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https://w.atwiki.jp/ddr_dp/pages/1850.html
MAX.(period)(激) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 MAX.(period) 2MB 2014 激16 150-600 510 / 3 Replicant D-ignition STREAM VOLTAGE AIR FREEZE CHAOS 126 100 10 7 38 楽譜面(11) / 踊譜面(13) / 激譜面(16) / 鬼譜面(18) 属性 発狂(カニ歩き、地団駄)、ソフラン(停止、減速、加速)、ラス殺し 譜面 http //www.ddr.sh/steps/basic/m/max_period/8m_max_period_a_d.html 譜面動画 https //www.youtube.com/watch?v=8SunKrhUXvw (x1.0, NOTE, Clap) http //www.nicovideo.jp/watch/sm15937326 http //www.nicovideo.jp/watch/sm15937326 (x1.0, VIVID, Clap) プレイ動画 https //www.youtube.com/watch?v=xFWvq391qroRL (x1.0. NOTE, REVERSE) http //www.nicovideo.jp/watch/sm25947213 http //www.nicovideo.jp/watch/sm25947213 (x1.5, NOTE, REVERSE, RISKY) 解説 BPM推移 ： 300-(停止)-180-300-600-150 2015/03/05から開催されたReplicant D-ignition、ENCORE EXTRA STAGE。EGOISM 440のオーブ獲得に成功すると演出後激譜面に強制進出され、強制オプションとしてHS1.5、REVERSEが付く。初出は家庭用EXT 2015/03/26からNEXT PHASEにてEXTRAでも選曲可能となった 2015/08/06よりEXTRA ATTACKに出現(RDiフォルダは消滅)。EGOISM 440を解禁すると、解禁した難易度の譜面が出現する DDR A稼動に伴い、演奏時間変更によりSTR131→126、VOL106→100に減少した 譜面そのものはＥＸＴ時代そのままで、当時の名残が色濃く残っておりＳＰより全体的に緩め。特に同時ラッシュと縦連が無いのが有情点。パラノイア引用箇所は途中右足同足かつ遠距離始動があるので意識しておくべし。昨今の足１６として比較すると、強烈なソフランを加味しても弱い部類かもしれない -- 名無しさん (2015-08-07 01 24 14) 名前 コメント コメント(私的なことや感想はこちら) 演出上の仕様でx1.5REVERSE強制だがSPでも見えないのにDPだと余計やばいな、暗記必須か -- 名無しさん (2015-03-08 09 19 13) え、、ついに -- 名無しさん (2015-03-13 23 52 30) 等速サド＋が見えるなら停止まで行けばウィニングラン気味。SPより同時と縦連無いのが有難い -- 名無しさん (2015-05-26 15 12 46) 今は踏める人が極僅かだから情報少ないけど、電池突破は足１６も無い気がする。通常ゲージも同様だと思う。鬼猿と比べちゃうとねー -- 名無しさん (2015-06-16 21 27 10) 猿はそもそも準詐称級なんだよなあ… -- 名無しさん (2015-06-17 19 32 54) ゲージ制だと16としては簡単だけど、やっぱり600は速い。取り敢えずスコアの出しにくいこと -- 名無しさん (2015-11-15 15 16 29) エレクリ踊すら等速だとついていけない身には0.75でもラストが早すぎてまともに踏めませんでした -- 名無しさん (2016-09-22 01 03 06) とにかくラストの滝の移動が大きすぎる。足が長くなければ大股じゃないと届かないのではないだろうか。 -- 名無しさん (2018-06-23 02 39 29) 譜面だけなら15でもいい感じ。サドプラとパセリ限定のハイスピ0.75の体感だけど。 -- 名無しさん (2019-04-26 23 30 58) ＥＳＰに比べて完全にラスト勝負、道中の配置も16としては厳しい場所もないためラストの６００地帯が見切れるなら等倍速、早さに追い付けなければ0.75をかけても道中は耐えきれるはず。クリアだけなら弱め。 -- 名無しさん (2020-02-06 20 56 34) 名前 コメント PV https //www.youtube.com/watch?v=xOKgc-m26jM (EXT時)
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https://w.atwiki.jp/vtsr/pages/1170.html
Reminice BalladeVersion - 初音ミク - オリジナル http //www.nicovideo.jp/watch/sm1774147 http //www.nicovideo.jp/watch/sm1774147 Vocaloid2のオリジナル曲 使用Vocaloidは初音ミク 製作者はioqueP 一つ前のページにもどる
https://w.atwiki.jp/mrfrtech/pages/124.html
Market Scenario The data experts at Market Research Future Reports (MRFR) have analysed the global B2B Telecommunication Market Research is estimated to record a CAGR of 14% during the assessment period from 2017 to 2023. The adoption of IoT across various verticals is estimated to drive the global B2B Telecommunication Market Research 2020. Novel coronavirus has B2B Telecommunication Market Research to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The B2B Telecommunication Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. IoT is gaining momentum for being cost-efficient. Besides, being cost-efficient, it also provides other advantages such as machine to machine (M2M) communication and wireless transactions to the users. In addition, the service of data storage and the reachability of the telecom network in distant zones is additionally propelling the market expansion. With the adoption of B2B telecommunication, the enterprises avoid their travel expenses by performing face-to-face meetings through teleconference. Furthermore, fast industrialization and urbanization are enhancing the demand further. In addition, increased volumes of