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https://w.atwiki.jp/kakis/pages/151.html
sorn(1) /// / ソーン 初代ソーンの第１４使徒 \ kako men。古アルカでの意味は無し \ [ vest ] \ 少女ソーン \ [ kirs ] \ 初代ソーンの第１４使徒。生没年不詳。ウロがメテに敗れた際に残った残党が反メテ運動を掲げた際に御輿として奉られた少女。当時、若干15歳。16歳でメテを倒し、一躍英雄となる。その後、19歳でアルシェをも倒すが、22歳で14歳の少女リディアに暗殺される。 \ sorn(2) /// / ソーン アルシェと対を成す団体 \ kako \ [ vest ] \ ソーン \ [ kirs ] \ アルシェと対を成す団体。アルシェとは抗争関係にある \ sorn(3) /// / ソーン側 \ sid sorn \ [ vest ] \ シェルトにおけるソーン。必ず後手 \ ※語源としてsornと書かれているときはアルカ・エ・ソーン(1998年5月30日～2000年5月9日)の小辞典『暫定語彙帳』から採用されたという意味である。
https://w.atwiki.jp/oper/pages/813.html
このテンプレはポリウト方式で作成されています。 こちらの役名一覧に和訳を記載して管理人までお知らせください。 ACT ONE 1. Overture Scene 1 （Valens, Didymus, Septimius, Chorus of Heathens） 2. Recitative ▼VALENS▲ Tis Dioclesian's natal day. Proclaim throughout the bounds of Antioch A feast, and solemn sacrifice to Jove. Whoso disdains to join the sacred rites, Shall feel our wrath in chastisement, or death. And this, Septimius, take you in charge. 3. Air ▼VALENS▲ Go, my faithful soldier, go Let the fragrant incense rise, To Jove, great ruler of the skies. 4. CHORUS OF HEATHENS And draw a blessing down, On his imperial crown, Who rules the world below. 5. Recitative ▼DIDYMUS▲ Vouchsafe, dread Sir, a gracious ear To my request. Let not thy sentence doom To racks and flames, all, all, whose scrup'lous minds Will not permit them, or, to bend the knee To gods they know not, or, in wanton mood, To celebrate the day with Roman rites. ▼VALENS▲ Art thou a Roman, and yet dar'st defend A sect, rebellious to the gods and Rome? ▼DIDYMUS▲ Many there are in Antioch, who disdain An idol-offering, yet are friends to Cæsar. ▼VALENS▲ It cannot be. They are not Cæsar's friends, Who own not Cæsar's gods. I'll hear no more. 6. Air ▼VALENS▲ Racks, gibbets, sword and fire, Shall speak my vengeful ire, Against the stubborn knee. Nor gushing tears, Nor ardent pray'rs, Shall shake our firm decree. Racks, gibbets… （Exit Valens） 7. CHORUS OF HEATHENS For ever thus stands fix'd the doom, Of rebels to the gods and Rome, While sweeter than the trumpet's sound, Their groans and cries are heard around. Scene 2 8. Recitative ▼DIDYMUS▲ Most cruel edict! Sure, thy generous soul, Septimius, abhors the dreadful task Of persecution. Ought we not to leave The free-born mind of man still ever free? Since vain is the attempt to force belief With the severest instrument of death? 9. Air ▼DIDYMUS▲ The raptur'd soul defies the sword, Secure of virtue's claim, And trusting Heav'n's unerring word, Enjoys the circling flame. No engine can a tyrant find, To storm the truth-supported mind. The raptur'd soul… 10. Recitative ▼SEPTIMIUS▲ I know thy virtues, and ask not thy faith; Enjoy it as you will, my Didymus. Though not a Christian, for I worship still The gods my fathers worship'd, yet I own, Something within declares for acts of mercy. But Antioch's President must be obey'd; Such is the Roman discipline, while we Can only pity, whom we dare not spare. 11. Air ▼SEPTIMIUS▲ Descend, kind pity, heav'nly guest, Descend, and fill each human breast With sympathizing woe. That liberty, and peace of mind, May sweetly harmonize mankind, And bless the world below. Descend… Scene 3 （Theodora, with the Christians） 12. Recitative ▼THEODORA▲ Though hard, my friends, yet wholesome are the truths, Taught in affliction's school, whence the pure soul Rises refin'd, and soars above the world. 13. Air ▼THEODORA▲ Fond, flatt'ring world, adieu! Thy gaily-smiling pow'r, Empty treasures, Fleeting pleasures, Ne'er shall tempt or charm me more. Faith inviting, Hope delighting, Nobler joys we now pursue. 14. Recitative ▼IRENE▲ O bright example of all goodness! How easy seems affliction's heavy load, While thus instructed, and companion'd thus, As 'twere with Heav'n conversing, we look down On the vain pomp of proud prosperity. 15. Air ▼IRENE▲ Bane of virtue, nurse of passions, Soother of vile inclinations, Such is, prosperity, thy name. True happiness is only found, Where grace and truth and love abound, And pure religion feeds the flame. Bane of virtue… 16. CHORUS OF CHRISTIANS Come, mighty Father, mighty Lord, With love our souls inspire, While grace and truth flow from thy word, And feed the holy fire. Scene 4 （Enter Messenger） 17. Recitative ▼MESSENGER▲ Fly, fly, my brethren, heathen rage pursues us swift. Arm'd with the terrors of insulting death. ▼IRENE▲ Ah! Whither should we fly, or fly from whom? The Lord is still the same, today, for ever, And his protection here, and everywhere. Though gath'ring round our destin'd heads The storm now thickens, and looks big with fate, Still shall thy servants wait on Thee, O Lord, And in thy saving mercy put their trust. 18. Air ▼IRENE▲ As with rosy steps the morn, Advancing, drives the shades of night, So from virtuous toil well-borne, Raise Thou our hopes of endless light. Triumphant saviour, Lord of day, Thou art the life, the light, the way! As with rosy steps… 19. CHORUS OF CHRISTIANS All pow'r in Heav'n above or earth beneath Belongs to Thee alone, Thou Everlasting One, Mighty to save in perils, storm and death. Scene 5 （Enter Septimius） 20. Recitative ▼SEPTIMIUS▲ Mistaken wretches! Why thus blind to fate, Do ye in private oratories dare Oppose the President's decree, and scorn With native rites to celebrate the day Sacred to Cæsar and protecting Jove? 21. Air ▼SEPTIMIUS▲ Dread the fruits of Christian folly, And this stubborn melancholy Fond of life and liberty. Chains and dungeons ye are wooing, And the storm of death pursuing; Rebels to the known decree. Dread the fruits… 22. Recitative ▼THEODORA▲ Deluded mortal! Call it not rebellion, That thus we persevere in spirit and truth, To worship God it is his dread command, His whom we cannot, dare not, disobey, Though death be our reward. ▼SEPTIMIUS▲ Death is not yet thy doom But worse than death to such a virtuous mind, Which Didymus wants eloquence to praise. Lady, these guards are order'd to convey you To the vile place, a prostitute, to whom Valens thinks proper to devote your charms. 23. Accompagnato ▼THEODORA▲ Oh, worse than death indeed! Lead me, ye guards, Lead me, or to the rack, or to the flames, I'll thank your gracious mercy. 