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https://w.atwiki.jp/touhoukashi/pages/1905.html
【登録タグ O Re Raise たま らっぷびと 千年幻想郷 ～ History of the Moon 曲 魂音泉】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/4869.html
【登録タグ ESQUARIA recollection ら ラストリモート 中恵光城 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/knut/pages/28.html
Metadata for Digital Resources Implementation, Systems Design and Interoperability (Chandos Information Professional Series) Part 1 Introduction -- イントロダクション 1 What is metadata? The increasing importance of matadata Metadata creators Metadata in digital library applications Location of metadata Thinking widely about metadata Organistaion of this metadata Notes Part 2 Implementation of metadata creation activistes 2 Choosing metadata standards for a digital library project Metadata for a purpose Factors to consider Functions of metadata standards Using multiple standards Notes 3 Creating metadata usage guidelines Continuing to plan Topics to cover in metadata usage guidelines Writing, testing, and refining usage guidelines Notes 4 Creating metadata The metadata creation process Designing a metadata creation workflow User interfaces for metadata creation Creating metadata directly in XML Benefits of Learning XML technologies Qualitiy control for metadata creation Notes 5 Practical implementation of a metadata strategy Staffing What it means to be a metadata specialist Integrating metadata work into a larger infrastructure Financial implications Notes Part 3 Systems dedsign 6 Functions perfomed by a digital library system The user at the centre of the system design Digital library system functions Metadata for a purpose Notes 7 Metadata that dries discovery functionality The role of user studies Analysing metadata for planning systems Serching Browsing Advanced discovery functionality Results display Notes Part 4 Metadata interoperability 8 Defining interoperability Why sharing? Collections and services Faces of interoperability The challenge of making collections usable by multiple systems Balancing interoperability with local needs 9 Interoperability and resource discovery Resource discovery Resource discovery in other connected systems Generalist search engines Portals and registries Automatic discovery mechanisms Notes 10 Thechnical interoperability Centralised and decentralised search indexes Data aggregation Identifying and locating resources Transforming metadata records Notes 11 Content interoperability shareable metadata Some models for aggregating and using metadata from diverse source The current state of aggregations Creating shareable metadata Notes Part 5 Conclusion 12 The future of metadata Web 2.0 ideas participation and mashups Defining a strategy for metadata management Evolving institutional missions Notes Metadata for Digital Resources Implementation, Systems Design and Interoperability (Chandos Information Professional Series)
https://w.atwiki.jp/diablo3story/pages/92.html
【編集の注意事項】 ・意訳を推奨しています。明らかに翻訳内容が間違っている時を除き、他者が翻訳した内容は消さないで下さい。 ・より良い翻訳を思いついた場合は、翻訳文を並べて記述してください。（既存の翻訳を削除しない）ですが、自信があれば上書きしても構いません。 ・併記された文章は折を見て管理人により１文に減少・修正され、全体の統一感を図ります。(2012/9/20追加) ・間違いや足りない会話があった場合、編集をお願いいたします。もしくは内容の一部（会話の１文）などを、下部コメントにてご連絡下さい。 壊れた剣（THE BROKEN BLADE） ▼ここから１ページ目［編集］ 新トリストラム《NEW TRISTRAM》 ［話しかける］ DemonHunter Maghda said something curious about the next piece. She believes it fell where only ancients may tread. マグダは次の欠片に興味を抱いており、古代人のみが歩く場所に落ちたと信じている。 Monk Maghda knows where the next piece is, but her words are a riddle. She said it fell where only ancients may tread. マグダは次の欠片がどこにあるか知っていますが、その言葉はとても難しい。彼女が言うに欠片は古代人のみが歩む場所に落ちたようです。 WitchDoctor Maghda s words betrayed her. The next piece of the sword rests where only ancients may tread. マグダは秘密をもらした。次の剣の欠片は古代人のみが歩む場所にある。 Wizard Maghda taunted me, claiming to know where the next piece is. She said it fell where only ancients may tread. マグダは次の欠片の場所を知っていると私を嘲った。それは古代人のみが歩む場所に落ちたらしい。 Barbalian Maghda knows where the next piece is, but her words are cryptic. She said it fell where only the ancients may tread. マグダは次の欠片の場所を知っているが、その言葉は曖昧だ。それは古代人のみが歩む場所に落ちたらしい。 LeahLeah That makes me think of the Drowned Temple near the Festering Woods. I remember you telling me about it, Uncle. それは腐敗する森の近くにある埋没した寺院のことね。おじさんが私に話してくれたわ。 Deckard%20CainDeckard Cain Exactly, Leah. The temple was home to the nephalem. そのとおりだリアよ。それはネファレムの寺院だった。 Deckard%20CainDeckard Cain Leah, your knowledge could be invaluable. You must go and help our friend retrieve the sword piece. リアよ、おまえは非常に貴重な知識を持っている。剣の欠片を回収するため我らの友を助けなさい。 NEW !［ ］Go to the Drowned Temple (埋没した寺院《Drowned Temple》に向かう) LeahLeah The nephalem were ancient humans with fantastic powers. Legend holds that they waged a terrible battle near the temple and that their ghosts still war with one another. ネファレムは不思議な力を持つ古代人よ。伝説そのままに、彼らは寺院の近くで恐ろしい戦争を行い、その亡霊は今でも争っているわ。 【選択肢】The Sword (剣について) +... DemonHunter This fragment is very old... and very powerful. この欠片はとても古く、、、力強い。 Monk A deep and ancient power lies within this fragment. 深い古代の力がこの欠片に宿っている。 WitchDoctor This fragment holds an ancient and fearsome power. この欠片は古く恐ろしいほどの力を持っている。 Wizard This fragment seems very old and very powerful. この欠片はとても古く、そして力に満ち溢れているようだ。 Barbalian This fragment is ancient and powerful. この欠片はとても古く、そして力に満ち溢れている。 The Stranger Indeed. It feels familiar to me, though the rest is still unclear. 確かに。残りはいまだ不明だが、この欠片はとても懐かしい感じがする。 DemonHunter This weapon would have belonged to a true champion. この武器は真の王者の物だったのだろう。 Monk A fine weapon for a great warrior. これは偉大な闘士の素晴らしい武器だ。 WitchDoctor This is the weapon of a master warrior. これは熟練の闘士の武器だ。 