約 4,084,553 件
https://w.atwiki.jp/vocaloidenglishlyric/pages/572.html
【Tags Hachi Miku W tW】 Original Music title ワンダーランドと羊の歌 English music title Wonderland and the Sheep's Song Romaji music title Wandaarando to Hitsuji no Uta Music Lyrics written, Voice edition by ハチ(Hachi) Music arranged by ハチ(Hachi) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： A dog gives a look like it's nothing, And pleasantly, though injured, it bow wows Today's a rainy day, A rainy day The girl in tears up on the roof, She licked on a candy apple and looked to the sky Today's a rainy day, A rainy day Holding my lantern, singing out, It's time to get set for tomorrow Now to chant the words of praise C'mon, hyneri lanla! Singing with a fish's face, Jumping over the barbed wire Let's play now; let's laugh now! Singing of my silly little love all throughout this town Once the lights are lit, there's nothing there One, two, three, four, five, on the signal, that's when I go to meet you Off to go pick up a brand new light! Even names have been forgotten The payphone goes huff puff Today's still a rainy day, A rainy day Surrounded with cigarette smoke, We choked it down and walked down the back alleys A rainy day, A rainy day When the antenna's up, is it alright? Popping my head out from the shopping district, To the crying child, I chant C'mon, hyneri lanla! Full of nothing but goodbyes, Shrink away the self-contradictions Don't cry, don't falter... With this globe spinning in my right hand, Shall I brighten it up with the light in my left? That moment the sky changed its color, Deep in me, you were what remained In the rain shelter of the candy shop, I awaited God's return So, shall we sing? The sheep's song! With that lantern in your hands, Illuminate everything, so like the sun... You sing the song all throughout this town Lighting the light, and it's a wondrous thing One, two, three, four, five, on the signal, that's when I go to meet you Off to go pick up a brand new light! What's at the end of the tunnel? I'm stepping forth out of the town One, two, three, four, five, on the signal, that's when I go to meet you Off to go pick up a brand new light! Down on the ground, the dog's acting like it's nothing It's injured, but it's glad, it's glad to bow wow out Today... rainy day, Rainy day Sobbing girl up on the roof, once she's done crying her eyes out, She licked her candy apple and then looked into the sky Today... rainy day, Rainy day I've got my lantern, I'm singing out, Ready for tomorrow, don't have a doubt Hear out my special words, it's time to shout C'mon, hyneri lanla! Even with a fish face, sing a song Jump the barbed wire, and head right along Let's play today; let's laugh all day! Singing my little love to everyone all throughout this town And yet once the lights are lit, there's nothing at all One, two, three, four, five, on the signal, that's when I go meet you Now then, I'll be off to find a brand new light! Who knows for sure, maybe their names were forgotten The payphone makes a sound, it's ringing huff puff tones And still... rainy day, Rainy day Cigarettes surround us and we're smogged down, it's smoky, We choked it down, down back alleys, we had to proceed on our way Rainy day, Rainy day When the antenna's up, then it's fine? From the plaza, I come right on out Hey, don't you cry, child, hear me shout C'mon, hyneri lanla! Only the goodbyes do they ever say, Self-contradictions, let shrink away Don't cry now, hey, don't stand down, 'kay? Holding in my right hand this endlessly revolving globe, What say that I brighten it with my left's light? When the sky changed color, I know exactly what I thought Somewhere, deep inside of me, what remained was you In the candy shop, sheltered from the rain, Hoping for God's return, I awaited So, shall we sing it? The sheep's song, understand! With that lantern swinging along with your hands, Like the sun, shine on all things in the land... Now you sing out my song to everyone throughout this town And yes, when the lights are lit, it's such a wondrous thing One, two, three, four, five, on the signal, that's when I go meet you Now then, I'll be off to find a brand new light! Heading out the tunnel, and what awaits us at its end? Finally, it's time to step forth out of the town One, two, three, four, five, on the signal, that's when I go meet you Now then, I'll be off to find a brand new light! Romaji lyrics (transliterated by vgboy / vgperson)： Nandemonai you na kao shite inu Go-kigen sokoneteru "bauwau" to Kyou wa reinii dei Reinii dei Yane no ue de shoujo ga nakinurete wa Ringo-ame o namete sora o mita Kyou wa reinii dei Reinii dei Kantera o motte utautatte Ashita no junbi o koshiraete Sanbi no kotoba tonaeyou ze Hora haineriiranra Sakana no men de utautatte Yuushitessen o tobikoete Asobou ze, waraou ze! Kudaranai ai o utau kono machi no naka Akari o tomoseba nanni mo nai 1, 2, 3, 4, 5, hora aizu de kimi ni ai ni ikou Atarashii hi o mukae ni ikou Nante namae kamo wasurete mata Akadenwa ga nari "fuwaufuu" to Kyou mo reinii dei Reinii dei Tabako no kemuri nurechatte mata Musekaeru roji-ura satte aruiteitta Reinii dei Reinii dei Antena tattara mou ii kai? Shoutengai kara kao dashite Naiteru ko ni wa tonaeyou ze Hora haineriiranra "Sayonara" bakkari tsumekonde Niritsuhaihan o shoikonde Nakanaide yurenaide Migi-te no ue de mawaru chikyuugi o Hidari-te no hi de terasou ka Sora no iro ga kawaru sono toki ni Mune ni nokoru no wa kimi no koto Amayadori dagashiya de Kamisama no kaeri o matta Saa, utaou ka hitsuji no uta! Kimi no te no sono kantera ga Subete o terasu taiyou nanda Kimi ga uta o utau kono machi no naka Akari o tomose suteki na koto 1, 2, 3, 4, 5, hora aizu de kimi ni ai ni ikou Atarashii hi o mukae ni ikou Tonneru no saki ni wa nani ga aru? Machi no soto ni fumidashiteiku 1, 2, 3, 4, 5, hora aizu de kimi ni ai ni ikou Atarashii hi o mukae ni ikou