24. Air ▼THEODORA▲ Angels, ever bright and fair, Take, oh take me to your care; Speed to your own courts my flight, Clad in robes of virgin white. Angels… （Exit Theodora with Septimius） Scene 6 （Enter Didymus） 25. Recitative ▼DIDYMUS▲ Unhappy, happy crew! Why stand ye thus, Wild with amazement? Say, where is my love, My kind instructor in fair virtue's path, My life, my Theodora? Has the tyrant Seiz'd on his guiltless prey? ▼IRENE▲ Alas! She's gone. Too late thou cam'st to save, if in thy pow'r To save, the fairest, noblest, best of women. A Roman soldier led her trembling hence To the vile place, where Venus keeps her court. Yet on his brow reluctance seem'd to sit, And helpless pity bade us wait our doom. 26. Air ▼DIDYMUS▲ Kind Heav'n, if virtue be thy care, With courage fire me, Or art inspire me, To free the captive fair. On the wings of the wind will I fly, With this princess to live, or this Christian to die. Kind Heav'n… （Exit Didymus） Scene 7 27. Recitative ▼IRENE▲ O love, how great thy pow'r! But greater still, When virtue prompts the steady mind to prove Its native strength in deeds of highest honour. 28. CHORUS OF CHRISTIANS Go, gen'rous, pious youth, May all the pow'rs above Reward thy virtuous love, Thy constancy and truth, With Theodora's charms, Free from these dire alarms; Or crown you with the blest, In glory, peace and rest. ACT TWO Scene 1 （Valens, and Chorus of Heathens） 29. Recitative ▼VALENS▲ Ye men of Antioch, with solemn pomp, Renew the grateful sacrifice to Jove; And while your songs ascend the vaulted skies, Pour on the smoking altars floods of wine, In honour of the smiling deities, Fair Flora, and the Cyprian queen. 30. CHORUS OF HEATHENS Queen of summer, queen of love And thou, cloud-compelling Jove, Grant a long and happy reign, To great Cæsar, king of men. 31. Air ▼VALENS▲ Wide spread his name, And make his glory Of endless fame The lasting story. 32. Recitative ▼VALENS▲ Return, Septimius, to the stubborn maid, And learn her final resolution. If ere the sun with prone career has reach'd The western isles, she deigns an offering To the great gods, who subjected the world To conqu'ring Rome, she shall be free; if not, The meanest of my guards with lustful joy Shall triumph o'er her boasted chastity. 33. CHORUS OF HEATHENS Venus laughing from the skies, Will applaud her votaries. While seizing the treasure We revel in pleasure, Revenge sweet love supplies. Scene 2 （Theodora, in her Place of Confinement） 34. Symphony 35. Recitative ▼THEODORA▲ O thou bright sun! How sweet thy rays To health, and liberty! But here, alas, They swell the agonizing thought of shame, And pierce my soul with sorrows yet unknown. 36. Air ▼THEODORA▲ With darkness deep, as is my woe, Hide me, ye shades of night; Your thickest veil around me throw, Conceal'd from human sight. Or come thou, death, thy victim save, Kindly embosom'd in the grave. 37. Symphony 38. Recitative ▼THEODORA▲ But why art thou disquieted, my soul? Hark! Heav'n invites thee in sweet rapt'rous strains, To join the ever-singing, ever-loving choir Of saints and angels in the courts above. 39. Air ▼THEODORA▲ Oh, that I on wings could rise, Swiftly sailing through the skies, As skims the silver dove! That I might rest, For ever blest, With harmony and love. Oh, that I on wings… Scene 3 （Didymus and Septimius） 40. Recitative ▼DIDYMUS▲ Long have I known thy friendly social soul, Septimius, oft experienc'd in the camp And perilous scenes of war, when side by side We fought, and brav'd the dangers of the field, Dependant on each other's arm. With freedom then, I will disclose my mind. I am a Christian, And she, who by Heaven's influential grace With pure religious sentiments inspir'd My soul, with virtuous love inflam'd my heart, Ev'n she, who, shame to all humanity, Is now condemn'd to public lust. ▼SEPTIMIUS▲ No more! The shame reflects too much upon thy friend, The mean, though duteous instrument of pow'r, Knowing her virtues only, not thy love. 41. Air ▼SEPTIMIUS▲ Though the honours that Flora and Venus receive From the Romans, this Christian refuses to give, Yet nor Venus, nor Flora, delight in the woe That disfigures their fairest resemblance below. 42. Recitative ▼DIDYMUS▲ Oh, save her then, or give me pow'r to save, By free admission to th'emprison'd maid! ▼SEPTIMIUS▲ My guards, not less asham'd of their vile office, Will second your intent, and pleasure me. ▼DIDYMUS▲ I will reward them with a bounteous heart, And you, my friend, with all that Heav'n can give To the sincerity of Pray'r. 43. Air ▼DIDYMUS▲ Deeds of kindness to display, Pity suing, Mercy wooing, Who the call can disobey? But the opportune redress Of virtuous beauty in distress, Earth will praise and Heav'n repay. Deeds of kindness… Scene 4 （Irene, with the Christians） 44. Recitative ▼IRENE▲ The clouds begin to veil the hemisphere, And heavily bring on the night, the last Perhaps to us. Oh, that it were the last To Theodora, ere she fall a prey To unexampled lust and cruelty. 45. Air ▼IRENE▲ Defend her, Heav'n! Let angels spread Their viewless tents around her bed. Keep her from vile assaults secure, Still ever calm, and ever pure. Defend her… Scene 5 （Theodora's Place of Confinement. Didymus at a distance, the vizor of his helmet clos'd） 46. Recitative ▼DIDYMUS▲ Or lull'd with grief, or rapt her soul to Heav'n In innocence of thought, entranc'd she lies; Her beauty shining still, like Cynthia, Rising in clouded majesty. 47. Air ▼DIDYMUS▲ （approaching her） Sweet rose and lily, flow'ry form, Take me your faithful guard, To shield you from bleak wind and storm A smile be my reward. 48. Recitative ▼THEODORA▲ （starting） Oh, save me, Heav'n, in this my perilous hour! ▼DIDYMUS▲ Start not, much injur'd princess, I come not As one, this place might give you cause to dread; But your deliverer, sent by just Heav'n, To save the world's unrivall'd ornament Of virtue, faith, and every Christian grace; And that dear ornament to Theodora, Her angel-purity. If you vouchsafe, But to change habit with your Didymus （discovering himself） ▼THEODORA▲ Excellent youth! I know thy courage, virtue and thy love; And never can consent they should destroy Their author. This becomes not Theodora, But the blind enemies of truth. Oh no, It must not be! Yet Didymus can give A boon, will make me happy, nor himself Endanger. ▼DIDYMUS▲ How, or what? My soul with transport Listens to the request. 