Wizard Your sword would seem to mark you as a great champion. この剣はあなたが偉大な王者であった印だろう。 Barbalian This is the weapon of a true champion. これは真の王者の武器だ。 The Stranger If that is what I am, then my strength has gone with my memory. もし私が王者であったとしても、私の力は記憶とともに失われてしまった。 DemonHunter If Cain is right, then the sword shall restore both to you. Cainの言う事が正しければ、その剣はあなたに力と記憶を取り戻してくれるさ。 Monk Give it time. I believe your memory is not lost, only clouded. そう焦るな。私はあなたの記憶は曇っているだけで、決して失われていないと信じている。 WitchDoctor Patience. Time may return one or both to you. 今は耐えるんだ。時間があなたに記憶か力、あるいは両方とも返してくれるさ。 Wizard Perhaps when the sword is complete, it will restore both. おそらくその剣が完成した時に記憶と力は復活するだろう。 Barbalian May both of them return to you in time. じきに記憶と力は戻ってくるさ。 【選択肢】Origins of the Coven (カルト信教について) +... Deckard%20CainDeckard Cain Maghda s coven is a remnant of an ancient religion, called the Triune, that worshipped the Prime Evils as gods. マグダの集会は三位一体（Triune）と呼ばれる３柱の邪神を崇拝する古代の宗教の生き残りじゃ。 DemonHunter Disgusting. And yet, the Prime Evils have been dead for twenty years. Who does the Coven worship now? うんざりだな。しかしその邪神達は20年前に滅んでいる。魔女の集会は今何を崇拝しているんだ？ Monk But they are dead. Who do they worship now? しかし彼らは死んだ。彼らは今何を崇拝しているんだ？ WitchDoctor There will always be those who will follow evil. Who do they now worship? 悪の道に走るものは絶えないな。彼らは今何を崇拝しているんだ？ Wizard But the Prime Evils died twenty years ago. Who does the Coven worship now? しかしその邪神達が死んで20年になる。魔女の集会は今何を崇拝しているんだ？ Barbalian The Prime Evils are long dead... Who does the Coven worship now? その邪神達が死んでから長く経つ…魔女の集会は今何を崇拝しているんだ？ Deckard%20CainDeckard Cain The last two Evils, Azmodan and Belial, remain... and if either of them are behind this coven, then our troubles are only beginning. 邪神達には最後の２柱、アズモダンとベリアルが残っておる…そしてもしそのどちらかが会の背後にいるとするなら、この度の災厄は単なる前触れに過ぎん。 【選択肢】Old Stories (昔話) +... Captain Rumford My grandfather used to tell me stories of ancient heroes who performed impossible feats. You remind me of those heroes. 祖父は偉業を成し遂げた古代の英雄たちの話をしてくれたんだ。君たちを見てて思い出したよ。 Captain Rumford Of course, he also told me I looked like a quill fiend. He was a strange man. まあ、僕が悪魔に見えるなんてことも言ってたけど。彼は変った人だったからね。 ［話しかける］ Villager With the dead squared away and Cain back in town, I hope things won t be so bad around here. 村人：死者が追い払われると共にケインが町に戻った。事態がこれ以上悪くならないことを願うよ。 【選択肢】The World (この世界) +... Covetous Shen Such a strange place this world is. You never know what you might find over the next rise, or what the next day might bring. この世界はなんと奇妙な所か。何を見つければ前進出来るのか、明日が何をもたらすのかなどお前には想像もつくまい。 Covetous Shen A man who fell from the sky, a king who cannot die. I can tell I will have no dull days traveling with you. 男は天から落ちてくるわ、王様はよみがえるわ。お前らと旅をするなんてまっぴらだってことだけは間違いないがね。 屠殺亭《THE SLAUGHTERD CALF INN》 ［話しかける］ Villager I heard the goatmen have come down from the hills and are killing anything they can get their claws... um, hooves... on. We should have killed them all when we had the chance! 村人：山羊頭共が丘から降りて来て手…いや、蹄当たり次第何でも殺してるって聞いたよ。奴らを殺せる時に皆殺しにしておくべきだったんだ！ ケインの家《CAIN S HOUSE》 ［家に入ると、どちらかを発言］ LeahLeah It doesn t feel right being in Uncle Deckard s room when he s not here. ケインが居ないのに勝手に入るのは、いい気がしないわ。 LeahLeah You know it s not polite to go through other people s things, don t you? 他人の家に入るのが失礼にあたるってのは知ってるわね？ リアの部屋《LEAH S ROOM》 ［部屋に入ると、どちらかを発言］ LeahLeah What are we doing in my room? 私の部屋に何か用？ LeahLeah This is my room. Do you like it? ここが私の部屋よ。どう？ ［机の上の日記（ジャーナル）に触れると発言］ LeahLeah What? You re not really thinking of reading my journal, are you? ちょっと？私の日記を読むなんて、何考えてるの？ 荒れ果てた野《FIELDS OF MISERY》 ［通り抜けて古びた粉ひき場《THE OLD MILL》を探す］ 古びた粉ひき場《THE OLD MILL》 ［話しかける］ Scoundrel Thieves are going to kill my friend if we don t do something! Help me break these bonds, and see for yourself! 盗賊共が俺の友人を殺しに行ったんだ。俺たちが何とかしないと！そんなことにならないように助けてくれるよな？！ ［フォロワーを連れていると］ ▼Scoundrel Scoundrel（フォロワー） Wait, aren t you from the guild? How could I forget a handsome devil like you! ちょっとまて、お前ギルドのもんか？お前みたいなハンサムデビルを見忘れるはずないんだが。 Scoundrel Why, yes, of course! It s good to see you again. ん、ああ、もちろん！また会ったな。 ▼Enchantress Enchantress What a terribly strange man. なんなのコイツ。 ［会話一旦終了し、Scoundrel移動開始］ COMPLETE !［〆］Go to the Drowned Temple (埋没した寺院《Drowned Temple》に向かう) NEW !［ ］Follow the Scoundrel (Scoundrelについていく) Player共通 What do they want with your friend? やつらの狙いはなんだ？ Scoundrel She s just a farmer s daughter--Sasha... but she has a relic that the thieves are after. 彼女、サーシャはただの農家の娘さ…だが彼女は盗賊共が捜している遺物を持っているんだ。 COMPLETE !［〆］Follow the Scoundrel (Scoundrelについていく) NEW !［ ］Talk to the Brigand (Brigandと話をする) ［近づくとBrigand発言下記いずれか］ Brigand Where is the relic? 遺物はどこだ？ Brigand He s deserted you. Just give it over! ヤツはお前を見捨てたんだ。さっさと渡せ！ Brigand I m losing my patience, wench! もう我慢できねぇぞ、このアマ！ ［続いてSasha発言下記いずれか］ Sasha I ll never tell you! 絶対言うもんか！ Sasha My sweet love will save me! 私のダーリンが守ってくれるんだから！ Sasha I m sworn to secrecy! 絶対に秘密なんだから！ ［話しかける］ Player共通 Release the girl. The relic belongs to her. 彼女を解放しろ。遺物は彼女の物だ。 Brigand You actually believe what this scoundrel tells you? お前まさかこのろくでなしの話を本気にしてんのか？ Brigand Fine, you fools. We ll kill the both of you! 傑作だな、アホが。お前ら両方ぶっ殺してやる！ COMPLETE !［〆］Talk to the Brigand (Brigandと話をする) NEW !［ ］Kill the brigands (ブリガン達を倒す) ［手下を数名倒すと登場］ Nigel Cutthroat You won t get away from us this time! 喉裂きニゲル：逃げるんなら今のうちだぞ！ ［ニゲルを倒す］ Nigel Cutthroat This isn t over. The rest of the Thieves Guild will find you... 喉裂きニゲル：これで終わりじゃねぇ。盗賊ギルドの仲間がお前を見つけるぞ… COMPLETE !［〆］Kill the brigands (ブリガン達を倒す) NEW !［ ］Speak with the Scoundrel (Scoundrelと話す) ［話しかける］ Sasha Here s the relic, my love. I hid it like you asked. Father s grown suspicious of us, but that won t matter once we re married. It won t be long, right? 遺物はここよ、ダーリン。