'elementi, struggendo, rinnovar posso in momenti. Giove son io, che sceso dal ciel per medicar la terra, ch'arde, dal foco de' tuoi rai mi trovo acceso. ▼MERCURIO▲ Arciera vezzosa ricorri amorosa di Giove nel sen. L'Empireo seren de'dolci tuoi baci per premio darà. Delizie veraci tuo spirto godrà. ▼GIOVE, MERCURIO▲ Di Giove nel sen arciera vezzosa ricorri amorosa. ▼CALISTO▲ Dunque Giove immortale, che protegger dovrebbe, santo nell'opre, il virginal costume, acceso a mortal lume, di deflorar procura i corpi casti, e render vani i voti di puri cori, a Cinzia sua devoti? Tu sei qualche lascivo, e la natura sforzi con carmi maghi ad ubbidirti. Girlandata di mirti Venere mai non mi vedrà feconda. Torna, torna quell'onda nello speco natio, che bever non vogl'io de' miracoli tuoi libidinoso mago. Resta co' tuoi stupori. Addio mio vago. Verginella io morir vo'. Stanza, e nido per Cupido del mio petto mai farò. Verginella io morir vo'. Scocchi amor, scocchi se può tutte l'armi per piagarmi, ch'alla fine il vincerò. Verginella io morir vo'. Scena Terza ▼GIOVE▲ Come scherne acerbetta le lusinghe costei del dio sovrano, e di ridurla amante l'onnipotenza mia non è bastante, che libero creai l'animo umano. Tu Mercurio facondo, che con detti melati persuadi, ammorbidisci, or corri, or vola dietro la fuggitiva e rendendola priva del casto orgoglio, il tuo signor consola. ▼MERCURIO▲ Altro, che parolette vi vogliono a stemprare di queste superbette pertinace 'l rigor. Donna pregata più si rende ostinata. ▼GIOVE▲ Dunque, che far degg'io per dar ristoro all'amoroso affanno. ▼MERCURIO▲ Seguire il mio consiglio, usar l'inganno. ▼GIOVE▲ E come? ▼MERCURIO▲ Della figlia, della silvestre dea prendi l'imago, e sotto quel sembiante, amatore ingegnoso, godi l'amata ascoso non fuggirà gl'amplessi la rigida romita della diva mentita. ▼GIOVE▲ Ben delle frodi sei artefice sagace, inventor raro. Potrà il rimedio tuo Mercurio caro, felicitar gl'amori al re de' dèi. ▼MERCURIO▲ Non s'allontani dalla fonte il passo, ch'ancora qui verrà questa ritrosa la sete ardente ad ammorzare al sasso fa', ch'ogn'altr'onda, anco dimori ascosa. ▼GIOVE▲ Chiuso in forme mentite Giuno non saprà già le mie dolcezze, e se note le fian garrisca in lite, che sì dolce contento non lascerei per cento garre, e cento. Scena Quarta ▼CALISTO▲ Sien mortali, o divini i lascivi partirò; ed io, ch'indarno aggiro sitibonda, anelante il piè per il contorno a ber qui l'acque scaturite e or torno; oh, come pochi sorsi del dolce, e freddo umore, m'estinse con l'ardore quell'ingordo desio, che volea diseccar l'onde d'un rio. Di questo ghiaccio sciolto fatto lavacro al volto, e in lui le braccia immerse, i bollori del sangue raffreddai. Grazie alla fonte, ogni languor sanai. Non è maggior piacere, che seguendo le fere fuggir dell'uomo i lusinghieri inviti tirannie de' mariti son troppo gravi, e troppo è il giogo amaro viver in libertade è il dolce, il caro. Di fiori ricamato morbido letto ho il prato, m'è grato cibo il mel, bevanda il fiume. Dalle canore piume a formar melodie tra i boschi imparo. Viver in libertade è il dolce, il caro. Scena Quinta ▼MERCURIO▲ Chi non ti crederebbe agl'arnesi, alla forma al portamento, la dèa del ciel d'argento. ▼GIOVE▲ （in Diana） Ecco l'orgogliosetta colta incauta ne' lacci. ▼MERCURIO▲ Rispettoso amator che non l'abbracci? ▼GIOVE▲ （in Diana） O decoro del mio coro, verginella più, che bella, tanto lungi alla tua diva? Di te priva perdo il lieto delle prede, e mai m'accheto. ▼CALISTO▲ O Febea mia gran dèa, dèa, che impera alla sfera, che circonda al foco il giro, mi partirò dal tuo lato belve ree, nume adorato. ▼GIOVE▲ （in Diana） Or l'amarezza della dimora, bella, ristora con la dolcezza de' baci tuoi. ▼CALISTO▲ Quanti ne vuoi te ne darà, te n' porgerà, devoto il labbro, che d'invocare ha per costume sempre il tuo nume. ▼GIOVE▲ （in Diana） In ricovro