ゲーム攻略・無料ウィキレンタルのアットウィキ (@WIKI)

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オペラ対訳プロジェクト - Vivaldi,Antonio/Ercole su'l Termodonte/II-2

https://w.atwiki.jp/oper/pages/1309.html

Scena Quarta (Tempio Di Diana. Tempio rotondo dedicato à Diana con simulacro della dea nel mezzo tripode col fuoco, e lumiere ad uso di lampadari. Teseo condotto dall Amazzoni sacerdotesse, e ministre del tempio, le quali portano urne, projumiere, bende, coltelli, bipenni e bacili, con sopravi una corona d isopo e un altra di cipresso Poi viene Antiope con le sue guardie, e poi lppolita) TESEO Almen foste presenti negli ultimi momenti a dirmi addio cagion del morir mio, pupille care. ANTIOPE Alla suora del sole giurai svenar di propria mano un Greco nobil di sangue tanto che adegui in parte almeno quel che versai dal sen regio mio pianto. TESEO Antiope, il sangue mio adegua il pianto tuo; per queste vene del regnante d Atene scorre il sangue real Teseo san io. ANTIOPE Che intendo? O sorte! lo sceglier non potea vittima del mio duol più degna e accetta di Cinto alla gran dea, e all ardente desio di mia vendetta. Or tu d Apollo casta germana, al cui freddo splendore delle belle auree stelle il raggio langue gradisci l olocausto il di cui sangue che or sparge il zelo mio più che il mio sdegno, pace renda al mio core e al mio regno. (Entra, Ippolita con spada nuda, con molte guerriere, all arrivo delle quali fuggono le guardie d Antiope. ) HIPPOLITA Il fiero colpo arresta, cruda germana, o che sei morta. TESEO O dei! Cosi opportuno in mio soccorso giunge il bel idolo mio? ANTIOPE Da te cosi tradita, fiera, ingiusta sorella, ora son io? IPPOLITA No, che non sei da me tradita; in questo prence io salvo Martesia, che prigioniera resta esposta de Greci al fiero sdegno; s ella si perde, ah!, che si perde il regno. TESEO (Fra sè) O ingrata liberta, che mi divide dalla mia bella! ANTIOPE Che sento, ohimè, che fa? Qual mi divide gran contrasto d affetti il cor nel seno? o voto! o vendetta! o Cinzia! o giuramento! o figlia, o mal da me ricordata! Mal da me vendicata! Col vendicarti, ah! ch io t uccido e spargo il tuo col sangue altrui! O figlia! O figlia, ahi perché qui non sei! Io ti sento, io ti veggio, che mi chiedi pietà, ma sento ancora le voci degli dei; o dei troppo temuti e troppo avversi! Figlia, dei, che far deggio? Teseo, libero sei! (partono tranne Teseo) TESEO O libertà crudele! A qual funesto esiglio condanni il core amante; sol per allontanarmi dal mio bene tu mi sciogli le piante. O care mie catene! Deh, perché mi togliete i vostri nodi! I vostri nodi che tenean ristretto il piede sol, ma fean godere al ciglio vicini i rai dell adorato oggetto. Scorre il fiume mormorando, urta in sassi e frange l onda ma, baciando la sua sponda, tutto lieto al mar sen va. Il mio cor godea penando, e correa lieto al periglio ché il veder quel vago ciglio val per vita e libertà. Scena Quinta (Parte del bosco sacro. Sobborghi di Temiscira rovinati da Greci, con machine belliche. Ercole e Teseo) ERCOLE In libertà Teseo? Sogno? ave sono? TESEO Non sogni, no, libero io sono. Signor, di Temiscira quando tra poco espugnerai le mura, almen con la pietà tempera l ira. ERCOLE Pietà mi chiedi? E per chi mai? TESEO Per quella a cui debbo la vita. ERCOLE La vita? E come! TESEO Avea, per la rapita figlia, Antiope giurato alla triforme dea di propria mano svenar un nobil Greco, sul collo mi pendea di già la scure, allor che fece Amore d Ippolita nel seno nascer pietade; ella sen corse al tempio, e opportuna con l armi trattenne il colpo e impedì lo scempio. ERCOLE Quest atto generoso ad Ippolita Alcide amico render può, nonché pietoso; anzi ad Antiope istessa piu nemico non son, s ella mi cede quell armi che Euristeo per me le chiede. Non sia della vittoria giammai che oscuri il vanto ombra di crudeltà. Di vincere, la gloria mi basta e mia sarà. Scena Sesta (Tempio Di Diana. Atrio regio vicino al giardino con simulacro di Diana. Telamone con soldati e Ippolita, poi Teseo, poi Alceste e Martesia) TELAMONE Renditi, o che sei morta. IPPOLITA A caro prezzo, fin che armata ho la mano, spero