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Sinfonia avanti il Opera PROLOGO L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Tutto mi turba, un soffio sol m abbatte, il tempo, che mi crea, quel mi combatte. IL TEMPO Salvo è niente dal mio dente. Ei rode, ei gode. Non fuggite, o mortali, ché, se ben zoppo, ho l ali. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana, senza periglio in va ricerco loco, ché frale vita è di Fortuna un gioco. LA FORTUNA Mia vita son voglie, le gioie, le doglie. Son cieca, son sorda non vedo, non odo. Ricchezze, grandezze dispenso a mio modo. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Al Tiranno d Amor serva sen giace la mia fiorita età, verde e fugace. AMORE Dio de Dèi feritor, mi dice il mondo Amor. Cieco saettator, alato, ignudo, contro il mio stral non val difesa o scudo. L UMANA FRAGILITÀ Misera, son ben io, fattura umana, creder a ciechi e zoppi è cosa vana. IL TEMPO Per me fragile LA FORTUNA Per me misero AMORE Per me torbido TUTTI Quest uom sarà. IL TEMPO Il Tempo ch affretta LA FORTUNA Fortuna ch alletta AMORE Amor che saetta TUTTI Pietate non ha. Fragile, misero, torbido quest uom sarà. ATTO I Scena Prima (Reggia) PENELOPE Di misera Regina non terminati mai dolenti affanni! L aspettato non giunge, e pur fuggono gli anni. La serie del penare è lunga, ahi troppo. A chi vive in angoscie il tempo è zoppo. Fallacissima speme, speranze non più verdi ma canute, all invecchiato male non promettete più pace o salute. Scorsero quattro lustri dal memorabil giorno, in cui con sue rapine, il superbo Troiano chiamò l alta sua patria alle ruine. A ragion arse Troia, poiché l Amore impuro ch è un delitto di foco, si purga con le fiamme. Ma ben contro ragione per l altrui fallo condannata innocente, dell altrui colpe io sono l afflitta penitente. Ulisse accorto, e saggio, tu, che punir gli adulteri ti vanti, aguzzi l armi e susciti le fiamme per vendicar gli errori d una profuga greca; e intanto lasci la tua casta consorte fra i nemici rivali, in dubbio dell onore, in forse a morte. Ogni partenza attende desiato ritorno, tu sol del tuo tornar perdesti il giorno. ERICLEA Infelice Ericlea, nutrice sconsolata, compiangi il duol de la regina amata. PENELOPE Non è dunque per me varia la sorte? Cangiò forse fortuna La volubile ruota in stabil seggio? E la sua pronta vela, ch ogn uman caso porta fra l incostanza a volo, sol per me non raccoglie un fiato solo? Cangia per altri pur l aspetto il Cielo, le Stelle erranti e fisse. Torna, deh, torna Ulisse! Deh, torna Ulisse! Penelope t aspetta. L innocente sospira, piange l offesa, e contro il tenace offensor né pur s adira. All anima affannata porto le sue discolpe acciò non resti di crudeltà macchiato, ma, fabbro de miei danni incolpo il fato. Così, per tua difesa, Col Destino, col Cielo, Fomento guerra, e stabilisco risse. Torna, deh, torna Ulisse! ERICLEA Partir senza ritorno non può Stella influir, non è partir, ahi, che non è partir. PENELOPE Torna il tranquillo al mare, torna il Zeffiro al prato, l Aurora mentre al sol fa dolce invito è un ritorno del dì ch è pria partito. Tornan le brine in terra, tornano al centro i sassi, e, con lubrici passi torna all oceano il rivo. L uomo qua giù, ch è vivo lunge da suoi princìpi, porta un alma celeste e un corpo frale. Tosto more il mortale, e torna l Alma in Cielo, e torna il corpo in polve dopo breve soggiorno. Tu sol del tuo tornar perdesti il giorno. Torna, ché mentre porti empie dimore al mio fiero dolore veggio del morir mio l ore prefisse. Torna, deh, torna Ulisse! Scena Seconda MELANTO Duri e penosi son gli amorosi fieri desir; ma alfin son cari, se prima amari, gli aspri martir; Ché s arde un cor, è d allegrezza un foco, né mai perde in amor chi compie il gioco. EURIMACO Bella Melanto mia, graziosa Melanto il tuo canto è un incanto, il tuo volto è magia. Bella Melanto mia, è tutto laccio in te ciò ch altri ammaga; ciò che laccio non è, fa tutto piaga. MELANTO Vezzoso garruletto, oh, come ben tu sai ingemmar le bellezze, illustrar a tuo pro d un volto i rai. Lieto vezzeggia pur le glorie mie con tue dolci bugie. EURIMACO Bugia sarebbe, s io lodando non t amassi, ché il negar d adorar confessata deità è bugia d empietà. MELANTO, EURIMACO De nostri amor concordi sia pur la fiamma accesa ché, amato, il non amar arreca offesa, né con ragion s offende colui che per offese amor ti rende. MELANTO Come il desio m invoglia, Eurimaco mia vita, Senza fren, senza morso dar nel tuo sen alle mie gioie il corso! EURIMACO Oh, come volentieri cangerei questa Reggia in un deserto ove occhio curioso a veder non giungesse i nostri errori! MELANTO, EURIMACO Ché ad un focoso petto il rispetto è dispetto. EURIMACO Se Penelope la bella non si piega alle voglie de rivali amatori, mal sicuri saranno i nostri occulti amori. Tu dunque t affatica, suscita in lei la fiamma! MELANTO Ritenterò quell alma pertinace, ostinata, ritoccherò quel core ch indiamanta l onore. EURIMACO Va, va, Melanto, e t adopra che d ammollir parlando femminil contumacia non è piccola l opra. MELANTO Dolce mia vita, mia vita sei! EURIMACO Lieto mio bene, mio ben sarai! MELANTO, EURIMACO Nodo si bel non di disciolga mai! Scena Terza (Una riva in Itaca) NEREIDI Fermino i sibili, sibili e fremiti, il venti e il mar! SIRENE Aura tranquillati, bell onda calmati! L addormentato, deh, non svegliar. NEREIDI Tacete, Sirene, se tace l irato. SIRENE Nereidi, tacete, se tace Nettuno. NEREIDI Tacete, venti, silenzio mar. SIRENE Ulisse dorme, non lo destar. Scena Quarta (Passano i Feaci in Mare, e sbarcano Ulisse dormiente, e lo pongono appresso l antro de Naiadi col suo bagaglio. E questa scena è muta, accompagnata con Sinfonia. Poi entra la Nave) Scena Quinta NETTUNO (sorge dal mare) Superbo è l uom, ed è del suo peccato Cagion, benché lontana, il Ciel cortese, Facile, ahi, troppo in perdonar l offese. Fa guerra col destin, pugna