più ombroso, in loco più frondoso, al mormorar, che fa l'umor cadente di trovata sorgente più limpida di questa, e più gelata, a baciarsi le bocche portiam, seguace amata. ▼CALISTO, GIOVE▲ A baciarsi andiam, sì, sì. Sien del dì liete al core tutte l'ore, col goderle in dolci paci. Non s'indugi, a' baci, a' baci. Scena Sesta ▼MERCURIO▲ Va' pur, va' pur, va' seco, ch'altro, che suon de' casti baci, e puri pubblicherà per la foresta l'eco. Va' pur, va' pur, va' seco. Se non giovano, se non trovano, le preghiere, e i vostri pianti, nelle ingrate adorate cortesia, sentite amanti, ricorrete alla frode, ch'ingannatore amante, è quel, che gode. Le blandizie, le delizie di Cupido a ladro ingegno più condite, saporite, son più grate, io ve l'insegno. Ricorrete alla frode, ch'ingannatore amante, è quel, che gode. Scena Settima （Foresta） ▼ENDIMIONE▲ Improvvisi stupori; nascono a gara i fiori, germina il verde, e veste per l'aride foreste ogni pianta di fronde ombrose manto. Il Ladon, l'Erimanto sgorgando i chiusi umori, di novo van precipitosi al mare io nelle doglie amare refrigerio non sento, e di secche speranze il verdeggiar dispero; divorator severo, mentre, che gode il mondo i suoi ristori, mi moltiplica il foco in sen gl'ardori. Solo al correr de' fiumi corre il mio pianto, e sempre ho le fiamme nel cor, l'acque ne' lumi. Ma lasso me, che miro? Se n' viene il mio sospiro. Serenati o core, e quelle bellezze, che spirano asprezze, furtivo amatore, contempla, e ristora con qualche diletto quel duol, che nel petto ti cova la morte. Divina mia sorte al tuo bel sembiante respira il penante. Scena Ottava ▼DIANA▲ Pavide, sbigottite dalle fiamme piovute nelle caverne lor, seguaci arciere, stanno ancora le fere; onde senza speranza i passi nostri traccian de' boschi i mostri. ▼LINFEA▲ Costrette dalla sete verranno al rio corrente, pria, che nell'occidente, il luminoso tuo german tramonti. Sui declivi de' monti, sui sentieri della selva attendiamole al varco scoccherem pria, ch'imbruni i strali, e l'arco. ▼DIANA▲ Ohimè, vedo il mio bene, quel ben per cui beata io vivo in pene. ▼ENDIMIONE▲ Occhi non v'abbagliate a quei raggi d'argento, vi prego resistete, ch'or mediche discrete mi tolgon quelle luci ogni tormento. ▼DIANA▲ Pastorello gentile errar per la foresta fere veduto avresti? ▼ENDIMIONE▲ Colmo di casi mesti, fisso ne' miei pensieri, punto da interni morsi, fatto cieco dal pianto, belve, diva, non scorsi. ▼DIANA▲ Tu, che la gloria sei dell'Erimanto, tu, che della mia sfera i volubili moti dotto investigatore osservi, e noti, tu nel verde degl'anni, nutrisci tanti affanni? ▼ENDIMIONE▲ Son martire felice, e l'anima languendo adora, e benedice la cagion del suo male. Sia la piaga immortale, come nel petto mio nascer io sento dalla doglia il contento. ▼DIANA▲ Agl'effetti, che narri del soave dolore, il tuo tiranno è Amore. ▼ENDIMIONE▲ Amor, né mi querelo delle sue rigidezze, e del mio foco l'origine divina ogn'ora invoco. ▼MERCURIO▲ Da peste cos'impura infetto questi il seno sparisca in un baleno. Di qua 'l piede allontana servo d'affetto reo, nemico di Diana. ▼DIANA▲ Come, come costei interrompe importuna i piaceri miei. Dura necessità, rigorosa onestà vuol, che rigida io sia verso l'anima mia. ▼MERCURIO▲ A partire anco tardi? Ti scacceranno i dardi. ▼DIANA▲ Fuggi da casti oggetti misero affascinato; de' tuoi sospiri il fiato non contamini, sozzo, i nostri petti. Fuggi da casti oggetti. ▼ENDIMIONE▲ Parto, e porto partendo tacito idolatrante, occulto vago, fissa nel cor l'imago, che delle mie fortune l'orrido rasserena lieto nella mia pena mi udran le piante, gli augelletti, i venti a formar questi accenti amante pellegrino amerò benché fiero, il mio destino. Scena Nona ▼DIANA▲ Non è crudel ben mio, chi da sé ti discaccia; pari fiamma m'accende, m'al mio destin contende votata castità. Va' pur mio foco, va' che se tu