約 3,028,105 件
https://w.atwiki.jp/zooworld-facebook/pages/13.html
Green House(温室) メリット 大きい木を温室に入れれば、本数分のキャッシュをクリック1回で済ませられます。本数はグレードに応じて、15本・50本・155本と3種類があります。 また、これはZOOを訪れるZOOメイトも、クリックすれば纏まったzooキャッシュが貰えるので、TOPのマップに配置するのがお勧め。 例えば10人のメイトさんがゴールドの温室を10個ずつ持ってらしたら100万ほど入るので、レベルが低い時は非常に、ある程度レベルが上がっても有難い。 作成方法 初めての設置 2010年暮れ頃より、XPレベル5でフレームを貰える。 必要なセット 画像 必要数 入手方法 Basic Frame 1個 (zoo キャッシュ$10000) を買いZooに配置する。 Shop → Buildables → Greenhouse (初回は不要) Planting Pot 10個 「Ask Friends」 をクリックして、zooメイトに贈って頂く Glass Pillar 10個 「Ask Friends」 をクリックして、zooメイトに贈って頂く Glass Panel 10個 「Ask Friends」 をクリックして、zooメイトに贈って頂く Table 10個 Basic Frame をクリックすると、ウォールにシェア出来る。24時間以内に、ウォールでシェアされたテーブルを戴く。 次ぎの段階 Green House 1個 上記が揃えば、自動的にBasic Frame からGreen House に変わる。 Big Tree 15本 Shop →Decorations → Tree マウスで倉庫に入ってる Big Tree を、Green House にドラッグして、移動させる。 アップグレード ブロンズの温室が3つ出来たら、Shop → Buildables → Green House で UpGrade ボタンをクリックすると、シルバーにレベルアップする。 シルバーグリーンハウスには、50本の「大きい木」が入れられるので、足らない分を追加する。シルバーが3つ出来たら、ゴールドにグレードアップ出来る。 ゴールドグリーンハウスには、155本の「大きい木」が入れられるので、足らない分を追加すると、毎日 zooキャッシュ11625$ が貯まる。 リミット フレームの購入は、100が最高になった模様。 つまり、ゴールドの温室が11個とブロンズ2つが現在の最高数らしい。 以前は制限が無かった為、沢山持ってる方もいらっしゃるようだが。 以下 無料代償の宣伝
https://w.atwiki.jp/nekama/pages/122.html
ftp //download2.nexon.co.jp/maple/MSSetup_00186.exe http //webdown2.nexon.co.jp/maple/MSSetup_00186.exe ftp //download2.nexon.co.jp/maple/patch/notice/00186.txt http //webdown2.nexon.co.jp/maple/patch/notice/00186.txt (-ωー)
https://w.atwiki.jp/ddr_dp/pages/1703.html
Boom! Boom! Miracle Emotion(楽) 曲名 アーティスト フォルダ 難易度 BPM NOTES/FA(SA) その他 Boom! Boom! Miracle Emotion ひろしまMAPLE★S【広島】 2014 楽5 156 153 / 6 STREAM VOLTAGE AIR FREEZE CHAOS 31 25 7 13 0 楽譜面(5) / 踊譜面(10) / 激譜面(13) / 鬼譜面(-) 属性 遠配置、ラス殺し 解説 やや遠い配置はあるが妥当な難易度。ラストのみ8分2連>裏拍の変則リズムがある点に注意 -- 名無しさん (2014-06-16 02 20 08) 名前 コメント コメント(私的なことや感想はこちら) 名前 コメント 原曲PV http //www.nicovideo.jp/watch/sm23760626 http //www.nicovideo.jp/watch/sm23760626
https://w.atwiki.jp/xbox360gta4/pages/181.html
~スタジオ~ Cameraman Okay guys, I just want to get one more shot please. This is gonna look great. OK、みんな。あともうワンテイク撮らせてくれ。最高の画になりそうだぜ。 Cameraman Right over here. Officer please I need you this way. Thank you. こっち、こっち。お巡りさん、もうちょっとこっち側に。どうも。 Cameraman Tighten up Manny. I need you guys tight. This is gonna be great. Okay good. Thank you. A little closer. ビシっとして、Manny。二人とも背筋を伸ばして。こりゃあ良い画が取れるぜ。そこOK。もうちょっと近づいて。 Cameraman A little closer. Thank you so much. Wonderful, wonderful. Beautiful. Now we are gonna be da da da da. そうそう、もうちょっと。どうもどうも。いやぁ、良い。すごく良い。良いよ。よし、あとはもうダダダダーってやっちゃって。 Officer All I can say is I hope you'll continue to make the community a better place. 私が言えることは一つ、この社会をより良くするために、これからも君の活躍に期待するよ。 Manny Hey, man, you know, for a cop, you ain't so bad man, you know. Give it up, the streets, man. Word, give it up. いやぁ~、サツの割には理解がありますね。良いっすよ!良い感じっすよ! Manny Hey, Officer McReary, this is Niko right here. This is my man Niko. McReary刑事、こいつはNikoってんだ。俺のマブだち、Nikoです。 Officer Oh, good to meet you, I hear you're helping this guy with his vital work for our city. おや、これは会えて光栄だ。この街のために、えらく頑張ってくれているそうじゃないか。 Niko Well, no. I'm uh, just a tourist. いや、別に。私はえっと、たんなる観光客ですよ。 Officer Look Manny - I gotta go... Manny、わしはもうそろそろ…。 Manny A'ight. はい、分かりました。 Officer Keep doing what you're doing. まぁ、頑張ってくれたまえよ。 Manny Thank you Officer. Thanks. ありがとうございます。まじで。 Manny Yeah, you know, it was a real big thing for me, you know that I'm sayin', a real street cat, いやぁ、まじで、うれしい事だぜ、全く。 Manny to start working with the gatekeepers of the community to make things better. 街を良くするには、まずは門番と仲良くする事からだよ。 Manny I mean, where I'm from, out here, man, police is a dirty word man. ま、と言っても、この辺の俺の地元じゃ、警察なんて汚ねぇ人間なんだがな。 Niko Manny - I got things to do... you, off. Manny…。用事があるんだけど、それ長くなるのか…? Manny Yo man, I was getting my flow on, man, I ain't rapped for years. おいおい!