https://w.atwiki.jp/fedora-custom/pages/16.html
9/20 #yum install mozc を試したが、pxdviで日本語は表示されず。 しかし、pdfでは日本語表示される。 caps ctrl 入れ替え----- /usr/lib/kbd/keymaps/i386/qwerty/ の keyboardをemacsで編集 gzip -d jp106.map.gz で展開 keycode 58 =Caps_Lock を Control keycode 29 =Control を Caps_Lock に変更うまくいかん。 なぜだ、、、 とりあえず、 fluxboxのcapsとctrlを入れ替える方法 home のすぐ下に ~/.Xmodmapを作成し，中身を以下のとおりにする keycode 37 = Caps_Lock keycode 66 = Control_L clear Lock clear Control add Lock = Caps_Lock add Control = Control_L 次に # xmodmap .Xmodmapで変更を反映 かんぺきーー！！ 何が起きてるかは若干わからんが、うまくいったのでよしとしよう。 fluxboxで日本語入力できるように努力------ uim*のインストール てきとうにそれっぽいものを加える。 sudo apt-get install uim uim-anthy anthy #（他にも入れたものがあったかも） #uimと入力してからtabを押すと色々候補が出てきます 。 .fluxbox/startupに以下を加える。 export LANG=ja_JP.UTF-8 export XMODIFIERS="@im=UIM" export GTK_IM_MODULE="uim" export XIM_PROGRAM="uim -d" export QT_IM_MODULE="uim" uim-toolbar-gtk これもやってみた # apt-get install scim-anthy $ scim これがターミナルで日本語可能にした。 emacsではいまだに不可能 ~/.fluxbox/startup の編集 xterm から nano か leafpad を起動して編集。 以下を追加した。 # Because it is the last app you have to run it withexec before it. setxkbmap jp #日本語キーボードを使う #以下4行 、iBus日本語入力用 export GTK_IM_MODULE=ibus export QT_IM_MODULE=ibus export XMODIFIERS=@im=ibus /usr/bin/ibus-daemon --xim -d ！！！！！！！！！！！！！！！！！ ！！！！！！！！！！！！！！！！！ fluxboxでのemacsの日本語変換は まさかのctrl＋￥でした。。。。 とりあえずキーバインドをshift+spaseに するのは今度にする。 ！！！！！！！！！！！！！！！！！ ！！！！！！！！！！！！！！！！！ 9/23pxdviの日本語の表示についての改善 pxdviで日本語が表示されない そのままではpxdviで日本語が空白になってしまったので、sazanamiというフォントを yum install sazanami* でインストールします。その後、ユーザーで updmap を実行すると /home/ ユーザー名 /.texlive2007/texmf-var/fonts/map/dvips/updmap/psfonts_t1.map というファイルができるのでこれの最終行に rml Ryumin-Light-H rmlv Ryumin-Light-V gbm GothicBBB-Medium-H gbmv GothicBBB-Medium-V これを試してみたが、コアダンプのままで、作動すらしない。 とりあえずネットサーフィンでやったことを書いてく # yum install ipa*fonts pxdviのコアダンプの原因はどうやらsazanamifonts のしわざだったようす。 # yum remove sazanami* でsazanamiを消すと pxdviはコアダンプなしでちゃんと動いた。 しかし、日本語の部分は空欄のままである。。。。。。 ついにpxdviで日本語が表示かのうに！！ 上記にあるようにsazanamiをきれいさっぱり消したあと。 フォントはsazanamiフォントよりきれいな，IPAフォントを使う # yum install ipa-ex* # mkdir -p /usr/share/fonts/sazanami/mincho # mkdir -p /usr/share/fonts/sazanami/gothic # ln -s /usr/share/fonts/ipa-ex-mincho/ipaexm.ttf /usr/share/fonts/sazanami/mincho/sazanami-mincho.ttf # ln -s /usr/share/fonts/ipa-ex-gothic/ipaexg.ttf /usr/share/fonts/sazanami/gothic/sazanami-gothic.ttf として、もとのpxdviが参照（？）したいsazanami-mincho.ttf的なところに、 ipaのリンクを張る付けて上げればうまくいきました！！ これを見ているのは研究に没頭している理系が主だと思います！ 理系じゃ女の子との接点少ないですよね？？ 下のURLは無料ポイントだけで遊ぶのもOK！！ ってか無料ポイントを活用しないてはないでしょ＾＾ ぜひぜひ無料ポイントで出会っちゃってくださいな(*^_^*) はぴめ！！
https://w.atwiki.jp/abicases520/pages/17.html
As the sun sets on the horizon, casting a warm golden glow over the world, a woman dons her favorite pair of sunglasses. The sunglasses, a stunning blend of fashion and functionality, instantly transform her entire appearance. With their frameless design, the sunglasses exude a sense of contemporary elegance prescription sunglasses that perfectly matches her personality. The transition lenses of these sunglasses are like a chameleon, adapting to the changing light conditions around her. As she walks down the bustling streets of the city, the lenses darken, reducing the glare of the bright lights and protecting her eyes fr cazal sunglasses om harmful UV rays. The lenses ability to automatically adju st to the right level of darkness gives her a sense of comfort, allowing her to navigate through any environment with ease. https //www.abicases.com/sunglasses-female-personality-frameless-women-sunglasses With each step she takes, the sunglasses become a window into her vibrant personality. The lens color transitions with her mood, shimmering with shades of amber, rose, and deep purple, depending on her emotions of the moment. They reflect her inner confide sunglasses for women 2023 nce, showing the world that she is not afraid to express herself and embrace her true self. The frameless design of the sunglasses adds to their allure. They seem to defy gravity, floating effortlessly on her face, framing her eyes and accentuating their beauty. The absence of a frame allows her features to shine through, enhancing her natural elegance and charm. But it is not just the aesthetics that make these sunglasses special. They are a symbol of empowerment, a statement of independence. When she wears them, she feels a sense of liberation, as if she can conquer the world. They shield her from the prying eyes of others, giving her a shield of invisibility, allowing her to observe the world without being observed. As she looks at her reflection in the mirror, she can t help but smile. These sunglasses have become her trusty companions, a part of her identity. They have seen her through sunny days and cloudy skies, witnessed her laughter and tears. They have stood strong, unyielding to the elements, just like her. And as she steps out into the world, ready to face whatever challenges come her way, she knows that with these sunglasses, she is ready to conquer anything. In conclusion, these sunglasses are not just a fashion accessory, but an extension of a woman s personality. With their frameless design and transition lenses, they symbolize her adaptability and confidence. They allow her to express herself and embrace her true self. They give her a shield of invisibility and a sense of empowerment. These sunglasses embody her essence, making her feel unstoppable and ready to conquer the world.
