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https://w.atwiki.jp/matchmove/pages/60.html
Spinal Path Editing Since it can be tedious to repeatedly change coordinate system setups, SynthEyes can dynamically recompute portions of a solve as you change certain values. Warning this is a really advanced topic. It can be used quickly and easily, especially Align mode, but it can just as quickly reduce your solve to rubble. We’re not kidding, this thing is complicated! First, what is “spinal editing” and why is it called that? Spinal editing is designed to work on an already-solved track, where you have an existing camera or object path to manipulate. The path is the spine that we edit. It is spinal because you can think of the trackers as being attached to it like ribs. If you manipulate the spine, the ribs move in response. You’ll be working on the spine to improve or reposition it. The perspective window s local-coordinate-system and path-relative handles can help make specific adjustments to the camera path. After you have completed an initial solve producing a camera path, you can initiate spinal editing by launching the control panel with the Window/Spinal Editing menu item. This will open a small spinal control panel. You can also enable spinal editing with the Edit/Spinal aligning and Edit/Spinal solving menu items, though then you lose the feedback from the control panel. There are two basic modes, controlled by the button at top left of the spinal control panel Align and Solve. Note that the recalculations done by spinal editing are launched only in response to a specific relatively small set of operations · dragging the camera or object in a 3-D viewport or perspective view, · dragging the “seed point” (lock coordinates) of a properly-configured tracker in a 3-D viewport or perspective view, · changing the field of view spinner on the lens control panel or soft-lock panel. · changing the weight control on the spinal editing dialog. In order for a tracker s seed point to be dragged and used for spinal alignment, it must be set to Lock Point mode. Spinal Align Mode In Align mode, your path is moved around as the coordinate system is repeatedly updated, but the shape of the path and the relationship to the trackers is not affected. The RMS error of the solve is unchanged. This can be a nice way to help get that specific coordinate system alignment you want; it allows a mixture of object and tracker constraints. You can use a combination of locks on the camera and on trackers in the scene. As you drag the camera or tracker, the alignment will be repeatedly recalculated. Use the figure of merit value to keep track of whether you have an overconstrained setup the value is normally very small, such as 0.000002. If it rises much above that, you don’t have a minimal set of constraints (typically it reaches 0.020–0.050). That is not a problem—unless you begin solving with the Constrain checkbox on. Note that all camera and object locks are treated as hard locks by the alignment software. Spinal Solve Mode In Solve mode, you are changing the solve itself, generally by adding constraints on the camera path, then re-solving. The RMS error will always get worse! But it lets you interactively repair weak spots in your solve. The spinal solve performs a Refine operation on your existing solution, meaning that it makes small changes to that solution. If the constraints you add after the initial solve, either directly or by dragging with the spinal solve mode, change the solution too much, then you will get a solution that is “the best solution near the old solution” rather than the best overall solution, which you would obtain by starting the solve from scratch (ie Automatic solving mode). To maintain interactive response rates, the spinal solve panel allows you to terminate the refine operation early—and while dragging you’re just going to be changing things again anyway. When you stop dragging, SynthEyes will perform a last refine cycle to allow the refine to complete, although you can also keep it from taking too long. After you’ve been moving around for a bit, especially if your solves are not completing all the way, you can click the Finish button to launch a final normal Refine cycle (Finish is the same as the Go button on the solver panel). Spinal editing might be used in especially subtle ways on long shots. Match-moving inherently produces local “rate of change” measurements, and small random errors (often amplified by small systematic effects such as lens distortion or off-center optic axis) accumulate to produce small twists in the geometry by the end of a long traveling shot. If you have GPS or survey data you can easily fix this using a few locks. But survey data is not always available. These accumulating errors can be particularly problematic when a long shot loops back onto itself. Suppose a shot starts with a building site for a house, showing the ground where it will be. The shot flies past the house, loops around, then approaches from the side. However, the side view does not include the ground, but only some other details not visible from the front. The inserted house is now seen at an incorrect location, perhaps slanted a bit. The path needs to be bent into shape, and spinal path editing can help you achieve that. Please keep in mind that the results of these manipulated solves are generally not the same result you would obtain if you started the solve again from scratch in Automatic solving mode. You might consider re-starting the solve periodically to make sure you’re not doing a whole lot of work on a marginal solution. Using soft locks and spinal editing mode is a black art made available to those who wish to use it, for whatever results can be obtained with it. It is a tool that affects the solver in a certain way. There is no guarantee that it will do the specific thing that you want at this moment. If it does not do what you think it “should be doing,” it is not a bug.
