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Colloque 2009 de l Association de la science historique[REKISHIGAKU KENKYUKAI], Section d histoire moderne Dimanche 24 mai 2009, Université Chûô Ordre de l «Empire»et formation de l anarchisme - Imaginaires de résistance et de solidarité. - Argumentaire Pour cette occasion, nous voudrions aborder l étude de l « anarchisme », en reconsidérant le contexte politico-historique dans lequel ont pris forme les idées et les pratiques anarchistes, ainsi que leur développement jusqu’à nos jours. Les mouvements contemporains contre la mondialisation ou contre le néolibéralisme comprennent certains courants revendiquant le nom d’« anarchistes », dans lesquels l’anarchisme est posé en méthode politique ou en vision de résistance et de solidarité. L « anarchisme » s interprète ainsi comme une pratique permettant la solidarité entre diverses formes de résistances qui dépassent le cadre de l Etat, tout en préservant les différences de chacune, autrement dit comme un mouvement de «true globalisation» ( David Graever ). L’urgence actuelle d’un renouvellement des études historiques et critiques concernant le néolibéralisme et la mondialisation doit également entraîner un réexamen historique de l anarchisme et de son actualité en tant que force de résistance contre l’un et l’autre. Or, si la « Science historique de l’après-guerre »a accumulé beaucoup d études sur l anarchisme, on ne peut nier que ces travaux se sont limités à envisager le cadre du territoire ou de l Etat-nation. Pourtant, en réponse aux problèmes du néolibéralisme et de la mondialisation, les travaux récents sur l anarchisme se sont développés dans un cadre critique renouvelé par rapport aux études précédentes. Il s’agit en effet de mettre au clair que l anarchisme est né dans une situation historique où l’on peut voir les racines de la mondialisation contemporaine et que, en tant quemouvement accompagné de résistance, il a accompagné l expansion de l ordre gouvernant de l’« empire », dépassant les frontières des Etats-nations. Ainsi Benedict Anderson esquisse-t-il une histoire de l anarchisme tel qu’il s’est formé au cours de l’«early globalization» des années 1880, marquée par l expansion de l impérialisme et des réseaux mondiaux. Des années 1880 à la révolution russe, l anarchisme avait réussi – mieux que le marxisme – à former dans le monde entier des réseaux traversant les frontières des Etats-nations et des territoires, connaissant un essor remarquable. Certainement, la combinaison du « socialisme » et de l « Etat » (qu’on eut ensuite tendance à considérer comme nécessaire) finit par affaiblir le mouvement anarchiste et par offusquer la signifiaction historique même de ce dernier. Cependant l anarchisme apparut et se développa au sein d’un processus historique mondial qui continue jusqu à nos jours. Nous pensons donc qu’un réexamen de l anarchisme s’impose pour éclaircir la forme historique de l ordre « impérial » et pour pouvoir penser, du point de vue interne de l’histoire, les questions actuelles de la résistance trans-étatique. Les enjeux ou les tâches que nous proposerons sont de deux ordres 1. Les réseaux trans-territoriaux d’« anarchistes » Certains anarchistes organisèrent des mouvements traversant l’ensemble du territoire européen en employant les réseaux rendus possibles par l early globalization. Cette expansion de l’anarchisme marcha parallèlement à la résistance des nationalistes contre le colonialisme. Ainsi, à partir des années 1880, se succédèrent de nombreux attentats, dont au début la plupart étaient le fait des anarchistes, avant que les nationalistes européens, puis ceux des colonies ne prennent le relais. Il y a là un paradoxe apparent. Toutefois c’est justement en unissant la dimension nationale à un processus qui dépassait celle-ci (toutes deux résistant également à l’impérialisme) que les anarchistes purent former leurs immenses réseaux de résistance. Il nous faut attester de cette réalité historique. 2. Relations avec l ordre de l empire et d autres mouvements de résistance les transformations de l « anarchisme » C est dans cette perspective historique que l on peut éclaircir le sens de la pensée anarchiste. Par ces réseaux, l anarchisme se transforma en réponse adaptée aux contextes politiques et culturels de chacun des territoires où il évolutait. Ces transformations nombreuses, au travers d’actions de résistances à l impérialisme et au colonialisme, maintenaient une relation ambiguë ― à la fois d’accompagnement et de résistance – avec l’ordre de l’empire. Autrement dit, les discours et les pratiques de ceux qui se déclaraient « anarchistes » entraient dans une relation d’hostilité, de solidarité ou d’appropriation avec d’autres pratiques discursives parallèles, appuyant l’ordre dominant de l’empire, telles que le capitalisme, l’ethnicité, le genre ou le régionalisme. Cette configuration historique, qui transforma et diversifia l’idée d’ « anarchie », est une des raisons importantes de la difficulté qu’on éprouve à définir le contenu de sens de ce dernier. C’est pourtant en nous efforçant de mettre au clair ce contexte historique surdéterminé que nous pourrons considérer les idées de l’arnarchisme ainsi que leur actualité. La diversité de l’anarchisme contemporain au sein de l’anti-globalisme provient-elle également d’un prolongement de la ré-interprétation et du re-développement de l’anarchisme dans la résistance à l’impérialisme et à la mondialisation ? Sur ces deux points, nous demanderons les rapports de M.TANAKA Hikaru et de M. UMEMORI Naoyuki, ainsi que les commentaires de M.YAMAGUCHI Mamoru et de M. KINOSHITA Chigaya. Nous espérons que beaucoup de chercheurs se rattachant à des champs d’études divers et originaires de pays variés voudront bien participer à ce colloque et y soulèveront des débats animés. (KATAKURA Yûsuke) Rapporteur TANAKA Hikaru ( Histoire, Histoire des idées ) Maître de conférences à l’Université d’Ôsaka Kyôiku Titre Les immigrants russes anarchistes aux Etats-Unis dans les années 1880-1920. UMEMORI Naoyuki ( Histoire des idées politiques japonaises) Professeur à l’Université Waseda Titre Le statut de l anarchisme dans l histoire des idées japonaises, dans sa relation avec les idées du premier socialisme. Commentateur YAMAGUCHI Mamoru (littérature chinoise, anarchisme chinois) Professeur de l’Université Nihon KINOSHITA Chigaya (Politiques) Programme Dimanche 24 mai 2009, Au Campus de Tama de l Université Chûô 742-1 Higashi-Nakano, Hachioji-shi, Tokyo 192-0393, Japon http //www2.chuo-u.ac.jp/global/location/location/tama.html Salle 3455, Bâtiment3 10.00-10.10Discours d ouverture 10.10-11.10 TANAKA Hikaru 11.10-11.20 pause 11.20-12.20 UMEMORI Naoyuki 12.20-13.30 Déjeuner 13.30-14.00 YAMAGUCHI Mamoru 14.10-14.40 KINOSHITA Chigaya 14.40.14.50 pause 14.50-17.30Débat (Questions et réponses) ------------------------------------------- General Meeting 2009 of the Historical Science Society of Japan, Section of modern history Sunday 24 may 2009, Tama Campus of the Chuo University Order of Empire and Formation of Anarchism ~Imagination for Resistance and Solidarity~ We would like to approach anarchism , by reviewing it in the political and historical context where its ideas and practices have taken shape and developed. Contemporary movements against globalization and neoliberalism include some currents which claim the name anarchists. They set anarchism as a political method or vision for resistance and solidarity. Anarchism is interpreted here as the practice for solidarity between various forms of resistance beyond the state, while preserving the differences; i.e. a “movement of true globalization” (David Graever). The urgent need for historical studies on neoliberalism and globalization must also lead to a review of the history of anarchism and its relevance as a resistance force against these global trends. A wide range of researches on anarchism have been accumulated in the science of history. We cannot deny the fact, however, that most of these works were limited to the study within a nation-state or its territory. In response to the problems caused by neoliberalism and globalization, recent works on anarchism have developed based on renewed criticism of previous studies. In other words, they focus on clarification of the historical situation where anarchism was born and contemporary globalization roots, as well as the process of the development of anarchism as a resistance movement accompanying the expansion of imperialistic orders beyond the borders of nation-states. Benedict Anderson outlines a history of anarchism as it was formed during the “early globalization” of the 1880s, marked by the expansion of imperialism and global networks. In the 1880s, anarchism succeeded---better than Marxism---in organizing networks across the borders of nation-states and territories all over the world through exiles, immigrants and publications, and experienced a boom until the Russian revolution. Combination of socialism and the state tended to be regarded as inevitable after the Russian Revolution, which weakened the anarchist movement and even concealed its historical significance. It should be noted, however, that anarchism emerged and developed within the process of the world history that has continued until today. We therefore believe that further review of anarchism will lead to clarification of the historical development of imperialism and to comprehension of trans-state resistance from the historical point of view. The issues or tasks we propose consist of the following two points 1.Trans-Territorial Networks of Anarchists Some anarchists organized movements across European borders using the networks which had been made possible by the early globalization. This expansion of anarchism proceeded along with nationalist resistance against colonialism. In the 1880s, the terrorism executed previously by anarchists was taken over by European and colonial nationalists. Paradoxically anarchists succeeded in organizing their vast networks of resistance by tying national movements against imperialism to the process which goes beyond national borders. 2.Transformations of Anarchism in Relation to Imperialism and Resistance Movement It is in this historical perspective that one can clarify the meaning of anarchist thought. Through these resistance networks, anarchism has been transformed in response to the political and cultural contexts of each territory in which it evolved. Accompanying and resisting imperialism and colonialism, anarchism has continued to change its form. The discourse and practices of those who declared themselves anarchists did not always come in a hostile relationship with the statements and practices supporting the imperialistic order, such as capitalism, ethnicity, gender role, and regionalism. They sometimes shared the same value. This historical configuration has diversified the idea of anarchism and made it difficult for us to define its meaning. Yet, by clarifying the multi-layered historical contexts, we can have a profound understanding of the ideas of anarchism and its actuality. The diversity of contemporary anarchism in the anti-globalism movement might be considered as an extension of the re-interpretation and re-development of anarchistic resistance to imperialism and globalization. On these two points, we asked Mr. Hikaru TANAKA and Mr. Naoyuki UMEMORI for reports, and Mr. Mamoru YAMAGUCHI and Mr. Chigaya KINOSHITA for comments. We hope that many researchers in various fields of studies can participate in the symposium from around the world and have an animated debate. Yusuke KATAKURA Repporter TANAKA Hikaru ( Histoire, Histoire des idées ) Assistant professor of the Ôsaka Kyôiku University Title Les immigrants russes anarchistes aux Etats-Unis dans les années 1880-1920. UMEMORI Naoyuki ( Histoire des idées politiques japonaises) Professeur à l’Université Waseda Titre Le statut de l anarchisme dans l histoire des idées japonaises, dans sa relation avec les idées du premier socialisme. Commentater YAMAGUCHI Mamoru (littérature chinoise, anarchisme chinois) Professeur de l’Université Nihon KINOSHITA Chigaya (Politiques) Program Sunday 24 may 2009, Tama Campus of the Chuo University 742-1 Higashi-Nakano, Hachioji-shi, Tokyo 192-0393, Japan 10.10-11.10 TANAKA Hikaru 11.20-12.20 UMEMORI Naoyuki 13.30-14.00 YAMAGUCHI Mamoru 14.10-14.40 KINOSHITA Chigaya 14.40.14.50 pause 14.50-17.30 Discussion (Questions and responses) Contact KATAKURA Yusuke katecon [atmark]hotmail.co.jp Contact KATAKURA Yusuke katecon [atmark]hotmail.co.jp .
