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店名 Sora 電話番号 043-293-7317 店舗住所 千葉県千葉市緑区おゆみ野３－８－１ 店舗までのアクセス JR外房線鎌取駅から徒歩5分 営業時間のご案内 9 30～20 00 最終受付（カット18 30、パーマ・カラー17 30、縮毛矯正・デジタルパーマ16 30). 年末31日最終受付（カット15 00、カラー・パーマ14 00、矯正・デジパー13 00） 定休日 毎週火曜,（12/30、31は営業します） 年始1/1から1/4休み（年始1/5から通常営業します） 取り扱いクレジットカード VISA、JCB、AMEX、MASTER、KYODO、UFJ、UC、DC、ダイナースクラブ、お財布携帯(iD) カット価格 4725円 スタイリスト数 3人 席数 8席 備考 駐車場あり/夜１９時以降も受付OK/ドライカット/デジタルパーマ/朝１０時前でも受付OK/ドリンクサービスあり/喫煙OK/カード支払いOK/男性スタッフが多い/女性スタッフが多い/個室あり/キッズスペースあり/DVDが見られる/お子さま同伴可 ▼あざみ野・溝の口・たまプラーザのその他の美容院 ｂ・Hair Dressers 溝ノ口店 Neolive anie 溝ノ口店 Neolive11 溝ノ口駅前店 MerryLand 宮崎台店 gecca C-LOOP UNITED gross Alaine hair design Neolive3 溝ノ口店 insence たまプラーザ gita たまプラーザ店 QUATRO 溝の口店 Lampara League bis あざみ野店 sｈｕ.ｈａ.ｒｉ.. League 宮崎台店 Hair＆make Oggi たまプラーザ SHIDO Hair＆make Oggi 溝の口 ピュアモード イメージア たまプラーザ店 QUATRO たまプラーザ店 az JOY美容室 宮前平店 ヘアブティック BOZ-１ 溝の口店 melanｇe-CLAIRE hairstudio ルジャルダン あざみ野店 イメージア あざみ野店 ヘアメイク アンリ Diaz Of HAIR 鷺沼店 Ash たまプラーザ店 ROSINANTE Anagram Of HAIR 宮崎台店 Ash 鷺沼店
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Market Scenario Cloud storage has been efficient for storing data, especially in remote servers. Industries that produce large amounts of data prefer using cloud storage to provide core security. Companies can easily access the data from the internet. Cloud storage is proven to manage remote servers, including their operation and maintenance. Due to its huge usage, the Cloud Storage Market is expecting good growth value. The market is showing its excellent growth speed due to the driving force. The higher need for mobility is accelerating the demand of the Cloud Storage Market. The global demand is increasing diversely in prominent regions. The industrial verticals are utilizing cloud storage systems for storing large amounts of data. The growth of industry verticals such as the IT sector is highly driving the market. Implementation of cloud storage systems is easy and quite convenient, which raises the demand for cloud storage facilities. The prime activities of the industries to access data through different devices and share them on various platforms are increasing the adoption of cloud storage systems. These factors are highly enhancing the opportunities of the Cloud Storage Market. During the pandemic period, the Cloud Storage Market has noticed a steady growth rate. Due to the lockdown, people preferred to stay at home and work remotely. The data consumption and the requirement for data storage were highly propelled during this period. Most industries prefer to use cloud storage systems for securely storing data. These factors have accelerated the market’s growth rate. The pandemic period has brought up good growth opportunities for the market. It is estimated to continue its growth performance consistent in the post-pandemic period. During the forecast period, the Cloud Storage Market is expected to reach a valuation of USD 104 billion and a CAGR of 25 % from 2023 to 2027. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2996 Competitive Outlook The eminent contenders in the cloud storage market are IBM Corporation (U.S.), Amazon Web Services (U.S.), Microsoft Corporation (U.S.), HP Enterprise Company (U.S.), Google, Inc. (U.S.), Oracle Corporation (U.S.), Rackspace Hosting, Inc. (U.S.), EMC Corporation (U.S.), VMware, Inc. (U.S.), Dropbox, Inc. (U.S.) among others. Segmentation The Cloud Storage Market is segmented into major segments such as the components, verticals and deployment methods. The component