せっかく良いフロゥが出来てんのによ。長いことラップしてなかったぜ。 Manny I was one of them cats who invented that shit man, it went commercial. ラップを発明したのは俺と俺の仲間だ。ま、今じゃ商業的な音楽に成り下がっちまったがな。 Niko Yeah, like charity work? そうだな。今じゃチャリティー用だな。 Manny Shit man, I'm the voice of the streets, man. Yo, if I'm gonna make some money, that's the way shit's gonna be. マジで、俺はストリートの声なんだぜ。まさにこのストリートの声が、俺をがっぽり稼がしてくれるんだ。 Niko Alright, I'm just saying. はいはい。俺のは単なる独り言。 Manny Whatever man, fucking punk... あぁ、そうかいよ。ふざけんな。 Niko Huh. へッ。 Manny Yo, listen, homeboy, I need you to do me a favor man. Listen man, I need you to help me out man. なぁ、ホームボーイ、ちょっと頼みを聞いてくれないか?助けて欲しいんだ。 Manny I need you to get some bitches taken out, moved on, whatever. ちょっと懲らしめたい奴ら(M.O.B.)が居るんだ。 Manny Cause yo, I promised Mr.McReary I was gonna get this place cleaned up and I will. 何たって、この街を一掃するって、McRearyさんと約束しちまったからな。 Niko Okay... how many? 分かった…。何人だ? Manny A bunch man, a bunch. They're hanging out and making bad shit happen all over South Bohan man. 南Bohanで暴れ回ってる奴らがけっこう居る。 Manny They're over on Windmill Street right now. Windowmill通りが奴らのたまり場だ。 Niko Alright. What did they do? 分かった。奴らは何をしたんだ? Manny Man, they disrespected the codes of the streets, man. The streets man. They owe you man. They owe you big time. あいつらはストリートの掟をディスってやがる。ストリートだ。あいつらには貸しがあるんだ。でっかい貸しがな。 Niko As long as they pay. ま、金さえ払ってもらえれば。 Manny Over here man. (カメラマンに向かって)こっちだ。 Cameraman I'm on you. 撮ってるよ。 Manny Yo, that's what I'm saying man. The streets, we got codes man you know what I'm saying. 俺の言ってることが分かるか?ストリートには掟ってものがあるんだ。 Manny We live by these codes. You know what I mean? 俺たちはその掟にしたがって生きてるんだ。分かるよな? ~ミッション終了後電話~ Niko Manny, I got rid of your street problem, now help me out with my financial one. Manny、ストリート問題の形はついたぞ。それで次は、俺の経済的問題を解決してくれないか? Manny It's all business with you kid, but that's okay. Money's what makes these streets sing, man. ビジネスだろ、分かってるって。ストリートの歌声を聞くには、金の力も必要だ。 Manny I'll call you when I got more work. Stay safe. Stay real. また何か頼みごとがあったら連絡する。気を付けてな。リアルでいろよ。 ~Mallorieから電話~ Mallorie Hey Niko, you tired of Manny yet? Niko、もうMannyにうんざりしてきた? Niko I was tired of him as soon as I saw him. あいつに会って、すぐにうんざりした。 Mallorie I've got someone else who might have some work for you. 他にも、あなたのための仕事を用意してる人は見つけてあるの。 Mallorie Elizabeta Torres, she's got an apartment on San Quentin in Fortside. Meet me there. Elizabeta Torresって人。彼女はFortsideにあるSanQuentinにマンションを構えてるの。そこで落ち合いましょう。
https://w.atwiki.jp/pyopyo0124/pages/19.html
CHAPTER III UP CHAPTER V CHAPTER IV Morning at Green Gables It was broad daylight when Anne awoke and sat up in bed, staring confusedly at the window through which a flood of cheery sunshine was pouring and outside of which something white and feathery waved across glimpses of blue sky. For a moment she could not remember where she was. First came a delightful thrill, as something very pleasant; then a horrible remembrance. This was Green Gables and they didn t want her because she wasn t a boy! But it was morning and, yes, it was a cherry-tree in full bloom outside of her window. With a bound she was out of bed and across the floor. She pushed up the sash--it went up stiffly and creakily, as if it hadn t been opened for a long time, which was the case; and it stuck so tight that nothing was needed to hold it up. Anne dropped on her knees and gazed out into the June morning, her eyes glistening with delight. Oh, wasn t it beautiful? Wasn t it a lovely place? Suppose she wasn t really going to stay here! She would imagine she was. There was scope for imagination here. A huge cherry-tree grew outside, so close that its boughs tapped against the house, and it was so thick-set with blossoms that hardly a leaf was to be seen. On both sides of the house