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• Vocaloid English & Romaji Lyrics @wiki - 絡繰賛歌 Karakuri Hymn \ Song of Prasing Karakuri (Karakuri Sanka)

  https://w.atwiki.jp/vocaloidenglishlyric/pages/558.html

  【Tags Rin mayuko tA tS tT K】 Original Music title 絡繰賛歌 English music title Karakuri Hymn \ Song of Prasing Karakuri Romaji music title Karakuri Sanka Music Lyrics written, Voice edited by mayuko Music arranged by mayuko Singer(s) 鏡音リン (Kagamine Rin) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： Come, dance with me! I am a manipulatable karakuri puppet, Pull my strings and I'll laugh out loud Artificial feet though these may be, I can dance quite well How does a waltz sound? I've been practicing! So pull on those manipulating strings of mine, And skillfully move me around Oh, that's right, it's all on you! Turning and spinning, feet a-swaying Swaying away-ing, limbs swinging in all directions With your skillful manipulations, Please, make me dance Some day, though I know not which, I'll dance with these feet! But you, you can just pull my strings! I move like a karakuri, a kurikarakarakuri puppet On my own, well, I can't do anything, nothing at all Isn't that right? My eyes hurt looking at the morning sun, Though they're meant to just be glass And even though my hair is just threads, It's just awful when I wake up My body is slow and heavy, My will to move is gone So pull on those manipulating strings of mine, And I'll move just as well as you I'll listen to everything you say! Turning and whirling, and so spin my eyes Swaying away-ing, these cloudy glass spheres You have to keep me polished, Come on, dress me up, please Some day, whenever it may be, if these feet move, I'll be a veritable princess! I move like a karakuri, a karakurikurikara puppet Human? Why, no, I'm not! I'm just a puppet! Isn't that right? Hey... Since these feet of mine have yet to move... I am indeed a puppet, moved by manipulation I require you, my master, to pull my strings! It's always been so, just look, These feet aren't budging And if I were human, wouldn't I dance? Turning and spinning, feet a-swaying Direction still unknown, never found So why, in these cloudy, glass eyes, Does water seem to form? Some day, though I know not which, these feet will move! The gods said so! I move like a karakuri, a kurikarakarakuri puppet People dance with their feet, don't they? Of course, so... I am - look - a manipulated puppet Unless someone moves me, I'm reduced to a broken decoration, A puppet soon to rot away! If you'll pull those abominable strings, won't you make me into a living being? I move like a karakuri, a karakurikurikara puppet Human? Why, no, I'm not! You make me dance with your hands I am indeed a puppet! One wanting to be unconditionally loved, But also, with manipulating strings! So please, make me dance Stop it! Stop it! I'm just a puppet! Even though my ears should be hollow! After all, I'll only try to remember the words I want to hear... People are supposed to dance with their feet, And I'm not just some wooden decoration! I've heard quite enough! You're annoying! I am not, am NOT a human, no matter what you say! I'm just a karakuri puppet! Romaji lyrics (transliterated by vgboy / vgperson)： Watashi to odorimashou Watashi wa karakuri ayatsuri ningyou Himi o hikeba waraidasu Tsukuri-mono no anyo da keredo mo Jouzu ni odoreru wa Warutsu wa dou kashira? Renshuu shiteta no yo Saa himo o hiite ayatsuru sono himo Jouzu ni watashi o ugokashite misete Sou yo anata jidai yo Kurakurakura anyo ga yureru wa Yurara yurara kyuutai kansetsu Anata ga jouzu ni ayatsuri Watashi o odorasete choudai Itsu no hi ka kono ryouashi de odoru no yo Anata ga himo o hiite Watashi kurakuri ugoku kurikarakarakuri ningyou Hitori ja nanimo nanimo dekinai no Sou deshou? Asahi ni me ga itai wa Garasu-sei no hazu nano ni Atama no ke mo kinuito da keredo Neguse ga hidoi no yo Karada ga darui omoi Ugoku ki mo useru wa Saa himo o hiite ayatsuru sono himo Anata ga jouzu ni ugokasu toori ni Iu-koto o kikimashou Guruguruguru medama ga mawaru wa Yurara yurara kumoru garasu-tama Anata ga chanto migaite O-mekashi o sasete kudasai na Itsu no hi ka kono ryouashi ga ugoitara O-hime-sama ni nareru no Watashi karakuri ugoku karakurikurikara ningyou Hito nanka janai no yo O-ningyou nano yo Sou deshou? Nee... Ryou no ashi wa mada ugokanai kara Watashi wa sou ningyou ayatsurare ugoku Himo o hiku go-shujin-sama* ga hitsuyou nano yo Kitto sou datte hora Anyo ga ugokanai Datte hito nara odorerun deshou? Kurakurakura anyo ga yureru wa Miataranai kyuutai kansetsu Kumori garasu no medama ni Mizu ga tsuiteru no wa naze nano? Itsu no hi ka kono ryouashi ga ugoku no yo Kamisama ga sou itta no Watashi karakuri ugoku kurikarakarakuri ningyou Hito wa jibun no ashi de odorerun deshou? Dakara sou Watashi wa hora ayatsuri ningyou Dareka ni ugokashite morawanakya Kowareta deku ni narihate Sugu ni kuchiteiku ningyou yo Anata nara kono imawashii himo o hiki Hito ni shite kureru deshou? Watashi karakuri ugoku karakurikurikara ningyou Hito nanka janai yo Anata ga sono te de odorasete Watashi wa sou o-ningyou nano yo Mujouken ni aishite hoshii no Ayatsuri himo mo aru no yo Watashi o odorasete choudai Yamete! Yamete! O-ningyou nano yo! O-mimi wa kuudou no hazu nano ni! Kikitakunai kotoba dake Oboetetaku nante nai no ni... Hito wa jibun no ashi de odoreru hazu to ka Watashi wa deku nanka janai no yo Mou kikiakita no Urusai wa! Watashi wa watashi wa hito nanka janai Karakuri ningyou nano