system data, volumes of text, video, and voice are estimated to advance the B2B telecommunication market. Furthermore, the increment of customized products and services portfolio is estimated to be potential factors posing opportunities of expansion during the review period. COVID-19 Analysis The business impact of SARS-CoV-2 has been felt across diverse sections of the information technology industry, albeit at different levels. Companies in the technology sector that supply services for verticals like travel, retail, hospitality, and entertainment have noted a dramatic decrease in sales, while the firms that provide services related to remote worker solutions have observed the opposite. B2B Telecommunication Market ’s fate post pandemic has been relatively less grim compared to Education Services (ES) and Professional Services (PS) that are mostly dependent on components that are generally on-site. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/5953 Competitive Outlook The established organization of the worldwide B2B telecommunication market are Deutsche Telekom AG (Germany), Amdocs Ltd (U.S.), Comarch S.A. (Poland), NTT Communications (Japan), AT T Inc. (U.S.), Orange S.A. (France), Vodafone Group PLC (The U.K), Cisco Systems, Inc. (U.S.), Verizon Communications Inc. (U.S.), Telstra Corporation Limited (Australia), and a few others. Segmentation On the grounds of deployment, the worldwide B2B telecommunication market can be divided into fixed and mobile. On the grounds of the solution, the worldwide B2B telecommunication market can be segregated into WAN solution, unified communication, and collaboration, M2M communication, VoIP (Voice over Internet Protocol), and cloud services. On the grounds of application, the worldwide B2B telecommunication market can be divided into industrial, and commercial. On the grounds of organization size, the worldwide B2B telecommunication market can be divided into small medium enterprises and large enterprises. On the basis of geography, the worldwide B2B telecommunication market can be segregated into North America, Europe, Asia Pacific, and Rest of the World (RoW). Regional Analysis As per the report, the global market is estimated to expand significantly during the review period. The experts have revealed that the global market is likely to be dominated by North America. North America is anticipated to procure the maximum market share during the assessment period. The region is blooming due to the fast adoption of cloud and VoIP services. On the other side, the Asia-Pacific region is projected to grow at the swiftest pace during the review period. The presence of developing countries like India, China, and South Korea is projected to play a crucial role during the review period. The emerging countries are investing massively in the media and entertain sector, which is predicted to bloom the market exponentially during the assessment period. However, the market dynamics are estimated to change significantly, owing to the spread of coronavirus. The data experts at MRFR are analysing the market and the impact of coronavirus on the global B2B telecommunication market. The impact of COVID-19 is projected to bring a substantial impact on the global economy. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/b2b-telecommunication-market-5953 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. List of Tables Table 1 Global B2B Telecommunication Market By Region, 2020-2027 Table 2 North America B2B Telecommunication Market By Country, 2020-2027 Table 3 Europe B2B Telecommunication Market By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global B2B Telecommunication Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Five Forces Analysis of Global B2B Telecommunication Market Continued… Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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【初音ミク】オリジナル曲『Futures－ミライノオト－Complete Version』 http //www.nicovideo.jp/watch/sm1984574 http //www.nicovideo.jp/watch/sm1984574 2008年01月08日 23 49 26 投稿 Vocaloid2のオリジナル曲 使用Vocaloidは初音ミク 製作者はDigitalMode氏 一つ前のページにもどる
