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力士系生主である。 ニコ生記録に届きそうになったことも。 【コミュニティ】 ぽにょのお気楽コミュニティ http //com.nicovideo.jp/community/co526396 【記録】 ＤＱ１ 1 39 51 ＤＱ２（はぐれ０） 3 59 21 ＤＱ３ 2 48 09 【大会実績】 【関連】 裏 http //www.ustream.tv/channel/ponyo-ponyo http //www.stickam.jp/profile/ponyocchi ついったー http //twitter.com/popoponyonyo
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Market Synopsis The analysis conducted by the data experts of Market Research Future Reports informs that the Marketing Attribution Software Market Analysis is speculated to display a promising CAGR of 15.3% during the assessment period. The increasing demand for optimizing the marketing expenditure of organizations is the most significant factor influencing the global marketing attribution software market 2020. Besides, the increasing adoption of developed technologies like AI is estimated to be a substantial element driving the global market. Moreover, the need for tracking customer behaviour for targeted marketing initiatives is another significant factor leading to market growth. In addition, the software also provides insights to review ROI and gives details with respect to the lead generation. Therefore, demand is estimated to increase swiftly during the review period. However, the security threats related to sensitive data of the organizations is estimated to be a major hindrance in market growth. Also, the expansion of the global marketing attribution software market is projected to be affected significantly due to the outbreak of COVID-19. The daily operations in various regions were put to a halt which immensely affected the manufacturing cycle of the product. Market Segmentation The worldwide marketing attribution software market can be classified on the basis of attribution, component, type, organization size, deployment mode, vertical, and region. Based on attribution type, the global marketing attribution software market can be classified into single-source attribution, multi-source attribution, and probabilistic or algorithmic attribution Based on component, the global marketing attribution software market can be classified into software and services. Based on organization size, the global marketing attribution software market can be classified into large enterprises and small and medium-sized enterprises. Based on deployment mode, the global marketing attribution software market can be classified into the cloud and on-premise. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7475 Based on vertical, the global marketing attribution software market can be classified into retail, FMCG and consumer packaged goods, consumer electronics, IT telecom, BFSI, healthcare, travel and hospitality, media and entertainment, and others. Based on the region, the global marketing attribution software market can be classified into North America, Europe, Asia-Pacific, Middle East Africa, and South America. Regional Analysis Thorough research has been carried out for North America, Europe, Asia-Pacific, Middle East Africa, and South America. As per the evaluation, the market is projected to expand significantly during the assessment period. Among all regions, the global market is speculated to be dominated by North America. Among all nations in North America, the US and Canada are likely to make the most significant participation during the assessment period. Besides, it also consists of the nations that are technically well-equipped and adopt innovative digital technologies fast. The growing demand for tracking consumer behaviour and preference has resulted in the enlargement of regional market size. Besides, most of the established manufacturers are based out of the US and has a strong customer base. On the other hand, the European market is speculated to expand at the maximum CAGR during the assessment period from 2018 to 2023. The APAC region is speculated to augment substantially during the assessment period due to the presence of various startups which are acting as a market catalyst. Key Players The distinguished market competitors of the worldwide marketing attribution software market are Adobe Inc. (US), Google (US), Visual IQ – A Nielsen Company (US), SAP SE (Germany), Oracle Corporation (US), Analytic Partners, Inc. (US), Calibermind (US), Attribution LLC (US), Engagio (US), Singular (US), Wizaly (France), Rockerbox, Inc. (the US), Neustar, Inc. (the US), OptiMine (US), and Merkle Group Inc. (US), and a few others. Browse Complete Report @ https //www.marketresearchfuture.com/reports/marketing-attribution-software-market-7475 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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SABER WING (Akira Ishihara Headshot mix)(踊) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE その他 SABER WING (Akira Ishihara Headshot mix) TAG X 踊12 79-316 341 / 10 STREAM VOLTAGE AIR FREEZE CHAOS 74 72 27 17 24 楽譜面(10) / 踊譜面(12) / 激譜面(15) / 鬼譜面(17) 属性 渡り、交互難、地団駄、同時踏み、ソフラン(停止、加速、減速) 譜面 http //eba502.web.fc2.com/fumen/ddr/x/swing_ai_8t.html 譜面動画 http //www.nicovideo.jp/watch/sm24418722 http //www.nicovideo.jp/watch/sm24418722 (x1.0, NOTE, Clap) プレイ動画 http //www.youtube.com/watch?v=HIXqINFBX-I (x1.0, NOTE) https //www.youtube.com/watch?v=0kvlhqy7PGg (x?.?, オプション不明) 解説 BPM推移 158-(停止)-(ここから譜面スタート)316-158-(停止)-316-79-316-(停止)-316-(2回停止)-158-79-316-158-316-79-316-158-316 足11のくせにBPM316の8分のリズムを踏ませます。