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Quick Navigation - Getting Started SEARCH • BY CATEGORY • BY POPULARITY • BY LATEST • BY RANDOM• BY ALL New Articles 取得中です。 News And Updates Welcome Mod Tools Users The Mod Tools are now officially released, please check out the New Articles to the left for the newest and latest additions to the wikis, complete with plenty of tutorials, and how to guides to help you get started with modding and mapping for Call of Duty 4 Modern Warfare. Mod ツールユーザーを歓迎します modツールは今公式にリリース済みです、どうかCall of Duty 4 Modern Warfareのためのmoddingと地図作成であなたが開始を取るのを手伝うためにウィキ、たくさんのチュートリアルを持ったコンプリート、そしてどれほどガイドにかへの最も新しい、そして最近の追加のための左の新しい記事をチェックしてください。 Getting Started With The Mod Tools Once you have Unzipped the Mod Tools into the game directory root, and have begun to run them. Please review the Compile Tools Article for more information on how to get started. Also visit the Wiki Forum to join the community of CoD4 MW Modders. We re looking forward to seeing all of the great maps and mods the community produces. かつてあなたはゲームディレクトリルートの中に Mod ツールを圧縮解除して、そしてそれらを動かし始めました。どのように始められるべきかについて、もっと多くの情報のためにレビュー、コンパイルツール記事、を望んでください。同じくジョイン、 CoD4 MW Modder のコミュニティ、へのビジット、ウィキフォーラム。我々は、素晴らしいマップとコミュニティが生産するModのすべてを見ることに、順方向のように見えています。 (Original "http //www.infinityward.com/wiki/index.php?title=Main_Page") 日本語化 - 名無しさん 2009-10-12 21 01 16 名前 すべて読む
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間違いや疑問点がありましたら2chの該当スレッドへ。 編集 行 項目 原文 半日本語化 全日本語化 2863 mp_koth_2P_1_description Effigies of their creator maintain a solemn vigil over this war-torn plain 彼等の創造主の彫像はこの戦争で流れた涙が落ちた平野を厳粛に見守り続けている。 2864 mp_koth_2P_2_name Shrine of Memory Shrine of Memory 思い出の神殿 2865 mp_koth_2P_2_description This shrine is one of many made to commemorate the souls lost during the First War この神殿が作られた理由のひとつに、最初の戦争で失われた魂を追悼するというものがある。 この神殿が作られた理由のひとつに、最初の戦争で失われた魂を追悼するというものがある。 2866 mp_koth_2P_3_name The Bitter Front The Bitter Front 苦い前線 2867 mp_koth_2P_3_description Darwinians once fought for their very survival on this snow covered waste, while now the Multiwinians use it to try and exterminate each other Darwinianが一度生き残りを掛けて戦ったこの荒野、今回はMultiwinianがお互いを絶滅させるために使っている。 Darwinianが一度生き残りを掛けて戦ったこの荒野、今回はMultiwinianがお互いを絶滅させるために使っている。 2868 mp_koth_2P_3b_name The Bitter Front The Bitter Front 苦い前線 2869 mp_koth_2P_3b_description Darwinians once fought for their very survival on this snow covered waste, while now the Multiwinians use it to try and exterminate each other Darwinianが一度生き残りを掛けて戦ったこの荒野、今回はMultiwinianがお互いを絶滅させるために使っている。 ダーウィニアンが一度生き残りを掛けて戦ったこの荒野、今回はマルチウィニアンがお互いを絶滅させるために使っている。 2870 mp_koth_2P_4_name Pillar of Light Pillar of Light 光の柱 2871 mp_koth_2P_4_description The cycle of souls continues endlessly here as one Tribe finds themselves trapped by an assaulting force, who themselves are assaulted after their victory 魂の循環はここで永遠と続いている。 as one Tribe finds themselves trapped by an assaulting force, who themselves are assaulted after their victory 魂の循環はここで永遠と続いている。 as one Tribe finds themselves trapped by an assaulting force, who themselves are assaulted after their victory 2872 mp_koth_3P_1_name Pursuit of Victory Pursuit of Victory 勝利の追跡 2873 mp_koth_3P_1_description This newly discovered island chain serves as a reminder to how large Darwinia truly is この新しく発見された群島はDawriniaの物がどれほど大きかったか思い出させる。 この新しく発見された群島はダーウィニアの物がどれほど大きかったか思い出させる。 2874 mp_koth_3P_2_name Field of Unending Dawn Field of Unending Dawn 沈みつつある地帯 2875 mp_koth_3P_2_description The massive number of souls constantly rising from this field cause it to have an ethereal glow 奇妙な光の原因は、地面からしきりに昇り続けている多くの魂である。 奇妙な光の原因は、地面からしきりに昇り続けている多くの魂である。 2876 mp_koth_3P_3_name The Deceitful Vale The Deceitful Vale 偽りの谷 2877 mp_koth_3P_3_description Site of the largest betrayal in Multiwinian history, the Yellow tribe claimed that the twisted nature of the landscape caused them turn on their former Green allies 2878 mp_koth_3P_4_name The Walled Garden The Walled Garden 囲まれた庭園 2879 mp_koth_3P_4_description This site was once used in the Celebration of Rebirth, during which thousands of soul kites would be released towards the soul repository as an offering to Sepulveda. Almost all memory of the Celebration has since faded away, although the constant battles continue. 2880 mp_koth_4P_1_name The Holy Tree The Holy Tree 聖なる樹 2881 mp_koth_4P_1_description When the original Great Tree was destroyed at the start of the Unending War, the Shamen recreated it here in remembrance of a more peaceful age 2882 mp_koth_4P_3_name A Monument to the Heavens A Monument to the Heavens 空を見上げる記念碑 2883 mp_koth_4P_3_description A number of temples like this were created all over Darwinia in worship of Sepulveda, for delivering them from the Virus 2884 mp_koth_4P_4_name Barbs of Madness Barbs of Madness 狂気の言葉 2885 mp_koth_4P_4_description The very landscape here has been infected and twisted by the Virus, a phenomenon which is slowly spreading throughout Darwinia 2886 2887 mp_skirmish_3P_1_name Leap of Faith Leap of Faith 盲信 2888 mp_skirmish_3P_1_description The tall spires here make it the ideal place to build a secure stronghold. Unfortunately, everyone seems to have realised this at the same time. 2889 mp_domination_2P_1_name Barriers to Progress Barriers to Progress 進歩の障壁となるもの 2890 mp_domination_2P_1_description The mountains in this area have large concentrations of the polygons used by the Multiwinians in the construction of their weapons of war. 2891 mp_skirmish_2P_3_name Stairway to Heaven Stairway to Heaven 天国への階段 2892 mp_skirmish_2P_3_description INSERT DESCRIPTION HERE INSERT DESCRIPTION HERE ここに解説を挿入してください 2893 mp_skirmish_2P_4_name Hamburger Hill Hamburger Hill ハンバーガーの丘 2894 mp_skirmish_2P_4_description This was one of the first locations discovered after the end of the Great War, and was a place of great beauty. It has since been stripped almost bare by the Multiwinians and their war ここは戦争後発見された土地の一つで、非常に綺麗な場所でした。今ではMultiwinianたちの戦争によって荒野になっている。 ここは戦争後発見された土地の一つで、非常に綺麗な場所でした。今ではマルチウィニアンたちの戦争によって荒野になっている。 2895 mp_domination_4P_1_name The Holy Tree The Holy Tree 聖なる樹 2896 mp_domination_4P_1_description When the original Great Tree was destroyed at the start of the Unending War, the Shamen recreated it here in remembrance of a more peaceful age 戦争が始まった時偉大な木が破壊された。シャーマン達が平和な時代の思い出として再生させた。 戦争が始まった時偉大な木が破壊された。シャーマン達が平和な時代の思い出として再生させた。 