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覚書です． 引用元は Wikipediaのベーシック英語 です．必ずしも単語が一対一対応をするということはないで，どのような単語を選択するか，の覚えです．メモのために分類していきますが，いろいろな分類に含まれる単語ばかりです（使いまわしが効く証拠です）ので，ぐっちゃぐちゃです． 動作に関するもの still, till, than, such, again, ever, forward, here, out, then, there, almost, even, little, much, well, only, quite, enough, so, very, please, 基本語 no, yes, and, or, but, not, while, because, if, though, 代名詞, 疑問詞 that, this, I, he, you, who, how, when, where, why, self, 冠詞 a, the all, every, any, some, other, 動詞 come, go, take, put, get, give, send, make, let, keep, do, say, see, seem, be, have, may, will 前置詞 about, across, after, against, among, at, before, between, by, down, from, in, off, on, over, through, to, under, up, with, as, for, of, 方角，方向，位置関係 north, south, east, west right, left, direction, side, front, back*, middle, first, second, top, 物事に関するもの - 未分類 addition, attention, balance, attraction, bit, care, chance, connection, copy, cover, detail, distance, distribution, driving, dust, end, event, fact, fire, flight, fold, form, grip, guide, lead, lift, light, limit, list, need, news, noise, note, ornament, property, ray, record, rest, seat, sign, structure, trick, trouble, twist, waste, way, growth, birth, education, selection, name, learning, digestion, 感覚 smell, taste, sound, 芸術 music, harmony, song, rhythm, voice, hearing, art, paint, prose, verse, word, fiction, story, letter, page, reading, design, 科学 science, unit, smoke, degree, rule, process, produce, impulse, paste, powder, part, play, heat, increase, invention, theory, 感情 pleasure, laugh, shame, motion, mind, regret, smile, humour, idea, cry, hope, hate, interest, memory, fear, feeling, love, doubt, comfort, desire, shock, disgust, 軍事 war, army, fight, damage, danger, death, help, force, decision, power, crime, peace, military, punishment, poison, ケガと病気 wound, pain, disease, cough, protest, burst, attack, crush, 経済 business, tax, money, value, price, debt, order, trade, rate, market, quality, advertisement, profit, loss, insurance, payment, credit, exchange, competition, 政治，法律 government, judge, law, authority, agreement, committee, statement, society, belief, owner, account, meeting, representative, cause, destruction, 楽しむ journey, amusement, comparison, suggestion, adjustment, receipt, condition, support, system, teaching, tendency, test, thought, example, offer, company, industry, machine, plant, observation, operation, reward, 会社でお仕事 organization, approval, argument, attempt, division, 位置，大きさ，単位 position, thing, space, sense, number, effect, opinion, roll, discussion, history, error, knowledge, language, purpose, question, range, sort, size, relation, reason, place, expansion, experience, field, mark, mass, measure, scale, base, group, amount, level, stage, step, weight, 人 family, father, mother, brother, sister, baby, friend, boy, girl, son, daughter, man, woman, person, heart, sex, male, female, 職業？ secretary, servant, porter, expert, manager, 体 body, arm, hand, finger, thumb, nail, head, brain, neck, chest, hair, back*, stomach, throat, knee, leg, foot, toe, vessel, blood, skin, muscle, bone, face, nose, mouth, lip, tooth, tongue, ear, eye, chin, horn, tail, 動作 act, behaviour, jump, kick, wash, work, answer, turn, swim, slip, push, touch, run, join, use, move, sleep, awake, stop, burn, shake, surprise, start, polish, smash, writing, print, request, respect, pull, cook, blow, fall, change, walk, sneeze, breath, bite, kiss, talk, discovery, stretch, development, existence, view, look, rub, reaction, stitch, control, 時間 tomorrow, yesterday, morning, night, future, now, spring*, summer, winter, year, time, month, day, week, minute, hour current, 物質，素材 ここから substance oil, wax, metal, steel, gold, silver, copper, , brass, tin, iron wood, wool, silk, cotton, linen, feather, leather, cork, stone, coal, lead ここまで jelly, cloth, canvas, paper, glass, 食物 food, drink, meal, meat, egg, butter, milk, sugar, salt, grain, nut, wine, fruit, apple, berry, orange, rice, bread, cake, cheese, soup, 物事に関するもの brake, carriage, cord, drain, drop, flag, fly, fowl, frame, match, nerve, net, parcel, picture, 植物 leaf, root, tree, branch, flower, grass, stem, seed, 形状 angle, circle, line, square, box, edge, point, ball, card, arch, round, hole, crack, curve, slope, 建物，場所 building, school, library, street, church, station, office, hospital, office, store, bridge, prison, farm, harbour, 移動手段 ship, cart, wheel, train, plane, boat, transport, engine, rail, ticket, 家 house, roof, watch, clock, window, table, curtain, cushion, door, wall, bath, bed, drawer, garden, shelf, floor, room, 道具 apparatus, instrument, pen, pencil, scissors, chalk, pin, knife, fork, spoon, cup, basket, hammer, gun, pipe, sponge, spring*, chain, brush, comb, bucket, bulb, brick, sail, screw, ink, pot, kettle, key, plate, knot, bottle, needle, wire, oven, stamp, book, spade, pump, camera, flame, soap, map, whip, whistle, wing, band, basin, bell, blade, board, glove, hook, lock, tray, umbrella, plough, pocket, rod, stick, thread, button, 衣類 trousers, shirt, shoe, skirt, sock, hat, dress, ring, bag, stocking, jewel, boot, coat, collar, 自然・地域 earth, moon, sun, star, sky, sea, land, river, mountain, weather, rain, thunder, cloud, snow, steam, wind, water, wave, island, road, ice, sand, mine, nation, country, religion, town, shade, mist, air, 動物 bee, bird, cat, worm, horse, rat, pig, snake, dog, monkey, fish, animal, ant, cow, goat, sheep, insect, 状態に関するもの automatic, chief, cut, dependent, fertile, fixed, broken, boiling, important, like, married, natural, necessary, poor, able, possible, probable, serious, beautiful, past, present, responsible, hollow, full, ready, waiting, together, separate, regular, sudden, frequent, physical, political, material, medical, chemical, electric, acid, elastic, solid, liquid, 感情・性格 angry, quiet, sad, strange, happy, kind, 色 colour, black, brown, grey, red, yellow, blue, white, green, 状態に関するもの certain, cruel, dear, living, dead, simple, complex, 状態 ここから great, small fat, thin, thick, wide, narrow, far, near, long, short, tall, high, low, deep, loose, tight, loud, dirty, clean, clear, mixed, special, common, normal, open, shut, bright, dark, cold, warm, ここまで wet, dry, straight, bent, flat, sharp, rough, smooth, hard, soft, sticky, stiff, hanging, early, late, quick, slow, new, young, old, healthy, ill, feeble, delicate, tired strong, conscious, true, false, bad, wrong, good, free, sweet, bitter, cheap poor secret, public, private, wise, foolish, safe, violent, opposite, different, same, equal, parallel, last, general, complete,