segment of the market is fragmented into solutions and services. The solution segment has data archiving, cloud storage gateway, backup storage, disaster recovery, and primary storage. While the service segment is subdivided into support and maintenance, training and consulting, migration and cloud integration, and managed services. The vertical segment of the market involves industrial verticals such as travel and hospitality, education, BFSI, healthcare industry, e-commerce and retail, IT and telecommunication, government, and others. The cloud deployment model consists of private cloud, hybrid cloud, and public cloud. Regional Analysis According to the geographical report, the Cloud Storage Market covers major regions such as the North American region, Europe, Asia Pacific and the rest of the world. The North American region occupies the largest market share due to the higher investment in cloud-based solutions. The increased rate of adoption of advanced technologies is accelerating the market. The Asia Pacific region will also show a good growth rate in the forecast period due to its consistent growth performance and the wide usage of cloud storage systems in various sectors. Industry News Google has announced the launch of BigLake, and it is a new and advanced data lake storage engine. It makes it easier for enterprises to analyze the data in data warehouses and data lakes. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/cloud-storage-market-2996 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. LIST OF TABLES TABLE 1 CLOUD STORAGE MARKET, BY COMPONENT TABLE 2 CLOUD STORAGE MARKET, BY DEPLOYMENT MODEL TABLE 3 CLOUD STORAGE MARKET, BY VERTICAL Continued…. LIST OF FIGURES FIGURE 1 RESEARCH TYPE FIGURE 2 CLOUD STORAGE MARKET, BY COMPONENT (%) FIGURE 3 CLOUD STORAGE MARKET, BY DEPLOYMENT MODEL (%) Continued…. View Similar Report** Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ Antivirus Software Market About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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ウェブサイト新着情報 目元の飛沫・花粉をしっかりカット！「AIR VISOR」に高カット率モデルが新登場！ - PR TIMES コロナ禍で新たに”飛沫対策需要”が拡大 先行販売店舗では、前年比約4.5倍の売り上げを記録 花粉対策アイウェア「AIR VISOR」が再販！ - PR TIMES スマホ動画をバイザーで100型相当にして楽しむ「VISOR-X」 - AV Watch 手のひらサイズの映画館！？ハンズフリーで、どこでも大画面で臨場感溢れるスマホ映像を楽しめるスマホ専用バイザー「VISOR-X」 - PR TIMES 目の前に画面があるってどんな感じ？ VRじゃないシンプルなヘッドマウントスクリーン｢VISOR-X｣を使ってみた - GIZMODO JAPAN スマホでの動画やゲームを大画面化！ バイザー型スマホガジェット｢VISOR-X｣を使ってみた - Lifehacker JAPAN スマホ動画をどこでも大画面で楽しめる？持ち運びも簡単な｢VISOR-X｣がキャンペーン開始 - Lifehacker JAPAN Dell製VR HMD「Visor」レビュー。Windows MR対応VR HMDの実力をDellのゲーマー向けノートPCで確かめてみた - 4Gamer.net 【Zoff】花粉対策メガネ「AIR VISOR ディズニーモデル」、1月19日発売 - PR TIMES 頭部のフィット感抜群なDELLのVRヘッドセット「Dell Visor」とDELL製ゲーミングノートPCでVRを体験してみた - GIGAZINE Steam VRに対応しコンテンツが大幅増加! セットアップが容易なVRデバイス「Dell Visor with Controllers」 - PC Watch 最安価な「Dell Visor」はWindows Mixed Realityヘッドセットの本命か？ (1/2) - ASCII.jp DELL、TGS2017でMRヘッドセット「Visor」をお披露目 - ASCII.jp デル、Windows Mixed Realityを採用したVRヘッドセット「Dell Visor」 - 価格.com 【Zoff】花粉対策メガネ「AIR VISOR ディズニーモデル」全8種類登場 - PR TIMES 【Zoff】花粉対策メガネ「AIR VISOR」シリーズ全32種類の店舗販売を開始 - PR TIMES 花粉カット率最大98.4％! Zoff 「AIR VISOR」新発売!! - PR TIMES 薄くなった頭髪をかぶるだけでフサフサにできるサンバイザーと合体したカツラ「Flair Hair Visor」 - GIGAZINE ブログ新着情報 #blogsearch2 technorati検索結果 #technorati