2897 mp_domination_2P_2_name The Eternal Guardians The Eternal Guardians 永遠の守護者 2898 mp_domination_2P_2_description Effigies of their creator maintain a solemn vigil over this war-torn plain 2899 mp_domination_3P_1_name Field of Unending Dawn Field of Unending Dawn 終わりのない夜明けの野原 2900 mp_domination_3P_1_description The massive number of souls constantly rising from this field cause it to have an ethereal glow 2901 mp_domination_4P_2_name A Monument to the Heavens A Monument to the Heavens 空を見上げる記念碑 2902 mp_domination_4P_2_description A number of temples like this were created all over Darwinia in worship of Sepulveda, for delivering them from the Virus 2903 2904 mp_tankbattle_2P_name 2P TankBattle Arena 2905 mp_tankbattle_2P_description Tank Duel! FIGHT! 2906 mp_tankbattle_3P_name 3P TankBattle Arena 2907 mp_tankbattle_3P_description 3-way Tank Madness! 2908 mp_tankbattle_4P_name 4P TankBattle Arena 2909 mp_tankbattle_4P_description Total Tank Carnage! 2910 2911 mp_cts_2p_1_name Mountain of Lost Souls 2912 mp_cts_2p_1_description The mountain here was once the scene of a terrible slaughter, as a swarm of Soul Destroyers annihilated an entire army of Multiwinians. The island was a blanket of white, until the Virus assimilated the Ghosts into its ranks 2913 mp_cts_2p_2_name The Bloody Shrine 2914 mp_cts_2p_2_description This area was once a holy place for Multiwinians, who would flock from all over to worship here. When the Unending War started, worship turned to bloodshed as each faction fought for control 2915 mp_cts_2p_3_name Price of War 2916 mp_cts_2p_3_description This entire meadow was once filled with trees, until they were destroyed by the war, a scene repeated numerous times all over Multiwinia 2917 mp_cts_2p_4_name The Unending Peaks 2918 mp_cts_2p_4_description There is a legend which says that no Multiwinian has ever climbed to the top of either peak, as no matter how far they climb, the top always seems to be an eternity away 2919 mp_cts_3p_1_name Melting Pot 2920 mp_cts_3p_1_description As the Multiwinians grow and evolve, so does their world, and this was one of the first places to exhibit any kind of weather pattern. It is however, slightly unstable 2921 mp_cts_3P_2_name The Tortured Expanse 2922 mp_cts_3P_2_description When the Virus infected the very trees of Multiwinia, they became twisted and dangerous things, filled with the same thirst for souls that consumes the Soul Destroyers 2923 mp_cts_4P_1_name Field of Unlife 2924 mp_cts_4P_1_description When the second Holy Tree was destroyed here, the entire area seemed to change, and became cold and hostile to life 2925 mp_cts_4P_2_name Scorched Earth 2926 mp_cts_4P_2_description One of the most heavily infected areas in Darwinia, this Virus has made everything about this dark place hostile to Multiwinian life 2927 mp_cts_4p_3_name Maze of Despair 2928 mp_cts_4p_3_description It is said that the first Multiwinians to enter this place were never seen again, until their souls were seen floating back to the Soul Repository. Now the way out is marked by the souls of Multiwinians fallen in the war 2929 2930 mp_rocketriot_2P_2_name Echoes of the Future 2931 mp_rocketriot_2P_2_description The fate of the brave few original Darwinians of the first Rocket Launch still remains unknown, but since the start of the Unending War, every tribe has been fighting to the last to try and launch their own rockets 2932 mp_rocketriot_2p_3_name Stairway to Heaven 2933 mp_rocketriot_2p_3_description As one of the highest points in Darwinia, this site made the natural choice for a launching platform 2934 mp_rocketriot_2P_4_name Bridge of Light 2935 mp_rocketriot_2P_4_description This site marks the birthplace of the Blue tribe of Multiwinians, as a brief glitch caused the Pattern of the Green Multiwinians to mutate. From those few arose the entire Blue tribe 2936 mp_rocketriot_3p_1_name The Second Beginning 2937 mp_rocketriot_3p_1_description Due to its similarity to the original launch site, Multiwinians once flocked here in their thousands to try and launch more rockets. The islands have now descended into chaos as each Tribe tries to sabotage the others 2938 mp_rocketriot_3P_2_name Wake of Eternity 2939 mp_rocketriot_3P_2_description It is believed that this location marked the start of the Unending War between the 4 Tribes. Despite the vast collective memory of the Multiwinians, none of them remember why. 2940 mp_rocketriot_3P_3_name Heart of Chaos 2941 mp_rocketriot_3P_3_description A turning point in the history of the Red tribe occurred here, as they regained their free-will and stopped being influenced by the Virus. The Virus has since stopped using living Multiwinians to do its work 2942 mp_rocketriot_4P_1_name Threads of Fate 2943 mp_rocketriot_4P_1_description Once every few generations, when looking directly up from this location, the Multiwinians are able to see directly through the ring of the Soul Repository and directly out of Darwinia, giving them a perfect view of the lights beyond 2944 2945 mp_assault_2P_1_name Beneath the Baleful Eye 2946 mp_assault_2P_1_description The Unending War took a horrifying turn here, as the first Weapon of Mass Destruction was created by the Multiwinians 2947 mp_assault_2P_2_name The Woeful Plateau 2948 mp_assault_2P_2_description A near impregnable fortress guards the deadly device hidden here 2949 mp_assault_2P_3_name Dog Green Sector 2950 mp_assault_2P_3_description A spectacular opening beach landing scene, followed by a long and boring mid-section and culminating in a final battle that is somehow less exciting than the first 2951 mp_assault_3P_1_name The Third Kind 2952 mp_assault_3P_1_description One of the ships of the strange Futurewinians crashed here, and now the Multiwinians fight each other over its advanced technology. 2953 mp_assault_3P_2_name The Hard Way 2954 mp_assault_3P_2_description When the Green Tribe first built this stronghold, they thought it inpenetrable. They were wrong, and control of it has since changed hands numerous times 2955 mp_assault_3P_3_name Fort Zulu 2956 mp_assault_3P_3_description When this fortress was first constructed, the Multiwinians that built it hoped its remote location and desolate landscape would help keep the war away from it. They were wrong. 2957 mp_assault_4P_1_name Beyond the Pale 2958 mp_assault_4P_1_description This desert fortress was once used by the Shamans for practicing their arts in a secure area. Since they went into hiding, it has been occupied by the Multiwinians as a staging ground for launching attacks against other tribes. 