vender la vita. TELAMONE Tu la difendi invano. TESEO (entrando) Telamon, ferma il brando, e a te piaccia cedermi, o bella, il tuo, ch io ti assicuro d ogni servile oltraggio. IPPOLITA A te, signor, io cedo, e a tuoi lacci consegno il piè, se m hai già stretto il cuore. TELAMONE Mentre tu la disarmi, tua prigioniera sia; ch io volgo altrove con questi miei seguaci i passi e l armi. (parte) TESEO Ippolita, ecco il ferro che mi cedesti, al fianco tuo lo rendo per salvarti lo presi, ma se in ciò pur t offesi, umil perdono or ti chiedo. IPPOLITA Signor, tua serva sono. TESEO Il cor per sua regina t elesse già, per tale anche d Atene ti sta aspettando il trono. IPPOLITA No, mio caro Teseo, tua servo sono, e di tua serva il titolo mi basta per compensar la perdita d un regno. Ti seguirò fedele ave tu vada, l armi ti recherò nella battaglia, e da nemici strali riparo ti farò col petto ignudo; sarò qual più vorrai scudier o scudo. TESEO Ippolita, non più; con tali accenti troppo tu mi tormenti. Forse pensi cosi provar s io t ami? Ah, piuttosto per prova della mia vera fede dimmi che far degg io, da me che brami. IPPOLITA Se pur qualche mercede merita l amor mio, solo ti prega per Antiope mia suora, a pro di lei il tuo favor, deh, con Alcide impiega. TESEO Va pur di ciò sicura ma vanne intanto, e a lui già vincitore, ch Antiope ceda l armi tu procura. IPPOLITA Amato ben, tu sei la mia speranza e l mio piacer. E quella speme che già s avanza sento che l alma chiama a goder. Scena Settima (Parte Del Bosco Sacro. Atrio regio vicino al giardino con simulacro di Diana. Alceste, e Martesia con guardie) ALCESTE Bella, rasciuga il pianto; misera quanto credi, ancor non sei Ercole è generoso io sono amante. e giusti sono i dei. MARTESIA Ah, se è ver, che tu m ami, ama ancor chi è di mè la miglior parte; fa che viva la madre, se pur brami, che non pera la figlia. ALCESTE Ogni tirnor discaccia amai dal seno; vanne, e partite voi; più custodita non sia, ché libertà le rendo a pieno. Vanne alla genitrice, dille, che l armi ad Euristeo non sdegni per Alcide mandar, ma viva e regni. Duetto ALCESTE Spera bell idol mio, spera e confida in me; teco morir so anch io, non viver senza te. MARTESIA Spero, perché il desio mi fa sperar mercè ma non so ancor, ben mio, se l Uomo serba fè. Scena Ottava (Tempio Di Diana. Reggia, che corrisponde al tempio, dove si vede comparire sopra il suo globo lunare Diana. Antiope sola, poi Martesia, poi gl altri) ANTIOPE Regio mio brando illustre e rea cagione di tutti i danni miei, giacché degg io toglierti al fianco mio, ceder ti vuò per zelo e per pietade, ma non già per timore o per viltade. Casto nume di Cinto, dea tutelar del regno, questo acciaro fatal, questo mio cinto a te consacro, e al braccio tuo consegno. (Appende la cintura e le spada ad un braccio della statua.) E tu, fato crudel, che mi togliesti la figlia, la vendetta, il regno e l armi, la vita vuoi lasciarmi non già per tua pietà, ma per mia pena, perché in servii catena, strascinata colà sul greco lito, dall attiche donzelle illustre spoglia io sia mostrata a dito ma t inganni; infelice tanto non è chi può morir, mi resta anch in man questo ferro, or nel mio petto l immergo, e a tuo dispetto morir voglio regina, qual son io; figlia, io moro, e col cor ti dico - addio. (Si vuoi ferire collo stile. ) MARTESIA (entrando) Ah! Genitrice, il fiero colpo arresta. ANTIOPE Martesia, figlia, o Ciel! Sogno, o son desta? Pur ti riveggo, pur t abbraccio, e pria di chiuder gl occhi miei per sempre al giorno ti stringo al petto. Or quel che più gli piace faccia di me il destino, io chiudo i lumi in pace. MARTESIA Fermati. ANTIOPE No, lascia che m apra il petto, onde l alma dolente, se il Ciel la prende a scherno, corra a cercar pietà nel cieco Averno. Scenderò, volerò, griderò sulle sponde di Stige, di Lete risvegliando furori e vendette di Megera e d Aletto nel cor. Rio destin, del mio sangue la sete sazia pur, che già Dite m aspetta nuova furia del suo cieco orror. (parte, seguita da Martesia) (Entrano Ippolita, Ercole, ecc) IPPOLITA Invitto Alcide, al cui valor congiunto va