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XHTML 読み：えっくすえいちてぃーえむえる 英語：XHTML 別名： 意味： XHTMLとはHTMLをXMLのルールに適合させて定義しなおされたマークアップ言語のこと。 HTMLはWebの急激な普及やブラウザ間の競争によりルーズに進化してきてしまった。 そのため見た目や構造といったものが分離されておらず、Webページの表示は人間にとっては理解できるがコンピュータにとっては非常に理解しにくいものへと発展してしまいました。 これでは無造作に増え続けるWebページを有効に構造的にリソース化するのが難しくコンピュータ間だけのデータのやりとりがしにくいためHTMLを構造化されているXMLで新たに定義しなおすことになったのがXHTMLです。 XHTMLはHTML4が元になっており書式自体は大幅に変更されたわけではありません。ただしXMLに伴いタグはすべて小文字になり見た目のタグは廃止など従来のHTMLより厳密に定義されています。 XHTMLの仕様化によりXMLのメリットが生かせるようになりWebの世界がセマンティック・ウェブの実現に一歩近づくことになりました。 2011年06月12日 XML HTML4? XHTMLファミリー XHTNL 1.0Strict? Transitional? Frameset? XHTML 1.0(Second Edition)? XHTML 1.1 XHTMLMOD? XHTML BasicStrict? XHTML 2.0section? line? XFN? DTD フォーマル公開識別子【FPI】? Extensible【拡張可能】? マイクロ・フォーマット? Webブラウザ セマンティック・ウェブ RDFa Web標準
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【Tags Kaito Len Luka Meiko Miku OSTER project Rin Sammy Fain tA A】 Original Arrangement "Alice in Musicland" Music Lyrics written, Voice edited by OSTER project Music arranged by OSTER project Singer(s) 初音ミク (Hatsune Miku), 鏡音レン (Kagamine Len), 鏡音リン (Kagamine Rin), KAITO, MEIKO, 巡音ルカ (Megurine Luka) "Alice in Wonderland" Music written by Sammy Fain Music arranged by OSTER project Singer(s) 初音ミク (Hatsune Miku), 鏡音レン (Kagamine Len), 鏡音リン (Kagamine Rin), KAITO, MEIKO, 巡音ルカ (Megurine Luka) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： [Prelude -Entrance to Musicland-] A story we shall tell, from folklore long ago; Let us tell a great, fantastic, tremendous fairy tale... Suddenly I open my eyes to see a white hare, Taking off in such a hurry... so I shall chase after... [Busy Rabbit] Ticka-tocka-ticka-tocka, gotta make haste, or I m gonna be late! Oh, ticka-tocka-ticka-tocka, I ve had enough interruptions! Come, ticka-tocka-ticka-tocka, time is only marching on! I, the rabbit, have no time to hare! Say, what on earth is going on that you re in such a hurry? Have you an important date? A somewhere, a someone, and a someplace? Why yes! And when it comes to tick-tock-time, she is quite severe! "That bad?" "Yes indeed!" Because "she" is the QUEEN! Dilly-dally, such and such, tick-tock - anyway, I have no time! If you want to talk, just save it for another day! Well then, just tell me one thing... Why, at a time like this, Are you still singing so cheerfully? Why, this is Musicland! Musicland? Yes, Musicland! A wonderland! Because this... is Musicland! If you ll excuse me, I ll be off! Goodbye, farewell, until we meet again! Waaait!! Oh, what a wondrous world this must be... What could be awaiting me ahead, I wonder...? [Happy Singer] Young lady! Eh...? Young lady! Me? "Yes, young lady!" "What is it?" "Who are you?" "My name is..." "Oh, are you your name?" Explain yourself - who are YOU? Who am I? Let me try asking! Why? Who am I? Why, I don t know! Who are you? Come, tell me! Who am I? Oh, I can t tell myself! All I know for sure is that when I m singing, It s what makes me happiest of all! You love music, so as you sing... Bit by bit, I come to see! I find that here, I surely have reason to live! "And so, I am..." "Yes, and I too must be..." The greatest singer of them all! [Crazy Tea Time] Now from where could I be hearing this most curious of rhythms? Ho there, it is I! Is it I? Now, just sit down, and we can begin! How would you like some tea? How would you like some tea? Drink it down joyfully, and the world will dance too! How would you like some tea? Come, here s some tea! Ahh! What a bizarre flavor! Once you re all-too-used to ordinary tastes, It all gets so monotonous! It s so boring to be ordinary! And anyone who knows it will proceed to go mad! How would you like some tea? Come, how would you like some tea? You must be curious - be mad like us! How would you like some tea? Come, here s some tea! Ah, a wonderfully mad teatime indeed! [Invisible Cat] Lost deep in the forest, a voice beckons me... It echoes in the dense fog - now, which is my path? Is it there, or that, or which, or this? So indecisive, young lady! But I am just the same! Hither and thither are the roads I walk! Ah, joy, and sadness, and even love; When you lay out all the things you wish to sing... You ll grow unsure of what you wanted at the start... And in the end, I ll find... That which an invisible one cannot find... Ruins of music, without personality; Can you truly call it art? No one can say... Even if my head is a jumble, being invisible isn t so bad... But I have decided - and this is the road I have decided! [The Queen Finale] Fortune and sorrow, it s all to her whim... The path to the Queen, a winding path! Bow down to the Her Majesty the Queen! I am the Queen of all! I don t suppose you ve got a problem? When I sing, everyone stops dead and listens! My