極短い一瞬ではありますが、明らかに足11を超越しています。 -- 名無しさん (2010-01-21 00 13 16) Ｘ２にて１１→１２に昇格。昇格したとしても１２では強いには強いが、８分が３連止まりなので他の高ＢＰＭ足１２とどっこいな感も。但し４分で結構振り回してくる上に交互難 -- 名無しさん (2013-10-01 22 50 37) スコア難易度は１２でも相当強い方で、ＰＦＣ難易度は最上位クラス。開幕の停止加速、１２分スキップ、１２分地団駄の向き、減速の縦連、４分の交互に踏めない渡り、同時後の入り足を間違えやすい渡り、しれっと混ざる８分３連ビジとグレる要素がてんこ盛り。曲と停止を覚えてることが大前提 -- 名無しさん (2014-05-25 21 32 17) 名前 コメント コメント(私的なことや感想はこちら) 一言で言うと詐称。 -- 名無しさん (2009-12-18 01 19 21) X2で11→12か ソフラン覚えてないからSABER激よりむずいでs -- 名無しさん (2010-10-07 13 22 14) 12でもかなり強いよ、こいつ… -- 名無しさん (2013-03-09 00 16 37) 踏んでみるとスコアもフルコンも１３くらいに感じる ＳＰとリズムが違ったりするのも問題 同じで8分5連を入れられても困るけど -- 名無しさん (2014-09-07 21 06 11) 10回目の挑戦で漸く電池抜け。停止や減速を覚えるのは大前提、中盤のリズム難もさることながら後半に６回入ってる８分３連地団駄が振り回しに組み込まれている事で強さが際立つ。ノート数がそこまで多くないものの、ある程度振り回しに耐性があって漸く12の範疇かなと思えます。 -- 名無しさん (2020-09-07 18 06 49) 名前 コメント PV http //www.nicovideo.jp/watch/sm7824686 http //www.nicovideo.jp/watch/sm7824686
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★お気に入り曲リスト beatmaniaⅡDX 6th style [HOUSE] Beautiful Days/Fantastic Plastic Machine（Tomoyuki Tanaka Dan Miyakawa） [HOUSE] Blueberry Stream/dj TAKA（Takayuki Ishikawa） [JAZZ ARGENTINO] Five Regrets/Osamu Kubota（Osamu Kubota） [TRANCE] Colors(radio edit)/dj TAKA（Takayuki Ishikawa） [TRIP HOP] Summer Vacation(CU MIX)/OutPhase（Taku Sakakibara Takayuki Ishikawa） beatmaniaⅡDX 7th style [YEYE] Marmalade Reverie/Orange Lounge（Tomosuke Funaki） [HARD HOUSE] Spooky/good-cool（Tatsuya Furukawa） [PROGRESSIVE JAZZ] foreplay/Osamu Kubota（Osamu Kubota） [TRANCE] The Sound Of Goodbye/Armin van Burren Presents Perpetuous Dreamer [ELECTROSHOCK] ZERO-ONE/Mr.T（Tomoyuki Uchida） [RENAISSANCE] A/D.J.Amuro（Takayuki Ishikawa） [HOUSE] Spica/D.JW（Jun Wakita） [TECHNO] stoic/TaQ（Taku Sakakibara） [ORCHESTRAL] 革命/dj TAKA with NAOKI（Chopin/Takayuki Ishikawa Naoki Maeda） beatmaniaⅡDX 8th style [HARD CHANSON] LOVE IS ORANGE/Orange Lounge（Tomosuke Funaki） [TECHNO] MUSIC TO YOUR HEAD/SLAKE（Takehiko Fujii） [DISCO] PLEASE DON T GO/ASLETICS（Isao Saito） [HOUSE] thunder/Lion MUSASHI（Takayuki Ishikawa） [GARAGE HOUSE] dual control/Mr.T（Tomoyuki Uchida） [PSYCHEDELIC TECHNO] Giudecca/D.J.SETUP（Takayuki Ishikawa） [RAVE] LAB/RAM（Kouichi Yamazaki） [CUDDLE CORE] murmur twins/yu_tokiwa.djw（Jun Wakita） [LATIN SWING] Red Nikita/Osamu Kubota（Osamu Kubota） beatmaniaⅡDX 9th style [TECHNO] ECHOES/DRAGOON [TECHNO] BREEDING/SLAKE（Takehiko Fujii） [FUNK SHUFFLE] fun/Mr.T（Tomoyuki Uchida） [SOUL] lights/flare（Takayuki Ishikawa） [FILTER HOUSE] The Biggest Roaster/D.J. Spugna（Shoichiro Hirata） [EPIC HOUSE] u gotta groove -extended joy style-/dj nagureo remixed by Mr.T（Reo Nagumo/Tomoyuki Uchida） [NRG] BAD BOY BASS!! (dj Remo-con MIX)/Y Co.（Tetsuya Tamura） [ROCOCO TEK] BRIGHTNESS DARKNESS/SPARKER（Takehiko Fujii） [TRANCE] e-motion 2003 -romantice extra-/e.o.s remixed by dj TAKA（Takayuki Ishikawa） [DRUM N BASS] SNOW/RAM（Kouichi Yamazaki） [HAPPY HARDCORE] Sweet Sweet Love Magic/jun（Junko Karashima） [HIP HOP] SWEETEST SAVAGE/ASLETICS（Isao Saito） [TRANCE CORE] Abyss -The Heavens Remix-/dj TAKA remixed by Ryu☆（Takyuki Ishikawa/Ryutaro Nakahara） [RAVE] ACT/RAM（Kouichi Yamazaki） [MIXTURE] Distress/dj TAKA remixed by TaQ（Takayuki Ishikawa/Taku Sakakibara） [DRUM N BASS] Karma/TaQ（Taku Sakakibara） [POST ROCK] moon_child/少年ラジオ（Jun Wakita） [HARDCORE RAVE] one or eight/sampling masters AYA（Ayako Saso） [TRANCE] quasar/OutPhase（Taku Sakakibara Takayuki Ishikawa） 得意曲 http //www.nicovideo.jp/watch/sm1687 実際に演奏の様子 http //www.nicovideo.jp/watch/sm2422076
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Good Day [ TAG Alp-G E-A Len TanimaP title] Music TanimaP/谷間P Lyric TanimaP/谷間P Arrange TanimaP/谷間P Vocal Kagamine Len Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm7803988 http //www.nicovideo.jp/watch/sm7803988 Translations ■ Show/Hide Romaji nagare ta namida no ato ga kietara imasugu shirt wo kigaete dekake yo Good Day sore wa Good Day ame agari no sora Good Day sore wa Good Day sugi yuku kisetsu ni totsuzen no yuudachi ni nure nagara hashaida kimi ga mise ta kasuka na namida ano natsu no bokura wa nani wo yume mite ta? namiuchi giwa wo hashiri jikan sae mo oikoshi te osanai futari no chiisana monogatari imamo iroase nu mama hibiku yo mune no naka de kusunda machi ni hikari ga sashita ra kono mama kaze ni yurarete dekake yo Good Day sore wa Good Day onaji sora no shita Good Day sore wa Good Day chigau basho no kimi atarashii asita ni saraware te tabidatsu kimi ga miseta saigono egao ano natsu no bokura wa nani wo yume mite ta? yozora no hoshi wo miage mirai wo sagashi te ta kimi ga eranda haruka na michinori ga don na ni hanarete