de regni il destino, il cui sol nome i tiranni spaventa, già trionfasti; il nostro braccio col braccio tuo più non contrasta, tu mostra a noi che il trionfar ti basta. ERCOLE Ippolita, il tuo amore, la tua pietà, per cui anche rispira il mio caro Teseo, vince il mio sdegno per te salvo il tuo regno e Temiscira; tutto vi rendo, e l armi più non chiedo; valor non chiamo il disprezzar i dei; non vuò tra i vanti miei l aver tolto di mano a un nume il regio brando e l aureo cinto. IPPOLITA Alcide, or sì trionfi, or sì ch hai vinto eccoti il cinto e l brando, io te lo dono; or non temo che i dei possano avere a sdegno, se il dono a te, che un altro nume sei. ERCOLE Io lo ricevo, e d amicizia e pace va che sia tra la Grecia e l regno vostro nodo fermo e tenace ma che vedo! Che prodigio è mai questo? IPPOLITA Cinzia, la nostra dea, pria del costume sorge piena di lume. ANTIOPE (entrando con Martesia) Ah se fosse ella offesa dal voto inosservato, d ira accesa a noi si mostraria; amici, i vostri prieghi faccian che a perdonare ancor si pieghi. ERCOLE, ANTIOPE Di Latona illustre prole, figlia a Giove e suora al sole, splendi or tu propizia a noi. CORO Placa omai, placa lo sdegno, ché dar pace a questo regno, bella dea, sola tu puoi. (Qui comparisce Diana su l globo lunare, e dice ad Antiope ) DIANA Antiope; troppo arditi i voti umani, che son figli dell ira, e non del zelo. o rende vani, o non gradisce il Cielo che sian d Alcide l armi tue; che resti Ippolita a Teseo, Martesia a Alceste d Imeneo fortunato in dolci nodi oggi è voler del Fato. ERCOLE Prenci, regine, udiste quali siano del Ciel gl alti decreti? ANTIOPE Io la mia fronte inchina al valer del destino. TESEO ad IPPOLITA ALCESTE a MARTESIA Il mio destino sta sol ne tuoi bei lumi. IPPOLITA, MARTESlA Io fò mia voglia del valer de numi. ERCOLE D Ippolita la destra stringi, o Teseo; Martesia, ora ad Alceste porgi la bella man sono di queste nozze si liete e care al vostro core pronubi Cinzia e Giove, il Fato, e Amore. CORO Cinzia e Giove, Amore e Fato s han formato sì bel nodo e sì giocondo, dall algente all arsa riva canti il viva e goda il mondo. Scena Quarta (Tempio Di Diana. Tempio rotondo dedicato à Diana con simulacro della dea nel mezzo tripode col fuoco, e lumiere ad uso di lampadari. Teseo condotto dall Amazzoni sacerdotesse, e ministre del tempio, le quali portano urne, projumiere, bende, coltelli, bipenni e bacili, con sopravi una corona d isopo e un altra di cipresso Poi viene Antiope con le sue guardie, e poi lppolita) TESEO Almen foste presenti negli ultimi momenti a dirmi addio cagion del morir mio, pupille care. ANTIOPE Alla suora del sole giurai svenar di propria mano un Greco nobil di sangue tanto che adegui in parte almeno quel che versai dal sen regio mio pianto. TESEO Antiope, il sangue mio adegua il pianto tuo; per queste vene del regnante d Atene scorre il sangue real Teseo san io. ANTIOPE Che intendo? O sorte! lo sceglier non potea vittima del mio duol più degna e accetta di Cinto alla gran dea, e all ardente desio di mia vendetta. Or tu d Apollo casta germana, al cui freddo splendore delle belle auree stelle il raggio langue gradisci l olocausto il di cui sangue che or sparge il zelo mio più che il mio sdegno, pace renda al mio core e al mio regno. (Entra, Ippolita con spada nuda, con molte guerriere, all arrivo delle quali fuggono le guardie d Antiope. ) HIPPOLITA Il fiero colpo arresta, cruda germana, o che sei morta. TESEO O dei! Cosi opportuno in mio soccorso giunge il bel idolo mio? ANTIOPE Da te cosi tradita, fiera, ingiusta sorella, ora son io? IPPOLITA No, che non sei da me tradita; in questo prence io salvo Martesia, che prigioniera resta esposta de Greci al fiero sdegno; s ella si perde, ah!, che si perde il regno. TESEO (Fra sè) O ingrata liberta, che mi divide dalla mia bella! ANTIOPE Che sento, ohimè, che fa? Qual mi divide gran contrasto d affetti il cor nel seno? o voto! o vendetta! o Cinzia! o giuramento! o figlia, o mal da me ricordata! Mal da me vendicata! Col vendicarti, ah! ch io t uccido e spargo il tuo col sangue altrui! O figlia! O figlia, ahi