https://w.atwiki.jp/elvis/pages/1149.html
World Civilizations 1500 to the Present David Peck? Don at War Sir David Hunt? Environmental Burden Measures David Hunt Wharncliffe Companion to Preston David Hunt "Times" Yearbook of World Affairs Sir David Hunt? "Times" Yearbook of World Affairs Sir David Hunt? Environmental Management Systems (Environmental Training Packages S.) David HuntSara Lambton? Pictorial Supplement to LMS Locomotive Profile Number 6 David HuntFred James?R.J. Essery?John Jennison?David Clarke? Around the Twist David Hunt Equivalency Potential Values to Estimate Environmental Burden Measures for Water in Respect of Acidification,Oxygen Demand and Eutrophication David Hunt Oribatid Mites Glen Hunt?Roy Norton?John Kelly?Matthew Colloff?Sue Lindsay?Mike Dallwitz?David Walter? Midland Engines David HuntBob Essery?Fred James? For Those Who Hunt the Wounded Down David Adams Richards? Pictorial Supplement to LMS Locomotive Profile No. 8 John Jennison?Fred James?David HuntR.J. Essery? Possible Environmental Burden Measures for Water David Hunt Leyland (Pocket Images) David HuntWilliam Waring? Possible Environmental Burden Measures for Hazardous Substances David Hunt A Gateway to Verse David Elliott?Birgit Hunt? Treasure Hunt in the Jungle (Math Adventures) David Clemson?Wendy Clemson? Normandy Campaign Robert Hunt?David Mason? Early Farming Communities in Scotland (British Archaeological Reports (BAR)) David Hunt Triad (A New Playwrights' Network Quality Publication) Anthony Hunt?David Welsh?Leonard Morley? Pocket Tales Brown Level 4 Beast Hunt Jillian Powell?David Lupton? Chemistry Activities and Teachers' Notes for GCSE Andrew Hunt?David Lewis?etc.? Footprints in Cyprus Sir David Hunt? National Hunt Statistics David Ikerrin? Magnolias and Their Allies David Hunt Silent Mills David Hunt Midland Engines David HuntBob Essery?Fred James? Pieces Of Stone David Hunt Leeds Countryside Strategy Steven Derek Hunt?David John Feeney? Now the Dust Has Settled David HuntFreddie de Butts? Band 16 Easy Order Pack (Longman Book Project) Mick Gowar?Nicholas Orme?Geraldine McCaughrean?Dennis Hamley?Wendy Body?Andrew Bylo?Hemesh Alles?Norman Bancroft Hunt?Miranda Gray?David Sim? Midland Record Special David Hunt James Hunt Against All Odds Eoin Young?David Hodges? James Hunt Against All Odds Eoin Young?David Hodges? Horse Profiles for the National Hunt David Peat? Genetic Basis of Development (Tertiary Level Biol. S) Alistair D Stewart?David M Hunt? Oxford Reading Tree Robins Pack 1 The Old Vase Roderick Hunt?David Parkins? Hospice And Palliative Care in Africa A Review of Developments And Challenges Michael Wright?David Clark?Jennifer Hunt?Thomas Lynch? Illustrated Guide to the Trees of Peru T.D. Pennington?C. Reynel?A. Daza?Rosemary Wise? Monster Hunt Wendy Newsham? Seed-diversity in the Cactaceae Subfamily Cactoideae (Succulent Plant Research S.) Wilhelm Barthlott?David Hunt On the Spot Sir David Hunt? Selected Topics in KS3 Maths David HuntJanet Chadwick? Manu's Beetles (Living Earth) David Hunt The Stream (Living Earth) David Hunt Guide to Oklahoma Museums David C. Hunt? Art of the Old West Paul Rossi?David Hunt Minutes of Proceedings Giles Radice?David HuntGreat Britain? The Catch (Living Earth) David Hunt The Competent Speaker William W. Neher?Paul J. Sandin?David H. Waite? Field Experiences 328, 428, and 450 David Meckley? The Human Muscle System A Programmed Instruction Manual David Engerbreston? The Tender Traps David HuntSteve Evans?David Thompson?David Saunders? The Life Death of a Family Farm David Howard Day? Experiments in General Chemistry James David Wicks? Sistemas de Gestion Medioambiental David HuntCatherine Johnson? PC Lan Systems for Law Firms Emphasis on Planning and Selection Process (A Planning Reference Guide) David G. Baker?Steve L. Falkin? The Believable Organization An Introduction to Communications Management Herbert W. Jackson?Ralph R. Smith?David L. Dollar? I Can Do All Things Conquering Your Goliaths David C. Evans? Chemistry in Microscale Book 1 David Ehrenkranz?John J. Mauch? A History of Preston North End Football Clubs David Hunt Magicians Tale A Novel David Hunt Dangerous Supplements (Law Social Theory) Peter Fitzpatrick?Anthony Carty?Peter Goodrich?Yifat Hachamovitch?Alan Hunt?Carol Smart?David Sugerman?Alan Thomson? Introduction to Criminal Justice An Annotated Outline and Workbook David Falcone?Lois Guyon? Fundamental Computer Skills Fengqi Lai?David R. Hofmeister? Experimental Biological Science An Introductory Lab Manual David R. Caprette? Basic Theory and Experiments in Physics Diego Castano?David Simon? Microchemistry Laboratory Experiments David Ehrenkranz? Vascular Plant Taxonomy Dirk R. Walters?David J. Keil? Advanced Public Speaking David H. Waite?Paul J. Sandin?William W. Neher? The World of Science David Brodie?Ann Fullick?Andrew Hunt?David Sang?Mary Whitehouse? Discrete Mathematics and the Art of Proof David Reimer? Physics for Engineering Technology Jack Prince?David Sacher? Computers in the Classroom David H. Jonassen? Confessions of a Scilly Birdman David Hunt Physical Geography Laboratory Manual Exercises in Atmospheric And Earth Surface Processes David Shankman? Political Concepts An Introduction David A. Freeman? Life Science for Elementary Educators I David Rudge? Confessions of a Scilly Birdman David Hunt From Start to Studio A Practical Approach to Photography David J. Wolfe?Christian Waits? Genetics with Budgerigars David M. Hunt? LMS Locomotive Profiles David HuntR.J. Essery?Fred James? Einer bricht aus. Der Weg eines Hindus von Krishna zu Christus David Hunt Midland Engines David HuntR.J. Essery?Fred James? Purple Secret John C.G. Rohl?Martin Warren?David Hunt Instructional Technology An Introduction to the Technologies of Instruction/Lab Manual David C. Byrum? Leyland (Archive Photographs) David HuntWilliam Waring?William Warring? Managing Safety the Systems Way David Smith?Geoff Hunt?Clive Green? The World of Science David Brodie?Ann Fullick?Andrew Hunt?David Sang?Mary Whitehouse? Readings, Skills, and Activities for Teacher Support Programs Nancy G. Mims?David S. Carr? Chemistry in Microscale David Ehrenkranz? Como Fomentar LA Participacion De Voluntarios (Spanish - Volunteers) David Tenenbaum? Preston David Hunt Programmieren mit Ruby. Mit umfassender Referenz David Thomas?Andrew Hunt? David and Goliath (Now I Can Read Bible Stories) Rhona Pipe?Stephen Walsh? Study Guide for Introductory Genetics E. David Peebles? David Livingstone (Heroes of the Faith) Robert Van De Weyer? David Livingstone Heroes of Faith Hunt? Basic Mathematical Skills for College Students David E. Boliver? Introduction to Astronomy, Preliminary Edition David Carico? David's Adventure with the Giant (A Bible Flap-book) Peter