• iRO wiki をパクるでござる - Monk

  https://w.atwiki.jp/i_ro/pages/152.html

  This page has been marked as being in need of links to other iRO Wiki pages. For a pre-Renewal version of this article, click here. Job Base(s) Acolyte Job Type 2-2 Changes At St.Capitolina Abby Number of Skills 15 Total Skill Points 82 Total Quest Skills 2 Job Bonuses STR AGI VIT INT DEX LUK +8 +7 +6 +2 +4 +3 + ← クリックで目次を開く Overview Job Change Guide BuildsSTR/DEX WoE STR/DEX PvP STR/INT MVP STR / AGI Combo Diamond (MS) Combo/Diamond Hybrid TacticsCombo WoE EquipmentGuillotine Fist Spec Combo SpecWeapon Headgear Footgear Armor Garment Accessory Class DataSkillsQuest Skills Soul Link Job Bonuses ASPD External Links Overview Monks are a versatile class that can deal damage in several ways unique to themselves. They are most known for the powerful Guillotine Fist× skill, which has uses in MVP×, PVP× and WoE× scenarios. Most builds are damage-dealers, focusing on maximizing damage via skills such as Occult Impaction× and their Combo abilities. Specialized Monk builds can be very efficient for MVP and WoE purposes. Job Change Guide See Monk Job Change Guide for detailed information. Changing into a Monk from an Acolyte requires the player to complete a number of tasks Item Collection Test Memory Test Mushroom Collecting or Marathon Running Maze Test After completing these tests, the player will be transformed into a Monk. All of this takes place at the Monk Abbey (prt_monk). Builds - 冗長過ぎる STR/DEX WoE STR× 100-120 AGI× 1 VIT× 40-50 (stun resist, higher health, more potion efficiency) INT× 20-30 DEX× 80-100 (skills can be interrupted easily during WoE - Guillotine Fist must be fast) LUK× 1 Weapons Card×ed Mace× A made to survive Monk build suitable for WoE under precasts and Dazzler× spams. With slightly lower DEX and INT (SP Issues replaced by high ranking gears) this build generally gets the job done better, and lets the user live longer overall in WoE. Generally this build type is best supported with nicer, very expensive gears to make up for the SP shortcomings and further add to your lifespan. Because Guillotine Fist's damage is reduced in WoE, players need high STR and sometimes a bit of INT to ensure their Guillotine Fist will kill people in one shot. With this VIT, as a Monk you can use your snap skill amazingly in WoE through and past precasts. Great for Advanced WoE addicted players. STR/DEX PvP STR 100-110 AGI 1 VIT 40-50 INT 1-20 DEX 100-110 LUK 1 Weapons Carded Mace Common Monk bread and butter build. This is also usable in WoE, but there is an another build that can be used in WoE that is made to kill those Ghostring Armor wearing players, but that's another story. This stat build is the most flexible and dubbed superior over the other since this combination will further more exploit the flexibility of the Monk class. You won't rely on Guillotine Fist alone, because of the DEX amount, you can do fast cast Throw Spirit Sphere× also or Occult Impaction×. Disabling other Monk class is also possible due to the reduced cast time of Spiritual Sphere Absorption×. Due to limitation of 49 Skill points to be allocated, maxing of Guillotine Fist, Throw Spirit Sphere and Occult Impaction might be compromised. STR/INT MVP STR 110-120 AGI 1 VIT 1-20 INT 85-105 DEX 40-70 LUK 1 Weapons Carded Mace There is a high preference for 120 STR in this type of build as well as a high INT score in order to deal massive amounts of damage with the Guillotine Fist skill. High INT allows for a long-lasting supply of SP× while leveling, allowing the Monk to make up slower leveling speed due to lower DEX with the benefit of having to sit and regen SP far less than other monks (and may not even need the benefit of a Priest). High INT builds will also find the have an easier time using Guillotine Fist continuously in Bio Labs. MVP Monk is often overlooked, because a raw damage is better suited to Champion, a Transcendental class; it has the increased SP of +25% akin to all Transcendental classes, which affects Guillotine Fist's damage greatly. STR / AGI Combo STR 90-110 AGI 100+ VIT 20-30 INT 1-30 DEX 40-60 LUK 1 Weapons Knuckle×s Mostly made for solo leveling fun, this build's aim is not the Guillotine Fist damage, but the ASPD and massive combo skill damages. AGI and STR is prioritized for higher damage per second, INT is almost for SP regen and count while DEX is for Hit× or even Guillotine Fist cast time if one plans to have it. Regardless of its PvM× approach, this stat combination could also compete with the other builds and thus Full Combo-Asura builds are born which fuses the most damaging combo skills and Guillotine Fist. Full Combo-Asura builds are flashy due to their ability to chain almost all combos to Guillotine Fist. Specifically, Raging Trifecta Blow× = Raging Quadruple Blow× = Raging Thrust× = Guillotine Fist. Diamond (MS) STR 80-110 AGI 40-60 VIT 50+ INT 20-40 DEX 50-80 LUK 1 Weapons Knuckles This build is based on the skill Mental Strength× that turns the character into a tank, that can handle WoE pre-cast and MvP monsters, unlike most of the monk builds that use knuckles this one maximizes Raging Triflecta Blow since while MS is active no other active skills can be used. Snap× is another skill of this build that is usually used right after the effect of MS ends to avoid IK from MVPs, Angelus× that is rarely used on others monk builds is quite ordinary in this one since it raises the Soft DEF, while MS raises the Hard DEF Combo/Diamond STR 90-110 AGI 80+ VIT 20+ INT 1-30 DEX 40-60 LUK 1 Weapons Knuckles This build can be used for pvm leveling, with good flee and dps, and it also can work as diamond to break WoE pre-cast and act as tank in MvP parties. The damage is not as good as a pure combo, but the damage reduction is almost the same as a pure diamond since the skill reduces 90% of the damage either way. Hybrid STR 100-110 AGI 80-100 VIT 20-30 INT 37-45 DEX 70-90 LUK 1 Weapons Knuckles and Carded Mace Combines both the best of both the Spirit and Combo build into one. This build aims to balance the stats so that it is more stable when situations demands a certain task. With the potential to unleash a Deadly Guillotine Fist and still maintain Combos and Spirit Skills, a Hybrid Monk is ready to adapt to a crisis in a matter of seconds. Due to the fact that the status points are allocated into every Stat (with the exeption of luk). This opens the skill tree to a whole other level. Snap can be used effectivly with this build with the assumption of maxing Occult Impaction as the Mastered Skill. Other skill builds such as maxing Buffs, Heal×, and Spirit Skills but ignoring Combos is also an option. Tactics Important Monk skills for PvP/WoE Guillotine Fist Occult Impaction Root× Snap Spiritual Sphere Absorption Throw Spirit Sphere PvM Combo Monk skills All PvP Woe skills plus the combo skills if player has the skills. These are some tricks that can aid players in battle or make the player enjoy being a monk more. The first 3 tricks are seen / heard in-game. Occult Step and Throw Spirit Sphere 　　　How to Do it 　　　While doing occult impaction, clicking on any unoccupied cell (preferably next to you or the enemy) right before casting ends. (With good dex, clicking right after the cast begins usually makes it work) 　　　Purpose 　　　Bypass the after-skill delay. so you can do other things quicker (ex/ another occult). May require some practice. Snap Dance 　　　How to Do it 　　　Use snap on the cell the player is standing on. Then hotkey /doridori and /bangbang (or /bingbing) and press them alternately. 　　　Purpose 　　　None other than the player's sprite will do awkward actions while spinning. Fight Cancel 　　　How to do it 　　　While fighting just use Summon Spirit Sphere×, and player will stop attacking (normal Melee attack) immediately. 　　　Purpose 　　　When attacking a monster, it is sometimes hard to stop the attack. Especially if player accidentally KS× a monster. Mental Strength and Explosion Spirits 　　　How to do it 　　　Cast Fury× than Mental Strength. 　　　Purpose 　　　While MvPing as a tank, when Mental Strength timed out, player can use Snap immediately without any spheres. Rinse and repeat and go back to the MvP. This trick negates the need for Fly wings or the teleport× skill anymore because this trick is way more efficient than to teleport and find the MvP to tank it again. Pneuma× and Safety Wall× don't mix 　　　How to do it 　　　Cast Pneuma on Guillotine Fist target's cell (directly on the target). 　　　