adori il mio divin t'adoro, e per te, nata eterna, ogn'or mi moro. ▼MERCURIO▲ Come chiude nel petto costui l'amaro, il dolce, il tormento, il diletto, e un strano misto fa d'allegria, e tristo. Se ne viene Calisto. Scena Decima ▼CALISTO▲ Piacere maggiore avere non può un core s'in ciel andasse volasse, di quel, che l'alma mia gustò, ma cosa sia, non so. ▼DIANA▲ Onde cotanto allegra regia mia verginella? Ardita nella selva in aspra, e fiera belva insanguinasti il dardo, o la quadrella? ▼CALISTO▲ Giubilo immenso, e caro le dolci labbra tue nel petto mi stillaro. Fur pure, o dio, soavi quei baci, che mi desti o dea cortese, ma la mia bocca il guiderdon ti rese. ▼DIANA▲ E quando ti baciai? ▼CALISTO▲ Quando? Lucidi rai or, or lasciaste meco nel primo orror lo speco, e in spazio così breve le dolcezze scordate delle beltà baciate? ▼LINFEA▲ Impazzita è costei. ▼DIANA▲ Che parli tu di speco, di dolcezze godute, di baci dati, e resi? Vergine più scorretta io non intesi. ▼CALISTO▲ Ohimè forse ti schivi diletta, amata dèa, ch'oda, e sappi Linfea i fruiti piacer, perch'anc'a lei partecipar tu déi della tua bocca i favi sì grati, e sì soavi. Ti prego non stancare quei celesti rubini altre labbra in baciare a me serba indefessi i vezzi, i baci. ▼DIANA▲ Taci lasciva, taci. Qual, delirio osceno l'ingegno ti confonde? Come immodesta, donde profanasti quel seno con introdur in lui sì sozze brame! Qual meretrice infame può dei tuoi, disonesta, formar detti peggiori? Esci dalla foresta, né più tra i casti, e virginal miei cori ardisci conversar putta sfrenata dal senso lusinghier contaminata; va' fuggi, e nel fuggir del piede alato t'accompagni il rossor del tuo peccato. Scena Undicesima ▼CALISTO▲ Piangete, sospirate luci dolenti, spirti innocenti allettatrici ingrate le mie bellezze, ohimè, mi son rubelle, ed io non so perché. ▼LINFEA▲ Calisto, qual pensiero t'appanna il senno? Eh torna della ragion smarrita in sul sentiero. ▼CALISTO▲ Nel vago seno accolta abbracciata, fui baciata più d'una, e d'una volta. Or la baciante, ohimè, il bacio nega, ed io non so perché. Scena Dodicesima ▼LINFEA▲ Interprete mal buona son di questa libidine, che l'orme di cupidine mi sono ancora ignote; e se ben mi percote lo stimolo d'amore dolcemente talora, l'inesperto mio core, pure agl'impulsi suoi resisto ancora. Mah, mah. Lo vorrei dire, e temo di parlare. Eh chi mi sente? Così non credo di voler morire. L'uomo è una dolce cosa, che sol diletto apporta, che l'anima conforta; così mi disse la nutrice annosa. In legittimo letto forse provar lo vo'. Un certo sì mi chiama, e sgrida un no. Mi sento intenerire quand'ho per oggetto qualche bel giovanetto; dunque, che volontaria ho da languire? Voglio, voglio il marito, che m'abbracci a mio pro. Al sì m'appiglio, e do ripudio al no. Scena Tredicesima ▼IL SATIRINO▲ Ninfa bella, che mormora di marito il tuo genio? S'il mio sembiante aggradati in grembo, in braccio pigliami, tutto, tutto mi t'offerò. ▼MERCURIO▲ Sì ruvido consorte ch'avessi in letto mai, tolga la sorte. ▼IL SATIRINO▲ Molle come lanugine, e non pungenti setole son questi peli teneri, che da membri mi spuntano neppur anco m'adombrano il mento lane morbide, ma sulle guance candide i ligustri mi ridono, e sopra lor s'innestano rose vive, e germogliano. Questa mia bocca gravida di favi soavissimi, ti porgerà del nettare. ▼LINFEA▲ Selvaggetto lascivo ti vedo quel, che sei, senza, che t'abbellisci, e ti descrivi, certo di capra nato esser tu déi, ama dunque le capre, e con lor vivi. ▼IL SATIRINO▲ Io son, io son d'origine quasi divina, e nobile, ben tu villana, e rustica nata esser déi tra gl'asini, o da parenti simili. So perché mi ripudia l'ingorda tua libidine, perché garzone semplice mal buono agl'esercizi di Cupido, e di Venere, ancor crescente, e picciola porto la coda tenera. ▼MERCURIO▲ Nelle mandrie ad amar va' aspetto ferino. Fanciullo