perché qui non sei! Io ti sento, io ti veggio, che mi chiedi pietà, ma sento ancora le voci degli dei; o dei troppo temuti e troppo avversi! Figlia, dei, che far deggio? Teseo, libero sei! (partono tranne Teseo) TESEO O libertà crudele! A qual funesto esiglio condanni il core amante; sol per allontanarmi dal mio bene tu mi sciogli le piante. O care mie catene! Deh, perché mi togliete i vostri nodi! I vostri nodi che tenean ristretto il piede sol, ma fean godere al ciglio vicini i rai dell adorato oggetto. Scorre il fiume mormorando, urta in sassi e frange l onda ma, baciando la sua sponda, tutto lieto al mar sen va. Il mio cor godea penando, e correa lieto al periglio ché il veder quel vago ciglio val per vita e libertà. Scena Quinta (Parte del bosco sacro. Sobborghi di Temiscira rovinati da Greci, con machine belliche. Ercole e Teseo) ERCOLE In libertà Teseo? Sogno? ave sono? TESEO Non sogni, no, libero io sono. Signor, di Temiscira quando tra poco espugnerai le mura, almen con la pietà tempera l ira. ERCOLE Pietà mi chiedi? E per chi mai? TESEO Per quella a cui debbo la vita. ERCOLE La vita? E come! TESEO Avea, per la rapita figlia, Antiope giurato alla triforme dea di propria mano svenar un nobil Greco, sul collo mi pendea di già la scure, allor che fece Amore d Ippolita nel seno nascer pietade; ella sen corse al tempio, e opportuna con l armi trattenne il colpo e impedì lo scempio. ERCOLE Quest atto generoso ad Ippolita Alcide amico render può, nonché pietoso; anzi ad Antiope istessa piu nemico non son, s ella mi cede quell armi che Euristeo per me le chiede. Non sia della vittoria giammai che oscuri il vanto ombra di crudeltà. Di vincere, la gloria mi basta e mia sarà. Scena Sesta (Tempio Di Diana. Atrio regio vicino al giardino con simulacro di Diana. Telamone con soldati e Ippolita, poi Teseo, poi Alceste e Martesia) TELAMONE Renditi, o che sei morta. IPPOLITA A caro prezzo, fin che armata ho la mano, spero vender la vita. TELAMONE Tu la difendi invano. TESEO (entrando) Telamon, ferma il brando, e a te piaccia cedermi, o bella, il tuo, ch io ti assicuro d ogni servile oltraggio. IPPOLITA A te, signor, io cedo, e a tuoi lacci consegno il piè, se m hai già stretto il cuore. TELAMONE Mentre tu la disarmi, tua prigioniera sia; ch io volgo altrove con questi miei seguaci i passi e l armi. (parte) TESEO Ippolita, ecco il ferro che mi cedesti, al fianco tuo lo rendo per salvarti lo presi, ma se in ciò pur t offesi, umil perdono or ti chiedo. IPPOLITA Signor, tua serva sono. TESEO Il cor per sua regina t elesse già, per tale anche d Atene ti sta aspettando il trono. IPPOLITA No, mio caro Teseo, tua servo sono, e di tua serva il titolo mi basta per compensar la perdita d un regno. Ti seguirò fedele ave tu vada, l armi ti recherò nella battaglia, e da nemici strali riparo ti farò col petto ignudo; sarò qual più vorrai scudier o scudo. TESEO Ippolita, non più; con tali accenti troppo tu mi tormenti. Forse pensi cosi provar s io t ami? Ah, piuttosto per prova della mia vera fede dimmi che far degg io, da me che brami. IPPOLITA Se pur qualche mercede merita l amor mio, solo ti prega per Antiope mia suora, a pro di lei il tuo favor, deh, con Alcide impiega. TESEO Va pur di ciò sicura ma vanne intanto, e a lui già vincitore, ch Antiope ceda l armi tu procura. IPPOLITA Amato ben, tu sei la mia speranza e l mio piacer. E quella speme che già s avanza sento che l alma chiama a goder. Scena Settima (Parte Del Bosco Sacro. Atrio regio vicino al giardino con simulacro di Diana. Alceste, e Martesia con guardie) ALCESTE Bella, rasciuga il pianto; misera quanto credi, ancor non sei Ercole è generoso io sono amante. e giusti sono i dei. MARTESIA Ah, se è ver, che tu m ami, ama ancor chi è di mè la miglior parte; fa che viva la madre, se pur brami, che non pera la figlia. ALCESTE Ogni tirnor discaccia amai dal seno; vanne, e partite voi; più custodita non sia, ché libertà le rendo a pieno. Vanne alla genitrice, dille, che l armi ad Euristeo non sdegni per Alcide mandar, ma viva e regni. Duetto ALCESTE Spera bell idol mio, spera e confida in me; teco morir so