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Content https //llamalab.com/automate/doc/block/index.html BlocksBlocks Apps App decision App start App start shortcut App clear cache App foreground App installed App kill App kill background App list App notifications enabled App notifications set state App notifications priority get App notifications priority set App notifications visibility get App notifications visibility set AppOp mode set AppOp mode App pick App usage Broadcast decision Broadcast receive Broadcast send [[Google]] Now voice command Plug-in action Plug-in decision Plug-in event Preferred activity Resolve activity Resolve receiver Resolve service [[Service]] start Shell command Shell command superuser Battery power Battery level Device doze mode active Device doze mode set state Device interactive Device keep awake Device reboot Device restart Device shutdown CPU speed get CPU speed set Power save mode enabled Power save mode set state Power source plugged Camera sound Audio device connected Audio player control 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Market Scenario The IoT in Agriculture Market Size Of USD CAGR Value includes a global opportunity With analysis and industry forecasts for the period 2023–2032. IoT in Agriculture report’s segmentation section focuses on each category while also identifying those with the greatest influence on the IoT in Agriculture Market. The framework for finding Key companies and assessing their Geographical Research, product portfolios, and ability for Business growth. In order to forecast the extent of competition, the second one step analyzing the core competencies and market shares of leading companies. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-30218?pu Competitive Analysis In terms of comparative analysis, the global market research report contains information related to the leading market players and their roles played across the global market to win the race against the other market leaders . Global IoT in Agriculture Market Segmentation Global IoT in Agriculture market is segmented on the basis of Technology type application distribution channel and user and vertical industry by offering in-depth information along with geography. By System (Automation Control System Hardware, Sensing Monitoring Devices, Livestock Monitoring Hardware, Fish Farming Hardware, Smart Greenhouse Hardware, and Software), By Service (System Integration Consulting, Managed Services, Connectivity Services, and Maintenance Support), By Application (Precision Crop Farming, Livestock Monitoring, Smart Greenhouse, and Fish Farm Monitoring) Geographical Analysis Of Global IoT in Agriculture Market Regional analysis is also one of the most important features of the research report of the market. The experts have provided in-depth information related to the geography of the global IoT in Agriculture market. The research report provides information related to the sales output of the demand for global IoT in Agriculture both at international as well as the national levels various region. Apart from this it also provides a comprehensive as well as accurate geography-wise market analysis of the market volume and the historical data. Geographical landscape that are included in the global IoT in Agriculture market research report are Europe, Asia Pacific, North America, Africa, South America, and Middle East Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-30218?pu Key Outlook This report will help market leaders / new entrants in this market to get information about the most recent results of their revenue figures for the overall IoT in Agriculture Market and segments. This report will help operators understand the competitive landscape and get more information to better manage their business and plan an appropriate marketing strategy. The report also helps stakeholders understand the market landscape and provides them with insights into key market challenges and opportunities. IBM, Telit, Hitachi, Ltd, Decisive Farming, Trimble Inc., OnFarm Systems Inc., Farmers Edge Inc., The Climate Corporation, and Decisive Farming Details Contained In The Global IoT in Agriculture Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions Key Questions Covered In The Market Research Report What will be the growth rate of the IoT in Agriculture market? What are the important factors that drive the market share of the global IoT in Agriculture market? What are the key factors dividing the market size of the Global IoT in Agriculture market? Who are the top manufacturers in the IoT in Agriculture market? What are the major market opportunities, challenges, and threats faced by the IoT in Agriculture market? Who are the leading distributors, traders, and dealers of the IoT in Agriculture market? What are the sales, price, and revenue analyses of the top manufacturers of the IoT in Agriculture market? What is the impact of covid-19 on the Global IoT in Agriculture market? How the market has been segmented in this market research report? About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
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▼ 0～9 1ST AVENUE 3D IN YOUR FACE 7TH ANGEL 7TH HEAVEN 14 KARAT SOUL 17 20/20 21ST CENTURY GIRLS 30 SECONDS TO MARS 40 FT. RINGO 44 CALIBER 58 the 69 EYES 77 91 SUITE 220 VOLT 1969 ▼ A A-HA a1 ABBA ABO ABORYM A BOY S SONG ACCEPT Ace Frehley ACE OF BASE Acey Slade the DARK PARTY A.C.T. ADELITAS WAY ADLER ADLER S APPETITE the ADVENTURES OF LILY AEROSMITH AESTHESIA AFTER SCHOOL AIRLESS Alexander Zonjic Alex Band ALIAS Alice Cooper ALLEY CATS LV ALLEYCAT SCRATCH ALLSTAR WEEKEND ALOHA FROM HELL The AMAZONS AMERICAN ANTHEM AMERICAN HEARTBREAK AMERICAN PEARL the AMORETTES AMSTERDAM Amy Winehouse Ana Johnsson ANAL CUNT A NEW REVENGE Anders Fernette Anders Johansson Andrew Tyrone Rodgers Andrew W.K. ANDROIDS Andy Timmons ANGELFIRE ANGELINE ANGRA ANIMETAL USA Annekei ANNIHILATOR ANOUK AOR APOCALYPTICA APRIL FOOL AQUILA ARIA ( Ария ) Ari Koivunen ARTHEMIS Ashlyne Huff ASFALT ASPHALT VALENTINE ASSCANCER AUDIO FICTION AVENGED SEVENFOLD Avril Lavigne ▼ B Baby Face BABY JANE BABYLON A.D. 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King BETA WOLF Bette Midler Beyonce BIGBANG BIG BANG BABIES the BIGGER LIGHTS Billy Carri Billy Idol Billy Klippert Billy Ocean Billy Sheehan BIRDLAND BLACKBOARD JUNGLE BLACK DIAMONDS BLACK LABEL SOCIETY the BLACK MOLLEYS BLACKMORE S NIGHT BLACK RAIN the BLACK STARS BLACK TIDE BLACK UNIFORMS BLACK VEIL BRIDES The BLAIRS BLESSED BY A BROKENHEART BLIND GUARDIAN BLOODLIGHTS BLOODPIT BLOOD RED SHOES BLOODY HEELS Blues Saraceno BLUE TEARS Bobby Caldwell Bob Dylan BOMBSHELL CRUSH BONE MACHINE BON JOVI BOSTON BOSTON SPACESHIPS BOUDREAUX BOYZ II MEN BOYS LIKE GIRLS Boz Scaggs Bret Michaels Brian Jack Brian McDonald Group Brian Setzer Orchestra BRIDES OF DESTRUCTION BROKEN TEETH Bruce Kulick Bruce Springsteen BRUNETTE Bryan Adams BUBBLE BUBBLEGUM KISS BUBBLEGUM MAFIA BUBBLEGUM SCREW BUCKCHERRY Buckethead BUGZY BURNING RAIN Burt Bacharach BULLET BOYS BULLET FOR MY VALENTINE BULLETRAIN Butch Walker ▼ C CANDY Carmine Appice Carole King Carol Welsman Carrie Underwood CASABLANCA CASANOVA Cato Salsa EXPERIENCE Catrin Finch CAT POWER CATS IN BOOTS CATS IN SPACE Chaka Khan Charlie Overbey CHARM CITY DEVILS CHEAP TRICK Che Nelle CHERRY LIPS Cheyenne Kimball Chez Kane CHICAGO CHICKENFOOT CHICKS WITH GUNS → DARKH Chris Caffery Chris Laney ( LANEY'S LEGION ) Chuck Berry CINDERELLA CINDER ROAD CIRCUS CJ Szuter CLEAVAGE Clementine the CLICK FIVE CLOSE QUARTERS CLOUDBERRY JAM COBRAKILL COBRA SPELL COLD BLUE REBELS COLDPLAY COLD SHOT COLD SWEAT CONFESS CONSPIRACY THEORY CONTRABAND CORELEONI The CORRS COUP DE GRACE COVERED CALL Cozy Powell CRASHDIET CRASH KELLY CRASH MIDNIGHT CRAZY LIXX CREATURE Criss Sexx CRUCIFIED BARBARA CRUELLA D VILLE CRUZH the CRY CRY WOLF the CULT CUSTOM MADE SCARE CYANIDE 4 ▼ D DAMAGED DOLLS DANGER DANGER ANGEL DANGER DANGER DANGEROUS CURVES Daniel Ho Danny & Ben DANTE FOX ( pre-GREAT WHITE ) DARKH ← CHICKS WITH GUNS DARKHOUSE DARKNESS DARLING DIED SUICIDE Daryl Hall & John Oates DAVE RUDE BAND David Bowie David Lee Roth the DEAD DAISIES DEAD OR ALIVE DEADSTAR ASSEMBLY Debbie Gibson DECRY DEEP PURPLE the DEFIANTS DEF LEPPARD DE LA CRUZ DELANY Demi Lovato DEMON DRIVE DESTINY S CHILD DEVIL PARTY ANTHEMS, INC. DEXRESS Diana King Diana Krall Diane Birch Dianne Reeves DIE MANNEQUIN DIO Dionne Warwick DIRTY AMERICANS DIRTY BLONDE DIRTY LOOKS DIRTY PASSION DIRTY PENNY DIRTY SWEET DISCIPLE DISTORTED WONDERLAND DISTURBED DIZZY BITCH DJ Deckstream D MOLLS DOCTOR MIDNIGHT & THE MERCY CULT DOKKEN DOLL the DOLLYROTS DOMENICA DONNAS Donnie Vie DOPE DORO Doug Aldrich DOWN & DIRTY DRAMA QUEN DIE DRUTS DUM.DUMS DURAN DURAN DUST BOWL JOKIES DYNAZTY ▼ E the EAGLES EDEN S CURSE EKLYPCE ELECTRIC ANGELS ELECTRIC LIGHT ORCHESTRA ELECTRIC MARY Elisa Fiorillo Elton John ELUVEITIE Elvis Costello Elvis Presley Eminem Emma Roberts ENDEVERAFTER the ENEMY ENEMY YOU ENGINES OF AGGRESSION ENUFF Z NUFF Enya Eric Clapton Eric Martin EROTIC PSYCHO EROTIC SUICIDE ESCAPE ESP ( Eric Singer Project ) EUROPE Evan Taubenfeld EVERLIFE the EXIES EXODUS EXTREME EYE ▼ F FABER DRIVE FAIR WARNING FARCRY FARTHEMIS FASTER PUSSYCAT FASTWAY Fergie Frederiksen FIONA FIREHOUSE FIREWIND FIVE EASY PIECES FIZZY BANGERS FLAIRS FM FONZIE FORCEFIELD FOREPLAY FOXEY FOXY ROXX FOZZY FRANKIE + THE STUDS Frank Zappa FRANZ FERDINAND FRENCHEE FRONT BACK Funky DL FUTURE 86 ▼ G GAMMA RAY Gary Moore GASOLINE STARS GENITORTURERS George Clinton George Lynch ( LYNCH