aura makes all things obey! "You are the Queen?" "Yeah, and you better remember it!" "Such a beautiful voice!" "Well, isn t THAT obvious?" Now, let the orchestra begin! Play my music! Piano! Wood bass! Drums! Brass section! Everyone, listen to ME! Everyone, play for ME! Everything is MINE! Because I AM the Queen! Wait just one second! This is music! And music is for everyone to play! Whether you re a weirdo, or you re out of sorts, Or you re in a big hurry, it can bring you such happiness! Everyone has their own ways, but together, they come into harmony! And the reason is simply... WE LOVE MUSIC!! A story we shall tell, from folklore long ago; Let us tell a great, fantastic, tremendous fairy tale! It s to be found everywhere, a magical philosophy! Hidden deep in the hearts of all... Our Musicland! [Alice in Musicland] How do you get to Musicland? Over the hill or underland? Or just behind the tree? When clouds go rolling by, They roll away and leave the sky Where is the land beyond the eye, That people cannot see? Where do stars go? Where is the silver crescent moon? They must be somewhere, In the sunny afternoon! Alice in Musicland Where is the path to Musicland? Over the hill, or here, or there? I really wonder where! Now we know the answer When we re enjoying music, Always we re in Musicland! Romaji lyrics (transliterated by vgboy / vgperson)： [Prelude -Entrance of Musicland-] O-hanashi o shiyou mukashi-banashi yori Motto motto suteki na otogi-banashi Futo me o akeru to masshiro na usagi Ooawate de kaketeku ato o ou no [Busy Rabbit] Chikutaku chikutaku isoide ikanakya ai ni awanai! Aa chikutaku chikutaku gikushaku suru no wa mou iya da Sora chikutaku chikutaku jikan wa dondon hetteyuku Mou to-ni-kaku boku ni wa jikan ga nai Nee sonna ni awatete ittan zentai doushita no? Dokoka no dareka to itsu daga dokoka de machiawase? Sou! Kanojo wa chikutaku tottemo jikan ni shibia da yo "Sonna ni?" "Sou sa!" Datte kanojo wa joou-sama Kakukaku shikajika chikutaku dou ni mo jikan ga nai kara Hanashi ga aru nara mata no kikai ni shite okure Sore nara hitotsu dake oshiete naze sonna toki demo Youki ni uta o utau no? Sore wa Myuujikkurando! Myuujikkurando? Sou sa Myuujikkurando Wandaarando! Koko ga Myuujikkurando dakara sa! Jaa o-saki ni shitsurei mata au hi made baibai sayonara! Mattee! Aa nante fushigi na sekai nano deshou Kono saki wa nani ga matteru kashira [Happy Singer] O-jousan e? O-jousan watashi? "Sou o-jousan" "Naani?" "Kimi wa dare?" "Watashi no namae wa..." "Kimi wa namae nano?" Souiu anata wa dare nano? Who am I? Toikakete miyou Naze? Who am I? Wakaranainda Who are you? Nee oshiete yo Who am I? Aimai sa Tada wakatteru no wa utatteru boku wa Saikou ni happii tte koto You love music uta o utaeba Sukoshi-zutsu miete kuru Boku ga ikiru imi wa kitto koko ni aru "Datte sou boku wa" "Sou ne kitto watashi mo" Saikou no SINGER nano sa! [Crazy Tea Time] Kono fuugawari na rizumu wa doko kara kikoete kuru no kashira? Sorya watashi da yo watashin koto daro? Saa koshikaketara hajimeru zo Ocha wa ikaga? Ocha wa ikaga? Tanoshiku nomeba sekai mo odoru Ocha wa ikaga? Saa ocha o douzo Aa nante hen na fureibaa Fudan no aji ni narechimattara Subete ga taikutsu ni nacchimau mono sa Arikitari no mono ja tsumaranai Sore o shitta yatsu wa minna ikarechimau no sa Ocha wa ikaga? Hora ocha wa ikaga? Ki o teraitakerya ikarechimae Ocha wa ikaga? Saa ocha o douzo Aa ikarerya tanoshii tii taimu! [Invisible Cat] Mayoikonda mori no naka watashi o izanau koe ga Fukai kiri ni kodama suru watashi no michi wa docchi Acchi socchi sore tomo kocchi? Yuujuufudan na o-jousan Dakedo sore wa watashi mo onnaji Acchi mo socchi mo aruku michi Aa yorokobi ya kanashimi ya itoshisa made Uta ni shitai mono zenbu nurikasanete ittara Saisho ni motometeita mono ga nanika wakaranaku natte Saigo ni nokosareta mono wa Toumei na etai no shirenai ongaku to mukosei no zangai Sore o geijutsu to yoberu no ka dare ni mo wakaranai Atama no naka wa gochagocha demo toumei nano mo warukunai Dakedo kimeta watashi wa kimeta watashi no michi [Empress Finale] Kou ka fukou ka kanojo ga eranda Michi wa joou e tsudzuku michi Jouheika no onari! Watashi ga joou-sama sa nanika monku aru no? Watashi ga utaeba daremo ga kugidzuke Subete o fukujuu saseru oora "Anata ga joou-sama" "Sou sa oboete ooki" "Utsukushii utagoe" "Atarimae janai?" Ookesutora saa hajimemashou Watashi no myuujikku Piano uddo beesu doramusu burasu sekushon Minna iu-koto o-kiki watashi no tame ni kanadenasai Subete watashi no mono yo watashi wa joou-sama dakara sa! Chotto matte kore wa minna de kanaderu myuujikku Henteko demo matomaranakute mo Ooawaste na toki demo happii o kanjiteru no sa Juunintoiro dakedo omonareba haamonii ni naru Riyuu wa tanjun sa datte WE LOVE MUSIC!! O-hanashi o shiyou mukashi-banashi yori Motto motto suteki na otogi-banashi Sore wa arifureta mahou no firosofii Minna no haato ni kakureta Myuujikkurando [Alice in Musicland] How do you get to Musicland? Over the hill or underland? Or just behind the tree? When clouds go rolling by They roll away and leave the sky Where is the land beyond the eye that people cannot see? Where do stars go? Where is the silver crescent moon? They must be somewhere in the sunny afternoon Alice in Musicland Where is the path to Musicland? Over the hill or here or there? I really wonder where Now we know the answer When we re enjoying music Always we re in Musicland