anch io, non viver senza te. MARTESIA Spero, perché il desio mi fa sperar mercè ma non so ancor, ben mio, se l Uomo serba fè. Scena Ottava (Tempio Di Diana. Reggia, che corrisponde al tempio, dove si vede comparire sopra il suo globo lunare Diana. Antiope sola, poi Martesia, poi gl altri) ANTIOPE Regio mio brando illustre e rea cagione di tutti i danni miei, giacché degg io toglierti al fianco mio, ceder ti vuò per zelo e per pietade, ma non già per timore o per viltade. Casto nume di Cinto, dea tutelar del regno, questo acciaro fatal, questo mio cinto a te consacro, e al braccio tuo consegno. (Appende la cintura e le spada ad un braccio della statua.) E tu, fato crudel, che mi togliesti la figlia, la vendetta, il regno e l armi, la vita vuoi lasciarmi non già per tua pietà, ma per mia pena, perché in servii catena, strascinata colà sul greco lito, dall attiche donzelle illustre spoglia io sia mostrata a dito ma t inganni; infelice tanto non è chi può morir, mi resta anch in man questo ferro, or nel mio petto l immergo, e a tuo dispetto morir voglio regina, qual son io; figlia, io moro, e col cor ti dico - addio. (Si vuoi ferire collo stile. ) MARTESIA (entrando) Ah! Genitrice, il fiero colpo arresta. ANTIOPE Martesia, figlia, o Ciel! Sogno, o son desta? Pur ti riveggo, pur t abbraccio, e pria di chiuder gl occhi miei per sempre al giorno ti stringo al petto. Or quel che più gli piace faccia di me il destino, io chiudo i lumi in pace. MARTESIA Fermati. ANTIOPE No, lascia che m apra il petto, onde l alma dolente, se il Ciel la prende a scherno, corra a cercar pietà nel cieco Averno. Scenderò, volerò, griderò sulle sponde di Stige, di Lete risvegliando furori e vendette di Megera e d Aletto nel cor. Rio destin, del mio sangue la sete sazia pur, che già Dite m aspetta nuova furia del suo cieco orror. (parte, seguita da Martesia) (Entrano Ippolita, Ercole, ecc) IPPOLITA Invitto Alcide, al cui valor congiunto va de regni il destino, il cui sol nome i tiranni spaventa, già trionfasti; il nostro braccio col braccio tuo più non contrasta, tu mostra a noi che il trionfar ti basta. ERCOLE Ippolita, il tuo amore, la tua pietà, per cui anche rispira il mio caro Teseo, vince il mio sdegno per te salvo il tuo regno e Temiscira; tutto vi rendo, e l armi più non chiedo; valor non chiamo il disprezzar i dei; non vuò tra i vanti miei l aver tolto di mano a un nume il regio brando e l aureo cinto. IPPOLITA Alcide, or sì trionfi, or sì ch hai vinto eccoti il cinto e l brando, io te lo dono; or non temo che i dei possano avere a sdegno, se il dono a te, che un altro nume sei. ERCOLE Io lo ricevo, e d amicizia e pace va che sia tra la Grecia e l regno vostro nodo fermo e tenace ma che vedo! Che prodigio è mai questo? IPPOLITA Cinzia, la nostra dea, pria del costume sorge piena di lume. ANTIOPE (entrando con Martesia) Ah se fosse ella offesa dal voto inosservato, d ira accesa a noi si mostraria; amici, i vostri prieghi faccian che a perdonare ancor si pieghi. ERCOLE, ANTIOPE Di Latona illustre prole, figlia a Giove e suora al sole, splendi or tu propizia a noi. CORO Placa omai, placa lo sdegno, ché dar pace a questo regno, bella dea, sola tu puoi. (Qui comparisce Diana su l globo lunare, e dice ad Antiope ) DIANA Antiope; troppo arditi i voti umani, che son figli dell ira, e non del zelo. o rende vani, o non gradisce il Cielo che sian d Alcide l armi tue; che resti Ippolita a Teseo, Martesia a Alceste d Imeneo fortunato in dolci nodi oggi è voler del Fato. ERCOLE Prenci, regine, udiste quali siano del Ciel gl alti decreti? ANTIOPE Io la mia fronte inchina al valer del destino. TESEO ad IPPOLITA ALCESTE a MARTESIA Il mio destino sta sol ne tuoi bei lumi. IPPOLITA, MARTESlA Io fò mia voglia del valer de numi. ERCOLE D Ippolita la destra stringi, o Teseo; Martesia, ora ad Alceste porgi la bella man sono di queste nozze si liete e care al vostro core pronubi Cinzia e Giove, il Fato, e Amore. CORO Cinzia e Giove, Amore e Fato s han formato sì bel nodo e sì giocondo, dall algente all arsa riva canti il viva e goda il mondo. Vivaldi,Antonio/Ercole su l Termodonte