あなたの言った通り隠してたの。パパったら私たちのこと疑ってるのよ。でも一旦結婚してしまえばそんなことたいした問題じゃないわ。もうすぐに、ね？ Scoundrel Of course, my dear! Soon we will settle down to a quiet life of tilling the fields and raising brats... uh... children. But first I have to sell this relic! Alas, I must travel away with my friend here to do so. もちろんさ、ハニー！もうすぐ僕らは畑を耕してガキ…いや、子供を育てる穏やかな生活を始めるんだ。でもまずはこの遺物を売っぱらわなきゃな！悲しいかな、その為には友達と遠くまで旅に出なきゃならないんだ。 COMPLETE !［〆］Speak with the Scoundrel (Scoundrelと話す) NEW !［ ］Take the Scoundrel north to the waypoint (Scoundrelを北のウェイポイントに連れて行く) DemonHunter You wish to join me? 共に来るか？ Monk You wish to join me? 共に来るか？ WitchDoctor You wish to come with me? 私と共に進むか？ Wizard You re coming with me? 一緒について来るのでしょう？ Barbalian You wish to join me? 一緒に行くか？ Scoundrel Yes, yes! You look like you know a lot about markets. Now, lead the way! やあ、もちろん！君は市場について詳しそうだし。さあ、出発だ！ Scoundrel Wait--the relic is a fake! Gods, I should have known. まてよ、この遺物は偽物だ！なんてこった、これがわかっていればなぁ。 +未使用or条件付原文 Scoundrel Wait--the relic is a fake! Gods, I should have known. That ll teach me to steal from the Thieves Guild! まてよ、この遺物は偽物だ！なんてこった、これがわかっていればなぁ。盗賊ギルドから盗む前に！ Scoundrel Well, you seem like you could use a helping hand, and I sure as hell don t want to stay around here! な、俺って役に立つだろ。さあ、こんな地獄みたいな場所とはとっととおさらばしたいね。 +未使用or条件付原文 Scoundrel But... perhaps this is for the best! Well, you seem like you could use a helping hand--and I sure as hell don t want to stay around here! でも…かえってよかったかもな！な、俺って役に立つだろ。さあ、こんな地獄みたいな場所とはとっととおさらばしたいね。 ［フォロワーを連れていると］ Templar Please tell me that you re not considering this criminal s proposal. この犯罪者の提案に乗せられている訳じゃないと言ってくれ。 ▼ここから２ページ目［編集］ 埋没した寺院《Drowned Temple》 ［ウェイポイントに到着］ Scoundrel Ah, there you are! さあ、こっちだ！ DemonHunter But you made a promise to your betrothed... でも君には婚約者との約束が… Monk But what of your betrothed? だが婚約者はどうするつもりだ？ WitchDoctor And your betrothed? では婚約者はだ？ Wizard What of your betrothed? 婚約者はどうするんだ？ Barbalian What of your betrothed? 婚約者はどうするんだ？ Scoundrel Betrothed? Do I look like the marrying kind to you? By the way, my name is Lyndon. 婚約だって？あんたには俺が結婚する類の人間に見えるのかい？そうそう、俺の名前はリンドンさ。 COMPLETE !［〆］Take the Scoundrel north to the waypoint (Scoundrelを北のウェイポイントに連れて行く) NEW !［ ］Go to the Drowned Temple (埋没した寺院《Drowned Temple》に向かう) ［階段下の亡霊が見えると］ COMPLETE !［〆］Go to the Drowned Temple (埋没した寺院《Drowned Temple》に向かう) NEW !［ ］Talk to Alaric (アラリクと話す) LeahLeah What the tomes say of Alaric and this temple is not encouraging. この黙示録にある〝アラリク〟とこの寺院についての記述はちょっと信じられないわね。 ［話しかける］ LeahLeah You must be Alaric the guardian... Uncle Deckard told me of your eternal watch over this cursed place. I thought it was a myth! あなたがアラリクね... この呪われた場所の不滅の監視者。ケインから聞いたことがあったけど、ただの伝説だと思ってたわ！ AlaricAlaric Are you nephalem? お前はネファレムか？ LeahLeah No. There have been no nephalem for a millennium. いいえ。ネファレムが姿を消してから千年経っているのよ。 AlaricAlaric Hah! Yet another myth. You seek entrance to this temple, but only a nephalem can enter. If you retrieve the keys from the outlying tombs and use them on the gates, we will see who... and what... you truly are. ハッ！お前はこの寺院の入り口を探しているようだが、実際に足を踏み入れることができるのはネファレムだけだ。だがもしもお前が墓所より鍵を取りもどし寺院の門に対してそれを用いてみれば、自分が本当はだれで...何者であるのか...知ることとなるであろう。 ［アラリク移動開始］ AlaricAlaric Follow me. I will raise the bridge, that you may pass. ついてこい。橋を通るがよい。 COMPLETE !［〆］Talk to Alaric (アラリクと話す) NEW !［ ］Go to the Festering Woods (腐敗する森《Festering Woods》へ向かう) ［橋が川に架かる］ AlaricAlaric Seek two tombs in the woods beyond--the Warrior s Rest and the Crypt of the Ancients. Within them reside the keys to our sacred temple. ここより森を越えて、古の地下聖堂と戦士達の安息所の先にある二つの墓標をさがし出せ。そこにわれらの聖堂へとつづく鍵がある。 腐敗する森《Festering Woods》 COMPLETE !［〆］Go to the Festering Woods (腐敗する森《Festering Woods》へ向かう) NEW !［ ］Retrieve the Beacon of Honor from Warrior s Rest (0/1) (戦士達の安息所《WARRIOR S REST》にて栄光の秘宝を手に入れる) NEW !［ ］Retrieve the Beacon of Light from the Crypt of the Ancients (0/1) (古(いにしえ)の地下聖堂《CRYPT OF THE ANCIENTS》にて輝きの秘宝を手に入れる) ［フォロワーを連れていると］ Scoundrel I don t care for these woods. Must we slog through them? いけすかない森だぜ。どうしてもここ通んなきゃダメ？ Templar A pall of ancient doom hangs upon these woods. いにしえの悪夢のとばりがこの森を覆っている様だ。 Enchantress These woods are ominous and old... even older than my time. この不吉な森は私よりもずっと年がいってるわね。 ［出会うと会話発生］ +詳細 ［いずれかを発言］ Enraged Phantom Drink her／his blood! 奴の血を飲むぞ！ Enraged Phantom Your lives will be ours! さぁ仲間に入れてやろう！ Enraged Phantom Kill! Kill! 殺せ！殺せ！ LeahLeah Are these Alaric s people? これもアラリクと同じ人たちなの？ DemonHunter No, they have been twisted. 違うな、歪んでしまっている。 Monk No, they have been twisted. 違う、歪んだ存在だ。 WitchDoctor No. They are lost in madness. いいや。狂気に我を忘れたのだろう。 Wizard No, these are malevolent spirits. 違うね、他人の不幸を喜ぶ亡霊たちさ。 Barbalian These are mongrels... ただの化け物だ... ［弓兵骸骨に出会うと］ +詳細 Returned Archer We must hold them until the temple is sealed! 我々は寺院が封印されるまで、ここで奴らを迎え撃たねばならん！ LeahLeah Why do they still fight? 彼等は何の為に戦っているのかしら？ DemonHunter They are lost in the past. そんなものはとうに忘れ去っているだろうさ。 Monk They are trapped in the past. They do not know our presence. 彼等は過去に囚われた存在だ。我々の事も分からないだろう。 WitchDoctor They are lost in the past. 彼等は過去の亡霊さ。 Wizard They cannot escape the battles of the past. 過去戦に囚われ、抜け出せない者達さ。 Barbalian They are lost in the past. 全うな意識は残っていまい。 ［人骨が散乱している場所で］ LeahLeah I wonder who killed these soldiers... 一体誰がこの戦士たちを殺したのかしら… DemonHunter Well, there s only one way to find out. まあ、その答えを見つけるまでは一本道さ。 Monk We ll have the answer soon. 間もなく分かるだろう。 WitchDoctor I sense that we will soon know the answer. すぐに分かりそうな気がするな。 Wizard I think we ll find out soon enough. 間もなく分かるだろう。 Barbalian We ll soon find out. すぐに分かるさ。 ［記念碑に触れるとサブクエスト開始］ +［LAST STAND OF THE ANCIENTS］（古の亡霊） ［LAST STAND OF THE ANCIENTS］（古の亡霊） -Defeat the invaders-（侵略者を打ち負かせ）} NEW !