49. Air ▼THEODORA▲ The pilgrim's home, the sick man's health, The captive's ransom, poor man's wealth, From thee I would receive. These, and a thousand treasures more, That gentle death has now in store, Thy hand and sword can give. 50. Accompagnato ▼DIDYMUS▲ Forbid it, Heav'n! Shall I destroy the life I came to save? Shall I in Theodora's blood embrue My guilty hands, and give her death, who taught Me first to live? Or say, what right have I To take, what just reflection bids confess Not at your own disposal? Think it too, No less a crime, if, thus inflexible, Your safety you refuse. Time forbids more, Strait then resolve to gain your liberty, Preserve your honour, and secure your life. ▼THEODORA▲ Ah! What is liberty or life to me, That Didymus must purchase with his own? ▼DIDYMUS▲ Fear not for me; the pow' r that led me hither Will guard me hence. If not, His will be done! ▼THEODORA▲ Yes, kind deliverer, I will trust that pow'r To hear my pray'r for thee, so lately heard For Theodora; who had ne'er exposed Her friend to shun a danger that concern'd Only her Life. Farewell, thou generous youth! ▼DIDYMUS▲ Farewell, thou mirror of the virgin state! 51. Duet ▼THEODORA▲ To thee, thou glorious son of worth, Be life and safety giv'n. ▼DIDYMUS▲ To thee, whose virtues suit thy birth, Be every blessing giv'n. ▼BOTH▲ I hope again to meet on earth, But sure shall meet in Heav'n. Scene 6 （Irene, with the Christians） 52. Recitative ▼IRENE▲ Tis night, but night's sweet blessing is denied To grief like ours. How can we think of sleep, While Theodora wakes to misery, And threat'ning death hangs hovering o'er our heads? Be pray'r our refuge, pray'r to Him, who rais'd, And still can raise, the dead to life and joy. 53. CHORUS OF CHRISTIANS He saw the lovely youth, death's early prey, Alas, too early snatch'd away! He heard his mother's fun'ral cries Rise, youth, He said. The youth begins to rise. Lowly the matron bow'd, and bore away the prize. ACT THREE Scene 1 （Irene, with the Christians） 54. Air ▼IRENE▲ Lord, to Thee each night and day, Strong in hope, we sing and pray. Though convulsive rocks the ground, And thy thunders roll around, Still to Thee, each night and day, We sing and pray. Lord, to Thee… Scene 2 （Enter Theodora, in the habit of Didymus） 55. Recitative ▼IRENE▲ But see, the good, the virtuous Didymus! Wakeful as Philomel, with throbbing heart, He comes to join with us in pray'r for Theodora. ▼THEODORA▲ （discovering herself） No, Heav'n has heard your pray'rs for Theodora. Behold her safe! Oh, that as free and safe Were Didymus, my kind deliverer! But let this habit speak the rest. 56. Air ▼THEODORA▲ When sunk in anguish and despair, To Heav'n I cried, Heav'n heard my pray'r, And bade a tender father's care The gen'rous youth employ. The gen'rous youth obey'd and came, All wrapt in love's divinest flame, To save a wretched virgin's fame, And turn her grief to joy. 57. Solo and Chorus ▼CHORUS OF CHRISTIANS▲ Blest be the hand, and blest the pow'r, That in this dark and dang'rous hour, Sav'd thee from cruel strife. ▼THEODORA AND CHRISTIANS▲ Lord, favour still the kind intent, And bless thy gracious instrument With liberty and life. Scene 3 （Enter Messenger） 58. Recitative ▼MESSENGER▲ Undaunted in the court stands Didymus, Virtuously proud of rescued innocence. But vain to save the gen'rous hero's life Are all entreaties, ev'n from Romans vain. And, high-enrag'd, the President protests, Should he regain the fugitive, no more To try her with the fear of infamy, But with the terrors of a cruel death. ▼IRENE▲ Ah, Theodora, whence this sudden change, From grief's pale looks, to looks of redd'ning joy? ▼THEODORA▲ O my Irene, Heav'n is kind, And Valens too is kind, to give me pow'r To execute in turn my gratitude, While safe my honour. Stay me not, dear friend, Only assist me with a proper dress, That I may ransom the too gen'rous youth. 59. Duet ▼IRENE▲ Whither, Princess, do you fly, Sure to suffer, sure to die? ▼THEODORA▲ No, no, Irene, no, To life and joy I go. ▼IRENE▲ Vain Attempt, oh stay, oh stay! ▼THEODORA▲ Duty calls, I must obey. （Exit Theodora） 60. Recitative ▼IRENE▲ She's gone, disdaining liberty and life, And ev'ry honour this frail life can give. Devotion bids aspire to nobler things, To boundless love, and joys ineffable And such her expectation from kind Heav'n. 61. Air ▼IRENE▲ New scenes of joy come crowding on While sorrow fleets away, Like mists before the rising sun That gives a glorious day. Scene 4 （Valens, Didymus, Septimius, and Chorus of Heathens） 62. Recitative ▼VALENS▲ Is it a Christian virtue then, To rescue, from the hands of justice, one Condemn'd by my authority? ▼DIDYMUS▲ Such my religion, it condemns all crimes, None more than disobedience to just pow'r. And had your sentence doom'd her, but to death, I then might have deplor'd your cruelty, And not attempted to defeat it. Yet, I own no crime, unless it be a crime To've hindered you from perpetrating that Which would have made you odious to mankind, At least the fairest half. ▼VALENS▲ Aye, aye, fond man It was the charms of beauty, not of virtue, That tempted you to save her. Take him hence, And lead him to repentance, or to death. Scene 5 （Enter Theodora） ▼THEODORA▲ Be that my doom. You may inflict it here, With legal justice, there 'tis cruelty. If blood your angry laws require, behold, The principal is come to pay the debt And welcome sure to Romans the exchange, A warlike hero for an helpless maid. ▼SEPTIMIUS▲ Dwells there such virtuous courage in the sex? Preserve them, O ye gods, preserve them both. Ye Romans, join in the request, if e'er Lucretia's memory was dear to you, Or this your leader's valour and renown. 63. Air ▼SEPTIMIUS▲ From virtue springs each gen'rous deed That claims our grateful pray'r. Let justice for the hero plead, And pity save the fair. From virtue springs… ▼VALENS▲ Cease, ye slaves, your fruitless pray'r! The pow'rs below No pity know, For the brave, or for the fair. 64. Recitative ▼DIDYMUS▲ （to Septimius） Tis kind, my friends, but kinder still If for this daughter of Antiochus, In mind, as noble as her birth, your pray'rs Prevail, that Didymus alone shall die. （to Theodora） Had I as many lives as virtues thou, Freely for thee I would resign them all. ▼THEODORA▲ Oppose not, Didymus, my just desires; For know, that 'twas dishonour I declin'd, Not death, most welcome now, if Didymus Were safe, whose only crime was my escape. 