2959 mp_assault_4P_2_name The Last Stand 2960 mp_assault_4P_2_description During the last big push by the Virus, the then near extinct Red Tribe made their last stand here, and were almost wiped out until the Green Multiwinians came to their aid. Such acts of co-operation are almost unheard of now, however 2961 2962 mp_assault_stress_name Assault Stress Test 2963 mp_assault_stress_description Assault Stress Test Map 2964 2965 mp_blitzkrieg_2P_1_name Confrontation Point 2966 mp_blitzkrieg_2P_1_description The Blue and Yellow tribes waged war here for many generations, until one of the Shamans summoned a terrible viral monstrosity from the depths of Darwinia (and was destroyed in the process). It took the combined forces of the Blue and Yellow Multiwinians to destroy it, and the Shamans have since gone into hiding 2967 mp_blitzkrieg_2P_2_name The Bleak Mountains 2968 mp_blitzkrieg_2P_2_description This location was created entirely by the Darwinians after the Great War, as they were learning more about their world and themselves. The power to manipulate the world in this way has since been lost to the Multiwinians 2969 mp_blitzkrieg_2P_3_name The Eye of the World 2970 mp_blitzkrieg_2P_3_description As the very lowest point of Darwinia, directly below the Soul Repository, this site had great spiritual significance to the Darwinians of old. To the Multiwinians, it is just another battle field. 2971 mp_blitzkrieg_2P_4_name The Apex of Infinity 2972 mp_blitzkrieg_2P_4_description This area was once used as a testing ground for a powerful explosive weapon, however the test went badly, wiping out everyone working on it. The idea has since been abandoned due to its unreliable nature. 2973 mp_blitzkrieg_3P_1_name Upon the Blazing Sea 2974 mp_blitzkrieg_3P_1_description Heated battles quickly began when this location was discovered as Multiwinians fought to secure a foothold 2975 mp_blitzkrieg_3P_2_name The Wheel 2976 mp_blitzkrieg_3P_2_description No one is really sure why battles rage here; the place has no tactical significance or resources to speak of. The few detractors of the Unending War say this place is proof that Multiwinians are fighting simply for the sake of fighting. No one else seems to care 2977 mp_blitzkrieg_4P_2_name Gridlock 2978 mp_blitzkrieg_4P_2_description This place was once the home of a huge fortress built by the Red Darwinians while they were still under the thrall of the Virus. It has since deteriorated into seperate parts which the Multiwinians now fight over 2979 2980 mp_benchmark_1_name Stress Test 2981 mp_benchmark_1_description A benchmark map designed to spawn Multiwinians indefinately until your computer falls over and dies
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Welcome POPPERs ! Hello Polish clickers. We are VIPPER, the ninja group doing nonsense seriously. We regard you as our great rival, so we call you POPPER with respect and friendship. Other pictures for POPPERs are here. Welcome CHIPPERs ! Hola "clickers" chilenos! （やあ！ チリのクリッカー諸君） Somos 2CHANNELERes, el grupo de samurais que tratan las tonterías seriamente. （漏れらは２ちゃねらー、くだらないことに全力を尽くしているサムライ軍団だ。） Nosotros les consideramos como nuestro gran rival, así que les llamamos CHIPPERes con el respeto y la amistad D （漏れらは君たちを偉大なライバルとして、尊敬と友情をこめてCHIPPERとよんでいる。） Other pictures for CHIPPERs are here. Welcome FIPPERs! Hello Finnish clickers. We are VIPPER, the ninja group doing nonsense seriously. We call you FIPPER with respect and friendship. Other pictures for FIPPERs are here. Welcome GREPPERs! Hello Greece clickers. We are VIPPER, the ninja group doing nonsense seriously. We call you GREPPER with respect and friendship. 1697.png Other pictures for GREPPERs are here. Welcome MAPPERs! Hello Македонија clickers. We are VIPPER, the ninja group doing nonsense seriously. We call you MAPPER with respect and friendship. Welcome BLEPPERs! Hello България clickers. We are VIPPER, the ninja group doing nonsense seriously. We call you BLEPPER with respect and friendship. 1873.jpg Welcome LIPPERs! Hello Lietuvos clickers. We are VIPPER, the ninja group doing nonsense seriously. We call you LIPPER with respect and friendship. 1849.png Welcome DEPPERs! Hello Danmark clickers. We are VIPPER, the ninja group doing nonsense seriously. We call you DEPPER with respect and friendship. 1876.jpg Welcome BOPPERs! Hello Bosna i Hercegovina clickers. We are VIPPER, the ninja group doing nonsense seriously. We call you BOPPER with respect and friendship. 1880.png Welcome HUPPERs ! Szia! （やあ！） Mi VIPPER-ek, a nindzsa mesterek, mindig komolyan csinálunk marhaságot. （俺らはVipper、ニンジャ・マスターさ。いつもどうでもいいことに命を懸けてる。） Nagyon tisztelünk titeket, és tartunk jó ellenféleknek! （俺らおまいらを愛してるし、強敵（とも）だと思ってるよ。） Ezért "HUPPER"-nak nevezünk a barátságért! （そんなわけで友情をこめて「HUPPER」と呼んでる。） Japánban esteledik, amikor Magyarországon reggeledik! （ハンガリーが朝になる頃俺らは夕方さ！） Rövidesen lefekszünk aludni! Other pictures for HUPPERs are here others Guestbook for Hungarian clickers is here! 歓迎！朋友 TAPPERs ！ 歡迎台灣來的朋友們！ 無論你們是不是鄉民，總之歡迎你們的到來！ 我們是忍者大師VIPPER，跟你們的鄉民屬於類似的存在！ 請各位接受我們充滿友情與敬意的稱號「TAPPER」！ 這是用我們的名子跟你們的TAIWAN融合在一起的友情之證！ 啊，不過你們不需要照著我們的說法使用這個名子，各位隨意即可。 總之，歡迎各位參加這場遊戲，讓我們一起往登峰造極的境界邁進吧！ Other pictures for TAPPERs are here others 歡迎各位台灣朋友大駕光臨 ！
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Constraining Camera Position and Motion Sometimes you may already know some or all of the path of the camera, for example, · it may be available from a motion controlled camera, · the camera motion may be mechanically constrained by a camera dolly, · you may have measured some on-set camera data to determine overall scene sizing, or · you may have already solved the camera path, then hand-edited it for cleanup. SynthEyes lets you take advantage of this information to improve a solution or help set up the coordinate system, using the trajectory lock controls at the bottom of theSolver Control Panel, theHard and Soft Lock Controldialog, and the camera s seed path information. Warning using camera position, orientation, and field of view locks is avery advanced topic. You need to thoroughly understand SynthEyes and the coordinate system setup process, and have excellent mental visualization skills, before you are ready to consider camera locks. Under no circumstances should they be considered a way to compensate for inadequate basic tracking skills. Concept and Terminology SynthEyes allows you to create locks on path (X, Y, and/or Z translation), rotation (pan, tilt, and roll), and field of view. You can lock one or more channels, and locks are animated, so they might apply to an entire shot, a range of frames, or one frame. Each lock forces the camera to, or towards, the camera s seed path. The seed path is what you see before solving, or after clearing the solution. You can see the seed path at any time using theView/Show seed pathmenu control, or the button on the Hard and Soft Lock Control dialog. Locks may be hard or soft. Hard locks force the camera to the specified values exactly (except if Constrain is off), similar to pegged trackers. Soft locks force the camera towards the specified value, but with a strength determined by a weight value. Locks are affected by theConstraincheckbox on the solver panel, similar to what happens with trackers. With Constrain off, locks are appliedaftersolving, anddo notwarp the solution. All soft locks are treated as hard locks. With Constrain on, locks are applied before and during solving, soft locks are treated as such, and locksdowarp the solution. Field of view locks are not affected by Constrain, and are always applied. Camera position locks are more useful than orientation locks; we’ll consider position locks separately to start with. You can also constrain objects, but this is even more complex. Basic Operation Set up generally proceeds as follows 1. If you have not already attempted to solve the scene, go to step 5. 