［ ］Defeat the invaders (侵略者を打ち負かせ) LeahLeah I ve got a bad feeling about this. いやな予感がするわ Fade，Patron of the Mad Take the hill, brothers! Don t let these dogs have it! あそこを取り戻すのだ兄弟よ！こやつらに明け渡すわけにはいかぬ！ ［侵略者を掃討完了］ LeahLeah That last skeleton must have been one of Alaric s people. But it didn t stop him from attacking. 最後のスケルトンはアラリクの仲間だったはずよ。それでも攻撃を止めようとはしなかった。 DemonHunter Death has a way of twisting the memory. 死ぬと記憶が混乱するんだろう。 Monk Both sides of this ancient battle war against us. 古代の戦争でのどちらの側もが私達には敵対している。 WitchDoctor Both sides of this ancient battle war against us. 古代の戦争でのどちらの側もが私達には敵対している。 Wizard I believe we are fighting against both sides of an ancient battle... どうやら古代の戦争の敵味方どちらとも戦っているみたいね... Barbalian Both sides of this ancient battle war against us. 古代の戦争でのどちらの側もが私達と戦っている。 ［フォロワーを連れていると］ Enchantress Their spirits have been rent asunder. No reason remains within them. 彼らの魂は既にバラバラに砕けてしまっているわ。もう戦う理由なんて覚えてはいないのよ。 ［中に入る］ 古(いにしえ)の地下聖堂《CRYPT OF THE ANCIENTS》 LeahLeah This is amazing! It reminds me of being a child and searching for lost artifacts with Uncle Deckard. 凄いわ！何だか子供の頃、デッカードおじさんと失われたアーティファクトを探していた頃を思い出すわ。 ［Scoundrelを連れていると］ Scoundrel Such a relief that you re all grown up now. あんたが大人になってて良かったよ。 あんた等が皆大人になってて良かったよ。 LeahLeah At least one of us is. 一人子供が混じっているみたいだけどね。 少なくとも一人はね。 ［Enchantressを連れていると］ Enchantress I am glad you are with us now, Leah. あなたが居てくれて良かったわ、リア。 ［回収する］ COMPLETE !［〆］Retrieve the Beacon of Light from the Crypt of the Ancients (0/1) (古(いにしえ)の地下聖堂《CRYPT OF THE ANCIENTS》にて輝きの秘宝を手に入れる) ［中に入る］ 戦士達の安息所《WARRIOR S REST》 ［弓兵骸骨に出会うと］ Returned Archer Repel them, my brothers! 奴らを迎え撃つぞ兄弟！ Despair the Gorgon Stand fast! They advance no farther! 急げ！奴らをこれ以上先に行かせるな！ ［回収する］ COMPLETE !［〆］Retrieve the Beacon of Light from the Crypt of the Ancients (0/1) (古(いにしえ)の地下聖堂《CRYPT OF THE ANCIENTS》にて輝きの秘宝を手に入れる) NEW !［ ］Beacons placed on Pedestals (台座に秘宝を設置する) 腐敗する森《Festering Woods》 ［埋没した寺院《Drowned Temple》へ戻る］ 埋没した寺院《Drowned Temple》 ［秘宝を設置］ COMPLETE !［〆］Beacons placed on Pedestals (台座に秘宝を設置する) NEW !［ ］Enter the Drowned Temple (埋没した寺院に入る) ［近づくと］ AlaricAlaric The temple is open. Enter and defeat the guardians within. Although they are my brothers, they will seek your death when you enter. 寺院の扉は開かれた。待ち受ける番人達を打ち負かせ。彼らはわたしの同胞だが、ひとたび寺院に足を踏み入れればお前たちの敵となるだろう。 ［Templarを連れていると］ Templar I cannot fault them for doing their duty. わたしには職務に忠実な者たちを非難することはできないな。 ［改めて話しかける］ 【選択肢】The Drowned Temple (埋没した寺院) AlaricAlaric Remove the thing that fell into our temple. Every moment it remains, my people grow more restless. われらの寺院に墜ちてきたものを取り去ってくれ。あれが残り続けるかぎり同胞たちに安らぎは無い。 ［中に入る］ COMPLETE !［〆］Enter the Drowned Temple (埋没した寺院に入る) NEW !［ ］Kill Ezek the Prophet and the skeletons (神託者エゼクとそのとりまきを倒す) LeahLeah Look at this architecture! This predates the Sin War! この建築様式を見て！これは the Sin War よりも前の時代のものよ！ ［Scoundrelを連れていると］ Scoundrel I can teach you more about sin... 罪についてならもっといろいろ教えてやれるぜ... LeahLeah Please don t. お願いだからやめてね。 ［Ezek the Prophetと戦闘開始］ Ezek the Prophet None may enter the inner sanctum! 誰も聖所には入らせん！ +未実装発言と思われるもの Ezek the Prophet I pray you have the strength to set them free. When you are ready, summon them. お前が彼らを開放できるだけの力を持っていることを祈る。用意ができたなら、彼らを呼び起こすが良い。 ［Ezek the Prophetを瀕死にする］ Ezek the Prophet Rise, my brothers! Rise and do battle! 甦れ、我が同胞！蘇り、戦うのだ！ ［ネームド３体追加］ Brother Moek She／He is strong, brothers. こいつは強いぞ、兄弟達。 Brother Larel Rest, at last. ついに、休息の時が。 Brother ***** Finally, my fight is over. ようやく、私の戦いも終わった。 ［討伐完了］ COMPLETE !［〆］Kill Ezek the Prophet and the skeletons (神託者エゼクとそのとりまきを倒す) NEW !［ ］Talk to Alaric in the Drowned Temple (埋没した寺院でアラリクと話す) ［話しかける］ AlaricAlaric Your strength rivals that of our greatest champions. What now do you think you are? お前の力はわれらのなかでも最高の闘士達に匹敵する。さぁ、お前はどう考える？自分を何者だと？ AlaricAlaric You may enter our most sacred place. われらの聖地の最奥へ入るがよい。 ［Templarを連れていると］ Templar The spirit speaks the truth. This was a good place. I can feel it. 精霊のお告げに嘘は無かった。ここは善い場所だ。 COMPLETE !［〆］Talk to Alaric in the Drowned Temple (埋没した寺院でアラリクと話す) NEW !［ ］Secure the Glowing Sword Shard (輝く剣の欠片の安全を確保する) ［剣の欠片とMaghdaを発見］ ［近づくと］ MaghdaMaghda The noble hero fought her／his way here just to die. 勇敢な戦士よ、わざわざ死ぬためにこんな所までご苦労だったねぇ。 ▼DemonHunter DemonHunter You again. また貴様か ▼DemonHunter以外 DemonHunter以外 Maghda! マグダ！ MaghdaMaghda And who is this you bring with you? Adria s daughter? She has... power within her. そこにいるのは...エイドリアの娘か？ ふむ...力を秘めている。 MaghdaMaghda No matter; your mother will soon share your fate, little one. The shard is mine. Fill this temple with their blood! まあいい。エイドリアもじきにお前と同じ運命を辿る。剣の欠片は私のもの。この一帯を奴らの血で染め上げるのだ！ ［マグダ、手下を召喚］ ［手下を掃討（マグダは消える）］ LeahLeah What did she mean my mother will share my fate? Could my mother be alive after all these years? 母さんが私と同じ運命を辿る？ まさか母さんが生きているというの？ DemonHunter She s trying to distract you. Don t listen to her. 混乱させようとしているだけだ。気にする必要は無い。 Monk She tries to prey upon your thoughts. Close your mind. 考える必要は無い。惑わそうとしているだけだ。 WitchDoctor Her words are lies and madness. Do not listen. 彼女の言葉は嘘と狂気に支配されている。耳を傾けてはいけない。 Wizard She wants to torment you. Don t listen to her. 聞いてはだめだ。悩めば彼女の思う壺だ。 Barbalian She is full of lies. Do not believe her. 彼女の言葉は嘘に満ちている。信じてはいけない。 ［Templarを連れていると］ Templar And what is the power within you that she spoke of? 彼女の言っていた力とは一体...？ LeahLeah This fight was too easy. She s toying with us. We must get back to Uncle Deckard right away. 今の連中は弱すぎる。彼女は遊んでいるんだわ。すぐにデッカードおじさんの所に戻らないと。 COMPLETE !［〆］Secure the Glowing Sword Shard (輝く剣の欠片の安全を確保する) NEW !［ ］Get the Glowing Sword Shard (輝く剣の欠片を回収する) ［回収］ COMPLETE !［〆］Get the Glowing Sword Shard (輝く剣の欠片を回収する) NEW !［ ］Return the Glowing Sword Shard to New Tristram (新トリストラムへ輝く剣の欠片を持ち帰る) 新トリストラム《NEW TRISTRAM》 COMPLETE !