te mo wasure nai futari no Good Day ano hi no mama ano natsu no bokura wa nani wo yume mite ta? nagisa wo hashiru kaze ga futari wo otona ni shite korekara bokura wa doko e ikeru kana? kono michi ga kasanaru nara mou ichido futari no Good Day anohi no mama 2009-08-15 by Hotaruishi [部分編集] ■ Show/Hide Translation Good Day Tears I ve shed has all dried off Now is the time to go out put in a brand new shirt Good day, it s a good day Sunny sky after the rain Good day, I say good day To the season passing away The day when we re got in a sudden shower You yelped with delight but I saw tears in your eyes What were we dreamed of in the summer time? Ran through the edge of the surf We thought we looked at future that we will be It was a little tale of the end of our childhood Still shines in my heart Just like the days we d been together The sun shines in this cloudy town Now is the time to go out with the wind blows Good day, it s a good day Though we re underneath the same sunny sky Good day, i say good day To you at where i don t know The future had taken you away I remind the last smile you gave me What were we dreamed of in the summer time? We looked for what lies ahead up above the starry sky The way you ve got by yourself How far apart from it I always remember good old days we had Just like the season we d been together What were we dreamed of in the summer time? Sea bleezes had grown us up What future waits me? And hopefully, if our ways crossed together once again I d say good day Just like the days we d been together 2009-08-15 Translated by Hotaruishi Original Lyric, Nicosound MP3, etc http //nicosound.anyap.info/sound/http //www.nicovideo.jp/watch/sm7803988 http //www.nicomimi.com/play/http //www.nicovideo.jp/watch/sm7803988 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=WiUGy3-YGkI [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=WiUGy3-YGkI (Information in this page is based on @Wiki) _
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【コミュニティ】 ペコ放送局 http //com.nicovideo.jp/community/co1397573 【記録】 【大会実績】 【関連】 Twitter https //twitter.com/pekoniko25 裏 http //www.stickam.jp/profile/peko25
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CHAPTER XIII UP CHAPTER XV CHAPTER XIV Anne s Confession ON the Monday evening before the picnic Marilla came down from her room with a troubled face. "Anne," she said to that small personage, who was shelling peas by the spotless table and singing, "Nelly of the Hazel Dell" with a vigor and expression that did credit to Diana s teaching, "did you see anything of my amethyst brooch? I thought I stuck it in my pincushion when I came home from church yesterday evening, but I can t find it anywhere." "I--I saw it this afternoon when you were away at the Aid Society," said Anne, a little slowly. "I was passing your door when I saw it on the cushion, so I went in to look at it." "Did you touch it?" said Marilla sternly. "Y-e-e-s," admitted Anne, "I took it up and I pinned it on my breast just to see how it would look." "You had no business to do anything of the sort. It s very wrong in a little girl to meddle. You shouldn t have gone into my room in the first place and you shouldn t have touched a brooch that didn t belong to you in the second. Where did you put it?" "Oh, I put it back on the bureau. I hadn t it on a minute. Truly, I didn t mean to meddle, Marilla. I didn t think about its being wrong to go in and try on the brooch; but I see now that it was and I ll never do it again. That s one good thing about me. I never do the same naughty thing twice." "You didn t put it back," said Marilla. "That brooch isn t anywhere on the bureau. You ve taken it out or something, Anne." "I did put it back," said Anne quickly--pertly, Marilla thought. "I don t just remember whether I stuck it on the pincushion or laid it in the china tray. But I m perfectly certain I put it back." "I ll go and have another look," said Marilla, determining to be just. "If you put that brooch back it s there still. If it isn t I ll know you didn t, that s all!" Marilla went to her room and made a thorough search, not only over the bureau but in every other place she thought the brooch might possibly be. It was not to be found and she returned to the kitchen. "Anne, the brooch is gone. By your own admission you were the last person to handle it. Now, what have you done with it? Tell me the truth at once. Did you take it out and lose it?" "No, I didn t," said Anne solemnly, meeting Marilla s angry gaze squarely. "I never took the brooch out of your room and that is the truth, if I was to be led to the block for it--although I m not very certain what a block is. So there, Marilla." Anne s "so there" was only intended to emphasize her assertion, but Marilla took it as a display of defiance. "I believe you are telling me a falsehood, Anne," she said sharply. "I know you are. There now, don t say anything more unless you are prepared to tell the whole truth. Go to