caprino. Che Narciso, che bel viso, vuol goder la mia beltà, nelle mandre ad amar va'. Scena Quattordicesima ▼PANE▲ Numi selvatici, custodi, e genii di boschi mutoli, sassose orcadi, umide naiadi, rozze amadriadi, disperse, e lacere le chiome all'aria, in volti squallidi, sopra il cadavere del dio di Menalo cantate flebili, la mesta nenia amor, ch'è un aspide con il suo tossico ha morto il misero. ▼SILVANO▲ Risuscita sconsolato, e scaccia il torbido. La tua diva ha 'l petto morbido, nella fé serpe pestifera al tuo bene salutifera la speranza ancor suscita. ▼IL SATIRINO, SILVANO▲ Risuscita sconsolato, e scaccia il torbido. ▼PANE▲ Conforti deboli sono i vostri, ch'implacabile, e fiera vipera a' miei prieghi è fatta Delia né rammentasi del bel don di lane candide, che la fe' scendere dal suo giro argenteo, e lucido, vezzosa, e fulgida a baciarmi il labbro rigido, io temo, e dubito, che da gotte più piacevoli, più vaghe, e morbide, colga il mel delle delizie; ed io, qui misero tra singulti amari, e queruli mi stempro l'anima. ▼SILVANO▲ S'esplori, s'investighi di questa tua ruvida l'amore, ch'immagini; e il vago, che rubati al core ogni giubilo, in braccio alla perfida squarciandolo uccidasi. ▼IL SATIRINO▲ Io per grotte ombrose, e gelide, io per boschi ignoti, ed orridi, io per monti ermi, ed altissimi de' tuoi dubbi, accorto d'indole, sarò spia, sempre instancabile. ▼PANE▲ Amore aitami, soccorso chiedoti e fa', ch'in braccio torni al mio ghiaccio fallo deh pregoti. ▼SILVANO, IL SATIRINO▲ Pane consolati, ch'in letto morbido di fiori, il torbido svanir vedremoti, Pane coi fremiti da' morte a' gemiti. （Escono sei Orsi dalla foresta, e compongono il ballo） PROLOGO (L'antro de L'eternità) LA NATURA Alme pure, e volanti, che dal giro, che forma il serpe eterno annodando i principi, uscir dovete, scese, giuste sedete, fatte aurighe, al governo de corpi misti, e post'il freno al senso, i spazi della vita correte illustri, acciò virtù su 'l dorso qui vi ritorni, terminato il corso. L'ETERNITÀ Chi qua sale immortale vive vita infinita, divinizza la Natura. Ma sassosa faticosa è la via, che qui invia, è la strada alpestra, e dura. LA NATURA E L'ETERNITÀ Il colle d'Alcide conduce quassù eccelsa virtù a quest'alta cima i spirti sublima. IL DESTINO Gran madre, ottima duce, antica augusta produttrice ferace di ciò, che dentro gl'elementi ha vita; perché resti scolpita nell'antro adamantino tua nobile fattura quivi ascende il Destino. LA NATURA Immutabil garzone più vecchio di Saturno e più di me, entra, che 'l varco non si vieta a te. IL DESTINO Diva, che eterni, e divi con stellati caratteri nel foglio del sempiterno i nomi noti, e scrivi; dal serpentino tuo sferico foglio eternizza Calisto. Al firmamento, nova forma s'accresca, ed ornamento. L'ETERNITÀ Chi la chiama alle sfere? Qual merto l'immortala? IL DESTINO Il mio volere. Non si chiede ragione di ciò, che 'l fato termina, e dispone, sono i decreti miei arcani anco agli dèi. L'ETERNITÀ, NATURA, DESTINO Calisto alle stelle. Di rai scintillanti i vaghi sembianti s'adornino eterni. Ai poli superni s'accreschin fiammelle. Calisto alle stelle. ATTO PRIMO Scena Prima (Selva arida) GIOVE Del foco fulminato, non stempraro le fiamme delle sfere i zaffiri; ogn'orbe è intero. Ben l'infimo emisfero serba caldi vapori, ancora ardente, già la terra languente con mille bocche, e mille, chiede, febbricitante, alti soccorsi, abbandonati i corsi nell'urne lor s'hanno racchiusi i fiumi. Esalazioni, e fumi mandano al cielo inariditi i prati, e sfioriti, e schiomati vivono a pena i boschi. Or tocca a noi ch'avem del mondo, e provvidenza, e cura ristorar gl'egri, e risarcir natura. MERCURIO Tu padre, e tu signore delle cose composte, ed increate, tu monarca del tutto, all'arido, al distrutto. Dalle cime beate dell'Olimpo sublime tornar le pompe prime, e le sembianze belle potevi pur senza