［〆］Return the Glowing Sword Shard to New Tristram (新トリストラムへ輝く剣の欠片を持ち帰る) 話しかけると次のクエスト ワーサム村の悲劇（THE DOOM IN WORTHAM） 開始 ▼以下、発生箇所不明or未使用原文 +... AlaricAlaric Those who possess the Beacons of Light and Honor may enter our holy temple. Use them on the pedestals. 光と栄光の篝火を持つものならば我らが聖なる寺院に入れるだろう。それらを台座に灯すのだ。 AlaricAlaric Those who possess the Beacons of Light and Honor may enter our holy temple. Use them on the pedestals. 光と栄光の篝火を持つものならば我らが聖なる寺院に入れるだろう。それらを台座に灯すのだ。 LeahLeah I m going ahead to the Drowned Temple. Our mission lies there. 水没した寺院に向かっているの。そこでやらなくちゃいけないことがあって。 【コメント注意事項】 ・既存の翻訳文章への指摘は、可能なら代替案（翻訳）を考えて当該の翻訳文章に並べて直接ページの編集をお願いいたします。 （既存の翻訳を削除せず、ご自分の翻訳を２行目に追加してください。管理人が後に良いと判断した翻訳のみ表示するように変更します） ・代替案が思い浮かばない場合は、翻訳者に失礼のならないよう、優しい文章で指摘してください。 ・ご指摘の際は、対象の箇所が特定できる原文の一部を記載下さい。 ・このコメント内で議論をしないで下さい。ご指摘、ご意見のみご報告下さい。 ・良識が欠けていたり、意義の無いコメントは削除させていただきます。 冒険者名 コメント すべてのコメントを見る
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【登録タグ 3L L NJK Record TOHO EURO FLASH Vol.1 maria♂polo 曲 神さびた古戦場 ～ Suwa Foughten Field】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/mkakizaki/pages/17.html
Original Articles First author Kakizaki M, Kuriyama S, Sato Y, Shimazu T, Matsuda-Ohmori K, Nakaya N, Fukao A, Fukudo S, Tsuji I. Personality and body mass index A cross-sectional analysis from the Miyagi Cohort Study. Journal of Psychosomatic Research, 2008;64 71-80. Kakizaki M, Inoue K, Kuriyama S, Sone T, Matsuda-Ohmori K, Nakaya N, Fukudo S, Tsuji I. Sleep duration and the risk of prostate cancer the Ohsaki Cohort Study. British Journal of Cancer, 2008;99 176-178. Kakizaki M, Kuriyama S, Sone T, Ohmori-Matsuda K, Hozawa A, Nakaya N, Fukudo S, Tsuji I. Sleep duration and the risk of breast cancer the Ohsaki Cohort Study. British Journal of Cancer, 2008;99 1502-1505. Kakizaki M, Kuriyama S, Nakaya N, Sone T, Nagai M, Sugawara Y, Hozawa A, Fukudo S, Tsuji I. Long sleep duration and cause-specific mortality according to physical function and self-rated health the Ohsaki Cohort Study. Journal of Sleep Research 22(2).209-216.2013 Original Articles Co-author Naganuma T, Kuriyama S, Akhter M, Kakizaki M, Nakaya N, Matsuda-Ohmori K, Shimazu T, Fukao A, Tsuji I. Coffee consumption and the risk of colorectal cancer A prospective cohort study in Japan. International Journal of Cancer, 2007;120 1542-1547. Nakaya N, Kikuchi N, Shimazu T, Ohmori K, Kakizaki M, Sone T, Awata S, Kuriyama S, Tsuji I. Alcohol consumption and suicide mortality among Japanese men the Ohsaki Study. Alcohol, 2007;41 503-510. Sone T, Nakaya N, Ohmori K, Shimazu T, Higashiguchi M, Kakizaki M, Kikuchi N, Kuriyama S, Tsuji I. Sense of life worth living (ikigai) and mortality in Japan Ohsaki Study. Psychosomatic Medicine, 2008;70 709-715. Funada S, Shimazu T, Kakizaki M, Kuriyama M, Sato Y, Matsuda-Ohmori K, Nishino Y, Tsuji I. Body mass index and cardiovascular disease mortality in Japan The Ohsaki Study. Preventive Medicine, 2008;47 66-70. Kuriyama S, Shimazu T, Hozawa A, Kure S, Kurokawa N, Kakizaki M, Sone T, Matsuda-Ohmori K, Nakaya N, Satoh H, Tsuji I. No effect of the Trp64Arg variant of the β3-adrenergic receptor gene on weight loss by diet and exercise intervention among Japanese adults. Metabolism, 2008;57 1570-1575. Li Q, Kakizaki M, Kuriyama S, Sone T, Yan H, Nakaya N, Matsuda-Ohmori K, Tsuji I. Green tea consumption and lung cancer risk the Ohsaki Study. British Journal of Cancer, 2008;99 1179-1184. Naganuma T, Kuriyama S, Kakizaki M, Sone T, Nakaya N, Ohmori-Matsuda K, Nishino Y, Fukao A, Tsuji I. Coffee consumption and the risk of oral, pharyngeal, and esophageal cancers in Japan The Miyagi Cohort Study. American Journal of Epidemiology, 2008; 15;168 1425-1432. Kikuchi N, Ohmori-Matsuda K, Shimazu T, Sone T, Kakizaki M, Nakaya N, Kuriyama S, Tsuji I. Pain and risk of completed suicide in Japanese men A population-based cohort study in Japan (Ohsaki Cohort Study). Journal of Pain and Symptom Management, 2009 Mar;37(3) 316-24. Epub 2008 Aug 9. Hozawa A, Kuriyama S, Kakizaki M, Ohmori-Matsuda K, Ohkubo T, Tsuji I. Attributable risk fraction of prehypertension on cardiovascular disease mortality in the Japanese population The Ohsaki Study. American Journal of Hypertension, 2009 Mar;22(3) 267-72. Epub 2008 Nov 27. Arai S, Nakaya N, Kakizaki M, Ohmori-Matsuda K, Shimazu T, Kuriyama S, Fukao A, Tsuji I. Personality and gastric cancer screening attendance A cross-sectional analysis from the Miyagi Cohort Study. Journal of Epidemiology, 2009; 19;34-40 Naganuma T, Kuriyama S, Kakizaki M, Sone T, Nakaya N, Ohmori-Matsuda K, Hozawa A, Nishino Y, Fukao A, Tsuji I. Green Tea Consumption and Hematological Malignancies in Japan the Ohsaki Cohort Study. Am J Epidemiol. 2009 Sep 15;170(6) 730-8. Kuriyama S, Nakaya N, Ohmori-Matsuda K, Shimazu T, Kikuchi N, Kakizaki M, Sone T, Sato F, Nagai M, Sugawara Y, Akhter M, Higashiguchi M, Fukuchi N, Takahashi H, Hozawa A, Tsuji I. Factors associated with psychological distress as measured by the K6 scale in a community-dwelling population a cross-sectional study from the Ohsaki Cohort 2006 Study. J Epidemiology 2009 2009;19(6) 294-302. Epub 2009 Sep 12. Ui A, Kuriyama S, Kakizaki M, Sone T,Nakaya N, Ohmori-Matsuda K, Hozawa A, Nishino Y, Tsuji I. Green Tea Consumption and the Risk of Liver Cancer in Japan the Ohsaki Cohort Study. Can Caus Cont 2009 Dec;20(10) 1939-45. Epub 2009 Sep 19. Sugawara Y, Kuriyama S, Kakizaki M, Nagai M, Ohmori-Matsuda K, Sone T, Hozawa A, Nishino Y, Tsuji I. Fish consumption and the risk of colorectal cancer the Ohsaki Cohort Study.Br J Cancer. 