con fato, tutt osa, tutt ardisce, l umana libertade, indomita si rende, e l arbitrio dell uom col Ciel contende. Ma se Giove benigno i trascorsi dell uom troppo perdona, tenga egli a voglia sua nella gran destra il fulmine ozioso, tengalo invendicato. Ma non soffra Nettuno col proprio disonor l uman peccato. GIOVE (in Cielo) Gran Dio de salsi flutti, che mormori e vaneggi contro l alta bontà del Dio sovrano? Mi stabili per Giove la mente mie pietosa più ch armata la mano. Questo fulmine atterra, la pietà persuade, fa adorar la pietade, ma non adora più chi cade a terra. Ma qual giusto desio d aspra vendetta furioso ti move ad accusar l alta bontà di Giove? NETTUNO Hanno i Feaci arditi contro l alto voler del mio decreto, han Ulisse condotto in Itaca sua patria, onde rimane dall uman ardimento, dell offesa deitade ingannato l intento. Vergogna e non pietade comanda il perdonar fatti si rei. Così di nome solo son divini gli dèi? GIOVE Non fien discare al Ciel le tue vendette, ché comune ragion ci tien uniti; puoi da te stesso castigar gl arditi. NETTUNO Or già che non dissente il tuo divin volere, darò castigo al temerario orgoglio. La nave loro andante farò immobile scoglio. GIOVE Facciasi il tuo comando, veggansi l alte prove, abbian l onde il suo Giove. E chi andando Peccò, pera restando. Scena Sesta (Feaci in nave) FEACI In questo basso mondo l uomo può quanto vuol. Tutto fa, ch il Ciel del nostro oprar pensier non ha. NETTUNO (cangia la nave in un scoglio) Ricche d un nuovo scoglio sien quest onde fugaci. Imparino i Feaci in questo giorno che l umano viaggio, quand ha contrario il Ciel, non ha ritorno. Scena Settima ULISSE (si risveglia) Dormo ancora, o son desto? Che contrade rimiro, e che terren calpesto? Dormo ancora, o son desto? Chi fece in me, chi fece il sempre dolce e lusinghevol sonno ministro de tormenti? Chi cangiò il mio riposo in ria sventura? Qual deità de dormienti ha cura? O sonno, o mortal sonno, fratello della morte altri ti chiama! Solingo, e trasportato deluso ed ingannato, ti conosco ben io padre d errori! Pur, degli errori miei son io la colpa, ché se l ombra è del sonno sorella o pur compagna, chi si confida all ombra, perduto alfin, contro ragion si lagna. O dèi sempre sdegnati, numi non mai placati, contro Ulisse, che dorme, anco severi, vostri divini imperi contro l uman voler sien fermi e forti, ma non tolgano, ahimè, la pace ai morti. Feaci ingannatori! Voi pur mi prometteste di ricondurmi salvo in Itaca mia patria con le ricchezze mie, co miei tesori. Feaci mancatori, or non s come, ingrati, mi lasciaste in questa riva aperta, su spiaggia erma e deserta, misero abbandonato. e vi porta fastosi e per l aure e per l onde così enorme peccato! Se puniti non son sì gravi errori, lascia Giove, deh, lascia de fulmini la cura, Ché la legge del caso è più sicura. Sia delle vostre vele, falsissimi Feaci, sempre Borea nemico, e se qual piuma al vento o scogli in mare, le vostre infide navi leggere agli aquiloni, all aure gravi! Scena Ottava (Minerva in abito da pastorello) MINERVA Cara e lieta gioventù, che disprezza empio desir, non dà a lei noia o martir ciò che viene, e ciò che fu. Cara e lieta gioventù. ULISSE (fra sé) Sempre l uman bisogno il Ciel soccorre. Quel giovinetto tenero negl anni, mal pratico d inganni, forse ch il mio pensier farà contento, ché non ha frode in seno chi non ha pelo al mento. MINERVA Giovinezza è un bel tesor che fa ricco in gioia un sen. Per lei zoppo il tempo vien, per lei vola alato Amor. Giovinezza è un bel tesor. ULISSE Vezzoso pastorello, deh, sovvieni un perduto di consiglio e d aiuto, e dimmi pria di questa spiaggia e questo porto il nome. MINERVA Itaca è questa in sen di questo mare, porto famoso e spiaggia felice, avventurata. Faccia gioconda e grata a sì bel nome fai. Ma tu come venisti e dove vai? ULISSE Io greco sono ed or di Creta io vengo per fuggir del castigo d omicidio eseguito. M accolsero i Feaci e m han promesso in Elide condurmi. Ma dal cruccioso mar, dal vento infido fummo a forza cacciati in questo lido. Poi sbarcato al riposo per veder quieto il mar, secondi i venti, colà m addormentai sì dolcemente, ch io non udii né vidi de Feaci crudeli la furtiva partenza, ond io rimasi con le mie spoglie in su l arena ignuda isconosciuto e solo. E il sonno che partì lasciommi il duolo. MINERVA Ben lungamente addormentato fosti, ch ancor ombre racconti e sogni narri. È ben accorto Ulisse, ma più saggia è Minerva. Tu dunque, Ulisse, i miei precetti osserva. ULISSE Chi crederebbe mai la deità vestite in uman velo! Si fanno queste mascherate in Cielo? Grazie ti rendo, o protettrice dea! Ben so che per tuo amore furon senza periglio i miei pensieri. Or consigliato seguo i tuoi saggi consigli. MINERVA Incognito sarai, non conosciuto andrai sinché tu vegga dei Proci tuoi rivali la sfacciata baldanza. Di Penelope casta l immutabil costanza. ULISSE Oh fortunato Ulisse! MINERVA Or t adacqua la fronte nella vicina fonte, che anderai sconosciuto in sembiante canuto. ULISSE Ad obbedirti vado, indi ritorno. MINERVA Io vidi per vendetta, incenerirsi Troia, ora mi resta Ulisse ricondur in patria, in regno. D un oltraggiata dea questo è lo sdegno. Quinci imparate, voi, stolti mortali, al litigio divin non poner bocca! Il giudizio del Ciel a voi non tocca, ché son di terra i vostri tribunali. ULISSE Eccomi, saggia dea. Questi peli che guardi sono di mia vecchiaia testimoni bugiardi. MINERVA Or poniamo in sicuro queste tue spoglie amate entro quel antro oscuro delle Naiadi, ninfe al Ciel sacrate. MINERVA, ULISSE Ninfe serbate le gemme e gli ori, spoglie e tesori tutto serbate, ninfe sacrate! Scena Nona NAIADI (mentre l altre portano nell Antro il bagaglio) Bella diva, eccoci pronte al tuo cenno, al tuo voler, e quest antro, e quella fonte spruzza e s apre a tuo voler. Itaca lieta si mostri, sì, al bel ristoro d Ulisse un dì! MINERVA (ad Ulises) Tu d Aretusa al fonte in tanto vanne, ove il pastor Eumete, tuo fido antico servo, custodisce la gregge; ivi m attendi in sin che pria di Sparta io ti conduca Telemaco tuo figlio; poi d eseguir t appresta il mio consiglio. ULISSE O fortunato Ulisse! Fuggi dal tuo dolor l antico error, lascia il pianto, dolce canto dal tuo cor lieto disserra. Non si disperi più mortale in terra. O fortunato Ulisse! Cara vicenda si può soffrir, or diletto, or martir, or pace, or guerra, non si disperi più mortale in terra. Sinfonia avanti il Opera PROLOGO L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Tutto mi turba, un soffio sol m abbatte, il tempo, che mi crea, quel mi combatte. IL TEMPO Salvo è niente dal mio dente. Ei rode, ei gode. Non fuggite, o mortali, ché, se ben zoppo, ho l ali. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana, senza periglio in va ricerco loco, ché frale vita è di Fortuna un gioco. LA FORTUNA Mia vita son voglie, le gioie, le doglie. Son cieca, son sorda non vedo, non odo. Ricchezze, grandezze dispenso a mio modo. L UMANA FRAGILITÀ Mortal cosa son io, fattura umana. Al Tiranno d Amor serva sen giace la mia fiorita età, verde e fugace. AMORE Dio de Dèi feritor, mi dice il mondo Amor. Cieco saettator, alato, ignudo, contro il mio stral non val difesa o scudo. L UMANA FRAGILITÀ Misera, son ben io, fattura umana, creder a ciechi e zoppi è cosa vana. IL TEMPO Per me fragile LA FORTUNA Per me misero AMORE Per me torbido TUTTI Quest uom sarà. IL TEMPO Il Tempo ch affretta LA FORTUNA Fortuna ch alletta AMORE Amor che saetta TUTTI Pietate non ha. Fragile, misero, torbido quest uom sarà. ATTO I Scena Prima (Reggia) PENELOPE Di misera Regina non terminati mai dolenti affanni! L aspettato non giunge, e pur fuggono gli anni. La serie del penare è lunga, ahi troppo. A chi vive in angoscie il tempo è zoppo. Fallacissima speme, speranze non più verdi ma canute, all invecchiato male non promettete più pace o salute. Scorsero quattro lustri dal memorabil giorno, in cui con sue rapine, il superbo Troiano chiamò l alta sua patria alle ruine. A ragion arse Troia, poiché l Amore impuro ch è un delitto di foco, si purga con le fiamme. Ma ben contro ragione per l altrui fallo condannata innocente, dell altrui colpe io sono l afflitta penitente. Ulisse accorto, e saggio, tu, che punir gli adulteri ti vanti, aguzzi l armi e susciti le fiamme per vendicar gli errori d una profuga greca; e intanto lasci la tua casta consorte fra i nemici rivali, in dubbio dell onore, in forse a morte. Ogni partenza attende desiato ritorno, tu sol del tuo tornar perdesti il giorno. ERICLEA Infelice Ericlea, nutrice sconsolata, compiangi il duol de la regina amata. PENELOPE Non è dunque per me varia la sorte? Cangiò forse fortuna La volubile ruota in stabil seggio? E la sua pronta vela, ch ogn uman caso porta fra l incostanza a volo, sol per me non raccoglie un fiato solo? Cangia per altri pur l aspetto il Cielo, le Stelle erranti e fisse. Torna, deh, torna Ulisse! Deh, torna Ulisse! Penelope t aspetta. L innocente sospira, piange l offesa, e contro il tenace offensor né pur s adira. All anima affannata porto le sue discolpe acciò non resti di crudeltà macchiato, ma, fabbro de miei danni incolpo il fato. Così, per tua difesa, Col Destino, col Cielo, Fomento guerra, e stabilisco risse. Torna, deh, torna Ulisse! ERICLEA Partir senza ritorno non può Stella influir, non è partir, ahi, che non è partir. PENELOPE Torna il tranquillo al mare, torna il Zeffiro al prato, l Aurora mentre al sol fa dolce invito è un ritorno del dì ch è pria partito. Tornan le brine in terra, tornano al centro i sassi, e, con lubrici passi torna all oceano il rivo. L uomo qua giù, ch è vivo lunge da suoi princìpi, porta un alma celeste e un corpo frale. Tosto more il mortale, e torna l Alma in Cielo, e torna il corpo in polve dopo breve soggiorno. Tu sol del tuo tornar perdesti il giorno. Torna, ché mentre porti empie dimore al mio fiero dolore veggio del morir mio l ore prefisse. Torna, deh, torna Ulisse! Scena Seconda MELANTO Duri e penosi son gli amorosi fieri desir; ma alfin son cari, se prima amari, gli aspri martir; Ché s arde un cor, è d allegrezza un foco, né mai perde in amor chi compie il gioco. EURIMACO Bella Melanto mia, graziosa Melanto il tuo canto è un incanto, il tuo volto è magia. Bella Melanto mia, è tutto laccio in te ciò ch altri ammaga; ciò che laccio non è, fa tutto piaga. MELANTO Vezzoso garruletto, oh, come ben tu sai ingemmar le bellezze, illustrar a tuo pro d un volto i rai. Lieto vezzeggia pur le glorie mie con tue dolci bugie. EURIMACO Bugia sarebbe, s io lodando non t amassi, ché il negar d adorar confessata deità è bugia d empietà. MELANTO, EURIMACO De nostri amor concordi sia pur la fiamma accesa ché, amato, il non amar arreca offesa, né con ragion s offende colui che per offese amor ti rende. MELANTO Come il desio m invoglia, Eurimaco mia vita, Senza fren, senza morso dar nel tuo sen alle mie gioie il corso! EURIMACO Oh, come volentieri cangerei questa Reggia in un deserto ove occhio curioso a veder non giungesse i nostri errori! MELANTO, EURIMACO Ché ad un focoso petto il rispetto è dispetto. EURIMACO Se Penelope la bella non si piega alle voglie de rivali amatori, mal sicuri saranno i nostri occulti amori. Tu dunque t affatica, suscita in lei la fiamma! MELANTO Ritenterò quell alma pertinace, ostinata, ritoccherò quel core ch indiamanta l onore. EURIMACO Va, va, Melanto, e t adopra che d ammollir parlando femminil contumacia non è piccola l opra. MELANTO Dolce mia vita, mia vita sei! EURIMACO Lieto mio bene, mio ben sarai! MELANTO, EURIMACO Nodo si bel non di disciolga mai! Scena Terza (Una riva in Itaca) NEREIDI Fermino i sibili, sibili e fremiti, il venti e il mar! SIRENE Aura tranquillati, bell onda calmati! L addormentato, deh, non svegliar. NEREIDI Tacete, Sirene, se tace l irato. SIRENE Nereidi, tacete, se tace