約 4,932,008 件
https://w.atwiki.jp/mtg2384/pages/281.html
開催日：2011 / 05 / 29 参加人数：1178名 フォーマット：レガシー（～NPH） A Legacy Champion Descends from Jupiter autolink 優勝：Bant‐Zenith 準優勝：Show and Tell‐Hive Mind 第3位：URG Tempo‐Order 第4位：UBG Control‐Landstill 第5位：UW Control‐Stoneforge Landstill 第6位：Painter‐UR 第7位：Zoo 第8位：Merfolk Deck Tech：Hulk Rebirth 初日全勝（第34位）：Goblin‐Rb 初日全勝（第73位）：Zoo 優勝：Bant‐Zenith 使用者：James Rynkiewicz Main Deck 1《ドライアドの東屋/Dryad Arbor》 1《森/Forest》 1《Karakas》 1《Maze of Ith》 4《霧深い雨林/Misty Rainforest》 2《Savannah》 3《Tropical Island》 2《Tundra》 3《不毛の大地/Wasteland》 4《吹きさらしの荒野/Windswept Heath》 1《極楽鳥/Birds of Paradise》 3《聖遺の騎士/Knight of the Reliquary》 3《貴族の教主/Noble Hierarch》 2《クァーサルの群れ魔道士/Qasali Pridemage》 2《石鍛冶の神秘家/Stoneforge Mystic》 1《タルモゴイフ/Tarmogoyf》 2《ヴェンディリオン三人衆/Vendilion Clique》 4《渦まく知識/Brainstorm》 3《目くらまし/Daze》 4《緑の太陽の頂点/Green Sun s Zenith》 2《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 3《精神的つまづき/Mental Misstep》 1《饗宴と飢餓の剣/Sword of Feast and Famine》 4《剣を鍬に/Swords to Plowshares》 2《森の知恵/Sylvan Library》 1《梅澤の十手/Umezawa s Jitte》 Sideboard 1《ボジューカの沼/Bojuka Bog》 1《払拭/Dispel》 1《ガドック・ティーグ/Gaddock Teeg》 2《クローサの掌握/Krosan Grip》 1《精神的つまづき/Mental Misstep》 1《流刑への道/Path to Exile》 2《ロウクスの戦修道士/Rhox War Monk》 3《呪文貫き/Spell Pierce》 1《森を護る者/Sylvan Safekeeper》 1《最後のトロール、スラーン/Thrun, the Last Troll》 1《梅澤の十手/Umezawa s Jitte》 準優勝：Show and Tell‐Hive Mind 使用者：Bryan Eleyet Main Deck 4《古えの墳墓/Ancient Tomb》 2《裏切り者の都/City of Traitors》 1《溢れかえる岸辺/Flooded Strand》 4《島/Island》 2《霧深い雨林/Misty Rainforest》 2《汚染された三角州/Polluted Delta》 2《沸騰する小湖/Scalding Tarn》 2《Volcanic Island》 3《引き裂かれし永劫、エムラクール/Emrakul, the Aeons Torn》 4《渦まく知識/Brainstorm》 3《Force of Will》 3《厳かなモノリス/Grim Monolith》 4《集団意識/Hive Mind》 3《直観/Intuition》 3《精神的つまづき/Mental Misstep》 2《誤った指図/Misdirection》 4《否定の契約/Pact of Negation》 3《タイタンの契約/Pact of the Titan》 4《思案/Ponder》 4《実物提示教育/Show and Tell》 2《召喚士の契約/Summoner s Pact》 Sideboard 1《Force of Will》 4《神聖の力線/Leyline of Sanctity》 3《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 1《精神的つまづき/Mental Misstep》 3《精神壊しの罠/Mindbreak Trap》 3《貪欲な罠/Ravenous Trap》 第3位：URG Tempo‐Order 使用者：Reid Duke Main Deck 1《ドライアドの東屋/Dryad Arbor》 1《森/Forest》 1《島/Island》 4《霧深い雨林/Misty Rainforest》 1《沸騰する小湖/Scalding Tarn》 1《Taiga》 3《Tropical Island》 3《Volcanic Island》 4《樹木茂る山麓/Wooded Foothills》 4《貴族の教主/Noble Hierarch》 1《大祖始/Progenitus》 4《タルモゴイフ/Tarmogoyf》 3《ヴェンディリオン三人衆/Vendilion Clique》 4《渦まく知識/Brainstorm》 2《Chain Lightning》 3《目くらまし/Daze》 4《Force of Will》 3《緑の太陽の頂点/Green Sun s Zenith》 4《稲妻/Lightning Bolt》 3《精神的つまづき/Mental Misstep》 4《自然の秩序/Natural Order》 2《思案/Ponder》 Sideboard 2《古えの遺恨/Ancient Grudge》 2《渋面の溶岩使い/Grim Lavamancer》 1《台所の嫌がらせ屋/Kitchen Finks》 2《紅蓮破/Pyroblast》 2《赤霊破/Red Elemental Blast》 1《大祖始の遺産/Relic of Progenitus》 2《呪文貫き/Spell Pierce》 1《テラストドン/Terastodon》 2《梅澤の十手/Umezawa s Jitte》 第4位：UBG Control‐Landstill 使用者：Paulo Vitor Damo Da Rosa Main Deck 3《溢れかえる岸辺/Flooded Strand》 2《島/Island》 4《ミシュラの工廠/Mishra s Factory》 1《霧深い雨林/Misty Rainforest》 2《汚染された三角州/Polluted Delta》 2《沸騰する小湖/Scalding Tarn》 3《Tropical Island》 3《Underground Sea》 4《不毛の大地/Wasteland》 4《渦まく知識/Brainstorm》 2《対抗呪文/Counterspell》 