65. CHORUS OF HEATHENS How strange their ends, And yet how glorious, Where each contends, To fall victorious, Where virtue its own innocence denies, And for the vanquish'd the glad victor dies! 66. Recitative ▼DIDYMUS▲ （to Valens） On me your frowns, your utmost rage exert, On me, your prisoner in chains. ▼THEODORA▲ These chains Are due to me, and death to me alone. ▼VALENS▲ Are ye then judges for yourselves? Not so our laws are to be trifled with. If both plead guilty, 'tis but equity That both should suffer. 67. Air ▼VALENS▲ Ye ministers of justice, lead them hence, I cannot, will not bear such insolence. And as our gods they honour, or despise, Fall they their supplicants, or sacrifice. （Exit Valens） Scene 6 68. Recitative ▼DIDYMUS▲ And must such beauty suffer? ▼THEODORA▲ Such useful valour be destroy'd? ▼SEPTIMIUS▲ Destroy'd, alas, by an unhappy constancy! ▼DIDYMUS▲ Yet deem us not unhappy, gentle friend, Nor rash; for life we neither hate, nor scorn, But think it a cheap purchase for the prize Reserv'd in Heav'n for purity and faith. 69. Air and Duet ▼DIDYMUS▲ Streams of pleasure ever flowing, Fruits ambrosial ever growing, Golden thrones, Starry crowns, Are the triumphs of the blest. When from life's dull labour free, Clad with immortality, They enjoy a lasting rest. ▼THEODORA, DIDYMUS▲ Thither let our hearts aspire Objects pure of pure desire, Still increasing, Ever pleasing, Wake the song, and tune the lyre Of the blissful holy choir. （Exeunt） Scene 7 （Irene, with the Christians） 70. Recitative ▼IRENE▲ Ere this, their doom is past and they are gone To prove that love is stronger far than death. 71. CHORUS OF CHRISTIANS O love divine, thou source of fame, Of glory, and all joy! Let equal fire our souls inflame, And equal zeal employ, That we the glorious spring may know, Whose streams appear'd so bright below. ACT ONE 1. Overture Scene 1 (Valens, Didymus, Septimius, Chorus of Heathens) 2. Recitative VALENS Tis Dioclesian's natal day. Proclaim throughout the bounds of Antioch A feast, and solemn sacrifice to Jove. Whoso disdains to join the sacred rites, Shall feel our wrath in chastisement, or death. And this, Septimius, take you in charge. 3. Air VALENS Go, my faithful soldier, go Let the fragrant incense rise, To Jove, great ruler of the skies. 4. CHORUS OF HEATHENS And draw a blessing down, On his imperial crown, Who rules the world below. 5. Recitative DIDYMUS Vouchsafe, dread Sir, a gracious ear To my request. Let not thy sentence doom To racks and flames, all, all, whose scrup'lous minds Will not permit them, or, to bend the knee To gods they know not, or, in wanton mood, To celebrate the day with Roman rites. VALENS Art thou a Roman, and yet dar'st defend A sect, rebellious to the gods and Rome? DIDYMUS Many there are in Antioch, who disdain An idol-offering, yet are friends to Cæsar. VALENS It cannot be. They are not Cæsar's friends, Who own not Cæsar's gods. I'll hear no more. 6. Air VALENS Racks, gibbets, sword and fire, Shall speak my vengeful ire, Against the stubborn knee. Nor gushing tears, Nor ardent pray'rs, Shall shake our firm decree. Racks, gibbets… (Exit Valens) 7. CHORUS OF HEATHENS For ever thus stands fix'd the doom, Of rebels to the gods and Rome, While sweeter than the trumpet's sound, Their groans and cries are heard around. Scene 2 8. Recitative DIDYMUS Most cruel edict! Sure, thy generous soul, Septimius, abhors the dreadful task Of persecution. Ought we not to leave The free-born mind of man still ever free? Since vain is the attempt to force belief With the severest instrument of death? 9. Air DIDYMUS The raptur'd soul defies the sword, Secure of virtue's claim, And trusting Heav'n's unerring word, Enjoys the circling flame. No engine can a tyrant find, To storm the truth-supported mind. The raptur'd soul… 10. Recitative SEPTIMIUS I know thy virtues, and ask not thy faith; Enjoy it as you will, my Didymus. Though not a Christian, for I worship still The gods my fathers worship'd, yet I own, Something within declares for acts of mercy. But Antioch's President must be obey'd; Such is the Roman discipline, while we Can only pity, whom we dare not spare. 11. Air SEPTIMIUS Descend, kind pity, heav'nly guest, Descend, and fill each human breast With sympathizing woe. That liberty, and peace of mind, May sweetly harmonize mankind, And bless the world below. Descend… Scene 3 (Theodora, with the Christians) 12. Recitative THEODORA Though hard, my friends, yet wholesome are the truths, Taught in affliction's school, whence the pure soul Rises refin'd, and soars above the world. 13. Air THEODORA Fond, flatt'ring world, adieu! Thy gaily-smiling pow'r, Empty treasures, Fleeting pleasures, Ne'er shall tempt or charm me more. Faith inviting, Hope delighting, Nobler joys we now pursue. 14. Recitative IRENE O bright example of all goodness! How easy seems affliction's heavy load, While thus instructed, and companion'd thus, As 'twere with Heav'n conversing, we look down On the vain pomp of proud prosperity. 15. Air IRENE Bane of virtue, nurse of passions, Soother of vile inclinations, Such is, prosperity, thy name. True happiness is only found, Where grace and truth and love abound, And pure religion feeds the flame. Bane of virtue… 16. CHORUS OF CHRISTIANS Come, mighty Father, mighty Lord, With love our souls inspire, While grace and truth flow from thy word, And feed the holy fire. Scene 4 (Enter Messenger) 17. Recitative MESSENGER Fly, fly, my brethren, heathen rage pursues us swift. Arm'd with the terrors of insulting death. IRENE Ah! Whither should we fly, or fly from whom? The Lord is still the same, today, for ever, And his protection here, and everywhere. Though gath'ring round our destin'd heads The storm now thickens, and looks big with fate, Still shall thy servants wait on Thee, O Lord, And in thy saving mercy put their trust. 