https://w.atwiki.jp/thinkpadwiki/pages/12.html
ThinkPad T60 機種一覧
https://w.atwiki.jp/satoschi/pages/1780.html
アシャニンカ語 ｜Arawakan languages｜ 言語類型 現用言語 使用文字 ラテン文字【Latn?】 type living language writing system Latin alphabet ISO 639-3 【cni】 言語名別称 alternate names Asháninca アシャニンカ語 Campa カンパ語◆三省堂「言語学大辞典」全文データベース 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia
https://w.atwiki.jp/acelink/
ACELINKって何？
https://w.atwiki.jp/lspins_tetrisopener/pages/23.html
https //tinyurl.com/3y24y9ds このテンプレの特徴 パフェが見やすい 2巡目が安定している このテンプレの短所 差別化ができていない TSD撃ってグレートDDTでいい
https://w.atwiki.jp/otomeasakura223/pages/30.html
ＰｉｎｋＷｉｎｄＦｅｓｔａ．＃１ ～はじめまして！レビンてんてー～ 最終成績 優勝：koto＠てんまそ（－３２） ビリ：トーホウレビン（－１８） スピーダー：20750163 ラッキー着順：偽砂糖（６位） 最終総合成績 名前 順位 大会アワード 公式アワード 着順ポイント ボーナスポイント 合計ポイント koto＠てんまそ １位 優勝 銅トロフィー、チップイン 20 4 24 パンダマン！ ２位 15 0 15 不死（ぺんぎん） ３位 12 0 12 シロツメグサ ４位 ロングパター 10 1 11 ernestina ５位 リカバリー 8 1 9 偽砂糖 ６位 ラッキー着順 6 2 8 モモ便 ７位 4 0 4 brownie ８位 3 0 3 20750163 ９位 スピーダー 2 2 4 ナツミ姫 １０位 2 0 2 ｵｼﾞｬ（ぺんぎん） １１位 ラッキー賞 1 1 2 Ｎ・ＳＯＡＨＣ １２位 ベストランナー 1 1 2 トーホウレビン １３位 ビリ 1 2 3 ※結果確定日 ２００８年１０月２７日 PinkWindFesta成績書へ戻る トップページへ戻る
https://w.atwiki.jp/pingpongpunch/pages/10.html
PING-PONG PUNCHとは？ PING-PONG PUNCH 愛知県豊橋市発ロックバンド 2023.3 活動開始 現役理系国立大学生 メンバー Maru(Vo,Gt) YOS(Gt) /ｱﾁｬﾝ(Dr) YouTube https //youtube.com/@PINGPONGPUNCH Instagram https //instagram.com/ping_pong_punch? Twitter https //twitter.com/PING_PONG_PUNCH
https://w.atwiki.jp/phpa/pages/8.html
---スレタイ--- ポータブルアンプ持ち歩いてるやつ集合 Partxx もしくは ポータブルアンプ持ち歩いてるやつ集合 xx台目 ※xxはスレッド数 ---Part1--- ポータブルヘッドホンアンプについて語り合うスレ 購入者はレポートよろしく 【前スレ】 ttp //bubble6.2ch.net/test/read.cgi/wm/1198944471/ 【テンプレ】 2-10程度 ---Part2--- 【ポータブルヘッドホンアンプまとめサイト@Wiki】 ttp //www37.atwiki.jp/phpa/ 【ポータブルアンプ持ち歩いてるやつ専用画像掲示板】 ttp //bbs.avi.jp/396928/ 【先人達の言葉】 アンプは魔法の箱ではない 【関連スレ】 ●ポータブルアンプ持ち歩いてるやつ集合オフ会開催 ttp //etc6.2ch.net/test/read.cgi/event/1177762857/ オフ会の企画、募集等の話題はこちらで。 ●個人輸入ポータブルアンプを待ちわびるスレ 1 ttp //bubble6.2ch.net/test/read.cgi/wm/1197085918/ ポータブルアンプやケーブルの購入情報の交換はこちらで。 ●【オペアンプ】音質改善してるやつ集合【電源】 ttp //bubble6.2ch.net/test/read.cgi/wm/1206778374/l50 オペアンプの交換や、パーツについての話題はこちらで。 【アンプ投票所】 ttp //www37.atwiki.jp/phpa/pages/20.html ---Part3--- 【iPod用ドックコネクタ ケーブル】 ●ALO ttp //www.aloaudio.com/ ●APureSound ttp //apuresound.com/ ●Dock staar (ヤフオクのみ) ttp //dockstaar.9.dtiblog.com/ ●Head-Direct ttp //www.head-direct.com/ ●JsDock Factory ttp //blogs.yahoo.co.jp/js1gr7da_96 ●Microshar.com ttp //microshar.org/ ●MOON AUDIO ttp //www.moon-audio.com/ ●Qables ttp //www.qables.com/ ●Ridax ttp //home.swipnet.se/ridax/connector.htm ●TurboDock (フォーラムに登録の上TURBOさんにPMを送る) ttp //www.fixup.net/talk/topic.asp?TOPIC_ID=1995 【Zen Vision用ドックコネクタ ケーブル】 ●APureSound ttp //apuresound.com/ ●Qables ttp //www.qables.com/ 【iAudio X5用ドックコネクタ ケーブル】 ●APureSound ttp //apuresound.com/ ●Qables ttp //www.qables.com/ 【WM-PORT用ドックコネクタ ケーブル 】 ●参考 【SONY】ウォークマン×アクセサリー【WM-PORT】(市販ケーブルの改造が必要) ttp //bubble6.2ch.net/test/read.cgi/wm/1161252958/ ●簡単なWM-PORT用LINEOUTケーブル作成方法 ttp //wiki.nothing.sh/page?