was a big orchard, one of apple-trees and one of cherry-trees, also showered over with blossoms; and their grass was all sprinkled with dandelions. In the garden below were lilac-trees purple with flowers, and their dizzily sweet fragrance drifted up to the window on the morning wind. Below the garden a green field lush with clover sloped down to the hollow where the brook ran and where scores of white birches grew, upspringing airily out of an undergrowth suggestive of delightful possibilities in ferns and mosses and woodsy things generally. Beyond it was a hill, green and feathery with spruce and fir; there was a gap in it where the gray gable end of the little house she had seen from the other side of the Lake of Shining Waters was visible. Off to the left were the big barns and beyond them, away down over green, low-sloping fields, was a sparkling blue glimpse of sea. Anne s beauty-loving eyes lingered on it all, taking everything greedily in. She had looked on so many unlovely places in her life, poor child; but this was as lovely as anything she had ever dreamed. She knelt there, lost to everything but the loveliness around her, until she was startled by a hand on her shoulder. Marilla had come in unheard by the small dreamer. "It s time you were dressed," she said curtly. Marilla really did not know how to talk to the child, and her uncomfortable ignorance made her crisp and curt when she did not mean to be. Anne stood up and drew a long breath. "Oh, isn t it wonderful?" she said, waving her hand comprehensively at the good world outside. "It s a big tree," said Marilla, "and it blooms great, but the fruit don t amount to much never--small and wormy." "Oh, I don t mean just the tree; of course it s lovely--yes, it s RADIANTLY lovely--it blooms as if it meant it--but I meant everything, the garden and the orchard and the brook and the woods, the whole big dear world. Don t you feel as if you just loved the world on a morning like this? And I can hear the brook laughing all the way up here. Have you ever noticed what cheerful things brooks are? They re always laughing. Even in winter-time I ve heard them under the ice. I m so glad there s a brook near Green Gables. Perhaps you think it doesn t make any difference to me when you re not going to keep me, but it does. I shall always like to remember that there is a brook at Green Gables even if I never see it again. If there wasn t a brook I d be HAUNTED by the uncomfortable feeling that there ought to be one. I m not in the depths of despair this morning. I never can be in the morning. Isn t it a splendid thing that there are mornings? But I feel very sad. I ve just been imagining that it was really me you wanted after all and that I was to stay here for ever and ever. It was a great comfort while it lasted. But the worst of imagining things is that the time comes when you have to stop and that hurts." "You d better get dressed and come down-stairs and never mind your imaginings," said Marilla as soon as she could get a word in edgewise. "Breakfast is waiting. Wash your face and comb your hair. Leave the window up and turn your bedclothes back over the foot of the bed. Be as smart as you can." Anne could evidently be smart to some purpose for she was down-stairs in ten minutes time, with her clothes neatly on, her hair brushed and braided, her face washed, and a comfortable consciousness pervading her soul that she had fulfilled all Marilla s requirements. As a matter of fact, however, she had forgotten to turn back the bedclothes. "I m pretty hungry this morning," she announced as she slipped into the chair Marilla placed for her. "The world doesn t seem such a howling wilderness as it did last night. I m so glad it s a