18. Air IRENE As with rosy steps the morn, Advancing, drives the shades of night, So from virtuous toil well-borne, Raise Thou our hopes of endless light. Triumphant saviour, Lord of day, Thou art the life, the light, the way! As with rosy steps… 19. CHORUS OF CHRISTIANS All pow'r in Heav'n above or earth beneath Belongs to Thee alone, Thou Everlasting One, Mighty to save in perils, storm and death. Scene 5 (Enter Septimius) 20. Recitative SEPTIMIUS Mistaken wretches! Why thus blind to fate, Do ye in private oratories dare Oppose the President's decree, and scorn With native rites to celebrate the day Sacred to Cæsar and protecting Jove? 21. Air SEPTIMIUS Dread the fruits of Christian folly, And this stubborn melancholy Fond of life and liberty. Chains and dungeons ye are wooing, And the storm of death pursuing; Rebels to the known decree. Dread the fruits… 22. Recitative THEODORA Deluded mortal! Call it not rebellion, That thus we persevere in spirit and truth, To worship God it is his dread command, His whom we cannot, dare not, disobey, Though death be our reward. SEPTIMIUS Death is not yet thy doom But worse than death to such a virtuous mind, Which Didymus wants eloquence to praise. Lady, these guards are order'd to convey you To the vile place, a prostitute, to whom Valens thinks proper to devote your charms. 23. Accompagnato THEODORA Oh, worse than death indeed! Lead me, ye guards, Lead me, or to the rack, or to the flames, I'll thank your gracious mercy. 24. Air THEODORA Angels, ever bright and fair, Take, oh take me to your care; Speed to your own courts my flight, Clad in robes of virgin white. Angels… (Exit Theodora with Septimius) Scene 6 (Enter Didymus) 25. Recitative DIDYMUS Unhappy, happy crew! Why stand ye thus, Wild with amazement? Say, where is my love, My kind instructor in fair virtue's path, My life, my Theodora? Has the tyrant Seiz'd on his guiltless prey? IRENE Alas! She's gone. Too late thou cam'st to save, if in thy pow'r To save, the fairest, noblest, best of women. A Roman soldier led her trembling hence To the vile place, where Venus keeps her court. Yet on his brow reluctance seem'd to sit, And helpless pity bade us wait our doom. 26. Air DIDYMUS Kind Heav'n, if virtue be thy care, With courage fire me, Or art inspire me, To free the captive fair. On the wings of the wind will I fly, With this princess to live, or this Christian to die. Kind Heav'n… (Exit Didymus) Scene 7 27. Recitative IRENE O love, how great thy pow'r! But greater still, When virtue prompts the steady mind to prove Its native strength in deeds of highest honour. 28. CHORUS OF CHRISTIANS Go, gen'rous, pious youth, May all the pow'rs above Reward thy virtuous love, Thy constancy and truth, With Theodora's charms, Free from these dire alarms; Or crown you with the blest, In glory, peace and rest. ACT TWO Scene 1 (Valens, and Chorus of Heathens) 29. Recitative VALENS Ye men of Antioch, with solemn pomp, Renew the grateful sacrifice to Jove; And while your songs ascend the vaulted skies, Pour on the smoking altars floods of wine, In honour of the smiling deities, Fair Flora, and the Cyprian queen. 30. CHORUS OF HEATHENS Queen of summer, queen of love And thou, cloud-compelling Jove, Grant a long and happy reign, To great Cæsar, king of men. 31. Air VALENS Wide spread his name, And make his glory Of endless fame The lasting story. 32. Recitative VALENS Return, Septimius, to the stubborn maid, And learn her final resolution. If ere the sun with prone career has reach'd The western isles, she deigns an offering To the great gods, who subjected the world To conqu'ring Rome, she shall be free; if not, The meanest of my guards with lustful joy Shall triumph o'er her boasted chastity. 33. CHORUS OF HEATHENS Venus laughing from the skies, Will applaud her votaries. While seizing the treasure We revel in pleasure, Revenge sweet love supplies. Scene 2 (Theodora, in her Place of Confinement) 34. Symphony 35. Recitative THEODORA O thou bright sun! How sweet thy rays To health, and liberty! But here, alas, They swell the agonizing thought of shame, And pierce my soul with sorrows yet unknown. 36. Air THEODORA With darkness deep, as is my woe, Hide me, ye shades of night; Your thickest veil around me throw, Conceal'd from human sight. Or come thou, death, thy victim save, Kindly embosom'd in the grave. 37. Symphony 38. Recitative THEODORA But why art thou disquieted, my soul? Hark! Heav'n invites thee in sweet rapt'rous strains, To join the ever-singing, ever-loving choir Of saints and angels in the courts above. 39. Air THEODORA Oh, that I on wings could rise, Swiftly sailing through the skies, As skims the silver dove! That I might rest, For ever blest, With harmony and love. Oh, that I on wings… Scene 3 (Didymus and Septimius) 40. Recitative DIDYMUS Long have I known thy friendly social soul, Septimius, oft experienc'd in the camp And perilous scenes of war, when side by side We fought, and brav'd the dangers of the field, Dependant on each other's arm. With freedom then, I will disclose my mind. I am a Christian, And she, who by Heaven's influential grace With pure religious sentiments inspir'd My soul, with virtuous love inflam'd my heart, Ev'n she, who, shame to all humanity, Is now condemn'd to public lust. SEPTIMIUS No more! The shame reflects too much upon thy friend, The mean, though duteous instrument of pow'r, Knowing her virtues only, not thy love. 41. Air SEPTIMIUS Though the honours that Flora and Venus receive From the Romans, this Christian refuses to give, Yet nor Venus, nor Flora, delight in the woe That disfigures their fairest resemblance below. 42. Recitative DIDYMUS Oh, save her then, or give me pow'r to save, By free admission to th'emprison'd maid! SEPTIMIUS My guards, not less asham'd of their vile office, Will second your intent, and pleasure me. DIDYMUS I will reward them with a bounteous heart, And you, my friend, with all that Heav'n can give To the sincerity of Pray'r. 43. Air DIDYMUS Deeds of kindness to display, Pity suing, Mercy wooing, Who the call can disobey? But the opportune redress Of virtuous beauty in distress, Earth will praise and Heav'n repay. Deeds of kindness… Scene 4 (Irene, with the Christians) 44. Recitative IRENE The clouds begin to veil the hemisphere, And heavily bring on the night, the last Perhaps to us. Oh, that it were the last To Theodora, ere she fall a prey To unexampled lust and cruelty. 45. Air IRENE Defend her, Heav'n! Let angels spread Their viewless tents around her bed. Keep her from vile assaults secure, Still ever calm, and ever pure. Defend her… Scene 5 (Theodora's Place of Confinement. Didymus at a distance, the vizor of his helmet clos'd) 46. Recitative DIDYMUS Or lull'd with grief, or rapt her soul to Heav'n In innocence of thought, entranc'd she lies; Her beauty shining still, like Cynthia, Rising in clouded majesty. 