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We re starting it over, we re making way for destiny A time to turn over, a better life for you and me A new recreation, to channel all this energy, hmmm Let s solve the equation, I need to keep you close to me So baby let your conscience go, There s no turning back when love takes hold Hold me baby, drive me crazy Touch me all night long Make me love you, kiss and hug you Touch me all night long The more that I see you The more I know that love belongs With you in my mind boy I wouldn t know what s right from wrong A´Cos live will take over And leave you out of sight and mind You ve got to go with the feeling And trust fate to be kind And baby let your conscience go There s no turning back when love takes hold Hold me baby, drive me crazy Touch me all night long Make me love you, kiss and hug you Touch me all night long Hold me baby, drive me crazy Touch me all night long Make me love you, kiss and hug you Touch me all night long And baby let your conscience go There s no turning back when love takes hold Hold me baby, drive me crazy Touch me all night long Make me love you, kiss and hug you Touch me all night long
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作詞：ラマーズＰ 作曲：ラマーズＰ 編曲：ラマーズＰ 歌：鏡音リン 翻譯：kyroslee don't want you to sing 我不相信呢 這語句竟是如此空洞無物 你的輪廓搖擺不定 愛意無法藏於心中呢 到最後就歸咎於我 什麼亦感受不到 上進心就是逃避手段 那時侯你的笑容 讓我抱有了憧憬 有何令你悲傷厭惡呢？ 有何令你害怕得大叫呢？ 拒絕着喜歡的事物 我不相信呢 這語句竟是如此空洞無物 你的輪廓搖擺不定 愛意無法藏於心中呢 緊握手中的理由 並非謊言來的吧 吶 來歌唱吧 怎亦想要去承認 就如為人流傳似的 歌曲之類的敷衍過去 我勾劃出的旋律 總是與你在意的事物有所不同 無法填滿的欲望偏離扭曲了 堵塞了內心的縫隙 明明從一開始說出來就好了 我不相信呢 這語句竟是如此空洞無物 你的輪廓搖擺不定 愛意無法藏於心中呢 本來就很遠的距離變得更遠 就連雜音亦消失了 就似是要壞掉似的無法歌唱 不知何時起就混進了其他人裏 只有我的歌聲誰亦無法聽到 你所盼望的那句話 在哪裏呢？ 我不相信呢 這語句竟是如此空洞無物 你的輪廓搖擺不定 愛意無法藏於心中呢 緊握手中的理由 並非謊言來的吧 吶 我想要歌唱 我不相信呢 這語句竟是如此空洞無物 你的輪廓搖擺不定 愛意無法藏於心中呢 緊握手中的理由 並非謊言來的吧 吶 來歌唱吧
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元ネタ：フォーリング・オブ・ザ・レイン（原題Falling of the Rain Billy Joel） 作：ヤジタリウス Dance on the bed with your hands of folly jolly screams Common good as spouse and woman who d prefer me to douse Who d prefer to freeze or wheel with puerile dreams fanned by sway And I m not ready while stalling in the room Ah, no, I m just into you while lolling on the bed In the messed scene arrive at goal when get to affair with bride And it hangs on what s worked along clout whether I ll abide I might add you to myself being deadbeat on your place or you re sad Cause she just ready while stalling in the room Ah, no, I m just into you while lolling on the bed Will it already be frame that I research? Do you scratch me when the pain catches up with it? Ah, but I just want to know, you just want me to let you in Another brainy one without it, saying vexed me, ah... Cheat on a girl without forming all priority vowed by a boy With disguise just to grind, but getting twined, she has a tool As he s bound by willed recklessness of faith and he has fait But he s not ready while stalling in the room Ah, no, he s just into dweeb while galling with stead Will it already be frame that I research? Does it match up with my wife being natural? Ah, but I just want to know, you just want me to let you in There s spry one without things irreplaceable So now a boy becomes a man who s faint and quaint all alone While my girl as a bride in my care is on the way And it seems that prime cause gets clots in the end Something s deranged Cause you just yap while lolling on the bed Ah, no, I m not ready while lolling on the bed... 検索タグ Billy Joel その他ネタ フルコーラス ヤジタリウス 洋楽 メニュー 作者別リスト 元ネタ別リスト 内容別リスト フレーズ長別リスト
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UP CHAPTER II CHAPTER I Mrs. Rachel Lynde is Surprised Mrs. Rachel Lynde lived just where the Avonlea main road dipped down into a little hollow, fringed with alders and ladies eardrops and traversed by a brook that had its source away back in the woods of the old Cuthbert place; it was reputed to be an intricate, headlong brook in its earlier course through those woods, with dark secrets of pool and cascade; but by the time it reached Lynde s Hollow it was a quiet, well-conducted little stream, for not even a brook could run past Mrs. Rachel Lynde s door without due regard for decency and decorum; it probably was conscious that Mrs. Rachel was sitting at her window, keeping a sharp eye on everything that passed, from brooks and children up, and that if she noticed anything odd or out of place she would never rest until she had ferreted out the whys and wherefores thereof. There are plenty of people in Avonlea and out of it, who can attend closely to their neighbor s business by dint of neglecting their own; but Mrs. Rachel Lynde was one of those capable creatures who can manage their own concerns and those of other folks into the bargain. She was a notable housewife; her work was always done and well done; she "ran" the Sewing Circle, helped