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3 Pockets Denim Back-Pack(1) Alphabet T-Shirts(52) Angelic Frilled Dress(1) Asian Style Cane-bottomed Chair(2) Back-ribbon Sleeveless Shirt(3) Beads Designed No-Sleeve Dress(2) Box Check Designed Shorts(2) Boxed Foliage Plant(1) Brick Wall(3) Butterfly Designed Leggings(3) Button-down Striped Shirt(3) Casual Roll up Pants(4) Check Patterned Hunting Cap(5) Classic Attache-case(3) Classic Casual Vest(3) Classic Dandy Hat(4) Classic Ribbon Blouse(3) Classy Stylish Watch(3) Colored Denim Shorts(3) Colorful Border T-shirt(1) Colorful cami(12) Colorful Check Button-down Shirt(4) Colorful Headband(12) Colorful low-heeled pumps(12) Colorful Polka-dot Socks(4) Colorful short pants(12) Colorful simple pants(12) Colorful simple skirts(12) Colorful sneaker(12) Colorful tank(12) Colorful U-neck T-shirt(12) Colorful V-neck T-shirt(12) Comfy Paper Light(3) Cropped Color Pants(4) Denim Casual Cap(1) Denim Comfy Hat(1) Digital Sports Watch(4) dress?check?(6) Earth Color Layered Skirt(3) Elegant Monotone Hat(1) Embroidered Design Cotton Dress(3) Enamel Sports Bag(4) European Modern Sofa(5) Fashion Glasses(3) Floral Printed Halter Dress(1) Flower Decor Strappy Sandals(7) Frilled Color Short Shorts(3) Frilled Silk Dress(1) Fringed Gradation Purse(3) Fringed Silk Dress(3) Heart Designed Pierce(3) Heart Printed Skirt with Suspenders(6) High-class Japanese Futon(4) High-waist Balloon Dress(3) Italian Suit with Long Coat(4) Knit Baret Hat(3) Knit Beanie Hat(5) Latticework Window(2) Layered Camisole Dress(3) Layered Chiffon No-Sleeve Dress(3) Leather Mountain Boots(3) Loose Fit Cotton Dress(3) Loose Fit Tubetop Dress(3) Lovely Cane Table(2) Marine Border Design T-shirt(3) Modern TV Stand(3) Natural Cotton Peaked Cap(1) Newbie s T-Shirts(1) Newsboy cap(12) Outdoor Work Boots(3) Pastel Color Scarf(3) Pico T-Shirts(8) Platinum Intelligence Glasses(1) Polka-dot Patterned Dress(4) Polka-dot Socks(3) Pompon Border Dress(6) Printed Stars Ribbon Dress(3) Puffy Hooded Vest(8) Relaxed Cane Chair(2) Ribbon Knit Beret(3) Roses in Earthen Vase(3) Round Chest Table(3) Side Bow Double Headband(3) Simple Border Polo(3) Simple Jacket with Border Shirt(3) Simple Sporty Sneakers(3) Simple Two-toned Wall(3) Simple Wood Floor(3) Sporty Side-stripes Sneakers(3) Star Scrunchie Headband(3) Stylish Denim Vest(1) Stylish Peaked Cap(2) Symbol T-Shirts(12) Tall Antique Chest(2) Tile Textured Floor(3) Trail Running Sneakers(3) Trendy High-heeled Gladiators(4) Tribal Design T-shirt(5) Two-toned Casual Footwear(3) Two-toned Girlie Work Jacket(3)
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GESCOM IDM Warp Autechre(オウテカ)はイギリス・ロッチデール出身のRob Brown(1971年生)とSean Booth(1973年生)からなるプロジェクト。1987年結成。ユニット名の由来は、「au」までは意図的に打ち、その後は適当にキーボードを打って出た文字列である。 共通の友人を介して知り合い、互いにミックステープを交換しているうちに意気投合。その後安い機材(Casio SK-1、Roland TR-606など)を購入して共同で作曲を始めた。 ちなみに電子音楽を作り出したきっかけは、クラフトワークなどの未来的な音楽が電子機材でできるとわかり、そこにおもしろさを見出したから。 Autechreを語る上では外せないWarp Recordsとの関係は、彼らがレーベルにテープを送ったことに始まる。その後1992年に著名な"Artificial Intelligence"コンピレーションアルバムに曲が収録され、1993年に1stアルバム"Incunabula"を同レーベルからリリース。以降主要作品はWarpよりリリースされている。 また、Autechreの活動と平行してGESCOMというユニットでも作品リリースを行っており、近年の活動にはA1-B1(AA)とC1-D1(AA)といった二つのEPをまとめたアルバム"A1-D1"が挙げられる。 2010年2月8日、FACT MagazineのWeb上でミックスが公開された。 現在の最新作は3月にリリースされた"Oversteps"。アルバムアートワークはデザイナーズリパブリックが担っている。 音楽に対する考え方 極力、余計なイメージが付随しない状態で音楽を聴いて欲しいというスタンスを取っており、アルバム名や曲名には意味のある単語は余り用いない（特に近年顕著である）。 またライブも余計なイメージが介在しないよう暗闇の中で行われるが、この形態になったきっかけは別のところにあり、過去VJやライティングを試みたが照明担当がうまく仕事をこなせず、それならばいっそ暗闇でやろうと思い切った結果、意外としっくり来たことからこのスタイルを続けることにしたそうである。ただし今後VJやライティングを導入する可能性もあるとのこと。(LOUD131号インタビューより) 参考動画 autechre live 26.4.2008 osaka japan 使用機材・ソフトウェア Elektron MACHINEDRUM SPS-1 Rob、Seanともに3台ずつほど所持している。 