lasciar le stelle. Tem'io, che qui disceso, invece d'apportare al mal ristoro non uccidi il penante, e in modi novi non distruggi, e rinnovi la progenie de' sassi depravata. Più che mai scellerata l'umanità, tra vizi abominandi, il folgore disprezza, e tu ch'il mandi. GIOVE Pria si renda il decoro alla gran madre, che poscia con le squadre de' ribelli, e nocenti di Licaon rinnoverò gl'esempli. Ma Mercurio, chi viene? Qual ninfa arciera in queste parti arriva? Oh, che luci serene, più luminose non le vidi mai MERCURIO Del re è cangiato in lupo, di Licaone appunto. Ch'ulula per le selve il suo misfatto è costei prole illustre, e d'arco armata segue la faretrata Cinzia severa, e anch'ella, rigida quanto bella, non men del casto, e riverito nume, della face amorosa aborre il lume. GIOVE Semplici giovanette votarsi all’infeconda, e per le selve disumanarsi in compagnia di belve. Scena Seconda CALISTO Piante ombrose dove sono i vostri onori? Vaghi fiori dalla fiamma inceneriti, colli, e liti di smeraldi già coperti or deserti del bel verde, io vi sospiro dove giro, calda, il piede, e sitibonda, trovo l'onda rifuggita entro la fonte, nella fronte bagnar posso, ho 'l labbro ardente. Inclemente si chi tuona arde la terra? Non più Giove, ah non più guerra. MERCURIO Dell'offese del foco la bella ti fa reo. GIOVE Cillenio, ahi che poteo un raggio di quel bello la mia divinità render trafitta. Caramente rubello al suo fattor, quel viso, se potessi morir, m'avrebbe ucciso. MERCURIO Scendesti per sanare, e fisico imperito l'egra t'inferma nel smorzar a pieno il colpevole ardor, t'accendi il seno con fiamme di Cocito. CALISTO Da questa scaturigine profusa son l'acque anco perdute. Refrigerio, e salute alle viscere mie chi porgerà? M'arde fiero calor, e per me stilla di salubre umor il torrente, la fonte, il rio non ha. GIOVE Scenderanno da cieli per ricrearti, o bella le menti eterne, e quasi serve a gara t'arrecheran l'ambrosia, a dèi sì cara. Vedi della sorgente in copia scaturir fredd'i cristalli. Della tua dolce bocca amorosetta, vaga mia languidetta, nell'onda uscita immergi i bei coralli. CALISTO Chi sei tu, che comandi all'acque, o meraviglie alte, inaudite, e dai lor centri ad irrigar le mandi le sponde incenerite? GIOVE Chi sa cose maggiori far con un cenno. Gl'astri, e gl'elementi, struggendo, rinnovar posso in momenti. Giove son io, che sceso dal ciel per medicar la terra, ch'arde, dal foco de' tuoi rai mi trovo acceso. MERCURIO Arciera vezzosa ricorri amorosa di Giove nel sen. L'Empireo seren de'dolci tuoi baci per premio darà. Delizie veraci tuo spirto godrà. GIOVE, MERCURIO Di Giove nel sen arciera vezzosa ricorri amorosa. CALISTO Dunque Giove immortale, che protegger dovrebbe, santo nell'opre, il virginal costume, acceso a mortal lume, di deflorar procura i corpi casti, e render vani i voti di puri cori, a Cinzia sua devoti? Tu sei qualche lascivo, e la natura sforzi con carmi maghi ad ubbidirti. Girlandata di mirti Venere mai non mi vedrà feconda. Torna, torna quell'onda nello speco natio, che bever non vogl'io de' miracoli tuoi libidinoso mago. Resta co' tuoi stupori. Addio mio vago. Verginella io morir vo'. Stanza, e nido per Cupido del mio petto mai farò. Verginella io morir vo'. Scocchi amor, scocchi se può tutte l'armi per piagarmi, ch'alla fine il vincerò. Verginella io morir vo'. Scena Terza GIOVE Come scherne acerbetta le lusinghe costei del dio sovrano, e di ridurla amante l'onnipotenza mia non è bastante, che libero creai l'animo umano. Tu Mercurio facondo, che con detti melati persuadi, ammorbidisci, or corri, or vola dietro la fuggitiva e rendendola priva del casto orgoglio, il tuo signor consola. MERCURIO Altro, che parolette vi vogliono a stemprare di queste superbette pertinace 'l rigor. Donna pregata più si rende ostinata. GIOVE Dunque, che far degg'io per dar ristoro all'amoroso affanno. MERCURIO