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【登録タグ Abyss nova C FELT 曲 美歌 聖徳伝説 ～ True Administrator】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/mrfrtech/pages/36.html
Market Analysis Advancement and improvement in equipment and gaming programming are key parts driving the advancement of the overall PC game market. The rising entry of internet services combined with the simple accessibility and openness of games across the globe is also expected to push the marked improvement in the approaching years. PC game architects are in like manner persistently improving and stretching the innovative boundaries in regard to the ongoing delivery of illustrations in the computer game industry, as would be considered normal to fuel the advancement of the overall video gaming market. Further, the ascent of cloud gaming is relied upon to drive market development. Most recent advances in state-of-the-art cloud development have changed cloud gaming into this present reality. In cloud gaming, the server, where all games are put away, does all the calculation work, which joins game scene conveying, game reasoning getting ready, video encoding, and video online. For instance, a couple of organizations, OnLive, G-Cluster, StreamMyGame, Gaikai, and T5-Labs, are at this point business cloud gaming administrations. This new region is similarly considered to be a veritable competitor for the regular game market. This has provoked significant computer game organizations, for example, Sega, Ubisoft, Epic Games, Atari, Warner Bros, Disney Interactive studio, to layout associations with OnLive to circulate their games. Likewise, in May 2020, Nvidia GeForce Now added 19 games to its cloud gaming library and further declared an additional18 new games that will be accessible on GeForce NOW. Moreover, the gaming area is seeing broad activity from new organizations that are further inciting market advancement. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10594 Market Segmentation The Global Video Game Market has been portioned in light of gaming gadgets, gaming type, end-client, and locale. The worldwide computer game market is isolated into the control center, tablet and cell phone in light of gaming gadgets. The cell phone gaming fragment is relied upon to hold the biggest portion of the market. It is relied upon to develop at a quicker rate during the estimated time frame inferable from the rising interest for portable games and various mechanical progressions on the lookout, for example, AR, VR, cloud gaming. As indicated by research, there were in excess of 200 million portable game players last year in the United States alone. In view of gaming type, the worldwide video gaming market is partitioned into on the web and disconnected gaming. The web-based gaming section is relied upon to hold the biggest portion of the piece of the pie, and it is relied upon to develop at the quickest rate during the figure time frame. The rise of 5G organizations and accessibility of limitless information plans are additionally expected to be key variables towards the achievement of web-based gaming across the globe, as most gamers normally like messing around online on their cell phones. The expanding administrations and interest in the 5G framework are likewise vital towards this achievement. In light of end-client, the worldwide market is separated into children, teens and grown-ups. The teen portion is relied upon to hold the biggest portion of the piece of the pie and is relied upon to develop at the quickest rate during the gauge time frame. Regional Analysis The Global Video Game Market is sectioned into Asia-Pacific, North America, Europe, the Middle East and Africa, and South America. Asia-Pacific is relied upon to hold the biggest offer in the worldwide video gaming business, where countries, for instance, China, Japan, and South Korea, show a high potential in market advancement. The Chinese endeavors are ready to acknowledge the business openings carried by worldwide digitalization because of the ascent in the computerized biological system. Further, 5G innovation is also driving the versatile-based VR gaming market in China. Key Players The fiercely competitive video game market appears fragmented, with many large small players