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https://w.atwiki.jp/touhoukashi/pages/1070.html
【登録タグ C ichigo オリジナル ロックンロール ラボラトリー 岸田教団＆The明星ロケッツ 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/5934.html
【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/chiita/pages/1218.html
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https://w.atwiki.jp/touhoukashi/pages/5187.html
【登録タグ Eurobeat Union R オリジナル ユーロバカ一代 VOL.12 曲 長尾ちえみ】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/elvis/pages/1419.html
Spirit of Australia Religion in Citizenship National Life (ATF Science and Theology) Brian Howe?Alan Nichols? Developments in Pressure Vessel Technology Ray Woodward Nichols? Handbook of Mineralogy Silica, Silicates Richard A. Bideaux?Kenneth W. Bladh?Monte C. Nichols?John W. Anthony? Handbook of Mineralogy Arsenates, Phosphates, Vanadates Richard A. Bideaux?Kenneth W. Bladh?Monte C. Nichols?John W. Anthony? Trends in Reactor Pressure Vessel and Circuit Development Roy Woodward Nichols? Nondestructive Examination in Relation to Structural Integrity Ray Woodward Nichols? Helping Your Child to Read Ruth Nichols? History and Antiquities of the County of Leicester John Nichols? History and Antiquities of the County of Leicester John Nichols? History and Antiquities of the County of Leicester John Nichols? Chilton's Import Car Manual, 1983-90 (Chilton's Import Auto Service Manual) Time for Interaction K.G. Nichols? 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The Chronicle of Queen Jane and of Two Years of Queen Mary John Gough Nichols? Makings. 5 Pieces Jeremy Sanders Nichols? The Confederate Quartermaster in the Trans-mississippi The Blockade Runner's Texas Connection James L. Nichols? How To Catch A Mate...with The Right Bait A Complete Fishing Guide To Reeling In The One You Want Darian Ward Nichols?Byron Nichols? The Thought of Benedict XVI An Introduction to the Theology of Joseph Ratzinger Joseph Cardinal Ratzinger?Aidan Nichols? Fission Product Chemistry in Severe Nuclear Reactor Accidents A.L. Nichols? Not One Hoof Left Behind The Power of Prayer, Fasting and Consecration Veter Nichols? How to Create the Life You Want The Companion Journal to Power, Passion and Purpose Ann Nichols Roulac? Eyes of Darkness Leigh Nichols? The Best in the Game How to Turn $18 into $1 Million in Less Than a Year Kwesi Nichols?Tristan Cooley? House of Thunder Leigh Nichols? Servants of Twilight Leigh Nichols? Key to Midnight Leigh Nichols? Bigger Than the Sky Helene E. D. Nichols? Chilton's Jeep Wrangler (Chilton Model Specific Automotive Repair Manuals) NicholsChilton Chilton's Ford/Mercury Full Size 1968-92 Covers All U.S. and Canadian Full Size Models (Chilton's Repair Manual (Model Specific)) Chilton Book Company About the Young Idea The Story of the Jam 1972-1982 Mike Nichols? Applied Programmable Logic Controllers Laboratory Manual Daniel H. Nichols? Bigger Than the Sky Helene E. D. Nichols? Iml-Appld Prgrm Logic Ctrl Lml NICHOLS Radio Luxembourg Richard Nichols? Phillips Paper Trade Directory 1984 Mills of the World (Phillips International Paper Directory) Gas Directory and Who's Who 1984 John Hedges? Acoustic Emission Roy Woodward Nichols? Poetical Sketches of St Ives Sarah Nichols? Ingatestone 1913-2003 Brian Tytherleigh?Jack Nichols? Rome the Vatican Travel Pack (Globetrotter Travel Guide) Michael Nichols? Insinuation Tactics of English Satire James Nichols? 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Popular Arts in the Luton Museum Marian Nichols? Upper Extremity Neuroanatomy And Clinical Examination A Programmed Text David P. Nichols? German-Romance Contact Peter Nichols Richardson? Pinpointing Affluence in the 21st Century Increasing Your Share of Major Donor Dollars Judith E. Nichols? Care and Conservation of Georgian Houses A Maintenance Manual Andy Davey? Design in Blockwork Michael Terrence Gage? Drawing for Publication Lezart? Classic Modern Houses in Europe Richard Einzig? Saving Old Buildings Sherban Cantacuzino? Small Solar Buildings in Cool Northern Climates David Oppenheim? Globetrotter Mexico (Globetrotter Travel Guide) Fiona Nichols? Cathedrals of the Movies