1《悪魔の布告/Diabolic Edict》 1《四肢切断/Dismember》 4《Force of Will》 1《喉首狙い/Go for the Throat》 1《無垢の血/Innocent Blood》 4《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 2《壌土からの生命/Life from the Loam》 4《精神的つまづき/Mental Misstep》 4《破滅的な行為/Pernicious Deed》 1《燻し/Smother》 3《呪文嵌め/Spell Snare》 4《行き詰まり/Standstill》 Sideboard 1《滅び/Damnation》 1《悪魔の布告/Diabolic Edict》 1《恐ろしい死/Ghastly Demise》 4《虚空の力線/Leyline of the Void》 1《大渦の脈動/Maelstrom Pulse》 3《思考囲い/Thoughtseize》 1《ヴィダルケンの枷/Vedalken Shackles》 3《ヴェンディリオン三人衆/Vendilion Clique》 第5位：UW Control‐Stoneforge Landstill 使用者：Owen Turtenwald Main Deck 4《溢れかえる岸辺/Flooded Strand》 3《島/Island》 4《ミシュラの工廠/Mishra s Factory》 1《平地/Plains》 4《汚染された三角州/Polluted Delta》 4《Tundra》 4《不毛の大地/Wasteland》 4《石鍛冶の神秘家/Stoneforge Mystic》 1《ヴェンディリオン三人衆/Vendilion Clique》 1《殴打頭蓋/Batterskull》 4《渦まく知識/Brainstorm》 1《世界のるつぼ/Crucible of Worlds》 3《目くらまし/Daze》 4《Force of Will》 3《精神を刻む者、ジェイス/Jace, the Mind Sculptor》 4《精神的つまづき/Mental Misstep》 2《呪文嵌め/Spell Snare》 4《行き詰まり/Standstill》 1《肉体と精神の剣/Sword of Body and Mind》 4《剣を鍬に/Swords to Plowshares》 Sideboard 1《殴打頭蓋/Batterskull》 3《翻弄する魔道士/Meddling Mage》 1《忘却の輪/Oblivion Ring》 4《流刑への道/Path to Exile》 1《真髄の針/Pithing Needle》 3《大祖始の遺産/Relic of Progenitus》 1《ヴェンディリオン三人衆/Vendilion Clique》 1《神の怒り/Wrath of God》 第6位：Painter‐UR 使用者：Wilson Hunter Main Deck 3《古えの墳墓/Ancient Tomb》 2《裏切り者の都/City of Traitors》 3《大焼炉/Great Furnace》 1《島/Island》 1《霧深い雨林/Misty Rainforest》 2《汚染された三角州/Polluted Delta》 2《沸騰する小湖/Scalding Tarn》 4《教議会の座席/Seat of the Synod》 3《Volcanic Island》 4《ゴブリンの溶接工/Goblin Welder》 4《絵描きの召使い/Painter s Servant》 4《渦まく知識/Brainstorm》 4《Force of Will》 4《丸砥石/Grindstone》 4《直観/Intuition》 1《ライオンの瞳のダイアモンド/Lion s Eye Diamond》 4《精神的つまづき/Mental Misstep》 3《オパールのモックス/Mox Opal》 1《紅蓮破/Pyroblast》 1《赤霊破/Red Elemental Blast》 4《師範の占い独楽/Sensei s Divining Top》 1《Transmute Artifact》 Sideboard 4《血染めの月/Blood Moon》 3《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 2《誤った指図/Misdirection》 1《紅蓮破/Pyroblast》 2《赤霊破/Red Elemental Blast》 3《トーモッドの墓所/Tormod s Crypt》 第7位：Zoo 使用者：John Kubilis Main Deck 4《乾燥台地/Arid Mesa》 1《森/Forest》 1《地平線の梢/Horizon Canopy》 1《Karakas》 1《山/Mountain》 1《平地/Plains》 2《Plateau》 1《Savannah》 3《Taiga》 3《吹きさらしの荒野/Windswept Heath》 4《樹木茂る山麓/Wooded Foothills》 2《ガドック・ティーグ/Gaddock Teeg》 3《渋面の溶岩使い/Grim Lavamancer》 2《聖遺の騎士/Knight of the Reliquary》 4《クァーサルの群れ魔道士/Qasali Pridemage》 4《ステップのオオヤマネコ/Steppe Lynx》 4《タルモゴイフ/Tarmogoyf》 4《野生のナカティル/Wild Nacatl》 2《Chain Lightning》 1《火炎破/Fireblast》 4《稲妻/Lightning Bolt》 4《流刑への道/Path to Exile》 2《発展の代価/Price of Progress》 2《森の知恵/Sylvan Library》 Sideboard 3《窒息/Choke》 1《ガドック・ティーグ/Gaddock Teeg》 2《クローサの掌握/Krosan Grip》 2《発展の代価/Price of Progress》 1《大祖始の遺産/Relic of Progenitus》 2《剣を鍬に/Swords to Plowshares》 2《最後のトロール、スラーン/Thrun, the Last Troll》 1《トーモッドの墓所/Tormod s Crypt》 1《梅澤の十手/Umezawa s Jitte》 第8位：Merfolk 使用者：Alex Majlaton Main Deck 13《島/Island》 4《変わり谷/Mutavault》 4《不毛の大地/Wasteland》 4《珊瑚兜の司令官/Coralhelm Commander》 4《呪い捕らえ/Cursecatcher》 2《大いなる玻璃紡ぎ、綺羅/Kira, Great Glass-Spinner》 4《アトランティスの王/Lord of Atlantis》 2《マーフォークの君主/Merfolk Sovereign》 4《メロウの騎兵/Merrow Reejerey》 4《銀エラの達人/Silvergill Adept》 1《誘惑蒔き/Sower of Temptation》 4《霊気の薬瓶/AEther