forming a competitive landscape. Product launch, agreement partnership, M A, and expansion are strategic initiatives traced from recent market proceedings. Players leading the video game market are Nintendo Co. Ltd (Japan), Tencent Holdings Limited (China), Activision Blizzard Inc. (US), Ubisoft Entertainment SA (France), Electronic Arts Inc. (US), and Qualcomm Wireless Communications Technologies (China) Limited, among others. Industry News May 2020 - Microsoft has uncovered the send-off of the game 'Red Nexus' in Xbox Series X before the finish of 2020. The game professes to help the critical specialized highlights of the Xbox Series X, for example, ongoing beam following, 120-outlines per-second activity, and super-quick stacking times. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/video-game-market-10594 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report** Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment
https://w.atwiki.jp/je-pu-pu-mondai/pages/29.html
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[gioco a due|http //gioco-a.fifa2007it.org] - [gioco a due|HTTP //gioco-a.fifa2007it.org] gioco a due, gioco a due, gioco a due [gioco a due|http //gioco-a.fifa2007it.org]; [leptis magna|http //leptis-magna.topo20.org] - [leptis magna|HTTP //leptis-magna.topo20.org] leptis magna, leptis magna, leptis magna [leptis magna|http //leptis-magna.topo20.org]; [killing zoe|http //killing-zoe.motnolado.org] - [killing zoe|HTTP //killing-zoe.motnolado.org] killing zoe, killing zoe, killing zoe [killing zoe|http //killing-zoe.motnolado.org]; [puy, jean|http //puy-jean.realitsen.info] - [puy, jean|HTTP //puy-jean.realitsen.info] puy, jean, puy, jean, puy, jean [puy, jean|http //puy-jean.realitsen.info]; [jerry maguire|http //jerry-maguire.motnolado.org] - [jerry maguire|HTTP //jerry-maguire.motnolado.org] jerry maguire, jerry maguire, jerry maguire [jerry maguire|http //jerry-maguire.motnolado.org]; [brouet, auguste|http //brouet-auguste.trevisos.org] - [brouet, auguste|HTTP //brouet-auguste.trevisos.org] brouet, auguste, brouet, auguste, brouet, auguste [brouet, auguste|http //brouet-auguste.trevisos.org]; [pileta, la-|http //pileta-la.realitsen.info] - [pileta, la-|HTTP //pileta-la.realitsen.info] pileta, la-, pileta, la-, pileta, la- [pileta, la-|http //pileta-la.realitsen.info]; [campanile|http //campanile.win-for-italy.info] - [campanile|HTTP //campanile.win-for-italy.info] campanile, campanile, campanile [campanile|http //campanile.win-for-italy.info]; [arrieta, pedro de-|http //arrieta-pedro.trevisos.org] - [arrieta, pedro de-|HTTP //arrieta-pedro.trevisos.org] arrieta, pedro de-, arrieta, pedro de-, arrieta, pedro de- [arrieta, pedro de-|http //arrieta-pedro.trevisos.org]; [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info] - [cambridge (u.s.a.)|HTTP //cambridge-usa.win-for-italy.info] cambridge (u.s.a.), cambridge (u.s.a.), cambridge (u.s.a.) [cambridge (u.s.a.)|http //cambridge-usa.win-for-italy.info]; [arellano, juan de-|http //arellano-juan.trevisos.org] - [arellano, juan de-|HTTP //arellano-juan.trevisos.org] arellano, juan de-, arellano, juan de-, arellano, juan de- [arellano, juan de-|http //arellano-juan.trevisos.org]; [la cameriera|http //la-cameriera.motnolado.org] - [la cameriera|HTTP //la-cameriera.motnolado.org] la cameriera, la cameriera, la cameriera [la cameriera|http //la-cameriera.motnolado.org]; [honegger, david|http //honegger-david.topo20.org] - [honegger, david|HTTP //honegger-david.topo20.org] honegger, david, honegger, david, honegger, david [honegger, david|http //honegger-david.topo20.org]; [hals, frans|http //hals-frans.topo20.org] - [hals, frans|HTTP //hals-frans.topo20.org] hals, frans, hals, frans, hals, frans [hals, frans|http //hals-frans.topo20.org]; [black simphony|http //black-simphony.fifa2007it.org] - [black simphony|HTTP //black-simphony.fifa2007it.org] black simphony, black simphony, black simphony [black simphony|http //black-simphony.fifa2007it.org]; [last night|http //last-night.motnolado.org] - [last night|HTTP //last-night.motnolado.org] last night, last night, last night [last night|http //last-night.motnolado.org]; [spencer, stanley|http //spencer-stanley.design4italy.org] - [spencer, stanley|HTTP //spencer-stanley.design4italy.org] spencer, stanley, spencer, stanley, spencer, stanley [spencer, stanley|http //spencer-stanley.design4italy.org]; [gertrud|http //gertrud.fifa2007it.org] - [gertrud|HTTP //gertrud.fifa2007it.org] gertrud, gertrud, gertrud [gertrud|http //gertrud.fifa2007it.org]; [tachi|http //tachi.design4italy.org] - [tachi|HTTP //tachi.design4italy.org] tachi, tachi, tachi [tachi|http //tachi.design4italy.org]; [tisi, benvenuto|http //tisi-benvenuto.design4italy.org] - [tisi, benvenuto|HTTP //tisi-benvenuto.design4italy.org] tisi, benvenuto, tisi, benvenuto, tisi, benvenuto [tisi, benvenuto|http //tisi-benvenuto.design4italy.org]; [novilara|http //novilara.realitsen.info] - [novilara|HTTP //novilara.realitsen.info] novilara, novilara, novilara [novilara|http //novilara.realitsen.info]; [dragonfly|http //dragonfly.fifa2007it.org] - [dragonfly|HTTP //dragonfly.fifa2007it.org] dragonfly, dragonfly, dragonfly [dragonfly|http //dragonfly.fifa2007it.org]; [ricostruire|http //ricostruire.design4italy.org] - [ricostruire|HTTP //ricostruire.design4italy.org] ricostruire, ricostruire, ricostruire [ricostruire|http //ricostruire.design4italy.org]; [base (architettura)|http //base-architettura.trevisos.org] - [base (architettura)|HTTP //base-architettura.trevisos.org] base (architettura), base (architettura), base (architettura) [base (architettura)|http //base-architettura.trevisos.org]; [muybridge, eadweard|http //muybridge-eadweard.realitsen.info] - [muybridge, eadweard|HTTP //muybridge-eadweard.realitsen.info] muybridge, eadweard, muybridge, eadweard, muybridge, eadweard [muybridge, eadweard|http //muybridge-eadweard.realitsen.info]; [kahn, louis isadore|http //kahn-louis.topo20.org] - [kahn, louis isadore|HTTP //kahn-louis.topo20.org] kahn, louis isadore, kahn, louis isadore, kahn, louis isadore [kahn, louis isadore|http //kahn-louis.topo20.org]; [looy, jacobus van-|http //looy-jacobus.topo20.org] - [looy, jacobus van-|HTTP //looy-jacobus.topo20.org] looy, jacobus van-, looy, jacobus van-, looy, jacobus van- [looy, jacobus van-|http //looy-jacobus.topo20.org]; [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org] - [confessions of a teenage drama queen|HTTP //confessions-a.fifa2007it.org] confessions of a teenage drama queen, confessions of a teenage drama queen, confessions of a teenage drama queen [confessions of a teenage drama queen|http //confessions-a.fifa2007it.org]; [liberty|http //liberty.topo20.org] - [liberty|HTTP //liberty.topo20.org] liberty, liberty, liberty [liberty|http //liberty.topo20.org]; [brinckmann, albert erich|http //brinckmann-albert.trevisos.org] - [brinckmann, albert erich|HTTP //brinckmann-albert.trevisos.org] brinckmann, albert erich, brinckmann, albert erich, brinckmann, albert erich [brinckmann, albert erich|http //brinckmann-albert.trevisos.org]; [carne tremula|http //carne-tremula.fifa2007it.org] - [carne tremula|HTTP //carne-tremula.fifa2007it.org] carne tremula, carne tremula, carne tremula [carne tremula|http //carne-tremula.fifa2007it.org]; [a good lawyer s wife|http //a-good.fifa2007it.org] - [a good lawyer s wife|HTTP //a-good.fifa2007it.org] a good lawyer s wife, a good lawyer s wife, a good lawyer s wife [a good lawyer s wife|http //a-good.fifa2007it.org]; [bourgeois, victor|http //bourgeois-victor.trevisos.org] - [bourgeois, victor|HTTP //bourgeois-victor.trevisos.org] bourgeois, victor, bourgeois, victor, bourgeois, victor [bourgeois, victor|http //bourgeois-victor.trevisos.org]; [gods and generals|http //gods-and.fifa2007it.org] - [gods and generals|HTTP //gods-and.fifa2007it.org] gods and generals, gods and generals, gods and generals [gods and generals|http //gods-and.fifa2007it.org]; [fragile|http //fragile.fifa2007it.org] - [fragile|HTTP //fragile.fifa2007it.org] fragile, fragile, fragile [fragile|http //fragile.fifa2007it.org]; [kitaj, ronald b.|http //kitaj-ronald.topo20.org] - [kitaj, ronald b.|HTTP //kitaj-ronald.topo20.org] kitaj, ronald b., kitaj, ronald b., kitaj, ronald b. [kitaj, ronald b.