https://w.atwiki.jp/kabutempra/pages/198.html
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https://w.atwiki.jp/oper/pages/2493.html
ACT THREE Scene 1 Samson, Micah, Harapha and Chorus of Israelites. 61. Recitative Micah More trouble is behind, for Harapha Comes on amain, speed in his steps and look. Samson I fear him not, nor all his giant brood. Enter Harapha. Harapha Samson, to thee our lords thus bid me say This day to Dagon we do sacrifice With triumph, pomp, and games; we know, thy strength Surpasses human race; come then, and show Some public proof to grace this solemn feast. Samson I am an Hebrew, and our law forbids My presence at their vain religious rites. Harapha This answer will offend; regard thyself. Samson Myself, my conscience and intemal peace! Am I so broke with servitude, to yield To such absurd commands, to be their fool, And play before their God? - I will not come. Harapha My message, giv n with speed, brooks no delay. 62. Air Harapha Presuming slave, to move their wrath! For mercy sue, Or vengeance due Dooms in one fatal word thy death! Consider, ere it be too late, To ward th unerring shaft of fate. 63. Recitative Micah Reflect then. Samson, matters now are strain d Up to the height, whether to hold, or break. He s gone, whose malice may inflame the lords. Samson Shall I abuse this consecrated gift Of strength, again returning with my hair, By vaunting it in honour to their god And prostituting holy things to idols? Micah How thou wilt here come off surmounts my reach; Tis Heav n alone can save, both us and thee. 64. Chorus of Israelites With thunder arm d, great God, arise! Help, Lord, or Israel s champion dies! To thy protection this thy servant take, And save, oh, save us for thy servant s sake! With thunder arm d. . . da capo 65. Recitative Samson Be of good courage, I begin to feel Some inward motions, which do bid me go. Micah In time thou hast resolv d, again he comes. Enter Harapha. Harapha Samson, this second summons send our lords Haste thee at once; or we shall engines find To move thee, though thou wert a solid rock. Samson Vain were their art if tried, I yield to go, Not through your streets be like a wild beast trail d. Harapha You thus may win the lords to set you free. Samson In nothing I ll comply that s scandalous Or sinful by our law. - Brethren, farewell! Your kind attendance now, I pray, forbear, Lest it offend to see me girt with friends. Expect of me you ll nothing hear impure, Unworthy God, my nation, or myself. Micah So may st thou act as serves His glory best. Samson Let but that spirit (which first rush d on me In the camp of Dan) inspire me at my need 66. Accompagnato Samson Then shall I make Jehovah s glory known! Their idol gods shall from his presence fly, Scatter d like sheep before the God of hosts. 67. Air Samson Thus when the sun from s wat ry bed All curtain d with a cloudy red, Pillows his chin upon an orient wave; The wand ring shadows ghastly pale, All troop to their infemal jail Each fetter d ghost slips to his sev ral grave. 68. Accompagnato Micah With might endu d above the sons of men, Swift as the lightning s glance His errand execute, And spread His name amongst the heathen round. 69. Air and Chorus Micah The Holy One of Israel be thy guide, The Angel of thy birth stand by thy side! To fame immortal go, Heav n bids thee strike the blow The Holy One of Israel is thy guide. Israelites To fame immortal go Heav n bids thee strike the blow The Holy One of Israel is thy guide. Scene 2 Micah, Manoah, and Chorus of Israelites. 70. Recitative Micah Old Manoah, with youthful steps, makes haste To find his son, or bring us some glad news. Manoah I come, my brethren, not to seek my son, Who at the feast does play before the lords; But give you part with me, what hopes I have To work his liberty. 