MOB ) GIGANTOR Gilby Clarke Ginger GINGER - fr Glam ( Åge Sten Nilsen ) GLAMOUR the GLAMOUR PUNKS Glenn Hughes GOODBYE THRILL GOODNIGHT GRACIE GOTHAM SAINTS GOTTHARD Grace Potter & THE NOCTURNALS Graham Bonnet GRAND DESIGN GREAT WHITE GREEN DAY GRINSPOON GRP ALL-STAR BIG BAND the GUESTZ GUNNER SIXX GUNS N ROSES GYNGER LYNN GYPSY PISTOLEROS ▼ H HALFORD HALO FRIENDLIES HANDSOME DEVIL HANNON TRAMP HANOI ROCKS HANSON H.A.R.D HARDCORE CIRCUS HARDCORE SUPERSTAR HARDLINE HAREM SCAREM HEART HEART THROB MOB H.E.A.T HEAVEN S BASEMENT HELIX HELL IN THE CLUB HELL N DIESEL HELLOWEEN HELLYEAH HELTER SKELTER Herbie Hancock HERMES HOUSE BAND HE WAS A GOD HEY MONDAY the HELLACOPTERS HIGH NOON HIGH-SCHOOL MOTHERFUCKERS Hilary Kole HIM HINDER HOLLYHELL HOLLYWOOD BURNOUTS HOLLYWOOD GROUPIES HOLLYWOOD KILLERZ HOLLYWOOD TEASZE HOLLYWOOD UNDEAD HOLY GRAIL HOT LEG HOTTNYTE HOUSE OF LORDS HOUSTON HUNG JURY HUNGRYHEART HURRICANE ▼ I IMPELLITTERI IMPERIAL STATE ELECTRIC I,NAPOLEON INDICA INNOCENT ROSIE IOMMI IRON HORSE IRON MAIDEN Issa the ISSUES ITS REVENGE Izzy Stradlin ▼ J JACKYL Jacob Koller JADE JADED HEART the JADE-Finland James LaBrie JAILBAIT JAIMZ VOKINS Jani Lane Janis Joplin Janet Kay JEDWARD Jeff Beck Jeff Keith Jeff LaBar JELLYFISH Jennyfer Star Jesse Harte JET JET 68 JET RED Jimmy Scott Jimmy Waldo & Steven Rosen Jizzy Pearl Joanna Martino Joan Jett And THE BLACKHEARTS Jody Watley Joe Elliott Joe Lynn Turner Joe Perry Joey C. Jones Joey C. Jones and THE GLORY HOUNDS John Corabi John Diva AND THE ROCKETS OF LOVE John Lawton & Steve Dunning John Nathaniel Johnny Lima Johnny Monaco John Norum John Waite Jon Oliva JONAS BROTHERS JONES STREET JORN Josh Todd JOURNEY JUDAS PRIEST JUICY LUCY JULIET S VICE Justin Bieber JUSTIN HEAT ▼ K KALMAH KAMELOT Karl Allweier KASABIAN Katharine McPhee KATRA Katy Perry Kay Hanley Keith Foti Kelly Clarkson Kelly Fairchild Kenny McGee Keri Hilson KERY DOLL KID EGO KID ROCKER KIDS IN GLASS HOUSES KID WIKKID KILL CITY KILLS KILL FOR THRILLS KILLINGBIRD KINGDOM COME KING ZEBRA Kiske-Somerville KISS KISSIN DYNAMITE KITTIE Kjetil By KNYGHT KORN KOTTAK KRAYOLA KIDS Kristina Train Kristy Frank Kristy Majors KRUNK KRYSTAL Kyle Vincent Kylie Minogue KXM ▼ L Lady Gaga LAGE L.A. GUNS LANEY'S LEGION ( Chris Laney ) L.A. ROCKS LAROXX Larry Carlton Larry Graham LA SMOGG LAST AUTUMN S DREAM LAST TEMPTATION the LAST VEGAS LEADED FUEL LED ZEPPELIN LEN Lesley Roy LETHAL LIPSTICK LIARS N CHEATS LIBERATORS LIBERTY N JUSTICE LILLIX Lindsay Lohan Linus Of Hollywood LIPSHOCK LIPSTIXX N BULLETZ Lita Ford Liz Phair LIZZY BORDEN LOADED the LOCAL BAND LOGAN S HEROES LONDON LONG GONE LORD LORDI LOST ANGELS the LOST BOYZ LOSTPROPHETS LOUD & CLEAR LOVEBLAST LOVE/HATE LOVELESS LOVEMAKER LOVE RAZER LOVEX LUCKY SOUL LYNAM LYNCH MOB ( George Lynch ) LYNYRD SKYNYRD LYXX ▼ M MADAM X MADINA LAKE MAJOR MALICE MALICE IN WONDERLAND MAMA KIN Mariah Carey MARILYN MANSON Marty Friedman Marshall Crenshaw MASTERPLAN Matthew Sweet & Susanna Hoffs Matt Sorum MEAT LOAF MEGADETH MELEE MELODICA MELODY CLUB MEST METALLICA METAL SCENT METHODS OF MAYHEM Mia Klose MIAMI RIOT Michael C. Dragon Michael Jackson Michael Monroe Michael Schenker Michael Sweet Mick Jagger MIDNITE EVE MIDNITE CITY Mike Stern Mike Tramp Miles Davis Miley Cyrus MIND INFECTION Misha Williams the MISTAKES MISTERNOTHING MR. REALITY MRS. FRIZZLE Mitch Malloy MODEL SAINT MOTLEY CRUE MOTOR CITY ROCKERS MOTORHEAD MR.BIG MURDER BAY MURDERDOLLS MY CHEMICAL ROMANCE MYSTERY ▼ N NAKED NA LEO NASHVILLE PUSSY NASTY HABIT NASTY NUNS NASTY RATZ Natalie Cole Nathan NEEDLE PARK NEGATIVE NELSON NEUROTIC OUTSIDERS The NEW BLACK 7 NEW WORLD IDOLS Ne-Yo NIACIN NICKELBACK NICE N SLEEZY Nicole Scherzinger Nicollette Knight NIGHT RANGER NINA NINEDAYS NITERAIN NITRATE NITRO NOBODYS CHILDREN NO SYMPATHY NOTORIOUS Nuno Bettencourt NYMPHO ▼ O OASIS Olivia Newton John OOMPH! the ORDINARY BOYS Orianthi OUTLOUD OVERDRIVE Ozzy Osbourne ▼ P PAPA ROACH PARAMORE PARIAH PANZER PRINCESS Paul Alan Paul Gilbert Paul Gilbert & Jimi Kidd Paul Laine Paul McCartney Paul Weller PEARL PENDULUM PENNY LANE PEPPERMINT CREEPS PERFECT PLAN Phil Lewis PINK DOLLS PINK ROSE the PIPETTES PLACEBO PLAIN JANE PLASTIC TEARS PLEASURE ADDICTION PLEASURE CLUB PLEASURE DOME PLEASURE MAKER the PLEASURES POISON ( aka PARIS ) Poley / Pichler POMPEI NIGHTS the POODLES Pop Levi POPULATION 1 POWER TRIP PRETTY BOY FLOYD PRETTY LITTLE SUICIDE PRETTY MAIDS the PRETTY RECKLESS PRETTY SUICIDE PRETTY WILD PRINCESS PANG PRIVATE LINE the PROFESSIONALS PROPHETS OF ADDICTION PSYCHO BARBIES PSYCHOTIC 4 PSYCHOPUNCH PUMP PUNCHBOX PUSH UK PUSSYCAT DOLLS PUSSY SISSTER ▼ Q QUEEN QUEENY BLAST POP QUIET RIOT The QUIREBOYS ▼ R the RADIO SUN RAGDOLLS RAGE RAGING DEAD RAINBOW RAKEL TRAXX Randy Rhoads the RASKINS RASPBERRIES RATT Ray C Ray Charles Ray Parker Jr. REACH RECKLESS RECKLESS LOVE RED DRAGON CARTEL RED HOT CHILIPEPPERS the REJECTS REVERSE GRIP Richie Kotzen Rick Springfield RIOT RIOT ON MARS ( Barry Sparks ) Robben Ford Robert Marcello ROCK CANDY ROCKNEE ROCKSTARS ON MARS ROCK SUGAR Rod Stewart Roger Joseph Manning Jr. The ROLLING STONES ROMEO RIOT Ron Keel Ron Thal RUSS DWARF RXUXDXJ Ryan Star ▼ S SABATON SALUTE SAND & GOLD SANDNESS SANTA CRUZ Sara Gazarek SAVANNAH NIX SAVING ABEL SCHOOLBOY CRUSH SCORPIONS Sebastian Bach SEMPLE SENCELLED SEVEN DAYS LOST SHA-BOOM SHAMLESS Shane Gaalaas Shania Twain Sheryl Crow SHIRAZ LANE SHIT RAVE S.H.O.T. SHOTGUN MESSIAH Sidsel Storm SIGUE SIGUE SPUTNIK SILKED AND STAINED SILVER SILVER-Norway Simon Phillips Simon Soderstrom SIN CITY SINNERS SINS OF AMERICA SISTER SISTERS DOLL SISTER HYDE SISTER SIN SIXX A.M. SKID ROW SKIP ROCK SKIT SKAT SKULL DAZE SKY LARK Slash SLIK HELVETIKA SMITH/KOTZEN SNAKE OIL & HARMONY SNEW SOILWORK SONS OF APOLLO SOULFLY SOULS OF WE SOUTHGANG SPINNING CHAIN STALA & SO. Stan Bush STAR RATS STARWOOD STAR WORLD STATES OF PANIC STEEL HEART STEEL PANTHER Steevi Jaimz STEREO JUNKS! STEREO FALLOUT Steve Lukather Steve Vai Steven Tyler STICK IT OUT STIKKY SUITE STONE SOUR ST. PROSTITUTE STROKES STRYPER SUEDE SUGAR SUGAAR SUICIDE BOMBERS SUITE 19 SUPERCOOL SUPERGROUPIES SUPERHORRORFUCK SUPERNOVA PLASMAJETS SWEDISH EROTICA SWEET LEOPARD SWEET LIPS SWEET THING SWING OUT SISTER Sylvie Vartan ▼ T TALES FROM THE PORN TALKS CHEAP TANGO DOWN Tarja Taylor Swift TEENAGE CASKET COMPANY TEENAGE FANCLUB TERRA NOVA Terry Bozzio TESLA THE WAY IN THIN LIZZY THOSE DANCING DAYS the THROBS THUNDER TIGERTAILZ TILTERWORLD Tim Christensen Tim Skold the TING TINGS TNT Tobias Sammet ( AVANTASIA ) Tommy Lee TONIGHT ALIVE Tony Harnell Tony Milles TOTO TOWN KLOWN TOXIC HEART TOXICROSE TOXIC TASTE TOY ROZ TRACY GANG PUSSY TRASH BRATS TRAUMA DEVILLE TREAT The TREATMENT TRENCH DOGS TRIANGLE Trijntje Oosterhuis TRIUMPH TRIXTER TRUE LOVE TRYX TUFF TWISTED SISTER TYKETTO ▼ U UFO UNSUN USER of a common name ▼ V VAIN VAINS OF JENNA VAIN VIPERS VALERIE VAMPIRE WEEKEND the VANGUARD JAZZ ORCHESTRA Vanessa Paradis VAN HALEN VANILLA NINJA VANITY INSANITY VARGA VAUDEVILLE VAUXDVIHL / Australia VENDETTA VENUS MOUNTAINS the VERONICAS VILE CALIBER Ville Valo AGENTS Vince Neil VINNIE VINCENT INVASION ( Vinnie Vincent ) VIOLENT DIVINE VITNE VIXEN VOICES OF ROCK ▼ W WALTARI WARRANT W.A.S.P. WHITEFOXX WHITEHEAT WHITE LION WHITESNAKE WHITE WIDDOW WICKED JESTER WICKED SETISATION WICKED STARRR WIKKED GYPSY WILD BOYZ the WILDHEARTS WILD MACHINE WILD ROSE WILDSTREET the WINERY DOGS WINGER WOLFPAKK WORLDS APART WRATHCHILD UK Wynton Marsalis ▼ X XXX XYZ ▼ Y Y&T Yngwie Malmsteen ▼ Z Zakk Wylde ZAPP ZARIF ZENO ZODIAC MINDWARP the ZOMBIE DANDIES ▼ V.A. V.A. world V.A. world movie V.A. world tribute
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海外ニュース ●ニュース（自動取得） ★infoshop news showrss プラグインエラー RSSが見つからないか、接続エラーです。 ★infoshop Blog showrss プラグインエラー RSSが見つからないか、接続エラーです。 ★UbuWeb UbuWeb(wikipedia en)は、アバンギャルド、エスノ・ポエティクスとアウトサイダー・アートの全ての仕事に捧げられる完全に独立したリソースです。 新着記事は見つかりませんでした。 ★GoogleニュースUS (Summit) Not invited to Biden's democracy summit, China launches a propaganda blitz - NPR The Summit for Democracy's missing link is debt transparency | TheHill - The Hill Harris uses democracy summit to call for passage of voting rights laws | TheHill - The Hill What Is South Asia's Role at Biden's Democracy Summit? - Foreign Policy NATO Secretary General joins Summit for Democracy - NATO HQ Cooking oil crook caught in the act, police say - WNEP Scranton/Wilkes-Barre How to enjoy the Summit County cannabis scene - Summit Daily Opinion | Susan Knopf Summit hit the trifecta with new maps - Summit Daily Gov. 