Nettuno. NEREIDI Tacete, venti, silenzio mar. SIRENE Ulisse dorme, non lo destar. Scena Quarta (Passano i Feaci in Mare, e sbarcano Ulisse dormiente, e lo pongono appresso l antro de Naiadi col suo bagaglio. E questa scena è muta, accompagnata con Sinfonia. Poi entra la Nave) Scena Quinta NETTUNO (sorge dal mare) Superbo è l uom, ed è del suo peccato Cagion, benché lontana, il Ciel cortese, Facile, ahi, troppo in perdonar l offese. Fa guerra col destin, pugna con fato, tutt osa, tutt ardisce, l umana libertade, indomita si rende, e l arbitrio dell uom col Ciel contende. Ma se Giove benigno i trascorsi dell uom troppo perdona, tenga egli a voglia sua nella gran destra il fulmine ozioso, tengalo invendicato. Ma non soffra Nettuno col proprio disonor l uman peccato. GIOVE (in Cielo) Gran Dio de salsi flutti, che mormori e vaneggi contro l alta bontà del Dio sovrano? Mi stabili per Giove la mente mie pietosa più ch armata la mano. Questo fulmine atterra, la pietà persuade, fa adorar la pietade, ma non adora più chi cade a terra. Ma qual giusto desio d aspra vendetta furioso ti move ad accusar l alta bontà di Giove? NETTUNO Hanno i Feaci arditi contro l alto voler del mio decreto, han Ulisse condotto in Itaca sua patria, onde rimane dall uman ardimento, dell offesa deitade ingannato l intento. Vergogna e non pietade comanda il perdonar fatti si rei. Così di nome solo son divini gli dèi? GIOVE Non fien discare al Ciel le tue vendette, ché comune ragion ci tien uniti; puoi da te stesso castigar gl arditi. NETTUNO Or già che non dissente il tuo divin volere, darò castigo al temerario orgoglio. La nave loro andante farò immobile scoglio. GIOVE Facciasi il tuo comando, veggansi l alte prove, abbian l onde il suo Giove. E chi andando Peccò, pera restando. Scena Sesta (Feaci in nave) FEACI In questo basso mondo l uomo può quanto vuol. Tutto fa, ch il Ciel del nostro oprar pensier non ha. NETTUNO (cangia la nave in un scoglio) Ricche d un nuovo scoglio sien quest onde fugaci. Imparino i Feaci in questo giorno che l umano viaggio, quand ha contrario il Ciel, non ha ritorno. Scena Settima ULISSE (si risveglia) Dormo ancora, o son desto? Che contrade rimiro, e che terren calpesto? Dormo ancora, o son desto? Chi fece in me, chi fece il sempre dolce e lusinghevol sonno ministro de tormenti? Chi cangiò il mio riposo in ria sventura? Qual deità de dormienti ha cura? O sonno, o mortal sonno, fratello della morte altri ti chiama! Solingo, e trasportato deluso ed ingannato, ti conosco ben io padre d errori! Pur, degli errori miei son io la colpa, ché se l ombra è del sonno sorella o pur compagna, chi si confida all ombra, perduto alfin, contro ragion si lagna. O dèi sempre sdegnati, numi non mai placati, contro Ulisse, che dorme, anco severi, vostri divini imperi contro l uman voler sien fermi e forti, ma non tolgano, ahimè, la pace ai morti. Feaci ingannatori! Voi pur mi prometteste di ricondurmi salvo in Itaca mia patria con le ricchezze mie, co miei tesori. Feaci mancatori, or non s come, ingrati, mi lasciaste in questa riva aperta, su spiaggia erma e deserta, misero abbandonato. e vi porta fastosi e per l aure e per l onde così enorme peccato! Se puniti non son sì gravi errori, lascia Giove, deh, lascia de fulmini la cura, Ché la legge del caso è più sicura. Sia delle vostre vele, falsissimi Feaci, sempre Borea nemico, e se qual piuma al vento o scogli in mare, le vostre infide navi leggere agli aquiloni, all aure gravi! Scena Ottava (Minerva in abito da pastorello) MINERVA Cara e lieta gioventù, che disprezza empio desir, non dà a lei noia o martir ciò che viene, e ciò che fu. Cara e lieta gioventù. ULISSE (fra sé) Sempre l uman bisogno il Ciel soccorre. Quel giovinetto tenero negl anni, mal pratico d inganni, forse ch il mio pensier farà contento, ché non ha frode in seno chi non ha pelo al mento. MINERVA Giovinezza è un bel tesor che fa ricco in gioia un sen. Per lei zoppo il tempo vien, per lei vola alato Amor. Giovinezza è un bel tesor. ULISSE Vezzoso pastorello, deh, sovvieni un perduto di consiglio e d aiuto, e dimmi pria di questa spiaggia e questo porto il nome. MINERVA Itaca è questa in sen di questo mare, porto famoso e spiaggia felice, avventurata. Faccia gioconda e grata a sì bel nome fai. Ma tu come venisti e dove vai? ULISSE Io greco sono ed or di Creta io vengo per fuggir del castigo d omicidio eseguito. M accolsero i Feaci e m han promesso in Elide condurmi. Ma dal cruccioso mar, dal vento infido fummo a forza cacciati in questo lido. Poi sbarcato al riposo per veder quieto il mar, secondi i venti, colà m addormentai sì dolcemente, ch io non udii né vidi de Feaci crudeli la furtiva partenza, ond io rimasi con le mie spoglie in su l arena ignuda isconosciuto e solo. E il sonno che partì lasciommi il duolo. MINERVA Ben lungamente addormentato fosti, ch ancor ombre racconti e sogni narri. È ben accorto Ulisse, ma più saggia è Minerva. Tu dunque, Ulisse, i miei precetti osserva. ULISSE Chi crederebbe mai la deità vestite in uman velo! Si fanno queste mascherate in Cielo? Grazie ti rendo, o protettrice dea! Ben so che per tuo amore furon senza periglio i miei pensieri. Or consigliato seguo i tuoi saggi consigli. MINERVA Incognito sarai, non conosciuto andrai sinché tu vegga dei Proci tuoi rivali la sfacciata baldanza. Di Penelope casta l immutabil costanza. ULISSE Oh fortunato Ulisse! MINERVA Or t adacqua la fronte nella vicina fonte, che anderai sconosciuto in sembiante canuto. ULISSE Ad obbedirti vado, indi ritorno. MINERVA Io vidi per vendetta, incenerirsi Troia, ora mi resta Ulisse ricondur in patria, in regno. D un oltraggiata dea questo è lo sdegno. Quinci imparate, voi, stolti mortali, al litigio divin non poner bocca! Il giudizio del Ciel a voi non tocca, ché son di terra i vostri tribunali. ULISSE Eccomi, saggia dea. Questi peli che guardi sono di mia vecchiaia testimoni bugiardi. MINERVA Or poniamo in