sunshiny morning. But I like rainy mornings real well, too. All sorts of mornings are interesting, don t you think? You don t know what s going to happen through the day, and there s so much scope for imagination. But I m glad it s not rainy today because it s easier to be cheerful and bear up under affliction on a sunshiny day. I feel that I have a good deal to bear up under. It s all very well to read about sorrows and imagine yourself living through them heroically, but it s not so nice when you really come to have them, is it?" "For pity s sake hold your tongue," said Marilla. "You talk entirely too much for a little girl." Thereupon Anne held her tongue so obediently and thoroughly that her continued silence made Marilla rather nervous, as if in the presence of something not exactly natural. Matthew also held his tongue,--but this was natural,--so that the meal was a very silent one. As it progressed Anne became more and more abstracted, eating mechanically, with her big eyes fixed unswervingly and unseeingly on the sky outside the window. This made Marilla more nervous than ever; she had an uncomfortable feeling that while this odd child s body might be there at the table her spirit was far away in some remote airy cloudland, borne aloft on the wings of imagination. Who would want such a child about the place? Yet Matthew wished to keep her, of all unaccountable things! Marilla felt that he wanted it just as much this morning as he had the night before, and that he would go on wanting it. That was Matthew s way--take a whim into his head and cling to it with the most amazing silent persistency--a persistency ten times more potent and effectual in its very silence than if he had talked it out. When the meal was ended Anne came out of her reverie and offered to wash the dishes. "Can you wash dishes right?" asked Marilla distrustfully. "Pretty well. I m better at looking after children, though. I ve had so much experience at that. It s such a pity you haven t any here for me to look after." "I don t feel as if I wanted any more children to look after than I ve got at present. YOU RE problem enough in all conscience. What s to be done with you I don t know. Matthew is a most ridiculous man." "I think he s lovely," said Anne reproachfully. "He is so very sympathetic. He didn t mind how much I talked--he seemed to like it. I felt that he was a kindred spirit as soon as ever I saw him." "You re both queer enough, if that s what you mean by kindred spirits," said Marilla with a sniff. "Yes, you may wash the dishes. Take plenty of hot water, and be sure you dry them well. I ve got enough to attend to this morning for I ll have to drive over to White Sands in the afternoon and see Mrs. Spencer. You ll come with me and we ll settle what s to be done with you. After you ve finished the dishes go up-stairs and make your bed." Anne washed the dishes deftly enough, as Marilla who kept a sharp eye on the process, discerned. Later on she made her bed less successfully, for she had never learned the art of wrestling with a feather tick. But is was done somehow and smoothed down; and then Marilla, to get rid of her, told her she might go out-of-doors and amuse herself until dinner time. Anne flew to the door, face alight, eyes glowing. On the very threshold she stopped short, wheeled about, came back and sat down by the table, light and glow as effectually blotted out as if some one had clapped an extinguisher on her. "What s the matter now?" demanded Marilla. "I don t dare go out," said Anne, in the tone of a martyr relinquishing all earthly joys. "If I can t stay here there is no use in my loving Green Gables. And if I go out there and get acquainted with all those trees and flowers and