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Trickster(踊) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE その他 Trickster 水樹奈々 X 踊8 (60-)174 230 / 23 STREAM VOLTAGE AIR FREEZE CHAOS 44 34 7 49 6 楽譜面(5) /踊譜面(8) / 激譜面(11) / 鬼譜面(-) 属性 渡り、ソフラン(減速)、フリーズアロー 譜面 http //eba502.web.fc2.com/fumen/ddr/x/trick_st_8t.html 譜面動画 http //www.nicovideo.jp/watch/sm21236271 http //www.nicovideo.jp/watch/sm21236271 (x2.0, NOTE, Clap) 解説 中盤以降、中央のフリーズがらみの足運びが慣れないと少し難しい。この先も多々出てくる足運びなので、ここで慣れておくと良い。 -- 名無しさん (2010-09-01 16 35 54) Ｘ２にて７→８に昇格。８分は歯抜けが目立つややリズム難だが、メインはＦＡで慣れてないと認識難に感じることも。ラス減速は結構なスコア殺し -- 名無しさん (2015-03-04 20 15 45) 名前 コメント コメント(私的なことや感想はこちら) 名前 コメント
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【登録タグ A-One W あき 幻想のホワイトトラベラー 曲 東方compilation CD 萃星霜】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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74. Comparative metabolic flux analysis of lysine-producing Corynebacterium glutamicum cultured on glucose or fructose nih.gov [HTML]P Kiefer, E Heinzle, O Zelder, C … - Applied and …, 2004 - Am Soc Microbiol ... A comprehensive approach to 13 C tracer studies, labeling measurements by gas chromatography-mass spectrometry, metabolite balancing, and isotopomer modeling, was applied for comparative metabolic network analysis of lysine-producing Corynebacterium glutamicum ... 70. It is all about metabolic fluxes nih.gov [HTML]J Nielsen - Journal of bacteriology, 2003 - Am Soc Microbiol http //scholar.google.com/scholar?q=related xAvLLrdbbNYJ scholar.google.com/ hl=ja as_sdt=2000 ... I. Experimental observations. Biotechnol. Bioeng. 55 305-316.[CrossRef] 21; Thykaer, J., B. Christensen, and J. Nielsen. 2002. Metabolic network analysis of an adipoyl-7-ADCA producing strain of Penicillium chrysogenum elucidation of adipate degradation.Metab. Eng. ... 47. In vivo analysis of intracellular amino acid labelings by GC/MS. C Wittmann, M Hans, E Heinzle - Analytical biochemistry, 2002 - mendeley.com ... TBDMS derivatization of amino acids is especially useful in metabolic network analysis, because M-57 fragments containing the entire carbon skeleton of the analyte can be observed by GC/MS with high signal intensities 8. The potential of the method is exemplified for ...
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ニコニコ動画マイリスト表示 (nicovideo_mylist) nicovideo_mylist(埋込み用HTMLタグ) と入力することでニコニコ動画*のマイリストを表示します。 使用例）※ 使用例表示の都合上一部改行をしておりますが、プラグイン使用の際には改行せずにHTMLタグを入力ください。 nicovideo_mylist( iframe width="312" height="176" src="http //www.nicovideo.jp/thumb_mylist/124791/2853070" scrolling="no" style="border solid 1px #CCC;" frameborder="0" a href="http //www.nicovideo.jp/mylist/124791/2853070" 【ニコニコ動画】SUGIZO /a /iframe ) と入力すると、以下の様に表示します。 nicovideo_mylist エラー ( 正しいマイリストURLを入力してください. )
https://w.atwiki.jp/mixingconsoroll/pages/15.html