run the Sunday-school, and was the strongest prop of the Church Aid Society and Foreign Missions Auxiliary. Yet with all this Mrs. Rachel found abundant time to sit for hours at her kitchen window, knitting "cotton warp" quilts--she had knitted sixteen of them, as Avonlea housekeepers were wont to tell in awed voices--and keeping a sharp eye on the main road that crossed the hollow and wound up the steep red hill beyond. Since Avonlea occupied a little triangular peninsula jutting out into the Gulf of St. Lawrence with water on two sides of it, anybody who went out of it or into it had to pass over that hill road and so run the unseen gauntlet of Mrs. Rachel s all-seeing eye. She was sitting there one afternoon in early June. The sun was coming in at the window warm and bright; the orchard on the slope below the house was in a bridal flush of pinky- white bloom, hummed over by a myriad of bees. Thomas Lynde-- a meek little man whom Avonlea people called "Rachel Lynde s husband"--was sowing his late turnip seed on the hill field beyond the barn; and Matthew Cuthbert ought to have been sowing his on the big red brook field away over by Green Gables. Mrs. Rachel knew that he ought because she had heard him tell Peter Morrison the evening before in William J. Blair s store over at Carmody that he meant to sow his turnip seed the next afternoon. Peter had asked him, of course, for Matthew Cuthbert had never been known to volunteer information about anything in his whole life. And yet here was Matthew Cuthbert, at half-past three on the afternoon of a busy day, placidly driving over the hollow and up the hill; moreover, he wore a white collar and his best suit of clothes, which was plain proof that he was going out of Avonlea; and he had the buggy and the sorrel mare, which betokened that he was going a considerable distance. Now, where was Matthew Cuthbert going and why was he going there? Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this and that together, might have given a pretty good guess as to both questions. But Matthew so rarely went from home that it must be something pressing and unusual which was taking him; he was the shyest man alive and hated to have to go among strangers or to any place where he might have to talk. Matthew, dressed up with a white collar and driving in a buggy, was something that didn t happen often. Mrs. Rachel, ponder as she might, could make nothing of it and her afternoon s enjoyment was spoiled. "I ll just step over to Green Gables after tea and find out from Marilla where he s gone and why," the worthy woman finally concluded. "He doesn t generally go to town this time of year and he NEVER visits; if he d run out of turnip seed he wouldn t dress up and take the buggy to go for more; he wasn t driving fast enough to be going for a doctor. Yet something must have happened since last night to start him off. I m clean puzzled, that s what, and I won t know a minute s peace of mind or conscience until I know what has taken Matthew Cuthbert out of Avonlea today." Accordingly after tea Mrs. Rachel set out; she had not far to go; the big, rambling, orchard-embowered house where the Cuthberts lived was a scant quarter of a mile up the road from Lynde s Hollow. To be sure, the long lane made it a good deal further. Matthew Cuthbert s father, as shy and silent as his son after him, had got as far away as he possibly could from his fellow men without actually retreating into the woods when he founded his homestead. Green Gables was built at the furthest edge of his cleared land and there it was to this day, barely visible from the main road along which all the other Avonlea houses were so sociably situated. Mrs. Rachel Lynde did not call living in such a place LIVING at all. "It s just STAYING, that s what," she said as she stepped along the deep-rutted, grassy lane bordered with wild rose bushes. "It s no wonder Matthew and Marilla are both a little odd, living away back here by themselves. Trees aren t much company, though dear knows if they were there d be enough of them. I d ruther look at people. To be sure, they seem contented enough; but then, I suppose, they re used to it. A body can get used to anything, even to being hanged, as the Irishman said." With this Mrs. Rachel stepped out of the lane into the backyard of Green Gables. Very green and neat and precise was that yard, set about on one side with great patriarchal willows and the other with prim Lombardies. Not a stray stick nor stone was to be seen, for Mrs. Rachel would have seen it if there had been. Privately she was of the opinion that Marilla Cuthbert swept that yard over as often as she swept her house. One could have eaten a meal off the ground without overbrimming the proverbial peck of dirt. Mrs. Rachel rapped smartly at the kitchen door and