Seguire il mio consiglio, usar l'inganno. GIOVE E come? MERCURIO Della figlia, della silvestre dea prendi l'imago, e sotto quel sembiante, amatore ingegnoso, godi l'amata ascoso non fuggirà gl'amplessi la rigida romita della diva mentita. GIOVE Ben delle frodi sei artefice sagace, inventor raro. Potrà il rimedio tuo Mercurio caro, felicitar gl'amori al re de' dèi. MERCURIO Non s'allontani dalla fonte il passo, ch'ancora qui verrà questa ritrosa la sete ardente ad ammorzare al sasso fa', ch'ogn'altr'onda, anco dimori ascosa. GIOVE Chiuso in forme mentite Giuno non saprà già le mie dolcezze, e se note le fian garrisca in lite, che sì dolce contento non lascerei per cento garre, e cento. Scena Quarta CALISTO Sien mortali, o divini i lascivi partirò; ed io, ch'indarno aggiro sitibonda, anelante il piè per il contorno a ber qui l'acque scaturite e or torno; oh, come pochi sorsi del dolce, e freddo umore, m'estinse con l'ardore quell'ingordo desio, che volea diseccar l'onde d'un rio. Di questo ghiaccio sciolto fatto lavacro al volto, e in lui le braccia immerse, i bollori del sangue raffreddai. Grazie alla fonte, ogni languor sanai. Non è maggior piacere, che seguendo le fere fuggir dell'uomo i lusinghieri inviti tirannie de' mariti son troppo gravi, e troppo è il giogo amaro viver in libertade è il dolce, il caro. Di fiori ricamato morbido letto ho il prato, m'è grato cibo il mel, bevanda il fiume. Dalle canore piume a formar melodie tra i boschi imparo. Viver in libertade è il dolce, il caro. Scena Quinta MERCURIO Chi non ti crederebbe agl'arnesi, alla forma al portamento, la dèa del ciel d'argento. GIOVE (in Diana) Ecco l'orgogliosetta colta incauta ne' lacci. MERCURIO Rispettoso amator che non l'abbracci? GIOVE (in Diana) O decoro del mio coro, verginella più, che bella, tanto lungi alla tua diva? Di te priva perdo il lieto delle prede, e mai m'accheto. CALISTO O Febea mia gran dèa, dèa, che impera alla sfera, che circonda al foco il giro, mi partirò dal tuo lato belve ree, nume adorato. GIOVE (in Diana) Or l'amarezza della dimora, bella, ristora con la dolcezza de' baci tuoi. CALISTO Quanti ne vuoi te ne darà, te n' porgerà, devoto il labbro, che d'invocare ha per costume sempre il tuo nume. GIOVE (in Diana) In ricovro più ombroso, in loco più frondoso, al mormorar, che fa l'umor cadente di trovata sorgente più limpida di questa, e più gelata, a baciarsi le bocche portiam, seguace amata. CALISTO, GIOVE A baciarsi andiam, sì, sì. Sien del dì liete al core tutte l'ore, col goderle in dolci paci. Non s'indugi, a' baci, a' baci. Scena Sesta MERCURIO Va' pur, va' pur, va' seco, ch'altro, che suon de' casti baci, e puri pubblicherà per la foresta l'eco. Va' pur, va' pur, va' seco. Se non giovano, se non trovano, le preghiere, e i vostri pianti, nelle ingrate adorate cortesia, sentite amanti, ricorrete alla frode, ch'ingannatore amante, è quel, che gode. Le blandizie, le delizie di Cupido a ladro ingegno più condite, saporite, son più grate, io ve l'insegno. Ricorrete alla frode, ch'ingannatore amante, è quel, che gode. Scena Settima (Foresta) ENDIMIONE Improvvisi stupori; nascono a gara i fiori, germina il verde, e veste per l'aride foreste ogni pianta di fronde ombrose manto. Il Ladon, l'Erimanto sgorgando i chiusi umori, di novo van precipitosi al mare io nelle doglie amare refrigerio non sento, e di secche speranze il verdeggiar dispero; divorator severo, mentre, che gode il mondo i suoi ristori, mi moltiplica il foco in sen gl'ardori. Solo al correr de' fiumi corre il mio pianto, e sempre ho le fiamme nel cor, l'acque ne' lumi. Ma lasso me, che miro? Se n' viene il mio sospiro. Serenati o core, e quelle bellezze, che spirano asprezze, furtivo amatore, contempla, e ristora con qualche diletto quel duol, che nel petto ti cova la morte. Divina mia sorte al tuo bel sembiante respira il penante. Scena Ottava