2. Go to the Solver Control Panel. Click themorebutton to bring up theHard and Soft Lock Controlpanel. 3. Position and animate the camera as desired, creating a key on each frame where you want the position to be constrained. The Get buttons can help with this. 4. Turn on the L/R, F/B, and/or U/D buttons as appropriate depending on the axes to be constrained — these stand for left/right, front/back, and up/down respectively. 5. Adjust the Constrain checkbox as needed. The camera position constraints behave similarly to constraints on the trackers if the Constrain checkbox on, they are enforced exactly during the solve, but if the Constrain checkbox is off, they are enforced only loosely after the completion of the solve. Loosely means that they are satisfied as best as can be, without modifying the trajectory or overall RMS error of the solution. The result of this process is to make the camera match the X, Y, and/or Z coordinates of the seed path at each key. This basic setup can be used to accomplish a variety of effects, as described above and covered in more detail below. At the end of the section, we’ll show some even more exotic possibilities. Using a Camera Height Measurement Suppose the camera is sitting on a moving dolly in a studio, and you measured the camera (lens s) height above the floor, and you have some trackers that are (exactly) on that floor. You can use the height measurement to set up the scene size as follows 1. Show the seed path View/Show Seed Path menu item 2. At frame 0, position the camera at the desired height above the ground plane 2 meters, 48 inches, whatever. 3. Turn on the U/D button on frame 0,turn it back off at frame 1. 4. Set up a main coordinate system using 3 or more trackers on the floor. Make sure tonotcreate a size constraint in the process if using the *3 button on the Coordinate system panel or the Coord button on the Summary panel, select the 2nd(on-axis) tracker, and in the Coordinate panel, change it from Lock Point (at 20,0,0) to On X Axis or On Y Axis. 5. Solve with Go! on the Solver panel Note that you can use whatever more complex setup you like in step 4, as long as it completely constrains both the translation and rotation, but not the size. WARNING You might be tempted to think “Hmmm, the camera is on a dolly, so the entire path must be exactly 43 inches off the floor, let me set that up!” (by not turning U/D back off). But this is almost alwaysa bad idea! The obvious problem is that the dolly track is never really completely flat and free of bumps. If the vertical field of view is 2 meters, and you are shooting 1080i/p HDTV, then roughly your track must beperfectly flat to 1 millimeteror so to have a sub-pixel impact. If your track is that flat, congratulations. The conceptually more subtle, but bigger impact problem is this a normal tripod head puts the camera lens very far from the center of rotation of the head—roughly 1 foot or 0.25 meter. As you tilt the head, the position of the camera increases and decreases up to that much in height! Unless your camera does not tilt during the shot, or you have an extra-special nodal-pan head, the camera height will change dramatically during the shot. A Straight Dolly Track Setup If your camera rides a straight dolly track, you can use the length of that track to set the scale, and almost the entire coordinates system if desired. While the camera height measurement setup discussed above is simpler, it is appropriate mainly for a studio environment with a flat floor. The dolly track setup here is useful when a dolly track is set up outdoors in an environment with no clearly-defined ground plane—in front of a hillside, say. For this setup, you should measure the distance traveled by the camera head down the track, by a consistent point on the camera or tripod. For example, if you have a 20’ track, the camera might travel only 16’ or so because there will be a 2’ dead zone at each end due to the width of the tripod and dolly. Measure the starting/ending position of the right front wheel, say. Next, clear any solved path (or click View/Show seed path), and animate the camera motion, for example moving from 0,0,0 at the beginning of the shot to 16,0,0 at the end (or wherever it reaches the maximum, if it comes back). You now have two main options A) mostly tracker-based coordinate setup, or B) mostly dolly-based coordinate setup, for side-of-hillside shots. For setup A, turn on only the L/R camera axis constraint checkbox on the first and last frames (only). The X values you have set up for the camera have set up an X positioning for the scene, so when you set up constraints on the trackers, they should constrain rotation fully, plus the front/back and up/down directions—but not the L/R direction since that would duplicate and conflict with the camera constraint (unless you are careful and lucky). For setup B, turn on L/R, F/B, and U/D on the first and last frames (only). You should take some more care in deciding exactly what coordinate values you want to use for each axis of the animated camera path, because those will be defining the coordinate system. [By setting keys only at the beginning and end of the shot, you largely avoid problems with the camera tilting up and down—at most it tilts the overall coordinate system from end to end, without causing conflicting constraints.] If the track is not level from end to end, you can adjust the beginning or ending height coordinate of the tracker as appropriate. But usually we expect the track to have been leveled from end to end. With X, Y, and Z coordinates keyed at the beginning and end of the shot, you have already completely constrained translation and scale, and have constrained 2 of the 3 rotation axes. The only remaining