71. Air Philistine, at a distance Great Dagon has subdu d our foe And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 72. Chorus of Philistines, at a distance Great Dagon has subdu d our foe. And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 73. Recitative Manoah What noise of joy was that? It tore the sky. Micah They shout and sing, to see their dreaded foe Now captive, blind, delighting with his strength. Manoah Could my inheritance but ransom him, Without my patrimony, having him The richest of my tribe. Micah Sons care to nurse Their parents in old age; but you, - your son! 74. Air Manoah How willing my paternal love The weight to share Of filial care, And part of sorrow s burden prove! Though wand ring in the shades of night, Whilst I have eyes he wants no light. 75. Recitative Micah Your hopes of his deliv ry seem not vain, In which all Israel s friends participate. Manoah I know your friendly minds, and - A symphony of horror and confusion. Heav n! What noise! Horribly loud, unlike the former shout. 76. Chorus of Philistines, at a distance Hear us, our God! Oh, hear our cry! Death, ruin, falI n, no help is nigh, Oh mercy, Heav n, we sink, we die! 77. Recitative Micah Noise call you this? An universal groan, As if the world s inhabitation perish d! Blood, death, and ruin, at their utmost point! Manoah Ruin indeed! Oh, they have slain my son! Micah Thy son is rather slaying them; that cry From slaughter of one foe could not ascend. But see, my friends, One hither speeds, an Hebrew of our tribe. Scene 3 Enter a Messenger. 78. Recitative Messenger Where shall I run, or which way fly the thoughts Of this most horrid sight? O countrymen, You re in this sad event too much concem d! Micah The accident was loud, we long to know from whence. Messenger Let me recover breath; it will burst forth. Manoah Tell us the sum, the circumstance defer. Messenger Gaza yet stands, but all her sons are falI n. Manoah Sad, not to us! But now relate by whom? Messenger By Samson done. Manoah The sorrow lessens still, And nigh converts to joy. Messenger O Manoah! In vain I would refrain; the evil tale Too soon will rudely pierce thy aged ear. Manoah Suspense in news is torture, speak them out! Messenger Then take the worst in brief - Samson is dead. Manoah The worst indeed! My hopes to free him hence Are baffled all! But death, who sets all free, Hath paid his ransom now. Micah Yet, ere we give the reins to grief, say first How died he? Death to life is crown, or shame. Messenger Unwounded of his enemies he fell, At once he did destroy, and was destroy d; The edifice, where all were met to see, Upon their heads, and on his own he pulI d! Manoah Oh, lastly overstrong against thyself! A dreadful way thou took st to thy revenge Glorious, yet dearly bought! 79. Air and Chorus Micah Ye sons of lsrael, now lament, Your spear is broke, your bow s unbent. Your glory s fled, Amongst the dead Great Samson lies, For ever, ever, clos d his eyes! Israelites Weep, Israel, weep a louder strain; Samson, your strength, your hero, is slain! 80. Recitative Manoah Proceed we hence to find his body Soak d in vile Philistine blood; with the pure stream, And cleansing herbs wash off his clodded gore; Then solemnly attend him to my tomb With silent obsequies, and fun ral train. 81. Symphony dead march 82. Recitative Micah The body comes; we ll meet it on the way With laurels ever green, and branching palm; Then lay it in his monument, hung round With all his trophies, and great acts enrolI d In verse heroic, or sweet lyric song. Manoah There shall all IsraeI s valiant youth resort, And from his memory inflame their breasts To matchless valour, whilst they sing his praise. Enter Israelites with the body of Samson. 83. Air and Chorus Manoah Glorious hero, may thy grave Peace and honour ever have; After all thy pain and woes Rest etemal, sweet repose! Israelites Glorious hero, may thy grave Peace and honour ever have! 84. Solo and Chorus Israelite Woman The virgins too shall on their feastful days Visit his tomb with flow rs, and there bewail His lot unfortunate in nuptial choice. Virgins Bring the laurels, bring the bays, Strew his hearse, and strew the ways! Israelite Woman May ev ry hero fall like thee, Through sorrow to felicity! Virgins Bring the laurels, bring the bays Strew his hearse and strew the ways! Israelites Glorious hero, may thy grave Peace and honour ever have, After all thy pains and woes, Rest etemal, sweet repose! 85. Recitative Manoah Come, come! No time for lamentation now, No cause for grief; Samson like Samson fell, Both life and death heroic. To his foes Ruin is left; to him eternal fame. Micah Why should we weep or wail, dispraise or blame, Where all is well and fair to quiet us? Praise we Jehovah then, who to the end Not parted from him, but assisted still, Till desolation fill d Philistia s lands, Honour and freedom giv n to Jacob s seed. 86. アリア イスラエルの女 輝くセラフィム（熾天使）よ、炎の列となり、 朗々たる、高く掲げた天使のラッパを吹き鳴らせ。 ケルビム（智天使）の軍勢よ、心地よい合唱隊に加わり、 黄金の弦を張った不滅のハープを掻き鳴らせ。 