DIANA Pavide, sbigottite dalle fiamme piovute nelle caverne lor, seguaci arciere, stanno ancora le fere; onde senza speranza i passi nostri traccian de' boschi i mostri. LINFEA Costrette dalla sete verranno al rio corrente, pria, che nell'occidente, il luminoso tuo german tramonti. Sui declivi de' monti, sui sentieri della selva attendiamole al varco scoccherem pria, ch'imbruni i strali, e l'arco. DIANA Ohimè, vedo il mio bene, quel ben per cui beata io vivo in pene. ENDIMIONE Occhi non v'abbagliate a quei raggi d'argento, vi prego resistete, ch'or mediche discrete mi tolgon quelle luci ogni tormento. DIANA Pastorello gentile errar per la foresta fere veduto avresti? ENDIMIONE Colmo di casi mesti, fisso ne' miei pensieri, punto da interni morsi, fatto cieco dal pianto, belve, diva, non scorsi. DIANA Tu, che la gloria sei dell'Erimanto, tu, che della mia sfera i volubili moti dotto investigatore osservi, e noti, tu nel verde degl'anni, nutrisci tanti affanni? ENDIMIONE Son martire felice, e l'anima languendo adora, e benedice la cagion del suo male. Sia la piaga immortale, come nel petto mio nascer io sento dalla doglia il contento. DIANA Agl'effetti, che narri del soave dolore, il tuo tiranno è Amore. ENDIMIONE Amor, né mi querelo delle sue rigidezze, e del mio foco l'origine divina ogn'ora invoco. MERCURIO Da peste cos'impura infetto questi il seno sparisca in un baleno. Di qua 'l piede allontana servo d'affetto reo, nemico di Diana. DIANA Come, come costei interrompe importuna i piaceri miei. Dura necessità, rigorosa onestà vuol, che rigida io sia verso l'anima mia. MERCURIO A partire anco tardi? Ti scacceranno i dardi. DIANA Fuggi da casti oggetti misero affascinato; de' tuoi sospiri il fiato non contamini, sozzo, i nostri petti. Fuggi da casti oggetti. ENDIMIONE Parto, e porto partendo tacito idolatrante, occulto vago, fissa nel cor l'imago, che delle mie fortune l'orrido rasserena lieto nella mia pena mi udran le piante, gli augelletti, i venti a formar questi accenti amante pellegrino amerò benché fiero, il mio destino. Scena Nona DIANA Non è crudel ben mio, chi da sé ti discaccia; pari fiamma m'accende, m'al mio destin contende votata castità. Va' pur mio foco, va' che se tu adori il mio divin t'adoro, e per te, nata eterna, ogn'or mi moro. MERCURIO Come chiude nel petto costui l'amaro, il dolce, il tormento, il diletto, e un strano misto fa d'allegria, e tristo. Se ne viene Calisto. Scena Decima CALISTO Piacere maggiore avere non può un core s'in ciel andasse volasse, di quel, che l'alma mia gustò, ma cosa sia, non so. DIANA Onde cotanto allegra regia mia verginella? Ardita nella selva in aspra, e fiera belva insanguinasti il dardo, o la quadrella? CALISTO Giubilo immenso, e caro le dolci labbra tue nel petto mi stillaro. Fur pure, o dio, soavi quei baci, che mi desti o dea cortese, ma la mia bocca il guiderdon ti rese. DIANA E quando ti baciai? CALISTO Quando? Lucidi rai or, or lasciaste meco nel primo orror lo speco, e in spazio così breve le dolcezze scordate delle beltà baciate? LINFEA Impazzita è costei. DIANA Che parli tu di speco, di dolcezze godute, di baci dati, e resi? Vergine più scorretta io non intesi. CALISTO Ohimè forse ti schivi diletta, amata dèa, ch'oda, e sappi Linfea i fruiti piacer, perch'anc'a lei partecipar tu déi della tua bocca i favi sì grati, e sì soavi. Ti prego non stancare quei celesti rubini altre labbra in baciare a me serba indefessi i vezzi, i baci. DIANA Taci lasciva, taci. Qual, delirio osceno l'ingegno ti confonde? Come immodesta, donde profanasti quel seno con introdur in lui sì sozze brame! Qual meretrice infame può dei tuoi, disonesta, formar detti peggiori? Esci dalla foresta, né più tra i casti, e virginal miei cori ardisci conversar putta sfrenata dal senso lusinghier contaminata; va' fuggi, e nel fuggir del piede alato t'accompagni il rossor del tuo