your room and stay there until you are ready to confess." "Will I take the peas with me?" said Anne meekly. "No, I ll finish shelling them myself. Do as I bid you." When Anne had gone Marilla went about her evening tasks in a very disturbed state of mind. She was worried about her valuable brooch. What if Anne had lost it? And how wicked of the child to deny having taken it, when anybody could see she must have! With such an innocent face, too! "I don t know what I wouldn t sooner have had happen," thought Marilla, as she nervously shelled the peas. "Of course, I don t suppose she meant to steal it or anything like that. She s just taken it to play with or help along that imagination of hers. She must have taken it, that s clear, for there hasn t been a soul in that room since she was in it, by her own story, until I went up tonight. And the brooch is gone, there s nothing surer. I suppose she has lost it and is afraid to own up for fear she ll be punished. It s a dreadful thing to think she tells falsehoods. It s a far worse thing than her fit of temper. It s a fearful responsibility to have a child in your house you can t trust. Slyness and untruthfulness--that s what she has displayed. I declare I feel worse about that than about the brooch. If she d only have told the truth about it I wouldn t mind so much." Marilla went to her room at intervals all through the evening and searched for the brooch, without finding it. A bedtime visit to the east gable produced no result. Anne persisted in denying that she knew anything about the brooch but Marilla was only the more firmly convinced that she did. She told Matthew the story the next morning. Matthew was confounded and puzzled; he could not so quickly lose faith in Anne but he had to admit that circumstances were against her. "You re sure it hasn t fell down behind the bureau?" was the only suggestion he could offer. "I ve moved the bureau and I ve taken out the drawers and I ve looked in every crack and cranny" was Marilla s positive answer. "The brooch is gone and that child has taken it and lied about it. That s the plain, ugly truth, Matthew Cuthbert, and we might as well look it in the face." "Well now, what are you going to do about it?" Matthew asked forlornly, feeling secretly thankful that Marilla and not he had to deal with the situation. He felt no desire to put his oar in this time. "She ll stay in her room until she confesses," said Marilla grimly, remembering the success of this method in the former case. "Then we ll see. Perhaps we ll be able to find the brooch if she ll only tell where she took it; but in any case she ll have to be severely punished, Matthew." "Well now, you ll have to punish her," said Matthew, reaching for his hat. "I ve nothing to do with it, remember. You warned me off yourself." Marilla felt deserted by everyone. She could not even go to Mrs. Lynde for advice. She went up to the east gable with a very serious face and left it with a face more serious still. Anne steadfastly refused to confess. She persisted in asserting that she had not taken the brooch. The child had evidently been crying and Marilla felt a pang of pity which she sternly repressed. By night she was, as she expressed it, "beat out." "You ll stay in this room until you confess, Anne. You can make up your mind to that," she said firmly. "But the picnic is tomorrow, Marilla," cried Anne. "You won t keep me from going to that, will you? You ll just let me out for the afternoon, won t you? Then I ll stay here as long as you like AFTERWARDS cheerfully. But I MUST go to the picnic." "You ll not go to picnics nor anywhere else until you ve confessed, Anne." "Oh, Marilla," gasped Anne. But Marilla had gone out and shut the door. Wednesday morning dawned as bright and fair as if expressly made to order for the picnic. Birds sang around Green Gables; the Madonna lilies in the garden sent out whiffs of perfume that entered in on viewless winds at every door and window, and wandered through halls and rooms like spirits of benediction. The birches in the hollow waved joyful hands as if watching for Anne s usual morning greeting from the east gable. But Anne was not at her window. When Marilla took her breakfast up to her she found the child sitting primly on her bed, pale and resolute, with tight-shut lips and gleaming eyes. "Marilla, I m ready to confess." "Ah!" Marilla laid down her tray. Once again her method had succeeded; but her success was very bitter to her. "Let me hear what you have to say then, Anne." "I took the amethyst brooch," said Anne, as if repeating a lesson she had learned. "I took it just as you said. I didn t mean to take it when I went in. But it did look so beautiful, Marilla, when I pinned it on my breast that I was overcome by an irresistible temptation. I imagined how perfectly thrilling it would be to take it to Idlewild and play I was the Lady Cordelia Fitzgerald. It would be so much easier to imagine I was the