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Mango, Leffen, Hungrybox, Zain, Wizzrobe, aMSa, iBDW, SFAT, Ginger, Magi, Free Palestine, KoDoRiN, Pipsqueak and more - EventHubs Summit County gas station robbery suspect surrenders to police - Cleveland 19 News REUTERS SUMMIT Bank investment chiefs signal China and emerging market caution - Reuters Taiwan to Participate in US Summit for Democracy as China Snubbed - VOA Asia COVID-19 in Summit County Hospitalizations continue to climb at Akron-area hospitals - Akron Beacon Journal Summit Ag begins build-out of wheat protein plant - Baking Business Dana Cottrell and Dan Burnett recognized at Summit Association of Realtors event - Summit Daily North American Leaders' Summit (NALS) - The White House U.S. to announce sanctions next week marking Biden's democracy summit - Reuters Summit County ski areas could rack up double-digit snow totals by the end of the week - Summit Daily Summit greenlights carbon emissions trading system; critics point to pitfalls - NPR Hungary Blocks EU's Participation in Joe Biden's Summit of Democracy - Bloomberg Some Summit business owners say they're not interested in implementing a vaccine requirement for customers - Summit Daily ‘The Summit of the Gods’ Review In the (Mountain) Heights - The New York Times New Summit League commissioner stresses intentions of immediate active role in conference matters - Grand Forks Herald Summit of Science - UC San Diego Health 2 Summit locals named to state board overseeing outdoor equity funding - Summit Daily Announcement of Colorado Summit — new professional ultimate frisbee team — is met with mixed reactions - The Denver Channel President Biden to Host Second US - Africa Leaders Summit - The White House Locals react to what are likely to be Summit County's new short-term rental licensing regulations - Summit Daily 'English country manor' on St. Paul's Summit Avenue on market for $2.375 million - Minneapolis Star Tribune Race results 16th annual Summit for Life uphill Saturday on Aspen Mountain - The Aspen Times Firefighters angry about firing of North Summit Fire District chief - The Park Record Summit Tigers shut out Centaurus Warriors in season opener - Summit Daily Summit Powder Mountain's suit against lenders survives dismissal effort - Standard-Examiner 18-year-old woman shot while sitting in car in Summit County, police say - Cleveland 19 News Here's what world leaders agreed to — and what they didn't — at the U.N. climate summit - NPR Daylong mental health summit gets underway Nov. 15 | UNC-Chapel Hill - UNC Chapell Hill What Did the US-China Summit Achieve? - The New York Times Fact Sheet Building A New Era of Nation-to-Nation Engagement - The White House Regional dispatch center charts course toward creation, with or without Stow - Akron Beacon Journal Days after COP26, US oversees historic oil and gas lease sale - NPR U.S. and China announce surprise climate agreement at COP26 summit - NPR Forbes Announces 2021 Power Women's Summit, Recognizing Trailblazing Leaders Who Are Reshaping The World - Forbes Seven doctors contract Covid after attending Florida anti-vaccine summit - The Guardian China and U.S. Quietly Released Captive Citizens Before Summit - The New York Times Qualcomm Snapdragon Summit 2021 live blog new gaming device and Snapdragon 8cx - TechRadar Hikers reach summit of Mount Marcy wearing sneakers in 8-inch snow, then call rangers for a ride - newyorkupstate.com China-ASEAN summit begins without a Myanmar representative - Al Jazeera English Tokyo Nutrition for Growth Summit 2021 an opportunity to accelerate the efforts towards achieving the SDGs - The Lancet COP architects furious at lack of climate justice at pivotal summit - Nature.com Russia suspected of blocking Biden's bid to host Asian summit - POLITICO Why the Five Kage Summit Is the Best Arc in Naruto | CBR - CBR - Comic Book Resources Climate Summit Reveals Challenges for Biden Administration - U.S. News World Report 'It's even better than we imagined' Akron investing another $2 million in Summit Lake - Akron Beacon Journal ‘Deep regret’ Global climate summit fails developing nations once again - The Verge The Climate Summit Blues | On the Media - WNYC Studios In joint op-ed, China and Russia decry US democracy summit - FRANCE 24 World leaders commit to ambitious goals at U.N. climate summit - NPR Tickets now on sale for 2022 Summit Racing Equipment NHRA Nationals - NHRA.com The REVOLT Summit Made A Successful Return To Atlanta With Star Studded Lineup - Forbes Biden Democracy Summit Must Prove Skeptics Wrong - Foreign Policy DealBook Online Summit Antony Blinken Warns on China, Mary Barra Plugs EVs - The New York Times 34-year-old Summit County resident dies from COVID-19 - Summit Daily News ★GoogleニュースUS (G8) Asia floating and offshore renewables specialist G8 to use 3DOM's next-gen Li-ion batteries - Energy Storage News Ex-President Bush, wife may have been hit with `Havana Syndrome` in G8 summit in 2007 Report - WION HP Z2 G8 Tower Review - PCMag G8 Subsea, KoolLogix and Nanosun win top accolades at Emerging Enterprise Awards - The Business Times G8 to increase long-haul DWDM network capacity in Brazil - Fibre Systems G8 confirms David Foster as new Chairperson, as Mark Johnson steps down - The Sector Council OKs first step toward new housing downtown - Globe Gazette Hands on HP EliteBook 840 Aero G8 packs the bells and whistles - Techgoondu HP ZBook Fury 15 G8 - Review 2021 - PCMag India Singapore floating PV company targeting offshore expansion – pv magazine International - pv magazine International World Championship Game 8 Nepomniachtchi self-destructs - Chessbase News G8 Education gets conditional approval for Yanchep build - The Sector ‘She defined modern Germany’ Blair, Barroso and Prodi on Angela Merkel - The Guardian Police and divers spotted at Exeter quay - Devon Live Best Cyber Monday HP deals 2021 - Laptop Mag HP ZBook Studio G8 review works hard, plays harder - The Verge Twenty Years Since the Genoa G8 Protests, Globalization Is Imploding - Jacobin magazine G7 summit Cornwall - why G8 became 7 and the history of the meeting of world leaders - Cornwall Live Phillip Chodur's G8 looking for rezoning OK from city - Globe Gazette G8 Utilities Industry Guide to 2025 - Featuring Hydro-Quebec, Enbridge and Edison Among Others - ResearchAndMarkets.com - Yahoo Finance HP EliteBook 840 Aero G8 Review - PCMag HP ZBook Firefly 14 G8 review Upgraded CPU and GPU, but screen options and battery life disappoint Review - ZDNet Global Waste Management Group of Eight (G8) Industry Guide 2021 Market Summary, Competitive Analysis and Forecast to 2025 - ResearchAndMarkets.com - Business Wire HP ZBook Studio G8 review - Laptop Mag Why more engineers need PhDs - Create - create digital G8 Power Generation Industry Guide - Summary, Competitive Analysis and Forecast to 2025 - ResearchAndMarkets.com - Business Wire Airline staff at Bengaluru airport force 4-year-old to undergo Covid-19 test | Bengaluru News - Times of India HP ZBook Firefly 14 G8 review - Laptop Mag Kill unwanted noise and dial in “sliced and diced metal rhythm tone” with Revv Amplification’s G8 Noise Gate - MusicRadar HP’s ZBook Studio G8 is a serious laptop that isn’t afraid to show its fun side - The Verge HP ZBook Fury 15 G7 vs. ZBook Fury 15 G8 What's the difference? - Notebookcheck.net G8 Metals and Mining Industry Guide to 2024 - Featuring Alcoa, Barrick Gold and ThyssenKrupp Among Others - ResearchAndMarkets.com - Business Wire G8 Gas Utilities Industry Guide to 2025 - Market Summary, Competitive Analysis and Forecasts - ResearchAndMarkets.com - Business Wire Pet Healthcare G8 Industry to 2024 - Featuring Nestle, Bayer and Zoetis Among Others - ResearchAndMarkets.com - Business Wire Blue Star Gold Announces Investor Relations Engagement with G8 Strategies LLC - Yahoo Finance Ride Of The Week 07/19/2021 Ray Turner's 2009 Pontiac G8 GT - NorthcentralPa.com G8 acquires in home care provider as it extends support for families with complex needs - The Sector G8 childcare out of short-seller pan, into glut fire? - The Australian Financial Review The HP EliteBook 840 G8 has one huge advantage over most other business laptops, but it comes at a cost - Notebookcheck.net HP ZBook Firefly 14 G8 Review For those that need a bit more - XDA Developers HP EliteBook 840 Aero G8 Review Superlight, Superexpensive - Digital Trends Air Freight Global Group of Eight (G8) Industry Guide 2021 - Market Summary, Competitive Analysis and Forecast to 2025 - ResearchAndMarkets.com - Business Wire Business Spotlight G8 Strategies LLC (sponsored) | Serving Northern Nevada - Northern Nevada Business Weekly Upgrade Your G8 Motor Mounts With BMR Suspension - TURNology HP ZBook Firefly G8 Review - StorageReview.com HP ZBook Studio 15 G8 Laptop Review More Options Than Ever Before - Notebookcheck.net G7 Summit 2021 All you need to know about history of annual summit founded in 1975 - Firstpost Buying a Used Pontiac G8 GXP These Are Common Issues You Should Consider - autoevolution Weekly Treasure 2009 Pontiac G8 GXP - CarBuzz Moto G8 review a decent smartphone on a tight budget - T3 Asus ProArt StudioBook Pro 16 W7600 laptop in review Powerful and light workstation - Notebookcheck.net G8 Education updates on new Greenfield strategy as it positions for sustainable growth - The Sector Android 11 update begins rolling out for Moto G8 and G8 Power - 9to5Google The impact the G8 summit had on Enniskillen in Northern Ireland in 2013 - Cornwall Live HP Z2 SFF G8 Workstation Review - StorageReview.com 2009 Supercharged Pontiac G8 Races BMW X3 M, Loser Gets Completely Obliterated - autoevolution What is the G8 and what does it do? - CBBC Newsround Hands-On with the HP EliteBook 840 Aero G8 - Thurrott.com - Thurrott.com HP ZBook Fury 15 G8 workstation review The Quadro RTX A5000 is a beast - Notebookcheck.net Fermanagh's G8 legacy used as cautionary tale - Fermanagh Herald G8 Education reports progress in HY21 results as portfolio optimisation continues - The Sector HP ZBook Firefly 14 G8 laptop in review Small workstation with faster ports - Notebookcheck.net Group of Eight (G-8) Definition - Economy - Investopedia Poverty, protests and policing All eyes were on Gleneagles at 2005 G8 Summit - Press and Journal From staring down Trump to being pecked by parrots - Angela Merkel's greatest moments - nation.lk - The Nation Newspaper Motorola’s Moto G8 and G8 Power are getting their Android 11 stable updates - XDA Developers HP ProBook 440 G8 review Robust office laptop with a Tiger Lake CPU - Notebookcheck.net Unlocked