Mills? First Aid and Cpr Manual David M. White? Democracy 2500? Questions and Challenges (Colloquia and Conference Papers, No. 2) Ian Morris?Kurt Raaflaub?David Castriota? Merry the Lamb Meets David Linda Parry?Alan Parry? The Power to Manage Barry Spicer?Robert Bowman?David Emanuel?Alister Hunt? David Questions Coloring Puzzles (Your Favourite Sticker Books) Hunt and Thorpe? At Home with Oxford Reading Tree (Oxford Reading Tree) Alex Brychta?Roderick Hunt?Jan Brychta?Joe Wright?David Parkins? Clarisworks 4.0 for Secondary School Teachers David Caverly? Physical Geography Lab Manual Exercises in Atmospheric David Shankman? A How to Guide to Basic Programming David Y. Wen? Oxford Reading Tree Stages 8-11 Jackdaws Anthologies Pack (10 Books, 1 of Each Title) (Oxford Reading Tree) Rod Hunt?Michael Poulton?David Oakden? Oxford Reading Tree Stage 4 More Sparrows Storybooks Lucky the Goat (Oxford Reading Tree) Rod Hunt?David Parkins? Strategic Management Kenya-A Book of Cases David M. Hunt?Peter Gufwoli? Astronomy for the Masses Astronomy 1100 Lab Manual David Lamp? Oxford Reading Tree Stage 4 More Sparrows Storybooks Mosque School (Oxford Reading Tree) Rod Hunt?David Parkins? Oxford Reading Tree Stage 4 More Sparrows Storybooks Yasmin and the Flood (Oxford Reading Tree) Rod Hunt?David Parkins? Social Enterprise and Community-based Care Richard Lewis?Peter Hunt?David Carson? Practical Selling Selling, Sold! David Seigel? Walton-le-Dale David Hunt Carving Wildlife in Wood Complete Patterns and Instructions for 20 Exciting Projects (Woodcarvers Favorite Patterns, Book 4) George Lehman?David Hunt Business Law A Comprehensive Cpa Law Review David A. Minars? CITES Cactaceae Checklist David Hunt Caterina Cornaro, Queen of Cyprus David HuntIro Hunt? Qualitative Analysis An Introduction David Moseley? A History of Preston David Hunt The Manhattan Hunt Club John Saul?David Daoust? Farben der Nacht David Hunt Experiments in General Chemistry A Laboratory Manual Coordinated With Video Briefing Tapes James David Wicks? Historic Gardens in Cornwall David HuntDouglas Ellory Pett? Farben der Nacht. David Hunt The Law, Society and Business M. David Wertheimer? A Beginner's Guide to the Isu Vax Computer David W. Bachmann?Roger W. Bachmann? Your Career Choices, Chances, Changes David Borchard?John Kelly?Nancy Weaver? Astronomy for the Masses Astronomy 1100 Lab Manual David Lamp? Living with Dyspraxia Mary Colley?David Hunt Public Speaking for Everyone David Lambkin? Study Package to Accompany Making Connections, Achieving Success, Understanding Others Kathy Matthews?David King?Frank Pintozzi?Michael Redd? Geh nicht zurueck David Hunt Geh nicht zurueck. David Hunt Principles of Animal Growth and Development David Gerrard? Outlook The Earth David V. McCalley? A Programmed Instruction Manual of the Human Muscle System David L. Engerbretson? The New RHS Dictionary Manual of Cacti and Succulents David HuntMark Griffiths? We're Going on a Lion Hunt David Axtell? Taking Charge for the Good Life The Personal Health Manual David H. Chenoweth? College Survival Handbook A Program for Success David A. Hurwitz? The Samford Connection Amanda Welch Borden?David Little? The What If Bible Andrew Bianchi?David Mostyn? The Performing Arts an Audience's Perspective David P. Hirvela? Introduction to Computer Concepts Concepts of Structured Design David M. Harris? California Vegetation V. L. Holland?David Keil?V.L. Holland?David J. Keil? Make Your Meetings Count! How Storyboarding With Ideas Can Help Your Work Team Plan, Solve Problems, Make Better Decisions Durward Humes?Gary W. Thompson?David G. Noyes? Write for Success A Guide to Effective Technical and Professional Writing David H. Klein?Jean H. Klein? Study Guide for Introductory Genetics E. David Peebles? Managing in the Postmodern World America's Revolution Against Exploitation David M. Boje?Robert F. Dennehy? From Bakersfield to Beale Street A Regional History of American Rock 'n' Roll David Stuart?Ryan Sheeler? Economics of Food and Agriculture David Debertin? For Those Who Hunt the Wounded Down David Adams Richards? Photographic Regional Atlas Of Bone Disease A Guide To Pathologic And Normal Variation In The Human Skeleton Robert W. Mann?David R., Ph.D. Hunt? Lab Research in Psychology David Eckerman? Lectures in Fundamentals of Biology A Foundation in the Essential Concepts of Modern Biology David Williams? Treasure Hunt in the Jungle (Math Adventures) David Clemson?Wendy Clemson? Chemistry in Microscale David Ehrenkranz? Physics Lab Skills Manual David Newton? Main Line Diesel Electric Nos. 10000 and 10001 (LMS Locomotive Profiles) David Hunt A Handbook for Introduction to Criminal Justice Lois Guyon?David Falcone? Light Inquiry and Insights An Inquirybased Physics Course David Schuster? Managing in the Postmodern World Welcome to the Greenback Company America's Revolution Against Exploitation David M. Boje?Robert F. Dennehy? Responsibilities of the Professional Educator Patricia A. Williams?Jerry C. McGee?David L. Henderson? Course Guide for Communication 4-110 Fundamentals of Speech David Burns? A World of Weather Fundamentals of Meteorology Jon M. Nese?Lee M. Grenci?David J. Mornhinweg?Timothy W. Owen? The "Hunt for the Royal Handbag" David Wood? Property Companies (Industry Accounting Auditing Guides) David HuntDudley Hilton? Joining Together Group Theory and Group Skills David W. Johnson?Frank P. Johnson?
https://w.atwiki.jp/rsbuygoldq/pages/37.html
Gold trading carries on adorable added traders and investors due to its bulk in amplifying accumulation and wealth. The growing appeal of gold fabricated all-around indicators to see it as a favorable anatomy of investment.The 2008 banking crisis had a big appulse in the apple and the economies. There was a bead in aplomb of consumers and investors as economies had agitation with recession, bottomward currencies and abortion to acquisition employment. This led humans to adjudge on traveling into gold trading abnormally as gold continues to be the asset that is abundantly un-corroded. This is a anatomy of gold trading that involves allotment a position on gold as able-bodied as a adverse position on the U.S Dollar. You are audibly trading the adverse bulk movements of gold and the US dollar. In connotation, yield a continued position on gold, again you will be accepting a alongside abbreviate position on the US Dollar and carnality versa. You can barter gold application of ETFs. The banal barter is the area area you can barter this banking instrument. ETSs are absolutely a blazon of investment armamentarium that are commensurable to a alternate armamentarium yet are altered back they tend to be added aggressive. The ETF is commonly composed of a portfolio of assorted antithetical banking instruments.