David Atwell? Michael Graves Karen Vogel Nichols?etc.? Steer Your Own Career A Practical Guide to Effective and Satisfying Career Change Bob Bisdee? Michael Graves Karen Vogel, etc. Nichols? Chilton's Import Emission Diagnosis and Service Manual With Vacuum Circuits/1986 (Chilton's Emission Controls Manual) Michael Graves Karen Vogel, etc. Nichols? Moving the Earth Herbert Lownds Nichols? Heavy Equipment Repair Herbert Lownds Nichols? On the Mesa John Nichols? Cooking with Understanding Herbert Lownds Nichols? Map Librarianship Harold Nichols Even on Sunday Essays, Readings, and Archival Materials on Poetry and Poetics of Robin Blaser Robin Blaser?Miriam Nichols? UK Chemical Nuclear Data Committee Request List - 1990 (Memoirs) A.L. Nichols? Evaluation of Decay Data in the 4n Series (Reports) A.L. Nichols? Monmouthshire Medley Reginald Nichols? Pontypool and Usk Japan Ware Reginald Nichols? In the Event of Death.... David I Nichols? In Retrospect John Nichols? Waiting for the Dawn R. Nichols? Asana and the Animals (Walker Paperbacks) Grace Nichols?Sarah Adams? A-Well Known Face Josephine Bell?Trevor Nichols? Grace Nichols (Writers Their Work) Sarah Lawson Welsh? The Paradise Construction Company (Hesperus Classics - Poetry) J.G. Nichols? Mexico Globetrotters Travel Guide Fiona Nichols? Making Effective Presentations (Management Action Guides) Manchester Open Learning? Louis Kahn and Paul Zucker Frederick Doveton Nichols? History of Christianity James Hastings Nichols? Chester in Old Photographs (Britain in Old Photographs) Stuart Nichols? Local Maps of Derbyshire to 1770 Harold Nichols American Sports Cars Richard Nichols? Habitat Survey Cards for the Shores of the British Isles (Journal Offprints) N.A. Holme?David Nichols? Dynamic Professional Selling Arnold L. Schwartz? Diamonds (Reading Essentials Discovering Exploring Science) Max Nichols? Ultrasonic Inspection of Heavy Section Steel Components The Pisc II Final Report R. W. Nichols?S. Crutzen? On Yankee Station Barrett Tillman?John B Nichols? Benn's Media Directory, 1994 Europe The Guide to European Newspapers, Periodicals, Television, Radio and Cinima (Benn's Media Europe) Benn's Media 1994 World (Benn's Media World Edition) St. Francis Dam Disaster (Images of America) John Nichols? If You Had a Tail (We Can Read About Nature) Catherine Nichols? Going Places (We Can Read About Nature) Catherine Nichols? Storytelling the Gospel C. William Nichols? Never Say Never Bobby Nichols? An Arctic Year (We Can Read About Nature) Catherine Nichols? Developing Intercultural Competence in Practice (Languages for Intercultural Communication and Education, 1) Michael ByramAdam NicholsDavid Stevens Refracting the Light Learning the Lang K. Nichols? Refracting the Light Kevin Nichols? Pilgrimage of Grace Kevin Nichols? Unlocking Shareholder Value (Hawksmere Report) Paul Nichols? Reference Services and Sources in Small Public Libraries and School Media Centers Margaret Irby Nichols? If I Gained the World Linda Nichols? Monitoring Tigers and Their Prey Ullas Karanth?James Nichols? Rediscovering the Language of the Tribe in Modern Venezuelan Poetry The Poetry of Trafico and Guaire (Latin American Studies) Elizabeth Gackstetter Nichols? Forty Years of American Life Thomas Low Nichols? Reminiscences of Edgar Allen Poe Mary Sargeant Gove Nichols? Babar - The Best Present in the World B P Nichols? Catholic Thought Since the Enlightenment Aidan Nichols? Dark of the Sun Wilbur Smith?Trevor Nichols? Gold Mine Wilbur Smith?Trevor Nichols? Texas Peace Officer Larry Nichols?Ray K. Robbins?Donald Harrelson? Diving Malaysia (Periplus Action Guides) David Espinosa?Heneage Mitchell?Kal Muller?Fiona Nichols?John Williams? Diving Thailand (Periplus Action Guides) David Espinosa?Heneage Mitchell?Kal Muller?Fiona Nichols?John Williams? The Canti With a Selection of His Prose Giacomo Leopardi?J. G. Nichols? The History of the Houston Texans (NFL Today) John Nichols? Chilton's Repair and Tune-Up Guide Barracuda and Challenger, 1965-1972 Chilton Book Company Chilton's Repair and Tune-Up Guide International Scout 1967-1973 Chilton Book Company Trachoma and Related Disorders Caused by