Elektron MONOMACHINE SFX60 ONYX 1640 AKAI MPC1000 Allen Heath Xone92 参考ページ Autechre機材を写したFlickr 以下ソース Autechre Gear List Akai Z8 sampler ADAT card AKG C1000 mic Alesis QuadraVerb GT effects Alesis Monitor 1 speakers Alesis MMT8 sequencer (x2) Analogue Systems RS8500 modular synth with various modules Apple 7200 PowerPC Apple 9650 PowerPC Apple Airport LAN card (x2) Apple G4 dual 800 computer Apple G4 450 computer Apple G4 500 Powerbook (x2) Apple G4 800 Powerbook Apple Powerbook 1400c computer with Newertech G3/PB 1400 upgrade card Atari 1040STE computer Behringer Autocom Behringer Composer Pro Behringer Ultrafex 2 Behringer Ultrapatch (x4) Boss RDD-10 effects unit Boss RSD-10 effects unit (x2) Calabash gourd rattle Casio FZ-1 sampler Casio RZ-1 drum machine Casio PT-7 workstation Casio SK-1 sampler (x2) Casio SK-5 sampler Clavia Nord Lead rack synth Clavia Nord Modular synth with eight-voice card (x2) dbx DDP processor Digidesign 882 I/O interface Digidesign Disk I/O PCI Digidesign DSP Farm PCI DOD phaser pedal Dynaudio BM15a speakers Dynaudio M1 speakers Emagic AMT8 MIDI interface E-mu Esynth Ultra sampler Ensoniq ASR-10R Sampler (x2) Ensoniq DP2 effects unit Ensoniq EPS16+ sampler Griffin iMate adaptor Grundig tape recorder HHB CDR850 Plus CD recorder (link is to the CDR830 Plus) IBM 4.5Gb SCSI drives (x2) IBM ThinkPad computer Iomega Zip 100MB drive (x2) Iomega Zip 250MB drive Kenton Pro 4 CV/MIDI interface Korg Prophecy synth Korg MS10 synth Kurzweil K2500R synth LA Audio 4x4 compressor (LA Audio C400?) Lexicon MPX1 effects unit Mackie 24 8 mixer with meter bridge Mackie CR1604-VLZ mixer Mbira with resonator Micropolis AVLT 2Gb SCSI drive MidiLink MIDI Data Extender MOTU Fastlane USB MIDI interface Miny portable tape recorder MOTU micro express MIDI interface MOTU MIDI Express XT USB interface Nintendo Gameboy Oberheim DMX drum machine Opcode Studio 3 MIDI interface Panasonic SV3800 DAT recorder Peavey PC 1600X controller Philip Rees 5S MIDI switcher Philips oscilloscope Phonic MRT60 mixer PSE stereo spring reverb Pro Tools III PCI interface Realistic induction mic (I m totally guessing on this one...) Reyong RME Hammerfall RME Hammerfall ADI-8 Pro audio interface RME Hammerfall Digiface digital interface Roland CR-8000 drum machine Roland Juno 106 synth Roland SH-2 synth Roland MC-202 synth Roland CR-78 drum machine Roland PMA-5 sequencer Roland TR-606 drum machine Roland R-8 drum machine Seagate Barracuda 4Gb SCSI drives (x3) Seagate Barracuda 9Gb SCSI drive Seck 18 8 2 mixer Simmons SDE drum expander Simmons SPM MIDI mixer Sony CRX 1600L CDRW Sony lapel mic (which one, we may never know....) Sony MDS JE520 MiniDisc recorder Sony HR-MP5 effects unit Sony TCD-D7 Portable DAT recorder Sony DTC690 DAT recorder Symbolic Sound Capybara 320 Tascam US-244 four-track recorder Tascam DA-20 MKII DAT recorder Tascam DAP1 Portable DAT recorder Tascam M2600 mixer TC XII B/K phaser pedal Wacom A5 A6 tablets Yamaha 4260TX CDRW Yamaha CBXD5 interfaces (x2) Yamaha CX5 M computer (x2) (changed to M model, ok?) Yamaha DX100 synths (x2) Yamaha FS1R synth Yamaha KX-W321 tape deck Yamaha NS-10M speakers Yamaha QY20 sequencer/synth Yamaha RY30 drum machine Yamaha SU10 sample By Category Digital FX Alesis QuadraVerb GT effects Boss RDD-10 effects unit Boss RSD-10 effects unit (x2) dbx DDP processor Ensoniq DP2 effects unit Lexicon MPX1 effects unit Sony MP5 effects unit Analog FX Behringer Autocom Behringer Composer Pro Behringer Ultrafex 2 DOD phaser pedal LA Audio 4x4 compressor PSE stereo spring reverb TC phaser pedal Computers Apple 7200 