2009 Sep 1;101(5) 849-54. Watanabe I, Kuriyama S, Kakizaki M, Sone T, Ohmori-Matsuda K, Nakaya N, Hozawa A, Tsuji I.Green tea and death from pneumonia in Japan the Ohsaki cohort study.Am J Clin Nutr. 2009 Sep;90(3) 672-9. Kawai M, Minami Y, Kuriyama S, Kakizaki M, Kakugawa Y, Nishino Y, Ishida T, Tsuji I, Ohuchi N. Reproductive factors, exogenous female hormone use and breast cancer risk in Japanese The Miyagi Cohort Study. Can Caus Cont 2010 Jan;21(1) 135-45. Epub 2009 Oct 9. Hozawa A, Kuriyama S, Nakaya N, Ohmori-Matsuda K, Kakizaki M, Sone T, Nagai M, Sugawara Y, Nitta A, Tomata Y, Niu K, Tsuji I. Green tea consumption is associated with lower psychological distress in a general population the Ohsaki Cohort 2006 Study. American Journal of Clinical Nutrition. 2009 Nov;90(5) 1390-6. Epub 2009 Sep 30. Sugiyama K, Kuriyama S, Akhter M, Kakizaki M, Nakaya N, Ohmori-Matsuda K, Shimazu T, Nagai M, Sugawara Y, Hozawa A, Fukao A, Tsuji I. Coffee Consumption and Mortality Due to All Causes, Cardiovascular Disease, and Cancer in Japanese Women. Journal of Nutrition. 2010;140(5) 1007-13. Kuriyama S,Nakaya N,Ohmori-Matsuda K,Shimazu T,Kikuchi N,Kakizaki M,Sone T,Sato F,Nagai M,Sugawara Y,Tomata Y,Akhter M,Higashiguchi M,Fukuchi N,Takahashi H,Hozawa A,Tsuji I. The Ohsaki Cohort 2006 Study Design and profiles of participants at the baseline. J Epidemiol 2010 May 5;20(3) 253-8. Nagai M, Kuriyama S, Kakizaki M, Ohmori-Matsuda K, Sugawara Y, Sone T, Hozawa A, Tsuji I. Effect of age on the association between body mass index and all-cause mortality the Ohsaki cohort study. J Epidemiol. 2010;20(5) 398-407. Epub 2010 Aug 7. Li Q, Kuriyama S, Kakizaki M, Yan H, Sone T, Nagai M, Sugawara Y, Ohmori-Matsuda K, Hozawa A, Nishino Y, Tsuji I. History of diabetes mellitus and the risk of prostate cancer the Ohsaki Cohort Study. Cancer Causes Control. 2010 Jul;21(7) 1025-32. Nitta A, Hozawa A, Kuriyama A, Nakaya N, Ohmori-Matsuda K, Sone T, Kakizaki M, Ebihara S, Ichiki M, Arai H, Tsuji I. Relationship between Peripheral Arterial Disease and Incident Disability among Japanese Elderly the Tsurugaya Project. Journal of Atherosclerosis and Thrombosis 2010 Dec 26;17(12) 1290-6 Kawai M, Minami Y, Kuriyama S, Kakizaki M, Kakugawa Y, Nishino Y, Ishida T, Fukao A, Tsuji I, Ohuchi N. Adiposity, adult weight change and breast cancer risk in postmenopausal Japanese women the Miyagi Cohort Study. British Journal of Cancer. 2010 Oct 26;103(9) 1443-7. Hozawa A, Kuriyama S, Watanabe I, Kakizaki M, Ohmori-Matsuda K, Sone T, Nagai M, Sugawara Y, Nitta A, Li Q, Ohkubo T, Murakami Y, Tsuji I. Participation in health check-ups and mortality using propensity score matched cohort analyses. Preventive Medicine. 2010 Nov;51(5) 397-402 Hozawa A, Sugawara Y, Tomata Y, Kakizaki M, Ohmori-Matsuda K, Nakaya N, Kuriyama S, Fukao A, Tsuji I.Relationships between N-terminal pro B-type natriuretic Peptide and incident disability and mortality in older community-dwelling adults the Tsurugaya study. J Am Geriatr Soc. 2010 Dec;58(12) 2439-41 Kawai M, Minami Y, Kakizaki M, Kakugawa Y, Nishino Y, Fukao A, Tsuji I, Ohuchi N. Alcohol consumption and breast cancer risk in Japanese women The Miyagi Cohort Study. Breast Cancer Res Treat. 2011 Aug;128(3) 817-25. Li Q, Kuriyama S, Kakizaki M, Yan H, Nagai M, Sugawara Y, Ohmori-Matsuda K, Hozawa A, Nishino Y, Tsuji I. History of cholelithiasis and the risk of prostate cancer the Ohsaki Cohort Study.Int J Cancer. 2011 Jan 1;128(1) 185-91. Hozawa A, Sugawara Y, Tomata Y, Kakizaki M, Ohmori-Matsuda K, Nakaya N, Kuriyama S, Fukao A, Tsuji I. Relationships between N-terminal pro B-type natriuretic peptide and incident disability and mortality in older community-dwelling adults the Tsurugaya study.J Am Geriatr Soc. 2010 Dec;58(12) 2439-41. Nagai M, Kuriyama S, Kakizaki M, Ohmori-Matsuda K, Sone S, Hozawa A, Kawado M, Hashimoto S, Tsuji I. Impact of walking on life expectancy and lifetime medical expenditure the Ohsaki Cohort Study. BMJ Open 2011;1 bmjopen-2011-000240. Hoshi M, Hozawa A, Kuriyama S, Nakaya N, Ohmori-Matsuda K, Sone T, Kakizaki M, Niu K, Fujita K, Ueki S, Haga H, Nagatomi R, Tsuji I The predictive power of physical function assessed by questionnaire and physical performance measures for subsequent disability. Aging clinical and experimental research, 2011 (in press). Tsuboya T, Kuriyama S, Nagai M, Hozawa A, Sugawara Y, Tomata Y, Kakizaki M, Nishino Y, Tsuji I Gamma-Glutamyltransferase and Cancer Incidence The Ohsaki Cohort Study. Journal of epidemiology / Japan Epidemiological Association, 2012 (in press) Niu K, Guo H, Kakizaki M, Cui Y, Ohmori-Matsuda K, Guan L, Hozawa A, Kuriyama S, Tsuboya T, Ohrui T, Furukawa K, Arai H, Tsuji I, Nagatomi R. A tomato-rich diet is related to depressive symptoms among an elderly population aged 70 years and over A population-based, cross-sectional analysis. Journal of Affective Disorders 144(1-2).165-170.2013 Tomata Y, Kakizaki M, Nakaya N, Tsuboya T, Sone T, Kuriyama S, Hozawa A, Tsuji I Green tea consumption and the risk of incident functional disability in elderly Japanese the Ohsaki Cohort 2006 Study. American journal of clinical nutrition, 2012; 95 732-739. Nagai M, Kuriyama S, Kakizaki M, Ohmori-Matsuda K, Sone T, Hozawa A, Kawado M, Hashimoto S, Tsuji I. Impact of obesity, overweight and underweight on life expectancy and lifetime medical expenditures the Ohsaki Cohort Study. 