Lady Cordelia if I had a real amethyst brooch on. Diana and I make necklaces of roseberries but what are roseberries compared to amethysts? So I took the brooch. I thought I could put it back before you came home. I went all the way around by the road to lengthen out the time. When I was going over the bridge across the Lake of Shining Waters I took the brooch off to have another look at it. Oh, how it did shine in the sunlight! And then, when I was leaning over the bridge, it just slipped through my fingers--so--and went down--down--down, all purply-sparkling, and sank forevermore beneath the Lake of Shining Waters. And that s the best I can do at confessing, Marilla." Marilla felt hot anger surge up into her heart again. This child had taken and lost her treasured amethyst brooch and now sat there calmly reciting the details thereof without the least apparent compunction or repentance. "Anne, this is terrible," she said, trying to speak calmly. "You are the very wickedest girl I ever heard of." "Yes, I suppose I am," agreed Anne tranquilly. "And I know I ll have to be punished. It ll be your duty to punish me, Marilla. Won t you please get it over right off because I d like to go to the picnic with nothing on my mind." "Picnic, indeed! You ll go to no picnic today, Anne Shirley. That shall be your punishment. And it isn t half severe enough either for what you ve done!" "Not go to the picnic!" Anne sprang to her feet and clutched Marilla s hand. "But you PROMISED me I might! Oh, Marilla, I must go to the picnic. That was why I confessed. Punish me any way you like but that. Oh, Marilla, please, please, let me go to the picnic. Think of the ice cream! For anything you know I may never have a chance to taste ice cream again." Marilla disengaged Anne s clinging hands stonily. "You needn t plead, Anne. You are not going to the picnic and that s final. No, not a word." Anne realized that Marilla was not to be moved. She clasped her hands together, gave a piercing shriek, and then flung herself face downward on the bed, crying and writhing in an utter abandonment of disappointment and despair. "For the land s sake!" gasped Marilla, hastening from the room. "I believe the child is crazy. No child in her senses would behave as she does. If she isn t she s utterly bad. Oh dear, I m afraid Rachel was right from the first. But I ve put my hand to the plow and I won t look back." That was a dismal morning. Marilla worked fiercely and scrubbed the porch floor and the dairy shelves when she could find nothing else to do. Neither the shelves nor the porch needed it--but Marilla did. Then she went out and raked the yard. When dinner was ready she went to the stairs and called Anne. A tear-stained face appeared, looking tragically over the banisters. "Come down to your dinner, Anne." "I don t want any dinner, Marilla," said Anne, sobbingly. "I couldn t eat anything. My heart is broken. You ll feel remorse of conscience someday, I expect, for breaking it, Marilla, but I forgive you. Remember when the time comes that I forgive you. But please don t ask me to eat anything, especially boiled pork and greens. Boiled pork and greens are so unromantic when one is in affliction." Exasperated, Marilla returned to the kitchen and poured out her tale of woe to Matthew, who, between his sense of justice and his unlawful sympathy with Anne, was a miserable man. "Well now, she shouldn t have taken the brooch, Marilla, or told stories about it," he admitted, mournfully surveying his plateful of unromantic pork and greens as if he, like Anne, thought it a food unsuited to crises of feeling, "but she s such a little thing--such an interesting little thing. Don t you think it s pretty rough not to let her go to the picnic when she s so set on it?" "Matthew Cuthbert, I m amazed at you. I think I ve let her off entirely too easy. And she doesn t appear to realize how wicked she s been at all--that s what worries me most. If she d really felt sorry it wouldn t be so bad. And you don t seem to realize it, neither; you re making excuses for her all the time to yourself--I can see that." "Well now, she s such a little thing," feebly reiterated Matthew. "And there should be allowances made, Marilla. You know she s never had any bringing up." "Well, she s having it now" retorted Marilla. The retort silenced Matthew if it did not convince him. That dinner was a very dismal meal. The only cheerful thing about it was Jerry Buote, the hired boy, and Marilla resented his cheerfulness as a personal insult. When her dishes were washed and her bread sponge set and her hens fed Marilla remembered that she had noticed a small rent in her best black lace shawl when she had taken it off on Monday afternoon on returning from the Ladies Aid. She would go and mend it. The shawl was in a box in her trunk. As Marilla lifted it out, the sunlight, falling through the vines that clustered thickly about the window, struck upon something caught