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Boxed Foliage Plant plant_1004.swf New York Central Park Beginner s Plaza Unisex Interior Decor 500 Gummies http //info.pico.ameba.net/2010/04/21/items-new-interiors-with-gummies/
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◆出現条件(未確定ですが、ほぼ確定です。どちらか一方を満たすと出現) 条件1(予測) Season1全てのミッションをクリアする。その後の条件はGOLDを7桁にすると出現か、時間経過で出現か、もしくはその両方か。要検証 条件(予測) プレイ回数900(or901)回後、CLOB TOURのミッションをなんでもいいので１つクリアすると出現 1 NewB Crew BULKASARI NORMAL / ↑250 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 210 BUL 5000G SCORE 1000000 Honeymoon RDSecret World HD OST Keys to the World 30000G 204 UMUK 5000G COMBO 7000 Remember HDSuper Sonic NM OST Fury 30000G 198 GASARI 5000G MAX 98% Fury HDKeys To The World HD GASARI ost The last dance 30000G PIPOPO NORMAL / ↑240 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/5b 192 PIPOPO 5000G BREAK3(MAXRAN) Hamsin NMRuti n HD OST Melody 30000G 186 KITIPOPO 5000G BREAK6(MAXRAN) Shoreline NM告白、花、オオカミ part2 NM OST Super Sonic 30000G 180 POPOPO 5000G BREAK 9(MAXRAN) Fermion NMHigher HD OST Shoreline 30000G SARA NORMAL / ↑234 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6b 174 LUV 5000G SCORE2000000 FEVERx7 Desperado HDPDM HD OST In my dream 30000G 168 SARA 5000G SCORE2400000 FEVERx7 Y HDDivine Service HD OST cyper gate(cyper gate 6B fx rd?) 30000G GiggSan NORMAL / ↑220 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4bfx 162 JUSTICE 5000G MAX90%(CHAOS-W) Voyage NM風にお願い Live mix NM OST Remember 30000G 156 MOUNTAIN 5000G MAX94%(CHAOS-W) Beat U Down NMSpace Of Soul NM ? ? 2 DownTown GROOVEBEAR NORMAL / ↑206 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6bfx 150 GROOVE 5000G MAX96%(HS0.5) Get Down NMSTOP NM CLUB - HONGSIKHOST - Real Over Drive 30000G 144 B-BEAR 5000G MAX98%(HS0.5) Lover NMVoyage NM ? ? HONGSIKH NORMAL / ↑192 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 138 SHOOTING 5000G SCORE1945555 In My Dream MXHeart Of Witch MX CLUB - JYURIOOST - SON OF SUN 30000G 132 NO.1 5000G COMBO1945 Fermion 4b MXNightmare 4bfx NM OST - DJMAX 30000G 126 HONGSIKH 5000G BREAK1 FEVERx8 Cypher Gate 4bfx HDGrave Consequence 6b HD OST - Divine Service 30000G JYURIO HARD / ↑178 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 120 OCARINA 5000G COMBO500(HS4.0) ColoursOfSorrow 6b NMLandscape 6bfx HD - 30000G 117 JYURIO 5000G COMBO1000(HS4.0) Y 6bfx RDFeverPitchGirl 6bfx NM CLUB - KIMYS 30000G KIMYS HARD / ↑164 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 114 KIMYS 5000G MAX85%(HIGHWAY) Sweet Shining Shooting Star 4b NMI Want You 6b NM AREA - DnB Territory 30000G 111 REVO 5000G MAX88%(HIGHWAY) Dear My Lady 4bfx NMPlay The FUTURE 4bfx NM - 30000G 3 DnB Territory Z_B NORMAL / ↑150 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 108 HANDSOME 5000G BREAK1 Jealousy 6bfx NMLovely Hands 6bfx NM CLUB - 義源 30000G 105 Z_B 5000G BREAK1 Son Of Sun 6b HDHAMSIN 6b HD CHARACTER - ダーナ 30000G 義源 HARD / ↑136 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 104 SHAGGY 5000G SCORE1900000 Fury 4bfx HDIn My Dream 4bfx MX CLUB - SimpSonS 30000G 102 STYLISH 10000G SCORE2600000 Melody 4b HDSuper Lovely 5b HD EFFECTER - HP150% 50000G SimpSonS HARD / ↑120 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 100 SIMPSONS 10000G COMBO4000(FADE IN) DJMAX 4b HDRiver Flow 6b NM CLUB - Feels 50000G 94 MARGE 10000G COMBO4500(FADE OUT) Relation Again 6b NMReal Over Drive 4bfx NM - 50000G Feels HARD / ↑112 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 88 SOUL 10000G MAX99% The Last Dance 4b NM AREA - Core System 50000G 82 TAKE 10000G MAX99% Secret World 5b NM EFFECTER - AUTO +5 50000G 76 FEELS 10000G MAX99% YoMAX 6b NM - 50000G 4 Core System 7SEQUENCE HARD / ↑108 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 70 7SEQ 10000G MAX99% Ready Now 4bFX NM CLUB - XeoN 50000G 64 SLUGABED 10000G MAX99% PDM 6bFX NM - 50000G XeoN HARD / ↑104 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 60 FAVOR 10000G SCORE3030303(BLINK) Sweet Shining Shooting Star 4b HD I Want You 6b HDDear My Lady 4bfx HD CLUB - ReX 50000G 55 XEON 10000G SCORE3200000 Lover 6b RDI Want You 6b RDShoreline 4b RD EFFECTER - FADER IN 50000G ReX MAXIMUM / ↑100 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 50 REX 10000G SCORE3130000 Play The FUTURE 4bfx NMSpace Of Soul 5b NMCypher Gate 6b HD CLUB - U.CEFFECTER - FADER OUT 50000G 45 KINGDOM 10000G SCORE3000000 COMBO10000 Higher 4b HDReal Over Drive 5b HDDivine Service 4bfx HD EFFECTER - BLINK 50000G U.C MAXIMUM / ↑196←96の誤記？ MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 40 URBATRO 10000G SCORE2740000 Keys To The World 5b HDRuti n 5b HD告白、花、オオカミ part2 6b NM AREA - Kingdom of Rock 50000G 35 CHAPCHAP 10000G SCORE3222222 Relation Again 5b RD風にお願いLive Mix5NMHigher5HD - 50000G 5 Kingdom of Rock D HARD / ↑92 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 27 D 10000G BREAK5(RANDOM) RANDOMx3MUSIC CLUB - KalosImage - 風にお願い Live Mix No.2 50000G S/5b 26 HW 10000G BREAK10(RANDOM) RANDOMx3MUSIC Image - River Flow No.1 50000G Kalos HARD / ↑88 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4bfx 25 KALOS 10000G COMBO9000 Beat U Down NMVoyage NMNightmare NM CLUB - TENCHOImage - River Flow No.2 50000G 24 CANADIAN 10000G COMBO10000 SuperSonic HDFury HDIn My Dream MX Image - River Flow No.3 50000G TENCHO MAXIMUM / ↑84 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6b 23 TENCHO 10000G COMBO14000 Colours Of Sorrow HDSpace Of Soul NMShoreline MX Image - Get Up 50000G S/4b 22 MARKET 10000G COMBO15000 Fermion 4b NMCypher Gate 6b NMHAMSIN 6b HD Image - Relation Again No.1 50000G ECO MAXIMUM / ↑80 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 21 SPANISH 10000G MAX99% Colours Of Sorrow 4b NM AREA - Load of FlameImage - Relation Again No.2 50000G 20 ECO 10000G MAX99% Sweet Shining Shooting star 5b NM Image - Relation Again No.3 50000G 19 CHUJANG 10000G MAX99% Son Of Sun FULL 4b NM CHARACTER - エオス(Image - Relation Again No.3?) 60000G 6 Load of Flame Lee MAXIMUM / ↑76 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 18 LEE 10000G MAX99% Lovely Hands 4bfx NM Image - YoMAX No.2 ? 17 DESIGN 10000G MAX99% Desperado 6bfx NM Image - Super lovely No.1 ? YURI MAXIMUM / ↑70 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 16 YURI 10000G BREAK11(MAXRAN) 4fxRANDOMx3MUSIC OST - Voyage ? sijin MAXIMUM / ↑64 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 15 SJMADE 10000G SCORE9999999 COMBO33333 SonOfSunFULL4fxNMSonOfSunFULL5NMSunOfSunFULL6fxNM OST - Get Down(Extended Ver) ? NANOU4 MAXIMUM / ↑58 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 14 NANOU4 10000G MAX90% 風おねLive6NMSonOfSun5MXNightmare6NM OST - Colours of Sorrow (Extended JP Ver) ? 13 TECHNIKA 10000G MAX92% Superlovely4MXHeartOfWitch4MXBeatUDown4MX OST - SecretWorld (Extended Ver) ? 7 BLACK SQUARE PLATINUMCREW MAXIMUM / ↑52 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4b 12 MAX 10000G MAX92% 告白花狼p26NMGetDown6fxNMPlayTheFUTURE6HD OST - Supersonic(S4 League O.S.T. Album Ver) ? 11 UNIVERSE 10000G MAX94% Fury6fxNMSuperSonic6HDHeartOfWitch6HD ? ? XLOTH MAXIMUM / ↑46 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6B 10 XLOTH 10000G MAX94% 6bRANDOMx3MUSIC ? ? SAREE MAXIMUM / ↑40 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6Bfx 9 SAREE 10000G MAX96% HeartOfWitch6fxNMSpaceOfSoul6fxNMNightmare6fxNM ? ? S/4B 8 MUU 10000G MAX96% Fermion4MXShoreline6MXGraveConsequence6fxMX OST - クラブツアーBGM 1(Mode) 50000G S/4Bfx 7 UKIUKI 10000G MAX97% SonOfSun 4BFX MXSuperlovely6MXHAMSIN5MX OST - クラブツアーBGM 2(Mode) ? PANAX MAXIMUM / ↑34 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/5B 6 PANAX 10000G MAX97% GraveConsequence5MXFermion5MXSonOfSunFULL5NM OST - Club Tour BGM 3(Mode) 50000G S/4B 5 PRINCE 10000G MAX98% Random(4B)Random(5B)Random(6B) OST - Club Tour BGM 4(Mode) 50000G 8 PENTAVISION XERONION MAXIMUM / ↑28 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/4Bfx 4 XERONION 20000G MAX98% DearMyLady4fxHDGetUp4HDReadyNow6HD OST - Club Tour BGM 5(Mode) 90000G LASSOFT MAXIMUM / ↑22 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6Bfx 3 LASSOFT 20000G MAX99% 6bFXRANDOMx3MUSIC OST - Club Tour BGM 6(Mode) 90000G PONGLOW MAXIMUM / ↑16 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6B 2 PONGLOW 20000G Feverx9 BeatUDown6MXFermion6fxMXInMyDream6fxMX OST - Club Tour BGM 7(Mode) 90000G PENTAVISION MAXIMUM / ↑10 MISSION CLUB CLASS Rank DJ Name Cost Norma Title Item Gold S/6Bfx 1 E.T.P.2 50000G SCORE7777777 COMBO22222 CypherGate6fxRDHAMSIN6fxMXSonOfSunFULL6fxNM OST - Club Tour BGM 8(Mode) 90000G
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When You Play “Phoenix Wright,” Are You Really Phoenix Wright? Capcom Talks About About Gaming’s Top Courtroom Drama http //multiplayerblog.mtv.com/2007/10/31/when-you-play-phoenix-wright-are-you-really-phoenix-wright-capcom-talks-about-about-gamings-top-courtroom-drama/ October 31, 2007 When You Play “Phoenix Wright,” Are You Really Phoenix Wright? Capcom Talks About About Gaming’s Top Courtroom Drama 日本語要約 If you’re played the “Phoenix Wright” Nintendo DS games you may have noticed that they’re a little different. Part throw-back to text-adventure games, part shining beacon of how funny games can still intentionally be. Part rare video game coutroom drama, part case study in just how non-interactive a game can be. Last week I e-mailed Capcom a bunch of questions about the series How do these games get made? How do they get so funny? Would they designers ever make a law game in which you only defend guilty people? What have lawyers said to you about these games? And so on… I wrote up some of the answers in my MTV News GameFile column yesterday, but I found the interview so interesting that I’m posting the whole thing here. Some of the answers were quite brainy, much to my delight. Two things jumped out at me in the interview. The first is series producer Minae Matsukawa’s description of the relationship between the player and Phoenix Wright, the character they control. We also wanted to betray the player’s feelings. The player may want Phoenix to do one thing, but he’ll do another, even after the player knows what’s really going on. Playing through an Ace Attorney game, you can see that Phoenix is one part the player, and one part his own character, Phoenix Wright. And when the player walks around, they solve the case both with and as Phoenix at the same time. In a way, this case set out to betray not only the player, but also the character Phoenix himself. The other ties into a comment made by gamer Calvin Smith on a “Zelda” post I published yesterday. He lamented that “a lot of developers and gamers claim open-endedness as a virtue.” When I asked Matsukawa about the common critique that the gameplay in “Phoenix Wright” is too linear, she said If we were to give players any more leeway … the structure of the game would fundamentally change. We wouldn’t be able to tell a single story anymore if there were too many paths. Also, what we want the players to enjoy is not so much the solving of each riddle they come across them one at a time, but rather, the ability to use their logic