87. Chorus of Israelites Let their celestial concerts all unite, Ever to sound his praise in endless blaze of light. ACT THREE Scene 1 Samson, Micah, Harapha and Chorus of Israelites. 61. Recitative Micah More trouble is behind, for Harapha Comes on amain, speed in his steps and look. Samson I fear him not, nor all his giant brood. Enter Harapha. Harapha Samson, to thee our lords thus bid me say This day to Dagon we do sacrifice With triumph, pomp, and games; we know, thy strength Surpasses human race; come then, and show Some public proof to grace this solemn feast. Samson I am an Hebrew, and our law forbids My presence at their vain religious rites. Harapha This answer will offend; regard thyself. Samson Myself, my conscience and intemal peace! Am I so broke with servitude, to yield To such absurd commands, to be their fool, And play before their God? - I will not come. Harapha My message, giv n with speed, brooks no delay. 62. Air Harapha Presuming slave, to move their wrath! For mercy sue, Or vengeance due Dooms in one fatal word thy death! Consider, ere it be too late, To ward th unerring shaft of fate. 63. Recitative Micah Reflect then. Samson, matters now are strain d Up to the height, whether to hold, or break. He s gone, whose malice may inflame the lords. Samson Shall I abuse this consecrated gift Of strength, again returning with my hair, By vaunting it in honour to their god And prostituting holy things to idols? Micah How thou wilt here come off surmounts my reach; Tis Heav n alone can save, both us and thee. 64. Chorus of Israelites With thunder arm d, great God, arise! Help, Lord, or Israel s champion dies! To thy protection this thy servant take, And save, oh, save us for thy servant s sake! With thunder arm d. . . da capo 65. Recitative Samson Be of good courage, I begin to feel Some inward motions, which do bid me go. Micah In time thou hast resolv d, again he comes. Enter Harapha. Harapha Samson, this second summons send our lords Haste thee at once; or we shall engines find To move thee, though thou wert a solid rock. Samson Vain were their art if tried, I yield to go, Not through your streets be like a wild beast trail d. Harapha You thus may win the lords to set you free. Samson In nothing I ll comply that s scandalous Or sinful by our law. - Brethren, farewell! Your kind attendance now, I pray, forbear, Lest it offend to see me girt with friends. Expect of me you ll nothing hear impure, Unworthy God, my nation, or myself. Micah So may st thou act as serves His glory best. Samson Let but that spirit (which first rush d on me In the camp of Dan) inspire me at my need 66. Accompagnato Samson Then shall I make Jehovah s glory known! Their idol gods shall from his presence fly, Scatter d like sheep before the God of hosts. 67. Air Samson Thus when the sun from s wat ry bed All curtain d with a cloudy red, Pillows his chin upon an orient wave; The wand ring shadows ghastly pale, All troop to their infemal jail Each fetter d ghost slips to his sev ral grave. 68. Accompagnato Micah With might endu d above the sons of men, Swift as the lightning s glance His errand execute, And spread His name amongst the heathen round. 69. Air and Chorus Micah The Holy One of Israel be thy guide, The Angel of thy birth stand by thy side! To fame immortal go, Heav n bids thee strike the blow The Holy One of Israel is thy guide. Israelites To fame immortal go Heav n bids thee strike the blow The Holy One of Israel is thy guide. Scene 2 Micah, Manoah, and Chorus of Israelites. 70. Recitative Micah Old Manoah, with youthful steps, makes haste To find his son, or bring us some glad news. Manoah I come, my brethren, not to seek my son, Who at the feast does play before the lords; But give you part with me, what hopes I have To work his liberty. 71. Air Philistine, at a distance Great Dagon has subdu d our foe And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 72. Chorus of Philistines, at a distance Great Dagon has subdu d our foe. And brought their boasted hero low Sound out his pow r in notes divine Praise him with mirth, high cheer and wine. 73. Recitative Manoah What noise of joy was that? It tore the sky. Micah They shout and sing, to see their dreaded foe Now captive, blind, delighting with his strength. Manoah Could my inheritance but ransom him, Without my patrimony, having him The richest of my tribe. Micah Sons care to nurse Their parents in old age; but you, - your son! 74. Air Manoah How willing my paternal love The weight to share Of filial care, And part of sorrow s burden prove! Though wand ring in the shades of night, Whilst I have eyes he wants no light. 