in the shawl--something that glittered and sparkled in facets of violet light. Marilla snatched at it with a gasp. It was the amethyst brooch, hanging to a thread of the lace by its catch! "Dear life and heart," said Marilla blankly, "what does this mean? Here s my brooch safe and sound that I thought was at the bottom of Barry s pond. Whatever did that girl mean by saying she took it and lost it? I declare I believe Green Gables is bewitched. I remember now that when I took off my shawl Monday afternoon I laid it on the bureau for a minute. I suppose the brooch got caught in it somehow. Well!" Marilla betook herself to the east gable, brooch in hand. Anne had cried herself out and was sitting dejectedly by the window. "Anne Shirley," said Marilla solemnly, "I ve just found my brooch hanging to my black lace shawl. Now I want to know what that rigmarole you told me this morning meant." "Why, you said you d keep me here until I confessed," returned Anne wearily, "and so I decided to confess because I was bound to get to the picnic. I thought out a confession last night after I went to bed and made it as interesting as I could. And I said it over and over so that I wouldn t forget it. But you wouldn t let me go to the picnic after all, so all my trouble was wasted." Marilla had to laugh in spite of herself. But her conscience pricked her. "Anne, you do beat all! But I was wrong--I see that now. I shouldn t have doubted your word when I d never known you to tell a story. Of course, it wasn t right for you to confess to a thing you hadn t done--it was very wrong to do so. But I drove you to it. So if you ll forgive me, Anne, I ll forgive you and we ll start square again. And now get yourself ready for the picnic." Anne flew up like a rocket. "Oh, Marilla, isn t it too late?" "No, it s only two o clock. They won t be more than well gathered yet and it ll be an hour before they have tea. Wash your face and comb your hair and put on your gingham. I ll fill a basket for you. There s plenty of stuff baked in the house. And I ll get Jerry to hitch up the sorrel and drive you down to the picnic ground." "Oh, Marilla," exclaimed Anne, flying to the washstand. "Five minutes ago I was so miserable I was wishing I d never been born and now I wouldn t change places with an angel!" That night a thoroughly happy, completely tired-out Anne returned to Green Gables in a state of beatification impossible to describe. "Oh, Marilla, I ve had a perfectly scrumptious time. Scrumptious is a new word I learned today. I heard Mary Alice Bell use it. Isn t it very expressive? Everything was lovely. We had a splendid tea and then Mr. Harmon Andrews took us all for a row on the Lake of Shining Waters--six of us at a time. And Jane Andrews nearly fell overboard. She was leaning out to pick water lilies and if Mr. Andrews hadn t caught her by her sash just in the nick of time she d fallen in and prob ly been drowned. I wish it had been me. It would have been such a romantic experience to have been nearly drowned. It would be such a thrilling tale to tell. And we had the ice cream. Words fail me to describe that ice cream. Marilla, I assure you it was sublime." That evening Marilla told the whole story to Matthew over her stocking basket. "I m willing to own up that I made a mistake," she concluded candidly, "but I ve learned a lesson. I have to laugh when I think of Anne s `confession, although I suppose I shouldn t for it really was a falsehood. But it doesn t seem as bad as the other would have been, somehow, and anyhow I m responsible for it. That child is hard to understand in some respects. But I believe she ll turn out all right yet. And there s one thing certain, no house will ever be dull that she s in." CHAPTER XIII UP CHAPTER XV 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 25 11 (Tue)
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In the great sea of Ignora lay five islands in the shape of a cross. Four pointed in each cardinal direction around a larger central island, to form Ente Isla. The islands protected by the gods. All who lived in Ente Isla knew of Satan, ruler of demons. His very name was synonymous with the terror and cruelty that rule his demon realm. As well as the creatures of the night that thrived in its depravity. Satan was an ambitious ruler. He sought to crush the humans and their world. Thereby, created a land of peace and prosperity for all night s creatures. Four trusted general serve the devil. Adramelech, Lucifer, Alciel, and Malacoda. These four great demons launched merciless attacks on the four continents. However, a lone hero rose up against them. Sacred sword in hand. Along with a band of comrades, the hero crushed Lucifer s army to the west. They went on to defeat Adramelech in the north, and Malacoda in the south. Then the federation of knights led by this hero invaded the central continent, where the demon load kept his castle. ALCIEL Ugh... ALBERTIO