stepped in when bidden to do so. The kitchen at Green Gables was a cheerful apartment--or would have been cheerful if it had not been so painfully clean as to give it something of the appearance of an unused parlor. Its windows looked east and west; through the west one, looking out on the back yard, came a flood of mellow June sunlight; but the east one, whence you got a glimpse of the bloom white cherry-trees in the left orchard and nodding, slender birches down in the hollow by the brook, was greened over by a tangle of vines. Here sat Marilla Cuthbert, when she sat at all, always slightly distrustful of sunshine, which seemed to her too dancing and irresponsible a thing for a world which was meant to be taken seriously; and here she sat now, knitting, and the table behind her was laid for supper. Mrs. Rachel, before she had fairly closed the door, had taken a mental note of everything that was on that table. There were three plates laid, so that Marilla must be expecting some one home with Matthew to tea; but the dishes were everyday dishes and there was only crab-apple preserves and one kind of cake, so that the expected company could not be any particular company. Yet what of Matthew s white collar and the sorrel mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery about quiet, unmysterious Green Gables. "Good evening, Rachel," Marilla said briskly. "This is a real fine evening, isn t it? Won t you sit down? How are all your folks?" Something that for lack of any other name might be called friendship existed and always had existed between Marilla Cuthbert and Mrs. Rachel, in spite of--or perhaps because of--their dissimilarity. Marilla was a tall, thin woman, with angles and without curves; her dark hair showed some gray streaks and was always twisted up in a hard little knot behind with two wire hairpins stuck aggressively through it. She looked like a woman of narrow experience and rigid conscience, which she was; but there was a saving something about her mouth which, if it had been ever so slightly developed, might have been considered indicative of a sense of humor. "We re all pretty well," said Mrs. Rachel. "I was kind of afraid YOU weren t, though, when I saw Matthew starting off today. I thought maybe he was going to the doctor s." Marilla s lips twitched understandingly. She had expected Mrs. Rachel up; she had known that the sight of Matthew jaunting off so unaccountably would be too much for her neighbor s curiosity. "Oh, no, I m quite well although I had a bad headache yesterday," she said. "Matthew went to Bright River. We re getting a little boy from an orphan asylum in Nova Scotia and he s coming on the train tonight." If Marilla had said that Matthew had gone to Bright River to meet a kangaroo from Australia Mrs. Rachel could not have been more astonished. She was actually stricken dumb for five seconds. It was unsupposable that Marilla was making fun of her, but Mrs. Rachel was almost forced to suppose it. "Are you in earnest, Marilla?" she demanded when voice returned to her. "Yes, of course," said Marilla, as if getting boys from orphan asylums in Nova Scotia were part of the usual spring work on any well-regulated Avonlea farm instead of being an unheard of innovation. Mrs. Rachel felt that she had received a severe mental jolt. She thought in exclamation points. A boy! Marilla and Matthew Cuthbert of all people adopting a boy! From an orphan asylum! Well, the world was certainly turning upside down! She would be surprised at nothing after this! Nothing! "What on earth put such a notion into your head?" she demanded disapprovingly. This had been done without her advice being asked, and must perforce be disapproved. "Well, we ve been thinking about it for some time--all winter in fact," returned Marilla. "Mrs. Alexander Spencer was up here one day before Christmas and she said she was going to get a little girl from the asylum over in Hopeton in the spring. Her cousin lives there and Mrs. Spencer has visited here and knows all about it. So Matthew and I have talked it over off and on ever since. We thought we d get a boy. Matthew is getting up in years, you know--he s sixty-- and he isn t so spry as he once was. His heart troubles him a good deal. And you know how desperate hard it s got to be to get hired help. There s never anybody to be had but those stupid, half-grown little French boys; and as soon as you do get one broke into your ways and taught something he s up and off to the lobster canneries or the States. At first Matthew suggested getting a Home boy. But I said `no flat to that. `They may be all right--I m not saying they re not--but no London street Arabs for me, I said. `Give me a native born at least. There ll be a risk, no matter who we get. But I ll feel easier in my mind and sleep sounder at nights