https://w.atwiki.jp/touhoukashi/pages/1289.html
【登録タグ F Nothing but Flowers 今昔幻想郷 ～ Flower Land 曲 発熱巫女～ず 陽花】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/cp77warehouse/pages/20.html
Inner Torso ※女性ものは参照程度に掲載しているので、ワンカットのみ掲載ですべて同じトリミングとしています。男女とも似た感じのデザインのものは女性のアイコン画を省略。 4TH WALL ACTING SHIRT ABRASION-RESISTANT TRICKSTER DRESS SHIRT VEST ADAMANT ARMY REINFORCED TACTICAL TANK TOP AMETHYST PUNK EASY-BREATHE KNOTTED TANK ANTI-CHEM SYNFABRIC TANK TOP ARAMID-WEAVE TACTICAL TURTLENECK ARASAKA WATERPROOF COMPAT TURTLENECK ARCTICOMBAT SEMI-FORMAL BUTTON-UP ATOMIC BLAST COMPOSITE ARMOR-WEAVE COMBAT SHIRT BARA KAIKA SYN-LEATHER BUSTIER BASIC TANK TOP BERMUDA TRIANGLE PROTECTIVE-MESH MUSCLE TANK BLOODY PIGGY DUOWEAVE CUTOUT TANK BLOODY PIGGY TRIWEAVE MUSCLE TANK BOULET TORQUOISE COMBAT SHIRT WITH PROTECTIVE LINING BRAINDANCE BLUE TRILAYER LONG-SLEEVE CALAVERA TANK TOP / SANTA MUERTE NEOKITSCH ARAMID-WEAVE RACERBACK TANK CANINE POWER DUOLAYER TANK TOP CARBONWEAVE SILK CORPORATE SHIRT CLASSIC CHEM-HARDENED BUTTON-UP CLASSY PASTEL SHIRT AND VEST COMPOSITE ARASAKA NETRUNNING NANOWEAVE SUIT COMPOSITE GEISHA COMBAT SHIRT COMPOSITE-COATED BITCH V.13 T-SHIRT COTTON LONG-SLEEVE COWBOY SHIRT AND VEST DAEMON HUNTER RESISTANCE-COATED TANK TOP DANDY CLASSICO SHIRT WITH FIBROTUBE WEAVE DECADENCIA VERDE HEAVY PLATE-WEAVE COMBAT SHIRT DED-ZED HYBRIDWEAVE T-SHIRT DESERT CROSS STRONG-WEAVE BUTTON-UP DURABLE HARDENED SYN-COTTON T-SHIRT EL DORADO ARAMID-WEAVE DRESS SHIRT VEST ELASTIC MICROPLATED SPORTY TURTLENECK EXTRA-DURABLE STRIPPED TANK TOP EXTRA-REINFORCED KNOTTED TANK EXTRA-STURDY DEADLY LAGOON TANK TOP FADED UNIWARE BELTED TANK FLEXI-MEMBRANE LEATHER BRA FRAYED NANOWEAVE CUTOUT TANK FRAYED SCAV COMBAT SHIRT FUCK YOU DURABLE-WEAVE TANK TOP GALAXY T-SHIRT GEISHA SAMURAI NANOWEAVE LONG-SLEEVE GIN NO HOSHI NEO-SILK SHIRT AND VEST GRAY DECAY TANK TOP / GRAY DECAY SYNFABRIC RACERBACK TANK HEAT-RESISTANT ARAMID-WEAVE FIXER SHIRT / HEAT-RESISTANT ARAMID-WEAVE FIXER BUSTIER HEAT-RESISTANT HYBRIDWEAVE NETRUNNIG SUITE HEAT-RESISTANT NANOWEAVE MEDIA SHIRT HEAT-RESISTANT REINFORCED NU-TEK TIGHT TANK HIGH-TENSILE CUTOUT TANK HOSPITAL SHIRT JOHNNY S SHIRT JOHNNY S TANK TOP KNOTTED ARMOR-WEAVE TANK LIGHT ELASTOMER NETRUNNING SUIT LIGHT XX PUNCH! HEAT-RESISTANT BIKER TURTLENECK LINEN BUTTON-UP WITH REACTIVE LAYERING LIQUID SHINE DURA-POLYAMIDE BUTTON-UP LONG-SLEEVE WITH COMPOSITE LINING MALLOW BREEZE TRIWEAVE SHIRT AND VEST MELTING HOTTIE TANK TOP MILITARY-GRADE ARAMID NETRUNNING SUIT MOX ULTRALIGHT TANK TOP WITH MICROMESH LAYER NEOKITSCH BLOOMING AMBER RESISTANCE-COATED TANK NEOKITSCH PALM BAY HEAT-RESISTANT TANK TOP NIGHT CITY TANK TOP / NIGHT CITY STURDIMESH RACERBACK TANK NIPPON COMPOSITE-COATED MUSCLE TANK OLD EMERALD SPEED MUSCLE TANK OLD FLAZH COMBAT SHIRT OLD NETRUNNING SUIT OLED HEX CAMO SHIRT ONCE WE WERE BOOSTED TANK TOP PADDED DENKI HACHI HYBRID-WEAVE BRA PADDED SYN-FIBER COMBAT SHIRT PADDED TACTICAL TURTLENECK PAISLEY UNIVERSE ARMOR-COATED BUTTON-UP PARIS BLUE OFFICE SHIRT AND VEST WITH REINFORCED SEAMS PENGUIN DRESS SHIRT AND VEST PERALEZ CAMPAIGN SHIRT POLYCARBONATE NOMAD SHIRT WITH REINFORCED SEAMS PSYCHO FLEXIWEAVE LONG-SLEEVE PSYCHO IMPACT-ABSORBENT NANOWEAVE T-SHIRT PSYCHO TANK TOP / PSYCHO PUNCTURE-RESISTANT RACERBACK TANK PUNCTURE-RESISTANT NUSA T-SHIRT PUNK DUOLAYER TANK TOP PUNK TANK TOP PURPLE DRAGON ARAMID-WEAVE TANK TOP PURPLE DRAGON NEOKITSCH MUSCLE TANK WITH TUNGSTEN SEQUINS PURPLE PANTHER SHIRT RED ALERT ANTI-SURGE NETRUNNING SUIT RED LEOPARD BUTTON-UP WITH COMPOSITE INSERT REINE DE ABEILLES BUSTIER WITH BULLETPROOF LINING REINFORCED BREATHABLE DRESS SHIRT REINFORCED SPOTTED BRA REINFORCED-SEAM COTTON ROCKER TANK / ARMORWEAVE ROCKER BRA REINFORCED-SEAM SPORTY TANK TOP RIVER S TANK TOP RUINED LIFE STURDIMESH T-SHIRT SAEKO S PROTECTIVE LAYER TIGHT TANK SAMURAI 2020 TOUR T-SHIRT SAMURAI COMBAT TURTLENECK SANKAKU NICHIBOTSU TARP-WEAVE TANK TOP SANTA MUERTE HEAT-RESITANT TANK TOP SECONDHAND KNOTTED TANK SECONDHAND SPEED ADDICT DUOLAYER CUTOUT TANK SEMI-FORMAL SYNFIBER BUTTON-UP SIMPLE BIKER ARAMID-WEAVE TURTLENECK SIMPLE DUOLAYER BUSTIER SPORT-FLEX AT-AK THERMOACTIVE TURTLENECK SPORTY DARRA-POLYTECHNIC FLEXI-WEAVE TURTLENECK SPOTTED FLEXI-MEMBRANE BUSTIER SPOTTED SLEEVELESS T-SHIRT / SPOTTED TANK TOP STURDI-WEAVE BITCH V.13 T-SHIRT STURDI-WEAVE CUTOUT TANK STYLISH ATOMIC BLAST COMPOSITE BUSTIER STYLISH BIG FISH STEEL-SEQUINED T-SHIRT STYLISH CRYSTAL MIDNIGHT CARBON-FIBER LONG-SLEEVE STYLISH DOUBLE-WEAVE SHIRT AND VEST SUICHU YOGAN SYN-FIBER COMBAT SHIRT TACTI-FIBER RACERBACK TANK TAMASHI COMPOSITE TANK TOP / YORU NO SAMURAI COMPOSITE RACERBACK TANK TATTERED PLAID TANK /TATTERED PLAID CROP TOP TEAR-RESISTANT OFFICE SHIRT AND VEST THERMOACTIVE TEAR-RESISTANT TECHIE SHIRT TORN BURN CORPO SHIT COMPOSITE T-SHIRT TORN DAEMON HUNTER POLYAMIDE T-SHIRT TORN POLYAMIDE-BLEND CAMO T-SHIRT TORN REINFORCED T-SHIRT TORN STURDIMESH T-SHIRT TORN SYN-BLEND T-SHIRT TORN TACTI-FIBER CAMO TANK / TORN TACTICAL CAMO CROP TOP TORN YORU NO SAMURAI POLYAMIDE T-SHIRT / RIPPED TAMASHI POLYAMIDE TANK TOP ULTIMATE PUNCH STURDIMESH T-SHIRT ULTRALIGHT AMANDE ROSE ANTI-PUNCTURE BRA ULTRALIGHT GEISHA DREAM POLYAMIDE TANK TOP ULTRALIGHT JASMIN DOUCET SYN-COTTON BUSTIER ULTRALIGHT TESTED ON ANIMALS POLYAMIDE TANK TOP ULTRATHIN COMPOSITE-PRINT SOLO SHIRT UTILITARIAN BURN CORPO SHIT T-SHIRT UTILITARIAN COMPOSITE-MESH T-SHIRT V S BLANK TANK TOP V S FAVORITE T-SHIRT V S OLD TANK TOP / V S TATTERED CROP TOP V S SHIRT V S STAINED TANK TOP / V S TATTERED CROP TOP VINTAGE SAMURAI STRONGWEAVE T-SHIRT VIONET NEBULA ANTI-TEAR POLYAMIDE TURTLENECK WOLF SCHOOL T-SHIRT WORN MAELSTROM JACKET WORN NETRUNNING SUIT WORN TAMASHI TANK TOP WRINKLED DRESS BUTTON-UP X NANOTUBE-WEAVE MUSCLE TANK X REINFORCED POLYAMIDE TANK TOP YORINOBU S FORMAL SHIRT YORU NO SAMURAI GMO-COTTON T-SHIRT ▲TOPへ戻る
https://w.atwiki.jp/gyakusai/pages/80.html