to put together what happened as they collect the pieces of the larger puzzle, as it were, and that’s something that we feel is an important aspect of the game. Food for thought. The full interview is below. Multiplayer There are many TV shows and movies that are all about legal trials, but very few games. Why do you think that is? Do you think there should be more? Or does the genre have limited appeal as a video game? Minae Matsukawa, Capcom producer I think it’s because there is a certain level of difficulty in making a game based on court proceedings. Back in 2001 when we, Capcom, were making the first “Gyakuten Saiban” (which later became “Phoenix Wright Ace Attorney” overseas) game for GameBoy Advance (GBA), we were the only ones making a courtroom-based game. Now, the number of games in this genre is increasing, for example, the “Harvey Birdman” game being made overseas. To be honest, though, I’m not sure the base idea of a law game is inherently interesting on its own to most people, although I really can’t speak for the rest of the team. I believe that more than wanting to create a courtroom game, the original director and creator, Mr. Shuu Takumi, had wanted to make a game where the player would find the lies and contradictions in statements when he set out to make the first GBA “Gyakuten Saiban” (”Ace Attorney”) game, and it was from that single gameplay concept that he realized the perfect setting would be in the courtroom, or so I’ve heard. If it wasn’t for this, we might not have ended up with that as our setting, and that would’ve been a shame since the “courtroom” is right there in the title. (The literal translation of the Japanese title, “Gyakuten Saiban,” is “Comeback Court.”) But in the end, I think with the increase in the number of trial-based games being made nowadays, the genre will become increasingly popular. Multiplayer The “Phoenix Wright” games are very funny, but as far as I know are not at all accurate to the way the legal system works. How did you decide upon the legal system in “Phoenix Wright”? Is it based on any real-world legal system? Or is it just designed to be one that simply works well as a game? Matsukawa Well, going back to how the game system was conceived, the team didn’t think of the court idea first, and instead was focused on the idea of uncovering lies and contradictions. Actually, what’s funny is when the Japanese press asks us about this same issue, they usually think we based the game’s system off of the American judicial system! But if we really had based the game off of a real court system, it might not be quite as interesting as a game, simply because court proceedings usually aren’t interesting, right? I think that more than the setting, the game itself has to be interesting. The system in the game is really, at its core, about chasing down witnesses and trying to catch them in the act of lying, so keeping this as the most important aspect of the game and gameplay in mind, we didn’t base the judicial system in “Ace Attorney” off of any real systems, but instead created something unique to the “Ace Attorney” world. Multiplayer Do you know if the series has any fans who work as lawyers or judges? If so, have you ever heard feedback from anyone in those professions? If so, can you tell me an anecdote about that? Matsukawa Sure! I remember when I made my first trip to [the San Diego] Comic-Con 2 years ago, before any of the “Ace Attorney” games had been released or was as well known as it is now, there was a young man, about 17 or 18 years old, and he told me that his father is a lawyer. Even now, I distinctly remember him telling me that he and his father were greatly anticipating this game, and that he hoped that we wouldn’t let him down. I remember being very happy to hear him say that since the game hadn’t even been released yet back then. Fast forward to a few months ago in July. I went back to Comic-Con for the first time in 2 years, and this time, a gentleman came up to me and said that he was a professor at a law school! He told me that as an educator of lawyers-to-be, he highly recommended the “Ace Attorney” games to his students. We ended up talking for a little while as I signed his poster, and he told me such things as, “Americans really love all things law,” and that he thought it was amazing that he could teach his students through a good video game, which was great to hear from a law professor. While he wasn’t trying to teach the law system in the game, since as I just mentioned, the game system is purely fictional, I think the basic ideas that a lawyer should trust their client, and to expose lies to find the truth – those are things that are pretty universal, and things we can all learn about. I hope on my next visit, I can hear from even more fans, whether they’re related to the law or not. I’m really looking forward to hearing everyone’s stories. [SKIP THE NEXT QUESTION TO AVOID A MILD SPOILER ABOUT THE SECOND “PHOENIX WRIGHT” GAME, “…AND JUSTICE FOR ALL”] Multiplayer There was a really interesting case in the second “Phoenix Wright” game, during which Phoenix is forced to defend a man he knows is actually guilty. I really liked this case, because it made me play the role of someone who knew he was doing something wrong. Very few video games have ever put me in that situation before. To what extent has the development team wanted to put players in unusual situations like that? Would you be interested in making a game like “Phoenix Wright” where you were always defending people who were guilty? It could be fascinating. Matsukawa One thing you often hear when you talk with the team is “we want to betray the player’s expectations,” and that’s usually the starting point when they write the scenario. Now, by the time you get to that particular episode, it’s become pretty standard that whoever Phoenix defends is always innocent, so