peccato. Scena Undicesima CALISTO Piangete, sospirate luci dolenti, spirti innocenti allettatrici ingrate le mie bellezze, ohimè, mi son rubelle, ed io non so perché. LINFEA Calisto, qual pensiero t'appanna il senno? Eh torna della ragion smarrita in sul sentiero. CALISTO Nel vago seno accolta abbracciata, fui baciata più d'una, e d'una volta. Or la baciante, ohimè, il bacio nega, ed io non so perché. Scena Dodicesima LINFEA Interprete mal buona son di questa libidine, che l'orme di cupidine mi sono ancora ignote; e se ben mi percote lo stimolo d'amore dolcemente talora, l'inesperto mio core, pure agl'impulsi suoi resisto ancora. Mah, mah. Lo vorrei dire, e temo di parlare. Eh chi mi sente? Così non credo di voler morire. L'uomo è una dolce cosa, che sol diletto apporta, che l'anima conforta; così mi disse la nutrice annosa. In legittimo letto forse provar lo vo'. Un certo sì mi chiama, e sgrida un no. Mi sento intenerire quand'ho per oggetto qualche bel giovanetto; dunque, che volontaria ho da languire? Voglio, voglio il marito, che m'abbracci a mio pro. Al sì m'appiglio, e do ripudio al no. Scena Tredicesima IL SATIRINO Ninfa bella, che mormora di marito il tuo genio? S'il mio sembiante aggradati in grembo, in braccio pigliami, tutto, tutto mi t'offerò. MERCURIO Sì ruvido consorte ch'avessi in letto mai, tolga la sorte. IL SATIRINO Molle come lanugine, e non pungenti setole son questi peli teneri, che da membri mi spuntano neppur anco m'adombrano il mento lane morbide, ma sulle guance candide i ligustri mi ridono, e sopra lor s'innestano rose vive, e germogliano. Questa mia bocca gravida di favi soavissimi, ti porgerà del nettare. LINFEA Selvaggetto lascivo ti vedo quel, che sei, senza, che t'abbellisci, e ti descrivi, certo di capra nato esser tu déi, ama dunque le capre, e con lor vivi. IL SATIRINO Io son, io son d'origine quasi divina, e nobile, ben tu villana, e rustica nata esser déi tra gl'asini, o da parenti simili. So perché mi ripudia l'ingorda tua libidine, perché garzone semplice mal buono agl'esercizi di Cupido, e di Venere, ancor crescente, e picciola porto la coda tenera. MERCURIO Nelle mandrie ad amar va' aspetto ferino. Fanciullo caprino. Che Narciso, che bel viso, vuol goder la mia beltà, nelle mandre ad amar va'. Scena Quattordicesima PANE Numi selvatici, custodi, e genii di boschi mutoli, sassose orcadi, umide naiadi, rozze amadriadi, disperse, e lacere le chiome all'aria, in volti squallidi, sopra il cadavere del dio di Menalo cantate flebili, la mesta nenia amor, ch'è un aspide con il suo tossico ha morto il misero. SILVANO Risuscita sconsolato, e scaccia il torbido. La tua diva ha 'l petto morbido, nella fé serpe pestifera al tuo bene salutifera la speranza ancor suscita. IL SATIRINO, SILVANO Risuscita sconsolato, e scaccia il torbido. PANE Conforti deboli sono i vostri, ch'implacabile, e fiera vipera a' miei prieghi è fatta Delia né rammentasi del bel don di lane candide, che la fe' scendere dal suo giro argenteo, e lucido, vezzosa, e fulgida a baciarmi il labbro rigido, io temo, e dubito, che da gotte più piacevoli, più vaghe, e morbide, colga il mel delle delizie; ed io, qui misero tra singulti amari, e queruli mi stempro l'anima. SILVANO S'esplori, s'investighi di questa tua ruvida l'amore, ch'immagini; e il vago, che rubati al core ogni giubilo, in braccio alla perfida squarciandolo uccidasi. IL SATIRINO Io per grotte ombrose, e gelide, io per boschi ignoti, ed orridi, io per monti ermi, ed altissimi de' tuoi dubbi, accorto d'indole, sarò spia, sempre instancabile. PANE Amore aitami, soccorso chiedoti e fa', ch'in braccio torni al mio ghiaccio fallo deh pregoti. SILVANO, IL SATIRINO Pane consolati, ch'in letto morbido di fiori, il torbido svanir vedremoti, Pane coi fremiti da' morte a' gemiti. (Escono sei Orsi dalla foresta, e compongono il ballo) Cavalli,Francesco/La Calisto/II