if we get a born Canadian. So in the end we decided to ask Mrs. Spencer to pick us out one when she went over to get her little girl. We heard last week she was going, so we sent her word by Richard Spencer s folks at Carmody to bring us a smart, likely boy of about ten or eleven. We decided that would be the best age--old enough to be of some use in doing chores right off and young enough to be trained up proper. We mean to give him a good home and schooling. We had a telegram from Mrs. Alexander Spencer today--the mail-man brought it from the station-- saying they were coming on the five-thirty train tonight. So Matthew went to Bright River to meet him. Mrs. Spencer will drop him off there. Of course she goes on to White Sands station herself." Mrs. Rachel prided herself on always speaking her mind; she proceeded to speak it now, having adjusted her mental attitude to this amazing piece of news. "Well, Marilla, I ll just tell you plain that I think you re doing a mighty foolish thing--a risky thing, that s what. You don t know what you re getting. You re bringing a strange child into your house and home and you don t know a single thing about him nor what his disposition is like nor what sort of parents he had nor how he s likely to turn out. Why, it was only last week I read in the paper how a man and his wife up west of the Island took a boy out of an orphan asylum and he set fire to the house at night--set it ON PURPOSE, Marilla--and nearly burnt them to a crisp in their beds. And I know another case where an adopted boy used to suck the eggs--they couldn t break him of it. If you had asked my advice in the matter--which you didn t do, Marilla--I d have said for mercy s sake not to think of such a thing, that s what." This Job s comforting seemed neither to offend nor to alarm Marilla. She knitted steadily on. "I don t deny there s something in what you say, Rachel. I ve had some qualms myself. But Matthew was terrible set on it. I could see that, so I gave in. It s so seldom Matthew sets his mind on anything that when he does I always feel it s my duty to give in. And as for the risk, there s risks in pretty near everything a body does in this world. There s risks in people s having children of their own if it comes to that--they don t always turn out well. And then Nova Scotia is right close to the Island. It isn t as if we were getting him from England or the States. He can t be much different from ourselves." "Well, I hope it will turn out all right," said Mrs. Rachel in a tone that plainly indicated her painful doubts. "Only don t say I didn t warn you if he burns Green Gables down or puts strychnine in the well--I heard of a case over in New Brunswick where an orphan asylum child did that and the whole family died in fearful agonies. Only, it was a girl in that instance." "Well, we re not getting a girl," said Marilla, as if poisoning wells were a purely feminine accomplishment and not to be dreaded in the case of a boy. "I d never dream of taking a girl to bring up. I wonder at Mrs. Alexander Spencer for doing it. But there, SHE wouldn t shrink from adopting a whole orphan asylum if she took it into her head." Mrs. Rachel would have liked to stay until Matthew came home with his imported orphan. But reflecting that it would be a good two hours at least before his arrival she concluded to go up the road to Robert Bell s and tell the news. It would certainly make a sensation second to none, and Mrs. Rachel dearly loved to make a sensation. So she took herself away, somewhat to Marilla s relief, for the latter felt her doubts and fears reviving under the influence of Mrs. Rachel s pessimism. "Well, of all things that ever were or will be!" ejaculated Mrs. Rachel when she was safely out in the lane. "It does really seem as if I must be dreaming. Well, I m sorry for that poor young one and no mistake. Matthew and Marilla don t know anything about children and they ll expect him to be wiser and steadier that his own grandfather, if so be s he ever had a grandfather, which is doubtful. It seems uncanny to think of a child at Green Gables somehow; there s never been one there, for Matthew and Marilla were grown up when the new house was built--if they ever WERE children, which is hard to believe when one looks at them. I wouldn t be in that orphan s shoes for anything. My, but I pity him, that s what." So said Mrs. Rachel to the wild rose bushes out of the fulness of her heart; but if she could have seen the child who was waiting patiently at the Bright River station at that very moment her pity would have been still deeper and more profound. UP CHAPTER II 今日 - | 昨日 - | Total - since 04 June 2007 last update 2007-06-05 01 33 11 (Tue)