75. Recitative Micah Your hopes of his deliv ry seem not vain, In which all Israel s friends participate. Manoah I know your friendly minds, and - A symphony of horror and confusion. Heav n! What noise! Horribly loud, unlike the former shout. 76. Chorus of Philistines, at a distance Hear us, our God! Oh, hear our cry! Death, ruin, falI n, no help is nigh, Oh mercy, Heav n, we sink, we die! 77. Recitative Micah Noise call you this? An universal groan, As if the world s inhabitation perish d! Blood, death, and ruin, at their utmost point! Manoah Ruin indeed! Oh, they have slain my son! Micah Thy son is rather slaying them; that cry From slaughter of one foe could not ascend. But see, my friends, One hither speeds, an Hebrew of our tribe. Scene 3 Enter a Messenger. 78. Recitative Messenger Where shall I run, or which way fly the thoughts Of this most horrid sight? O countrymen, You re in this sad event too much concem d! Micah The accident was loud, we long to know from whence. Messenger Let me recover breath; it will burst forth. Manoah Tell us the sum, the circumstance defer. Messenger Gaza yet stands, but all her sons are falI n. Manoah Sad, not to us! But now relate by whom? Messenger By Samson done. Manoah The sorrow lessens still, And nigh converts to joy. Messenger O Manoah! In vain I would refrain; the evil tale Too soon will rudely pierce thy aged ear. Manoah Suspense in news is torture, speak them out! Messenger Then take the worst in brief - Samson is dead. Manoah The worst indeed! My hopes to free him hence Are baffled all! But death, who sets all free, Hath paid his ransom now. Micah Yet, ere we give the reins to grief, say first How died he? Death to life is crown, or shame. Messenger Unwounded of his enemies he fell, At once he did destroy, and was destroy d; The edifice, where all were met to see, Upon their heads, and on his own he pulI d! Manoah Oh, lastly overstrong against thyself! A dreadful way thou took st to thy revenge Glorious, yet dearly bought! 79. Air and Chorus Micah Ye sons of lsrael, now lament, Your spear is broke, your bow s unbent. Your glory s fled, Amongst the dead Great Samson lies, For ever, ever, clos d his eyes! Israelites Weep, Israel, weep a louder strain; Samson, your strength, your hero, is slain! 80. Recitative Manoah Proceed we hence to find his body Soak d in vile Philistine blood; with the pure stream, And cleansing herbs wash off his clodded gore; Then solemnly attend him to my tomb With silent obsequies, and fun ral train. 81. Symphony dead march 82. Recitative Micah The body comes; we ll meet it on the way With laurels ever green, and branching palm; Then lay it in his monument, hung round With all his trophies, and great acts enrolI d In verse heroic, or sweet lyric song. Manoah There shall all IsraeI s valiant youth resort, And from his memory inflame their breasts To matchless valour, whilst they sing his praise. Enter Israelites with the body of Samson. 83. Air and Chorus Manoah Glorious hero, may thy grave Peace and honour ever have; After all thy pain and woes Rest etemal, sweet repose! Israelites Glorious hero, may thy grave Peace and honour ever have! 84. Solo and Chorus Israelite Woman The virgins too shall on their feastful days Visit his tomb with flow rs, and there bewail His lot unfortunate in nuptial choice. Virgins Bring the laurels, bring the bays, Strew his hearse, and strew the ways! Israelite Woman May ev ry hero fall like thee, Through sorrow to felicity! Virgins Bring the laurels, bring the bays Strew his hearse and strew the ways! Israelites Glorious hero, may thy grave Peace and honour ever have, After all thy pains and woes, Rest etemal, sweet repose! 85. Recitative Manoah Come, come! No time for lamentation now, No cause for grief; Samson like Samson fell, Both life and death heroic. To his foes Ruin is left; to him eternal fame. Micah Why should we weep or wail, dispraise or blame, Where all is well and fair to quiet us? Praise we Jehovah then, who to the end Not parted from him, but assisted still, Till desolation fill d Philistia s lands, Honour and freedom giv n to Jacob s seed. 86. Air Israelite Woman Let the bright seraphim in burning row, Their loud, uplifted angel trumpets blow. Let the cherubic host, in tuneful choirs, Touch their immortal harps with golden wires. 87. Chorus of Israelites Let their celestial concerts all unite, Ever to sound his praise in endless blaze of light. Handel,George Frideric/Samson