the orchard and the brook I ll not be able to help loving it. It s hard enough now, so I won t make it any harder. I want to go out so much--everything seems to be calling to me, `Anne, Anne, come out to us. Anne, Anne, we want a playmate --but it s better not. There is no use in loving things if you have to be torn from them, is there? And it s so hard to keep from loving things, isn t it? That was why I was so glad when I thought I was going to live here. I thought I d have so many things to love and nothing to hinder me. But that brief dream is over. I am resigned to my fate now, so I don t think I ll go out for fear I ll get unresigned again. What is the name of that geranium on the window-sill, please?" "That s the apple-scented geranium." "Oh, I don t mean that sort of a name. I mean just a name you gave it yourself. Didn t you give it a name? May I give it one then? May I call it--let me see--Bonny would do--may I call it Bonny while I m here? Oh, do let me!" "Goodness, I don t care. But where on earth is the sense of naming a geranium?" "Oh, I like things to have handles even if they are only geraniums. It makes them seem more like people. How do you know but that it hurts a geranium s feelings just to be called a geranium and nothing else? You wouldn t like to be called nothing but a woman all the time. Yes, I shall call it Bonny. I named that cherry-tree outside my bedroom window this morning. I called it Snow Queen because it was so white. Of course, it won t always be in blossom, but one can imagine that it is, can t one?" "I never in all my life say or heard anything to equal her," muttered Marilla, beating a retreat down to the cellar after potatoes. "She is kind of interesting as Matthew says. I can feel already that I m wondering what on earth she ll say next. She ll be casting a spell over me, too. She s cast it over Matthew. That look he gave me when he went out said everything he said or hinted last night over again. I wish he was like other men and would talk things out. A body could answer back then and argue him into reason. But what s to be done with a man who just LOOKS?" Anne had relapsed into reverie, with her chin in her hands and her eyes on the sky, when Marilla returned from her cellar pilgrimage. There Marilla left her until the early dinner was on the table. "I suppose I can have the mare and buggy this afternoon, Matthew?" said Marilla. Matthew nodded and looked wistfully at Anne. Marilla intercepted the look and said grimly "I m going to drive over to White Sands and settle this thing. I ll take Anne with me and Mrs. Spencer will probably make arrangements to send her back to Nova Scotia at once. I ll set your tea out for you and I ll be home in time to milk the cows." Still Matthew said nothing and Marilla had a sense of having wasted words and breath. There is nothing more aggravating than a man who won t talk back--unless it is a woman who won t. Matthew hitched the sorrel into the buggy in due time and Marilla and Anne set off. Matthew opened the yard gate for them and as they drove slowly through, he said, to nobody in particular as it seemed "Little Jerry Buote from the Creek was here this morning, and I told him I guessed I d hire him for the summer." Marilla made no reply, but she hit the unlucky sorrel such a vicious clip with the whip that the fat mare, unused to such treatment, whizzed indignantly down the lane at an alarming pace. Marilla looked back once as the buggy bounced along and saw that aggravating Matthew leaning over the gate, looking wistfully after them. CHAPTER III UP CHAPTER V 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 32 16 (Tue)
https://w.atwiki.jp/rydahmsreborn/pages/31.html