47. Air DIDYMUS (approaching her) Sweet rose and lily, flow'ry form, Take me your faithful guard, To shield you from bleak wind and storm A smile be my reward. 48. Recitative THEODORA (starting) Oh, save me, Heav'n, in this my perilous hour! DIDYMUS Start not, much injur'd princess, I come not As one, this place might give you cause to dread; But your deliverer, sent by just Heav'n, To save the world's unrivall'd ornament Of virtue, faith, and every Christian grace; And that dear ornament to Theodora, Her angel-purity. If you vouchsafe, But to change habit with your Didymus (discovering himself). THEODORA Excellent youth! I know thy courage, virtue and thy love; And never can consent they should destroy Their author. This becomes not Theodora, But the blind enemies of truth. Oh no, It must not be! Yet Didymus can give A boon, will make me happy, nor himself Endanger. DIDYMUS How, or what? My soul with transport Listens to the request. 49. Air THEODORA The pilgrim's home, the sick man's health, The captive's ransom, poor man's wealth, From thee I would receive. These, and a thousand treasures more, That gentle death has now in store, Thy hand and sword can give. 50. Accompagnato DIDYMUS Forbid it, Heav'n! Shall I destroy the life I came to save? Shall I in Theodora's blood embrue My guilty hands, and give her death, who taught Me first to live? Or say, what right have I To take, what just reflection bids confess Not at your own disposal? Think it too, No less a crime, if, thus inflexible, Your safety you refuse. Time forbids more, Strait then resolve to gain your liberty, Preserve your honour, and secure your life. THEODORA Ah! What is liberty or life to me, That Didymus must purchase with his own? DIDYMUS Fear not for me; the pow' r that led me hither Will guard me hence. If not, His will be done! THEODORA Yes, kind deliverer, I will trust that pow'r To hear my pray'r for thee, so lately heard For Theodora; who had ne'er exposed Her friend to shun a danger that concern'd Only her Life. Farewell, thou generous youth! DIDYMUS Farewell, thou mirror of the virgin state! 51. Duet THEODORA To thee, thou glorious son of worth, Be life and safety giv'n. DIDYMUS To thee, whose virtues suit thy birth, Be every blessing giv'n. BOTH I hope again to meet on earth, But sure shall meet in Heav'n. Scene 6 (Irene, with the Christians) 52. Recitative IRENE Tis night, but night's sweet blessing is denied To grief like ours. How can we think of sleep, While Theodora wakes to misery, And threat'ning death hangs hovering o'er our heads? Be pray'r our refuge, pray'r to Him, who rais'd, And still can raise, the dead to life and joy. 53. CHORUS OF CHRISTIANS He saw the lovely youth, death's early prey, Alas, too early snatch'd away! He heard his mother's fun'ral cries Rise, youth, He said. The youth begins to rise. Lowly the matron bow'd, and bore away the prize. ACT THREE Scene 1 (Irene, with the Christians) 54. Air IRENE Lord, to Thee each night and day, Strong in hope, we sing and pray. Though convulsive rocks the ground, And thy thunders roll around, Still to Thee, each night and day, We sing and pray. Lord, to Thee… Scene 2 (Enter Theodora, in the habit of Didymus) 55. Recitative IRENE But see, the good, the virtuous Didymus! Wakeful as Philomel, with throbbing heart, He comes to join with us in pray'r for Theodora. THEODORA (discovering herself) No, Heav'n has heard your pray'rs for Theodora. Behold her safe! Oh, that as free and safe Were Didymus, my kind deliverer! But let this habit speak the rest. 56. Air THEODORA When sunk in anguish and despair, To Heav'n I cried, Heav'n heard my pray'r, And bade a tender father's care The gen'rous youth employ. The gen'rous youth obey'd and came, All wrapt in love's divinest flame, To save a wretched virgin's fame, And turn her grief to joy. 57. Solo and Chorus CHORUS OF CHRISTIANS Blest be the hand, and blest the pow'r, That in this dark and dang'rous hour, Sav'd thee from cruel strife. THEODORA AND CHRISTIANS Lord, favour still the kind intent, And bless thy gracious instrument With liberty and life. Scene 3 (Enter Messenger) 58. Recitative MESSENGER Undaunted in the court stands Didymus, Virtuously proud of rescued innocence. But vain to save the gen'rous hero's life Are all entreaties, ev'n from Romans vain. And, high-enrag'd, the President protests, Should he regain the fugitive, no more To try her with the fear of infamy, But with the terrors of a cruel death. IRENE Ah, Theodora, whence this sudden change, From grief's pale looks, to looks of redd'ning joy? THEODORA O my Irene, Heav'n is kind, And Valens too is kind, to give me pow'r To execute in turn my gratitude, While safe my honour. Stay me not, dear friend, Only assist me with a proper dress, That I may ransom the too gen'rous youth. 59. Duet IRENE Whither, Princess, do you fly, Sure to suffer, sure to die? THEODORA No, no, Irene, no, To life and joy I go. IRENE Vain Attempt, oh stay, oh stay! THEODORA Duty calls, I must obey. (Exit Theodora) 60. Recitative IRENE She's gone, disdaining liberty and life, And ev'ry honour this frail life can give. Devotion bids aspire to nobler things, To boundless love, and joys ineffable And such her expectation from kind Heav'n. 61. Air IRENE New scenes of joy come crowding on While sorrow fleets away, Like mists before the rising sun That gives a glorious day. Scene 4 (Valens, Didymus, Septimius, and Chorus of Heathens) 62. Recitative VALENS Is it a Christian virtue then, To rescue, from the hands of justice, one Condemn'd by my authority? DIDYMUS Such my religion, it condemns all crimes, None more than disobedience to just pow'r. And had your sentence doom'd her, but to death, I then might have deplor'd your cruelty, And not attempted to defeat it. Yet, I own no crime, unless it be a crime To've hindered you from perpetrating that Which would have made you odious to mankind, At least the fairest half. VALENS Aye, aye, fond man It was the charms of beauty, not of virtue, That tempted you to save her. Take him hence, And lead him to repentance, or to death. Scene 5 (Enter Theodora) THEODORA Be that my doom. You may inflict it here, With legal justice, there 'tis cruelty. If blood your angry laws require, behold, The principal is come to pay the debt And welcome sure to Romans the exchange, A warlike hero for an helpless maid. SEPTIMIUS Dwells there such virtuous courage in the sex? Preserve them, O ye gods, preserve them both. Ye Romans, join in the request, if e'er Lucretia's memory was dear to you, Or this your leader's valour and renown. 