Vial》 3《目くらまし/Daze》 3《Force of Will》 4《精神的つまづき/Mental Misstep》 Sideboard 2《青霊破/Blue Elemental Blast》 2《魔力流出/Energy Flux》 1《Force of Will》 2《セファリッドの女帝ラワン/Llawan, Cephalid Empress》 3《呪文貫き/Spell Pierce》 3《水没/Submerge》 2《梅澤の十手/Umezawa s Jitte》 Deck Tech：Hulk Rebirth 使用者：Jeremie Ross-Latour Main Deck 3《古えの墳墓/Ancient Tomb》 3《Bayou》 2《ドライアドの東屋/Dryad Arbor》 1《森/Forest》 1《ガイアの揺籃の地/Gaea s Cradle》 2《霧深い雨林/Misty Rainforest》 1《ファイレクシアの塔/Phyrexian Tower》 1《Savannah》 3《新緑の地下墓地/Verdant Catacombs》 2《吹きさらしの荒野/Windswept Heath》 2《樹木茂る山麓/Wooded Foothills》 1《アカデミーの学長/Academy Rector》 4《極楽鳥/Birds of Paradise》 1《影武者/Body Double》 1《屍肉喰らい/Carrion Feeder》 1《獣相のシャーマン/Fauna Shaman》 1《モグの狂信者/Mogg Fanatic》 1《大祖始/Progenitus》 2《変幻の大男/Protean Hulk》 1《目覚ましヒバリ/Reveillark》 1《飢えたルサルカ/Starved Rusalka》 2《ほくちの壁/Tinder Wall》 1《臓物の予見者/Viscera Seer》 1《根の壁/Wall of Roots》 1《野生の朗詠者/Wild Cantor》 1《ザンティッドの大群/Xantid Swarm》 4《陰謀団式療法/Cabal Therapy》 4《ギタクシア派の調査/Gitaxian Probe》 4《緑の太陽の頂点/Green Sun s Zenith》 4《自然の秩序/Natural Order》 4《再誕のパターン/Pattern of Rebirth》 Sideboard 4《花の絨毯/Carpet of Flowers》 2《クローサの掌握/Krosan Grip》 2《無のロッド/Null Rod》 1《クァーサルの群れ魔道士/Qasali Pridemage》 4《殺戮の契約/Slaughter Pact》 1《森の知恵/Sylvan Library》 1《ザンティッドの大群/Xantid Swarm》 初日全勝（第34位）：Goblin‐Rb 使用者：Nick Patnode Main Deck 4《Badlands》 6《山/Mountain》 4《リシャーダの港/Rishadan Port》 4《不毛の大地/Wasteland》 4《樹木茂る山麓/Wooded Foothills》 3《宝石の手の焼却者/Gempalm Incinerator》 1《ゴブリンの酋長/Goblin Chieftain》 4《ゴブリンの従僕/Goblin Lackey》 4《ゴブリンの女看守/Goblin Matron》 4《ゴブリンの群衆追い/Goblin Piledriver》 4《ゴブリンの首謀者/Goblin Ringleader》 1《ゴブリン修繕屋/Goblin Tinkerer》 4《ゴブリンの戦長/Goblin Warchief》 2《モグの戦争司令官/Mogg War Marshal》 2《包囲攻撃の司令官/Siege-Gang Commander》 2《巣穴の煽動者/Warren Instigator》 4《霊気の薬瓶/AEther Vial》 3《巣穴の運命支配/Warren Weirding》 Sideboard 1《猪牙のしもべ/Boartusk Liege》 3《虚空の杯/Chalice of the Void》 1《ゴブリンの名手/Goblin Sharpshooter》 4《虚空の力線/Leyline of the Void》 3《非業の死/Perish》 3《Pyrokinesis》 初日全勝（第73位）：Zoo 使用者：Jesse Hatfield Main Deck 3《乾燥台地/Arid Mesa》 1《森/Forest》 4《地平線の梢/Horizon Canopy》 1《山/Mountain》 1《平地/Plains》 3《Plateau》 1《Savannah》 2《Taiga》 3《吹きさらしの荒野/Windswept Heath》 4《樹木茂る山麓/Wooded Foothills》 4《渋面の溶岩使い/Grim Lavamancer》 2《聖遺の騎士/Knight of the Reliquary》 4《クァーサルの群れ魔道士/Qasali Pridemage》 4《ステップのオオヤマネコ/Steppe Lynx》 4《タルモゴイフ/Tarmogoyf》 4《野生のナカティル/Wild Nacatl》 4《Chain Lightning》 4《稲妻/Lightning Bolt》 4《流刑への道/Path to Exile》 3《森の知恵/Sylvan Library》 Sideboard 2《クローサの掌握/Krosan Grip》 2《無のロッド/Null Rod》 4《発展の代価/Price of Progress》 2《赤霊破/Red Elemental Blast》 1《剣を鍬に/Swords to Plowshares》 2《最後のトロール、スラーン/Thrun, the Last Troll》 2《梅澤の十手/Umezawa s Jitte》
https://w.atwiki.jp/art-seimitsu/pages/19.html
Ryota Matsumoto (松本良多) is a famous Philosopher, Artist, Japanese Author, and Instagram star from Japan. He is the founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in Tokyo and New York. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercials. He is a renowned architect and one of the most prominent theorists of postdigital art in Japan and the United States. He has served as the MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a man with a proactive approach and has painted the canvas of his dream with the colors of his consistent and persistent efforts. Bеіng passionate аbоut his work аnd аlwауѕ wanted tо carve а niche fоr himself іn life, wаѕ thе spark thаt ignited him to pursue his dreams and passion. We will walk you through all about him. BIOGRAPHY/Wiki He hails from Tokyo. He is 49 years old as of 2021. He is American by Nationality. His Zodiac sign is Pisces. His date of birth is March 9th 1972. He is a follower of Atheists. He attended Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in the early ’90s. He has a degree Master of Architecture from the University of Pennsylvania, which he received in 2007. He has won various laurels for his amazing work. He is the recipient of Visual Art Open First Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and many more. He specializes in building a positive brand image with the help of social media campaigns and digital marketing strategies. He collaborates with various renowned influencers including a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson of Coil, Cesar Pelli, and MIT Media Lab before establishing his office. He has worked on high-profile projects including Kyushu University Ito Campus masterplan (2003-2005), Shinjuku redevelopment project in Tokyo (2009-2012), Bach Mai hospital in Hanoi (2000), and Qingdao mixed-use development in China (2011). He strongly believes “One of the best ways to grow a business and garner more success is by growing your own personal brand” Several of his paintings have been exhibited in various art galleries. Several articles have been published about him. He shares various quotes and articles to inspire the youth and helping them to build a better future. His Instagram is full of his paintings. He has helped various artists grow by polishing their talent and help them find the correct lane. He is passionate about making dreams come true and hopes to inspire a lot of passionate minds Physical Appearance He is Smart and Cute. He is hugely popular among the youth. He is approximately 175 cm tall and weighs around 70Kg. He has an Average Build. He has black hair and both of his eyes have different colors Left Grey Right Dark Green. Family Religion Not Much is known about his family and his personal Relationship. Facts His Instagram id is ryt.matsumoto His Instagram has 1K+ followers. He is a very talented person who enjoys Painting, Sculpturing, and Writing music in his leisure time. His pursuit for excellence has led him down various avenues His magnetic personality has gained him friends across the globe and the growing respect of ears in the industry. He is a Social media Influencer. He loves to explore new places He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). His work, writings, and interviews has been published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine and many more
https://w.atwiki.jp/mrfrtech/pages/118.html