Raah! (ALCIEL Damn it...you wretched humans!) (EMERALDA Drag demons into the netherworld!) ALCIEL Ah! (How dare you?!) OLBA Ooohh... haa... Hah! ALCIEL (Are you well, sire? Out of my way!) ALBERTIO EMERALDA Ah! (ALCIEL Apologies, Sire. I have failed. These human forces over came my army. Tis only a matter of time before your castle shall fall) (SATAN I never dreamed one human hero would have the ability to force us into such dire straits) (ALCIEL Sire, I suggest we withdraw for now and regroup. All is not lost yet) (SATAN Hear me, humans! I leave Ente Isla in your hands today! But know this! Pon my return, you and all of Ente Isla shall be crushed!) --- (SATAN Where are we?) (ALCIEL Are you all right? Are you well, Sire?) (SATAN I shall be, Alciel. First, we must find a place to heal) (ALCIEL Yes, Sire, but this place seems awfully noisy. Do you know where we are; what is this world? Could it be---Look at you, Sire! Why have you taken that form? It is small!) (SATAN What? No, it can t be... These are human hands...?) [A car ran fast nearby Satan and Alciel] (SATAN Calm yourself, Alciel. Be careful not to use magic) POLICEMAN A Hey kids, excuse me a sec. Mind if we talk to you? (ALCIEL Do not speak to me so familiarly, human! Do you wish to die right here?) POLICEMAN B Oh, looks like we got a couple of foreigners. POLICEMAN A Well, let s make this a good story. Do you understand the words I m saying right now? (ALCIEL Yet still?! Even not speaking our language... I am a demon, a user of magic who could easily kill---) (SATAN Alciel. Do not use magic right now. We must learn this world. We shall cooperate) POLICEMAN A Do you think it may be hot, huh? Dressed up like that. POLICEMAN B I believe they are cos-playing, sir. It s weird though, we don t give much their kind in this neighborhood. POLICEMAN A This is Sasaki out on patrol. I m gonna couple of youths with minor injuries here. (ALCIEL This seems to be some sort of carriage. But, strangely, it does not need horses) (SATAN It does not seem to be powered by magic either. I wonder how it works) POLICEMAN A Now, boys, would you mind join us in the car? You re not in trouble, so--- (ALCIEL How dare you! Do not presume to touch me, lowly human! Know your place, inferior creature! Die, fool!) Wraaah! POLICEMAN A OK, you two, behave yourselves. --- POLICEMAN A Er...this is katsudon. Okay? SATAN Katu-don... POLICEMAN A Yes, that s right. Yes. SATAN They coated animal flesh in some sort of grain, and fried it in hot oil, then a main gold bird embryo with placed on top. And the whole things heated even further in the fish broth... POLICEMAN A Look, I m not supposed to provide food, but I can t let to injured kids go hungry. Well, this call it my treat, heh heh heh heh... (SATAN More information about this world. Now tell me everything) POLICEMAN A Huh? ...of course... (SATAN Answer my questions) --- (SATAN You here, Alciel?) [Alciel was eating katsudon when Satan entered into his interrogation room] (SATAN Alciel...) (ALCIEL Satan, tis you!) POLICEMAN B Hey not! Son, you kids just waltz on in here?! SATAN (...) POLICEMAN B Uh...right... ALCIEL (You are here, King Satan...I am glad you are all right and found me, Sire) SATAN (I used hypnotism to gain info about this place from a human. Apparently, this world is called Earth) We find ourselves in one of Earth s nations. An archipelago, which they called Japan. We stand now it s capital of Tokyo. And, this building is someplace they call it police-station. These police are evidently a state institution maintaining public order. ALCIEL I see, Sire. And, what is that substance on the table they fed me? SATAN Katsu-doon. It is extremely common food in this country. ALCIEL Katsu-doon...yes, that name has a powerful ring to it. This is of great interest. SATAN Incorrect. Now focus, food is neither interesting nor important right now. In this world, we are only fantasy. These humans don t consider things like demons or even the devil to be authentic. No one believe magic legitimately exists... ALCIEL They do not believe in magic?! How did they survive? -- ALCIEL I see. So, because of the insufficient of magic in this pathetic realm, we are unable to retain our demonic forms... SATAN Yes. But I never imagine stripping of magic case this...Out physical change makes me wonder a humans might actually be the foundation for all living creatures. ALCIEL Surely, you jest, Sire. I m in certain this merely an effect of this world and the Gate. SATAN I still retain a fraction of my magic, but, just quite an effort to stem its outward flow. How was it with you, Alciel? ALCIEL Hum...mmm...Ahh! ...Looks it work, Sire. SATAN No. I highly doubt this carriage was conjured with magic. ALCIEL Alas... --- SATAN If I adjust the amount of magic I released, I won t run out for a fair amount of time. The undeniable problem is currently have no way to amass more. However, if Earth is familiar with the concept of magic, even as