Chlamydial Agents Roger L Nichols? Looking at the Liturgy A Critical View of Its Contemporary Form Aidan Nichols? Get Carter (Storysound) Ted Lewis?Trevor Nichols? Handbook of Personnel Management Practice Michael Armstrong? Changing Your Job Godfrey Golzen The Singing Dead Ron Ellis?Trevor Nichols? Single Shot Ron Ellis?Trevor Nichols? Printed Maps and Plans of Leeds, 1711-1900 Kenneth John Bonser?Harold Nichols Motivation of the Physically Disabled Philip John Russell Nichols?William Henry Bradley? Room Mates Can't Always be Lovers Lige Clarke?Jack Nichols? Welcome to Fire Island Jack Nichols? I Have More Fun with You Than Anybody Lige Clarke?Jack Nichols? Electrical Power Engineering K G Nichols? Advanced Level Tuition and Educational Technology in Schools and Colleges C A Nichols? Taxonomy and Geography David Nichols? Continuance of Life After Death Harold Nichols John Nichols (Western Writers Series, No 75) Peter Wild? Labour In A Global World Case Studies From The White Goods Industry In Africa, South America, East Asia And Europe (The Future of Work) Theo NicholsSurhan Cam? Mistress of Madderlea (Historical Romance S.) Mary Nichols? Jack Chiltern's Wife (Historical Romance S.) Mary Nichols? An Unusual Bequest (Historical Romance Large Print) Mary Nichols? An Unusual Bequest (Historical Romance) Mary Nichols? Talk of the Town (Historical Romance) Mary Nichols? An Unusual Bequest (Historical Romance) Mary Nichols? A Grammar of Consent The Existence of God in Christian Tradition (Library of Religious Philosophy) Aidan Nichols? The Moral Nation Humanitarianism and U.S. Foreign Policy Today Bruce Nichols?Gil Loescher? The Moral Nation Humanitarianism and U.S. Foreign Policy Today Bruce Nichols?Gil Loescher? Monitoring the Marine Environment David Nichols? Feeling You're Behind Peter Nichols? Poet's Purpose J G Nichols?T Pey? Benn's Press Directory 1985 (Benn's Media Europe) Leather Guide 1987 International Directory of the Industry Every Child Needs a Praying Mom Fern Nichols? Gas Directory 1987 And Who's Who John Hedges? Leather Guide, 1988 International Directory of the Industry Golden Hour David G. NicholsMyron Yaster?Dorothy G. Lappe?J.Alex Haller?Charles N. Paidas?Charles Schleien? Chilton's Ford Lincoln/Mercury Repair Manual 1988-1992 (Chilton's Ford Repair Manual) Dean F. Morgantini Phillips Paper Trade Directory Mills of the World 1988 George R. Hutton? Chemist and Druggist Directory And Tablet and Capsule Identification Guide, 1988 (Chemist and Druggist Directory and Tablet and Capsule Identification Guide) Benn s Press Editors? Gas Directory and Who's Who 1988 Benn Business Info Services? Michelangelo Buonarroti (The Primary Source Library of Famous Artists) Catherine Nichols?Michelangelo Buonarroti? Chilton's Guide to Fuel Injection and Electronic Engine Controls 1990-92 Buick, Olds, Pontiac (Maximanuals) Benn's Media Directory, 1990 (Benn's Media Directory) Ann Guest?Christine Johnson? Phillips International Paper Directory, 1991 (Phillips International Paper Directory) George Hutton? Chemist and Druggist Directory, 1991 Also Tablet and Capsule Identification Guide (Chemist and Druggist Directory and Tablet and Capsule Identification Guide) Martin Luther King JR. Preacher, Freedom Fighter, Peacemaker (Biographies) Pamela H. Nettleton?Garry Nichols? Gas Industry Directory, 1991 (Gas Industry Directory) Printing Trades Directory, 1991 (Printing Trades Directory) Caroline Miles? Benn's Media Directory, 1993 United Kingdom (Benn's Media Directory United Kingdom) Ann Guest? Double Bones The Adventure Of Diplodocus (Dinosaur World) Michael Dahl?Garry Nichols? Benn's Media Directory, 1991 International (Benn's Media Europe) Lizard Tooth The Adventure Of Iguanodon (Dinosaur World) Michael Dahl?Garry Nichols? Lizard Tooth The Adventure of Iguanadon (Dinosaur World) Michael Dahl?Garry Nichols? Phantom Eye Theory Steven Leslie Nichols? Comprehension Through Conversation The Power of Purposeful Talk in the Reading Workshop Richard Allington?Maria Nichols?Gloria Pipkin? Long Arm The Adventure of Brachiosaurus (Dinosaur World) Michael Dahl?Garry Nichols? Monster Fish The Adventure of the Ichthyosaurs (Dinosaur World) Michael Dahl?Garry Nichols? Chilton's Honda - Civic/Crx/Del Sol Nichols Chilton? Stiff Armor The Adventure of Ankylosaurus (Dinosaur World) Michael Dahl?Garry Nichols? The Russian Presidency Thomas M. Nichols? Strange Lizard The Adventure of Allosaurus (Dinosaur World) Michael Dahl?Garry Nichols? Verdict on India Beverley Nichols? 