Q A Capcom s Minae Matsukawa On Producing Phoenix Wright In A Man s World / Gamasutra http //www.gamasutra.com/php-bin/news_index.php?story=16114 November 5, 2007 Q A Capcom's Minae Matsukawa On Producing Phoenix Wright In A Man's World / Gamasutra 日本語要約 Earlier this year, Gamasutra spoke to Capcom s Minae Matsukawa, producer of the cult-popular Phoenix Wright Ace Attorney series for DS. In her six years with the company, Matsukawa s past Capcom projects began with Breath of Fire V, and also include the Magical Quest series, the Street Fighter games, and the Darkstalkers game for PSP. Matsukawa discussed being a female game developer in Japan, even more a rarity than in the U.S., and how the Phoenix Wright games found equal success on two very different shores. Have you always been a producer? I started off as an assistant or associate producer, and then once I got to Vampire Chronicle -- Darkstalkers for PSP -- that s when I became a full-fledged producer. What is it like from your experience, being a female game developer in Japan? There aren t very many. Yes, you re very right. I m the only female producer at Capcom, and I personally don t know any other female producers in Japan. There s a lot of very difficult game positions in game development, but producer is one of the hardest, so I don t really understand why I decided to become a producer myself. Why did you decide to, and why in games? Actually, before I started at Capcom, I was working on different concepts for games for mobile phones. When I was just working on that on my own, just to get into that -- it was a fledgling industry back then -- I decided to apply at Capcom, and they ended up putting me in as producer. Were you with a company at the time, or was that on your own? I worked at a security company... I worked at Nintendo, and in the IT and online game distribution department. That s when I started to get into trying to do mobile phone games and applied at Capcom. What made you decide to get into games? I ve been around different jobs. Some were in just a regular office, and [also] security... It was kind of boring and mundane, so I wanted to give another try at what I really like to do, which is games. That s where that came from. Why do you think there aren t more female developers in Japan? Are there many in America? Not as many as males, but a lot more females in development in America than in Japan. I m not really sure if I should say this, but maybe it s because at least in Japan, as far as the imagination process...mentally and physically, women hadn t grown up thinking of having careers until retirement. You have that, and just the business of making games is sort of tough, with long hours -- even longer than regular companies. And also men think more about games on console than on handhelds. That s how it s been for a long time. It s a very tough job. Even looking at that, if you look at our sales and marketing, there are lots of women on that side. So they seem to be getting somewhere on that side over there. That s always true in America as well. There s a lot more females on the marketing and PR side. I wonder if the Wii and the DS might not actually inspire more women to think that they could actually have that as a career -- obviously the market is much more skewing that way. I started getting into games about ten years ago, and there weren t a lot of girls playing games back then. It was mainly the boys. I was kind of a rare case. Like you said with the DS and the Wii, maybe ten or fifteen or twenty years from now, we ll start to see more women game creators that have been inspired by the things Nintendo is doing. I hope so. There are only a few female game creators you can point to in Japan. There s Rieko Kodama at Sega, and some other people at Sega on the Feel the Magic team, and some people at Koei. But other than that, there s very few. I mean like designers and artists. I think there are starting to be more women in game creation -- not producing. For example, for Ace Attorney 4, one of the three character designers is female, and we have a lot of female background artists. Overall in Capcom, there are a lot of women game designers and artists. I think there should be more, because we need to get other perspectives and experiences. Were you at all surprised by the success of the game in the U.S.? It seems to have kind of revitalized the adventure game genre here. It s not really an adventure game, but I m very glad to give people like you and the reviewers and the fans who love the game... it makes me inspired to keep making the game as good as it can be. It s very good to hear, that support. I don t know if it directly led to the revitalizing of adventure games, but that s great to hear. If you don t consider it an adventure game, what type of game is it? In Japan, we re just calling it a courtroom battle game. You re not just reading text, but you re interviewing and questioning witnesses and working with evidence. I don t really see it as a straight adventure game. It s kind of a genre of its own, I guess. Are there any lawyers on the team? No, we don t have any lawyers on the team. We just make everything up as we go along. But two years ago when we came to Comic-Con, it was one of the first ones out here we had on display. We didn t know how fans would react. There was a kid, about ten or twelve or so, and he was very interested in the game. He said, "My dad s a lawyer. I think this game will be really cool and I think it s going to sell really well." So that really inspired me to think that maybe there is a chance that people will like it here. Why is it that the game has always been dual-language in Japan? What is the reasoning there? Once we localized the first game, the localization team was really proud that we had this very polished product, so instead of just giving it to America, people in Europe, and everywhere else, we wanted to have Japanese people be able to enjoy it and see how fun it is in English. As you probably know, there s lots of people studying English, and we thought maybe Japanese people will play it. Was that an extra selling point for it? Very much so. It was also great for people in the West who wanted to import it early! Capcom s USA side has to say, "If you can put English in it, don t do it before you give us our game." They kind of yell at me sometimes about that. But at the same