unconstrained rotation axis is a rotation around the dolly. To constrain this remaining rotation requires only a single additional tracker, and only its height measurement! On the set, you should measure the relative height of a trackable feature compared to the track (usually this will be to the base of the track, so you should also measure the height of the camera versus the base). You can measure this height using a level line (a string and a clip-on bubble level) and a ruler. On theCoordinate System Control Panel, select the tracker and set it toAny XY Planeand set the Z coordinate (for Z-up mode), or selectAny XZ Planeand set the Y coordinate (for Y-up mode). Now you’re ready to go! This setup is a valuable one for outdoor shots where a true vertical reference is required, but the features being tracked are not structured (rocks, bushes, etc). Again, we recommendnot trying to constrain the camera to be exactly linear, though you can easily set this up by locking Y and Z to be fixed for the duration of the shot, with single-frame locks on X at the beginning and end of the shot. This setup forces the camera motion to be exactly straight, but moving in an unknown fashion in X. Although the motion will be constrained, the setup willnotallow you to use fewer trackers for the solve. Using a Supplied Camera Path This section addresses the case where you have been supplied with an existing camera translation path, either from a motion-controlled camera rig, or as a result of hand-editing a previous camera solution, which can be useful in marginal tracks where you have a good idea what the desired camera motion is. After editing the path, you want to find the best orientation data for the given path. If you have an existing camera path in an external application (either from a rig, or after editing in maya or max, for example), typically you will import it using a standard or custom camera-path import script. Be sure that the solved camera path is cleared first, so that the seed path is loaded. If you have a solved camera path in SynthEyes, you can edit it directly. First, select the camera, and hit the Blast button on the 3-D panel. This transfers the path data from the solved path store into the seed path store. Clear the solved path and edit the seed path. Rewind and turn on all 3 camera axis locks L/R, F/B, and U/D. Next, configure the solver s seeding method. This requires some care. You can use the Path Seeding methodonly if your existing path includes correct orientation and field of view data. Otherwise, you can use the Automatic method or maybe Seed Points. The Refine mode is not an option since you have already cleared the solution to load the seed path, and don’t have orientation data anyway or you’d use Path Seeding. You can use Seed Points mode if you are editing the path in SynthEyes—but be sure to hit theSet Allbutton on the Coordinate System Setup Control panelbeforeclearing the prior solution, so that the points are set up properly as seeds. You should probablynotmake them locks, unless you are confident of the positions already. With the camera path locked to a complex path (other than a straight line), no further coordinate system setup is required, or it will be redundant. You can solve the scene first with the Constrain checkbox off, then switch to Refine mode, turn on Constrain, and solve again. This will make it apparent during the second solve whether or not you have any problems in your constraint setup, instead of having a solution fail unexpectedly due to conflicting constraints the first time. Camera-based Coordinate System Setup The camera axis constraints can be used in small doses to set up the coordinate system, as we’ve seen in the prior sections. Typically you will want to use only 1 or 2 keys on the seed path; 3 or more keys will usually heavily constrain the path and require exact knowledge of the camera move timing. Roughly, each keyed frame is equivalent in effect to a constrained tracker located at the same spot. You should keep that in mind as you plan your setup, to avoid under- or over-constraining the coordinate system. Soft Locks So far we have described hard locks, which force the camera exactly to the specified values. Soft locks pull more gently on the camera path, for example, to add stability to a section of the track with marginal tracking. In either case, for a lock to be active, the corresponding lock button (U/D, L/R, pan, etc) must be on. The weight values on the Hard and Soft Lock dialog controls whether locks are hard or soft. If the weight is zero (the default), it is a hard lock. A non-zero weight value specifies a soft lock. Weight values range from 1 to 120, with 60 a nominal neutral value. However, we recommend that when creating soft locks, you start with a weight of 10, and work upwards through 20, 30, etc until the desired effect is obtained. Weight values are in decibels, a logarithmic scale where 20 decibels is a factor of 10, and 6 decibels is a factor of two. So 40 is 10 times stronger than 20, and 26 is twice as strong as a weight of 20. (Decibels are commonly used for sound level measurements.) A lock can switch from hard to soft on a frame-by-frame basis, ie frames 0-9 can be hard, and 10-14 soft. You may need to key the weight track carefully to avoid slow transitions from 20 down to 0, for example. Soft locks are treated as such only when the Constrain check box is on it is the solver that distinguishes between hard and soft locks. If Constrain is off, the locks will be applied during the final alignment, when they do not affect the path at all, just re-orient it, so soft locks are treated the same as hard locks. Note that the soft lock weight isnota path blending control. You might naively be tempted to set up a nominal locked path, and try to animate the soft lock weights expecting a smooth blend between the solved path and your animated locked path. But that is not what will happen. The weight changes how seriously SynthEyes takes your request that the camera should be located at the specified position—but it will affect the tracker positions and everything else as well. Orientation Locks You can apply Pan, Tilt, and Roll rotation locks as well as translational locks. They can be used for path editing and, to a lesser extent, for coordinate system setup. For example, a roll-angle constraint can be used to keep the camera forced upright. That can be handy on tripod shots with large pans small amounts of lens distortion can bend the path into a banana shape; the roll constraint can flatten that back out. If the camera looks in two different directions with the roll