LG G8 ThinQ now supports AT T VoLTE after April update - PiunikaWeb US President Trump reiterates call for Russia to rejoin ‘G8’ - FRANCE 24 English SUPER 8 – MARCOPOLO G8 SERIES - Australasian Bus and Coach HP ProBook 440 G8 Solid office laptop with some potential for expansion - Notebookcheck.net LG G8 ThinQ review many gimmicks, not enough progress - The Verge HP releases ProBook 600 G8 and ProBook 400 G8 business laptops - IT World Canada G8 Education closes out 2020 in solid shape, positions conservatively for 2021 - The Sector US, other powers kick Russia out of G8 - CNN Mercedes E 63 AMG Dadmobile Races Camaro, Pontiac G8, Mustang, Wins Big - autoevolution Telestream Introduces Lightspeed G8 Server - TV Technology Is It Time To Consider Buying G8 Education Limited (ASX GEM)? - Simply Wall St HP ZBook Firefly 15 G8 Now with more performance but also with higher heat development - Notebookcheck.net What Is (or Was) the G8? - LiveScience.com Details of G8 Education's sector first Sustainability Linked Loan revealed in Westpac release - The Sector When the G8 came to Birmingham - and Bill Clinton had a pint at the Malt House - Birmingham Live Don’t Cry for the G8 It’s Mostly a Waste of Time - New Yorker The difference between G-7, G-8, and G-20 — and why they matter - CNBC Anarchists dedicate attack to Genoa G8 victim - English - ANSA G8 Education celebrates trainee success with awards and surprises - The Sector The new HP EliteBook 830 G8 is a great subnotebook with 5G, but you should avoid the SureView panel - Notebookcheck.net LG’s G8 ThinQ arrives in the US on April 11th - The Verge What Does the G7 Stand For? - TIME We Think G8 Education (ASX GEM) Can Stay On Top Of Its Debt - Simply Wall St G8 discounts fees for services impacted by ACT lockdown - The Sector Universal bootloader unlock method has been found for the LG G8, G8S, G8X, and V50 ThinQ - XDA Developers Basis for exclusion of Russia from G8 still exists - Germany - Reuters UK Forget MacBook Pro M1 HP ZBook Firefly G8 is a 3-pound laptop that lasts 14 hours - Tom's Guide 'G8 Comeback' Mother-son duo make Philippine-inspired cookies - WISHTV.com Motorola’s Moto G8 line is confusing here’s how the nine phones compare - TechRadar LG’s palm-reading G8 has a unique vision of the future - The Verge Trump Keeps Blaming Obama, But Putin Got His Own Damn Self Kicked Out Of The G8 - BuzzFeed News The El Camino-Esque Pontiac G8 Sport Truck is a Car Worth Giving Up On - Car and Driver Motorola Moto G8 Plus, hands on A worthy update, but is it enough to stand out? Review - ZDNet
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【Tags G Miku Tohma Toma tS Tooma】 Original Music Title 骸骨楽団とリリア Skeleton Orchestra and Lilia (Gaikotsu Gakudan to Riria) Music Lyrics written, Voice edited by トーマ(Toma) Music arranged by トーマ(Toma) Singer 初音ミク (Hatsune Miku) Click here for the Japanese Lyrics English Lyrics (translated by animeyay)： The taciturn God abandoned the sound and waned, while the night sky, being a crybaby, was moved to tears. It's a song, unknown to anyone, sung only to this moonlit night, in a grey theater together with the Orion by the window. No matter how many times, I can hear this lonesome unskillful voice. The rusted instruments were an illusion in the depths of the ocean. Merely gathering those timbres I heard in my dream, I wove them together so that they would eventually bud. The song of interstellar traveling will not reach its destination. See, even though I kept singing, I was still crying alone in the music festival where I danced frantically. Are the sounds reaching your ears? Romeo, Romeo. I fell in an almost magical love with a sound, which I had finally met after years of separation, and I didn't even notice. With their words completely drained, the people of this boring country began to seek out the thing they had lost. The melted antique days completely clogged the mirrors in the ruins on Mars with the Cassiopeia in the sky in broad daylight. No matter how many times, I can hear the sound of a rain of the forlorn words, into which the sketched skeletons seem to be burying their lonely imagination. The distancing, sinking, and blurring sky, clueless about the situation, is taking me with it to that world where there is a heavy downpour. To that faraway country that has been moisturized and then bloomed, I let my thoughts fly, while my eyes are growing dull. Now I make a wish to the stars, Romeo, Romeo. Passing through the gate, and find my way out of the fog, even if everything's taken away from me, I will go meet you. I will rely on the whispering voice. The streets I'm walking on and the winter in a glass bottle look like a movie scene from somewhere. On the narrow and long railroad tracks, they stain me into their colors. In the distant and quiet morning that loses its color as soon as it's touched, I found a fragment of sound. See, even though I kept singing, I was still crying alone in the music festival where I danced frantically. Are the sounds reaching your ears? Romeo, Romeo. I fell in an almost magical love with a sound, which I had finally met after years of separation, before I would fall into a slumber and become cold. When I closed my eyes and felt with my hand, I heard the beats in the depths of my chest. I'm sending this endless melody to the nameless you. Romaji lyrics (transliterated by animeyay)： mukuchi na kamisama ga oto o sutete katamuita nakimushi yozora namidagunda tsukiyo ni kikaseru no dare mo shiranai uta haiiro gekijou madobe no Orion to nando datte kikoeru hitorikiri no tsutanai koe sabitsuita gakki ga unabara de gensou o kanadete'ta yume no naka oboeta neirotachi o tada atsumete mebuku you ni tsumuida hoshimeguri no uta ga todokanai hora utatte'tatte naita hitori ukande matta ongakusai kimi wa kikoeru? Romio Romio nannen tatte aeta oto ni mahou mitai na koi o shitari ki ga tsukanai you ni kotoba o nomihoshita taikutsu na kuni no hito ga nakushita mono o sagashite'ta kagami o fusaide'ta toketa antiiku na hibi kasei no haikyo mahiru no Kashiopea nando datte kikoeru wasurete ita oto no ame ni e ni kaita gaikotsu wa kodoku na souzou o umeru you de tooku natte oborete kasumu sora wa shiranai mama furisosogu sekai e tsurete itte nee urunde saita tooi kuni ni haseru omoi kusunda hitomi hoshi ni negai o Romio Romio mon o kugutte kiri o nukete ubaisattatte ai ni ikou sasayaki o tayori ni aruku machinami garasubin no fuyu dokoka no eiga no you ne hosoku nagai senro no ue de sa watashi ni iro o tsukete furete sugu hagarete shimau hakanaku shizuka na asa ni mitsuketa oto no kakera hora utatte'tatte naita hitori ukande matta ongakusai kimi wa kikoeru? Romio Romio nannen tatte aeta oto ni mahou mitai na koi o shitari nemuru you ni sameru mae ni me o tojite te o atete okusoko no kodou o kiita togirenai senritsu o na mo naki kimi e to
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apacheインストール apache概要 httpd.conf動作環境の設定(Global Enviroment) Mainサーバに関する主要な設定 ディレクトリアクセスに関する設定 ログに関する設定 エイリアスの設定 アクセス制御に関する設定 apacheインストール yum -y install httpd mod_ssl apache概要 Service Name httpd Protocol and port 80/TCP , 443/TCP SELinux Module apache 2.1.2 Deamon Program /usr/sbin/httpd Configuration files /etc/httpd/conf/httpd.conf, /etc/httpd/conf.d/*.conf Pid file /var/run/httpd.pid Lock file /var/lock/subsys/httpd Control script /etc/init.d/httpd Script parameters start stop restart condrestart reload status fullstatas graceful help configtest Startup 2 3 4 5/85 15 httpd.conf 動作環境の設定(Global Enviroment) ServerTokens OS #SERVERレスポンスヘッダ ServerRoot "/etc/httpd" #設定ファイルのパス PidFile run/httpd.pid #プロセスIDファイルの指定 TimeOut 60 #タイムアウト時間 rest(GET,POST,PUT,DELETE) KeepAlive Off #1回のTCPセッションで、複数のHTTPリクエストを処理させる MaxKeepAliveRequests 100 #1回のTCPセッションで受け付ける事の出来るリクエスト数 KeepAliveTimeout 15 #TCPセッションを切断せずに次のHTTPリクエストを待つ時間 IfModule prefork.c #MPM prefockの設定 StartServers 8 MinSpareServers 5 MaxSpareServers 20 ServerLimit 256 MaxClients 256 MaxRequestsPerChild 4000 /IfModule Listen 80 #待機するアドレス/ポートの設定 LoadModule #モジュールの使用に関する設定 Include conf.d/*.conf #他ファイルの読み込みに関する設定 #ExtendedStatus On #ステータス情報の使用の設定 User apache #プロセス所有者 Group apache Mainサーバに関する主要な設定 ServerAdmin root@localhost #サーバ管理者の指定 #ServerName www.example.com 80 #サーバ名の指定 UseCanonicalName Off #サーバ名の指定 Off/On/Dns DocumentRoot "/var/www/html" #ドキュメントルートの指定 ServerSignature On/Off/Email #サーバが生成するドキュメントフッターの設定 ディレクトリアクセスに関する設定 UserDir disabled #ユーザが公開するディレクトリの指定 disabled|enabled #UserDir public_html DirectoryIndex index.html index.html.var #インデックスファイルの指定 *.varファイルを利用する事でブラウザの指定する言語に併せたページを表示する事が可能です ログに関する設定 HostnameLookups Off #ホスト名解決の設定 アクセスログに記録する際、クライアントのIPアドレスから,DNSに問い合わせて得られたホスト名で記録するかを指定。 On|Off|Double #EnableMMAP off|on #メモリマッピングの設定 #EnableSendfile off|on #Sendfileの設定 エラーログに関する設定 ErrorLog logs/error_log LogLevel warn|emeg|alert|crit|error|warn|notice|info|debug アクセスログに関する設定 combined(複合型),common(基本型),referer(REFEREおよび、AGENTのみ) LogFormat "%h %l %u %t \"%r\" % s %b \"%{Referer}i\" \"%{User-Agent}i\"" combined LogFormat "%h %l %u %t \"%r\" % s %b" common LogFormat "%{Referer}i - %U" referer LogFormat "%{User-agent}i" agent #LogFormat "%h %l %u %t \"%r\" % s %b \"%{Referer}i\" \"%{User-Agent}i\" %I %O" combinedio #CustomLog logs/access_log common #CustomLog logs/referer_log referer #CustomLog logs/agent_log agent CustomLog logs/access_log combined エイリアスの設定 Alias /icons/ "/var/www/icons/" #エイリアスの指定 Directory "/var/www/icons" Options Indexes MultiViews FollowSymLinks AllowOverride None Order allow,deny Allow from all /Directory IfModule mod_dav_fs.c # Location of the WebDAV lock database. DAVLockDB /var/lib/dav/lockdb /IfModule ScriptAlias /cgi-bin/ "/var/www/cgi-bin/" #スクリプトエイリアスの指定 Directory "/var/www/cgi-bin" AllowOverride None Options None Order allow,deny Allow from all /Directory IndexOptions FancyIndexing VersionSort NameWidth=* HTMLTable Charset=UTF-8 #インデックス表示の書式設定 アイコン情報の指定 AddIconByEncoding (CMP,/icons/compressed.gif) x-compress x-gzip AddIconByType (TXT,/icons/text.gif) text/* AddIconByType (IMG,/icons/image2.gif) image/* AddIconByType (SND,/icons/sound2.gif) audio/* AddIconByType (VID,/icons/movie.gif) video/* 挿入ファイルの指定 ReadmeName README.html HeaderName HEADER.html 無視するファイルの指定 IndexIgnore .??