Purpose 　　　Disable target's ability to cast Safety Wall on himself. Using the skill Summon Spirit Sphere, a monk can summon a number of spirit spheres. At most one can have 5 spirits. Each of them can be used for various skils. They will also prevent it's owner's attacks from missing, as each adds 3 damage that won't miss. The following skills utilize (consume) spirit spheres Throw Spirit Sphere (1 to 5 spirits) Spiritual Sphere Absorption (all available) Fury (5 spirits) Guillotine Fist (5 spirits, with exceptions) Root (1 spirit) Snap (1 spirit, unless in Fury) Raging Thrust (1 spirit) Mental Strength (5 spirits) Occult Impaction (1 spirit) Remember to replenish spirit spheres when they expire. Spheres will remain even after death; however, reloging or disconnects will rob a character of their spheres, so it is needed to summon them again. Using the quest-gained skill Spiritual Bestowment×, a monk can transfer his spirit spheres to another character of the same party (with the exception for Gunslinger class, who can't receive Spheres since they have "Coins" as their Spheres). The spheres will have the same effect on any job apart from Gunslinger who can't receive them. Spheres can also be obtained through the Greatest General card. Combo Monks are known for their combo skills; a row of attacks that occur in a sequence. The general pattern of combos as a Monk is the following Raging Trifecta Blow - Raging Quadruple Blow - Raging Thrust - Guillotine Fist After each combo skill, there is a delay period. During this period, the user can trigger the next skill in the sequence. Use the following calculations to find out the delay period 1.3 - [(AGI*0.004) - (DEX*0.002)] seconds. Make sure the right hotkey is hit at the right time, and the next combo will trigger. For Raging Quadruple Blow and Raging Thrust, as they can't be triggered in any other method aside from a combo (or Root), the user can simply spam the hotkey once the previous skill triggers. If a monk would like to use Guillotine Fist at the end of a combo, he must be in a Fury condition and have 5 spirit spheres, before starting the combo sequence. While Guillotine usually needs 5 spirits, through the combo it is possible to use even with the 4 left after Raging Thrust. In this style, Guillotine Fist is used without a cast period, removing that weakness of the skill. However, since a small amount of SP is used to trigger the combo skills as well, the damage will be lower than a direct cast. Tip when chaining Guillotine Fist in a combo, it is only necessary press the hotkey once. Since it is usually a single-target skill, if it is pressed multiple times, the Guillotine will cancel and nothing will happen. For this reason, it is needed to concentrate and it cannot be spammed like with Raging Quadruple Blow and Raging Thrust. Remember, the delay starts after the Raging Thrust animation is complete. Try pressing the hotkey immediately after seeing the damage from Raging Thrust appear. Later, as a Champion, there will be many more possible combo sequences. WoE Main Task Guillotine Fist any opponent who is making trouble for your guild×. Class Priority Sages and other Monks are capable of rendering a monk useless, via Spiritual Sphere Absorption, Dispell× and Spell Breaker×. For this reason, usually they are the first to deal with (or make sure an ally is dealing with them). Assassins, Rogues, or anyone who can Hide× can evade your Guillotine Fist, so make sure Ruwach× is applied. Wizards, Priests, and Sages are capable of Safety Wall, which can be prevented with Pneuma. For classes who usually use normal attacks (like some Assassins), Root can be used to catch them. High DEF targets can also be dealt with using Occult Impaction. Offense Due to the one-shot nature of Guillotine Fist, generally during an offensive attack, the main task of a Monk is to help take down any major threat on the way in. Most defending enemies can be handled by other classes, so a Monk will usually stand back until something difficult to kill (for example Lord Knights) appear. A swift Guillotine can destroy them, but it is crucial to refill SP by items or finding a Scholar. If a Monk falls under attack, Pneuma can be used for defense, or Snap to run for cover. It is also possible to use Mental Strength to draw and survive enemy fire as a diversion. However, since Monks reserve their attacks for primary targets only, many other classes will not make Monks a priority to kill. Defense During a defensive effort, Monks are generally limited into standing by for high-priority targets. Guillotine Fist is used to take out anything dangerous. Pneuma and Ruwach help protect from long-ranged and hiding characters. Equipment Guillotine Fist Spec Anything providing +Max SP×, +ATK×, STR, DEX. Combo Spec Almost the same with the above but gears providing +AGI and +STR are preferred. Weapon PvP WoE Valorous Battle Fist Brave Battle Fist Valorous Battlefield Morning Star Brave Battlefield Morning Star MVP PvM Combo Battle Glove [4] Electric Fist [3] Icicle Fist [3] Magma Fist [3] Seismic Fist [3] Chain [3] Mace [4] Abysmal Knight Card Minorous Card Headgear Crown of Mistress Carat Card Incubus Card Morpheus's Hood Footgear Sohee Card Gold Acidus Card Verit Card Firelock Soldier Card Vidar's Boots Armor Roda Frog Card Picky Card Porcellio Card Succubus Card Waste Stove Card (Waste Stove may or may not be implemented into your version of RO yet. It grants +10% to Guillotine Fist damage when equipped with a certain set of cards.) Compounded on +3 Str/Int enchanted Armor Garment Aliot Card Morpheus's Shawl Accessory Ring [1] + Mantis Card Glove [1] + Zerom Card The Sign Morpheus's Bracelet Morpheus's Ring Class Data Skills See Acolyte Skills for first class skills. Skill Description Levels Type Flee (Skill)× Adds 1~15 Flee×. 10 Passive Fury× Increases critical rate of attacks by 10~20, also enables use of Guillotine Fist. 5 Supportive Guillotine Fist× Deals a single attack consuming all of the caster's SP to deal massive damage. Requires 5 Spirit Spheres. You lose all SP and disables SP Regeneration for 5 minutes. 5 Offensive Iron Fists× Increases damage done with knuckle class weapons by 3~30. 10 Passive Mental Strength× For 30~150 seconds, reduce incoming damage you receive by 90%. You move and attack slower, and cannot use active skills. 5 Supportive Occult Impaction× Consumes a single spirit sphere to attack a single target (ATK×3.5~9.5), damage is higher based on the target's DEF×. 5 Offensive Raging Quadruple Blow× Deals 4 hits in rapid succession to a single target at ATK×2~4, this skill is only usable in the delay after Raging Trifecta Blow. 5 Offensive Raging Thrust× Deals up to 3~5.4× damage to a single target, but is only usable in the delay after Raging Quadruple Blow. 5 Offensive Raging Trifecta Blow× Enables regular melee× attacks to hit a target three times at ATK×1.2~3.0 instead of once by 29~20% chance. 10 Passive Root× Catch an enemy's sword mid-attack in 0.5~1.3 seconds, locking the Monk and the attacker in place for 20~60 seconds. 5 Active Snap× Instantly transports the Monk to a targeted cell as long as a direct path to that cell exists. 1 Active Spiritual Cadence× Enables the Monk to regenerate HP× and SP at anytime by sitting even if over 50% weight×. 5 Passive Spiritual Sphere Absorption× Allows the Monk to recover SP by absorbing previously summoned spirit spheres. 1 Supportive Summon Spirit Sphere× Allows the Monk to summon 1~5 spirit spheres which enable many powerful attacks. 5 Supportive Throw Spirit Sphere× Throws numerous spirit spheres at a single target to deal up to 5 hits of 1.5~3.5× damage each, depending on number of spirit spheres on the character. 5 Offensive Quest Skills Skill Description Levels Type Job Level Requirement Quest Spiritual Bestowment× Transfers one of the Monk's spirit spheres to another party member. 1 Supportive None Spiritual Bestowment Quest Excruciating Palm× Hit a single target for 300% damage, all nearby targets are knocked back and may be stun×ned. 1 Offensive None Excruciating Palm Quest Soul Link See Monk Spirit×. Job Bonuses The Levels in which you receive a certain bonus Stat\Amount +1 +2 +3 +4 +5 +6 +7 +8 STR 1 2 12 13 26 27 49 50 AGI 5 10 18 23 35 44 VIT 7 20 25 33 41 46 INT 16 38 DEX 4 22 30 43 LUK 15 32 40 ASPD This article or section is in need of attention from an expert on the subject.Please help recruit one or improve this article yourself. See the talk page for details. External Links Jobinfo at the iRO Site Character Stat Calc by Doddler Skilltree at Himeyasha's Skill Simulator Guillotine Fist Damage Calc by Simn (Asura damage against players in PvP or WoE) - Monk ・ Champion ・ Sura Monk ・ Champion ・ Sura 2nd ClassSkills Excruciating Palm× ・ Flee (Skill)× ・ Fury× ・ Guillotine Fist× ・ Iron Fists× ・ Mental Strength× ・ Occult Impaction× ・ Raging Quadruple Blow× ・ Raging Thrust× ・ Raging Trifecta Blow× ・ Root× ・ Snap× ・ Spiritual Bestowment× ・ Spiritual Cadence× ・ Spiritual Sphere Absorption× ・ Summon Spirit Sphere× (Spirit Sphere×) ・ Throw Spirit Sphere× TranscendentSkills Chain Crush Combo× ・ Glacier Fist× ・ Raging Palm Strike× ・ Zen× 3rd ClassSkills Crescent Elbow× ・ Cursed Circle× ・ Dragon Combo× ・ Earth Shaker× ・ Fallen Empire× ・ Gentle Touch-Convert× ・ Gentle Touch-Cure× ・ Gentle Touch-Energy Gain× ・ Gentle Touch-Revitalize× ・ Gentle Touch-Silence× ・ Hell Gate× ・ Lightning Walk× ・ Lightning Ride× ・ Lion Howling× ・ Knuckle Arrow× ・ Power Absorb× ・ Power Implantation× ・ Rampage Blaster× ・ Rising Dragon× ・ Sky Blow× ・ Tiger Cannon× ・ Windmill× Quests Monk Job Change Guide ・ Monk Skill Quest ・ Rebirth Walkthrough ・ Sura Job Change Guide Weapons× Mace× ・ Knuckle× - Classes of Ragnarok Online Classes of Ragnarok Online Novice Class Novice ・ High Novice ・ Super Novice First Class / High First Class Acolyte ・ Archer ・ Mage ・ Merchant ・ Swordman ・ Thief Second Class Priest ・ Monk ・ Hunter ・ Bard ・ Dancer ・ Wizard ・ Sage ・ Blacksmith ・ Alchemist ・ Knight ・ Crusader ・ Assassin ・ Rogue Transcendent Second Class High Priest ・ Champion ・ Sniper ・ Minstrel ・ Gypsy ・ High Wizard ・ Scholar ・ Mastersmith ・ Biochemist ・ Lord Knight ・ Paladin ・ Assassin Cross ・ Stalker Third Class Arch Bishop ・ Sura ・ Ranger ・ Maestro ・ Wanderer ・ Warlock ・ Sorcerer ・ Mechanic ・ Geneticist ・ Rune Knight ・ Royal Guard ・ Guillotine Cross ・ Shadow Chaser Expanded Class Gunslinger ・ Ninja ・ TaeKwon Kid Expanded Second Class TaeKwon Master ・ Soul Linker ・ Kagerou ・ Oboro ・ Rebel× Doram Summoner kill A stream, creek, or tributaryMore » Categories Articles Needing Interwiki Links | Monk | Classes | Acolyte | Pages needing expert attention