|http //kitaj-ronald.topo20.org]; [foster, sir norman|http //foster-sir.win-for-italy.info] - [foster, sir norman|HTTP //foster-sir.win-for-italy.info] foster, sir norman, foster, sir norman, foster, sir norman [foster, sir norman|http //foster-sir.win-for-italy.info]; [vos, cornelis de-|http //vos-cornelis.design4italy.org] - [vos, cornelis de-|HTTP //vos-cornelis.design4italy.org] vos, cornelis de-, vos, cornelis de-, vos, cornelis de- [vos, cornelis de-|http //vos-cornelis.design4italy.org]; [swatch|http //swatch.design4italy.org] - [swatch|HTTP //swatch.design4italy.org] swatch, swatch, swatch [swatch|http //swatch.design4italy.org]; [venet, bernard|http //venet-bernard.design4italy.org] - [venet, bernard|HTTP //venet-bernard.design4italy.org] venet, bernard, venet, bernard, venet, bernard [venet, bernard|http //venet-bernard.design4italy.org]; [top|http //top.design4italy.org] - [top|HTTP //top.design4italy.org] top, top, top [top|http //top.design4italy.org]; [mora|http //mora.realitsen.info] - [mora|HTTP //mora.realitsen.info] mora, mora, mora [mora|http //mora.realitsen.info]; [big fish|http //big-fish.fifa2007it.org] - [big fish|HTTP //big-fish.fifa2007it.org] big fish, big fish, big fish [big fish|http //big-fish.fifa2007it.org]; [bosch y gimpera, pedro|http //bosch-y.trevisos.org] - [bosch y gimpera, pedro|HTTP //bosch-y.trevisos.org] bosch y gimpera, pedro, bosch y gimpera, pedro, bosch y gimpera, pedro [bosch y gimpera, pedro|http //bosch-y.trevisos.org]; [pailou|http //pailou.realitsen.info] - [pailou|HTTP //pailou.realitsen.info] pailou, pailou, pailou [pailou|http //pailou.realitsen.info]; [nylon|http //nylon.realitsen.info] - [nylon|HTTP //nylon.realitsen.info] nylon, nylon, nylon [nylon|http //nylon.realitsen.info]; [carlito s way|http //carlitos-way.fifa2007it.org] - [carlito s way|HTTP //carlitos-way.fifa2007it.org] carlito s way, carlito s way, carlito s way [carlito s way|http //carlitos-way.fifa2007it.org]; [loggiato|http //loggiato.topo20.org] - [loggiato|HTTP //loggiato.topo20.org] loggiato, loggiato, loggiato [loggiato|http //loggiato.topo20.org]; [avedon, richard|http //avedon-richard.trevisos.org] - [avedon, richard|HTTP //avedon-richard.trevisos.org] avedon, richard, avedon, richard, avedon, richard [avedon, richard|http //avedon-richard.trevisos.org]; [orchard, william|http //orchard-william.realitsen.info] - [orchard, william|HTTP //orchard-william.realitsen.info] orchard, william, orchard, william, orchard, william [orchard, william|http //orchard-william.realitsen.info]; [gremlins|http //gremlins.fifa2007it.org] - [gremlins|HTTP //gremlins.fifa2007it.org] gremlins, gremlins, gremlins [gremlins|http //gremlins.fifa2007it.org]; [accademismo|http //accademismo.trevisos.org] - [accademismo|HTTP //accademismo.trevisos.org] accademismo, accademismo, accademismo [accademismo|http //accademismo.trevisos.org]; [candela, felix|http //candela-felix.win-for-italy.info] - [candela, felix|HTTP //candela-felix.win-for-italy.info] candela, felix, candela, felix, candela, felix [candela, felix|http //candela-felix.win-for-italy.info]; [azzolini, tito|http //azzolini-tito.trevisos.org] - [azzolini, tito|HTTP //azzolini-tito.trevisos.org] azzolini, tito, azzolini, tito, azzolini, tito [azzolini, tito|http //azzolini-tito.trevisos.org]; [kiva|http //kiva.topo20.org] - [kiva|HTTP //kiva.topo20.org] kiva, kiva, kiva [kiva|http //kiva.topo20.org]; [robert de luzarches|http //robert-luzarches.design4italy.org] - [robert de luzarches|HTTP //robert-luzarches.design4italy.org] robert de luzarches, robert de luzarches, robert de luzarches [robert de luzarches|http //robert-luzarches.design4italy.org]; [del perduto amore|http //del-perduto.fifa2007it.org] - [del perduto amore|HTTP //del-perduto.fifa2007it.org] del perduto amore, del perduto amore, del perduto amore [del perduto amore|http //del-perduto.fifa2007it.org]; [shumman, kubo|http //shumman-kubo.design4italy.org] - [shumman, kubo|HTTP //shumman-kubo.design4italy.org] shumman, kubo, shumman, kubo, shumman, kubo [shumman, kubo|http //shumman-kubo.design4italy.org]; [morgan, john pierpont|http //morgan-john.realitsen.info] - [morgan, john pierpont|HTTP //morgan-john.realitsen.info] morgan, john pierpont, morgan, john pierpont, morgan, john pierpont [morgan, john pierpont|http //morgan-john.realitsen.info];
https://w.atwiki.jp/touhoukashi/pages/3949.html
【登録タグ A-One C TOHO EUROBEAT VOL.8 うさ;プレイヤーズスコア 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/nicoapi/pages/43.html