63. Air SEPTIMIUS From virtue springs each gen'rous deed That claims our grateful pray'r. Let justice for the hero plead, And pity save the fair. From virtue springs… VALENS Cease, ye slaves, your fruitless pray'r! The pow'rs below No pity know, For the brave, or for the fair. 64. Recitative DIDYMUS (to Septimius) Tis kind, my friends, but kinder still If for this daughter of Antiochus, In mind, as noble as her birth, your pray'rs Prevail, that Didymus alone shall die. (to Theodora) Had I as many lives as virtues thou, Freely for thee I would resign them all. THEODORA Oppose not, Didymus, my just desires; For know, that 'twas dishonour I declin'd, Not death, most welcome now, if Didymus Were safe, whose only crime was my escape. 65. CHORUS OF HEATHENS How strange their ends, And yet how glorious, Where each contends, To fall victorious, Where virtue its own innocence denies, And for the vanquish'd the glad victor dies! 66. Recitative DIDYMUS (to Valens) On me your frowns, your utmost rage exert, On me, your prisoner in chains. THEODORA These chains Are due to me, and death to me alone. VALENS Are ye then judges for yourselves? Not so our laws are to be trifled with. If both plead guilty, 'tis but equity That both should suffer. 67. Air VALENS Ye ministers of justice, lead them hence, I cannot, will not bear such insolence. And as our gods they honour, or despise, Fall they their supplicants, or sacrifice. (Exit Valens) Scene 6 68. Recitative DIDYMUS And must such beauty suffer? THEODORA Such useful valour be destroy'd? SEPTIMIUS Destroy'd, alas, by an unhappy constancy! DIDYMUS Yet deem us not unhappy, gentle friend, Nor rash; for life we neither hate, nor scorn, But think it a cheap purchase for the prize Reserv'd in Heav'n for purity and faith. 69. Air and Duet DIDYMUS Streams of pleasure ever flowing, Fruits ambrosial ever growing, Golden thrones, Starry crowns, Are the triumphs of the blest. When from life's dull labour free, Clad with immortality, They enjoy a lasting rest. THEODORA, DIDYMUS Thither let our hearts aspire Objects pure of pure desire, Still increasing, Ever pleasing, Wake the song, and tune the lyre Of the blissful holy choir. (Exeunt) Scene 7 (Irene, with the Christians) 70. Recitative IRENE Ere this, their doom is past and they are gone To prove that love is stronger far than death. 71. CHORUS OF CHRISTIANS O love divine, thou source of fame, Of glory, and all joy! Let equal fire our souls inflame, And equal zeal employ, That we the glorious spring may know, Whose streams appear'd so bright below. Handel,George Frideric/Theodora
https://w.atwiki.jp/slimelv1024/pages/69.html
package sort; import java.util.Iterator; import java.util.List; public interface Sorter { public void setData(SortableData[] data); public void setData(List data); public int size(); public Iterator sort(); }
https://w.atwiki.jp/hmiku/pages/16542.html
【登録タグ MineK P 曲 神威がくぽ】 作詞：MineK 作曲：MineK 編曲：MineK 唄：神威がくぽ 曲紹介 ハウス＆ロックな曲。ただの負け犬じゃ終わらないぜ！ イラストと動画を アトラ氏 が手掛けている。 歌詞 照らす闇に隠れるSunlight 満たされてくBlank Shadow 追われるように消えてくMoonlight 失われていくHeart Reason とってもとっても深いDark 何でもかんでも押し込んで 眠らぬ街の片隅で 今日も堕ちてくFight Drug Ah...周りに振り回され生きてく今を 能天気に楽しむ余裕なんてないから Plastic Loser ただの負け犬じゃ終らないぜ Plastic Loser 全部自分の手で切り開いてゆけ 罪の意識なんて これっぽっちもありゃしない ただ気持ちよければ何でも構わないのさ 濡らす霧に埋もれるMidnight 満たされていくBlood Energy 流れるように忘れたMemory 失われていくSorrow Tears とってもとっても高いBuilding 何でもかんでも作りあげて 知らない街の片隅で 今日も逃げてくLie Reality Ah...時間に踊らされ生きてく毎日 後ろなど振り返る余裕なんてないから Plastic Loser ただの負け犬じゃ終わらないぜ Plastic Loser 未来はこの手で引き寄せてゆけ 溶けるような夢に うなされるのも悪くない ただ気持ちよければ何でも構わないのさ Ah...記憶に操られ生きてく明日 空しさをかみ締める余裕なんてないから Plastic Loser ただの負け犬じゃ終わらないぜ Plastic Loser 全部自分の手で切り開いてゆけ 罪の意識なんて これっぽっちもありゃしない ただ気持ちよければ何でも構わないのさ コメント かっこよくてすき！ -- 名無しさん (2011-07-15 21 02 26) この曲のpv凄くカッケー♪ -- パイナップル (2012-04-28 16 39 07) 名前 コメント
https://w.atwiki.jp/uncharted3/pages/21.html
対戦プレイに登場イエメン(Yemen) 滑走路(Airstrip) 古城(Chateau) シリア(Syria) ロンドン地下(London Underground) 砂漠の村(Desert Village) 真鍮の都市(City of Brass) 遺跡(Molten Ruins) 施設(Facility) ハイライズ(Highrise) 博物館(Museum) 滑走路-イントロなし(Airstrip NoIntro) ロンドン地下-イントロなし(London Underground NoIntro) ゴンパ(Sanctuary)※1 渓谷(Cave)※1 砦(Fort)※1 シャングリラ(Lost City)※1 広場(Plaza)※2 寺院(Temple)※2 事故車両(Train Wreck)※2 山間の村(Village)※2 船の墓地(Graveyard)※3 旧市街(Old Quarter)※3 オアシス(Oasis)※3 ロンドン路地(London Street)※3 ドライドッグ(Dry Docks)※4 ラボマップ(Lab Map) 協力プレイ ミニミッションにのみ登場ボルネオ(Borneo) ロンドン地下(London Underground) 修道院(Monastery) シリア(Syria) 空港(Airport) 砦(Fort)※5 対戦プレイに登場 イエメン(Yemen) 滑走路(Airstrip) 古城(Chateau) シリア(Syria) ロンドン地下(London Underground) 砂漠の村(Desert Village) 真鍮の都市(City of Brass) 遺跡(Molten Ruins) 施設(Facility) ハイライズ(Highrise) 博物館(Museum) 滑走路-イントロなし(Airstrip NoIntro) ロンドン地下-イントロなし(London Underground NoIntro) ゴンパ(Sanctuary)※1 渓谷(Cave)※1 砦(Fort)※1 シャングリラ(Lost City)※1 広場(Plaza)※2 寺院(Temple)※2 事故車両(Train Wreck)※2 山間の村(Village)※2 船の墓地(Graveyard)※3 旧市街(Old Quarter)※3 オアシス(Oasis)※3 ロンドン路地(London Street)※3 ドライドッグ(Dry Docks)※4 ラボマップ(Lab Map) 協力プレイ ミニミッションにのみ登場 ボルネオ(Borneo) ロンドン地下(London Underground) 修道院(Monastery) シリア(Syria) 空港(Airport) 砦(Fort)※5 ※1 追加MAPパック1を購入する事で使用可能 ※2 追加MAPパック2を購入する事で使用可能 ※3 追加MAPパック3を購入する事で使用可能 ※4 パッチ1.18で追加 ※5 協力プレイ用追加シナリオ1を購入する事でプレイ可能
https://w.atwiki.jp/ssb_sokuhou/pages/47.html
imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 A lot of developers will buy photo books or travel videos based on the locations they re designing a game around; Avalanche Studios collects vacation photos. Anytime someone on staff gets back from a trip to the Mediterranean they send over their photos to Avalanche s art team and writes it off as a travel expense. Avalanche has used this database of photos to create the fictional world of Medici, the setting for Just Cause 3. To get a better understanding of this new world, we spoke with art director Zach Schlappi who walked us through the game s entire ecosphere. ゲームの舞台を作る際、写真集や旅行のビデオなんかを参考にするだろう。 アヴァランチスタジオは様々なスタッフを地中海へ向かわせ、アートチームに写真を遅らせている。もちろん経費でな。 そうやって蓄積された写真データベースを元にメディチという架空の国を作り上げるのだ。 我々はこの世界をもっと知りたいので、 以前我々をゲームの世界に案内してくれたアートディレクターのザック・シュラッピー氏に話を伺った。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 "For Just Cause 3, we wanted a sort of new location, and no one has tackled the Mediterranean in the way we saw it. Of course, Assassin s Creed had Florence and Italy, but we were looking at Monaco and the central/southern Mediterranean. It s such a good area because it s a little bit of everything. Everyone s done South America. Everyone has done Eastern Russia, but we thought that the Mediterranean was an untapped resource. I looked at a span of places from Sicily to Northern Africa to Greece to Albania, which gave us a nice quilt to work with. There are some great dusty environments, and you get some of that hot hazy feeling, those beautiful emerald waters, and those great big skies. It seems like a great area to lay waste to, because it was so beautiful." 「ジャストコーズ3の為の舞台探しをしてたんだけど、誰もどういう風に地中海を舞台にすればいいのか思い浮かばなかった。 そんな中でアサシンクリードは当然のようにイタリアとフィレンツェを舞台にしたんだけど、 僕等は違った、モナコや中央/南地中海あたりにしようと思ってたんだ。こういう場所はありふれてないいい場所だし、 南米や東ロシアはやった事があっけど、地中海はまだ手を付けてなかった。 シチリアや北アフリカ、グリースやアルバニアはとてもいい素材を提供してくれたよ。僕はそれらを繋ぎ合わせた場所を作ったんだ。 どこか懐かしく、暑く霞んでいる感じ、美しいエメラルド色の海、広く青い空、暴れるのにもってこいな美しい場所だよ。」 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 "A deep world has to have some culture, it has to have a lot of meaning, it can t be something that s throw-away or disposable. Medici is believable and yet very approachable. It s a place you might want to go on vacation, yet it has trouble. It has a dictatorship. After that, I wanted to ask ourselves, How do you play with that language in the environment? So, I created a system of colors grey, yellow, and red are the colors of oppression. While the pristine world is full of more natural colors. If you look at any picture of the Mediterranean you see blue skies, wheat fields, and a lot of lavender. If you look at all our concept art there is a constant color theme of golden ochre versus teal blue. It s always those two complementary colors bouncing around." 「重厚な世界観には多様な文化が必要だ、ありふれた物やどっかのパクリとかじゃいけないよね。 メディチはとても親しみやすい場所だよ。君も旅行に行きたくなる筈だ。だけど、独裁国家という裏の顔があるけどね。 だからこの環境にどういう風にその要素を混ぜるか追求したんだ。 灰色、黄色、赤なんかの抑圧的な色を自然溢れる世界に入れてみたんだ。 地中海の写真を見れば、青い空や小麦畑、無数のラベンダーが目に映るはずだ。 このコンセプトアートにも "We have five different biomes and they all have there own palette feel. Each one has an identity. There is an air of exploration and expanse as people travel the world. We have two different coasts. One that is brutal with jagged rocks and deep sea cliffs, and the other is very smooth and sandy were all the tourist go. As you wander further inland you have the pastoral areas, which are full of fields of lavender and sunflowers like in Italy or Spain. That adds a sense of the human element to the game; this is a place where people live. It also creates a contrast for the scrublands which is like the Mediterranean wild west, which is full of industry and deforestation. Beyond that you have the forest, which are full of mystery and have a smokey atmosphere. Finally, players will approach the icy mountains. So players have this full sense of progression of all representations of water, from mountain snow to watery coasts." For more details on Avalanche s upcoming open-world title be sure to check out our cover hub, which is filled with exclusive content such as hands-on impressions and a video history of the studio.
https://w.atwiki.jp/yurina0106/pages/3428.html
タグ 感動 曲名こ UGA/JOYにて配信中 歌 kaya 作詞 小山裕 作曲 小山裕 作品 誰彼ED 誰彼(たそがれ)オリジナル・ゲーム・サントラ
https://w.atwiki.jp/stones/pages/293.html
BLUE WAVE STUDIOS, BARBADOS, WEST INDIES, 1.15 - 1.17 and 1.29 - 2.6.1989 Mick Jagger Keith Richards record demos for the upcoming album BLUE WAVE STUDIOS, BARBADOS, WEST INDIES, 2.13 onwards (until Easter) 1989 work on new songideas demos AIR STUDIOS, MONSERRAT, WEST INDIES, 3.29 - 5.5.1989 1 Sad Sad Sad (basic track) 2 Mixed Emotions (basic tracks) 3 Mixed Emotions (basic track) 4 Terrifying (basic track) 5 Hold On To Your Hat (basic track) 6 Hearts For Sale (basic track) 7 Blinded By Love (basic track) 8 Rock A Hard Place (outtake) 9 Rock A Hard Place (basic track) 10 Can t Be Seen (basic track) 11 Almost Hear You Sigh (basic track) 12 Continental Drift (basic track) 13 Break The Spell (basic track) 14 Slipping Away (basic track) 15 Fancyman Blues (basic track) 16 Hellhound On My Trail (outtake) 17 Ready Yourself (outtake) 18 For Your Precious Love (outtake) 19 Rock A Hard Place (unreleased)20 Gangsters Moll (unreleased)21 Giving It Up (unreleased)22 Hang On (To Me) Tonight (unreleased)23 Hot Line (unreleased)24 Ready Yourself (unreleased)25 Sweet Thing (unreleased)26 Three Oceans (unreleased)27 When I Get To Thinking (unreleased)28 You ve Got Some Nerve (unreleased) ■For Your Precious Love (DAC-057) includes tracks 1, 3-7, 9-15,17-18 stereo ■Alternates (Outsider Bird Records OBR 305 015) includes tracks 2, 8,16 mono OLYMPIC SOUND STUDIOS, LONDON, 5.15 - 6.29.1989 1 Sad Sad Sad (steel wheels) 2 Mixed Emotions (steel wheels) 3 Mixed Emotions (edited version) 4 Mixed Emotions (chris kimsey s 12"remix) 5 Terrifying (steel wheels) 6 Terrifying (edited version) 7 Terrifying (12"remix edit) 8 Hold On To Your Hat (steel wheels) 9 Hearts For Sale (steel wheels) 10 Blinded By Love (steel wheels) 11 Rock A Hard Place (steel wheels) 12 Rock A Hard Place (edited version) 13 Rock A Hard Place (dance mix) 14 Rock A Hard Place (oh-oh hard dub mix) 15 Rock A Hard Place (michael brauer mix) 16 Rock A Hard Place (bonus beats mix) 17 Can t Be Seen (steel wheels) 18 Almost Hear You Sigh (steel wheels) 19 Break The Spell (steel wheels) 20 Slipping Away (steel wheels) 21 Fancy Man Blues (single) 22 Cook Cook Blues (single) 23 Wish I d Never Met You (single) ■STEEL WHEELS (Virgin Records CDV 2742) includes tracks 1-2, 5, 8-11,17-20 stereo ■MIXED EMOTIONS (CD Single) (CBS 655193 2) includes track 3 stereo ■RARITIES 1971-2003 (Virgin Records 0946 3 49725 2 9) includes tracks 4,21,23 stereo ■TERRIFYING (CD Single) (CBS 655661 3) includes tracks 6-7 stereo ■ROCK A HARD PLACE (CD Single) (CBS/Sony CSDS 8110) includes track 12 stereo ■ANOTHER SIDE OF STEEL WHEELS (CBS/Sony CSCS 5116) includes tracks 13-16,22 stereo THE PALACE OF BEN ABBOU, TANGIER, MOROCCO, 6.16 - 6.17.1989 1 Continental Drift (steel wheels) ■STEEL WHEELS (Virgin Records CDV 2742) includes track 1 stereo BACK / NEXT
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/ソァ [名詞](主語定義sorr[未], 主格あるいは古語soa[未]) 1.それ, そこ 『S』の一覧へ
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