sicuro queste tue spoglie amate entro quel antro oscuro delle Naiadi, ninfe al Ciel sacrate. MINERVA, ULISSE Ninfe serbate le gemme e gli ori, spoglie e tesori tutto serbate, ninfe sacrate! Scena Nona NAIADI (mentre l altre portano nell Antro il bagaglio) Bella diva, eccoci pronte al tuo cenno, al tuo voler, e quest antro, e quella fonte spruzza e s apre a tuo voler. Itaca lieta si mostri, sì, al bel ristoro d Ulisse un dì! MINERVA (ad Ulises) Tu d Aretusa al fonte in tanto vanne, ove il pastor Eumete, tuo fido antico servo, custodisce la gregge; ivi m attendi in sin che pria di Sparta io ti conduca Telemaco tuo figlio; poi d eseguir t appresta il mio consiglio. ULISSE O fortunato Ulisse! Fuggi dal tuo dolor l antico error, lascia il pianto, dolce canto dal tuo cor lieto disserra. Non si disperi più mortale in terra. O fortunato Ulisse! Cara vicenda si può soffrir, or diletto, or martir, or pace, or guerra, non si disperi più mortale in terra. Monteverdi,Claudio/Il ritorno d Ulisse in patria/II
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CLANNAD 1. On the Sloped Road Where Cherry Blossoms Flutter Tomoya I hate this town. It's too filled with memories I'd rather forget. I go to school everyday, hang out with my friends... ...and then I go home. There's no place I'd rather not go ever again. I wonder if anything will ever change? Will that day ever come? Nagisa Ampan! Do you like this school? I have to say that I love it very, very much. But soon, everything changes. Well, at least it does eventually. Tomoya A girl I don't know... And she isn't talking to me... She's probably talking to someone in her heart. Nagisa Fun things, happy things... They'll all... They'll all eventually change someday, you know. But can you still love this place? Tomoya Just go and find more. Nagisa Ah? Tomoya All you have to do is find other fun and happy things. It's not so hard. Come on, let's go! Nagisa Oh... Tomoya And so we begin... a long long upward climb. OP- Student ...I haven't seen it in a long time! Rugby Guy How about it, Sunohara? You come to your senses? Rugby Guy You with your CD player turned way up day after day? Youhei Well, I can't get myself going until I hear that song. Rugby Guy Scrum! Tomoya I swear! Every day it's the same thing. Youhei Okazaki, don't just stand there. Help me! Tomoya No, I don't wanna turn into a lame-brain like you. Youhei You can be really cold-hearted, do you know that? Misae Quiet! Quiet!! Will you guys knock it off? Rugby Team Whoa! Misae Those stupid kids! I'm the one all of the darn neighbors complain to, you know. Tomoya It's not easy being Dorm Mother, is it? Youhei Misae, you should've come sooner to save me! Misae You're just as much at fault of that. I hope you've learned your lesson after that little assault. Youhei Yes, ma'am. 第1回桜舞い散る坂道で Youhei Damn, those rugby team jerk-offs. Tomoya No one can hear you if you whisper. Damn those rugby team jerk-offs! Guy Who said that? Youhei Are you trying to get me killed!? Tomoya Ack. You are such a wimp, you know that? Youhei Well, if it were just one of those guys, I wouldn't give in. It's just too many of them. But just wait and see! I'll get all of them good just before our graduation day. Then Okazaki, as my best friend, I'll let you watch my back. Tomoya Lucky me! I got ya covered. Youhei You're not gonna do it! Tomoya Let's be honest with you, I'm more on their side than yours. Youhei Since when? Tomoya Since that day, when... Guy Keep it down, will ya! Youhei Whaahaha! Tomoya Shall I kick him back? Youhei Ahhh!! Tomoya And so this day ends like all the others do... So can I have some tea or something? Youhei No, I'm all out. Tomoya With no particular objective and nothing to feel passionate about. Pretty please? Youhei [Hey, you/Begging] won't get any tea up here! Tomoya Just another unexceptional day... "I" This is a world that has ended. Nothing is born, nothing dies. Not even passing time exists. If I were looking for somewhere to be born, I don't think I should choose this world. And in this world - such as it is - there is someone. I wonder if she can see me? I haven't been born into this world. A girl living alone in a world that has ended. A girl living in this empty and still world. For some reason, I am bothered by that girl... Guy Okazaki and Sunohara aren't here yet. I wonder what they're planning to do about going on to college and entrance exams. They're seniors, you know. Guy Forget about those two. We don't need to waste a moment of our lives worrying over those two bums. Humph! Ryou Ah, Okazaki? Tomoya Huh? What's the matter? What is it? Ryou Looks like you're a little late again today, aren't you? Tomoya So? Ryou Well, I just think you should come to school on time everyday, that's all. Tomoya Oh? You're starting to sound like the class leader or something, you know that? Ryou But, it's not any "or something." I really am the class leader! Guy Hey, Okazaki. Don't make her cry! You'll have her big sister rushing in. Ryou Oh, don't worry! I'm not crying at all. Tomoya Okay, I got it. Let's just see how I do tomorrow. Ryou Well, then, uh... I'll read your fortune for tomorrow. Fortune-telling is my hobby, you see. Oh! Tomoya Oh, boy... Ryou It says you're going to be late tomorrow. Tomoya Ah! You trying to make me mad?! Ryou It's just what the cards say! I think this is your future. Tomoya You think that's my future? Ryou On your way to school, you'll have a romantic meeting with a sweet girl. You'll forget all about the time, and that's why you're going to be late. Tomoya Seems to be awfully specific, isn't it? Ryou You can call it a maiden's inspiration! Kyou Hey! Tomoya Okazaki! Ryou Sister, what is it?! Tomoya Uh-oh... Kyou You have got some nerve picking on my little sister, you flea brain. I'm gonna beat you! Tomoya Jeez, will you relax! I was only talking to her! Ryou That's right, Sis. He