編集お願いします!! http //www.rydahforum.org/forum/showthread.php?5069-Full-Rydah-Commands-List .. Donor Commands .. @buff - Buffs you based on a list of the most common/important buffs. @donor - Takes you to the donor boat @dp - View your Donor Points and Donor Statuses. @recharge - recharges your arrows, stars, and bullets immediately. @giveds IGN - Gives 1 Donor Status to a non-donor designated character. (Donors also gain access to private training maps via Spinel, change gender for free, and have access to extra hair/eyes with a donor stylist NPC.) .. Regular Commands .. @apreset - APをリセットする @buy/sell - 1個のテトリスを 20億 mesos で 買う/売る @checkme/stat - @clearinv all/equip/etc/setup/cash/use - イベントリを削除する(?) @dispose - NPCに話ができない時 @exp - expを0にする. @event/@join - イベントが開催されているときに入力すると 1chのみ @gacha Number - ガチャチケをその数だけドロップする. @gender - @help - Shows a somewhat concise version of this thread in-game. @maplecoin/@coin - toggles the maple coin on and off (only applicable to players who have a maple coin). @on9/connected - Shows number of players online. @party - Fixes glitched party. @rank - Displays the top ten ranked players by Rebirths @rb - View the options for rebirthing. You can Reborn as a Warrior, Mage, Thief, Bowman, Aran, Noblesse, or Cygnus Knight. (rbc,rba,rbw,rbm,rbt,rbb,rbp,rbdw,rbwa,rbnw,rbtb,r bs,rbgm) @removedash - Removes the dash skill so you don t get the animation everytime you stutter step. @removeitem ID - If you know an item s ID, this command will allow you to remove all of the specified items from your inventory. @reset - Resets the map if you re alone. Does not work in certain maps. @save - Saves your current progress (use this @s/smega message - Lets you use a super megaphone as long as you have at least one in your inventory. @str/@dex/@int/@luk amount - Adds stats more quickly. @ts/togglesmega - Turns off your smegas and stops displaying others smegas to you. @unbuff - Unbuffs you (will not work properly if you have a glitchy skill @where - Provides Map ID of your location. .. Random Fun Commands .. @hug @kiss @rape @hold @touch @kick @smegarules/rules @emo - 死ぬ @mug - Assesses your w. att, Rebirths, etc. and either kills victim or kills you. Can steal money with it, with a low possibility to steal tetris i instead. @hitlist IGN tets - Puts out a bounty on a designated player, and the first successful mugger gets the bounty reward (which you pay immediately when hitlisting). .. Rankings .. @wanted - Lists top 20 bounties in Rydah @tetrank - Lists top 10 richest players @rank - 転生回数 トップ 10 を表示 .. Important NPCs .. @fmnpc/fred/all - All-In-One Shop. @bartos - Opens the Glitched Pet Replac @job - @malady - 職を変える @maxskills - スキルMAXNPC @news - ニューススタンドNPC @rydah - Opens the RydahReborn special NPC Directory. Contains a lot of the following useful NPCs. @shop - メガホン、エリクサー、召喚石などが買える @spinel - 移動NPC @spindle - Opens the Hair and Face stylist. @storage - Storage NPC. @zhang - Opens Zhang Liang, the Smega and GM Scroll Seller. .. Warping Commands .. @testdps - Warps you to the map where you may use this command and test your damage per second. @connected - Shows how many players are online. @msi - Warps you to the designated map where you can create powerful items. @join/event - Sends you to the event that s in progress if there is an event in progress. @towns - Shows you the possible maps to be warped to. @ map name - Warps you to a map from above menu (towns). .. Removed but not permanently.. @trade player - Warps you and a player to the designated trade map, where you will have 1 minute to drop trade (things like tetris, WS, etc can be traded here). If you waste time you will be warped out so make sure you finish your trade here. Other players cannot enter while you are with another person here.