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Dietary Patterns and Incident Functional Disability in Elderly Japanese The Ohsaki Cohort 2006 Study.J Gerontol A Biol Sci Med Sci. 2013 (in press) Nakaya N, Kogure M, Saito-Nakaya K, Tomata Y, Sone T, Kakizaki M, Tsuji I. The association between self-reported history of physical diseases and psychological distress in a community-dwelling Japanese population the Ohsaki Cohort 2006 Study. European Journal of Public Health. 2014;24(1) 45-9. Chou WT, Tomata Y, Watanabe T, Sugawara Y, Kakizaki M, Tsuji I. Relationships between changes in time spent walking since middle age and incident functional disability. Prev Med. 2014;59 68-72. Shigihara M, Obara T, Nagai M, Sugawara Y, Watanabe T, Kakizaki M, Nishino Y, Kuriyama S, Tsuji I. Consumption of fruits, vegetables, and seaweeds (sea vegetables) and pancreatic cancer risk The Ohsaki Cohort Study. Cancer Epidemiol. 2014. pii S1877-7821(14)00002-2. 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Computer-Aided Design Market Overview Market Research Future (MRFR), in its latest report on the Global Electrical Computer-Aided Design (ECAD) Market reveals that different forces that are likely to act on it. MRFR conducted a complete analysis on the impact of COVID 19 on the electrical computer-aided design (ECAD) market. MRFR study shows that the electrical computer-aided design market can rise at 9.22% CAGR across 2018 to 2024. The electrical computer-aided design market value can escalate from exhibiting USD 1,710.1 million in 2018 to USD 2,860.3 Million by 2024. Increase in awareness about Electrical computer-aided design (ECAD) benefits, such as easy-to-use, real-time standalone, and multi-user electrical design tool that efficiently resolve electrical interconnections for complex electrical systems is expected to support the rise of the ECAD market across the analysis period. Features, such as designing circuits accurately, quickly, and with optimization of the overall design process can promote the rise of the electrical computer-aided design market in the years to come. The increase in the application of ECAD in diagram making, concurrent designing, 3D assembly, and generation of manufacturing and documentation can favor the market rise. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8235 Competitive Analysis ALPI International Software, EPLAN Software Service, Dassault Systèmes SE, Siemens PLM, Trimble, Inc., Autodesk, Inc., Bentley Systems, Inc., IGE+XAO, and Nemetschek SE among others are some reputed providers of global electrical computer-aided design (ECAD) solutions, as listed by MRFR. Segmental Analysis The segment study of the Global Electrical Computer-Aided Design (ECAD) Market is done by Industry Type, application, component, and vertical. The Component based segments of the electrical computer-aided design market are Software and Services. The Industry Type based segments of the electrical computer-aided design market are Process Industries and Discrete Industries. The Application based segments of the electrical computer-aided design market are Plant Design, Water Treatment and Distribution System Control, Switchgear Design, Industrial Machine Controls, Rail Signaling, Mining Equipment Control, and Others. The Vertical based segments of the electrical computer-aided design market are Equipment and Machinery, Construction, Automotive, Aerospace Defense, Power Generation and Energy, Railway, Oil Gas, Equipment and Machinery, and Food Beverage among others. Regional Analysis The trends of the electrical computer-aided design (ECAD) market is studied across APAC, North America, EU, and the rest of the world. MRFR regional evaluation reveals that the electrical computer-aided design market in North America is expected to be the largest market value. North America electrical computer-aided design market can thrive at 7.94% CAGR across the forecast period and reach a valuation of 0USD 620.4 million by 2024. The rise in the adoption of electrical computer-aided design (ECAD) technology across the growing number of discrete industries is expected to support the expansion of the regional market. In addition, the rise in industrial manufacturing investments can also promote the regional market growth. In Europe, the mounting complexities of manufacturing process are creating growth scope for the electrical computer-aided design regional market. Along with, the rise in focus on environmental concerns and industrial safety can impel the expansion of the market across the review period. The rise of EU ECAD market can be attributed to increase in viability of new energy sources, and gradual rise in cost of products as fresh set of competitive designers and engineers are focused on innovation. In APAC, the rise in popularity of ECAD and other effective 3D solution to enhance manufacturing and design processes is expected to drive the regional market. Controls development costs, accelerates time-to-market, aids in increasing cash flow, improves product quality, and profit margins can boost the expansion of APAC ECAD market. Access Report Details @ https //www.marketresearchfuture.com/reports/electrical-computer-aided-design-market-8235 Table of Content 1 Executive Summary 2 Market Introduction 2.1 Definition 17 2.2 Product Considered 17 2.3 Scope of The Study 18 2.4 Market Structure 19 Continued…. Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) List of Tables Table 1 List of Assumptions 26 Table 2 Global Electrical Computer-Aided Design (Ecad) Market, By Component, 2020–2027 (Usd Million) 35 Table 3 Software Electrical Computer-Aided Design (Ecad) Market Estimates Forecast, By Region 36 Table 4 Global Electrical Computer-Aided Design (Ecad) Market, By Services, 2020–2027 (Usd Million) 36 Table 5 Support Electrical Computer-Aided Design (Ecad) Market Estimates Forecast, By Region 37 Continued….. List of Figures Figure 1 Market Synopsis 16 Figure 2 Market Structure Global Electrical Computer-Aided Design (Ecad) Market 19 Figure 3 North America Market Size Market Share By Country (2020 Vs 2027) 20 Figure 4 Asia-Pacific Market Size Market Share By Country (2020 Vs 2027) 20 Figure 5 Europe Market Size Market Share By Country (2020 Vs 2027) 21 Continued…. About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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Rewind Forty Years of Design Advertising Phaidon Inc Ltd?Jeremy Myerson?Graham Vickers?Jeremy Bullmore?Alan Fletcher?Michael Johnson?Richard SeymourJohn WebsterPeter York Dawn 'til Dusk Regency Press (London & New York) Ltd?Peter Mahon? Children into Exile Regency Press (London & New York) Ltd?Peter Hayward? For the Sake of the Children Regency Press (London & New York) Ltd?Peter Hayward? The Wealth Equation (New York Institute of Finance) Prentice Hall Pr?Peter J. Tanous? Investment Gurus A Road Map to Wealth from the World's Best Money Managers (New York Institute of Finance) Prentice Hall Pr?Peter J. Tanous? Baseball Legends of Brooklyn's Green-Wood Cemetery (Images of Baseball) Arcadia Pub?Peter J. Nash? New Haven Railroad (Railroad Color History) Motorbooks Intl?Peter E. Lynch? New Haven Passenger Trains (Great Passenger Trains) Motorbooks Intl?Peter E. Lynch? Gotham Comes of Age New York Through the Lens of the Byron Company, 1892-1942 Pomegranate?Peter Simmons? 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Spirituality, Diversion, and Decadence The Contemporary Predicament (Suny Series in Religious Studies) State Univ of New York Pr?Peter H. Van Ness? Spirituality, Diversion, and Decadence The Contemporary Predicament (S U N Y Series in Religious Studies) State Univ of New York Pr?Peter H. Van Ness? Critical Literacy Politics, Praxis, and the Postmodern (S U N Y Series, Teacher Empowerment and School Reform) State Univ of New York Pr?Colin Lankshear?Peter L. McLaren? Critical Literacy Politics, Praxis, and the Postmodern (S U N Y Series, Teacher Empowerment and School Reform) State Univ of New York Pr?Colin Lankshear?Maxine Greene?Peter L. McLaren? Power in the Workplace The Politics of Production at At T (S U N Y Series in the Sociology of Work and Organizations) State Univ of New York Pr?Steven Peter Vallas? New York Modern The Arts and the City Johns Hopkins Univ Pr?William B. Scott?Peter M. Rutkoff? Governing New York State State Univ of New York Pr?Jeffrey M. Stonecash?John Kenneth White?Peter W. Colby? Popular Culture, Professional Discourse, and Mathematics (Suny Series, Education and Culture Critical Factors in the Formation of Characterand Comm) State Univ of New York Pr?Peter Michael Appelbaum? Popular Culture, Professional Discourse, and Mathematics (Suny Series, Education and Culture Critical Factors in the Formation of Character and Com) State Univ of New York Pr?Peter Michael Appelbaum? Nietzsche and the Modern Crisis of the Humanities State Univ of New York Pr?Peter Levine? Nietzsche and the Modern Crisis of the Humanities State Univ of New York Pr?Peter Levine? Critical Theory and Educational Research (S U N Y Series, Teacher Empowerment and School Reform) State Univ of New York Pr?Peter L. McLaren?James M. Giarelli? Critical Theory and Educational Research (S U N Y Series, Teacher Empowerment and School Reform) State Univ of New York Pr?Peter L. McLaren?James M. Giarelli? 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【登録タグ B EUROBAKA ICHIDAI VOL.18 Eurobeat Union メイドと血の懐中時計 曲 月時計 ～ ルナ・ダイアル 長尾ちえみ】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Disc 1 Disc 2 CD情報 CD名 リリース日 アーティスト SOUND VOLTEX ULTIMATE TRACKS -東方紅魔郷REMIX- 2014.07.30 V.A. http //www.konamistyle.jp/item/73279 ※なお、2014/05/11の博麗神社例大祭において先行頒布されている。 Disc 1 Track No. 曲名 アーティスト 演奏時間 01 U.N.オーエンは彼女なのか？ (TO-HOlic mix) C-Show 02 Cirno Break さわわ 03 Silver Impact Arch 04 #Fairy_dancing_in_lake uno (IOSYS) 05 Venona DOUBLE HELIX 【たちのん 零-zero-】 06 モモンが門番ばんっ☆ ねこみりん feat. みゆ 07 INVITATION SiGN -SDVX Version- signum/ii feat. irony 08 Lunartic Dial Shiron 09 愛くるしフール -Not EASY!!- 2ボス如きに負けるかぼちゃではなｙうわー 10 U.N.Owen was her? (Hyuji Remix) Hyuji 11 太陽はやめて！ぼくらのスカーレット警察 七条レタスグループ starring ココ 12 赤より紅い夢 -lucid dream Mix- くるぶっこちゃん 13 Over the Starlit sky MUZIK SERVANT feat. CHERICa 14 魔法少女達の百年祭 (masty core remix) masty 15 Darkness Pleasure Hull feat. ℃iel 16 Catadioptric Jerico 17 Indomitable Spirit Tracy feat. ほたる 18 ワヴル魔法図書館 wobble magic library 19 赤より紅い夢 -Aya2g Tech Dance Remix- Ayatsugu_Otowa 20 桜華月想 -SDVX EDIT- 源屋 feat. 3L 21 Electric Sister Bitch t+pazolite 22 やばいつよくてあたまいいあたいのうた Shiron feat. Kuroa* 23 Devotion void (Mournfinale) 24 ルーネイトエルフ (Riz Mix) Riz 25 We Are The Scarlet (SDVX Edit) 天音 (Rolling Contact) 26 おお われら喜び讃うべし、主よ すのうまん 27 U.N.オーエンは彼女なのか？ haru_naba Remix はるなば 28 Lunatic Rough Party!! かめりあ 29 上海紅茶館 ～Chinese Tea Orchid Remix Yooh 30 夢の空、約束の場所 Illusion Sonic Disc 2 Track No. 曲名 アーティスト 演奏時間 01 NEXT BILLIONAIRE SOUND HOLIC feat. Nana Takahashi 02 U.N.オーエンは彼女なのか？ (TO-HOlic mix 20,000 POWER Extended) C-Show 03 Over the Starlit sky (Another Story Version) MUZIK SERVANT feat. CHERICa 04 #Fairy_dancing_in_lake (#Full_length) uno (IOSYS) 05 桜華月想 -SDVX EDIT- (Long Ver.) 源屋 feat. 3L 06 ワヴル魔法図書館 (extended edit) wobble magic library 07 劇場版 太陽はやめて！ぼくらのスカーレット警察 七条レタスグループ starring ココ 08 Lunatic Rough Party!! (Long Ver.) かめりあ 09 Indomitable Spirit (Long Ver.) Tracy feat. ほたる 10 上海紅茶館 ～Chinese Tea Orchid Remix (Extended ver.) Yooh 11 夕立、君と隠れ処 幽閉サテライト (Arranged Iceon) feat. senya