elvis @Wiki - Chronicle Books 3

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Frida Kahlo The Brush of Anguish Martha Zamora?Frida Kahlo?Marilyn Sode Smith? Shadow War A Poetic Chronicle of September 11 and Beyond Louis Daniel Brodsky? Of the People B. Sen? Young Architects Scale (Young Architects) Sunil Balk?Yolands Daniels?Vrinda Khanna?Robert Schultz?Edward Mitchell?Omar Khan?Laura Garofalo?Roisin Heneghan?Shih-Fu Peng?Douglas Pancoast? Shadow War A Poetic Chronicle of September 11 and Beyond Louis Daniel Brodsky? The World Between the Wars 1919-1938 A Chronicle of Peacetime A History in Photographs of Life and Events, Big and Little, in Britain and the World Since the War An Excellent Mystery The 11th Chronicle of Brother Cadfael (Brother Cadfael Chronicles) Ellis Peters?Stephen Thorne? A Chronicle of British Indian Legal History Abdul Hamid? The Potter's Field The 17th Chronicle of Brother Cadfael (Mystery Masters Series) Ellis Peters?Stephen Thorne? Mazescapes Roxie Munro? View from Calcutta S. Chaudhri? 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ClickJapan@wiki - ほのか代理砲台（CGI HTTPプロキシ）

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ほのか代理砲台（CGI HTTPプロキシ）について代理砲台は、CGI方式のプロキシをレンタル鯖などに設置してクリックするテクニック。これにより、新しいIPの砲台を手に入れるのと同じ効果を得られる。生IPがBANされてもクリックが可能。また、「生IP＋代理砲台」や、「生IP＋代理砲台＋代理砲台」というふうに使えば、最大窓数の２倍も３倍も多重できる。代理砲台の効能　自分で使えるIPをふやせる。つまりほのか窓数をふやせる。以下説明。　1. 現在、イアン鯖に対しては1つのIPからクリックできる窓数は制限されている　2. 光だろうとADSLだろうと普通にネット接続してる家はIP一個しかもらえない　3. よってどんなにPCの性能があっても規制の窓数しか開けない　4. CGI桶のレンサバに砲台をおくことで、そこのIPを使えるようになる（ほのかの代理砲台機能）砲台を置く鯖が他の人と被るとてんぽります。また、代理砲台を設置したりやめたりするときは設置済み鯖投稿欄に投稿してください。これから設置する人はここを見て鯖がかぶらないよう注意してください。代理砲台の作り方　注意：perlやphp使える鯖でも下記の方法全てが一切通じない鯖も存在します。(完全無料のHPスペースなど)その場合は素直にあきらめましょう。 1. PHP が使えるレン鯖をゲトできたとき共通：ほのか公式ページの proxy.txt をダウソしておく。　a.そのままアップロードして使えるかどうか試してみる　b.ダメならproxy.phpにリネームして試してみる　c.これでもダメなら一行目の#!/usr/local/bin/phpを環境に合わせて書き換える　d.3つともダメ、もしくはわからない人は下記の方法を試す　先頭の、　#!/usr/local/bin/php 　を削除する。　//-----------------------設定ここまで--------------- 　if(isset($u)){ 　　//URL分解　　$url = parse_url($u); 　の部分を、　//-----------------------設定ここまで--------------- 　if(isset($_GET['u'])){ 　　//URL分解　　$url = parse_url($_GET['u']); 　に書き換えてから、proxy.php に名前を変えてサーバーにUPする。 2. perlなら使えるらしい鯖をゲトしたとき　a.web_proxy.pl や cgiproxy.pl などはあるが代理砲台としてつかえるかわからん 3. もっと自由な鯖をゲトしたとき　a.その時点でこれを読む必要があるヤシとは思えん　b.squidは面倒だから、TinyHTTPProxy あたりが手軽。自分の動的IPにだけ開けとけるし。代理砲台の使い方 1. proxy.txt を proxy.php などにリネームしてうpした場合代理砲台を設置する　a. Firefox でほのか公式にアクセス。FireVolcanoプロキシサーバーをインストール＆Firefox再起動　b. ツール - アドオン - FireVolcanoProxy - 設定　c. 「第二次HTTPプロキシ」の「アクセス先にCGI HTTPプロキシを経由して接続」をチェック　d. CGI HTTPプロキシのURL に設置したCGIへアクセスできるURLをコピペ　e. 設定ページにいろいろ注意がきはあるので、それのとおりで基本的には桶　多重する場合火連を一つ起動して窓数を２倍や３倍にしても有効にはなりません。砲台ごとに別々のプロファイルでFirefoxを立ち上げ、しかる後にそれぞれの火連を起動させましょう。（生IPのFirefoxからはFVPをアンインストした方がいいかも） Firefoxのプロファイル別起動をするには梓３号が簡単です。 Macの場合のプロファイル別起動の方法はこちらもしくは、Firefox＋Firefox互換ブラウザ（lolifox、flock）の同時起動でもOKです。代理砲台を２台以上設置する場合 FireVolcanoプロキシサーバー用のポート番号が競合しないようにしてください。 FVPのオプションの「第一次HTTPプロキシ」の中の数字を、砲台ごとに変えればOK。（生IP砲台＋代理砲台の２台の場合はいじる必要はありません。あくまで代理砲台を２つ以上置いたときだけです）（ちなみにこれは内部ネットワークのポートなので、プラネットのようにルータのポート開放作業をする必要はありません） 2. それ以外の場合。　　各自工夫するか、質問してくれれば答えられることは答える。　　個人的にはswitchproxytool で切換えるのが楽だと思う({火|炉}狐) 設置済み鯖　投稿欄 s31.xrea.com s33.xrea.com (BAN) s41.xrea.com (BAN) s296.xrea.com s297.xrea.com s292.xrea.com (2007-07-26 01 04 30) x-beat dxbeat設置確認済　BAN？ (2007-07-26 01 13 00) s75.xrea.com (2007-07-28 19 38 48) AZAReA動作確認済 (2007-07-31 03 31 22) AZAReA鯖重複にて店舗しだした模様 (2007-07-31 10 27 22) s11.coreserver.jp (2007-12-10 10 50 01) ↑のアドレスが理解できませんｗソケット通信可能な格安有料レン鯖が狙い目だと思います (2008-06-03 22 12 57) www8.inetd.co.jp (2008-06-19 07 42 13) 「if.land.to」借ります。 land.toはおｋなようです。 (2008-08-04 22 36 32) me.land.toを借りました。 (2008-08-05 08 30 28) es.land.toも借りました。 (2008-08-05 22 13 13) s1.muryo-de.etowns.netを借りました。 (2008-08-09 17 31 36) www.orkut.com (2008-10-31 21 14 40) orkut.com (2009-01-07 04 34 02) Is there ? a href=" http //www.zoji.com/1231016 " littles links /a Perfect to j/o too. (2013-05-30 17 48 04) I quite like cooking a href=" http //www.dicomol.com " order prozac canada /a Estimated creatinine clearance (CrCl) (2013-06-01 05 15 38) Can you hear me OK? a href=" http //www.boards2go.com/boards/board.cgi?user=cytonaqa " japanese schoolgirl lolita pics /a nice, and my ass? (2013-06-02 04 12 14) I've got a full-time job a href=" http //www.rocktropia.com/forum/blogs/u11384-custom960/ " fucked preteens /a this gurl is def a hot one. (2013-06-04 09 18 50) Awesome article post.Thanks Again. Much obliged. ageafedggefd (2014-05-01 01 27 55) BHnPF5 http //www.FyLitCl7Pf7kjQdDUOLQOuaxTXbj5iNG.com (2015-01-10 16 07 09) Best Site good looking a href=" http //inwa-nordicwalking.com/personal-statement-online-help/ " ethics and social responsibility research papers /a "The [stunt] coordinator and I were up on a scissor lift, we were a good 30 to 40 feet in the area already working when we turned around and looked," he said. "There was just a lot of commotion, people were screaming and pointing." (2015-01-18 05 55 43) On another call http //www.imagetext.co.nz/write-my-essay-fast/ essay writing free essays According to the San Antonio Express News, an average of 230 people have been injured on Texas rides from 2000 to 2008, including 120 who broke bones, 60 who had their teeth chipped or knocked out, and four people who suffered amputations. (2015-01-20 21 45 08) コメント