https://w.atwiki.jp/unturned/pages/504.html
布 出来るもの 材料1 材料2 必要な道具 必要スキル 説明 Cloth(布) Leather x 2(鹿の皮) - - (未検証) - Rope(ロープ) Cloth x 4(布) - - - Rod(釣竿)やBow(弓)などの中間素材 Tape(テープ) Cloth x 4(布) Chemicals x 1(化学製品) - - Bottle(水筒)やRifle(ライフル)、Ladder(はしご)などの中間素材 〃 Cloth x 4(布) Glue x 1(接着剤) - - 〃 カバノキ 出来るもの 材料1 材料2 必要な道具 必要スキル 説明 Birch Plank x 3(樺の厚板) Birch Log x 1(樺の丸太) - Saw(のこぎり) - カバノキ系の入り口やバリケード、水筒や木箱、ライフルなどの中間素材 〃 Birch Stick x 4(樺の棒) - - - 〃 Birch Stick x 4(樺の棒) Birch Plank x 1(樺の厚板) - Saw(のこぎり) - カバノキ系の釣竿や矢、はしごや松明、スパイクなどの中間素材 カエデ 出来るもの 材料1 材料2 必要な道具 必要スキル 説明 Maple Plank x 3(楓の厚板) Maple Log x 1(楓の丸太) - Saw(のこぎり) - カエデ系の入り口やバリケード、水筒や木箱、ライフルなどの中間素材 〃 Maple Stick x 4(楓の棒) - - - 〃 Maple Stick x 4(楓の棒) Maple Plank x 1(楓の厚板) - Saw(のこぎり) - カエデ系の釣竿や矢、はしごや松明、スパイクなどの中間素材 マツ 出来るもの 材料1 材料2 必要な道具 必要スキル 説明 Pine Plank x 3(松の厚板) Pine Log x 1(松の丸太) - Saw(のこぎり) - マツ系の入り口やバリケード、水筒や木箱、ライフルなどの中間素材 〃 Pine Stick x 4(松の棒) - - - 〃 Pine Stick x 4(松の棒) Pine Plank x 1(松の厚板) - Saw(のこぎり) - マツ系の釣竿や矢、はしごや松明、スパイクなどの中間素材 メタル 出来るもの 材料1 材料2 必要な道具 必要スキル 説明 Metal Scrap x 3(金属くず) Metal Sheet x 1(金属の板) - - - 金属性建材の中間素材 Metal Sheet(金属の板) Metal Scrap x 3(金属くず) - - - - Metal Bar x 3(金属の棒) Metal Scrap x 1(金属くず) - Blowtorch(トーチランプ) - - Can(空き缶) Metal Scrap x 4(金属くず) - - - 間に合わせのマフラー、手榴弾の中間素材 Nails(釘) Metal Scrap x 2(金属くず) - - - 矢の中間素材 Wire(ワイヤー) Metal Scrap x 3(金属くず) - - - 有刺鉄線の中間素材、釣竿(鉄製)の修理材料
https://w.atwiki.jp/kaoticms/pages/17.html
概要 下記コマンドをチャット欄に入力し、使用することができる。 TO ALLじゃないと反応しないので注意。 コマンドリスト @info 自分のすべてのキャラクターに影響している情報を表示する。 @rates 自分のドロップ関係の情報を表示する。 @stats 自分の様々なステータスを確認できる。 装備の比較をするときに便利。 @level 各種レベルを確認できる。 @skill スキルの熟練度レベルを確認できる。 @mastery マスタリーの確認ができる。 @skin ダメージスキンの確認・変更ができる。 @compress スキルの複数ヒットダメージを1つに圧縮表示する @bank 銀行ウインドウを開く @instance 現在のMAPを自分(Solo)用のインスタンスマップとして、一時的にコピーを作成する。 インスタンスマップは制限時間12時間があるが、ETCのドロップ数が2倍になる補正がある。 DPが必要 MAP移動・@exitで終了 @exit 上記のインスタンスマップ等の時間制限付きマップから脱出できる。 近くの町まで移動する。 @boost 現在のMAPのモンスターのリポップ間隔を4s→3sにできる。 (1時間当たり:100Golden Meso Bag必要) @etc アイテムの倉庫(overflow)にアクセスできる。 Quick Move → ETC と同じ役割 →NPC参照 @recycle 装備(EQUIP)インベントリ内のアイテムを分解する。 インベントリの上から(24マス/48マス/72マス/96マス)を選択し、分解できる。 @loot ボス以外の取得した装備を自動で分解する。 インベントリがすぐにいっぱいになってしまうので、有効にするのを推奨。 ※現在ではデフォルトでオンになっています。 @storeETC ETCインベントリのアイテムを全て倉庫(overflow)に入れる。 @storeUSE 消費インベントリのアイテムを全て倉庫(overflow)に入れる。 @blacklist インベントリ内のアイテムを指定したアイテムを@storeETC/@storeUSEの対象にならなくする @who 現在サーバーにログインしているユーザーを全て表示する。 @fix NPCの会話・ポータルの移動が反応しないときに使用する。 @stuck 近くの町に強制的に移動する。 ポータルが反応しなくなったり、ラグ等で何もできないときなどに使用する。 @say message 全体メッセージを送信する。 主に取引に使用される。 @test level tier テストモンスターマップを作成し、ダメージチェックなどができる。 例:モンスターレベル3000/Tier30 @test 3000 30 @power 1Hit当たり:1Staminaを消費してダメージアップさせる。 あんまり効果ないかも @vote Maple Story Private Serverのランキングに投票できる。 プレイヤー実績で経験値ボーナスを得られる。 @raid レイド用のパーティを作成する。 @raid leave レイド用パーティーから抜ける。 @raid leader ign レイド用パーティーのリーダーを変更する? @pet ペットレベルなどを確認できる。 @monster 現在マップのモンスターの情報を表示する。 @mobinfo 現在マップのモンスターのドロップアイテムを表示する。 @tag 与えるダメージを1にする。 @link リンクスキルの効果を表示する。 @lost 初心者用のヒントを表示する。 @battle パルの野生とのバトルのオン/オフが出来る。 @craft クラフトメニューを表示する。 めちゃくちゃ種類ある。 →クラフト参照 @server Chaos Hourの状態等を確認できる。 Vote Exp Boost Chaos Hour倍率 次の更新時間(残り何分) @boss ボスボーナスステータスの合計を確認できる。 効果が無くなったコマンド + 表示 @etcloot ETCアイテムが自動で倉庫(overflow)に入らなくする。 ※アップデートで効果がなくなりました。 @time 現在のサーバー時間と全体で行われているイベントを表示する。 @buff VP Buffが有効か確認できる。 @item インベントリとオーバーフロー内のアイテム数を確認できる。
https://w.atwiki.jp/nekama/pages/99.html
ftp //download2.nexon.co.jp/maple/MSSetup_00176.exe http //webdown2.nexon.co.jp/maple/MSSetup_00176.exe ftp //download2.nexon.co.jp/maple/patch/notice/00176.txt http //webdown2.nexon.co.jp/maple/patch/notice/00176.txt
https://w.atwiki.jp/nekama/pages/113.html
ftp //download2.nexon.co.jp/maple/MSSetup_00184.exe http //webdown2.nexon.co.jp/maple/MSSetup_00184.exe ftp //download2.nexon.co.jp/maple/patch/notice/00184.txt http //webdown2.nexon.co.jp/maple/patch/notice/00184.txt