* *~ *# HEADER* README* RCS CVS *,v *,t MIME言語タイプとサフィックスの対応付け AddLanguage ca .ca AddLanguage cs .cz .cs LanguagePriority en ca cs da de el eo es et fr he hr it ja ko ltz nl nn no pl pt pt-BR ru sv zh-CN zh-TW ForceLanguagePriority Prefer Fallback 文字コードとサッフィクスの対応付け AddDefaultCharset UTF-8 MIMEタイプとサフィックスの対応付け #AddType application/x-tar .tgz ハンドラとサフィックスの対応付け #AddHandler cgi-script .cgi サーバ応答のフィルタの対応付け AddOutputFilter INCLUDES .shtml エラードキュメントの設定 IfModule mod_negotiation.c IfModule mod_include.c Directory "/var/www/error" AllowOverride None Options IncludesNoExec AddOutputFilter Includes html AddHandler type-map var Order allow,deny Allow from all LanguagePriority en es de fr ForceLanguagePriority Prefer Fallback /Directory # ErrorDocument 400 /error/HTTP_BAD_REQUEST.html.var # ErrorDocument 401 /error/HTTP_UNAUTHORIZED.html.var # ErrorDocument 403 /error/HTTP_FORBIDDEN.html.var /IfModule /IfModule アクセス制御に関する設定 Directory / #ディレクトリ単位のアクセス制御 Options FollowSymLinks #制御オプション AllowOverride All Deny from All /Directory Directory "/var/www/html" Options Indexes FollowSymLinks AllowOverride All Order allow,deny Allow from all /Directory Options None 全て無効にする All 全て有効にする ExecCGI CGIプログラムの実行を許可する FollowSymLinks シンボリックリンクがあるとき、それを辿る事を許可する Includes SSIを許可する IncludesNOEXEC SSIを許可するが、#exec,#cmd,#includeによるプログラムの実行は禁止する Indexes ディレクトリインデックスの作成を許可する MultiViews Content negotiated MultiViewsを許可する SymLinksOwnerMatch シンボリックリンクとリンク先が同じ所有車である場合のみ、それを辿る事を許可する AllowOverride None オーバライドを無効 All すべて有効 AuthConfig 認証に関するディレクティブを有効にする。対象のディレクティブは、AuthDBMUserFile,AuthDBMGroupFile,AuthGroupFile,AuthName,AuthTypeなど FileInfo ドキュメントタイプを指定するディレクティブを有効にする。 Indexes ディレクトリインデックスを制御するディレクティブを有効にする Limit アクセス制御を行うディレクティブを有効にする Options 機能を制御するディレクティブを有効にする
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#include iostream using namespace std; class TextComponent { public virtual ~TextComponent() { } virtual void PrintOperation() = 0; }; class BodyText public TextComponent { public virtual void PrintOperation() { cout "Body Text." endl; } }; class TextDecorator public TextComponent { public TextDecorator(TextComponent *component) { m_component = component; } virtual ~TextDecorator() { delete m_component; } virtual void PrintOperation() { m_component- PrintOperation(); } private TextComponent *m_component; }; class HeaderDecorator public TextDecorator { public HeaderDecorator(TextComponent *component) TextDecorator(component) { } virtual void PrintOperation() { cout "*** Header ***" endl; TextDecorator PrintOperation(); } }; class FooterDecorator public TextDecorator { public FooterDecorator(TextComponent *component) TextDecorator(component) { } virtual void PrintOperation() { TextDecorator PrintOperation(); cout "*** Footer ***" endl; } }; int main(int argc, char **argv) { TextComponent *component; component = new BodyText; if (argc 1) { component = new HeaderDecorator(component); } if (argc 2) { component = new FooterDecorator(component); } component- PrintOperation(); delete component; return 0; } 参考サイト デザインパターンを“喩え話”で分かり易く理解する http //www.netlaputa.ne.jp/~hijk/study/oo/designpattern.html TECHSCORE http //www.techscore.com/tech/DesignPattern/index.html/ Programing Place http //www.geocities.jp/ky_webid/index_old.html デザインパターンの骸骨たち http //www002.upp.so-net.ne.jp/ys_oota/mdp/
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Everything I Know About Marketing I Learned from High Price Call Girls Productive Publications,Canada? Gerome Shore? ProductivePublications,Canada? GeromeShore? Substores-UnknownASINs-35 Subjects-Business&Investing-Marketing&Sales? Subjects-Professional&Technical-BusinessManagement-Marketing&Sales? Julie and Jackie at the Circus The Play and Musical Play/With Mu Sic Book, Story-And-Song Cassette and Piano Cassette (Jackie and Julie) Lane Center Pub Co? Karla Carey? LaneCenterPubCo? KarlaCarey? Substores-UnknownASINs-35 Subjects-Arts&Photography-PerformingArts-Theater-General? Subjects-Entertainment-PerformingArts-Theater-General? Subjects-Literature&Fiction-Drama-General? Canadian Womens Issues James Lorimer & Co? Ruth Pierson? JamesLorimer&Co? RuthPierson? Substores-UnknownASINs-35 Subjects-History-Americas-Canada-General? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Nonfiction-SocialSciences-Sociology-Marriage&Family? 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What is simai's Notation? Location of Note Numbers Chart Definition and Ending Definition of BPM Length of NotesHow to Define the BPM How to Define the Length Divider TAP HOLD SLIDE (Basics Shapes) SLIDE (Multiple Chaining)Multiple SLIDE Chaining SLIDE TOUCH, TOUCH HOLD, Firework EffectTOUCH TOUCH HOLD Firework Effect EACH EX Notes Other NotationsChange Normal TAP to Star-shaped TAP Change Star-shaped TAP to Normal TAP Notations of Pseudo-TAP HOLD and Pseudo-TOUCH TOUCH HOLD Pseudo EACH SLIDE without Star-shaped TAP ※BREAK's notation is summarized in the description of TAP, HOLD, and SLIDE. What is simai's Notation? simai's notation was created by Celeca in 2013 for denoting the various types of notes appeared in maimai in plain text. By using combinations of half-width alphanumeric characters according to the rules explained below, any maimai charts can be accurately denoted using only plain text theoretically. This notation was first used in simai, a chart simulator for maimai which was first released on February 5, 2013, by Celeca. Since then, various simulators inspired by maimai have been created by volunteers, and the simai's notation has often been used as their chart notation. While Celeca will be closing simai to the public on February 5, 2023, there are still a certain number of users who use simai's notation, which is why Celeca decided to create this page. Although some simulators may have extended/further developed simai's notation in their implementation, only the notation rules officially defined as "simai's notation" are listed here. For those who want to create a simulator supporting simai's notation, it is recommended to make the simulator able to handle the notation rules on this page. Also, if you make such a simulator, Celeca would appreciate it if you could inform Celeca, who has the rights to the simai's notation. Although it is not necessary to inform, Celeca would be glad to hear from you. Location of Note Numbers First, please look at the image below. ⑧① ⑦ ② ⑥ ③ ⑤④ This shows the numbered location of maimai's buttons and sensor areas. They are numbered 1 to 8 in clockwise order. For sensor areas, each numbered location is further divided into 4 alphabet-numbered sensor areas as explained later. These numbers are used to represent notes' position, so be sure to remember this. Chart Definition and Ending A chart in simai's notation is composed by a series of commas and note notations. Every comma occupies a certain length of time. For example, when a comma has a length of 1 second and there are 10 commas in the chart, the chart will have a total length of (10 × 1s =) 10 seconds. In this case, 【1,1,1,1,1,1,1,1,1,1,1,1,1,】 represents a chart with 10 TAP notes at BUTTON-1, in the density of 1 note per second. Once the chart definition has begun, the chart can be defined using commas and note notations. However, for dealing with songs beginning with a fade-in section, a large number of commas would be needed. To save the efforts, there is a parameter which determines how many seconds should pass since the music begins playing when the chart begins at the first comma of the chart. In simai, this is determined by the parameter "first". Since the timing of the beginning of the chart should be determined precisely and accurately, a number with decimal places such as 1.234 seconds is usually used. If "first" is 1.234 seconds, then the same 【1,1,1,1,1,1,1,1,1,1,1,】 chart will have 10 TAP notes at BUTTON-1 at 1.234, 2.234, 3.234, ..., and 10.234 seconds, respectively, after the music begins playing. Just as a real sheet music has an ending notation, an ending should be defined in simai's notation, otherwise the music may continue playing endlessly. ※In simai, when the chart definition is longer than the length of the MP3, the chart still ends when the MP3 is played to the end The end of a chart is denoted by an "E". If "first" is 1.234 seconds and the chart definition is 【1,1,1,1,1,1,1,1,1,1,1,1,1,E】, the chart progresses until 10.234 seconds, as described above, and since the last comma also has a length of 1 second, the chart ends at 11.234 seconds. A chart definition in simai's notation is a long string with a large number of commas and note notations and then an "E" at the end. Line breaks, spaces, and tabs can be inserted in the middle of this string for better readability. These characters are ignored when the chart definition is being parsed. Definition of BPM Length of Notes In the previous examples, a comma has the length of 1 second. Although the following example has a BPM which make the calculation