• MARKING CODE @wiki - Panasonic(30)

  https://w.atwiki.jp/mcmaster/pages/271.html

  Panasonic(30) 　Panasonicと旧松下電子工業のマーキングコード一覧です。 　注意事項はPanasonicを参照してください。 マーキングコードリスト(MARKING CODE LIST) Panasonic(1) Panasonic(11) Panasonic(21) Panasonic(31) Panasonic(2) Panasonic(12) Panasonic(22) Panasonic(32) Panasonic(3) Panasonic(13) Panasonic(23) Panasonic(4) Panasonic(14) Panasonic(24) Panasonic(5) Panasonic(15) Panasonic(25) Panasonic(6) Panasonic(16) Panasonic(26) Panasonic(7) Panasonic(17) Panasonic(27) Panasonic(8) Panasonic(18) Panasonic(28) Panasonic(9) Panasonic(19) Panasonic(29) Panasonic(10) Panasonic(20) Panasonic(30) Panasonicのリスト説明ページ(Panasonic TOP MENU) 前のリストPanasonic(29)へ(BACKWARD) 次のリストPanasonic(31)へ(FORWARD) MARKING CODE LIST Panasonic(30) * , ** , *** , ****,_=date code,Lot No. etc. #=hfe rank. MARKINGCODE PART No.Grade etc. MAKER PACKAGENAME MAKERPACKAGE NAME PINCOUNT etc. Z 2SD0601AGrade Non rank (160~460) Panasonic SC-59SOT-346 Mini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB0709A （2SB709A）.Alternative the DSC2001. Z 2SD0874Grade (85~340) Panasonic SC-62 MiniP3-F1 3 NPN transistor for low frequency power amp.Discontinued.Complementary to 2SB0766(2SB766).Alternative the DSC7003. Z 2SD1819AGrade (160~460) Panasonic SC-70 SMini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218A.Alternative the DSC5001. Z 2SD1819GGrade Non rank (160~460) Panasonic - SMini3-F2 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218G.Alternative the DSC5001. Z 2SD2496Grade (160~460) Panasonic - T-Mini (3-pin) 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1627. ZJ DZ27200 Panasonic - SSSMini2-F4-B 2 Zener diode series for constant voltage.waveform clipper and surge absorption.Low noise type. ZJ DZ2J200Grade Non rank (Vz=19.00~21.00) Panasonic - SMini2-F5-B 2 Zener diode series for constant voltage.waveform clipper and surge absorption.Low noise type. ZJ DZ2S200Grade Non rank (Vz=19.00~21.00) Panasonic - SSMini2-F5-B 2 Zener diode series for constant voltage.waveform clipper and surge absorption.Low noise type. ZJ DZ4J200K Panasonic - SMini4-F3-B 4 Zener diode series for constant voltage.waveform clipper and surge absorption.Low noise type. ZQ 2SD0601AGrade Q (160~260) Panasonic SC-59SOT-346 Mini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB0709A （2SB709A）.Alternative the DSC2001. ZQ 2SD0874Grade Q (85~170) Panasonic SC-62 MiniP3-F1 3 NPN transistor for low frequency power amp.Discontinued.Complementary to 2SB0766(2SB766).Alternative the DSC7003. ZQ 2SD1819AGrade Q (160~260) Panasonic SC-70 SMini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218A.Alternative the DSC5001. ZQ 2SD1819GGrade Q (160~260) Panasonic - SMini3-F2 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218G.Alternative the DSC5001. ZQ 2SD2496Grade Q (160~260) Panasonic - T-Mini (3-pin) 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1627. ZR 2SD0601AGrade R (210~340) Panasonic SC-59SOT-346 Mini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB0709A （2SB709A）.Alternative the DSC2001. ZR 2SD0874Grade R (120~240) Panasonic SC-62 MiniP3-F1 3 NPN transistor for low frequency power amp.Discontinued.Complementary to 2SB0766(2SB766).Alternative the DSC7003. ZR 2SD1819AGrade R (210~340) Panasonic SC-70 SMini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218A.Alternative the DSC5001. ZR 2SD1819GGrade R (210~340) Panasonic - SMini3-F2 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218G.Alternative the DSC5001. ZR 2SD2496Grade R (210~340) Panasonic - T-Mini (3-pin) 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1627. ZS 2SD0601AGrade S (290~460) Panasonic SC-59SOT-346 Mini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB0709A （2SB709A）.Alternative the DSC2001. ZS 2SD0874Grade S (170~340) Panasonic SC-62 MiniP3-F1 3 NPN transistor for low frequency power amp.Discontinued.Complementary to 2SB0766(2SB766).Alternative the DSC7003. ZS 2SD1819AGrade S (290~460) Panasonic SC-70 SMini3-G1 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218A.Alternative the DSC5001. ZS 2SD1819GGrade S (290~460) Panasonic - SMini3-F2 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1218G.Alternative the DSC5001. ZS 2SD2496Grade S (290~460) Panasonic - T-Mini (3-pin) 3 NPN transistor for general purpose amp.Discontinued.Complementary to 2SB1627. ZU DZ2J200Grade M (Vz=19.50~20.50) Panasonic - SMini2-F5-B 2 Zener diode series for constant voltage.waveform clipper and surge absorption.Low noise type. ZU DZ2S200Grade M (Vz=19.50~20.50) Panasonic - SSMini2-F5-B 2 Zener diode series for constant voltage.waveform clipper and surge absorption.Low noise type. Panasonicのリスト説明ページ(Panasonic TOP MENU) 前のリストPanasonic(29)へ(BACKWARD) 次のリストPanasonic(31)へ(FORWARD) リンク MARKING CODE一覧

• THE ROLLING STONES ARCHIVES WEBSITE - 1966-1991 Promotional Video (DVD)