locked, it constrainstwodegrees of freedom only a single pan angle is undetermined! For example, if looks along the X axis then along the Y axis, both with roll=0. You might want to think about that for a minute. The perspective window s local-coordinate-system and path-relative handles can help make specific adjustments to the camera path. Inherently, SynthEyes is not susceptible to “gimbal-lock” problems. However, when you have orientation locks, you are using pan, tilt, and roll axes that do define overall north and south poles, and you may encounter some problems if you are trying to lock the camera almost straight up or down. If this is the case, you may want to change your coordinate system so those views are along the +Y and –Y axes, for example. Object Tracking You can also use locks on moving objects, in addition to cameras. However, there are several restrictions on this, because moving objects are solved relative their hosting camera path, but the locks are world coordinate system values. If a moving object has path locks, then 1. the host camera must have been previously solved, pre-loaded, or pre-keyed, and the camera solving mode set to Disabled, 2. the translation axis locks must either all be on, or all off, and 3. the rotation axis locks must either all be on, or all off. Normally, when SynthEyes handles shots with a moving camera and moving object, it solves camera and object simultaneously, optimizing them both for the best overall solution. However, when object locks are present, SynthEyes must be able to access the camera solution first, in order to be able to apply the object locks. With the camera path, SynthEyes changes the translation and rotation axis lock values into a form usable for the object, but the individual axes are no longer available, and either all must be constrained, or none. SynthEyes will automatically turn all the enables on or off together if a moving object is active. Object locks have very hard-to-think-about impacts on the local coordinate system of the trackers within the object. Most object locks will wind up over-constraining the object coordinate system. We recommend that object locking be used only to work on the object path, not to try to set up the object coordinate system.
https://w.atwiki.jp/vocaloidenglishlyric/pages/124.html
【Tags A Deco*27 Miku tL tW】 Original Music Title 愛言葉 Love Words \ Words of Love (Ai Kotoba) Music Lyrics written, Voice edited by Deco*27 Music arranged by Deco*27 Singer 初音ミク (Hatsune Miku) Click here for the Japanese Lyrics English Lyrics (translated by haru47)： It seems that you always take care of my child I thank you, thank you for listening to my songs Before I forget what you did for me in my life With the feeling I hid inside I put it into a song Words of love are "Ten love = Thank you" Something about me, or you, or romance, or love Or to like, or to dislike I ll sing about them again I love you now I mean, I love you Rather, I love you You like me and love me, Though I m so stupid You cried for listening the song like this Thank you for that. Thank you for celebrating my child On her 100000th birthday Within this limited time in my life By putting it into music and lyrics I ll create and send it to you Please take care of them as well in the future Something about me, or you, or romance, or love Or to like, or to dislike Still not enough? LOL Then, "What did you eat yesterday?" "What were you doing?" "How many times did you think about me?" Let s talk about something like this! "I ate YOU" ... stupid. "I did IT" ... stupid. "I totally forgot someone like you" ... stupid. I like you As I said so, that s a lie LOL In fact, I love you I don t want to hurt you But I like you I love you all the day long I want to say, "I remember this song" And laugh with you You are someone like me I m someone like you We re alike but different We re alike because different Every time I tell you that I like you My feeling of "I like you" grows That s a plenty of ↓ ↓ ↓ ↓ ↓ Words of love from me to you Romaji lyrics (transliterated by haru47)： itsumo boku no kodomo ga osewa ni natte iru you de kii te kure ta anata gata ni kansha, kansha. kono goon wo isshou de wasure nai uchi ni uchi ni hime ta omoi to tom ni uta ni shi te mimashi ta. ai kotoba wa "ai ga too = arigatou" boku toka kimi toka koi toka ai toka suki toka kirai toka mata utau ne. ima kimi ga suki de teka kimi ga suki de mushiro kimi ga suki de konna baka na boku wo kimi wa suki de aishi te kur ete. konna uta kii te nai te kure te arigatou. itsuka boku no kodomo ga juuman sai no tanjoubi mukae ta toki, iwattekurete sanjuuku mashita kono goon wa isshou de kagirare ta jikan de umareru kyoku to shi ni nose te kimi ni todokeru yo korekara mo douka yoroshiku ne boku toka kimi toka koi toka ai toka suki toka kirai toka mada tari nai? jaa "kinou nani tabeta?" "nani shiteta?" "nankai boku no koto omoidashita?" konna koto hanashitemiyou ka! "kimi tabeta." ...baka. "nani shiteta." ...baka. "kimi no koto nanka wasurechatta yo." ...baka. kimi ga suki de tte iu no wa uso de honto wa daisuki de. kizutsuke taku naku te demo kimi ga suki de aishi te kure te "konna uta atta ne" tte kimi to warai tai n da (boku mitai na kimi kimi mitai na boku niteru kedo chigatte chigatteru kara niteru suki da yo toiu tabi ni fueru suki no kimochi wa boku kara takusan no kimi e no) ai kotoba
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2023/10/18 稼動開始2023/11/02 WORLD TOURISM 開始 + ... 2023/11/02 BPL S3 TOURISM EXTRA part 1～part 8 追加 2023/11/22 LiveAct TOURISM 3,4 追加 2023/12/21 ひなビタ♪ TOURISM 追加 2024/03/13 EPOLIS OST TOURISM 追加 2024/05/16 INFINITAS TOURISM 1,2 追加 2023/12/08 マイポリスデザイナー 開催 + ... 2023/12/08 MAP 1 追加 2024/01/18 MAP 2 追加 2024/03/07 MAP 3,FINAL MAP 追加 2023/12/20 ARENA MODE 追加 + ... 2023/12/20 第1回オンラインバトル 開催(～24/01/08) 2024/01/25 第2回オンラインバトル 開催(～24/02/07) 2024/02/22 第3回オンラインバトル 開催(～24/03/04) 2024/03/21 第4回オンラインバトル 開催(～24/04/04) 2024/04/25 第5回オンラインバトル 開催(～24/05/06) 2024/05/23 第6回オンラインバトル 開催(～24/06/05) 2024/06/20 第7回オンラインバトル 開催(～24/07/03) 2024/02/15 第2回 BEMANI PRO LEAGUE -SEASON 3- Triple Tribe 開催(～24/04/21) 2024/04/04 EPOLIS SINGULARITY 開催 + ... 2024/04/04 SYSTEM I 開始(～24/06/06) 2024/06/06 SYSTEM II 開始(～24/00/00) 2024/05/09 EPOLIS RESTORATION 開催 新規収録：94曲(復活再収録：3曲)(途中削除∶3曲)楽曲最終更新：24/06/20 収録総数：全1703曲(18曲削除) ジャンル タイトル アーティスト 備考 beatmania IIDX 31 EPOLIS CYBER BREAKCORE 20XX COR!S ASCENDING TOGETHER 《PL|RAYER》 BlackLolita WORLD TOURISM：BPL S3 TOURISM EXTRA part 123/11/02 追加 NEOTRANCE CORE ACTØ モリモリあつし EPOLIS RESTORATION：SYSTEM A サブε24/05/09 追加 UNSUNG FANTASIA Aeterna satella feat. Risa Yuzuki HARD RENAISSANCE Ambivalent Vermilia BEMANI Sound Team "二代目朱雀 feat.