wasn't picking on me. Kyou Oh, in that case. Huh? Were you having Ryou read your fortune or something? Tomoya Yeah, she says I'll have a romantic meeting with a sweet girl tomorrow. Kyou Is that so? Tomoya Okay, what's up with that face? Kyou Nothing at all, lover boy. Well, good luck! Ha-haha! Tomoya Now, where shall I eat this? Guy A ghost? Guy They say that a ghost appears. You know, the ghost of that girl killed in that traffic accident? Guy They were probably seeing things. Guy It's true! Tomoya A ghost, huh? Guy They say she's cute... Tomoya Yo! You alone? You should eat in a classroom with your friends. Ampan? Are you listening to me? Nagisa No, I'm so sorry, I... I'm in the middle of my lunchtime meal. Tomoya So I see. Nagisa What did... So, what did you want? Tomoya Nothing really. I was just wondering why you're here eating lunch alone? Nagisa Let me ask you. Do you like this school very much? Tomoya No, not especially. Nagisa I love this school very very much. I used to have friends I could talk to and teachers I was close to. But now it's just... Tomoya Did something happen? Nagisa It's just that I was out of school for a long time last year, so everything's different. And I... Tomoya (You) have to take the year over? Nagisa Yes, I'm a repeater. Everybody that I knew has graduated and gone on to their lives, so there isn't anyone I know here anymore. It's kinda weird, but I feel a little like Rip Van Winkle. Oh, I'm sorry! I've only just met you and I'm telling you all this! Tomoya Oh, I see. So that's why you were talking to yourself? But weren't you in any of the clubs or anything? Nagisa Well, I really wanted to join this school's drama club, but... I don't know. Physically I'm weak, so I can't be very active. So I don't think I'd get any parts. Tomoya If that's the case, then just do as much as you can. Why not at least check out the Drama Club room after school? Nagisa But I... Tomoya Oh, look! They're looking this way. If you're always looking so sad, you won't make any friends. Try smiling and waving at them. Come on, just try it. A big smile! Nagisa Uh...? Tomoya They didn't notice you. Nagisa I guess I don't stand out much - not even in my classes. Nagisa What could it be? Guy This should be interesting! Youhei Boy! This is great! What a blast! Tomoya Sunohara, what's all the excitement? Youhei It's a raid, I suppose. Those rough kids from another high school came riding in on their bikes. Hey, what are you doing leaning on my head?! Get off of me! Ooh, what's this? (Is she) planning to lecture them? C L A N N A D クラナド - Nagisa Why is this happening? Tomoya This school has the highest rate of kids going on to college in town. There are guys who are turned off by that Youhei So, what? Are you gonna help her? Tomoya I can't just sit back and watch. Girl You don't have to worry about Tomoyo! Tomoya Tomoyo? Girl Don't you know her? She just transferred here as a junior. Her name is Tomoyo Sakagami. Girl She's really super strong. If you butt in, you're only going to be getting in her way. Tomoya But she's outnumbered. Tomoyo I don't want any unnecessary fuss out of you. Get out of here or you'll get hurt! I won't trouble you if you all just leave peaceably. You wouldn't wanna get hurt, would you? Punk Don't take me for a fool! Punks Arhhh! Punk Don't take me for a fool! Girls Oh my gosh, she did it! Oh, she's so super cool! Youhei Wow. What in the world was that? Nagisa So, who was she? Is she a transfer student or something? Tomoya Apparently not much different from your situation. But she's very popular. I guess it depends on how you handle things. Nagisa When you put it that way, maybe you're right. Tomoya Yeah right. Who am I to be lecturing her? Tomoya Well, I have to go. Nagisa Oh, yes, uh... Thank you very much. Tomoya Oh, I'm Tomoya Okazaki of Class D. Nagisa And my name is Nagisa Furukawa of Class B. Tomoya It's very nice to meet you. Nagisa Yes, same here. Tomoya Okazaki! Youhei Hey, Okazaki! I want you to come with me after this class. Tomoyo Faked it? Youhei Yeah. There's no way a girl can beat a guy. I'll bet you paid them to let you win so you could gain popularity. Or, maybe you didn't offer money... something else perhaps? Maybe you're that kind of girl who would offer a guy a little bit of her you-know-what? Girls Who are those guys anyway? Delinquent seniors. I think they're Sunohara and Okazaki. Tomoyo This is your day. I wasn't gonna take on and fight any of the students at this school. But it looks like I'll just have to make an exception in your case. Youhei You're so cute bluffing like that! I'll bet your knees are quaking. Tomoyo I wanna make this self-defense. Come at me. Youhei Don't be so sure of yourself. Give it up! Tomoya At that moment, I suddenly remembered. In this town, there was once an unbelievably strong girl, who was also very beautiful. She went around pounding dumb guys who bothered ordinary citizens. That's what I always heard, at least. Youhei I wish you'd told me that earlier! Tomoyo And don't come back again. Youhei Damn her! Tomoya The third floor of the old school building. This is where the Cultural Club rooms were, I think. I guess she's decided to join. Hamburger? Nagisa Excuse me. Uh? Nagisa Okazaki, it's you. You came here too? Tomoya Yeah. Nagisa What are you doing with your hand up there? Tomoya Oh, it's nothing. Sorry. Tomoya I'd forgotten. The Drama Club has been on hiatus since March. Nagisa I'd heard that they'd always had few members. Tomoya Well, yeah. But hiatus means they can get going again, once all the requirements are met. Nagisa I wonder if maybe... Tomoya Why don't you just hang in there a little bit longer? I'll help you. Nagisa Can I ask you a question? I'm sorry, I don't understand why you're being so nice to me? You only just met me a little while ago. Tomoya Why am I being nice? Don't know, good question. Woman Sit