PowerPC Apple 9650 PowerPC Apple Airport LAN card (x2) Apple G4 dual 800 computer Apple G4 450 computer Apple G4 500 Powerbook (x2) Apple G4 800 Powerbook Apple Powerbook 1400c computer with Newertech G3/PB 1400 upgrade card Atari 1040STE computer IBM ThinkPad computer Yamaha CX5 computer (x2) Analog Modular Synth Analogue Systems RS8500 modular synth with various modules Synth Casio PT-7 workstation Clavia Nord Lead rack synth Clavia Nord Modular synth with eight-voice card (x2) Korg Prophecy synth Korg MS10 synth Roland Juno 106 synth Roland SH-2 synth Roland MC-202 synth Yamaha DX100 synths (x2) Yamaha FS 1R synth Samplers Akai Z8 sampler ADAT card Casio FZ-1 sampler Casio SK-1 sampler (x2) Casio SK-5 sampler E-mu Esynth Ultra sampler Ensoniq ASR 10R Sampler (x2) Ensoniq EPS16+ sampler Kurzweil K2500R synth Yamaha SU10 sampler Drum Machines Casio RZ-1 drum machine Oberheim DMX drum machine Roland CR-8000 drum machine Roland CR-78 drum machine Roland TR-606 drum machine Roland R-8 drum machine Simmons SDE drum expander Yamaha RY30 drum machine MIDI Interfaces Emagic AMT8 MIDI interface Kenton Pro 4 CV/MIDI interface MidiLink MIDI interface Midiman Fastlane USB MIDI interface MotU Micro Express MIDI interface MotU MIDI Express XT/USB interface Opcode Studio 3 MIDI interface Philip Rees S5 MIDI switcher Audio Interfaces Digidesign 882 I/O interface Digidesign Disk I/O PCI Digidesign DSP Farm PCI RME Hammerfall RME Hammerfall ADI8 Pro audio interface RME Hammerfall Digiface digital interface Yamaha CBXD5 interfaces (x2) HDDs and CDRWs HHB CDR850+ CD recorder IBM 4.5Gb SCSI drives (x2) Iomega Zip-100 drive (x2) Iomega Zip-250 drive Micropolis AVLT 2Gb SCSI drive Seagate Barracuda 4Gb SCSI drives (x3) Seagate Barracuda 9Gb SCSI drive Sony CRX 1600L CDRW Yamaha 4260TX CDRW DATs Panasonic SV3800 DAT recorder Sony TDC7 DAT recorder Sony TDC690 DAT recorder Tascam DA20 MkII DAT recorder Tascam DAP1 DAT recorder MiniDisk Sony MDSJE 520 MiniDisc recorder Tape Recorders Grundig tape recorder Miny portable tape recorder Tascam 244 four-track recorder Yamaha KXW321 tape deck Control Monitors Alesis Monitor 1 speakers Dynaudio BM 15a speakers Dynaudio M1 speakers Yamaha NS 10M speakers Mixers Mackie 24 8 mixer with meter bridge Mackie CR1604 VLZ mixer Phonic MRT60 mixer Seck 18 8 2 mixer Simmons SPM MIDI mixer Tascam M2600 mixer 24 Mics AKG C1000 mic Realistic induction mic Sony lapel mic Sequencers Alesis MMT8 sequencer (x2) Roland PMA-5 sequencer Yamaha QY20 sequencer/synth MIDI Controllers Peavey PC 1600X controller DSP Farm Symbolic Sound Capybara 320 Other Behringer Ultrapatch (x4) Calabash gourd rattle Griffin iMate adaptor Mbira with resonator Nintendo Gameboy Philips oscilloscope PT3 PCI interface Reyong Wacom A5 A6 tablets Max/MSP SuperCollider Roland Juno 106 Roland MC202 Roland TR606 Roland R8 Ensoniq ASR10 Ensoniq EPS Ensoniq DP2 Alesis Quadraverb Kenton Pro4 Clavia Nord Lead Korg Prophecy Casio SK1 Casio SK5 Casio RZ1 sampling drum machine Yamaha DX11 Korg MS20 YouTubeまとめ Sample(Gantz Graf) Discography 1993 Incunabula 1994 Amber 1995 Tri Repetae 1997 Chiastic Slide 1998 LP5 2001 Confield 2003 Draft 7.30 2005 Untilted 2008 Quaristice 2010 Oversteps
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COM... Comfort, Anne Wistar. 1933. "Some Peculiarities of Quaker English". American Speech 8(1) 12-14. Comrie, B. 1985. Tense. Cambridge Cambridge University Press. Comrie, Bernard Edward L. Keenan. 1979. "Noun Phrase Accessibility Revisited". Language 55 649-664.