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Epiphany A Theological Introduction to Catholicism Aidan Nichols? The Winter Garden Eluned Price?Clive Nichols Hidden Springs Cistercian Monastic Women (Cistercian Studies Series) John A. Nichols?Lillian Thomas Shank? Moving Learning 3e Cim MAC Nichols Medieval Religious Women Peaceweavers (Cistercian Studies Series) David Hugh Farmer?John A. Nichols?Lillian Thomas Shank? Encyclopedia Of Marine Science (Science Encyclopedia) C. Reid Nichols? Poland (Countries of the World) Jeremy Nichols?Emilia Trembicka-Nichols? Soda, Clay and Fire Gail Nichols? Poetics of Epiphany 19th Century Origins of the Modern Literary Moment Ashton Nichols? Italia, Italia Peter Nichols? All but the Right Folks Joan Kane Nichols? The Working Guide to Traditional Small-boat Sails A How-to Handbook for Builders And Owners David L. Nichols? Workers Divided Theo NicholsPeter Armstrong? Capital and Labour Theo Nichols? Beverley Nichols Cats X Y Z (Beverley Nichols' Cats' X. Y. Z.) Beverley Nichols? Founding the Future A History of Truman State University David Nichols? Disruption of American Democracy, 1856-61 Roy Franklin Nichols? Hearing Each Other Nichols We Held the Key Edward Nichols? Robert Lenkiewicz Keith Nichols Black Hawk Nichols Protestant Pioneers in Korea Everett Nichols Hunt? Beyond the Blue Glass Catholic Essays on Faith and Culture Aidan Nichols? Financing Elections David Nichols? Equations and Inequalities Eugene D, etc. Nichols? English Syntax A E Nichols? Scattering the Seed A Guide Through Balthasar's Early Writings on Philosophy And the Arts (Introduction to Hans Urs Von Balthasar) Aidan Nichols? Regional Broadband Networks Sue Uglow?Sally Walton?Eirwen Nichols? No Bloodless Myth A Guide Through Balthasar's Dramatics (Introduction to Hans Urs Von Balthasar) Aidan Nichols Op? Lectionary-Based Gospel Dramas for Lent and the Easter Triduum Sheila O Connell-Roussell?Therese Vorndran Nichols?Vicki Shuck? Divine Fruitfulness Nichols Regional Broadband Networks Sue Uglow?Monica Albarran O Donovan?Eirwen Nichols? Regional Broadband Networks Sue Uglow?Srinu Kumpatla?Eirwen Nichols? Mysterium Pacschale Hans Urs Von Balthasar?Aidan Nichols? 3G Survival Strategies Eirwen Nichols? Ownership, Control and Ideology (Stud. in Mgmt. S) Theo Nichols Taken Seriously Vicky Nichols? Phillip's '94 International Paper Directory (Phillips International Paper Directory) American Leviathan (Torchbks.) Roy Franklin Nichols? William Shakespeare (Pocket Essentials (Trafalgar)) Ian Nichols? Evans Christie - Great British Trials Trevor Nichols?Jon Baddeley?Robin Welch? Great War Literature Study Guide on Robert Nichols W. Lawrance? What Are You Doing Here? Dylan Nichols? Factory Regimes and the Dismantling of Established Labour in Asia (Working Paper) Theo NicholsSurhan Lam? Scottish Family Law Service John Fotheringham Ross?David Brownlee?David I. 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じにあ [ TAG Alp-Z E-Q Momo UnofficialVocaloid inaphon title] Music inaphon/inaphon Lyric inaphon/inaphon Arrange inaphon/inaphon Vocal Momone Momo Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm7858222 http //www.nicovideo.jp/watch/sm7858222 Translations ■ Show/Hide Romaji sukoshi aeta kinoo no koto wasure naide ite ne aruite kita itsumo no michi mou ike naku te gomen-ne kimi wo oite iku nante kon-na hazu ja naku te kimi ga mada soko de shiawase de ite kureru yoo inotteru yo demo ne moshimo hyotto shitara itsuka mata aeru kamo moshi son-na koto ga arun nara zenryoku de kyori wo shiki wo sujigaki wo koe zutto zutto kimi wo omoi nagara matte iru kara sukoshi aeta kinoo no koto wasure naide ite ne itsuka aruku itsumo no michi kaerou ne issho ni 2009-09-15 Checked by damesukekun 2009-09-15 00 15 Generated automatically [部分編集] ■ Show/Hide Translation