東方同人CDの歌詞＠Wiki - 04 Colorless night

https://w.atwiki.jp/touhoukashi/pages/4733.html

【登録タグ BlazeOut C EastNewSound 亡き王女の為のセプテット曲葉月ゆら】【注意】現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。この問題は、以下のいずれかが原因となっています。ページがAMP表示となっているウィキ内検索からページを表示しているこれを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*

東方同人CDの歌詞＠Wiki - 15 Secret Disclosers

https://w.atwiki.jp/touhoukashi/pages/1801.html

【登録タグ S nayuta めらみぽっぷ凋叶棕密少女秘封倶楽部曲】【注意】現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。この問題は、以下のいずれかが原因となっています。ページがAMP表示となっているウィキ内検索からページを表示しているこれを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*

東方同人CDの歌詞＠Wiki - 04 Other Side

https://w.atwiki.jp/touhoukashi/pages/4448.html

【登録タグ FELT O Rebirth Story Ⅲ Sevens Head 曲柳の下のデュラハン舞花】【注意】現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。この問題は、以下のいずれかが原因となっています。ページがAMP表示となっているウィキ内検索からページを表示しているこれを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*

東方同人CDの歌詞＠Wiki - 02 DARKSIDE DOLL

https://w.atwiki.jp/touhoukashi/pages/3286.html

【登録タグ A-One D TOHO EUROBEAT VOL.18 風神録さちぶどう厄神様の通り道　～ Dark Road 曲運命のダークサイド】【注意】現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。この問題は、以下のいずれかが原因となっています。ページがAMP表示となっているウィキ内検索からページを表示しているこれを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*