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元ネタ：アイ・ウォント・イット・オール（原題I Want It All Queen） 作：ヤジタリウス But my nature seeks something great That a reality keeper might win in his state You long for me to dream with no shame for fate Without plan and poser can t be ornate It s not so much that I kind of learn from day Gotta find out the other having my way I want to fill what s how to thrill with skill and will and I want to know I want to fill what s how to thrill with skill and will and I want to know Question is how to, while some power is strong I get habit of the equation known as the breakthrough in dubious throng That s already given, huh, what you know as well While with your sneer it might make me swell It s not so much that I kind of learn from truth Here s to the future having no use for youth I want to fill (have to fill) what s how to thrill hey with skill and will and I want to know I want to fill (yes, I want to fill) what s how to thrill hey with skill and will and I want to know I m a man with a gift in the rough So as to do something like dream (Do you yearn for pinnacle?) Not a run as down and outer and fears and cries while having to lose So I m having my clue (yes I m having my clue) And I m living through (and I m living through) Ooh oh yeah yeah Ha ha ha ha Yeah yeah yeah yeah yeah I m just impelled impelled impelled It s not so much that I kind of learn from the truth Here s to the nature Fear in the way of youth (sneer in the way of truth) I want to fill what s how to thrill with skill and will and question is how I want to fill yeah yeah what s how to thrill yeah yeah with skill and will and question is how Oh oh oh oh oh I want to know Question is question is Ooh how! 検索タグ Queen その他ネタ フルコーラス ヤジタリウス 洋楽 メニュー 作者別リスト 元ネタ別リスト 内容別リスト フレーズ長別リスト
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歌詞 動画 アルバム曲目リスト Artist Backstreet Boys Album Unbreakable Year 2007 Title One In A Million 歌詞 Ooh, oh, oh She wakes up with the sun (The sun) She throws on her clothes (Her clothes) Hoping her car will start The second time around The day has begun (Begun) The lines out the door (The door) Serving up fraps Until she can’t take anymore I see it in her broken smile Oh, I wish I could tell her You’re one in a million You’re going the distance, babe You’re gonna work it out someday I wish I could tell her You’re one in a million But you never even look my way No, she never looks my way She never, never, ever looks my way She ties up her hair (Her hair) Her makeup is smeared (Is smeared) Wiping the tears that she wants no one to see She screams on the pain I hear every word Why don’t you know? How beautiful you are Just see it in my broken smile Oh, I wish I could tell her You’re one in a million You’re going the distance, babe You’re gonna work it out someday I wish I could tell her You’re one in a million But you never even look my way If I could be the light To guide you through The darkness baby If I could be the one To change the ending to your story I’d be one in a million, yeah I’d be one in a million Someday I will tell her You’re gonna work it out someday You’re one in a million You’re going the distance, babe You’re gonna work it out someday I wish I could tell her You’re one in a million But you never even look my way You’re one in a million You’re going the distance, babe You’re gonna work it out someday I wish I could tell her You’re one in a million But you never even look my way 動画 アルバム 曲目リスト Unbreakable (Snys) 1. Intro 2. Everything But Mine 3. Inconsolable 4. Something That I Already Know 5. Helpless When She Smiles 6. Any Other Way 7. One In A Million 8. Panic 9. You Can Let Go 10. Trouble Is 11. Treat Me Right 12. Love Will Keep You Up All Night 13. Unmistakable 14. Unsuspecting Sunday Afternoon NEVER GONE (+DVD / PAL 0) ディスク：1 1. Incomplete 2. Just Want You To Know 3. Crawling Back To You 4. Weird World 5. I Still 6. Poster Girl 7. Lose It All 8. Climbing The Walls 9. My Beautiful Woman 10. Safest Place To Hide 11. Siberia 12. Never Gone 13. Song For The Unloved (Bonus Track) 14. Rush Over Me (Bonus Track) ディスク：2 1. Incomplete Video (Available in Dolby Digital Stereo and 5.1 Digital Surround) 2. Making of Incomplete 3. Photo Gallery (14 photos set to Incomplete Instrumental) 4. Bonus Audio Track Last Night You Saved My Life (Available in Dolby Digital Stereo and 5.1 Digital Surround) Greatest Hits-Chapter One 1. I want it that way 2. Everybody (Backstreet s back) 3. As long as you love me 4. Show me the meaning of being lonely 5. Quit playing games (with my heart) 6. We ve got it going on 7. All I have to give 8. Larger than life 9. I ll never break your heart 10. The call 11. Shape of my heart 12. Get down (You re the one for me) 13. Anywhere for you 14. The one 15. More than that 16. The perfect fan Black Blue 1. The Call 2. Shape of My Heart 3. Get Another Boyfriend 4. Shining Star 5. I Promise You (With Everything I Am) 6. The Answer to Our Life 7. Everyone 8. More Than That 9. Time 10. Not For Me 11. Yes I Will 12. It s True 13. How Did I Fall in Love With You Millennium 1. Larger Than Life 2. I Want It That Way 3. Show Me the Meaning of Being Lonely 4. It s Gotta Be You 5. I Need You Tonight 6. Don t Want You Back 7. Don t Wanna Lose You Now 8. One 9. Back to Your Heart 10. Spanish Eyes 11. No One Else Comes Close 12. Perfect Fan バックストリーツ・バック - Backstreet's Back（1997年8月1日） 1. Everybody (Backstreet s Back) 2. As Long as You Love Me 3. All I Have to Give 4. That s the Way (I Like It) 5. 