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Sorabi 説明 Atlantis Hunterのスタート地点 。南国ビーチでカニ採り放題。 施設一覧 Item shop Supply Hunter skill institute Equipment fix Grandma Hu Armor shop クエスト一覧 行き先一覧 East of Bosnia(02,30) Bosnia Bay(27,24)
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CHALLENGES IN DEVELOPING Ａ MANAGEMENT APPROACH TO INDUSTRIAL HERITAGE SITES 2011.2 M. Peason Unity of time, and the temptation to try to recapture the ‘Meiji moment . Unlike some other heritage places. the value of industrial sites may not be based on their representing any one point of time. Many industrial sites reflect the evolution of industrial processes and operations over ａ period of time, with changes and alterations adding new components, or taking away old components. Taking an industrial site back to one earlier point in time is generally not the objective of its conservation, and as the Nizhny Tagil Charter for the Industrial Heritage (ＴＩＣＣＩＨ 2003) says, reconstruction or returning toａ previous known state should be considered an exceptional intervention . Trying to either reconstruct ａ site as it is thought to have been in the Meiji, or removing later components of ａ place, is not supported by international guidelines. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 11) says ‘The valid contributions of all periods to the building of ａ monument [ or site ] must be respected, since unity of style is not the aim of ａ restoration. When ａ building [or site] includes the superimposed work of different periods, the revealing of the underlying state can only be justified in exceptional circumstances and when what is removed is of little interest and the material brought to light is of great historical, archaeological or aesthetic values, and its state of preservation good enough to justify the action. Evaluation of the importance of the elements involved and the decision as to what may be destroyed cannot rest solely on the individual in charge of the work. An example in the Japanese nomination Mitsubishi Shipyards at Nagasaki, where the nominated componente are part of an evolved operating shipyard. The dry dock, pattern shop (ｎｏｗ the Museum) and the crane have al undergone modification over more than ａ hundred year period to enable them to fulfil their industrial and company purposes. Trying to revert to ａ Meiji era form would be ahistorical, would be conjectural to some degree, and would confuse the heritage values of the place. Reconstructing ruins Ruins and incomplete structures can tell their own history. In industrial sites the reconstruction of incomplete remains very often involves conjecture about what the original site was really like, and the Venice Charter (Article 9) says very clearly that restoration must stop at the point where conjecture begins, and in this case moreover any extra work which is indispensible must be distinct from the architectural composition and must bear ａ contemporary stamp. The interpretation of what constitutes the appropriate ‘contemporary stamp is controversial, but the main thrust of the charter is clear － don t reconstruct on the basis of ｃｏnjecture. The Nizhhny Tagil Charter for the Industrial Heritage says 5.VII. Reconstruction, or returning to ａ previous known state, should be considered an exceptional intervention and one which is only appropriate if it benefits the integrity of the whole site, or in the case of the destruction of ａ ｍajor site by violence. Vｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 15) says that in the case of excavated ruins ; ‘Ruins must be maintained and measures necessary for the pennanent conservation and protection of architectural features and of objects discovered must be taken. ．．． All reconstruction would should however be ruled out ａ priori. Only anastylosis, the re-erection of complete collapsed elements, is allowed, and even this has become controversial since the Venice Charter was written. An example in the Japanese nomination would be the reverberatory furnace at Shuseikan at Kagoshima. Only the foundations survive, and to attempt to reconstruct the furnace would be based very largely on ｃｏnjecture, would probably destroy or bury the original fabric of the historical era, and would distort the heritage values of the place. Aesthetic preservation vs industrial character and authentic setting Industrial sites are seldom beautiful. Some are imposing because of their scale or the sculptural nature of their elements, but they are very seldom built for aesthetic effect. Therefore aesthetic judgements should not guide their conservation. Industrial sites however often have ａ character within their setting that reflects their industrial origins. This can include operational or abandoned equipment, rail lines, ash, coal or waste emplacements, and often ａ rather barren landscape. This setting is often not aesthetically pleasing, but it can be ａ powerful tool in understanding the industrial site, and often deserves to be conserved. It is very often not appropriate to try to beautify industrial sites, and the replacement of traditional settings with manicured parklands and urban recreational landscapes is very seldom appropriate, and detracts frｏｍ theappreciation of the heritage significance of the industrial site. The Venice Charter (Article 7, in another context) states that Ａ monument is inseparable from the history to which it bears witness and from the setting in which it occurs. And (Article 6), states in part that ｀．．．Wherever the traditional setting exists, it must be kept. This is echoed in the Nizhny Tagil Oharter ( 2 III ) These values are intrinsic to the site itself, its fabric, components, machinery and setting, in the industrial landscape, in written documentation, and also in the intangible records of industry contained in human memories and customs. This concept is also echoed in the Joint ICOMOS-TICCIH Principles for the conservation of industrial heritage, sites, structures, areas and landscapes, draft of 8 October 2010, article 2. Industrial sites are also often dirty buildings. and in some cases the accumulation of smoke and oil stains, abrasion marks and grime, tell as much about the industrial process as does the machinery itself. Cleaning up industrial buildings anｄ machinery should be considered a very significant decision. and one not taken lightly, as irreplaceable evidence of the past might be lost. Public safety might be ａ consideration in some rare cases, but there are many ways to make ａ site safe and avoid public contact with oil and grime without having to remove it all together. An example in the Japanese nomination would be the Manda Pit of the Miike mines at Omuta. The mine headframe, winder building, fan house and other support buildings survive in an industrial setting that makes sense of the buildings and the spaces between them. To some extent the industrial landscape allows the experience of the workers at the site to be understood. To remove the railway remains. mining equipment, and bare open spaces., and introduce instead ａ modem municipal park landscape, would destroy the industrial context of the place, and reduce the buildings to being just exhibits in ａ sterile modem garden. Levels of intervention The commonly adopted principle for conservation work is to do as much as is necessary to conserve the place, but as little as is possible. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ indicates intervention must stop at the point where conjecture begins. The Nizhny Tagil Charter (4 Ⅲ) indicates yhat The most important sites should be fully protected and no interventions allowed that compromise their historical integrity or the authenticity of their fabric. Sympathetic adaptation and re-use may be an appropriate and ａ cost-effective way of ensuring the survival of industrial buildings, and should be encouraged by appropriate legal controls, technical advice, tax incentives and grants. A key aim of the conservation of industrial sites is to retain as much of the evidence of the use of the place at the place. The Ｎｉｚｈｎｙ Ｔaｇｉｌ Ｃｈａｒtｅｒ (5.Ⅰ) indicates that Conservation of the industrial heritage depends on preserving functional integrity, and interventions to an industrial site should therefore aim to maintain this as far as possible. The value and authenticity of an industrial site may be greatly reduced if machinery or components are removed, or if subsidiary elements which foｒｍ part of ａ whole site are destroyed. This also means that components of industrial places should not be moved to other places, as museum items or exhibits, or destroyed to ‘clean up ａ site. The Nizhnｙ Tagil Charter (5.Ⅲ) Preservation in situ should always be given priority consideration. Dismantling and relocating a building or structure are only acceptable when the destruction of the site is required by overwhelming economic or social needs. The Ｊｏｉｎt ＩＣＯＭＯＳ-ＴＩＣＣＩ！Ｉ Ｐｒｉｎｃｉｐｌｅｓ ｆｏｒ tｈｅ ｃｏｎｓｅｒｖａtｉｏｎ ｏｆ ｉｎｄｕｓtｒial ｈｅｒitａｇｅ, ｓitｅｓ，ｓtｒｕｃtｕｒｅｓ，ａｒｅａｓ ａｎｄ ｌａｎｄｓｃａｐｅｓ also states (9) Protection measures should apply to buildings and their contents since completeness or functional integrity is especially important to the significance of industrial heritage structures and sites. Their heritage value may be greatly jeopardized or reduced if machinery or other significant components are removed, or if subsidiary elements which form part of ａ whole site are destroyed. An example in the Japanese nomination would be the Customs House at Miike Port. Much of the original fabric of the customs house survives intact, and other parts have been simply moved to new locations within the building. This building could be conserved without requiring its demolition and reconstruction, and in the process most of its original fabric could be retained to tell an authentic story of its history and use. Only as much intervention should take place as is required to ensure the stability or the structure, and its ability to withstand its new use. Continued industrial use Some sites with industrial heritage significance are still in industrial use. The Ｖｅｎｉｃｅ Ｃｈａｒtｅｒ (Article 5) states that The conservation of monuments is always facilitated by making use of them for some socially useful purpose. The Niｚｈｎｙ Ｔａｇｉｌ Ｃｈａｒｔｅｒ (4 Ⅱ) indicates that Programmes for the conservation of the industrial heritage should be integrated them for some socially useful purpose. And 5. Ⅴ states Continuing to adapt and use industrial buildings avoids wasting energy and contributes to sustainable development. Industrial heritage can have an important role in the economic regeneration of decayed or declining areas. The continuity that re-use implies may provide psychological stability for communities facing the sudden end a long-standing sources of employment. The Ｊｏｉｎt ＩＣＯＭＯＳ-ＴＩＣＣＩＨ Ｐｒｉｎｃｉｐｌｅｓ ｆｏｒ tｈｅ ｃｏｎｓｅｒｖａtｉｏｎ of ｉｎｄｕｓtｒｉａｌ ｈｅｒitａｇｅ, sites, structures, areas and landscapes also states ( 8 ) In the case of active industrial structures or sites of heritage significance, it must be recognized that their continued use and function might carry some of their heritage significance and provide adequate conditions for their physical and economic sustainability as a living production or extraction facilities. Their specific technical characteristics and features need to be respected while implementing contemporary regulations such as building codes, environmental requirements or risk reduction strategies to address hazards of natural or human origin. Ａｎｄ (10) Appropriate original or alternative and adaptive use is the most frequent way and often the most sustainable way of ensuring the conservation of industrial heritage sites or structures. ．．．Building codes, risk mitigation requirements, environmental or industrial regulations, and other standards should be implemented in an adapted way to take heritage dimensions into account when they are enforced through physical interventions. An example from the Japanese nomination would be at Yawata Steelworks. The continued use of the repair workshop for industrial uses that do not endanger its historic fabric would maintain the historically traditional use of the building. Similarly, the continued use of the pumping station at Onga River is ａ much more appropriate continuing use than converting the place to ａ new use. In both cases the traditional use has precedence over tourist-oriented uses―World Heritage listing is first and foremost about conserving WH values, not providing tourist attractions. Proper documentation and discussion of conservation proposals Current international best practice suggests that proposals for the conservation of places of heritage significance should be based on the inputs of relevant expert advice, and should be documented and widely discussed before action is taken. The Nizhny Tagil Charter (3 Ⅷ） indicates that The value of significant sites should be defined and guidelinesfor future interventions established. Any legal, administrative and financial measures that are necessary to maintain their value should be put in place. Proper documentation and discussion reduces the chance of poor decision making, and ａ documented conservation plan should provide clear evidence of what exists at ａ place before works start. what evidence is used to establish the heritage values of the place, and what the proposed works are to conserve those values. The conservation plan also shows future managers what has been done to ａ place and why. The World Heritage Operational Guidelines require adequate documentation of conservation proposals and actions. Heritage decisions based on un-documented verbal conversations is not ａ supportable basis for conservation planning.