Market Analysis Market Research Future (MRFR) presumes the global Cloud Migration Services Market to reach USD 8 billion at a CAGR of 22% from 2018 to 2023 (forecast period) Increased Demand for Cloud Migration for Business Continuity Cloud migration services are concerned with both the platform and the software services. This category of the value chain includes platforms and software providers. Application design, application development, team collaboration, database integration, and security are all part of the PaaS offering. The major cloud migration services market trends offered by these services are known as PaaS service providers. There are various sorts of PaaS vendors on the market; nonetheless, they all provide services or applications. This service is hosted by vendors who are licensed on a subscription basis. SaaS is used by the subscriber using a web browser. With the maturation of mobile applications and other software such as CAD and ERP, SaaS has grown in popularity. Due to the increased demand for both services, SaaS and PaaS providers play an important role in the value chain of the cloud computing services market. As a result, the aforementioned reasons are projected to boost the market for cloud migration services throughout the forecast period. The Global Market to Benefit from COVID-19 Pandemic In the COVID-19 pandemic, where businesses are dealing with operational issues, many CXOs are being compelled to accelerate digital technologies and strategies, cloud migration being one of them. Many large enterprises and small and medium-sized enterprises (SMEs) have shifted to cloud-savvy managed service providers (MSPs), who have accelerated migration processes, scaled existing services, modernized legacy applications, enabled and orchestrated multi-cloud environments, and leveraged various cloud-native capabilities. Furthermore, several cloud service providers have created many appealing cloud migration strategies that specifically assist SME s in adopting these services with simplicity and with less financial stress, generating countless chances for the market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/5785 Segmentation The global cloud migration services industry has been segmented into services, deployment, organization size, applications, and industries. On the basis of services, the global cloud migration services market has been segmented into managed services and professional services. The professional services have been further sub-segmented into automation integration, support maintenance, disaster recovery, training consulting, and others. On the basis of deployment, the global cloud migration services market has been segmented into public, private, and hybrid. On the basis of organization size, the global cloud migration services market has been segmented into SMEs and large enterprises. On the basis of applications, the global cloud migration services market has been segmented into infrastructure management, security and compliance management, workforce management, project management, and others. On the basis of industries, the global cloud migration services market has been segmented into government, IT telecommunication, manufacturing, and others. Competitive Outlook Some of the prominent