the player’s expectation will lead them to believe that their client this time will be innocent as well. And it was this expectation, this belief in the innocence of Phoenix’s client that the team set out to overturn by constructing the case in such a way that the true nature of your client and the truth behind the murder will only be revealed ever so slowly to the player. We also wanted to betray the player’s feelings. The player may want Phoenix to do one thing, but he’ll do another, even after the player knows what’s really going on. Playing through an Ace Attorney game, you can see that Phoenix is one part the player, and one part his own character, Phoenix Wright. And when the player walks around, they solve the case both with and as Phoenix at the same time. In a way, this case set out to betray not only the player, but also the character Phoenix himself. The fact that we were able to put players in such an “unusual situation” is in itself praise enough for us that we were able to accomplish what we had set to do, and we are very grateful for this. As for if we would be interested in making a game where the defendant was always guilty, if the demand is there, we will think about it. But knowing the team, I suspect that if the game was to be about always defending guilty clients, they would throw an innocent one in there somewhere in their attempt to betray the player’s expectations. Multiplayer I mentioned that the game is funny. Very few video games actually make me laugh, but the “PW” series does. How does your team go about making sure the game is funny? Is the game designed without humor first and then the jokes are added in? Is it funny right from the start? Matsukawa The game starts out as a collection of ideas and concepts, such as, “Let’s use this trick,” “This is where the contradiction should be,” “We should betray the player here,” or “Let’s put a misleading lie here”, and is centered on the idea of the case. The team then uses these ideas to construct an outline of the cases. After that, Mr. Takumi comes up with what kinds of characters should appear in the story, and the team works to bring each one to life. Then all of these various building blocks are brought together to create a rough draft of the scenario. “Ace Attorney” games are at their most basic, text dialogue pieces, so like any piece of writing, there are 3 phases, or “drafts” of any particular case – the outline, the rough draft, and the polished version. After the initial outline and rough draft, the team then sits down to really evaluate the pacing of the game, or how interesting a particular section is, or maybe what sections need more explanation. They write many, many drafts during this polishing phase to really bring the story together. The story is interesting right from the start, but sometimes, even though it looks good on paper, and this has happened to me before too, by the time it’s implemented in the game, you realize that maybe the timing or the pacing is not as good as you thought it would be. It’s a bit disappointing sometimes, but in order to give players a smooth, fun experience, these various interim steps where you are constantly adjusting and readjusting things, such as where to drop hints, must be taken. So even though the initial draft may have been interesting, it’s important that the end version is the best it can be in the game itself, and I think the team feels fortunate that they have been able to bring the variety of stories that they have to the fans. As for when the humor is added, it’s there from the very beginning, but the majority of the humor is written into the scenario during the second phase when the characters are inserted into the skeleton of the story. When you see the characters and how they behave in the story, then you can do things with them and create situations and humorous lines that fit well within the context of the story. Multiplayer Some fans of the “Ace Attorney” games have said that they would like to have more flexibility in arguing court cases. The games currently only give you choices of when to press a witness for more information, when to yell “Objection” and when to present evidence. The player can’t really make their own arguments. Has the development team considered giving players more abilities to argue the case as they wish? Matsukawa Ah, this is something we get asked a lot, but I have to say that the “Ace Attorney” games are, while on the one hand, interactive, they are also on the other, very heavily story oriented. If we were to give players any more leeway, I’m afraid the amount of text the team would have to write would increase by three, four, or even five times the amount they have to write now. That’s not to say we don’t want to, but the structure of the game would fundamentally change. We wouldn’t be able to tell a single story anymore if there were too many paths. Also, what we want the players to enjoy is not so much the solving of each riddle they come across them one at a time, but rather, the ability to use their logic to put together what happened as they collect the pieces of the larger puzzle, as it were, and that’s something that we feel is an important aspect of the game. If we were to give players a bit more freedom, we might have to hide the pieces a bit better, or make the contradictions even harder to find, and in the end, the cases might become too hard or even impossible for people to solve. But we are always open to ideas and suggestions. Multiplayer What’s the most notable feature in “Phoenix Wright 3″ that you would like players to appreciate? Matsukawa I think the one thing I hope players will enjoy is the ending itself. For those who have played the first and second games, I think they will find that the ending is even more involved and deeper than the previous. Also, the ending of “Trials and Tribulations” is