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【Tags D Gumi Takanon tB】 Original Music Title だってだってだって Because, Because, Because (Datte, Dattte, Datte) Music Lyrics written, Voice edited by タカノン (Takanon) Music arranged by タカノン (Takanon) Singer Gumi (Megpoid) Click here for the original Japanese Lyrics English Lyrics (translated by Kanannon)： I heard that you liked small girls So maybe I should stop wearing heels and start wearing sneakers from tomorrow? Well, you know, what if I just happen to run into you at the convenience store I have to think about and be ready for these things you know But then again, even if he starts liking me after all this... It doesn t really seem like I m myself. Oh well. It s not like I just do this for anyone. I like you so much, I just can t help it I want to be closer to what you like Changing myself, is that a bad thing? Why? why? why? why? Because, because, because I want to this love to happen so much When our eyes meet, I get so embarrassed. I pretend like I m looking far away. But even when I avert my eyes, I still try to keep you in the corner of my vision When I think about it, since you re looking toward me, Maybe, you re starting to think about me a little bit "No, I m just imaging it... " I don t want to have any false hopes and cry again I love you so much, you appear in my dreams But even when you come out in my dreams I look away. I m so stupid. Why, why, why, why... Because, because, because I love so much I love so much, I can t help it I want to be closer to what you like and gain confidence I want to tell you some day, but please wait for now I m afraid of failing, by rushing my feelings on you Because I can t say "I love you" yet I ll lock these feelings away in my heart for now Because, because, because, I don t want to fail I definitely want to fulfill this love English Lyrics (translated by ceritaantarkita)： I heard that you liked short girls So starting tomorrow Maybe I should stop wearing heels and start wearing sneakers? Well, because, see If I just happen to run into you at the convenience store or something I ll be completely prepared, right? Going that far Even if I get you like me by doing that Wouldn t it be like I m no longer myself? Though isn t that fine? Besides, It s not something I d do for anyone else I like you and I can t help it I want to suit your taste better Is this self-transformation wrong? Why? why? why? why? Even so, that s just how much I want this love come true Just by having our eyes meet As if I d been watching you from afar I shyly avert my eyes But even so, in the end, something else caught your eyes and you turned away But when I think about it By doing that Maybe, just maybe You were looking just a little at me, weren t you? "No, it s just a misunderstanding.." I say Because if I keep my hopes up, I ll end up crying I like you, even in my dream Even in a dream where you appeared Does my makeover make me a bad girl? Why? why? why? why? Even so, I ll always like you I like you and there s nothing I can do I ve become the type you like and I ve grown confident Surely, someday, I want to tell you But for now, I ll just wait Since rushing to say "I like you".. I m scared I ll mess up Once again, I couldn t say "I like you" So for now, I ll keep my feelings locked up in my heart Because, well, I don t want to mess up Since it s a love that I definitely want to come true Romaji lyrics (transliterated by ceritaantarkita)： Se no chiisana ko ga suki datte kiita kara Ashita kara HIIRU wa yamete SUNIIKAA haite ikoukana? Datte, hora, moshikashite KONBINI nankade guuzen anata to BATTARRI attari shichatta toki no koto made kangaete junbi bantan deshou? Soko madeshite Suki ni natte Morattemo Sorette mou WATASHI ga WATASHI janai mitai? Betsu ni ii janai Sore ni Dare ni demo koko made suru wakede wa nai no Anata ga suki de shikata ga nakute Anata konomi ni chikazukitakute Jibun henkou DAME na koto na no? Nande? nande? nande? nande? Datte, datte, datte.. Sore kurai kanaetai koi dakara Me ga atta dake de Hazukashikute marude tooku miteru mitai ni Me wo sorashite shimau kedo Yappari ki ni natte shikai GIRI GIRI ni anata nokoshite shimau no Demo yoku kangaetara Korette Moshikashite chotto Anata mo WATASHI no koto mite kuretetarisurun janai? "DAME, kanchigai.." Hen ni kitaishite mata nakitaku wa nai kara Anata ga suki de yume no naka ni made Anata dete kite yume no naka de made Shisen henkou DAME na ko nano Nande? nande? nande? nande? Datte, datte, datte.. Itsu datte anata ga suki de Anata ga suki de doushiyou mo nakute Anata konomi ni natte jishin wo motte Kitto itsuka tsutaetaino Dakedo ima wa matte Datte asette "suki"tte itte shippaisuru no kowai no "Anata ga suki"tte mada ienaikedo Dakara ima wa kono omoi wa Mune no oku ni shimatte oite Datte, datte, datte.. shippaishitakunai Zettai kanaetai koi dakara