difficult on purpose, the length of a 16th note at 174 BPM is 0.08620689655 seconds. If such length is assigned to every comma, notes with the length of a 16th note at BPM 174 can be placed correctly. However, it would be troublesome to calculate this manually every time. The per-comma length can be changed by adjusting the BPM and/or the length divider by using the following notations. How to Define the BPM (120) Input the BPM value and enclose it in a pair of round brackets. Since the BPM value should be accurate, a number with decimal places can be used. How to Define the Length Divider {2} Input the dividing value and enclose it in a pair of curly brackets. E.g., "{4}" specifies the per-comma length to be a quarter note, "{8}" to be an 8th note, and "{1}" to be the whole note. A number with decimal places can be used but should be avoided because it may cause confusions. The BPM must be defined before the length divider. Because the length of notes cannot be calculated unless the BPM value is defined, when these two parameters are defined together, the length divider should come after the BPM. E.g., 【(120){2}】 specifies the per-comma length to be a half note at 120 BPM (exactly 1 second). If the BPM value is B and the length divider is T, the per-comma length can be calculated using the following formula Per-comma length = 240 / B / T (seconds). Depending on the music, there might be cases where charting to a special sound effect or so with unknown BPM is attempted or matching the vocals precisely is desired. In these cases, 【{#0.35}】, for example, can be used, and the per-comma length after this will become 0.35 seconds. When this notation is used, the per-comma length is already determined, so there is no need to specify the length divider. These two parameters can be defined anywhere when necessary. TAP From here on, note notations which can be added before a comma will be explained. TAP is the most basic note type in maimai. TAP's notation is very simple and is denoted by a button number followed by a comma. TAP that occurs at BUTTON-1 ... 【1,】 TAP that occurs at BUTTON-5 ... 【5,】 To change a TAP into a BREAK TAP, add a "b" before the comma, e.g., 【1b,】, 【5b,】. HOLD To place a HOLD, in addition to the button number, how long the button should be held down should also be specified. For example, for a hold to be held down for the length of a half note at 174 BPM, its held-down length would be 0.68965517241...... seconds. However, as with the BPM example above, this is also troublesome to calculate manually every time. If the current BPM is 174, then 【(174)】 has already been placed before. What is missing is the length divider, 【one half note】. The held-down length is written as 【[2 1]】 in simai's notation. The number before the colon denotes the length divider (half note), and the number after colon denotes the multiplier of the length divider (1×). Hence the total held-down length of such HOLD note is (1 × half note =) one half note. This way of denoting the length parameter is used in both HOLD and SLIDE. In the actual notation, a button number is specified, an "h" is specified after the button number to make it clear that the note is a HOLD, and then the held-down length is be specified after both of them. HOLD that occurs at BUTTON-5 with the held-down length of one half note ... 【5h[2 1],】 This is the basic notation. However, there might be cases where it is more convenient to specify the held-down length to be an exact number of seconds. HOLD that occurs at BUTTON-4 with a held-down length of 5.678 seconds ... 【4h[#5.678],】 HOLD that occurs at BUTTON-4 with a held-down length of one half note at 150 BPM ... 【4h[150#2 1],】 To change a HOLD into a BREAK HOLD, add a "b" after the "h" like 【5hb[2 1],】. It does not matter whether the "h" and the "b" are swapped, as in 【5bh[2 1],】. SLIDE (Basics Shapes) To place a SLIDE, many parameters should be specified, such as the starting and ending button numbers, how they are to be connected with the arrow track, and how long the tracing star is to move. Although SLIDE has gone through remarkable development in the history of maimai, and many features have been implemented to it, this section only describes the basic notation and the shapes of SLIDE. The format of SLIDE's basic notation is a combination of 【starting point, shape of track, ending point, and tracing length】. BUTTON-1 to BUTTON-4, straight shape, tracing length of 3 8th notes ... 【1-4[8 3],】 The 【[8 3]】 part at the end of the notation is specified using the same concept as the held-down length described for HOLD. For SLIDE, there is a waiting time after the approaching star-shaped TAP reaches the judgment line and before the tracing star actually begins to move. Specifically, it is one beat at the current BPM. The tracing length of the SLIDE and the waiting time for the tracing star to start moving can be directly specified in seconds as follows Status ... BUTTON-1 to BUTTON-4, straight shape, 120 BPM Waiting time is one beat at 160 BPM, tracing length is three 8th notes at 160 BPM ... 【1-4[160#8 3],】 Waiting time is one beat at 160 BPM, tracing length is 2 seconds ... 【1-4[160#2],】 Waiting time is 3 seconds, tracing length is 1.5 seconds ... 【1-4[3##1.5],】 Waiting time is 3 seconds, tracing length is three 8th notes at current BPM ... 【1-4[3##8 3],】 Waiting time is 3 seconds, tracing length is three 8th notes at 160 BPM ... 【1-4[3##160#8 3],】 The arrow track of a SLIDE has many possible shapes. "-" ... Straight shape Connects the start to the end in a straight line. " ", " ", "^" ... Arc shape Connects the start to the end along the circled judgment line. If the direction of travel is to the right, use " ". If left, use " ". If the distance is shorter than half the circle, "^" can be used and thinking of the direction is thus not needed. "v" ... v-shape Connects the start to the end through the screen center as the turning point in two straight lines. "p", "q" ... p-shape, q-shape Connects the start to the end while curving around the screen center. "s", "z" ... Thunderbolt shape Connects the start to the end with three short lines in the shape of a thunderbolt symbol (⚡). "pp", "qq" ... Grand p-shape, Grand q-shape Connects the start to the end while curving along an imaginary circle which is tangent to both the screen center and the circled judgment line. "V" ... Grand v-shape Connects the start to the end through a middle turning point in two straight lines. The line connecting the start to the middle turning point is always a short straight line. "w" ... Fan shape Connects the start to three ends in an expanding track in a shape similar to a folding hand fan. Three tracing stars going to each end are spawn for this SLIDE shape. For the "V" SLIDEs, the middle turning point is specified by an extra button number in addition to the button numbers of the starting and ending points. Starting point is BUTTON-1, turning point is BUTTON-3, ending point is BUTTON-5 ... 【1V35】 Every SLIDE has a constant tracing speed from the start to the end. To change the track of a SLIDE into a BREAK SLIDE, add a "b" after the "]" like 【1-4[8 3]b,】. The allowed positions of the ending point relative to the starting point are restricted by the shape of the SLIDE. The following table lists the possible combinations of starting and ending points of each SLIDE shape where the arrow track of the SLIDE can be drawn normally. SLIDE (Multiple Chaining) Multiple SLIDE Multiple SLIDE refers to a SLIDE note with two or more arrow tracks stating from a single star-shaped TAP. Each SLIDE arrow track is specified with its own set of parameters, since every set of parameters may be different for each SLIDE arrow track, except that the starting point is the same. The tracing speed can be different for each SLIDE arrow track, but these SLIDE arrow tracks are treated as EACH because their tracing stars begin to move at the same time. BUTTON-1 to BUTTON-4, straight shape, tracing length of 3 4th notes, plus BUTTON-1 to BUTTON-6, arc shape, tracing length of 5 8th notes ... 【1-4[4 3]*-6[8 5],】 After the starting button number at the beginning of the note notation, there is no need to repeat that button number. An "*" can be added after the second SLIDE arrow track to specify the third arrow track and so on. Chaining SLIDE Chaining SLIDE is a SLIDE note which composes of multiple SLIDE arrow tracks with their starting and ending points joined together and is treated as a single SLIDE arrow track. For example, the 【1V75】 arrow track is internally two SLIDE arrow tracks (【1-7】 and 【7-5】) combined into one. However, the combination is not limited to the grand V-shapes but can be any shape and two or more SLIDE arrow tracks joined together. No matter how long the chaining SLIDE is, the tracing speed is calculated from the tracing length to be a constant from the start to the end of tracing. BUTTON-1 to BUTTON-4 with straight shape, BUTTON-4 to BUTTON-7 with q-shape, BUTTON-7 to BUTTON-2 with straight shape, tracing length of two whole notes ... 