mixingconsoroll @ wiki wish list トップページ mixingconsoroll @ wiki です。 こんにちは。 どうなるやらはてやらー。 mixingconsoroll(link)の強化版です。 現在のところ、共同編集者は募集していませんが何かありましたら以下のフォームからどうぞ。 ---- **コメントはこちらへ - てすと的な何か。 -- はや (2010-02-19 23 20 47) - ありがとうございますたー -- はや (2010-09-04 20 46 16) - http //mixers.bufsiz.jp/ こっちがいいと思う。 -- はや (2010-10-10 00 50 50) #comment() ---- **ご用の方はメールフォームから。 #mailform() ---- diary #comment(title_msg=記,vsize=3,num=50,noname,below) - 放置し過ぎである (2010-09-13 00 38 29) - http //www.nicovideo.jp/watch/sm9996316 (2010-03-20 22 37 15) - w=333 h=250 (2010-03-18 00 43 17) - w=＊＊＊ h=＊＊＊ (2010-03-08 18 05 48) - ぷにるが最近かってにログアウトしていることが多いんだけどなんだあれ。あと何故かローカルエリア接続が切断と接続を繰り返している。ネットできるのに。謎。 (2010-03-03 13 38 21) - 野菜ジュース br()カロリーメイト br()おやつ類 br()価格調べる！ (2010-03-03 13 12 35) - 素晴らしい。 (2010-03-03 09 20 11) - これでよし． (2010-03-03 09 19 00) - 自由入力！ -- はや (2010-02-20 00 28 36) - ここに日記とか思ったこと書いていこうそうしよう。 -- はや (2010-03-02 14 53 14) - でも名前いちいち入れるのめんどくさいな． -- はや (2010-03-02 14 53 30) - あ、だめだ、死にそうになる。 -- はや (2010-03-02 14 57 45) - http //www.amazon.co.jp/dp/B000IEJ6XU/ref=pe_15012_16377182_pe_epc_t1 これ近所で480円くらいで売っていたよ -- はや (2010-03-02 16 04 13) - おお．これで便利な事になった気がする！ (2010-03-03 09 16 51) member about master haya site -http //mixers.bufsiz.jp/ -http //noiser8k.hp.infoseek.co.jp/n8/ -http //mixingconsoroll.cute.bz/ other -[[tumblr http //mixingconsoroll.tumblr.com/]] -[[booklog http //booklog.jp/users/mixingconsoroll]] -[[mixi http //mixi.jp/show_friend.pl?id=1297292]] -[[mixingconsoroll http //www.youtube.com/user/mixingconsoroll]] tumblr #tumblr(mixingconsoroll) メニュー [[トップページ]] **about me -[[about]] -[[wish list]] -[[live]] -[[community]] -[[tumblr]] -[[open list]] -[[diary]] -[[member]] ---- **リンク -[[link]] -[[構文 http //www1.atwiki.jp/guide/pages/269.html#id_6285de79]] ---- **更新履歴 -[[feeder]] #recent() **@wiki関係 -[[@wiki http //atwiki.jp]] -[[@wikiご利用ガイド http //atwiki.jp/guide/]] -[[無料ホームページ作成 http //atpages.jp]] -[[無料ブログ作成 http //atword.jp]] -[[2ch型掲示板レンタル http //atchs.jp]] -[[無料掲示板レンタル http //atbbs.jp]] -[[お絵かきレンタル http //atpaint.jp/]] -[[無料ソーシャルプロフ http //sns.atfb.jp/]] // リンクを張るには "[" 2つで文字列を括ります。 // " " の左側に文字、右側にURLを記述するとリンクになります //**更新履歴 //#recent(20) link_editmenu(text=ここを編集) めも link #contents() **bookmark -[[お腹のお肉も個性です http //ppynsilk.blog8.fc2.com/]] -[[Twitter kingugasane http //twitter.com/kinugasane]] -[[kinu ver. http //www.youtube.com/user/kinugasane]] -[[ppyn☆乙女会 http //ppynotomekai.web.fc2.com/]] -[[igrek-U official WEBLOG http //igrek.blog78.fc2.com/]] -[[igrek-U official WEBSITE http //www.sound.jp/igrek-u/]] -[[igrek2U http //www.youtube.com/user/igrek2U]] -[[ancre-this http //ancre-this.tumblr.com/]] -[[http //isagen.blog64.fc2.com/ http //isagen.blog64.fc2.com/]] -[[みなもだより http //min-satellites.cute.bz/]] -[[minsatellites http //jp.youtube.com/user/minsatellites]] -[[ハローハニー+ http //d.hatena.ne.jp/YUMIK0/]] -[[コノハイロ http //konoha-iro.cocolog-nifty.com/blog/]] -[[++++----i2wave.net----++++ http //po6.nsk.ne.jp/~i2wave/]] -[[つれづれ～ http //q9q9q9.blog.shinobi.jp/]] -[[東京ジレンマ http //tdm.ifdef.jp/]] -[[ゆんきろく http //yun24h.jugem.jp/]] -[[Rblog http //ray-krkblog.blogspot.com/]] -[[暇つぶし♪ http //blog.livedoor.jp/p-6758457/]] -[[http //blastwind69.blog114.fc2.com/ http //blastwind69.blog114.fc2.com/]] -[[すなパピさまブログ http //sunasuna.blog46.fc2.com/]] -[[日記です http //d.hatena.ne.jp/jun09000000/]] -[[姫たちを愛してやまない姫？の日記♪ http //yu-u-hi.cocolog-nifty.com/]] **LINKS -[[ニコニコ動画機材まとめサイト http //kizai.net/]] -[[Tさんすてかむ http //www.stickam.jp/profile/thomas_effing]] open list -いまお気に入り2010(niconico) http //www.nicovideo.jp/mylist/13718996 #showrss(http //www.nicovideo.jp/mylist/17032991?rss=2.0) -2009の公開まいりす(niconico) http //www.nicovideo.jp/mylist/13718996 #region(close,見る) #showrss(http //www.nicovideo.jp/mylist/13718996?rss=2.0) #endregion -チョコレイト・ディスコ（演奏してみた系） http //www.nicovideo.jp/mylist/9450455 引用元 ： http //www31.atwiki.jp/mixingconsoroll/rss10.xml