  https://w.atwiki.jp/stones/pages/314.html

  ■Video Clip Collection (2DVDR) no credit ■Jump Back Video Sampler (1DVDR) Jointrip JTDV-017 ■Sucking in the 70s (1DVD) RS-1970 ■Promotional Video 1973-1976 (VHS 1DVDR) no credit ■Touring History Volume Two (2DVD) Bad Wizard Video ■Touring History Volume Five (1DVD) Bad Wizard Video                     ■Satisfaction Guaranteed / Rare Video 1964-1967 (1DVD) Scorpio Video ■Private Video () ■VIDEO REWIND (Vestron Music Video G38M5446) ■25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (CBS/Sony Videodisc CSLM 753/4)                         Promotional Video List 1966 - 1991    Date Song  1  2  3  4  5  6  7  8  9 10 1966 09.10 - 09.11 Have You Seen Your Mother (#1 dressed in drag version) ●       ●   ●     ●   09.23 Have You Seen Your Mother (#2 very fast cuts version) ●       ●   ●     ●   09.23 Have You Seen Your Mother (#3 slow motion version)         ●   ●         09.23 Lady Jane (edited version) ●                     11.     - 12. Let s Spend The Night Together ●         ●         1967 07.30 - 07.31 We Love You (different version) ●         ●           10. 2000 Light Years From Home ●         ●       ● 1968 04.28 Jumpin Jack Flash (backing track) (#1 no painted version) ●         ●           05.11 Child Of The Moon ●         ●           05.11 Jumpin Jack Flash (backing track) (#2 painted version) ●         ●       ● 1973 07.17 Angie (playback-without strings) (#1 standing version) ● ● ●             ●   07.17 Angie (playback-without strings) (#1 standing version-different angles)       ●               07.17 Angie (backing track-without strings) (#2 sitting version)     ● ●         ●     07.17 Silver Train (backing track)     ●                 07.17 Silver Train (backing track) (different angles)       ●               07.17 Dancing With Mr. D. (backing track)     ●                 07.17 Dancing With Mr. D. (backing track) (different angles)       ●             1974 06.01 It s Only Rock n Roll (But I Like It) (different version) ● ● ● ●         ● ●   06.01 Ain t Too Proud To Beg (backing track)     ● ●               06.01 Till The Next Goodbye (backing track)     ●                 06.01 Till The Next Goodbye (backing track) (different angles)       ●             1976 05.01 Fool To Cry (backing track)   ● ● ●               05.01 Hot Stuff ● ● ● ●               05.01 Crazy Mama ●   ● ●               05.01 Hey Negrita ●   ● ●             1978 05.02 Miss You (edited backing track)   ● ●           ●     05.02 Far Away Eyes (backing track) ●   ●                 05.02 Respectable (backing track) ● ● ●               1980 03.28 Emotional Rescue (edited version 1) (#1 thermographic films version)               ●       07.11 - 07.14 Emotional Rescue (edited version 2) (#2 full version) ● ●                   07.11 - 07.14 She s So Cold                 ●   1981 06.30 Hang Fire ●                     06.30 Start Me Up ● ●                   06.30 Worried About You               ●       07.01 Neighbours                 ●     07.02 Waiting On A Friend (edited version)                 ● ● 1982 04. Going To A Go Go (12.18.1981) (#1 live version) ●                     04. Going To A Go Go (12.18.1981) (#2 montage version) ●                     04. Time Is On My Side (12.18.1981) (#1 live version)                       04. Time Is On My Side (12.18.1981) (#2 less montage version)                       04. Time Is On My Side (12.18.1981) (#3 many montage version) ●                     04. Start Me Up (11.5-6 12.13.1981)                     1983 10.18 Undercover Of The Night (extended version) (#1 club version) ●                     10.26 - 10.30 Undercover Of The Night (extended version) (#2 hard core version) ● ●             ●   1984 01.18 - 01.23 She Was Hot (extended version)                 ●     01.24 To Much Blood (extended version)                 ●   1986 02.07 Harlem Shuffle ● ●                   05.01 - 05.02 One Hit (To The Body) ●                 ● 1989 08.03 Mixed Emotions ●                 ●   09.30 - 10.01 Rock A Hard Place (#1 many graffiti-effects version) ● ●                   09.30 - 10.01 Rock A Hard Place (#2 less graffiti-effects version) ●                 ●   12.02 Almost Hear You Sigh (edited remix version) ●                   1990 02.16 Terrifying ●                     06.13 - 06.14 Sad Sad Sad ●                   1991 03.01 Highwire ●                     05.21 Sex Drive (single edited version) (#1 with nudity version) ●                     05.21 Sex Drive (single edited version) (#2 without nudity version) ●                         1 ■Video Clip Collection (2DVDR) no credit   2 ■Jump Back Video Sampler (1DVDR) Jointrip JTDV-017   3 ■Sucking In The 70s (1DVD) RS-1970   4 ■Promotional Video 1973-1976 (VHS 1DVDR) no credit   5 ■Touring History Volume Two (2DVD) Bad Wizard Video   6 ■Touring History Volume Five (1DVD) Bad Wizard Video   7 ■Satisfaction Guaranteed / Rare Video 1964-1967 (1DVD) Scorpio Video   8 ■Private Video ()   9 ■VIDEO REWIND (Vestron Music Video G38M5446) 10 ■25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (CBS/Sony Videodisc CSLM 753/4)      NEXT                        

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  https://w.atwiki.jp/smartphone/pages/108.html

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• 日本アニメの英語版で勉強！　まとめwiki - Sorry to drag you out again

  https://w.atwiki.jp/english_anime/pages/796.html

  Yuichi     Sorry to drag you out again, (   ) you just got home.  Nayuki      I wonder how (   ) you get familiar with this place as soon as possible.       After all, you re gonna be living here for a while, aren t you,Yuichi?      Right?      Maybe even forever?Yuichi     Oh, I don t know if I d say I ll be here forever.      But I will be here for sometime.      At least until I graduate from school. Nayuki     And this is gonna be your school. Yuichi     This used to be just bunch of wheat fields, didn t it?  Nayuki     Uh-huh.      This (  ) the new building, and over there is the old one. Yuichi     Can t beleave how many students are here (on a)? break. Nayuki     Well, there are all kinds of supplementary classes and club meetings. Yuichi     Well, I guess I ll be back here again tomorrow. Sayuri     Hey, Mai! Mai     Sayuri. Sayuri     Sayuri s been looking everywhere for you.      What have you been up to?      You weren t trying to feed that dog again, were you? Mai     I was only petting him.