[Vita API, Version 1] video.info 番組情報を得る。 実験放送第2弾などでは、「このデバイスでは再生できない番組です」とエラーになり、情報を取得できなかったので注意 おそらくVitaや3DSで再生できない番組の情報は取得することができないのだろう リクエスト URL GET http //api.ce.nicovideo.jp/liveapi/v1/video.info?__format={format} v={id} format xml または json (デフォルト=無指定は xml) id 番組 ID データ形式 XML または JSON 形式。 データサンプル __format=json v=lv180374957 の場合 { "nicolive_video_response" { "@status" "ok", "video_info" { "community" "", "livetags" { "locked" { "livetag" [ "公式将棋", "将棋", "棋聖戦", "羽生善治", "森内俊之", "村山慈明", "山田久美" ] } }, "video" { "_currentstatus" "onair", "_picture_url" "http //nl.simg.jp/img/a131/392416.207ee8.jpg", "_thumbnail_url" "http //nl.simg.jp/img/a131/392385.af1a83.jpg", "_timeshift_limit" "7", "_ts_archive_end_time" "2014-05-30 00 40 00", "_ts_archive_released_time" "", "_ts_archive_start_time" "", "_ts_is_endless" "0", "_ts_reserved_count" "7233", "_ts_view_limit_num" "0", "_use_tsarchive" "0", "channel_only" "0", "comment_count" "16690", "community_only" "0", "description" "スマートフォンから番組へのメール投稿はコチラから 【告知】7/19(土)～ 電王戦リベンジマッチ 激闘23時間 第85期棋聖戦五番勝負を完全生中継！ 羽生善治 棋聖に森内俊之 竜王が挑戦する今期の棋聖戦五番勝負。 大盤解説は午前9時から村山慈明 七段（解説）、山田久美 女流三段（聞き手）でお届けいたします。 なお、タイムシフト視聴ができるのは対局の７日後までとなります。 みなさまのご視聴をお待ちいたしております。 棋聖戦五番勝負第1局第2局第3局第4局第5局羽生善治 棋聖〇○---森内俊之 竜王●●--- 棋聖戦将棋七大公式タイトル戦のひとつ。 持ち時間4時間（切れると1分の秒読み）。 棋士紹介羽生善治 棋聖 プロフィールページ森内俊之 竜王 プロフィールページ 解説・聞き手村山慈明 七段 プロフィールページ山田久美 女流三段 プロフィールページ ◎主催：産経新聞社・日本将棋連盟 ●日本将棋連盟モバイル特設ページはこちら↓↓", "end_time" "2014-07-06 02 00 00", "hidescore_comment" "0", "hidescore_online" "0", "id" "lv180374957", "is_hq" "1", "open_time" "2014-07-05 08 50 00", "provider_type" "official", "related_channel_id" "ch422", "start_time" "2014-07-05 09 00 00", "timeshift_enabled" "1", "title" "将棋 第85期棋聖戦 五番勝負第3局 羽生善治棋聖 vs 森内俊之竜王", "user_id" "394", "view_counter" "36487" } } } } ※ タグが 1 つしかない場合、"livetag" "ゲーム" にようになります。 (__format=xml )v=lv180374957 の場合 ?xml version= 1.0 encoding= utf-8 ? nicolive_video_response status="ok" video_info video id lv180374957 /id title 将棋 第85期棋聖戦 五番勝負第3局 羽生善治棋聖 vs 森内俊之竜王 /title description スマートフォンから番組へのメール投稿はコチラから 【告知】7/19(土)～ 電王戦リベンジマッチ 激闘23時間 第85期棋聖戦五番勝負を完全生中継！ 羽生善治 棋聖に森内俊之 竜王が挑戦する今期の棋聖戦五番勝負。 大盤解説は午前9時から村山慈明 七段（解説）、山田久美 女流三段（聞き手）でお届けいたします。 なお、タイムシフト視聴ができるのは対局の７日後までとなります。 みなさまのご視聴をお待ちいたしております。 棋聖戦五番勝負第1局第2局第3局第4局第5局羽生善治 棋聖〇○---森内俊之 竜王●●--- 棋聖戦将棋七大公式タイトル戦のひとつ。 持ち時間4時間（切れると1分の秒読み）。 棋士紹介羽生善治 棋聖 プロフィールページ森内俊之 竜王 プロフィールページ 解説・聞き手村山慈明 七段 プロフィールページ山田久美 女流三段 プロフィールページ ◎主催：産経新聞社・日本将棋連盟 ●日本将棋連盟モバイル特設ページはこちら↓↓ /description user_id 394 /user_id open_time 2014-07-05 08 50 00 /open_time start_time 2014-07-05 09 00 00 /start_time end_time 2014-07-06 02 00 00 /end_time provider_type official /provider_type related_channel_id ch422 /related_channel_id _thumbnail_url http //nl.simg.jp/img/a131/392385.af1a83.jpg _picture_url http //nl.simg.jp/img/a131/392416.207ee8.jpg _currentstatus onair hidescore_online 0 /hidescore_online hidescore_comment 0 /hidescore_comment community_only 0 /community_only channel_only 0 /channel_only view_counter 68467 /view_counter comment_count 30903 /comment_count _timeshift_limit 7 _ts_archive_released_time / _use_tsarchive 0 /_use_tsarchive _ts_archive_start_time / _ts_archive_end_time 2014-05-30 00 40 00 /_ts_archive_end_time _ts_view_limit_num 0 /_ts_view_limit_num _ts_is_endless 0 /_ts_is_endless _ts_reserved_count 7296 /_ts_reserved_count timeshift_enabled 1 /timeshift_enabled is_hq 1 /is_hq /video community / livetags locked livetag 公式将棋 /livetag livetag 将棋 /livetag livetag 棋聖戦 /livetag livetag 羽生善治 /livetag livetag 森内俊之 /livetag livetag 村山慈明 /livetag livetag 山田久美 /livetag /locked /livetags /video_info /nicolive_video_response 更新履歴 2018/7/12 実験放送第2弾について追記 2014/7/5 記述
https://w.atwiki.jp/v-lyrics/pages/477.html
こーぽれーしょん [ TAG Alp-C E-A Louis Teto UnOfficialVocaloid title] Music Louis/Louis Lyric Louis/Louis Arrange Louis/Louis Vocal Kasane Teto Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm8085594 http //www.nicovideo.jp/watch/sm8085594 Translations ■ Show/Hide Romaji itsu kara kooshiterun darou tomatta mama no tokei mata kyoo mo onaji koto wo ruuru (rule) doori kurikaesu "kawaranu nomo um-mei sa" da nante son-na mirai wo nozon de ita no? "uchikowasu niwa nani ga hitsuyoo?" sono teno naka ni kotae wa aru no? hitori ikiteru dake no yatsu wo dare ga erai to kimeta no? Question niwa kotae ga hitotsu otona ga baka ni suru yoo na ikikata shite sagashiateta "Cooperation"... nani mo shirazu umare ochita