VocaloidLyrics @ Wiki - Nayutanokanatamade-那由他の彼方まで

https://w.atwiki.jp/v-lyrics/pages/39.html

なゆたのかなたまで [ TAG English L-N Len NV_sm2037312 NV_sm5329831 Romaji Title TsurishiP な] Music TsurishiP/釣り師P Lyric TsurishiP/釣り師P Arrange TsurishiP/釣り師P Vocal Kagamine Len Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm2037312 http //www.nicovideo.jp/watch/sm2037312 ■ Show/Hide PV http //www.nicovideo.jp/watch/sm5329831 http //www.nicovideo.jp/watch/sm5329831 Translations ■ Show/Hide Romaji 2009-03-14 20 22 First Entry Translation Draft by RomajiGateway 2009-03-14 20 31 Updated Checked by soundares todoka nai to shitte mo akirame rarenai mono ga aru tanin kara mire ba kokkei ni utsuru darou utsumuite iru dakede sora no takasa ni kizukazu ni konkuri^to no kabe no naka kurikaesu jikan ni irare nai kara hashitta kaze wo koe te mamori tai kimi no ashiato itteki no yume wo oi kaketeiru kimi ga ita kotae wo sagashite hokori ni mamirete mo genjitsu ni oshitsubusarete mo hikari no sasu sora wo miage sukoshi zutsudemo ayun deiru furikaerazu massugu mirai wo mitsume iroasenu doukei sagashi te nayuta no kanata made hashitte hibiita kimi no ashioto mune ni tomoru muishiki ( ido ) shinjitsu ( idea ) to risou no atsureki ni kokoro habamare te mo kawaki kitta jiga ( ego ) kono shoudou ga tatoe utakata no yume demo ... setsuna kara hashitta, omega he ano mukou no saki made mita kute ... shinji ta michi wo iki tai iroase nu doukei sagashi te nayuta no kanata made hashitte hibiita kimi no ashioto [部分編集] ■ Show/Hide Translation To Beyond Duodecillion 2009-01-31 First Entry 2009-02-20 17 26 36 (Fri) Last update Trasnlated by soundares Title To Beyond Duodecillion Lyric 届かないと知っても Even if I know I ll never reach 諦められないものがある I have things I can t give up 他人から観れば滑稽に映るだろう From others eyes, I must look ridiculous 俯いていているだけで Just letting my head down... 空の高さに気づかずにコンクリートの壁の中 Without knowing the height of sky, inside a concrete wall... 繰り返す時間に居られないから Staying inside time repeating on... I couldn t do it, so 疾走った　風を超えて I ran exceeding winds 守りたい　君の足跡 I want to protect your footprint(=path) 一滴の夢を追いかけている君が居た You who were chasing a drop of dream, were there 答えを探して埃にまみれても Even if I m all dusted searching for the answer, 現実に押し潰されても Even if I m crushed down by the reality 光の射す空を見上げ I will look up the sky where lights ray 少しずつでも歩んでいる And make my steps even if it s just little by little 振り返らず真っ直ぐ未来を見つめ Not looking back, staring strightforward to the future 色褪せぬ憧憬探して Searching for the yearning vision that won t loose its color 那由多の彼方まで To beyond a duodecillion 疾走って響いた君の足音 I ran and sounded was the sound of your footstep 胸に灯る無意識（イド） Unconciousness(IDO) that lights in the chest 真実（イデア）と理想の軋轢に心阻まれても Even when my heart is blocked by a yoke of truth(IDEA) and ideal... 乾ききった自我（エゴ） The dried out self-conciousness(ego) ... この衝動が例え泡沫（うたかた）の夢でも... Even if this impulse was just a dream like bubbles... 刹那から疾走った、オメガへ I ran from the moment, to omega あの向こうの先まで見たくて... cause I wanted to see ahead that beyond... 信じた路を行きたい I want to go along my path that I have believed 色褪せぬ憧憬探して Searching for the yearning vision that won t loose its color 那由多の彼方まで To beyond duodecillion 疾走って響いた君の足音 I ran and sounded was sound of your footsteps Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る You should mention which parts are sung by Len and which parts are sung by Rin. It would make things a lot easier! -- (SC) 2009-08-26 14 17 56 Last modified 2009-02-20 17 26 36 (Fri) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/457.html http //nicosound.anyap.info/sound/sm2037312 http //www.nicomimi.com/play/sm2037312 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=6J5L2aPj6r8 [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=6J5L2aPj6r8 (Information in this page is based on HatsuneMiku@Wiki) _

東方同人CDの歌詞＠Wiki - 04 sleep disorder

https://w.atwiki.jp/touhoukashi/pages/1073.html

【登録タグ S ichigo オリジナルロックンロールラボラトリー岸田教団＆the明星ロケッツ曲】【注意】現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。この問題は、以下のいずれかが原因となっています。ページがAMP表示となっているウィキ内検索からページを表示しているこれを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*