time, when they send out review copies, they send out Japanese boxed copies. So, did you get to work with Inaba and Mikami? They had the whip going on for the first game. They had some advice and support, because they were the big producers and I was up-and-coming, and they helped me out a lot. They wrote a lot of the scenario too, right? Actually, the scenario was written by Shu Takumi for all of the games, including Ace Attorney 4. How was it working with Inaba and Mikami? I wasn t very experienced at the time when I was starting. They had already made lots of games. They were always very nice and very kind, and gave lots of advice and suggestions and helped me out. Was it intimidating at all? It wasn t really intimidating at all. They re very laid back, and are very nice all the time. When we put Phoenix Wright Ace Attorney on the DS, that was kind of my big break into making bigger games. We were going to add in new content a little bit. Not pressure, so it was an easy step up for me, and I was very glad to get the chance to work on something that became such a big hit with fans. POSTED 06.18AM PST, 11/05/07 - Brandon Sheffield 日本語要約 Gamasutra あなたは、今までずっとプロデューサーとして働いていましたか？ 松川 私はアシスタントや、プロデューサーに関連したポジションからスタートしました。そして、ヴァンパイアクロニクル（海外タイトルはDarkstalkers、PSPのソフト）でプロデューサーを初めてつとめました。 Gamasutra 日本には、あなたのような女性のゲームプロデューサーはいますか？ あまり多くないようですが。 松川 はい。私はカプコンで唯一の女性プロデューサーです。そして、私には日本に他の女性プロデューサーの知り合いがいません。ゲームの開発においてプロデューサーは一番ハードな部類のひとつですが、私は未だに何故プロデューサーになることを決めたのかわかっていません。 Gamasutra 今の職業をどのように決めましたか？ 何故ゲーム業界なのですか？ 松川 私はカプコンに入社する前、携帯電話のゲーム開発という、今までとは異なった概念の仕事に取り組んでいました。そのころはまだ未熟な市場でした。その頃にカプコンに応募し、採用されました。 Gamasutra その頃はどの会社にいましたか？ それとも独立していましたか？ 松川 警備会社で働いた後、任天堂のITおよびオンラインゲーム部で働きました。その頃カプコンに応募しました。 Gamasutra 何が、あなたをゲーム業界に入ることに決めさせましたか？ 松川 それまでの仕事は退屈と平凡でしたので、別にしてみたかったこと、本当にしてみたいことをすることにしました。それがゲームでした。 Gamasutra 何故、女性プロデューサーが日本には少ないのでしょうか？ 松川 アメリカにはたくさんいるのですか？ Gamasutra 男性ほどではありませんが、日本よりはアメリカの方が女性プロデューサーが多いです。 松川 想像するに、おそらく、日本では定年まで仕事をする上で、精神的にも体力的にも、女性はゲーム開発という仕事には未熟なのではないでしょうか。マーケティングなどには女性が多いです。 Gamasutra それはアメリカでも同じです。マーケティングや広報の仕事は女性が多いです。WiiとDSはより女性ユーザーを増やしていて、市場は変わりつつあります。 松川 私は10年ほど前にゲームにハマりましたが、その頃はまだゲームをする女の子は少なかったです。主なユーザーは男の子でした。私は希なケースでした。あなたの言うとおり、10年か20年もしたら、WiiやDSのおかげで女性のゲーム開発者が増えるでしょう。 Gamasutra そう願っています。日本にはわずかなプロデューサーしかいません。セガの小玉理恵子氏（古くはファンタシースターのデザイナー、エターナルアルカディア等のプロデューサー）や、セガの「きみしね」チーム、後はコーエーに少しいる位です。しかしそれをのぞくと極めて少ない。後はデザイナーくらいです。 松川 プロデューサーではなくクリエイターに女性が増え始めていると思います。例えば、逆転裁判4では、女性デザイナーが3人のキャラクターを担当していますし、背景を描く女性スタッフはたくさんいます。カプコンには、多くの女性デザイナーがいます。 Gamasutra あなたは、アメリカでの逆転裁判シリーズの成功に驚きましたか？ これによって、アドベンチャーゲームを少し蘇らせたように見えますが。 松川 私は逆転裁判がアドベンチャーゲームとは思っていませんが、ゲームが非常に好きなあなた、評論家、およびファンのみなさんに逆転裁判をプレイしてもらえて、非常にうれしいです。もっと良いゲームを創ろうという気持ちにさせてくれます。逆転裁判が直接アドベンチャーゲームを生き返らせたのかどうかはわかりませんが、すばらしいことです。 Gamasutra アドベンチャーゲームでないというのなら、どのようなタイプのゲームなのですか？ 松川 日本では、法廷バトルと呼んでいます。テキストを読むだけではなく、証人と会い、対決しています。私はそれを単にアドベンチャーゲームとは思いません。独自のジャンルであると思っています。 Gamasutra 開発チームには弁護士はいますか？ 松川 いいえ、弁護士はひとりもいません。しかし、2年前、私たちがComic-Conに行ったときに、10歳か12歳くらいの少年がこのゲームに興味を持ってくれて、「僕の父は弁護士です。このゲームはきっと売れると思う」と言ってくれました。 Gamasutra 日本版では英語版と日本語版の2つが収録されているのは何故ですか？ （答え省略。MTV Multiplayer参照） Gamasutra 英語版はセールスポイントだった？ 松川 そうですね。 Gamasutra 海外でいち早く輸入してプレイしたかった人たちのためにも大きなポイントでした！ 松川 カプコンUSAには、英語版を入れるなら、その前にこっち（北米版）を出させてくれと言われます。 Gamasutra あなたは稲葉氏と三上氏と仕事をしたことがありますか？ 松川 彼らは最初のシリーズでの決定権を持っていました。彼らからは忠告とサポートがありました。私のことをたいへん援助してくれました。 Gamasutra 彼らはシナリオも書いたのですか？ 松川 いいえ、4作目まで全て、巧舟が書きました。 Gamasutra 稲葉氏と三上氏はどのような仕事をしたのですか？ 松川 私が仕事を始めたとき、私にはあまり経験がありませんでしたが、彼らはたくさんのゲームを手がけていました。彼らは非常に素晴らしく、とても親切で、たくさんのアドバイスと提案をしてくれました。 Gamasutra 威圧的なことはなかった？ 松川 そのようなことはありません。彼らはDSで逆転裁判をリリースする際に、素晴らしいバックアップをしてくれました。私たちは新しい内容を加える予定でした。ステップアップの機会になり、ファンのみなさんと一緒に大きなヒットとなって喜んでいます。 ▲ページ上へ▲
https://w.atwiki.jp/orange_sherbet/pages/33.html
Social Interaction Definition The way people interact with each other. This includes ways of communcation, how people share physical space, and what they do in the presnse of others. Analysis The Continuity of Relationships in Japan Japanese people tend to perceive that once a relationship has been established, it will continue on forever. Relationships that end are considered to be failed relationships. The Japanese tend to be very cautious to not create disharmonies in relationships, and this is connected to the implicit, non-verbal, high-context atmosphere present in Japanese society. This can be very stressful to foreigners who come from low-context based cultures, where little is implicit and there is no hestation in being direct. For example, Californians tend to make friends easily, and have no concern at all about weather or not the relationship will continue. Spaces for Social Interaction The way in which Japanese people and foreigners spend time with each other varies greatly depending on their environment. Because ICU is located in the metropolis of Tokyo, ICU students main choice of locations for hanging out are city locations. This means going to bars, karaoke, izakayas or to clubs. Japanese people live in tiny apartments, and because houses in Tokyo are so rare, it is uncommon for people to gather in someone s home. This is of great surprise to many of the OYR s, who have spent their college years going to house or dorm parties. Many foreigners become frustrated at the lack of "things to do" despite the fact that they live in Tokyo. Living in a large city is also a new experience for many of the OYRs, who find they have conflicting intrests with their Japanese friends who have already adjusted to city life. Ways of Spending Time ICU students s priorities are completely different from those of their foreign counterparts! While foreign college students place a huge emphasis on partying or just having fun, ICU students place a much greater and more time-consuming emphasis on their studies. Examples Excuses ICU students do not have the time to get in touch with one another because of time constraints. From the American s point of view, ICU students tend to use their lack of time as an excuse to avoid certain social situations. College students in America also condsider themselves busy, but rather than use this as an exuse to not go, it encourages them to work harder to make time to play, even