the climax and culmination of the Phoenix arc, so it has even more mysteries and puzzles to figure out than its predecessors. There may be times when they may feel frustrated, or think they have no chance of winning, but “Ace Attorney” games are always about happy endings, so I hope players will be able to enjoy it in the end. It’s really hard to talk about the game, and especially the ending, without spoiling anything, but I sincerely hope everyone who plays “Trials and Tribulations” will be able to enjoy the ending, despite any frustrations they may encounter along the way. Multiplayer Finally, can you explain your role on the game and let us know how many people worked on it? Matsukawa The original team that created the game was around 10 or so people, and there were about another 10 people who worked on the localization, so in the end, a little over 20 people worked in total on this game. As for myself, my role is to keep everyone on track, arrange the production schedule, watch out for the production costs, and of course, my main job, to manage the promotion of the “Ace Attorney” games, which includes attending events, such as Comic-Con back in July, where I hand-signed over 2,000 posters! I was really moved to see all those people waiting sometimes over an hour and a half at the Capcom booth just to see the new “Ace Attorney” game. When I compare that to what I experienced two years ago where I was handing out postcards to passer-bys and trying to promote the game in my limited English, I am in awe of how much the series has grown in two short years, and am extremely grateful for the support and love the North American fans have shown the Ace Attorney series. I hope everyone will continue to support the franchise and will look forward to upcoming games in the series. Thank you very much. 日本語要約 Q テレビ番組と映画には法廷ものがたくさんあるのに、ゲームには極めて少ないのは何故だと思いますか？ ゲームで法廷ものを扱う場合の制限はありますか？ 松川 ゲームに法廷ものが少ないのは、裁判に基づくようにするのが難しいからだと思います。2001年に最初の逆転裁判を作っていたころは、このゲームだけが裁判を扱う唯一のゲームでした。そもそもディレクターの巧舟の考えは、法廷ものを創ろうということではなく、嘘や矛盾を暴くゲームを創ったら法廷ものになったのです。現在は裁判に関するゲームも増えて、このジャンルも人気があるように思えます。 Q Phoenix Wrightシリーズは面白いのですが、法律や制度が正確に表現されていません。どのように法制度を決めたのですか？ それらは、現実の法制度に基づいていますか？ ゲーム内で都合のよいように設計されているのですか？ 松川 開発チームは最初、法廷については考えておらず、「嘘と矛盾を暴く」というアイディアに集中していました。面白い話ですが、日本のプレスもこの質問をしてくるのですが、彼らはアメリカの司法制度を基礎にしたと思っているのです。本当の法制度でゲームを創ったら、面白くはならないと思います。本当の裁判はたいてい面白さとはかけ離れているので。ですので、ゲームを面白くするためにゲーム内での法制度を決めたのです。 Q 弁護士や裁判官のPhoenix Wrightファンは居ますか？ もし居るのなら、それらの職業の人からの感想を聞きましたか？ 松川 居ます！ 私が2年前、サンディエゴのComic-Conに初めて行った時、まだAce Attorneyシリーズが発売される前でしたが、父が弁護士であるという17、8歳の男性に会いました。私は今でも、彼と彼の父親が、このゲームを待っていた、期待しているよ、と言ってくれたのを覚えています。 そして今年の7月、2年振りにComic-Conに行った時は、ロースクールの教師をしているという紳士が来たのです。彼は、法曹界の教育者として、Ace Attorneyシリーズを学生に推薦したと私に話しました。ゲーム内の法律は虚構ですが、弁護士が依頼人を信用し、真実を見つけることは私たち一般の人間でも学ぶことができるものです。 私は次のアメリカを訪問する機会を楽しみにしています。 Q 2作目では、実は有罪である人物を弁護しなければならなくなりますが、このエピソードは非常に魅力的でした。開発チームはこのような、プレイヤーを変わった状況にすることが好きなのですか？ 松川 開発チームがよく言うことの一つが、「プレイヤーの予想を裏切りたい」ということです。そのエピソードにおいては、今までは無実の人のみを弁護してきたので、今回も無実だろうというプレイヤーの予想をひっくりかえずことが目的でした。 プレイヤーは事実を知ったあともPhoenixが逆のことをしようとしているのを見ることになります。プレイヤーだけでなくPhoenixをもひっくり返したのがこのエピソードでした。 Q ユニークで笑える部分が多いのがAce Attorneyシリーズですが、どのように創っているのですか？ 最初はストーリーのみを創って、後からジョークなどを入れるのですか？ 松川 まず、「このトリックを使おう」、「ここは矛盾が必要」、「ここでプレイヤーを裏切ろう」、「まぎらわしい嘘をここに置こう」といった骨子から作り始めます。その後に、その物語から必要とされる人物を巧氏が考えて、それらのキャラクターを生き生きとさせていきます。Ace Attorneyはテキスト量が多く、どんな場合でも概略、下書き、推敲されたバージョンの3つが存在します。また、紙の上の文章とゲームにしたときでは変わるので絶えず調整をします。 ユーモアが加わる段階は、最初からある場合もありますが、多くは第二段階の下書きの時です。 Q Ace Attorneyの一部のファンは、もっとゲームに柔軟性が欲しいと言っています。今はいつ異議をとなえるか、何の証拠品を出すかをプレイヤーに選択させるだけで、プレイヤー自身の議論を本当にできるわけではありません。そのあたりを検討したことはありますか？ 松川 その質問はよくあるのですが、もしそうすれば、開発チームが書かなくてはならないテキストの量が3倍にも4倍にも、それ以上にも増えてしまうでしょう。それができないということではないのですが、それによりゲームの構造自体も変わってしまいます。ストーリーを分岐させるよりも、ひとつの流れの中でバラバラだった謎が集約させるのがこのゲームの重要な点です。 Q アメリカでの最新作のPhoenix Wright 3について。 松川 楽しんで欲しい点のひとつは結末そのものです。1、2作目をプレイした人なら深い結末を味わうことができます。 ネタバレなしでゲームについて話すのは難しいですが、途中に困難があったとしても最後にはハッピーエンドを楽しむことができるでしょう。 Q 最後に、ゲームを開発しているチームが何人なのか、あなたの役割は何なのかを教えてください。 松川 最初のチームは10人ほどで、翻訳スタッフがもう10人ほどいたので、トータルで20人くらいです。私自身の仕事は、開発の計画の準備、生産コストの注意、そして主要な仕事としてComic-Conのような所での宣伝があります。Comic-Conでは2,000枚以上のポスターにサインをしました！ アメリカのファンがAce Attorneyシリーズに見せた支持と愛にとても感謝します。 ▲ページ上へ▲
https://w.atwiki.jp/vocaloidenglishlyric/pages/1177.html
【Tags Aru†kana VY2 tB I】 Original Music title 勇月夜 English music title Being Brave At The Moonlit Night Romaji music title Isamitsukiyo Music Lyrics written, Voice edited by アル†カナ (Aru†kana) Music arranged by アル†カナ (Aru†kana) Singer(s) VY2 勇馬 (Yuuma) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： A gust of wind blows into this fleeting life, brushes away sorrow, and sweeps away tears. It s important that we care for each other as we pass through our life. Even if it s a complete stranger, if he s in a slump, I m willing to help him out to the best of my ability. Illuminate the path in front of me, night of a gallant moon. Swinging my tachi[1] in my hand, my name is YUMA. I shall cleave the darkness, and open up an unknown path. Although I can see what lies ahead of me right now, I believe sooner or later I ll be able to get back on my feet, so drink and toast in honor of our valor. Illuminate this evening, night of a gallant moon. So what? They can talk big all they want, the only one we can truly believe in is ourselves. If we must move on with life, then let s enjoy it to the fullest. To live is not exactly easy, but it s not full of adversities, either. Illuminate our heart, night of a gallant moon. [Translation notes] [1] A "tachi" is a type of Japanese sword similar to a katana. Romaji lyrics (transliterated by animeyay)： ukiyo fukikomu ichijin no kaze usa o haraite nada sarau tabi wa michizure yo wa nasake fusagikonde ru aka no tanin o hitohada nuide sukuidasu saki o teraseyo isamitsukiyo tachi o hitofuri azana wa Yuuma yami o kirisaki michi hiraku ima wa katachi ga mienedomo itsuka kanarazu tachinaoreru to shaku o kawaseyo buiwai ni koyoi terashite isamitsukiyo sore ga dou shita usobukeba ii shinjirareru wa onore nomi douse yuku nara ouka suru ikite yuku no wa raku jaa nai ga nangyou-kugyou to kagirumai kokoro, teraseyo isamitsukiyo []