Zinnia 2009-09-15 First Entry 2009-09-16 14 40 06 (Wed) Last update Trasnlated by damesukekun Title Zinnia Lyric Don t forget the remembrance of yesterday, when we could meet for a while Sorry I m not able to go along the usual road we used to walk together any longer I never meant to leave you behind I m praying that you would still be in happiness there But, possibly, perhaps, I could meet you again someday If the chance should come, I shall overcome all the distance, seasons and set story with full efforts and I will be waiting for you with all, all my yearnings Don t forget the remembrance of yesterday, when we could meet for a while See, return the usual road together that we ll walk someday Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-09-16 14 40 06 (Wed) Original Lyric, Nicosound MP3, etc http //www24.atwiki.jp/utauuuta/pages/425.html http //nicosound.anyap.info/sound/sm7858222 http //www.nicomimi.com/play/sm7858222 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=gcCN191DHEA [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=gcCN191DHEA (Information in this page is based on UTAUMusicDB@Wiki) _
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【登録タグ 709sec Endless Seeke Nana Takahashi SOUND HOLIC T 少女綺想曲 ～ Dream Battle 曲 永夜の報い ～ Imperishable Night】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Ace Attorney Investigations Miles Edgeworth Preview for the Nintendo DS from 1UP.comhttp //www.1up.com/do/previewPage?cId=3177783 p=39 sec=PREVIEWS 02/02/2010 1UP Mr. Eshiro, you re the producer on Ace Attorney Investigations, but could you tell us a little more about your role in the game s development?1UP：江城さんは逆転検事のプロデューサーですが、もうちょっとこのゲームでの役割について教えてください。Motohide Eshiro I started as co-producer on the second and third Ace Attorney games, but this is my first time in the series as full producer. Mostly, I look over the overall product schedule and budget. I make sure everything s coming in on time -- things like that.江城元秀：逆転裁判との関わりは、DS版逆転裁判2と3の共同プロデューサーとしての役割が始まりですが、これはプロデューサーとしての初めての仕事でもありました。大まかには、私は全てのスケジュールと予算・経費を統括します。全てが予定通りに動くかを確認します。Another big part of my job is focusing on the overall quality of the game. While the director focuses on specific aspects -- fine-tuning the small details -- my job is more to look at the big picture. To make sure that everything fits in well with whole concept. I look at it like the average user and ask myself, Will the player enjoy this? 他の大きな仕事としては、ゲームの全ての質に焦点を当てています。ディレクターがある局面――細かい部分の微調整――に集中している時、私の仕事は全体を見ることです。全ての事象が、全体と調和しているかの確認です。私は1ユーザーとしてゲームを見て、私自身に確認します。「プレイヤーはこれを楽しいと思うだろうか？」And of course, doing promotion for the game, like traveling abroad to give interviews.そしてもちろん、ゲームの宣伝もします。海外に出向いてインタビューを受けたり。1UP Your current position sounds very different from your previous role as director on Shadow of Rome and Onimusha...1UP：あなたの現在の仕事は、以前のSHADOW OF ROMEや鬼武者のディレクターとしての役割とずいぶん異なるようですが。ME Yeah, Ace Attorney is a very different type of game, but I really wasn t thinking of it as something completely different. During my school days, I used to play a lot of PC-based text adventures. I really loved those back then, and I ve always been a huge fan of adventure games.江城：ええ、逆転裁判はゲームとしては異なるタイプですが、私は完全に異なるものとは思っていません。私は学生時代、PCでテキストアドベンチャーを多くプレイしたものです。私はそういうゲームが好きで、アドベンチャーゲームの大ファンでした。When I was a director, I was able to make action games like Onimusha and Shadow of Rome, but I just didn t have the opportunity to make my own adventure game. But when I switched roles to producer on Ace Attorney, I finally got the chance to make the types of games I loved playing when I was younger.私はディレクターとして、アクションゲームの鬼武者とSHADOW OF ROMEを制作しましたが、アドベンチャーゲームを創る機会はありませんでした。しかし逆転裁判のプロデューサーになって、とうとうアドベンチャーゲームの制作に関われることになったのです。1UP Do you think your time working with such action heavy games has changed the way you approached Ace Attorney Investigations?1UP：そのようなアクションゲームの仕事を制作していた時から比べ、逆転検事へのアプローチには変化がありましたか？ME Definitely, there s been some influence. Of course, in text-based games there s always some level of interactivity. But working in action games, I had firsthand experience in how to lay out a scene. For example, if you ve got a character moving somewhere, the background has to scroll and move smoothly.