down and eat... Nagisa I'll leave you here. Tomoya Yeah, so long. Nagisa Uh, Okazaki? Tomoya Huh? Nagisa My home is actually upstairs in the bakery, on the other side of the park down there. Why don't you come and visit us some time? Tomoya I'll see. Tomoya Hello? Anyone here? Sanae That's our new item this week. It would just thrill me if you'd take a bite! Tomoya Is that her sister or mother? Sanae You needn't pay for it. It's just a leftover. The concept behind it is the word, "calmness." Tomoya Calmness? Okay, then. I think I'll give one a try. Sanae There's a rice cracker inside. I call it the Crispy Crackely Rice Cracker bun! Tomoya This may be the strangest name for a pastry, but the taste is even stranger than the name is. Sanae It is, isn't it? It was a winning idea! What's wrong? You don't like the bun? Tomoya What isn't wrong? I'm gonna have to be really honest. This thing is a total disaster! Sanae What?! Isn't it tasty? Tomoya There's a problem with the taste, yes. But it's just too hard to eat. It's obvious to me why these travesties haven't sold yet. Ah! Sanae You don't like my pastries? My homemade pastries? Tomoya Just... just a... Sanae So it's plain to see why they haven't sold! Tomoya Like mother, like daughter, I guess. I hope her father's normal, at least. Akio Hey! Tomoya What is it? Worse than anything I could imagine! Akio You said something you shouldn't have. You should've just said it was delicious and eaten it. Where's your sense of duty and charity? I swear you kids these days. You have no manners at all. Truth is always cruel if you just shove it into her face. How pitiful! People livin' around here eat her pastries saying they're good. It's an unwritten rule! It's the law! So you have to follow it too. You got that, wise guy? I'll beat you to such a pulp, they won't be able to recognize you! Huh? Hey kid, you're wearing the exact same uniform as our daughter. You wouldn't by any chance happen to be a friend of Nagisa's? You should have told me sooner, numbskull! Sanae I'm sorry that we showed Nagisa's friend such shameful conduct! Akio Don't worry, Sanae. He doesn't look too smart. So he's probably forgotten everything, right? Sanae You mustn't say such things to one of our guests, honey. Akio Whatever the case, we should be celebrating. Tomoya Why is this happening to me? Akio To think Nagisa would bring a friend home so soon after starting school. Sanae And what's more, it's a boy, Akio! Akio What's that?! A boy, you say? Tomoya Did he just realize it? Sanae Maybe this charming lad is her new boyfriend? Akio Humph! You think I'm gonna give Nagisa to such a wimp? Get outta here, kid. Get out! Go! Tomoya Then I guess I'll be leaving... Akio So, you call yourself a man? Well if you really are a man, you should grab the girl you love and run. Of course, there's no way I'd let you have her! Nagisa Well, look! You've all become friends already. Akio Of course we are! I wouldn't treat my daughter's friend as if they were a stranger. Furukawas Yeah! Akio What's wrong there, pal? Why the stupid look? Tomoya I just thought I probably shouldn't get involved with this family. Akio See? We've gotten friendly enough to even give each other a little sarcasm! Sanae Wait a minute, how rude of us! We don't even know your name yet. Nagisa It's Okazaki. Tomoya Okazaki. Akio Sounds like a sissy's name to me. Why don't you change it to Ginga Okazaki? Sanae It's nice! Well then would you mind if I call you Ginga? Akio While you're at it, change your last name to Daiuchuu! Ginga Daiuchuu! Isn't that a great name?! Tomoya My name is Tomoya Okazaki, not Ginga! Akio Man, aren't you a picky fella. Sanae, can't you think of a better name for him? Sanae I have an idea! What if we add a little magical something after his name? Something that shows his greatness and that he transcends the flow of time and space. How about Tomoya Okazaki Eternal? Akio Oh, that's just great! Call yourself that from now on, Ethanol! Tomoya It's different. Tomoya Thanks. I can find my way from here. Nagisa I'm sorry my family and I kept you so late. Tomoya It was a little strange... to think there was a family like this. You all get along so well. Nagisa Do you think so? I think we're actually quite ordinary. Tomoya See you tomorrow. Nagisa Yes. Good night, Okazaki! TV On the 27th, Earth will be within 55,750,000 kilometers of Mars. As you know, Mars is in an orbit just outside that of Earth. Tomoya Dad, if you're going to sleep, you should move to your bed. Come on, Dad, wake up! Naoyuki Oh. Well, look at this, will you? It seems that I've caused you such trouble again, Tomoya. Tomoya My mother died in a traffic accident when I was little. Because of that, I guess, my dad has been drinking and gambling, and hasn't been working much. Nagisa If you'd like... I'll take you to a special place in town. Tomoya Huh? Nagisa A place where all your wishes come true! Tomoya Sure... 次回予告 Youhei Okazaki, let's cut school today. It's Saturday, and school's just half a day today. Nagisa Don't worry, I'll be done real soon. Why don't you go wait for me in the club room? Kyou Good. Not even a scratch. Looks like I won't have to charge you for any repairs. Fuko Well, it's all set! Tomoyo It's nothing at all. Forget I said anything. Tomoya Are you alone?