participants in the global cloud migration services market Microsoft Corporation (U.S.), Tech Mahindra (India), Dell (U.S.), IBM Corporation (U.S.), HCL Technologies (India), Accenture PLC (Republic of Ireland), Wipro Ltd. (India), NTT DATA, Inc. (Japan), Vmware, Inc. (U.S.), Amazon Web Services Inc. (U.S.), and among others. The global cloud migration services market is highly fragmented and competitive in nature with the presence of several well-established domestic and international players. These industry players have used several strategies to stay ahead such as mergers and acquisitions, partnerships, collaborations, geographic expansions, and others. Further, they are also investing in research and development activities to cater to the burgeoning needs of the customers. Regional Analysis North America to Lead the Global Market During the projection period, North America is likely to hold the largest market share and dominate the cloud migration services market. Due to the presence of major organizations, higher technical expertise, and the application of cutting-edge technologies, North America has the largest usage of cloud migration services. Industry Updates March 2021- Microsoft has launched programs for Azure for simplifying cloud migration in India. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/cloud-migration-services-market-5785 List of Tables Table 1 Global Cloud Migration Services Market By Region, 2020-2027 Table 2 North America Cloud Migration Services Market By Country, 2020-2027 Table 3 Europe Cloud Migration Services Market By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global Cloud Migration Services Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis of Global Cloud Migration Services Market Continued… Voice Assistant Market** https //mrfrinformation.tistory.com/615 Network-Attached Storage Market** https //telescope.ac/information-technology-Lc1XMRDqL/5WlKY9Kx4 https //ict268262635.wordpress.com/2022/04/06/geospatial-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com/
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ふぉーがっとぅん [ TAG Alp-F E-A Miku OreP title] Music OreP/オレP Lyric OreP/オレP Arrange OreP/オレP Vocal Hatsune Miku Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm1762073 http //www.nicovideo.jp/watch/sm1762073 Translations ■ Show/Hide Romaji kuraku samui heya uzukumaru watashi no "itsuka mata yonde kureru" sono tsubuyaki ga kasureteru watashi to deatta ano shunkan wo anata wa ima demo oboete imasu ka watashi niwa kotoba wa nai keredo kono utagoe wa aru kara ganbaru kara watashi ni uta wo oshie te "kon-nanimo kanashii no nara deawana kereba yokatta na ..." ano hi anata to mitsumete ta mirai eno omoi wo hasete ... todoke tai kono koe wo watashi no merodi (melody) wo kedo kitto kono kimochi mou utae nai kono heya no doa (door) anata wa mada ake nai "ashita koso wa kite kureru" hoo ni shizuku ga tsutatte ku ... watashi no utagoe wo kiita ano toki no anata no hohoemi wa wasure nai kara watashi ni karada wa nai keredo omou kokoro wa aru kara hitori wa iya watashi ni oto wo atae