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ジャンル別 数学 計算機科学 工学 教育 その他 第一著者別(英字表記降順) 山梨明子(Akiko Yamanashi) Alex Bateman 張済梅(Cheong Chew Min) 宮石千裕(Chihiro Miyaishi) Erik D. Demaine 川崎英文(Hidefumi Kawasaki) 阿部恒(Hisashi Abe) 藤田文章(Humiaki Huzita) Jemal Guven 前川淳(Jun Maekawa) 三谷純(Jun Mitani) 鳥脇純一郎(Jun-ichiro Toriwaki) 栗林香織(Kaori Kuribayashi) 芳賀和夫(Kazuo Haga) 立石浩一(Koichi Tateishi) 伏見康治(Koji Fushimi) 三浦公亮(Koryo Miura) 羽鳥公士郎(Koshiro Hatori) 岡村昌夫(Masao Okamura) 川村みゆき(Miyuki Kawamura) 渡邊尚彦(Naohiko Watanabe) 鶴田直也(Naoya Tsuruta) Robert J. Lang 上原隆平(Ryuhei Uehara) 宮崎慎也(Shin-ya Miyazaki) 横山卓弘(Takahiro Yokoyama) 野島武敏(Taketoshi Nojima) Thomas Hull 舘知宏(Tomohiro Tachi) 数学, 計算機科学, 工学 布施知子(Tomoko Fuse) 川端敏裕(Toshihiro Kawabata) 川崎敏和(Toshikazu Kawasaki) 池上牛雄(Ushio Ikegami) 古田陽介(Yohsuke Furuta) 数学 舘知宏(Tomohiro Tachi) Degenerative Coordinates in 22.5° Grid System 舘知宏(Tomohiro Tachi), Erik D. Demaine, 5OSME, Singapore, July 2010, HP1, HP2, ABS 計算機科学 三谷純(Jun Mitani) ORI-REVO A Design Tool for 3D Origami of Revolution 回転体ベースの立体折紙設計ツール 三谷純(Jun Mitani), 2011 A design method for axial symmetrical curved origami with triangular prism protrusions 三谷純(Jun Mitani), 5OSME, 2010, PDF A METHOD FOR DESIGNING CREASE PATTERNS FOR FLAT-FOLDABLE ORIGAMI WITH NUMERICAL OPTIMIZATION 三谷純(Jun Mitani), 14th INTERNATIONAL CONFERENCE ON GEOMETRY AND GRAPHICS, 2010 A Design Method for 3D Origami Based on Rotational Sweep 三谷純(Jun Mitani), Computer-Aided Design and Applications, Vol.6, No.1, 2009, PDF THE FOLDED SHAPE RESTORATION AND THE CG DISPLAY OF ORIGAMI FROM THE CREASE PATTERN 三谷純(Jun Mitani), 13th INTERNATIONAL CONFERENCE ON GEOMETRY AND GRAPHICS, 2008, PDF Rendering method for flat Origami 三谷純(Jun Mitani), the 29th annual conference of the European Association for Computer Graphics, 2008, PDF 折紙の展開図専用エディタ（ORIPA）の開発および展開図からの折りたたみ形状推定 三谷純(Jun Mitani), 情報処理学会論文誌, Vol.48, No.9, 2007, PDF 2次元バーコードを用いた紙の折りたたみ構造の認識とそのモデル化 三谷純(Jun Mitani), 情報処理学会論文誌, Vol.48, No.8, 2007, PDF Recognition, modeling and rendering method for Origami using 2D bar codes 三谷純(Jun Mitani), 4OSME, 2006, ABS 折り紙の構造把握のための形状構築とCG表示 三谷純(Jun Mitani), 鈴木宏正(Hiromasa Suzuki), 情報処理学会論文誌, Vol.46, No.1, 2005, PDF 平坦折り折紙から再現される形態数の数え上げ手法 三谷純(Jun Mitani), 日本図学会,図学研究, Vol.41, No.1, 2007 鳥脇純一郎(Jun-ichiro Toriwaki) Playing "ORIGAMI" in Virtual Space 鳥脇純一郎(Jun-ichiro Toriwaki), 宮崎慎也(Shin-ya Miyazaki, Forma, 9, 3, pp.183-191, 1994 鶴田直也(Naoya Tsuruta) A CAD system for diagramming origami with a prediction of folding processes 鶴田直也(Naoya Tsuruta), 三谷純(Jun Mitani), 金森由博(Yoshihiro Kanamori), 福井幸男(Yukio Fukui), 5OSME, 2010, PDF 折り図作成を支援する手順予測インタフェースと次の手順候補に対するランク付け手法 鶴田直也(Naoya Tsuruta), 三谷純(Jun Mitani), 金森由博(Yoshihiro Kanamori), 福井幸男(Yukio Fukui), 2010, HP, PDF 幼児向け折り紙作品の創作支援システム 鶴田直也(Naoya Tsuruta), 三谷純(Jun Mitani), 金森由博(Yoshihiro Kanamori), 福井幸男(Yukio Fukui), 情報処理学会 インタラクション 2011, 2011, HP, PDF 宮崎慎也(Shin-ya Miyazaki) An ORIGAMI Playing Simulator in the Virtual Space 宮崎慎也(Shin-ya Miyazaki, 安田孝美(Takami Yasuda), 横井茂樹(Shigeki Yokoi), 鳥脇純一郎(Jun-ichiro Toriwaki), The Journal of Visualization and Computer Animation, vol.7(1), pp.25-42, 1996 A Virtual Paper Folding Simulator with Curved Surfaces 宮崎慎也(Shin-ya Miyazaki, 安田孝美(Takami Yasuda), 横井茂樹(Shigeki Yokoi), 鳥脇純一郎(Jun-ichiro Toriwaki), Insight through Computer Graphics (Proc. Computer Graphics International 94), Melbourne, pp.50-61, 1994.6 仮想空間における折り紙の対話型操作の実現 宮崎慎也(Shin-ya Miyazaki, 安田孝美(Takami Yasuda), 横井茂樹(Shigeki Yokoi), 鳥脇純一郎(Jun-ichiro Toriwaki), 情報処理学会論文誌, vol.34 (9), pp.1994-2001, 1993.9, HP1, HP2 An Interactive Simulation System of ORIGAMI Based on Virtual Space Manipulation 宮崎慎也(Shin-ya Miyazaki, 安田孝美(Takami Yasuda), 横井茂樹(Shigeki Yokoi), 鳥脇純一郎(Jun-ichiro Toriwaki), Proc. IEEE International Workshop on Robot and Human Communication 92, Tokyo, pp.210-215, 1992.9, IEEE Xplore 横山卓弘(Takahiro Yokoyama) 厚さを持った折り紙シミュレーションとその評価 横山卓弘(Takahiro Yokoyama), 高井昌彰(Takai Yoshiaki), 情報処理学会研究報告. グラフィクスとCAD研究会報告 2000(115), 19-24, 2000, CiNii 舘知宏(Tomohiro Tachi) Freeform Rigid-Foldable Structure using Bidirectionally Flat-Foldable Planar Quadrilateral Mesh 舘知宏(Tomohiro Tachi), Advances in Architectural Geometry 2010, Vienna, Austria, September 18-21, pp. 87-102, 2010, HP Freeform Variations of Origami 舘知宏(Tomohiro Tachi), The 14th International Conference on Geometry and Graphics (ICGG 2010), Kyoto, Japan, August 5-9, 2010, HP Freeform Origami 舘知宏(Tomohiro Tachi), 2010, HP Kushakusha 舘知宏(Tomohiro Tachi), HP Origamizing Polyhedral Surfaces 舘知宏(Tomohiro Tachi), IEEE Transactions on Visualization and Computer Graphics, 16(2), pp. 298-311, 2010, HP, PDF 3D Origami Design based on Tucking Molecule 舘知宏(Tomohiro Tachi), Origami^4 Proceedings of 4OSME, pp. 259-272, 2009, HP, PDF Simulation of Rigid Origami 舘知宏(Tomohiro Tachi), Origami^4 Proceedings of 4OSME, pp. 175-187, 2009, HP, PDF Origamizer 舘知宏(Tomohiro Tachi), 2008, HP Rigid Origami Simulator 舘知宏(Tomohiro Tachi), 2007, HP Smooth Origami Animation by Crease Line Adjustment 舘知宏(Tomohiro Tachi), SIGGRAPH 2006 poster, 2006, HP, PDF 古田陽介(Yohsuke Furuta) A Rendering Method for 3D Origami Models using Face Overlapping Relations 古田陽介(Yohsuke Furuta), 三谷純(Jun Mitani), 福井幸男(Yukio Fukui), Smart Graphics 2009, 2009, PDF Modeling and animation of 3D Origami using spring-mass simulation 古田陽介(Yohsuke Furuta), 三谷純(Jun Mitani), 福井幸男(Yukio Fukui), NICOGRAPH International 2008, 2008, PDF ３DCGで折り紙：三次元折り紙モデラ「FOLIO」 古田陽介(Yohsuke Furuta), 2007, HP マウスによる仮想折り紙の対話的操作のための計算モデルとインタフェース 古田陽介(Yohsuke Furuta), 木本晴夫(Haruo Kimoto), 三谷純(Jun Mitani), 福井幸男(Yukio Fukui), 情報処理学会論文誌, 2007, HP マウスによる仮想折り紙の対話的操作のための計算モデルとインタフェース 古田陽介(Yohsuke Furuta), 三谷純(Jun Mitani), 福井幸男(Yukio Fukui), 2007, PDF マウス入力による対話的操作を組み込んだ仮想折り紙システム 古田陽介(Yohsuke Furuta), 