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参加者デッキ Mexit ◆g6LBnaZ55o TarmoBoros 4 [FUT] Horizon Canopy 2 [4E] Mountain (1) 1 [RAV] Temple Garden 4 [TSP] Flagstones of Trokair 4 [CH] City of Brass 1 [4E] Plains (1) 4 [RAV] Sacred Foundry 4 [TSP] Knight of the Holy Nimbus 4 [TSB] Soltari Priest 4 [TSP] Magus of the Scroll 4 [4E] Savannah Lions 4 [FUT] Tarmogoyf 4 [DIS] Seal of Fire 4 [4E] Swords to Plowshares 4 [TSP] Rift Bolt 4 [RAV] Lightning Helix 4 [4E] Lightning Bolt SB 4 [4E] Winter Orb SB 3 [GP] Tin Street Hooligan SB 4 [TSB] Honorable Passage SB 4 [TSP] Ancient Grudge 今までのとの変更点は悪党1枚減って、道行き1枚増やしただけです 最近エンチャントに苦しめられることが多くなってきたんで、エンチャント対策もしたほうがいいかも知れない Yatu ◆kKWXNftXyY Dirty Kitty 4 [ON] Bloodstained Mire 4 [ON] Wooded Foothills 4 [FUT] Grove of the Burnwillows 1 [UNH] Forest 7 [UNH] Mountain 4 [ON] Skirk Prospector 4 [TSP] Mogg War Marshal 4 [ON] Goblin Piledriver 4 [SC] Goblin Warchief 4 [ON] Goblin Sharpshooter 1 [ON] Goblin Pyromancer 4 [PLC] Simian Spirit Guide 1 [ON] Goblin Sledder 4 [8E] Fecundity 4 [TSP] Empty the Warrens 4 [ON] Brightstone Ritual 1 [TSP] Grapeshot 1 [TSB] Disintegrate SB 4 [LE] Gempalm Incinerator SB 3 [8E] Blood Moon SB 3 [8E] Naturalize SB 3 [TSP] Ancient Grudge SB 2 [TSB] Tormod s Crypt 女看守とマナブーストのないゴブリンストーム 完全運ゲーです
https://w.atwiki.jp/wiki6_takt/pages/7.html
Oracleサービス起動失敗の対応方法その1 コマンドプロンプトで、set ORACLE_SID=xxxxの後、 #emctl start dbconsole とすると、対話的に起動が出来るので、エラーの確認が出来ます。 Oracleのログイン方法 【SQLPLUS username/passward @sid @script_file_name 】 #SQLPLUS SCOTT/TIGER #SQLPLUS SCOTT/TIGER@LOCALDB #SQLPLUS SCOTT/TIGER@LOCALDB @C /TEMP/CREATE.SQL ロールの権限付与 【GRANT roll_name TO username;】 #GRANT SYSDBA, CONNECT, RESOURCE TO SCOTT; ユーザーの作成 【CREATE USER username IDENTIFIED BY password;】 #CREATE USER TESTUSER IDENTIFIED BY TEST; EXPORT 【exp username/password@sid file=exp01.dmp】 #exp "TESTUSER/PASS@TOK file=exp01.dmp tables=(JOB, TOKU)" IMPORT 【imp username/password@sid file=exp01.dmp】 #imp "TESTUSER/PASS@TOK file=exp01.dmp tables=(JOB, TOKU)" 表の一覧 # select * from tab; 表の項目一覧 # desc 表名;(;は省略可) インデックスの一覧 # select * from user_ind_columns; ※指定した表のインデックスのみ、表示することもできます。 # select column_name from user_ind_columns where table_name = 表名 ; ユーザ一覧 # select username from user_users; DBリンク 接続設定データベースリンクを張る側で定義する。(tnsnames.ora の設定) # ORAC10 = # (DESCRIPTION = # (ADDRESS = (PROTOCOL = TCP) (HOST = 192.168.0.200) (PORT = 1521)) # (CONNECT_DATA = (SID = ORAC10)) # ) データベースリンクの作成 ※参照したい側で行う # create database link DB_LINE_NAME # connect to USER identified by PASS using tns TARGET_TNS_NAME ; (ここでは、ORAC10になる) 更新がある場合、(アクセスしやすいようにシノニムを設定) # create synonym TABLE_NAME for SCHEMA.TABLE_NAME@DB_LINK_NAME; データベースの文字コード # select * from NLS_DATABASE_PARAMETERS where PARAMETER = NLS_NCHAR_CHARACTERSET ; 管理ツールのデフォルトのユーザ ユーザの種類 ユーザ名 パスワード データベース管理者 sys change_on_install データベース管理者 system manager テストユーザ scott tiger SQLPlusによるエラー出力 # set serveroutput on ロックの強制解除 表ロック、行ロックが掛かってしまった場合は、 そのロックを掛けたユーザーのセッションを切断することで、ロックの解除が可能です。 /* ①セッション情報取得 */ SELECT SID, -- セッションID SERIAL# -- シリアルナンバー FROM V$SESSION WHERE OSUSER = ユーザー名 ; /* ②上記で取得したセッションを切断する */ ALTER SYSTEM KILL SESSION 上記SQLで取得したSID, 上記SQLで取得したSERIAL# ; 親子関係TBLのデッドロック ログを確認したところどうもdelete文でデットロックが起きたようです。 しかしながら、どんなに目を凝らしてもdelete文でデットロックが発生する作りにはなってません・・・ しょうがないので開発環境で問題のSQLを投げてみます。 幸い問題のSQLはトレースログから確認できています。 SQLを直接実行するくらいは簡単です。 あっさりデットロック! どうも調べてみると親子関係のあるテーブルで子テーブルを削除する際、Oracleが親テーブルにテーブルロックをかけることが判明! テーブルロックをかけてこられては、プログラム側からの対応はちょっと面倒です。 簡単に回避するのには子テーブルのFK(フォーリンキー)に インデックスを張れば回避できるくさいです。 パフォーマンスチューニング(SQL) SQLの計測 #alter system flush shared pool; 共有プール内バッファを空にする #set timing on; 実行時間経過を表示する #set autotrace on; 実行したSQLの実行統計、実行パスを表示する
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カード図鑑 属性:PL ユニットの行動を決定するカードです。さらに、条件を満たすと発動するPLスキルを持っています。 また、PLカードの3種類のタイプと戦艦・拠点には相性があり、それぞれ与えるダメージが増減します。 PLカードに存在するタイプは以下の通りです。 殲滅タイプ 防衛タイプに有利 防衛タイプ 殲滅に不利、制圧タイプに有利 制圧タイプ 防衛タイプに不利、敵戦艦/拠点に有利 カード分類 SEASON1 PLカード AB01-051 アムロ・レイ(Mレア/制圧) AB01-052 アムロ・レイ(Rレア/殲滅) AB01-053 カイ・シデン(Rレア/殲滅) AB01-054 ハヤト・コバヤシ(Cレア/防衛) AB01-055 シャア・アズナブル(Mレア/殲滅) AB01-056 シャア・アズナブル(Rレア/制圧) AB01-057 ランバ・ラル(Rレア/殲滅) AB01-058 ガイア(Rレア/殲滅) AB01-059 オルテガ(Cレア/殲滅) AB01-060 マッシュ(Cレア/殲滅) AB01-061 クロエ・クローチェ(Mレア/制圧) AB01-062 バナージ・リンクス(Uレア/殲滅) AB01-063 バナージ・リンクス(Rレア/防衛) AB01-064 リディ・マーセナス(Rレア/制圧) AB01-065 フル・フロンタル(Pレア/殲滅) AB01-066 フル・フロンタル(Cレア/制圧) AB01-067 マリーダ・クルス(Mレア/殲滅) AB01-068 ギルボア・サント(Cレア/殲滅) AB01-069 アンジェロ・ザウパー(Cレア/殲滅) AB01-070 キラ・ヤマト(Uレア/殲滅) AB01-071 キラ・ヤマト(Cレア/制圧) AB01-072 アスラン・ザラ(Pレア/防衛) AB01-073 イザーク・ジュール(Rレア/制圧) AB01-074 ディアッカ・エルスマン(Rレア/殲滅) AB01-075 ニコル・アマルフィ(Cレア/制圧) AB01-076 アンドリュー・バルトフェルド(Cレア/制圧) AB01-077 三日月・オーガス(Uレア/制圧) AB01-078 三日月・オーガス(Cレア/殲滅) AB01-079 昭弘・アルトランド(Rレア/防衛) AB01-080 ノルバ・シノ(Cレア/防衛) AB01-081 マクギリス・ファリド(Cレア/殲滅) AB01-082 ガエリオ・ボードウィン(Pレア/殲滅) AB01-083 アイン・ダルトン(Cレア/制圧) AB01-084 クランク・ゼント(Rレア/制圧) AB01-085 グダル・カデル(Cレア/殲滅 AB01-086 ヒロト(Pレア/制圧) AB01-087 カザミ(Rレア/殲滅) AB01-088 メイ(Mレア/殲滅) AB01-089 パルヴィーズ(Mレア/殲滅)
https://w.atwiki.jp/thapkithang/pages/14.html
歌詞 Sorry Sorry - Japanese Ver.(Super Junior) Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby まだ? もう? もっと急げ もっと急げ 間に合う ホントはどうしたいの?(抜け出せなくなる) 体が固まる 心がとろける めくるめく世界さ(抜け出したくない) 惜しげもなく晒したその素肌 大胆不敵で素敵な笑顔 小指の先まで染められそうさ 取り返しつかないほどにfall in love Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby Tan tan tan ta ta ta ta ran tan tan tan tan ta ta ta(君に夢中さBaby) Go.....愛の罠に真っしぐら (hey go) からかわないで 淡い期待を (君は)Love maker(誰も)落とせないね (僕は)諦めないよ 高鳴ってる(one two three four) しぐさと視線で絡め取られた 静かに進行してゆく妄想 寝るのも忘れて溺れてるのさ 引き返せないところまでfall in love (まだ!もっと!まだ!もっと!) Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby Tan tan tan ta ta ta ta ran tan tan tan tan ta ta ta(君に夢中さ Baby) Let s dance dance dance dance Let s dance dance dance dance Let s dance dance dance dance dance dance Hey! いけない事ほど ねぇ ハマりこむものさ yeah もう逆らう事もできない おかしくなりそう hey! hey! hey! 永遠に僕だけのもの そばにいて 最高の夢を見せてあげるから 愛を語るより本音を晒せ 狙い定めたら ほら that that that that girl Sorry Sorry Sorry Sorry 逃がしはしないさ 握り締めた手は放さないよ Baby Shawty Shawty Shawty Shawty 滅茶苦茶素敵さ 澄み切った瞳が女神のような Baby
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https://w.atwiki.jp/pscissors/pages/22.html
PaperScissorsとは ペーパーマンで活動するクランです。 PaperManが好きすぎてミリィが好きすぎて困ったちゃんのIyoriが中堅くらいの強さのクランを建てたいなぁと思ったのが発端で出来上がったクランだよ! 勝ちながら楽しめるクランを目指します(キリッ UseTools(ゆーずつーるず) Ventrilo2.14(べんとりお にーてんいちよん) IRC(あいあーるしー) →Friend系列 #P_Scissors 入隊条件(笑) PaperManを楽しめるひと IRC、Ventriloを自ら導入できるひと Ventで喋られるひと 運営の必殺技「サーバーメンテナンス!」に負けないひと #P_Scissorsまでどうぞ ☆ミ 歴史 2008-11-03 IyoriがPaperScissors結成を決意。 2008-12-?? Iyoriが#P_Scissorsチャンネルを作る 2009-01-xx ペーパーマン内にクラン「PaperScissors」設立 2009-01-09 wiki開設