te "kon-nanimo sabishii no nara umarenakereba yokatta na ..." deatta toki no omoi ga namida to tomo ni afurete ku utai tai ano uta wo anata e no omoi wo watashi ni wa ano kioku mada nokotteru watashi ni mirai wa nai no ka na kono utagoe ga aru noni onegai na no "anata no oto wo kikase te ..." ... watashi no negau koe dake ga shizuka ni sotto kodama suru kon-nanimo setsunai noni nukumori wa moo todoka nai ... futari de tsukutta ano uta wa watashi no hatsune (substituted as "oto") ni nokotteru anata ga kure ta oto dake wa watashi no mune no okufukaku ... 09-07-14 Checked by damesukekun 2009-07-14 22 49 Generated automatically [部分編集] ■ Show/Hide Translation Forgotten... 2009-07-15 First Entry 2009-08-12 21 46 22 (Wed) Last update Translated by damesukekun Title Forgotten... Lyric In a dark and cold room I m crouching and mutter "do you call me again?" with a feeble voice Do you still remember the moment when you met me first? I was not formed to speak words but I do have this singing voice so, please give me singing lessons, I ll do my best "I shouldn t have met you cause I m so sad..." I m thinking of the the future that I was looking at with you that day... I want to send this voice and my melody to you, but I can t sing my heart anymore You don t open the door of this room yet I mutter, "do you come tomorrow or never?" and the drops of tears run down my cheeks... I never forget your smile you made when you heard my singing voice I don t have a real body but I do have this feeling heart so don t leave me alone, give me your sounds "I shouldn t have been born cause I feel so lonely" the feeling of meeting you first is pouring over with tears I want to sing that song and the sincere heart to you that memory still remains within me Isn t there any future for me even I have this singing voice? please, "let me listen to your sound..." ...Only my voice wishing for you echoes lightly and quietly I feel so heart-breaking but your warmth doesn t reach me anymore... That song we created together remains as my first sound and only the sounds you gave me stays in my deep heart... Note This translation is by permission of the composer. 作者様のご了解のもと翻訳しました。 I paraphrased some sentences. I tried to correspond what English listeners would feel with that of Japanese listeners. Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る あ・・・スペルミス直しておきました。どうもです。 -- (damesukekun) 2009-07-25 20 44 29 スペルチェックしました。 Note の sentenses は sentences ですね -- (BookPeople) 2009-07-16 11 40 39 Last modified 2009-08-12 21 46 22 (Wed) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/191.html http //nicosound.anyap.info/sound/sm1762073 http //www.nicomimi.com/play/sm1762073 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=HkLDXsz6feI [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=HkLDXsz6feI (Information in this page is based on HatsuneMiku@Wiki) _
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【登録タグ K2E†Cradle N TOHO EURO TRIGGER VOL.04 U.N.オーエンは彼女なのか？ つぅ 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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