江城：確かに、少しは影響がありました、もちろん、テキストベースのゲームでは、常にそれなりの会話があります。しかしアクションゲームの制作では、私はシーン毎のレイアウトをどうするかといったことを経験しました。例えば、キャラクターをどこかに動かす時、背景はなめらかにスクロールしなければなりません。I think I was able to transfer some of that experience into Ace Attorney Investigations. When you move Edgeworth around, you re not going to run into weird scrolling issues; you re not going to see awkward movements, or things like that, and I attribute that to my action game experience.そういった経験を、逆転検事に生かすことができたと思います。あなたがプレイした時、御剣を動かしても妙なスクロールを見たり、ぎこちない動きを見たりすることはないでしょう。そういったことは、アクションゲームの制作による経験からだと考えています。1UP Speaking of adventure games, over the past few years in America, we ve seen a bit of a revival of that genre with games like Sam Max and Monkey Island. Do those come to Japan at all?1UP：アドベンチャーゲームについてですが、アメリカでは過去、Sam MaxやMonkey Islandのようなゲームがリバイバルしています。日本ではどうですか？ME I don t think they do. But when I think about PC adventure games, I think about the really old titles. Of course, Myst was a popular title everywhere, but I really enjoyed Mystery House. I can t think of other specific titles right at the moment, but just really old games, or games like Portopia, which never came out outside Japan. I really haven t tried out any recent adventure games. Even in Japan, they ve never remade some of my favorite titles, like Snatcher.江城：日本ではなかったと思います。しかし、私がPCのアドベンチャーゲームについて考える時、私は本当に古いタイトルについて思いを巡らせます。もちろん、Mystは有名ですが、私はMystery Houseが楽しかった。他の具体的なタイトルは思い出せないけれど、日本以外では発売されなかったポートピア連続殺人事件が好きです。私は最近のアドベンチャーゲームはプレイしていません。日本でさえ、スナッチャーのような私の好きなゲームのいくつかはリメイクされていません。With Mystery House, that was a game I played when I was still in college -- but it only came out in English. I didn t immediately understand half of what was written; maybe just a word like take, and then I d have to look up the rest to understand what I was able to take. So I d play along with a dictionary; it was almost like studying, but a lot more fun.Mystery Houseは、私が大学生のころにプレイしたゲームでした――しかし英語版しかありませんでした。私は書いてあることの半分も理解できませんでした。「take」というワードがあっても、何が取得できるのか、調べなくてはなりませんでした。そのため、私は辞書を片手にプレイしていました、それはまるで勉強みたいでしたが、楽しみでもありました。But Portopia is a game that s really stuck with me over the years. Are you ok with spoilers?しかし、ポートピア連続殺人事件は長年楽しく遊べたゲームです。ネタバレは大丈夫？1UP I think the game s old enough that that s ok.1UP：昔のゲームだから大丈夫。ME Well, the detective that you work with, the big twist at the end is that he s the criminal. You re supposed to be working closely with this guy, and you don t find out till much later that he s actually the one behind it all. And that highlights one of the most important aspects of adventure and text games for me the turnaround point.江城：じゃあ‥‥一緒に行動する刑事が犯人という、ものすごい結末なんです。彼とずっと一緒に行動していくんですが、最後の最後にならないと真相はわかりません。テキストアドベンチャーゲームにおいて最も重要なことのひとつ、転換点を私に見せてくれたのです。In the Ace Attorney series you always have these surprising twists, sometimes two or three times in one case. You just never know what to expect. That s what keeps adventure games interesting for me.逆転シリーズにおいては、1つの事件の中で、2つや3つのこういった驚くべき逆転劇を見ることになります。そしてあなたは何が起こるか全く解らない。それが私にとって、アドベンチャーゲームの面白さです。1UP It s obviously a very different type of game, but another popular adventure game I m sure you ve spent some time with is Professor Layton.1UP：明らかに異なるタイプのゲームですが、もうひとつの有名なアドベンチャーゲームとしてレイトン教授があります。ME Yeah, I played the very first one. And, you re probably aware that the puzzles themselves are based on a much older book series in Japan called Mental Gymnastics. I never found just doing the puzzles themselves all that engaging, but I m just amazed that they were able to fit them into this story and make it interesting. It s good that it brings these types of puzzles to a wider audience.江城：ええ、第1作目はプレイしました。そして、パズル自体は思考型パズルと日本で呼ばれているものに似ていることにおそらく気がついたでしょう。私はパズル自体にはさほど興味がありませんでしたが、それをストーリーにうまく組み込んで面白くしていることに驚きました。多くの人々にこの種のパズルを体験してもらうことは良いことです。1UP Obviously, he s in the title, so Miles Edgeworth is this game s central character. After bringing in a new protagonist for the previous game, Apollo Justice, what made you decide to bring back this character as opposed to using someone new?1UP：タイトル（Ace Attorney Investigations Miles Edgeworth）通り、御剣怜侍がこのゲームの主役であることは明白です。前作で新主人公（王泥喜）を登場させたのに、他のキャラクターに戻すことを決めたのは？