10,000 Promises 6. Like a Child 7. Hey, Mr. DJ (Keep Playin This Song) 8. Set Adrift on Memory Bliss 9. That s What She Said 10. If You Want It to Be Good Girl (Get Yourself a Bad Boy) 11. If I Don t Have You imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 バックストリート・ボーイズ - Backstreet Boys（1996年11月21日） 1. We ve Got It Goin On 2. Anywhere for You 3. Get Down (You re the One for Me) 4. I ll Never Break Your Heart 5. Quit Playing Games (With My Heart) 6. Boys Will Be Boys 7. Just to Be Close to You 8. I Wanna Be With You 9. Every Time I Close My Eyes 10. Darlin 11. Let s Have a Party 12. Roll with It 13. Nobody But You 14. Don t Leave Me 15. We ve Got It Goin On (Marcus Radio Mix) 16. I Wanna Be With You (Amadin s Club Mix) 上へ
https://w.atwiki.jp/jakeandamir/pages/25.html
Intro Jake You re watching "Jake and Amir!" ごらんの番組は「JakeandAmir」がお送りします。 Amir That s what she said! と、彼女は言った！ Jake Not how that joke works. 面白いと思った？ Amir EHH! ~~~~ Amir So, the beeper is just sliding down my thigh, and I m still facing, remember that direction, due north? Guess what? I was lying. It was due south. How s that for a mind fudge? So, I s... で、俺が見てるとき、ポケベルが太ももを滑り落ちてった。方向も覚えてるよ、北だっけな？わかるか？そのときは横になってたんだ。真南だった。どんなたわごとだ？それで、俺は… Jake Hey, hey. I just got this e-mail that you sent to the entire company and, um, nobody s going to believe you re doing a triathlon for charity. なあ、おい。お前が全部の会社に送ったメール見たよ。あのさ、お前がチャリティーのためにトライアスロンをやるなんて誰も信じてないぞ。 Amir Ooh, this kitten s got claws. He he. おお、仔猫の爪ほどもか？あはは。 Jake Right, so they re not going to donate any money to you. あはは そうだね。だからお前には援助金は出さない。 Amir Rerh! (kitten screech) He he. Rerh. He he. ...Why not? Rerh！あはは。Rerh！ …なんで？ Jake For starters, you began the e-mail by saying "Dear Suckers." まず第一に、メールの始めに「バカなやつらへ」って書いただろ。 Amir Yea, as in deer suckers. Like little possums. ああ。バカな奴らだったからな。ちょっとネズミみたいだったし。 Jake So, that makes even less sense than I originally thought. Secondly, triathlons are running, swimming and biking, not drinking, fucking and stealing ya lls cash. Amir Cash money, ain t nothin funny. Jake That s not a response to what I just said. Amir Fo sho! Jake Look, even if they get past the beginning of this e-mail, the next part is a picture of you in a jewelry store, holding a diamond watch, with the caption "I want dis." Amir You don t understand, man. I want dis. Jake That s the only thing I understand. Amir Ok! If you don t want to make the donation just put in like $150 and then click send. And when goes "Are you sure you want to make the donation?" click on "No." If it s that hard, i ll do...i ll click on it. Jake I just got a follow-up e-mail "It s come to my attention that you guys think this is a bogus goof. I legit want/need dis watch." Blew your cover there. Then, three follow up e-mails that say "Please disregard, please disregard, please disregard." One more, though. Just one sentence long and it says "Come on, douches. Help out the cause." And it s a photo shopped picture of you shitting on Bill Cosby. Amir That was a Jello pudding snack. Jake That was a Jello pudding snack, ok. It s kinda weird, though, that you have a legit picture of you taking a shit. Amir Yea, the Cos loves his Jello pudding sweaters. Jake Final e-mail "Please recall all e-mails. Somebody s being a bitch." And it s a photo shopped picture of Bill Cosby shitting on me, which is extra weird because you somehow got a photo of Bill Cosby taking a shit? Amir The Cos has to poop, eventually, sir. And it s just about finding the right f... Jake How are you so fast at photo shop? Amir It s all about doing it real crudely and quickly. Jake Not very crudely. They re fine lines. Amir Yea, the trick is to make it look like it s very good, but it s actually not that good. Jake You gotta stop it with that impression. Amir Yea, well at least I don t spit when I talk! Jake Do I do that? Amir No! And for that I am thankful. Namaste. Jake One last thing, alright? One final thing. Your shirt is up around your nipples. Pull it all the way down when you put it on. Alright? (Amir attempts to pull his shirt down) Jake You get it over your head. Your arms are through the holes. That s good. Put it all the way down. (Amir s shirt is still not pulled down all the way) Jake It s not..it s still...it s half-way!