chiisana hinadori datte kara wo yaburi tsubasa hiroge ashita eto tobitateru nobashita te de sotto furete hajimete shiru yasashisa yuuki ni kaeta sekai wo saikoochiku shite yooyaku teni shita jiyuu atarashii chizu ni mitsuketa hito to hito wo tsunagu hashi irozuite ku jidai no naka de kawaranai nanika wo uketsuide iku daiji na mono wa sorezore nanoni dooshite sore wo oshitsukerun da? mirai wo osore soppo wo muite mimi wo fusagu koto mo atta hikari ga areba yami mo mata aru kesu koto wa dekinai kara futatsu tomo ukeire rareru tsuyosa wo kudasai... naniyori mo hoshikatta nowa kokoroto yuu nano "kusabi" uragiri ya sasai na uso ni hoo wo nurashitato shite mo "doose" da nante kotoba de nigemichi wo tsukuranai de shinjite miyou soshite taisetsu na omoidetachi wa shirazu shirazu no uchi ni kitto kokoro no okusoko no bubun de nemuri ni tsuku nukumori tayasanai yooni koko ni nokoshite ikuyo atsui omoi wo 2009-09-22 17 04 Generated automatically [部分編集] ■ Show/Hide Translation Cooperation 2009-09-24 First Entry 2009-09-25 13 24 10 (Fri) Last update Trasnlated by damesukekun Title Cooperation Lyric How long has it kept still, the clock which has stopped ticking? I repeat the same thing by the book today, too "No changing is also the fate," I really hoped such future? "What do I need to break it?" Is the answer in this hand? Who called a guy getting conceited as a maverick worthy? For the "Question" is one answer Through the life grown-ups despised I found out the "Cooperation"... Even a little chick which hatched in ignorance can break the shell, spread its wings and fly toward tomorrow I didn t find a caring heart until I held out my hand and touched it softly I changed it into courage The freedom I managed to seize by reassembling the world And that bridge joining a person to a person I found in a new map I succeed to something steady in the coloring time Each has his own precious thing Why does he disregard mine and force his on me? I sometimes turned my face away and covered my ears in fear of the future Darkness exists as light does I can t remove it so please give me the strength to accept both... "Wedge" on the name of heart was what I wanted the most Even if betrayals and slight lies make tears pour down my cheeks I won t open the way out saying "anyhow, no" and I ll try to believe it And my dearest memories drift off to sleep in the deepest of my heart for sure My passion I leave here so the warmth won t wither away Note This translation is by permission of the composer. 作者様のご了解のもと翻訳しました。 Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-09-25 13 24 10 (Fri) Original Lyric, Nicosound MP3, etc http //www24.atwiki.jp/utauuuta/pages/414.html http //nicosound.anyap.info/sound/sm8085594 http //www.nicomimi.com/play/sm8085594 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=9zayOPnAS6M [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=9zayOPnAS6M (Information in this page is based on UTAUMusicDB@Wiki) _
https://w.atwiki.jp/v-lyrics/pages/378.html
みくみくきんにごちゅうい [ TAG HayayaP L-M Miku title み] Music HayayaP/はややP Lyric HayayaP/はややP Arrange HayayaP/はややP Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm1464024 http //www.nicovideo.jp/watch/sm1464024 Translations ■ Show/Hide Romaji anata no noo nai masagutchau wa odeko no saki made Miku Miku kin de okashiteku no (nyaa nyaa nya nyaa nyaa nyaa nya nyaa nyaa buu buu bu buu buu) (4 times repeat) Miku Miku Mikku Miku Miku heddohon (headphone) kara sasayaku mainichi hora ne Miku Miku Mikku Miku Miku me kara mimi kara shin-nyuu suru noyo itsunomanika (kiken na ryooiki ni) sumitsuita no (sutereo/stereo de hibiku wa) watashi no koto (tada no ongen ja nai noyo) anadoru to itai me miru kara! riaru (real) na issen koete misete ne anata no sainoo watashi, hotobashirasete ageru no dakara onegai yo katachi ni shitene watashi no kotoba min-na ni kiite hoshii kara (nyaa nyaa nya nyaa nyaa nyaa nya nyaa nyaa buu buu bu buu buu) (4 times repeat) Miku Miku Mikku Miku Miku negi to odori tsuzukeru no mainichi hora ne Miku Miku Mikku Miku Miku negi mo mimi kara shin-nyuu suru noyo watashi no koto (suteki na ongaku de) tsutae tai no (etchi nano wa yamete ne) anata no te de (inochi fukikonde hoshii no) utawasete onchi ni shinai de! (moo hetakuso t) kiseki na isshun minogasanai de anata no soozoo