三谷純(Jun Mitani), 福井幸男(Yukio Fukui), 2006 一般的なインプットデバイスを利用し、パソコン内で折り紙をインタラクティブに折るプログラム 古田陽介(Yohsuke Furuta), 木本晴夫(Haruo Kimoto), 2006 工学 Jemal Guven How paper folds bending with local constraints Jemal Guven, Martin Michael Müller, Journal of Physics A Mathematical and Theoretical, 41, 5, 2008, IOP science 三浦公亮(Koryo Miura) SYNTHESIS OF RIGID-FOLDABLE CYLINDRICAL POLYHEDRA 三浦公亮(Koryo Miura), 舘知宏(Tomohiro Tachi), Journal of the International Society for the Interdisciplinary Study of Symmetry (ISIS-Symmetry), Special Issues for the Festival-Congress Gmuend, Austria, August 23-28, pp. 204-213, 2010, HP, PDF 舘知宏(Tomohiro Tachi) Designing One-DOF Mechanisms by Rationalizing Curved Folding 舘知宏(Tomohiro Tachi), ALGODE 2011, Tokyo, Japan, March 14-16, 2011, HP, PDF Geometric Considerations for the Design of Rigid Origami Structures 舘知宏(Tomohiro Tachi), IASS Symposium 2010, Shanghai, China, pp. 771-782, 2010, HP, PDF Real Rigid Origami 2.5m quad-mesh hypar 舘知宏(Tomohiro Tachi), 2010, HP Rigid-Foldable Thick Origami 舘知宏(Tomohiro Tachi), 5OSME, Singapore, July 2010, HP, ABS, PDF General Rigid-Foldable Quadrilateral Mesh Origami 舘知宏(Tomohiro Tachi), Journal of the International Association for Shell and Spatial Structures, 50(3), pp. 173-179, 2009, Proceedings of the IASS Symposium 2009, pp. 2287-2294, 2009, HP, pdf One-DOF Cylindrical Deployable Structures with Rigid Quadrilateral Panels 舘知宏(Tomohiro Tachi), Proceedings of the IASS Symposium 2009, pp. 2295-2305, 2009, HP, PDF Rigid Foldable Origami Gallery 舘知宏(Tomohiro Tachi), HP 折庭 舘知宏(Tomohiro Tachi), 2005, HP 教育 その他
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Albert Camus?Random House Mondadori Mi Amigo El Che (Pocket Sudamericana) Ricardo Rojo?Random House Mondadori I Ching (Pocket Sudamericana) Richard Wilhelm?Random House Mondadori Misteriosa Buenos Aires (Pocket Sudamericana) Manuel Mujica Lainez?Random House Mondadori Autoritarismo Hispanoamericano (Pocket Sudamericana) jose Garcia Hamilton?Random House Mondadori Guerra De Los Sexos (Humor) Gabriela Acher?Random House Mondadori Lola Descubre El Agua (Lola) Gigliola Zecchin?Random House Mondadori Lola Va a La Plaza (Lola) Gigliola Zecchin?Random House Mondadori Miedo En El Sur (Especiales) Ana Maria Schoua?Random House Mondadori Viajes Con Mi Tia (Pocket Sudamericana) Graham Greene?Random House Mondadori La Patagonia De Chatwin (Rumbo Sur) Gimenez A. Hutton?Random House Mondadori Breve Antologia Cuento Argentino I (Antologias) Davalos Y Otros?Random House Mondadori Tesis Sobre Un Homicidio (Narrativa Argentina) German Paszkowski?Random House Mondadori Werther (Narrativa) Johann Wolfgang Von Goethe?Random House Mondadori Amor En Los Tiempos Del Colesterol (Humor) Gabriela Acher?Random House Mondadori Arte, Sociedad Y Politica I (Nueva Historia Argentina) Jose Emilio Burucua?Random House Mondadori La Ciencias Sociales En Discusion, Las (Pensamiento) Mario Bunge?Random House Mondadori El Segundo Sexo (Narrativa) Simone de Beauvoir?Random House Mondadori Liberalismo, Estado (Nueva Historia Argentina) Marta Bonaudo?Random House Mondadori Tipos Psicologicos (Pensamiento) C. G. Jung?Random House Mondadori Pedacitos De Magia/ Bits of Magic (Caminadores / Travellers) amalia Lucia Filippi?Random House Mondadori El Dueno De Los Animales (Cuenta Ame.) Jorge Accame?Random House Mondadori Arte, Sociedad Y Politica II (Nueva Historia Argentina) Jose Emilio Burucua?Random House Mondadori Un Sol Para Tu Sombrero (Caminadores) Maria Cristina Ramos?Random House Mondadori La Vida Despues De La Muerte (Pocket Sudamericana) Arnold Joseph Toynbee?Random House Mondadori La Adopcion, Nuevos Enigmas (Ensayo) Eva Giberti?Random House Mondadori La Nave De Los Brujos (Cuenta Ame.) Ema Wolf?Random House Mondadori Testimonios (Ensayo) v. fund. Sur Ocampo?Random House Mondadori Antologia 3 Goethe (Antologias) Johann Wolfgang Von Goethe?Random House Mondadori El Sueno De Dante (Narrativa Argentina) Daniel Herrendorf?Random House Mondadori Atlas Nueva Historia Argentina (Nueva Historia Argentina) Juan Suriano?Random House Mondadori Las Aventuras De La Vanguardia (Ensayo) Juan Jose Sebreli?Random House Mondadori Los Amores Imprudentes Gustavo Martin Garzo?Random House Mondadori La Sociedad Colonial (Nueva Historia Argentina) Enrique Tandeter?Random House Mondadori El Pequeno Rey Diciembre/ the Little December King Axel Hacke?Michael Sowa?Esther Tusquets? 15 De Brujas (Antologias) Ema Wolf?Random House Mondadori Breve Antologia Cuento Argentino II (Antologias) Silvina Y Ot Ocampo?Random House Mondadori La Empresa De Vivir (Ensayo) Tomas Abraham?Random House Mondadori Ajjjj ! (Pan Flauta) amalia Lucia Filippi?Random House Mondadori Peron Y Su Tiempo (Historia) Felix Luna?Random House Mondadori El Enigma Del Barquero (Pan Flauta) Laura Devetach?Random House Mondadori El Desafio (Pan Flauta) Esteban Valentino?Random House Mondadori Pachamama (General) Random House Mondadori Cartas De Amor (Pan Flauta) Jorge Accame?Random House Mondadori Testimonios II (Ensayo) v. fund. Sur Ocampo?Random House Mondadori Pueblos Originarios Y La Conquista (Nueva Historia Argentina) myriam Noemi Tarrago?Random House Mondadori Las Puertas De La Percepcion (Pocket Sudamericana) Aldous Huxley?Random House Mondadori Peron Y Su Tiempo (Historia) Felix Luna?Random House Mondadori Peron Y Su Tiempo (Historia) Felix Luna?Random House Mondadori Don Jose (Narrativa Historica) Jose Garcia Hamilton?Random House Mondadori Los Exploradores (Pan Flauta) Margara Averbach?Random House Mondadori Y Ahora Traeme... (Caminadores) G. Keselman Porter?Random House Mondadori El Lesca, El Fascista Irreductible (Narrativa Argentina) Jorge Asis?Random House Mondadori No Es La Mariposa Negra (Joven) Marcelo Birmajer?Random House Mondadori Entre La Revolucion Y Las Urnas (Univ.San Andres) Paula Alonso?Random House Mondadori
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