https://w.atwiki.jp/bemanimusicwiki/pages/1669.html
200// 発売 収録総数：曲AC初出：曲 AC先行：曲 AC旧曲：曲 CS初出：曲 CS旧曲：曲 タイトル アーティスト 備考 DanceDanceRevolution EXTREME 1998 NAOKI 321STARS DJ SIMON A D.J.Amuro Across the nightmare Jimmy Weckl air DJ SIMON AM-3P -303 BASS MIX- KTz (remixed by U1) bag RevenG BE LOVIN D-Crew BURNIN THE FLOOR (MOMO MIX) NAOKI CARTOON HEROES (Speedy Mix) BARBIE YOUNG Colors ～for EXTREME～ dj TAKA CRASH! mr.BRIAN THE FINAL BAND CUTIE CHASER (Morning Mix) CLUB SPICE Dance Dance Revolution DDR ALL STARS ONE MORE EXTRA STAGE Destiny lovers くにたけ みゆき Do It Right (Harmonized 2Step Mix) SOTA feat. Ebony Fay DROP THE BOMB -System S.F. Mix- Scotty D. DYNAMITE RAVE (Down Bird SOTA Mix) NAOKI feeling of love youhei shimizu Frozen Ray ～for EXTREME～ dj TAKA Gamelan de Couple TOMOSUKE GRADUATION ～それぞれの明日～ Be For U Happy Wedding ASKA Heaven is a 57 metallic gray (gimmix) Hiro feat. Sweet little 30 s HOLD ON ME tiger YAMATO HYPER EUROBEAT NAOKI feat. DDR ALL STARS I DO I DO I DO CREAMY I m gonna get you! Kelly Cosmo IRRESISTIBILEMENT WILDSIDE JANEJANA T.E.M.P.O. feat.Mohammed Emi JET WORLD Mutsuhiko Izumi Kind Lady OKUYATOS KISS KISS KISS NAOKI feat. SHANTI KISS ME ALL NIGHT LONG NAOKI J-STYLE feat.MIU L amour et la liberté (DDR ver.) NAOKI underground LA BAMBA メキシコ民謡 LA COPA DE LA VIDA PATRICK VICTORIO Last Message good-cool feat. Meg Look To The Sky (True Color Mix) System SF feat. Anna ♥LOVE² シュガ→♥ dj TAKA feat.のりあ LOVE♡SHINE 小坂りゆ MEMORIES NAOKI feat.PAULA TERRY Miracle Moon ～L.E.D.LIGHT STYLE MIX～ Togo Project feat. Sana MOBO★MOGA Orange Lounge PARANOIA survivor 270 PARANOIA survivor MAX 290 Pink Rose Kiyommy+Seiya SENORITA (Speedy Mix) JENNY ROM SO IN LOVE Caramel.S SPEED OVER BEETHOVEN ROSE STAY (Organic house Version) emi stoic (EXTREME version) TaQ sync (EXTREME version) OutPhase TEARS NAOKI underground feat.EK The Least 100sec Hirofumi Sasaki The legend of MAX ZZ EXTRA STAGE TRIP MACHINE survivor DE-SIRE Twin bee ～Generation X～ FinalOffset V ～for EXTREME～ TAKA VANITY ANGEL FIXX WE ARE THE CHAMPIONS (Factory Team Remix) LIVE 2 LOVE WE WILL ROCK YOU HOUSEBOYZ White Lovers 新谷さなえ xenon Mr.T 蒼い衝動 ～for EXTREME～ NAOKI feat.YUKI 桜 RevenG 大見解 Des-ROW feat. TSUBOI for ALPHA 魔法の扉 (スペース★マコのテーマ) a.s.a. 三毛猫ロック 亜熱帯マジ-SKA爆弾 復活再収録 20,november dj nagureo 5.1.1. dj nagureo AFRONOVA PRIMEVAL 8 bit AFTER THE GAME OF LOVE NPD3 BABY BABY GIMME YOUR LOVE DIVAS Be in my paradise JJ COMPANY butterfly SMiLE.dk Dancemania CAPTAIN JACK (GRANDALE REMIX) CAPTAIN JACK Dancemania celebrate JJ COMPANY CUTIE CHASER CLUB SPICE DAM DARIRAM JOGA Dancemania Don t Stop! ~AMD 2nd MIX~ Dr.VIBE feat. JP Miles Dr.LOVE baby weapon feat.Asuka.M e-motion e.o.s EL RITMO TROPICAL DIXIES GANG Dancemania Electro Tuned (the SubS mix) TaQ GENOM SCREAMS L.E.D.LIGHT gentle stress (AMD SEXUAL MIX) MR.DOG feat. DJ SWAN GET UP N MOVE S K Dancemania GRADIUSIC CYBER (AMD G5 MIX) BIG-O feat. TAKA I believe in miracles HI-RISE I Was The One good-cool IF YOU WERE HERE JENNIFER Dancemania jam jam reggae jam master 73 jam jam reggae (AMD SWING MIX) RICE.C feat. jam master 73 KEEP ON MOVIN N.M.R. La Señorita Virtual 2MB LEADING CYBER dj TAKA LET S GET DOWN JT PLAYAZ Dancemania LITTLE BITCH THE SPECIALS Dancemania LOVE THIS FEELIN Chang Ma LUV TO ME (disco mix) tiger YAMATO MAKE IT BETTER mitsu-O! Mr.T. (take me higher) Risky Men feat. Asuka.M PARANOiA ETERNAL STM 200 PUT YOUR FAITH IN ME UZI-LAY R3 tiger YAMATO Remember You NM feat. Julie RHYTHM AND POLICE (K.O.G G3 Mix) C.J.CREW feat. CHRISTIAN D Dancemania SAINT GOES MARCHING (REMIX) THE SAINT ska a go go THE BALD HEADS SKY HIGH DJ MIKO Dancemania SP-TRIP MACHINE ~JUNGLE MIX~ DE-SIRE SYNCHRONIZED LOVE (Red Monster Hyper Mix) JOE RINOIE Dancemania TELEPHONE OPERATOR (Club MIX) SHELLEY PETER Dancemania think ya better D sAmi TRIP MACHINE DE-SIRE
https://w.atwiki.jp/vocaloidenglishlyric/pages/587.html