ryoku watashi, fukuramasete ageru kara min-na no kimochi wo kusugutchau wa sekai no hate made Miku Miku kin de okashiteku no riaru (real) na issen koete misete ne anata no sainoo watashi, hotobashirasete ageru no dakara onegai yo katachi ni shitene watashi no kotoba min-na ni kiite hoshii kara (nyaa nyaa nya nyaa nyaa nyaa nya nyaa nyaa buu buu bu buu buu) (4 times repeat) 2009-07-29 Checked by damesukekun 2009-07-29 07 18 Generated automatically [部分編集] ■ Show/Hide Translation Caution! Miku Miku Bacteria ♪ 2009-07-29 First Entry 2009-07-29 21 25 36 (Wed) Last update Trasnlated by damesukekun Title Caution! Miku Miku Bacteria♪ Lyric I ll touch and feel around the inside of your brain I ll infect to the top your forehead with Miku Miku bacteria miaow, miaow,... oink, oink,... Miku Miku Mikku Miku Miku I whisper everyday from your headphones see, Miku Miku Mikku Miku Miku I infect you through your eyes and ears While you didn t know (in the dangerous area) I settled inside you (I echo with stereo sound) If you think me of nothing, (I m not just a synthesizer) you ll meet something trouble! Show me you break your wall I ll let you bubble forth your creativeness So, please make my unformed words real cause I want them heard by everyone miaow, miaow,... oink, oink,... Miku Miku Mikku Miku Miku I m dancing with leeks every day see, Miku Miku Mikku Miku Miku leeks invade you through your ears, too I wanna show (with beautiful musics) everything of me (no obscene ones) with your hand (please give me life) and make me sing don t make me out of tune! (You, clumsy) Don t miss the inspiring moment I ll boost your creativeness I ll tickle everyone s heart I ll infect to the ends of the earth with Miku Miku bacteria Show me you break your wall I ll let you bubble forth your creativeness So, please make my unformed words real cause I want them heard by everyone miaow, miaow,... oink, oink,... Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-07-29 21 25 36 (Wed) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/211.html http //nicosound.anyap.info/sound/sm1464024 http //www.nicomimi.com/play/sm1464024 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=91M5DQ9SmuY [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=91M5DQ9SmuY (Information in this page is based on HatsuneMiku@Wiki) _
https://w.atwiki.jp/ondating/pages/11.html
Online dating websites provide single men and women the opportunity to meet others in their area for casual dating. For lesbian singles, it can be easy to start a casual relationship online. All you need is to create an account on an online dating website and start browsing profiles of other members. How dating sites help lesbians to find a casual date Dating apps are often considered to be just for finding a partner for a serious relationship, but in reality, they can be used to find a casual date. Some dating apps advertise themselves as being the perfect choice when it comes to meeting someone for a one-night stand or casual relationship. Matchmaking services are not the only type of dating website that girls use when they want to quickly find someone with whom they can have some fun. There are also websites for meeting people who are looking for different things. For example, women who are looking for something short-term or long-term, or something that is more permanent. Dating platforms are a great way to meet people. Some of these services are exclusively for singles looking for their future spouse, while others are exclusively for finding a casual date. The latter kind of apps have largely contributed to the theory that dating is easier. With their intuitive design and straightforward interface, you don’t have to worry about what to say or how to behave on yourfirst date. The only thing you need is to start a ‘magic’ matchmaking process. Why do many people stick to casual relationships? Casual dating online for singles is almost a new norm in modern society. It s an alternative to traditional dating that is not only less time-consuming but also more convenient. There are several advantages to this new way of meeting people, but there are also cons to it. Casual dating is becoming more common than ever, mainly because of the rise of online dating services. People who are single and looking for love