if they dont actually have that time. Physical Difficulty Lack of transportation causes problems for ICU students. Since the last train for the Chuo line comes earlier than that of Yamanote line and also the last bus from ICU leaves before 12pm, people cannot hold parties until midnight. In addition, because ICU is in an urban area, ICU students are not allowed to come to school by car. Therefore, the train and bus scheudles are of great importance to those who do not live close enough to come by bike. However, in most of the American universities, students have cars or live on campus/near enough to campus to simply walk home after parties or other activities that may run late. Commuting from home There are many peple who commute from their home to ICU everyday. Almost half of the students at ICU are from the Tokyo area; therefore, lots of students live with their parents. Not only does this cause physical difficuties related to distance but also the issue of where to eat dinner. Sharing meals is a key component when it comes to informal social interaction, especially at the college level. Those who live at home always have dinner waiting for them if they chose not to go out, and this causes a conflict between Curfew Problem Curfews are very common in Japan, for those in dorms and those living at home. While the curfew may be at a reasonable time, because of commute time, many students have to leave activities earlier than what most OYR students consider normal. The dorm curfews also mean that dorm parties are definitely not possible. Solution The Japanse way of making friends is stressful, however, this is the Japanese style. This style and society are based on the Japanese sense of values. Young Japanese people who are aware of this have a choice to make when they are in a situation to create new friends, They can follow the traditional Japanese relationship values, or take on a new perspective more in tune with that of most OYRs at ICU. ICU students may not be able to change into this style. If ICU students change their style of making new friends, then they leave behind much of their Japanese identity, and this will probably cause tension when trying to make friends with other Japanese people. The important fact is to know one s own style and to be aware that someone else s style may be different. For example, when a Japanese person meets an American person for the first time, the Japanese person may think that "She must have come from the US, so her style may be making friends more directly" At the same time, the American person may think that "She is Japanese, so she might get to know me in the maainotsumekata (間合いの詰め方) approach style." By knowing each others style, it is possible to prevent misunderstandings. Thinking about another style in this way is truely international communication. However, instead of saying that Japanese people "should change the style," it is better to say that people should not deny the different styles Denying would lead to opposition. Good intercultural communication cannot be established if one side denies the other culture. Mutual understanding of each other s culture is the most important thing. The ways to make friends are different for each person, so to accept variety is necessary. Edit this page
https://w.atwiki.jp/vocaloidenglishlyric/pages/150.html
【Tags Miku P tP t± ± AVTechNO】 Original Music Title ±(Plus Minus) Music Lyrics written, Voice edited by AVTechNO Music arranged by AVTechNO Singer 初音ミク (Hatsune Miku) Click here for the Japanese Lyrics English Lyrics (translated by ArtemisA )： Feebly I reach my mind to grasp the meaning of tomorrow In this world we call reality, which confounds me to its very ends It is something I will never understand Still, I wish I could find a "point" to my existence Rather than searching for a "reason (meaning)" for living here I ll uncover the plusses of the passing "time (my heart and soul)"... If I could call back those shattered words, those lost dreams, It would surely be a plus... to who I am now. I m growing weary of these many thoughts, of arguing with myself Every valid point tears my words to shreds The truth is one of these... the dreams I chase one more So I continue to pursue the "reason (meaning)" for living here. Whenever I feel my heart starting to break, I hold those plusses close... If I could call back those shattered words, those lost dreams, It would be a plus within me. I m negative! I m tied down, trapped, by the mistakes of the past I m negative! There s not a single thing I can do right I m negative! I can t understand how others see the world I m negative! I don t want to deal with most "others (humans)" I m negative! Why should I care about the "happiness" of anyone else? I m negative! All of my thoughts are contrary I m negative! There s nothing I have to look forward to And a positive? I suppose tomorrow always comes... even for someone like me Romaji lyrics (transliterated by Rei)： miwatasu kagiri nazomeiteiru genjitsu no sekai de boku wa asu no igi o taguri yoseru toutei rikai dekinai koto bakari da keredo sonzai shiteiru kachi o midashitainda... ima kono basho de ikite imi o sagashidasu yori mo sugoshite yuku jikan no PURASU sagashidasou... kakikesareta kotoba mo, miushinatta yume sae mo hiki modoshite ima no boku ni...PURASU surunda. ooku no kangae giron de umetsukusarete yuku datou na tokoro de boku no kotoba ga kakikesarerunda shinjitsu wa hitotsu...oikakeru yume mo hitotsu dake dakara kono basho de ikite imi o motome tsuzukerunda kokoro ga oresou ni naru toki ni PURASU ni chikazukeru... kakikesareta kotoba mo, miushinatta yume sae mo hiki modoshite boku no naka ni PURASU surunda. NEGATIBU daro! kako no MISU ni toraware shibarareteirunda NEGATIBU daro! uamku iku koto nanka, ari wa shinai no sa NEGATIBU daro! tanin no shisen o ki ni sezu ni wa irarenai NEGATIBU daro! ooku no ningen to kakawaritakunainda NEGATIBU daro! jibun igai wa minna shiawase nandesho? NEGATIBU daro! boku no kangae wa subete hitei sareteiru NEGATIBU daro! monogoto o maemuki ni wa kangaerarenai... POJITIBU teki? konna boku ni mo ashita wa...yatte kurunda