【1-4q7-2[1 2],】 Specify a series of button numbers and SLIDE shapes and then specify the tracing length at the end. In the case of this SLIDE, the tracing star continues tracing at a constant speed from BUTTON-1 until it reaches BUTTON-2. However, there might be cases where different tracing lengths are desired for some of the SLIDE arrow tracks. In such cases, the tracing length for each SLIDE arrow track can be specified like 【1-4[2 1]q7[2 1]-2[1 1],】. However, be sure to specify the tracing speed for all individual SLIDE arrow tracks. Otherwise, an error may occur. To change it to BREAK SLIDE, add a "b" after the "]", which the same as for regular SLIDE. It is not possible to make only a section of chaining SLIDE into BREAK SLIDE. A chaining SLIDE note can only be either a normal SLIDE or a complete BREAK SLIDE. Therefore, even when different tracing speeds can be specified for some of the SLIDE arrow tracks, the "b" can be added only after the last "]". TOUCH, TOUCH HOLD, Firework Effect TOUCH In maimai DX series, there are 34 sensor areas on the screen which the player can touch. All of these can handle contact events, and SLIDEs require the contact events to be made in a specific order. Since maimai DX, there have been new types of notes that require directly touching the sensor. They are TOUCH and TOUCH HOLD. The sensor areas are also divided into five major groups Group A, located adjacent to the buttons; Group B, located between Group A and the center of screen; Group C, which is in charge of the center; Group D, which fills the space between the areas of Group A; and Group E, located slightly inward from Group D and adjacent to Group B. Group C is in the center and has 2 sensor areas, while each of the other groups has 8 sensor areas which are numbered in clockwise order. The following diagram shows the approximate location and positioning of the sensors. To place a TOUCH, the sensor number of the desired location is denoted in the same way as TAP. TOUCH that occurs at SENSOR-B1 ... 【B1,】 TOUCH that occurs at SENSOR-D4 ... 【D4,】 The sensor in the center is divided into two areas, C1 and C2. However, no TOUCHes appear separately for each of them, instead a TOUCH appears in the middle of the areas. Therefore, a TOUCH that occurs in the center can be denoted as 【C,】 without numbering. Denoting this as either 【C1,】 or 【C2,】 causes no errors and is treated the same as 【C,】. TOUCH HOLD TOUCH HOLD is a note that requires the sensor to be pressed and held. It is counted as "HOLD" in the play result. The awarded score is also the same as HOLD. This notation is a direct combination of TOUCH and HOLD. Just simply replace the button number of a HOLD with a sensor number. TOUCH HOLD that occurs at SENSOR-C with held-down length of 3 4th notes ... 【Ch[4 3],】 While TOUCH has appeared in all 34 sensor areas since DX FESTiVAL, TOUCH HOLD has only appeared on the C sensor since DX classic, at least until DX UNiVERSE PLUS. However, in simai's notation, TOUCH HOLD can appear anywhere if the sensor number is specified to be not C. Firework Effect Firework effect refers to the rainbow-colored radial effect that appears as if fireworks are spreading from a certain location when a specific TOUCH is touched. Since there was no official name for this effect at the time DX classic was launched, 3simai used the name "firework effect" for convenience. To enable firework effect, add an "f" after the sensor number. TOUCH that occurs at SENSOR-B7 with firework effect ... 【B7f,】 TOUCH HOLD that occurs at SENSOR-C with held-down length of two whole notes with firework effect ... 【Chf[1 2],】 In the case of TOUCH HOLD, when "h" for HOLD and "f" for FIREWORK effect are specified together, either "hf" or "fh" is fine. EACH If two or more notes occur at exactly the same time, they are treated as an EACH (BOTH). In the case of SLIDEs, even if their tracing length are different, they are still considered to be an EACH if their tracing stars begin to move at the same time. The notes treated as part of an EACH change their color to yellow, except for BREAK notes. An EACH is denoted by placing each composing note and separating each of them with a "/". TAP at BUTTON-1 and HOLD at BUTTON-8 with held-down length of one half note ... 【1/8h[2 1],】 Their order does not matter, so the notation 【8h[2 1]/1,】 works fine. However, for SLIDEs, for example, in 【1-4[8 1]/2-6[8 1],】, 【1-4[8 1]】 will be displayed as if it occurred before 【2-6[8 1]】. In other words, the SLIDE defined earlier will be displayed as if it occurred earlier. Three or more elements are also treated as an EACH and can be denoted as note A / note B / note C ... Only EACHes composing of only non-BREAK TAPs can be denoted like 【12】 without the "/". The "/" between each note cannot be omitted even if there is only a single non-TAP or BREAK note within the EACH. EX Notes TAP, HOLD, and BREAK can be specified as EX notes. EX notes are judged to be CRITICAL PERFECT if they are hit within the timing window of GOOD or better. Simulators that support only the autoplay mode always hit notes within the timing window of CRITICAL PERFECT regardless of the notes' EX setting. However, Celeca have defined the notation because demands are expected for the needs of reproducing official charts and/or charting for simulators that react to player's input. To change a note into an EX note, add an "x" in the similar manner for changing the notes into BREAKs. EX-TAP at BUTTON-1 ... 【1x,】 EX-HOLD at BUTTON-3 ... 【3hx[α β],】 EX-BREAK at BUTTON-5 ... 【5bx,】 EX-BREAK HOLD at BUTTON-7 ... 【7bxh[α β],】 When two or more of "x", "h", and "b" characters are specified together, they can be specified in any order. Other Notations The notations listed below allow charters to create special charts more easily, such as the UTAGE charts appeared in MURASAKi version. Change Normal TAP to Star-shaped TAP A BUTTON-1 TAP is denoted as 【1,】. But if a "$" is appended and denoted as 【1$,】, it changes into a star-shaped TAP that would appear if a SLIDE were placed. This can be used in conjunction with a BREAK TAP or an EX-TAP. When two or more of "$", "b", and "x" characters are specified together, they can be specified in any order. Also, if two "$" are stacked to form "$$", the star-shaped TAP rotates. Currently, the rotation speed of the star-shaped TAP is a pre-defined constant. Change Star-shaped TAP to Normal TAP When a SLIDE is described as 【1-5[8 1],】, the BUTTON-1 TAP automatically changes into a star-shaped TAP, but if a "@" is appended to the star-shaped TAP as in 【1@-5[8 1],】, this star-shaped TAP changes back into a normal TAP. The SLIDE is processed as usual, so the SLIDE arrow track appears to start from the normal TAP. This can be used in conjunction with a BREAK TAP or an EX-TAP too. When two or more of "@", "b", and "x" characters are specified together, they can be specified in any order. Notations of Pseudo-TAP HOLD and Pseudo-TOUCH TOUCH HOLD Assuming there is a HOLD denoted by 【3h[1 1],】, if its held-down length is shortened to the limit, the required held-down length becomes instant, and the visual length of the HOLD shrinks as well, giving it the appearance of a hexagonal TAP. Although such a HOLD can be denoted like 【3h[1000 1],】, it can be easily denoted by removing the held-down length notation like 【3h,】. The same notation can be used for TOUCH HOLD. For example, a TOUCH HOLD denoted as 【Ch,】 gives a judgment instantly when hit. This can be used to denote a pseudo TAP or pseudo TOUCH. Note that this notation is treated internally as if 【[1280 1]】 were specified. It is because the held-down length of such notes is implied to be set to the length of a 1280th note in the official fan book sold by SEGA. Pseudo EACH When denoting two TAPs that are almost but not exactly simultaneous, the notes in the nearby section would needed be very fine-tuned in this way {96} 1,2,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, {8} ~~~~~~ In the above example, the 96th note length divider was used for the timing gap, and specifying the notes to be closer to each other would be even harder. When strictly reproducing an official chart, this made it infeasible, and when creating a fan-made chart, this could be troublesome. In this case, 【1`2,】 can be used. It makes the BUTTON-2 TAP placed only slightly later than the BUTTON-1 TAP but still almost simultaneous. The BUTTON-2 TAP is processed internally as a TAP that is 1 millisecond later than the BUTTON-1 TAP. Since they are not exactly simultaneous to become a part of an EACH, the two TAPs do not turn yellow and do not count as an EACH on the play result. For example, in 【1`2`3/4,】, a BUTTON-2 TAP is placed 1 millisecond after the BUTTON-1 TAP, and an EACH composing of a BUTTON-3 TAP and a BUTTON-4 TAP is placed another 1 millisecond after the BUTTON-2 TAP. Note that, the "`" symbol can be entered by holding down Shift and pressing the "@" key right to the "P" key on a JIS layout keyboard and also by directly pressing the "`" key left to the "1" key on a US or UK layout keyboard. SLIDE without Star-shaped TAP When a SLIDE is placed, a star-shaped TAP normally always appears and approaches to the SLIDE's starting point, but this approaching star-shaped TAP can be eliminated. Assume that there is a SLIDE denoted by 【1-5[2 1],】. The tracing star fades in before starting to move ... 【1?-5[2 1],】 The tracing star does not fade in and suddenly appears when it begins to move ... 【1!-5[2 1],】 In both cases, the SLIDE arrow track fades in and the approaching star-shaped TAP does not appear. For creating a chart that letters, symbols, etc. are drawn using SLIDEs, it is recommended to use "?" to make it clear where to start tracing. For creating a chart with single-stroke SLIDEs, using "!" is recommended to avoid displaying extra stars on the screen. [pseudoEach] backtick (`) is located to the left of "1" on a US/UK layout keyboard. Its Alt code is 96. Alternatively you can copy and paste... -- cubruce1103 (2023-02-13 02 35 50) 名前 コメント