use these platforms to meet someone new. These online dating sites are now generally regarded as ‘more fun’ than traditional dating methods, but there are some cons to using online dating as well. Online dating is an excellent way to make connections between people who would otherwise never come into contact with each other. It provides an opportunity for people all over the world to find their perfect match without having to make a lengthy commute. The most popular forms of online dating include matchmaking websites, as well as local singles groups that use social media platforms like Facebook or even Craigslist. Advantages and disadvantages Dating can be very exciting during the first stages. However, it can also be very frustrating and disappointing. Let’s have a look at some pros and cons of casual dating online for single lesbians. The Pros - More freedom to express yourself freely without any fear of rejection or disapproval. You are able to get to know people even if you are shy or not confident enough in your own skills. - More chances of meeting someone who has the same interests as you do. - You are less likely to feel pressured into something or get trapped in a relationship that doesn t work for you because casual dating is more about having fun and meeting new people than finding a serious partner for life. The Cons - There is always the risk of getting hurt emotionally when someone rejects you or if you discover that they don t share your interests after having invested time into the new connection. - It does not provide the stability that some people might be looking for when they are in search of love or when they want to settle down with someone.
https://w.atwiki.jp/touhoukashi/pages/2648.html
【登録タグ U めらみぽっぷ リバースイデオロギー 凋叶棕 曲 逆】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/v-lyrics/pages/452.html
こえをきかせて [ TAG L-K MazoP Miku title こ] Music MazoP/MazoP Lyric MazoP/MazoP Arrange MazoP/MazoP Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm7897596 http //www.nicovideo.jp/watch/sm7897596 Translations ■ Show/Hide Romaji koe wo kikasete boku no namae wo yonde zutto soba ni iteyo yakusoku shitayo ano tokini shiroi heya no nukumori no naka tsumetai isu ga hitori tatazunde kinou made wa futari no heya mo ima no boku niwa hirosugiru kamone tokei no hari wa sukoshi zutsu susumu issho ni sugoshi ta keshiki wa ima wa mie nai koe wo kiite boku no hanashi wo kiite ima mo koko ni iruyo boku wa koko ni iruyo mada koko niwa kimi no nagori ga kiezu ni sotto boku wo mimamotteru fure taku te demo furerare naku te nobashi ta te wa sutto kuu wo kiru atarashii asa ga mata kyoo mo tsuzuku ima wa moo nai tewa inai yo mae wo muku yo koe wo kiite boku no kotoba wo kiite zutto oboeteru yo kimi no koto wo... koe wo kikasete boku no namae wo yonde zutto soba ni iruyo yakusoku shitayo ano tokini ima mo boku wa wasure nai 2009-09-12 Checked by damesukekun 2009-09-12 21 36 Generated automatically [部分編集] ■ Show/Hide Translation Let Me Hear Your Voice 2009-09-12 First Entry 2009-09-12 22 02 56 (Sat) Last update Trasnlated by damesukekun Title Let Me Hear Your Voice Lyric Let me hear your voice and call my name Stay by my side we made the promise then The warmth is in the white room A cold chair stands alone there We shared this room together to yesterday Now it s too ample for me The clock arm ticks little by little I can t see the scene we used to share Hear my voice and listen to my saying I m still here I m here Your impression remains in this room It doesn t fade and watched me behind I wanna touch it but I can t I hold out my hand only to cut the air Today a new morning leads to its way Now I ceased crying I ll raise my head Hear my voice and listen to my words I remember you forever I remember you... Let me hear your voice and call my name I stay by your side we made the promise then I still keep the promise in my heart Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-09-12 22 02 56 (Sat) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/6172.html http //nicosound.anyap.info/sound/sm7897596 http //www.nicomimi.com/play/sm7897596 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=047T1Zhg4QE [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=047T1Zhg4QE (Information in this page is based on HatsuneMiku@Wiki) _