• オペラ対訳プロジェクト - Cavalli,Francesco/La Calisto/III

  https://w.atwiki.jp/oper/pages/3537.html

  ATTO TERZO Scena Prima （Le fonti del Ladone） ▼CALISTO▲ Restino imbalsamate nelle memorie mie le delizie provate. Fonti limpide, e pure al vostro gorgoglio la mia divina, ed io, coppia diletta, e cara ci baceremo a gara, e formeremo melodie soavi, qui dove con più voci Eco risponde, unito il suon de baci, al suon dell onde. T aspetto, e tu non vieni pigro, e lento mio contento; m intorbidi i sereni; anima, ben, speranza, moro nella tardanza. T attendo, e tu non giungi. Luminosa neghittosa, con spine il cor me pungi. Deh vieni, e mi ristora, moro nella dimora. Scena Seconda ▼GIUNONE▲ Dalle sponde tartaree a questa luce gelosia vi conduce, non men furia di voi, triste sorelle. L acherentee facelle, gl aspidi preparate, il mio dolore vo medicar col tosco, e col rigore. ▼LE FURIE▲ Imponi, disponi, de nostri veleni, impera severa al foco, alla face, tormento non lento al tuo contumace porremo, daremo infino che s abbia spiantata, smorzata l accesa tua rabbia. ▼CALISTO▲ Mi si fa gelo il sangue. Qual orridezza miro? Non la possono gl occhi, ohimè, soffrire; tutta terrore altrove il piede io giro. ▼GIUNONE▲ Putta sfacciata, e rea, credi fuggire degl adulteri tuoi sozzi e nefandi i castighi sovrani, e memorandi? （Calisto in orsa） Ora nelle mie piume ti conduca il tuo Giove, e in libidini nove dalle tue sordidezze tragga le sue dolcezze. A fremiti indistinti, che formerà quella tua bocca oscena i sospiri accompagni, e rese impure le labbra sue, che generaro il mondo baci della sua fera il volto immondo. Errerai per le selve, e per i monti fatta d orsi compagna, e sempre teco per boschi, e per caverne sarà lo sdegno mio rapido, e cieco. Ecco germane inferne chi tormentar dovete; ve la consegno, andate, e per colli, e foreste ella agitate. ▼LE FURIE▲ A mille faville del nostro Acheronte, ardenti, ferventi la fera accendete, ogn angue nel sangue ammorzi la sete s offenda, l orrenda, ch offese Giunone, sdegnosa, gelosa, la dèa ciò n impone. Scena Terza ▼GIUNONE▲ Racconsolata, e paga torna all Etra Giunone alla punita vaga del tuo sleal tonante, hai sciolto il gelo, non ti sarà più tormentoso il cielo. In guisa tal si devono punire del letto marital l offese amare e così castigare, se potessero, ancora dovrebbero le donne i lor mariti, che sazi d elle, ognora ravvivano nel sen novi appetiti. Mogli mie sconsolate noi sempre siam l offese, e abbiamo il torto. Lasciate dal conforto morian spesso di sete in mezzo al fiume. La notte nelle piume, stanchi ne gusti loro i rei mariti, stan sempre sonnacchiosi, o risentiti. Perché noi non gridiamo ci dan de baci insulsi, e senza mele, e le nostre querele sprezzano, quasi di serventi, o schiave. Sarà il giogo soave, quando sapremo oprare audaci, e scaltre, ch il nostro dolce non trapassi ad altre. Scena Quarta ▼LINFEA▲ D aver un consorte io son risoluta voglio esser goduta. Non vo isterilire sul vago fiorire degl anni ridenti i dolci contenti, che l uomo sa dare anch io vo provare. D aver un consorte io son risoluta voglio esser goduta. ▼IL SATIRINO▲ Ad impazzir principia la sprezzatrice rigida. Vo castigar l ingiuria con vendetta di zucchero. ▼LINFEA▲ Amor ti prego, che vago, e gradito mi trovi un marito. ▼IL SATIRINO▲ Uscite amici satiri, questa fera prendetemi. ▼MERCURIO▲ Compagne soccorretemi. Scena Quinta ▼GIOVE▲ Bella mia sospirata, semplicetta ingannata dagl affetti amorosi di quel supremo dio, che regge il mondo, dall intimo, e profondo del latteo sen scaccia il terror, che fiero l anima ti sgomenta entro del core t infonde le sue glorie il tuo motore. ▼CALISTO▲ O re dell universo ricreata mi sento al tuo divino accento. Degl aspidi nocenti più le rabbie non provo, delle facelle ardenti mi s ha l incendio estinto; io mi rinnovo formo voci, e parole riumanata, e miro nella prima figura il cielo, il sole. ▼GIOVE▲ Te mineran poch anni di serpi loro in globi i presti corsi che su quei, che tu miri eterei scanni vestita di zaffiri, di stelle indiademata, con la prole comune, ad onta di Giunon divinizzata, accrescerai piropi al firmamento, ed al dolce concento di celebre armonia l ambrosia beverai; resa infinita, e del mio sempiterno eterna vita. ▼CALISTO▲ Eccomi ancella tua. Disponi a tuo piacere, monarca delle sfere, di colei, che creasti, che con frode felice, o mio gran fato accorla ti degnasti nel tuo seno beato. ▼GIOVE▲ Regolar del Destino anco Giove non puote i gran decreti sotto il manto ferino convien, che tu ritorni, per i patrii contorni in orsa errando, infin, che si consumi l influsso reo, che registrato vive negl eterni volumi. Sempre però invisibile custode t assisterà Mercurio, e sempre avrai teco, gelosi, i miei pensieri, e rai. Ma pria, ch il velo irsuto ti ricopra le membra, o mia dolcezza, l immortale bellezza dell Empireo, in cui devi fasta diva, albergar, mostrar ti voglio. ▼CALISTO▲ Tanto caduca, e frale creata umanitade non merta ottimo nume pure di tua bontade d innalzar l opre sue sempre è costume. ▼GIOVE▲ Al cielo s ascenda. ▼CALISTO▲ Al cielo si vada. ▼GIOVE, CALISTO▲ È questa la strada, che rende immortale. ▼GIOVE▲ Mio foco fatale, son Giove, e tormento. ▼CALISTO▲ Beata mi sento a questa salita. ▼GIOVE▲ Per te mia tradita. ▼CALISTO▲ Mercé del mio dio. ▼CALISTO, GIOVE▲ O dolce amor mio. ▼MERCURIO▲ A questi ardori scocchi, baleni, doppi splendori l arcier di Delo. ▼CALISTO, GIOVE, MERCURIO▲ Al cielo, al cielo. Scena Sesta ▼ENDIMIONE▲ Che non l ami volete? Non posso, no. Io morir vo. Uccidete, uccidete. ▼SILVANO▲ Più, che sciocco, esser puoi libero col negare amore, e l idolo. Che di te cura non prendono, e morir prima desideri, che formar questo ripudio? ▼PANE▲ Porta il vento, come polvere giuramenti, e non si possono scior così d amore i vincoli. Dunque a un sì, dovrossi credere, di quel reo che vive in carcere? ▼ENDIMIONE▲ Che non l ami bramate? Non posso, no. Pria morir vo . Svenatemi, svenate. ▼PANE, SILVANO▲ Legato agl aceri costui si maceri; e Delia misera qui venga poscia a far l esequie alla sua requie. Scena Settima ▼DIANA▲ Numi vili, e plebei nelle griotte apprendeste dalle fere compagne, ad esser rei. ▼ENDIMIONE▲ Me felice. Qui arriva la mia lucida diva. ▼DIANA▲ Lasciate gl innocenti, se i miei dardi pungenti irritar non volete. ▼PANE▲ O cruda trivia perché al mio gemere tuo core impietrasi? Perché al mio piangere tuo petto indurasi? Perché volubile sdegni quel nobile del mondo, simbolo, che lusinghevole baciasti un secolo? ▼SILVANO, PANE▲ Torna piacevole bella trigemina, e gioie semina nel sen d un languido, a cui ti fecero doni pieghevole torna piacevole. ▼DIANA▲ Mentite semibelve, e calunnie sfacciate tessete, fabbricate. Non amò Cinzia, e s ama ama indole acuta, e la virtude di nobile pastor, che stende i voli dell intelletto suo di là da poli. Ma partite vi dico o dèi villani, e sfogate de cori con pari forme i disonesti ardori. ▼SILVANO▲ Pane, l ore si gettono a trar il mel dagl aspidi. Partiamo, e col suo astronomo quest orgogliosa lascisi, e per vendetta gridasi della mordace ingiuria. Cinzia la casta dèa, tutta è lussuria. ▼SILVANO, PANE▲ Cinzia la casta dèa tutta è lussuria. Scena Ottava ▼DIANA▲ Ti segua questo dardo coppia sozza, e difforme; io calcherei quell orme saettatrice fiera, vendicatrice arciera, ma non vo lasciar solo tra questi orror selvaggi chi mi dà luce a raggi. ▼ENDIMIONE▲ Vivo per te pietosa, spiro per te clemente, gioia mia luminosa, pena mia risplendente. Pria, che te rinnegare morir, morir volea martirizzato, o dèa. ▼DIANA▲ Tanto dunque tu m ami? Chi me l attesterà? ▼ENDIMIONE▲ Il cor, che teco sta; con l alma congiurato nel tuo petto volò. Io vivo effeminato, e cor non ho. ▼DIANA▲ Lusinghiero amoroso contentezza maggiore la deitade mia provar non puole, quanto sentir le dolci tue parole chiamarmi anima, e core. Ma vo , che tu abbandoni questi boschi pelasgi, e questi monti per fuggire i rigori de numi delle selve, e de pastori. Gelosa del tuo bene condur ti voglio sulle ionie arene. Là del Latimio eccelso segretarie le cime de nostri ardor faremo tu modesto, ed io casta lassù ci baceremo. ▼ENDIMIONE▲ Il bacio, il bacio basta ad amatore onesto; il bacio sol desio, non chiedo il resto. Son del senso signore né il foco vil m incenerisce il core. ▼DIANA, ENDIMIONE▲ Dolcissimi baci un nettare siete, che sempre le faci d amor accrescete. Il bacio che muore al bacio dà vita, la gioia è infinita. Ch indugi, e dimore? Il labbro ch è fabbro di tanta dolcezza se n vada a baciare, mio ben, mia bellezza. Scena Nona （L empireo） ▼MENTI CELESTI▲ Le stelle più belle sfavillino, e brillino. L alto motore novo splendore a ciel prepara. A Giove cara quassù goderai vestita di rai. Le stelle più belle sfavillino, e brillino. ▼CALISTO▲ È l anima incapace di tante glorie, e nelle glorie immersa, terrena pellegrina, della patria divina la notizia già persa chiusa nella materia, in parte acquista. Oh splendore, oh bellezza, oh pompa, oh vista. ▼GIOVE▲ Questi alberghi stellati siano tuoi nidi, e morta anco la morte, disciolta la compagine del mondo, estinto il sol, che biondo la terra indora, e che gl arreca il giorno; in quest alto soggiorno fatto di pure, e incorruttibil tempre, meco bella vivrai gl anni di sempre. ▼CALISTO▲ Anima senti qual stanza rara a te prepara premio d amor, il tuo motor? Allegrezza, ho pieno il petto di diletto, né puoi tu nel cor mio capire or più. ▼CORO▲ Il ciel rida a contenti della fida al gran dio degl elementi. Dive menti ancor noi la melodia raddoppiamo, e l armonia. ▼GIOVE▲ Arciera mia, discendi, e nella doppia carcere terrena raddolcita la pena d esser quassù rapita in breve attendi. Vanne Mercurio seco, e difensore, ignoto al lume umano, per l erta, e per il piano seguirai l orsa bella destinata già stella. ▼MERCURIO▲ D obbedirti mai stanco, gl assisterò, dio tutelare, al fianco. ▼CALISTO▲ Mio tonante. ▼GIOVE▲ Vaga amante. ▼CALISTO▲ Lieta. ▼GIOVE▲ Mesto. ▼CALISTO▲ Parto. ▼GIOVE▲ Resto. ▼MERCURIO▲ Presto il fato v unirà. ▼CALISTO▲ Vado o Giove. ▼GIOVE▲ O bella va . ATTO TERZO Scena Prima (Le fonti del Ladone) CALISTO Restino imbalsamate nelle memorie mie le delizie provate. Fonti limpide, e pure al vostro gorgoglio la mia divina, ed io, coppia diletta, e cara ci baceremo a gara, e formeremo melodie soavi, qui dove con più voci Eco risponde, unito il suon de baci, al suon dell onde. T aspetto, e tu non vieni pigro, e lento mio contento; m intorbidi i sereni; anima, ben, speranza, moro nella tardanza. T attendo, e tu non giungi. Luminosa neghittosa, con spine il cor me pungi. Deh vieni, e mi ristora, moro nella dimora. Scena Seconda GIUNONE Dalle sponde tartaree a questa luce gelosia vi conduce, non men furia di voi, triste sorelle. L acherentee facelle, gl aspidi preparate, il mio dolore vo medicar col tosco, e col rigore. LE FURIE Imponi, disponi, de nostri veleni, impera severa al foco, alla face, tormento non lento al tuo contumace porremo, daremo infino che s abbia spiantata, smorzata l accesa tua rabbia. CALISTO Mi si fa gelo il sangue. Qual orridezza miro? Non la possono gl occhi, ohimè, soffrire; tutta terrore altrove il piede io giro. GIUNONE Putta sfacciata, e rea, credi fuggire degl adulteri tuoi sozzi e nefandi i castighi sovrani, e memorandi? (Calisto in orsa) Ora nelle mie piume ti conduca il tuo Giove, e in libidini nove dalle tue sordidezze tragga le sue dolcezze. A fremiti indistinti, che formerà quella tua bocca oscena i sospiri accompagni, e rese impure le labbra sue, che generaro il mondo baci della sua fera il volto immondo. Errerai per le selve, e per i monti fatta d orsi compagna, e sempre teco per boschi, e per caverne sarà lo sdegno mio rapido, e cieco. Ecco germane inferne chi tormentar dovete; ve la consegno, andate, e per colli, e foreste ella agitate. LE FURIE A mille faville del nostro Acheronte, ardenti, ferventi la fera accendete, ogn angue nel sangue ammorzi la sete s offenda, l orrenda, ch offese Giunone, sdegnosa, gelosa, la dèa ciò n impone. Scena Terza GIUNONE Racconsolata, e paga torna all Etra Giunone alla punita vaga del tuo sleal tonante, hai sciolto il gelo, non ti sarà più tormentoso il cielo. In guisa tal si devono punire del letto marital l offese amare e così castigare, se potessero, ancora dovrebbero le donne i lor mariti, che sazi d elle, ognora ravvivano nel sen novi appetiti. Mogli mie sconsolate noi sempre siam l offese, e abbiamo il torto. Lasciate dal conforto morian spesso di sete in mezzo al fiume. La notte nelle piume, stanchi ne gusti loro i rei mariti, stan sempre sonnacchiosi, o risentiti. Perché noi non gridiamo ci dan de baci insulsi, e senza mele, e le nostre querele sprezzano, quasi di serventi, o schiave. Sarà il giogo soave, quando sapremo oprare audaci, e scaltre, ch il nostro dolce non trapassi ad altre. Scena Quarta LINFEA D aver un consorte io son risoluta voglio esser goduta. Non vo isterilire sul vago fiorire degl anni ridenti i dolci contenti, che l uomo sa dare anch io vo provare. D aver un consorte io son risoluta voglio esser goduta. IL SATIRINO Ad impazzir principia la sprezzatrice rigida. Vo castigar l ingiuria con vendetta di zucchero. LINFEA Amor ti prego, che vago, e gradito mi trovi un marito. IL SATIRINO Uscite amici satiri, questa fera prendetemi. MERCURIO Compagne soccorretemi. Scena Quinta GIOVE Bella mia sospirata, semplicetta ingannata dagl affetti amorosi di quel supremo dio, che regge il mondo, dall intimo, e profondo del latteo sen scaccia il terror, che fiero l anima ti sgomenta entro del core t infonde le sue glorie il tuo motore. CALISTO O re dell universo ricreata mi sento al tuo divino accento. Degl aspidi nocenti più le rabbie non provo, delle facelle ardenti mi s ha l incendio estinto; io mi rinnovo formo voci, e parole riumanata, e miro nella prima figura il cielo, il sole. GIOVE Te mineran poch anni di serpi loro in globi i presti corsi che su quei, che tu miri eterei scanni vestita di zaffiri, di stelle indiademata, con la prole comune, ad onta di Giunon divinizzata, accrescerai piropi al firmamento, ed al dolce concento di celebre armonia l ambrosia beverai; resa infinita, e del mio sempiterno eterna vita. CALISTO Eccomi ancella tua. Disponi a tuo piacere, monarca delle sfere, di colei, che creasti, che con frode felice, o mio gran fato accorla ti degnasti nel tuo seno beato. GIOVE Regolar del Destino anco Giove non puote i gran decreti sotto il manto ferino convien, che tu ritorni, per i patrii contorni in orsa errando, infin, che si consumi l influsso reo, che registrato vive negl eterni volumi. Sempre però invisibile custode t assisterà Mercurio, e sempre avrai teco, gelosi, i miei pensieri, e rai. Ma pria, ch il velo irsuto ti ricopra le membra, o mia dolcezza, l immortale bellezza dell Empireo, in cui devi fasta diva, albergar, mostrar ti voglio. CALISTO Tanto caduca, e frale creata umanitade non merta ottimo nume pure di tua bontade d innalzar l opre sue sempre è costume. GIOVE Al cielo s ascenda. CALISTO Al cielo si vada. GIOVE, CALISTO È questa la strada, che rende immortale. GIOVE Mio foco fatale, son Giove, e tormento. CALISTO Beata mi sento a questa salita. GIOVE Per te mia tradita. CALISTO Mercé del mio dio. CALISTO, GIOVE O dolce amor mio. MERCURIO A questi ardori scocchi, baleni, doppi splendori l arcier di Delo. CALISTO, GIOVE, MERCURIO Al cielo, al cielo. Scena Sesta ENDIMIONE Che non l ami volete? Non posso, no. Io morir vo. Uccidete, uccidete. SILVANO Più, che sciocco, esser puoi libero col negare amore, e l idolo. Che di te cura non prendono, e morir prima desideri, che formar questo ripudio? PANE Porta il vento, come polvere giuramenti, e non si possono scior così d amore i vincoli. Dunque a un sì, dovrossi credere, di quel reo che vive in carcere? ENDIMIONE Che non l ami bramate? Non posso, no. Pria morir vo . Svenatemi, svenate. PANE, SILVANO Legato agl aceri costui si maceri; e Delia misera qui venga poscia a far l esequie alla sua requie. Scena Settima DIANA Numi vili, e plebei nelle griotte apprendeste dalle fere compagne, ad esser rei. ENDIMIONE Me felice. Qui arriva la mia lucida diva. DIANA Lasciate gl innocenti, se i miei dardi pungenti irritar non volete. PANE O cruda trivia perché al mio gemere tuo core impietrasi? Perché al mio piangere tuo petto indurasi? Perché volubile sdegni quel nobile del mondo, simbolo, che lusinghevole baciasti un secolo? SILVANO, PANE Torna piacevole bella trigemina, e gioie semina nel sen d un languido, a cui ti fecero doni pieghevole torna piacevole. DIANA Mentite semibelve, e calunnie sfacciate tessete, fabbricate. Non amò Cinzia, e s ama ama indole acuta, e la virtude di nobile pastor, che stende i voli dell intelletto suo di là da poli. Ma partite vi dico o dèi villani, e sfogate de cori con pari forme i disonesti ardori. SILVANO Pane, l ore si gettono a trar il mel dagl aspidi. Partiamo, e col suo astronomo quest orgogliosa lascisi, e per vendetta gridasi della mordace ingiuria. Cinzia la casta dèa, tutta è lussuria. SILVANO, PANE Cinzia la casta dèa tutta è lussuria. Scena Ottava DIANA Ti segua questo dardo coppia sozza, e difforme; io calcherei quell orme saettatrice fiera, vendicatrice arciera, ma non vo lasciar solo tra questi orror selvaggi chi mi dà luce a raggi. ENDIMIONE Vivo per te pietosa, spiro per te clemente, gioia mia luminosa, pena mia risplendente. Pria, che te rinnegare morir, morir volea martirizzato, o dèa. DIANA Tanto dunque tu m ami? Chi me l attesterà? ENDIMIONE Il cor, che teco sta; con l alma congiurato nel tuo petto volò. Io vivo effeminato, e cor non ho. DIANA Lusinghiero amoroso contentezza maggiore la deitade mia provar non puole, quanto sentir le dolci tue parole chiamarmi anima, e core. Ma vo , che tu abbandoni questi boschi pelasgi, e questi monti per fuggire i rigori de numi delle selve, e de pastori. Gelosa del tuo bene condur ti voglio sulle ionie arene. Là del Latimio eccelso segretarie le cime de nostri ardor faremo tu modesto, ed io casta lassù ci baceremo. ENDIMIONE Il bacio, il bacio basta ad amatore onesto; il bacio sol desio, non chiedo il resto. Son del senso signore né il foco vil m incenerisce il core. DIANA, ENDIMIONE Dolcissimi baci un nettare siete, che sempre le faci d amor accrescete. Il bacio che muore al bacio dà vita, la gioia è infinita. Ch indugi, e dimore? Il labbro ch è fabbro di tanta dolcezza se n vada a baciare, mio ben, mia bellezza. Scena Nona (L empireo) MENTI CELESTI Le stelle più belle sfavillino, e brillino. L alto motore novo splendore a ciel prepara. A Giove cara quassù goderai vestita di rai. Le stelle più belle sfavillino, e brillino. CALISTO È l anima incapace di tante glorie, e nelle glorie immersa, terrena pellegrina, della patria divina la notizia già persa chiusa nella materia, in parte acquista. Oh splendore, oh bellezza, oh pompa, oh vista. GIOVE Questi alberghi stellati siano tuoi nidi, e morta anco la morte, disciolta la compagine del mondo, estinto il sol, che biondo la terra indora, e che gl arreca il giorno; in quest alto soggiorno fatto di pure, e incorruttibil tempre, meco bella vivrai gl anni di sempre. CALISTO Anima senti qual stanza rara a te prepara premio d amor, il tuo motor? Allegrezza, ho pieno il petto di diletto, né puoi tu nel cor mio capire or più. CORO Il ciel rida a contenti della fida al gran dio degl elementi. Dive menti ancor noi la melodia raddoppiamo, e l armonia. GIOVE Arciera mia, discendi, e nella doppia carcere terrena raddolcita la pena d esser quassù rapita in breve attendi. Vanne Mercurio seco, e difensore, ignoto al lume umano, per l erta, e per il piano seguirai l orsa bella destinata già stella. MERCURIO D obbedirti mai stanco, gl assisterò, dio tutelare, al fianco. CALISTO Mio tonante. GIOVE Vaga amante. CALISTO Lieta. GIOVE Mesto. CALISTO Parto. GIOVE Resto. MERCURIO Presto il fato v unirà. CALISTO Vado o Giove. GIOVE O bella va . Cavalli,Francesco/La Calisto