imaginary, we may have a chance. The pass left to us now is to discover that method, and regain our natural strength. Until then, we have no choice but to live in this world, and obey these human s rules. ALCIEL What a cruel reality this is... SATAN Indeed. But, we might as well do what we can. --- SATAN We must obtain official records, that what is called a war-d office. Ugg... ALCIEL (You are changing colors) PUBLIC OFFICE CLERK Huh? ...Okay...here... SATAN Good. Next, we create accounts at that bank. To do so, use this. ALCIEL What is that paper? SATAN Tis this country s currency. I borrowed it from that police officer human. Right before, I created our own personal seal. I have to say I m rather proud of my self... ALCIEL As am I... BANK CLERK Here you are. SATAN Good. Last way, we must secure base of operations from a real-tor. ...(We are) two...Searching...(We) need hou-se. REALTOR A Sure, what sort of home? Did you have in mind, sir? ALCIEL (He understood you!) SATAN (Calm down! Seriously, Alciel! A little language acquisition is nothing for me; nothing I say!) ALCIEL Nn-nn. SATAN (Yes,) okay, bro! (I) am final getting the grooving! --- REALTOR B The landlady dislocation is a very admirable person. If I may speak frankly, she said she wants to set an example by taking on persons of unknown background, like the two of you fine gentlemen. ALCIEL (This is complete...) SATAN (...shit. Even I can tell that) ALCIEL (Well, at least it is a two story house, with six rooms; that is good, Sire, right?) REALTOR B You ll be renting room 201 here. ALCIEL (Is he for real? Just one room?) SATAN (We should be grateful it has a roof. Certainly when you compare it to the Devil s Castle---) MIKI Good afternoon. ALCIEL (It is...human?) MIKI You two adorable creatures are the new rental applicants, correct? ALCIEL (It can speak!) REALTOR B This woman owns these apartments, and lives next door. MIKI The name is Miki Shiba. And, kanji that s with characters meaning beauty and radiance. Ah, but please, boys, call me Mikity instead. That s so much more fun...No? SATAN AND ALCIEL (Totally...) --- ALCIEL Sire, are you sure we should waste our time here? SATAN Remember, and this world they like to say patience is a virtue. In the end this castle might be a welcome change of pace. ALCIEL Oh, Sire... SATAN We have no other choice, but we will move forward from here...way... ALCIEL Ah! King Satan?! Sire! King Satan! --- SATAN Urk...I didn t realize this body was one that required food. ALCIEL Well, we do have a human body now, Sire. SATAN That gruesome IV drip thing will cost as much as a full month rent on the castle! You know what that s called?! Rubbing salt in a wound! This what the nerve certainty... ALCIEL That uncanny landlady spared us a good deal of trouble, Sire. She tell me that Japan requires resident to carry something called health insurance. SATAN Never mind her. Money is a clearly essence in this human s society, so we need to posses it somehow. I cannot afford to expend more of my magic. So, that means we really only have one option left to us. ALCIEL And, what is that, Sire? SATAN (Gulp) --- ALCIEL Curses! Did it wrong again... SATAN You idiot! Resume forms do not grow on trees, you know! Okay, my new name is Sadao Maou. ALCIEL And mine, Shiro Ashiya. Do you find this name strange, Sire? SATAN It s a little late to ask that now! We ve already made both our IDs! --- ASHIYA King Satan. MAOU Yeah? ASHIYA Might I suggest you to put a little more thought into your spending. MAOU Give me a break! I put thought the spending! Summer s around the corner, so we need a fridge. And, owning a washing machine is cheaper than a laundromat in the long run. And, I have to have the bike to get to work. ASHIYA It s not what you purchase I concerned me, Sire. I just think pay in installments would be better choice than buying them all at once. MAOU Well, I hate loans. ASHIYA Don t so me, Sire. MAOU Now go all you want! But Installment plans come with interesting fees. And, I m gonna pay for something I can touch with my own two hands. ASHIYA Impeccably word it, Sire, but do tell me...How are we supposed to make it to payday on milk, jelly and all way we have cucumbers too?! MAOU I see your point. But calm down, it s not like we don t have any money left, I swill have some cash. I ll be fine until payday. Don t forget they give me lots of food at work too. ASHIYA We re gonna die...You propose we eat burgers and flies three times a day until you get pay? What is this, Super Size Me? [If ain t take?] high-calorie, high-cholesterol item such a young age? I m looking forward to next ten years from now that I hope you don t die prematurely of a lifestyle-related illness before we get home! I must... MAOU Stop freaking out! I gotta go to work! ASHIYA Wait, Sire! MAOU Lecture me later! ASHIYA That s not it! You forget your umbrella! MAOU Let s roll, Dullahan! Yah! ASHIYA ...And he s off. Guess, I ll get ready too.