ME Well, we wanted to make a new game with new skills like logic and deduction, things like that. But we took a look at the character rankings in Japan and, next to Phoenix Wright, the next most popular character was Edgeworth. He s really quite popular, and so we thought that made him a good choice as the central character for this game.江城：私たちは論理と推論に基づく新しいゲームを創りたかったのです。日本での人気キャラクターを見ると、成歩堂の次に最も人気があるのは御剣でした。彼は本当に人気があります。そのため、このゲームでは、彼を主役にするのが良いと考えました。1UP Was there anything you and the team wanted to do with the game that you just weren t able to, because of time constraints or other technical hurdles?1UP：時間的制約や、技術的な問題で、あなたや開発チームができなかったことは？ME Actually, one of the things that the director and I had talked about was the Little Thief system. We d wanted to add a lot more features -- to make a bit more in-depth. But we just ran out of time and weren t able to integrate it as fully as we d wanted to. It s little more simplistic than we d originally envisioned, but that was just a problem with time.江城：実は、ディレクターと私が話し合っていたものの1つに、「ちょっとした泥棒システム」がありました。私たちはもっと多くの特徴を加えたかったのです――徹底的に。しかし、開発期間の問題で、完全にそれらを作ることができませんでした。元々私たちが想像していたものより多少安易ではありませんが、結局は時間の問題でした。1UP Is there anything you feel you ve learned from Ace Attorney Investigations that you ve been able to apply to your current project, Okamiden?1UP：逆転検事から学んだことが、あなたの今のプロジェクトである大神伝に生かされていますか？ME Well, I m also the producer on Okamiden, so the role itself is very similar. Ace Attorney was my first solo job as a producer, so a lot about learning games promotion, the timing of releasing information, keeping players interested. Various things like that about how to promote a game.江城：大神伝ではまたプロデューサーなので、役割そのものはとても似ています。逆転裁判は私の最初のソロでのプロデューサー活動で、ゲームのプロモーション、発売情報のタイミング、プレイヤーに興味をもってもらうことなど、様々なことを学びました。But a real learning moment came when we put together the first build of Investigations. We went around showing the game to the company, and we actually got a lot of negative reactions. So, we had to go back to the drawing board and do a lot of rethinking, redesigning, reconceptualizing.しかし、捜査方法の最初の構築をした時が、本当に学べた瞬間でした。私たちが会社にゲームを見せても、ネガティブな反応ばかりでした。私たちは制作に戻らなければならず、再考し、設計し直し、コンセプトを見直さなければなりませんでした。Talking with the director, we had to think about who Edgeworth is as a character. We realized that he s actually very logical. Originally the game was simply about visiting crime scenes and investigating, but when we instituted the Logic mechanic, that changed how the game plays completely.ディレクターと、御剣というキャラについて話し合いました。私たちは、彼が非常に論理的であると考えました。当初、ゲームは単に犯行現場を訪れ、調査するだけでした。しかし、ロジックシステムを考え出した時、ゲームの方向性は変わりました。1UP Did you ever consider brining the series over to another platform besides DS?1UP：シリーズをDS以外で発売することについては？ME From the beginning, we knew this would be a DS game. The previous games were all on DS, and there s just a natural flow to continue with DS. We never really considered trying it on any other system.江城：最初から、DSのゲームを創ることを考えていました。前作までは全てDSだったので、それが自然な流れでした。私たちは他のハードでの発売を全く考えませんでした。1UP Have you felt limited at all by the DS? With Nintendo iterating on its handheld so frequently, is there any functionality that you wish it would add to the system that you think would be great to use in a game?1UP：DSによって制限されることはありませんでしたか？ 任天堂はしばしば携帯ゲーム機を出していますが、ゲームに使うためのシステムを加えて欲しいと思うことは？ME I m really not the type of person to think, Oh, I wish they had this, I wish they had that. I look at it realistically, I look at the specs. Then I think, What can we do with this? What kind of fun game can we create to take advantage of this machine the most? 江城：私は「これがあればいいのに、あれがあればいいのに」というタイプではありません。スペックを見て、考えます。「これをどうできるだろうか？ このハードでどんな楽しいゲームを作れるだろうか？」I guess it goes back to my roots as a programmer, but I really would just want the system to have more memory, maybe a better video card. Stuff like that. Something so we can make the best looking game possible. It s not the most wishful thinking perhaps, but that s the way I look at it.私は、それがプログラマーとしての私のルーツに戻ると思います。ただ、より多くの容量、良いビデオカードがあれば良いとは思います。より良いものを作るために。1UP Going back to your roots, you ve held so many different positions in the industry, are there any moments in particular that stand out for you? What roles did you most enjoy?1UP：ゲーム業界で色々と異なるポジションを体験してきて、特に卓越していることは？ どんな仕事が楽しかったですか？