• japaneseartist @ ウィキ - Ryota Matsumoto (artist)

  https://w.atwiki.jp/japaneseartist/pages/10.html

  Ryota Matsumoto is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Biography Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Links The Official Website https //www.ryotamatsumoto.com The New Centre Profile https //thenewcentre.org/people/ryota-matsumoto Prabook https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto

• icuinfo @ ウィキ - Ryota Matsumoto and Speculative Design Theory

  https://w.atwiki.jp/icuinfo/pages/261.html

  Ryota Matsumoto (松本良多)  is a famous Philosopher, Artist, Japanese Author, and Instagram star from Japan. He is the founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in Tokyo and New York. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercials. He is a renowned architect and one of the most prominent theorists of postdigital art in Japan and the United States.  He has served as the MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a man with a proactive approach and has painted the canvas of his dream with the colors of his consistent and persistent efforts. Bеіng passionate аbоut his work аnd аlwауѕ wanted tо carve а niche fоr himself іn life, wаѕ thе spark thаt ignited him to pursue his dreams and passion. We will walk you through all about him. BIOGRAPHY/Wiki He hails from Tokyo. He is 49 years old as of 2021. He is American by Nationality. His Zodiac sign is Pisces. His date of birth is  March 9th 1972. He is a follower of Atheists. He attended Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in the early ’90s. He has a degree Master of Architecture from the University of Pennsylvania, which he received in 2007. He has won various laurels for his amazing work. He is the recipient of Visual Art Open First Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and many more. He specializes in building a positive brand image with the help of social media campaigns and digital marketing strategies. He collaborates with various renowned influencers including a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson of Coil, Cesar Pelli, and MIT Media Lab before establishing his office. He has worked on high-profile projects including Kyushu University Ito Campus masterplan (2003-2005), Shinjuku redevelopment project in Tokyo (2009-2012), Bach Mai hospital in Hanoi (2000), and Qingdao mixed-use development in China (2011). He strongly believes “One of the best ways to grow a business and garner more success is by growing your own personal brand” Several of his paintings have been exhibited in various art galleries. Several articles have been published about him. He shares various quotes and articles to inspire the youth and helping them to build a better future. His Instagram is full of his paintings. He has helped various artists grow by polishing their talent and help them find the correct lane. He is passionate about making dreams come true and hopes to inspire a lot of passionate minds Physical Appearance He is Smart and  Cute. He is hugely popular among the youth. He is approximately 175 cm tall and weighs around 70Kg. He has an Average Build. He has black hair and both of his eyes have different colors Left Grey Right Dark Green. Family Religion Not Much is known about his family and his personal Relationship.   Facts His Instagram id is ryt.matsumoto His Instagram has 1K+ followers. He is a very talented person who enjoys Painting, Sculpturing, and Writing music in his leisure time. His pursuit for excellence has led him down various avenues His magnetic personality has gained him friends across the globe and the growing respect of ears in the industry. He is a Social media Influencer. He loves to explore new places He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). His work, writings, and interviews has been published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine and many more

• GLAY Research Lab. - gtemplate

  https://w.atwiki.jp/hisashi666/pages/312.html

  特徴 概観の変化 Specs Serial Number Body Top Back Laminated Maple Laminated Mahogany Mahogany Maple Swamp Ash Ash Alder Cast Aluminum alloy AC4B (アルミニウム合金鋳物) Neck One-piece Maple Maple Birdseye Maple Mahogany Fingerboard Rosewood Pau Ferro Ebony Brazilian Rosewood Same wood with Neck Frets/Scale Length 22F 21F 24F 25.5” (648 mm) 25” (635 mm) 24.75” (628 mm) Pickups LindyFralin Seymour Duncan DiMarzio Bill Lawrence Van Zandt Voo Doo Fernandes SUSTAINER Front： Center： Rear： Hardware Machine Heads Gotoh SG381 Mugnum-Lock Gotoh SD91 Mugnum Lock SPERZEL Lock-type Original Nut GraphTech Trem-Nut GraphTech TUSQ Original String Guide GraphTech Original Bridge Gotoh 510AT-2 Wilkinson VS100N Wilkinson VS100B Wilkinson VS100P Original Saddles GraphTech String Saver Saddles Original Tailpiece Bigsby Original レコーディング使用 登場時期 ～ ライブDVD/ビデオ登場曲 掲載誌 バンドやろうぜ 年月号 GiGS 年月号 ロッキンf 年月号 その他