https://w.atwiki.jp/macinakapiano/pages/677.html
Cattleya plaza 写真未入手 演奏可能時間 10 00 - 19 00 設置期間 2021年2月8日 - 2021年2月10日 設置場所 神奈川県横浜市中区伊勢佐木町 アクセス ＜JR京浜東北線＞ ・関内駅から徒歩5分 ・桜木町駅から徒歩12分 ＜横浜地下鉄ブルーライン＞ ・関内駅から徒歩5分 ＜京急本線＞ ・日ノ出町駅から徒歩10分 ＜東急東横線・みなとみらい線＞ ・馬車道駅から徒歩11分 ＜空港・各方面からのアクセス＞ ・羽田空港から ・名古屋から ・金沢から ・横須賀から ・東京から 設置ピアノ ヤマハ アップライト 設置環境 屋外 近隣のまちなかピアノ マリナード地下街 東へ徒歩2分。 その他 ・2020年は、12月13日 - 2020年12月27日に 設置していた。 ・2021年は、1月12日開始を予定していたが 2月8日以降に延期された。 関連リンク
https://w.atwiki.jp/vocaloidenglishlyric/pages/492.html
【Tags Awa'awa-P G Miku tS】 Original Music title ごめんなsorry English music title Sorrysorry Romaji music title Gomen nasorry Music Lyrics written, Voice edition by あわあわp (Awa awa-P) Music arranged by あわあわp (Awa awa-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by blacksaingrain)： Sorry Really sorry Tera-sorry Soz In all the language in the world I wanna put my apology into words But I m afraid I can only understand Thai Sorry Really sorry Tera-sorry Soz I ll use emoticon or something So forgive me please Please forgive me Let me add just a few words to conclude "Accept my apologisorry" Sorry for smashing Das Nachtpfauenauge Sorry for writing you a fake love letter Sorry for inviting you in a dangerous occult Sorry, sorry, in many ways Sorry for my passing the entrance exams for collage alone Sorry for not telling it to you soon Sorry for licking your recorder Sorry that the song doesn t have the second bridge Sorry Really sorry Tera-sorry Soz I wanna tell you "sorry" in a lost language But I m afraid it s already been lost Sorry Really sorry Tera-sorry Soz I ll use emoticon or something So forgive me please Please forgive me Let me add just a few words to conclude "Accept my apologisorry" I ll jump, land, kneel and bow until my forehead touches the ground Gomennasorry Hey, be together [Translation Notes] Das Nachtpfauenauge A kind of moth. Romaji lyrics (transliterated by blacksaingrain)： gomen maji gomen tera gomen sa-sen sekaijuu no gengo de suman wo tsutaetaindakedo ainiku tai go shika wakaranai yo gomen maji gomen tera gomen sa-sen m（≧д≦）n kaomoji toka tsukeru kara yurushite onegai onegai yurushite saigo ni hitokoto dake suimasorry kujakuyamamayu kowashite gomen nise no rabureta- kaite gomen yabai shuukyou sasotte gomen nanka iroiro gomen gomen daigaku ore dake ukatte gomen shibaraku sore damattete gomen riko-da- no saki namete gomen nanka Bmero mo nakute gomen gomen maji gomen tera gomen sa-sen ushinawareta gengo de suman wo tsutaetaindakedo ainiku ushinawarechatteru yo gomen maji gomen tera gomen sa-sen m（≧д≦）n kaomoji toka tsukeru kara yurushite onegai onegai yurushite saigo ni hitokoto dake suimasorry janpingu dogeza gomenasorry nee be together [Awa awa-P, Awa Awa-P, Awaawap, Awaawa-P]