ME Starting out as a programmer for Capcom, it really was fun to be able to realize a planner s vision. A planner would come up to me and say, Here are the game s rules, or, Here are the designs. And it would be up to me to put it together and make it appear on the screen. That was really great, to immediately see these ideas take fruit and know that you re the one who brought these ideas to life.江城：カプコンではプログラマーとしてスタートして、それにはプランナーとしての展望を認識できる楽しさがありました。プランナーは「これがゲームのルールだ」とか、「これがデザインだ」と言ってきます。それらをまとめるのは私次第で、ディスプレイに映し出すことができます。それは面白いことでした。As a director, it s tough to be head of a team because you then take on responsibility for everything that the team does and all the decisions. If you decide to take the game in one direction instead of another, you have to live with those consequences. It s heavy and hard, but it s also good because you have a lot more influence over the game; you can put in things you want to put in. Of course it s not 100% about what you want. It s also about listening to the ideas and opinions of your team and being able to take all those ideas and make it into one solid game. Having everything come together, the realization of those things makes it all worth it.ディレクターとしては、チームの全ての責任と決定を引き受けるので、大変なことです。もしゲームの方向性を変えるなら、その結果に耐えなくてはなりません。それは重く、厳しいです。しかし、それはまた、ゲームに良い影響を与えることにもなります。もちろん、期待していたことの100％がかなうわけではないのですが。それはまた、チームの考えや意見を聞いて、決定し、ひとつの凄いゲームが出来ることでもあります。これらの実現は素晴らしい価値があります。Being a producer is a double-edged sword. It s hard, but it s a very enjoyable at the same time. You get to stand in a different position from the director, and you get to watch a game grow from the first drafts to the very end. It s interesting to be able to manage and oversee everything in that respect. And being able to promote the game, getting out to the various media outlets is a lot of fun too. Learning how to excite people about your particular title. It s trying, but very compelling at the same time.プロデューサーであることは、諸刃の剣です。大変でもあり、楽しくもあります。ディレクターとは異なる立ち位置になり、ゲームが最初の草案から、完成まで成長していくのを見ていくことになります。その点で、全てを管理し、監督していくことは面白いです。そして、ゲームの広告や、色々なメディアに出演することは、楽しみでもあります。自分の作っているものを人々に喜んでもらう方法を学ぶこと。それは挑戦的で、同時に魅力的でもあります。1UP I know you don t control marketing in America directly, but the Ace Attorney series in particular has always had wonderful pre-order bonueses for Japan in the past. But when those same games come Stateside, it s usually without as much fanfare and with just the standalone software. Since you ve been working on the past few titles directly, how do you think the company s approach has changed with each title?1UP：私はあなたがアメリカで直接販売管理をしないということは知っていますが、逆転シリーズは過去、日本で素晴らしい予約特典がありました。しかしアメリカではそれがありません。過去直接少しのタイトルに関わり、あなたは、会社がどのように各ゲームの広告方法を変更したのだと思いますか？ME We ve definitely made some changes in how we promote things overseas versus in Japan. For example, in Japan we focus mainly on interviews with the regular press outlets like Famitsu. But in the West, we ve found going directly to the community has been very important. For Ace Attorney, we recently did a live Q A over the Capcom UStream page. It s something that s always changing, and we definitely don t have the perfect formula right now, but we re always listening to the community.江城：確かに、私たちが日本で発売したものを海外で宣伝する場合、多少方法が変わりました。例えば、日本では、宣伝するには私たちはファミ通のようなプレスの発表で、主にインタビューに集中しています。しかし海外では、私たちは、直接コミュニティで呼びかけることが重要であることがわかりました。逆転シリーズのために、私たちはカプコンのUStreamでQ Aをライブで行いました。常に色々なことが変化しています。今私たちは完全な方法というものを持ちませんが、常にコミュニティを開いています。1UP Do you think there are any particular differences between fans of the Ace Attorney series in the East and the West?1UP：日本と海外では、ファンに違いがあると思いますか？ME Actually, I went to ComicCon last year, and it was really great to see so many of our American fans in person. I don t think there s a difference between the two, or between any other countries in that respect; everyone who enjoys the games seems to enjoy them for the same reasons.江城：去年ComicConに行って、直接アメリカのファンに会えたことは、とても素晴らしいことでした。私は、国の間で違いがあるとは思いません。誰もが、同じ理由でゲームを楽しんでいるのです。1UP Well, thank you so much for taking the time to come out and talk with us. We know a lot of fans out there are eagerly awaiting the next game s release later this month.1UP：ありがとうございました。海外ファンは、今月の発売を熱心に待っています。ME Thank you very much.江城：ありがとう。 ▲ページ上へ▲