【Tags Eko. Hainokoton Miku T tT】 Original Music title トウキョウト・ロック・シティ English music title Tokyo Metropolitan Area Rock City / Tokyo Metropolis Rock City Romaji music title Toukyouto Rokku Sithi Lyrics written by はいのことん(Hainokoton) Music written by えこ。(Eko.) Music arranged by えこ。(Eko.) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by ikuy398)： An ending which must be happy In the night I hoped to it, Everyone of millions swear to the love I feel, it's something wonderful. Ahead where a luminous butterfly flies, There's a smell of sweet honey Then I've fallen in love with you In a moment, in the intoxicated city Neons tempt you indecently If you've slipped out their noise, Put out the light of hazy moon, Pull me and hold me A soundlessly falling flower is fluttering A cheap ornament of glass Untied black hair extends from it I feel, it's so beautiful. The gentle which will disappear tomorrow As I hoped to it, Everyone of millions swear to the love Somehow, wrapped by happiness of vogue, I want to keep laughing A main street is a rapturous floor It's torn by the rock'n'roll music Jazz master's fascinatingly elegant sound Two enslave them If there's no god here, All rules are yours Too far where nobody know Take me along Soundlessly falling flower is graceful Vacant noise on the radio Pale crimson of naked skin is vivid I feel, it's so beautiful. Warmth which disappears like a bubble Remained faintly and lonelily I who is here want to frankly; Believe in the iridescent ending that someone bragged Saying good-bye after all, So it's enough in an ordinary word A stardust sky like a nursery tale Draw it A soundlessly falling flower is fluttering A cheap ornament of glass Untied black hair extends from it I feel, it's so beautiful. The gentle which will disappear tomorrow In the night I hoped it, Everyone of millions swear to the love Somehow, wrapped by happiness of vogue, I want to keep laughing Romaji lyrics (transliterated by ikuy398)： shiawasena hazu no ketsumatsu o atashi ga nozonda yoru ni ikuman no dareka mo ai o chikau nandaka, suteki nandesu. yakou no chou no habataku saki no amai mitsu no kaori soshite anata ni koi o shimashita setsuna ni you machi de hiwai ni sasou neon no sawagi o nukedashita nara oboro no tsuki no akari keshite dakiyosete oto mo naku chiru hana ga hirahirari chiipu na garasu no kazari hodoita kuro no kami ga hirogatte totemo ne, kirei nandesu. ashita niwa kiete yuku yasashisa o atashi ga nozonda you ni ikuman no dare ka mo ai o chikau nandaka hayari no shiawase ni tsutsumare waratte itai no desu omote dohri wa kyouki no furoa kirisaku rock'n'roll music jazumasutaa no embi na hibiki toriko ni suru, futari kamisama ga inai no nara anata no yarikata de ii no dare mo shiranai tohku kanata tsuretette oto mo naku chiru hana wa shitoyaka ni utsuro na rajio no noizu suhada no usui beni ga azayaka de totemo ne, kirei nandesu. awa no yo ni kiete yuku nukumori ga samishiku honoka ni nagori koko ni iru atashi wa arinomama ni dareka usobuku nijiiro no ketsumatsu o shinjite mitai no desu sayonara o surunda kara arifureta kotoba de ii no douwa no youna hoshikuzu no sora egaite yo otomo naku chiru hana gahirahirari chiipu na garasu no kazari hodoita kuro no kami ga hirogatte totemo ne, kirei nandesu. ashita niwa kiete yuku yasashisa o atashi ga nozonda yoru ni ikuman no dare ka mo ai o chikau nandaka hayari no shiawase ni tsutsumare waratte itai no desu
https://w.atwiki.jp/bemanilyrics/pages/1927.html
A thing called LOVE Just feel the love around you This love's enough, it shines through So take my hand and you'll see It's time for make believe When you feel the light that shines on you You'll know that I'll be with you soon When you hear my say that I love you You'll know that it's come true So take me in your arms And hold me now (I'll show you how) I never want to stop, can't get enough Of this thing called love So take me in your arms And shout it out (oh so loud) Together we can reach the sky above It's a thing called love Just feel the love around you My love's enough to shine through So take my hand and hold me It's time so just believe When you see the light that shines so true You'll know that I'll be with you soon When you hear my say that I love you You'll know this dream's come true