朱雀" 第2回 BEMANI PRO LEAGUE -SEASON3- Triple Tribe∶2,100TB,TS,TD24/02/15 追加 TRANCE Amethyst BlackY EPOLIS RESTORATION：SYSTEM A サブγ24/05/09 追加 NU SYNTH BASS Bitter & Lucky DÉ DÉ MOUSE BURNING RAVE BLAZING_LAZER brz1128 WORLD TOURISM：INFINITAS TOURISM 224/05/16 追加 PSYCHEDELIC TRANCE CADENZA lapix ∞ BEMANI Sound Team "L.E.D." マイポリスデザイナー MAP FINAL：9,500METRON24/03/07 追加 COLOUR TECHCORE Chemical Colours Blacklolita x BEMANI Sound Team "Expander" SYMPHONIC DRUM'N'BASS COUNTING SHEEP ft. Kanae Asaba Xceon マイポリスデザイナー MAP 3：1,800METRON24/03/07 追加 HARD RENAISSANCE Dahlia BlackY HAPPY HARDCORE TAKEOVER DAZZLE ATTACK Yuta Imai NEO 90's AMBIENT JUNGLE Deep Sea Mystery Dirty Androids CINEMATIC BREAKCORE Demon March Nhato EPOLIS SINGULARITY：EXTRA STAGE24/04/04 追加 ETHNIC HARDSOUND Echoes of Sunfall nora2r MUSIC GAME TRADITIONAL frequent BEMANI Sound Team "dj TAKA" MIXTURE GAME ON DJ Mass MAD Izm* feat.H14 of LEONAIR 提供曲 ADVENTURE TRIP Get Higher BEMANI Sound Team "劇団レコード" BIG BEAT Get Wicked Maozon WORLD TOURISM：BPL S3 TOURISM EXTRA part 623/11/02 追加 NEOTRANCE Ghost Pulse crayvxn COLOUR BASS Glitch N Ride Eagle マイポリスデザイナー MAP 2 最終：19,000METRON24/01/18 追加 XYMPHONIC TECHCORE GloriosA KARUT DUBSTEP GLORIOUS HAMMER AJURIKA マイポリスデザイナー MAP 2：6,200METRON24/01/18 追加 HARD TRANCE Hard Breaker Nhato WORLD TOURISM：BPL S3 TOURISM EXTRA part 223/11/02 追加 UK HARDCORE Hat Surprise (Season 3) Hommarju WORLD TOURISM：BPL S3 TOURISM EXTRA part 423/11/02 追加 HITECH NHI FULLON i-ii かめりあ WORLD TOURISM：BPL S3 TOURISM EXTRA part 523/11/02 追加 TRANCE CORE INHERITANCE Zekk マイポリスデザイナー MAP 1：3,600METRON23/12/08 追加 EMOTIONAL J-POP Iris BEMANI Sound Team "HuΣeR" feat.紫村 花澄 DRUM'N'BASS Jumper Masayoshi Iimori CYBER DRUMSTEP Just Gimme Maozon マイポリスデザイナー MAP 3：6,500METRON24/03/07 追加 ROCKIN' DRUM BASS JUSTICE/GUILTY feat. Nana Takahashi & 709sec BEMANI Sound Team "L.E.D." Drumstep / Bass House / Dnb Level 5 Yamato EPOLIS SINGULARITY SYSTEM II：ONE MORE EXTRA STAGE24/06/06 追加 MAXIMUM GAME-BREAKING HARDCORE MAXIMUM CHEAT GIRL かめりあ feat. ななひら マイポリスデザイナー MAP 2：6,200METRON24/01/18 追加 PARTICULAR NIGHTSPACE Million Dollar Dirty Androids マイポリスデザイナー MAP 3 最終：16,000METRON24/03/07 追加 HARD DANCE Monkey Business kors k 第2回 BEMANI PRO LEAGUE -SEASON3- Triple Tribe∶700TD24/02/15 追加 SCHRANZ Mukade kors k J-POP My Sweet Bird? アオワイファイ feat.秋山雫 FREEFORM ARTCORE Out of Control CANVAS feat. Quimär マイポリスデザイナー MAP 1：8,200METRON23/12/08 追加 CHARGE CORE out of disk space TORIENA マイポリスデザイナー MAP 2：6,200METRON24/01/18 追加 PSYCHEDELIC Psychedelic Intelligence BEMANI Sound Team "Sota Fujimori" beatmania IIDX ULTIMATE MOBILE アーケード連動23/12/07 追加 HARDCORE Red Determination RoughSketch WORLD TOURISM：BPL S3 TOURISM EXTRA part 723/11/02 追加 TECHNICAL ELECTRO Shapeshifter Avans COLOUR BASS Sirius MK WORLD TOURISM：BPL S3 TOURISM EXTRA part 823/11/02 追加 CROSSOVER SOLAR ECLIPSE Yuta Imai Vs. BEMANI Sound Team "Yvya" HARDCORE TECHNO Speculation BEMANI Sound Team "ZAQUVA" DRUM'N'BASS squall 猫叉Master+ WORLD TOURISM：INFINITAS TOURISM 124/05/16 追加 HARD TECHNO/DOWNTEMPO Stereo Beasts MK RoughSketch WORLD TOURISM：EPOLIS OST TOURISM24/03/13 追加 HARDTECHNO Submerge Serenade lapix HI-SPEED TECHCORE Sword Of Vengeance sky_delta マイポリスデザイナー MAP 3：6,500METRON24/03/07 追加 NEO-CLASSICAL CORE The Last Apocalypse BEMANI Sound Team "Sota F. feat. Yvya" EPOLIS SINGULARITY SYSTEM II：EXTRA STAGE24/06/06 追加 HARD HOUSE This Is Club Musik feat. 大久保紅葉 REMO-CON PSYCHEDELIC TECHNO Time Distortion pt.2(IIDX Edit) kors k vs BEMANI Sound Team "setup" HARDCORE RAVE TITANIUM RIDERS DJ Shimamura J-DANCE POP Too Late Snow movies (moimoi×Xceon×Dai.) マイポリスデザイナー MAP 2：1,800METRON24/01/18 追加 MELODIC TECHNO TRIP THE DEEP Qlarabelle EPOLIS RESTORATION：SYSTEM A サブδ24/05/09 追加 FUNKY BREAKS Tripping Jumping Aikapin Prod. by uno NIActivity GOTHIC PIANO TRANCE Vermilion Carol OSTER project マイポリスデザイナー MAP 1 最終：11,600METRON23/12/08 追加 ETHNO POP WaterCube Pf.(RX-Ver.S.P.L.) 高田 雅史 EPOLIS RESTORATION：SYSTEM A サブβ24/05/09 追加 EURODANCE SPEED winkle 2 winkle Ryu☆ ft.NU-KO マイポリスデザイナー MAP 1：5,800METRON23/12/08 追加 VOLTENIZED CORE Xb10r 隣の庭は青い(庭師+Aoi) 第2回 BEMANI PRO LEAGUE -SEASON3- Triple Tribe∶1,400TS24/02/15 追加 COLD BEAT ZEROIN ON THE LIGHT SOUND HOLIC Vs. ZYTOKINE feat. Nana Takahashi マイポリスデザイナー MAP 1：1,400METRON23/12/08 追加 IIDX EDITION アイドル Covered by BEMANI Sound Team "HuΣeR × wac" feat. 佐伯伊織 原曲：YOASOBI ROCK アタシ完全絶対正義ちゃん！ Pizuya's Cell ALTERNATIVE 神様、つれない。 中山真斗 feat. CHAN EPOLIS RESTORATION：SYSTEM A サブα24/05/09 追加 IIDX EDITION 可愛くてごめん Remixed by MK feat. 紫咲ほたる 原曲：HoneyWorks23/11/30 追加 J-POP 傷つけど、愛してる。 ツユ 提供曲24/06/06 削除 LAMENTO 雫 あさき マイポリスデザイナー MAP 3：1,800METRON24/03/07 追加 BROKEN SAMBA DRUM'N'BASS 灼熱Beach Side Bunny(かめりあ s Summertime D n B Remix) Remixed by かめりあ WORLD TOURISM：LiveAct TOURISM 423/11/22 追加 HARD RENAISSANCE 終焔のClaudia 二代目朱雀 WORLD TOURISM：LiveAct TOURISM 323/11/22 追加 J-POP 唱 Ado 提供曲24/04/18 追加 DRUM BASS シンデレラ Maozon feat. Nadia CITY DANCE POP センチメンタル・サマー Nhato feat. Kanae Asaba はるまき (from ボタニカルな暮らし。) J-POP ちゅ、多様性。 ano 提供曲 IIDX EDITION デビルじゃないもん Remixed by BlackY feat. Risa Yuzuki 原曲：DECO*27 × ピノキオピー feat.初音ミク23/11/30 追加 BUCHIAGE TRANCE 電光 Yuta Imai WORLD TOURISM：BPL S3 TOURISM EXTRA part 323/11/02 追加 HYBRID DANCE MUSIC 電子になりたい BEMANI Sound Team "HuΣeR" マイポリスデザイナー MAP 2：1,800METRON24/01/18 追加 BREAKCORE 電腦都市 Blacklolita EPOLIS RESTORATION：SYSTEM A コア24/05/09 追加 SPEED HOUSE ないないルーティン Len SUMMER POP 夏風邪デスコ TORIENA IIDX EDITION 寝起きヤシの木 Remixed by uno(IOSYS) feat. Chiyoko 原曲：ゆこぴ CHINA SQUARE DANCEPOP 果たせぬ約束 ft. 小林マナ Xceon IIDX EDITION フォニイ Remixed by Pizuya's Cell 原曲：ツミキ feat.可不23/11/30 追加 FUTUREBASS ポラリスノウタ ここなつ2.0 ひなビタ♪ 10周年記念! BEMANIちくわまつり2023 書き下ろし楽曲23/12/21 追加 IIDX EDITION マーシャル・マキシマイザー Remixed by uno(IOSYS) feat. Chiyoko 原曲：柊マグネイト feat.可不24/04/18 追加 VALHALLASTEP 摩天楼 Julianne HYPERACTIVE HELLCORE めうめうぺったんたん！！ (ZAQUVA Remix) Remixed by BEMANI Sound Team "ZAQUVA" WORLD TOURISM：ひなビタ♪ TOURISM23/12/21 追加 IIDX EDITION 勇者 Remixed by OSTER Project feat. そらこ 原曲：YOASOBI24/04/18 追加 JUVENILE PIANO ROCK 夢縁 xi feat. Risa Yuzuki IIDX EDITION 酔いどれ知らず Remixed by SOUND HOLIC feat. Nana Takahashi 原曲：Kanaria24/04/18 追加 SCI-FI CHRONICLE 流桜ノ門 tokiwa KAWAII DOGGO POPS れとりば！ OSTER project feat. 月ノ輪乃愛 PROLOGUE 惑星鉄道 Snail's House EPOLIS SINGULARITY SYSTEM I：ONE MORE EXTRA STAGE24/04/04 追加 復活再収録 TRANCE L amour et la liberté NAOKI underground 段位認定 -極-：SP三段 7th style クリア,DP極三段 獲得24/01/11 追加 TECHNO Logic Board dj nagureo ARENAモード 第1回オンラインバトル：アリーナキューブ 60個23/12/20 追加 JUNGLE MIXTURE PARANOIA survivor MAX 290 ARENAモード 第3回オンラインバトル：アリーナキューブ 50個24/02/22 追加 LEGGENDARIA 追加収録 RAVERS DANCE SPEED BLUE DRAGON(雷龍Remix IIDX) 青龍 条件隠し：条件達成数 3DPのみ追加 CROSSOVER HOUSE BLUST OF WIND Anemo=Aspel by MLREC. 