%A5%D8%A5%C3%A5%C9%A5%DB%A5%F3%A5%B9%A5%EC%2FUltimate%20Ears#q7dc4f12 ---Part4--- 【アンプ 1】 ●ALO (mSeed Spirit Amp/iBasso ALO Special Edition T2) ttp //www.aloaudio.com/ ●ATP Systems (Xenos) ttp //www.aptecpro.com/ (閉鎖中) ●Electric-Avenues.com (PA2V2) ttp //www.electric-avenues.com/ ●Go-Vibe website (Go-Vibe) ttp //www.go-vibe-headphoneamp.com/ (ドメイン消滅状態 期限切れ) ●Graham Slee (Voyager) ttp //www.gspaudio.co.uk/ ●Head-Direct.com (MiniBox-E+) ttp //www.head-direct.com/ ●HeadAmp (AE-2/pico) ttp //www.headamp.com/ ●Headb.com (C C Portable Headphone Amplifier) ttp //www.headb.com/ ●Headphonia.com (Headphonia) ttp //www.headphonia.com/ ttp //www.penguinamp.com (Headphoniaの別ブランド) ●HeadRoom (TotalBitHead/TotalAirHead/Portable Micro Amp/Portable Desktop Amp) ttp //www.headphone.com/ ●iBasso.com (iBasso T1/T2/D1/P2) ttp //www.ibasso.com/ ●Qables (iQube) ttp //i-qube.nl/ ---Part5--- 【アンプ 2】 ●LaRocco Audio (Pocket Reference II/Diablo) ttp //laroccoaudio.net/ ●Leckerton Audio (UHA-3 USB-DAC AMP) ttp //www.leckertonaudio.com/ ●Little-Tube (Little Dot Micro+/Little Dot MK I) ttp //www.little-tube.com/ ●Meier-Audio (CORDA MOVE/Corda Headsix) ttp //www.meier-audio.homepage.t-online.de/ ●Microshar.com (uAMP107) ttp //microshar.org/ ●Portaphile (Portaphile V2^2) ttp //www.portaphile.com/ ●Practical Devices Co. (XMoy4) ttp //www.practicaldevices.com/ ●Ray Samuels Audio (SR-71/Hornet/Tomahawk/Predator) ttp //www.raysamuelsaudio.com/ ●Sound Devices (HX-3) ttp //www.gentrade.co.jp/Sounddevices/hx3master.htm ●TTVJ (TTVJ Millett Hybrid Amp) ttp //www.ttvj.com/ ●Xin Feng Company (SuperMacro etc.) ttp //www.fixup.net/ ●storm-amp.com(Storm STB4) ttp //www.storm-amp.com/cpjs.htm ttp //search.ebay.com/_W0QQfgtpZ1QQfrppZ25QQsassZjasmineQ5fchine ---Part6--- 【定番アンプの価格】 ～$100 iBasso T1/Minibox-D/Headstage Lyrix/Penguin Royal ～$200 iBasso T2/C C BOX+/PM XM4/iBasso P2/Mini^3/C C F1/ Corda Headsix/Minibox-E+/UHA-3*/Headstage Lyrix Pro USB total*/ Corda XXS/C C XO/iBasso D2*/XIN SM4 ～$300 Portaphile Maxxed/XM5*/iBasso D1*/Corda 2move*/Tomahawk/ XIN Reference/Pico (DAC無) ～$400 XIN SM4/AE-2/Hornet/(SR-71) $400～ Millett hybrid portable/Predator*/Pico (DAC付)*/Diablo/PRII/Lisa III/iQube *付きはUSB-DAC機能付属。 ---Part7--- ,===,====、 _.||＿__|_____||_ .. ／ ／||＿＿＿|^ l .. (・ω・`)／／|| |口| |ω・` ) . .／(^(^ .／／||...|| |口| |ｃ ） ... ／ ／／ ||...|| |口| ||し 新スレです ....... (・ω・`) ／／.... ||...|| |口| || 楽しく使ってね ／(^(^ ／／ .... .||...|| |口| || 仲良く使ってね "" '' |／ |／ '' " ⌒ ⌒⌒⌒ "" ` ,, ,, ;￣￣￣ "､ " ,, , " " "
https://w.atwiki.jp/thinkpadwiki/pages/13.html
ThinkPad T61 機種一覧
https://w.atwiki.jp/wiki5_hunter/pages/20.html
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