条件隠し：条件達成数 2 BIG BEAT CODE Ø BEMANI Sound Team "HEXA" 条件隠し：条件達成数 5 DANCE POP Explorer feat. ぷにぷに電機 パソコン音楽クラブ ARENAモード 第2回オンラインバトル：アリーナキューブ 60個24/01/25 追加 IIDX EDITION KING Remixed by SOUND HOLIC feat. はるの 24/03/21 追加 UPBEAT MAD ATTACK HALFBY ARENAモード 第4回オンラインバトル：アリーナキューブ 60個24/03/21 追加 FRENCHCORE Miracle 5ympho X USAO ARENAモード 第3回オンラインバトル：アリーナキューブ 100個24/02/22 追加 ENERGETIC TRANCE neogenesis DM Ashura 条件隠し：条件達成数 1 TECHNO O/D*20 Ryu* ARENAモード 第2回オンラインバトル：アリーナキューブ 120個24/01/25 追加 HEART Pink Rose Kiyommy＋Seiya ARENAモード 第5回オンラインバトル：アリーナキューブ 60個24/04/25 追加 PROGRESSIVE TRIBAL Saturn Mr.Saturn ARENAモード 第4回オンラインバトル：アリーナキューブ 120個24/03/21 追加 HARDPSY SOLID WYVERN BEMANI Sound Team "L.E.D." ARENAモード 第6回オンラインバトル：アリーナキューブ 120個24/05/23 追加 TRANCE Star Trail Nhato ARENAモード 第6回オンラインバトル：アリーナキューブ 60個24/05/23 追加 HEAV'NLY TRANCE STARLIGHT JUNCTION SOUND HOLIC feat. Nana Takahashi ARENAモード 第7回オンラインバトル：アリーナキューブ 60個24/06/20 追加 DANCE MUSIC VR - Virtual Reality (prod.by Snail s House) KMNZ 24/03/21 追加 TEK-TRANCE yellow head joe S-C-U 条件隠し：条件達成数 3SPのみ追加 ORIENTAL TECHDANCE 紫陽花 -AZISAI- Camellia Vs. Expander ARENAモード 第7回オンラインバトル：アリーナキューブ 120個24/06/20 追加 J-POP オドループ フレデリック 24/03/21 追加 IIDX EDITION 俺ら東京さ行ぐだ Remixed by すわひでお uno(IOSYS) 24/03/21 追加 ASIAN MIXTURE 華蝶風雪 白虎 ARENAモード 第5回オンラインバトル：アリーナキューブ 120個24/04/25 追加 Hi-BLEEP 恋する☆宇宙戦争っ！！ Prim 条件隠し：条件達成数 4 Hi-FUNK BREAKS 表裏一体！？怪盗いいんちょの悩み♥ ◇◆噂の怪盗少女 ぷらずま★彡Prim◇◆ ARENAモード 第1回オンラインバトル：アリーナキューブ 120個23/12/20 追加
https://w.atwiki.jp/thecockrockshockpop/pages/818.html
http //m-flo.com/ Inside - Works Best Ⅲ - Inside - Works Best Ⅲ - 2009年3月18日 (m01) Disc 1 1. What Now ? / MADEMOISELLE YULIA feat. VERBAL / 2. Universw [ "KOZM?" remix ] / BoA feat. Crystal Kay VERBAL / 3. Bad Men ! / Lisa / 4. I Know / Crystal Kay / 5. Super Shine / EXILE feat. VERBAL / 6. See You ... / melody. / 7. I Still Love H.E.R. / TERIYAKI BOYZ feat. KANYE WEST / 8. That s Not My Name [ ☆ Taku Takahashi mix ] / THE TING TINGS / 9. For So Long / 加藤ミリヤ / 10. Can t Believe It [ Lost In Shibuya remix ] / T-PAIN feat. VERBAL / 11. Turn It Up / 童子-T feat.VERBAL, LITTLE, KOHEI JAPAN, 青山テルマ / 12. Material World / Sowelu / 13. 夢の Future [ Time Is Dissing Me remix ] / RYUKYUDISKO feat. Kotomi / 14. Summertime / DOUBLE feat. VERBAL / 15. Lotta Love vibes mix / Minmi m-flo Disc 2 Global Astro Liner The Best DJ Mix by ☆ Taku Takahashi 1. Get On ! [ Ugly Duckling remix ] / 2. Quantum Leap / 3. Mirrorball Satellite 2012 [ Sratm mix / by Towa Tei ] / 4. Reeewind ! / 5. How You Like Me Now ? / 6. Loop In My Heart / 7. The Love Bug / 8. Hey ! ( Souvenir Of Little Green Men ) Mashup / 9. Dopeman ? / 10. I Wanna Be Down [ Space Cowboy Disco edit mix ] / 11. Bad Men ! / Lisa 12. Golden Ballers / Afra Incredible Beatboxband / Love Long And Prosper [ Diplo s Love Guns And Foster Children remix / feat. VERBAL, NIPPS ] / 13. Luvotomy / 14. Tripod Baby [ Shinichi Osawa remix ] / 15. Dancehall Jungle [ VERBAL Miss Monday ] / 16. Ten Below Blazing [ Giant Swing mix by T.Kura ] / 17. She Loves The Cream [ Dexpistols remix ] / 18. That s Not My Name [ ☆ Taku Takahashi mix / THE TING TINGS ] / 19. Way U Move ver.2 / 20. Love Me After 12AM [ RAM Rider remix dub ] / 21. Love Long And Prosper / 22. I Rave U / ravex / 23. 夢の Future [ Time Is Dissing Me remix / RYUKYUDISKO feat. Kotomi ] / 24. A.D.D.P. / 25. Lotta Love / 26. Come Again [ HT Inspiration remix ] / 27. Love Song [ Danny Byrd remix ] / 28. Miss You / 29. Let Go [ Quantrek remix ] / 30. Let Go / 31. Been So Long
https://w.atwiki.jp/knightemu/pages/42.html
開始手順 Registerでアカウント登録 Downloadsでクライアントダウンロード(Direct Link (Google)が最速) Launcher.exeから起動 Patchが当たらない場合はDownloadsから一つずつ当てていく 仕様 基本的にはMaxKOの1299バージョンとほぼ同じだが、ところどころ異なる 全般 Lv1スタート、Lv83上限 1次転職 カイシャン(モラ 816,689)、2次転職 リログ ポーションは1個で使い放題 Bechkata(モラ 804,553)からシェル・高級武器を買える アクセ強化不可?(極低確率で成功するかも) UPG UPG率未公開、アイテムごとにUP率が異なる トライナ使用時13%UP？ドロップor50VPで入手可能 Vote Vote(Vote for us!)後、VPを使用する(Vote rewards)ことでアクセ+3/+5、トライナなどを入手できる Voteのリセットは日本時間の午前6時 課金 アクセ以外の全アイテムを販売している バルキリー、パトグロ、Primeval Fire Blade以外はドロップでも入手可能 その他 最多オンライン人数300 不定期イベント(ボスイベント、タイマンイベント、VPアイテムドロップイベント、etc) 定期的に鯖再起動(Server is being restarted!の告知が流れる) 時差6時間(日本時間-6時間で現地時間がわかる) 仕様変更時はAnnouncementsで告知される レベリング適正MOB レベル MOB 備考 Lv1~Lv59 Worm Lv60 Spoiler Lv80 Worm Lv83 Dread Mare 鍵クエクリアで即83になる(未検証) 主なゾーン ゾーン 主なドロップ ゲート設置場所 Moradon セット防具Darkness+5初級アクセ+1 - Bifrost 切れ端宝石 モラドン(Mysteriously Gate) Dark Land シェル+9 モラドン(Mysteriously Gate) Felankor s Lair 女神首+5/火竜+5/鉄首+5イスル盾+5 モラドン(Mysteriously Gate) Krowaz Gryphonアクセ(ミノ耳+5/炎指+5/ポバ+5)製作+6Primeval+9(盾/プリメイス/雷杖) モラドン(Mysteriously Gate) Boss Land アクセ(光命+5/コカ耳+5/光骨腰+5など)巻物(2000HP/350DEF) モラドン(Mysteriously Gate) Knight Castle Garujesu Tier+5 モラドン(Mysteriously Gate) Juraid Bahamut ロナ中央 Eslant 70クエ巻物(筋力/体力/敏捷/魔力/知能)金棒 本土 Felankor s Cave イスルダガー、弓、雷杖+10Holy Ghost Belt 地獄 切れ端、宝石はモラのChaotic Generatorでそれぞれビフ武器+8、クロワズ防具+8に交換できる(ただし最弱級装備) ドロップ http //panel.flameko.com/?page=drops 巻物ドロップ 巻物 ドロップMOB 備考 足ポ Worm 1500HP Scroll 300DF Scroll 攻撃力UP Scroll 2000HP Bone Collector 350DF Bone Collector 筋力 Apostle ofPiercing Cold 体力 Paramun 敏捷 Giant Golem 魔力 Troll 知能 Troll Warrior フレスク - 25VPで入手 3000HP - 25VPで入手 武器ドロップ 分類 剣 両手剣 槍 両手槍 斧 両手斧 ダガー 弓 杖 両手杖 プリメイス 盾 備考 Self-name - - - - - - - 70クエ 製作 Balrog GigaHammer Baalian CuffBinder Draki DarkDragonQueryTrap BabelsGuardian Primeval DarkAngel DarkHavoc (不明) DarkCrisis DarkTrollDarkMaxKrowaz DarkKnight Krowaz 製作と同じ能力 GarujesuTier CuffBinderLucio CuffBinder GolddragonLucio Felankor Abomitarantula Tarantula RedKrowazSandman 主力 Darkness DarkKnight DarkTroll DarkHavoc DarkAngel DarkMax DarkCrisis 〃 防具ドロップ 防具 胸 腰 頭 腕 足 備考 Gryphon(筋力) Draki Trap BabelsGuardian BabelsGuardian Query 要求能力なし Gryphon(体力) Balrog Balrog Draki TrapDarkDragon DarkDragon 〃 Gryphon(敏捷) Query Cuffbinder Cuffbinder GigaHammer GigaHammer 〃 Dragon Flight Guard ofDragon Guard ofDragon DragonKnight DragonKnight DragonKnight ボーナス最良 Mythril Guard ofMythril Guard ofMythril Mythril Mythril Mythril 〃 Ron s Rons Rons Guard ofRons Guard ofRons Rons 〃 Trial Trial Trial Guard ofTrial Guard ofTrial Guard ofTrial 〃 Bahamut(筋力) BahamutBahamutMax BahamutGuard BahamutMage BahamutAngel BahamutDevil 要求能力なし防御力高 Bahamut(体力) BahamutBahamutMax BahamutGuard BahamutMage BahamutAngel BahamutDevil 〃 Bahamut(敏捷) BahamutBahamutMax BahamutGuard BahamutMage BahamutAngel BahamutDevil 〃 イベント時間 イベント 日本時間 現地時間 備考 戦争 2時、11時 20時、5時 ジュラッド - - ロナ中央モニュを壊した国家側が入場可 神殿 5時、16時、23時 23時、10時、17時 攻城戦 (不明) (不明) 国境 (不明) (不明) 日本人クラン エルモラド クラン名 KAIGAISETSUZOKU 団長 Touma (メイン kayowai) 副団長 Re make 副団長 pipi http //panel.flameko.com/?page=clan id=15049 現在日本人10名くらい。誰でも歓迎！
https://w.atwiki.jp/roniuk2324/pages/13.html
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