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【Tags D Furomaisou-P Yukari tS】 Original Music title 誰かの歌で僕が死ぬ English music title Someone s Song Makes Me Die Romaji music title Dareka no Uta de Boku ga Shinu Music Lyrics written, Voice edited by 風呂埋葬P(Furomaisou-P) Music arranged by 風呂埋葬P(Furomaisou-P) Singer(s) 結月ゆかり (Yuzuki Yukari) Click here for the original Japanese Lyrics English Lyrics (translated by antony)： Looking at the one who is a would-be idol And has a self-assured look on the face In smudged makeup Makes me sick again As I m the lowest scum, I sneer Saying something like "I wish everyone were dead" Saying that "Because I have no talent" Making excuses that no one listens to 365 days (everyday) Since I have so many anxieties and envies, I can t sleep well As I eat something going in and out of fashion and everything I even have breathing difficulty Girls who enjoy popularity recently Follow the words of dirty adults And flash their skirts The town is filled with them so I can t find nowhere to escape Though I don t want to hear it Today it flashes in the depth of my ears again Someone s song makes someone die It drives me almost to madness Someone s song makes me die Ah, anyone, I don t care who it is, Please stop the paranoia in my head!! As I m the lowest scum, I get cranky Saying "I should go away, right?" Saying something like "Because I m not amiable" A lonely girl that no one even look at As I m the lowest scum, I sneer Saying something like "I wish everyone were dead" Saying that "Because I have no talent" Though there s no one, making excuses 365 days (everyday) Romaji lyrics (transliterated by antony)： keshou no kuzureta aidoru kidori no jishin arigena kao mite kyou mo gen nari saite-na boku ga waratte "min na shinjaeba ii noni" nante "sainou ga nai kara" datte dare mo kiitenai iiwake everyday nayami mo netami mo ippai atte umaku nemurenai yo hayari mo sutari mo nandemo tabete kokyuu sura kon nan sa konogoro ninki no on na no ko ga kitanai otona no iu ga mama ni suka-to hirarinpa nigeba mo nai hodo machi ni afurete kikitaku nai noni boku no mimi no oku de kyou mo hirarinpa dare ka no uta de hito ga shinu kuruisou nan sa dareka no uta de boku ga shinu aadaredemoiikara boku no ataman naka no paranoia wo tomete!! saite-na boku ga guzutte "boku ga kiechaeba iindesho" tte "aiso ga nai kara" nante dare nimo mimuki mo sarenai ronri- ga-ru saite-na boku ga waratte "min na shinjaeba ii noni" nante "sainou ga nai kara" nante dare mo inai noni iiwake everyday [Furomaisou-P, FuromaisouP]
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ACT ONE 1. Overture Scene 1 Before the Prison in Gaza. Samson, blind and in chains. Chorus of the Priests of Dagon, celebrating his festival. 2. Recitative Samson This day, a solemn feast to Dagon held, Relieves me from my task of servile toil; Unwillingly their superstition yields This rest, to breathe heav n s air, fresh blowing, Pure and sweet. 3a. Chorus of Philistines Awake the trumpet s lofty sound! The joyful sacred festival comes round, When Dagon king of all the earth is crown d. 4. Air Philistine Woman Ye men of Gaza, hither bring The merry pipe and pleasing string, The solemn hymn, and cheerfuI song; Be Dagon prais d by ev ry tongue! 3b. Chorus of Philistines Awake the trumpet s lofty sound! The joyful sacred festival comes round, When Dagon king of all the earth is crown d. 5. Air Philistine Loud as the thunder s awful voice, In notes of triumph, notes of praise, So high great Dagon s name we ll raise That heav n and earth may hear how we rejoice! 6. Air Philistine Woman Then free from sorrow, free from thrall, All blithe and gay, With sports and play, We ll celebrate his festival. 3c. Chorus of Philistines Awake the trumpet s lofty sound! The joyful sacred festival comes round, When Dagon king of all the earth is crown d. 7. Recitative Samson Why by an angel was my birth foretold, As in a fiery column ascending From off the altar, in my parents sight? As of a person separate to God? If I must die, betray d and captiv d thus, The scorn and gaze of foes? Oh, cruel thought! My griefs find no redress! They inward prey, Like gangren d wounds, immedicable grown. 8. Air Samson Torments, alas, are not confin d To heart, or head, or breast! But will a secret passage find Into the very inmost mind, With pains intense opprest, That rob the soul itself of rest. Scene 2 Enter Micah and Israelites, observing Samson. 9. Recitative Micah (apart) Oh, change beyond report, thought, or belief! See, how he lies with languish d head, unpropt, Abandon d, past all hope! Can this be he, Heroic Samson, whom no strength of man, Nor fury of the fiercest beast could quell? Who tore the lion, as the lion tears the kid, Ran weaponless on armies clad in iron, Useless the temper d steel, or coat of mail. 10. Air Micah Oh, mirror of our fickle state! In birth, in strength, in deeds how great! From highest glory fall n so low, Sunk in the deep abyss of woe! 11. Recitative Samson (apart) Whom have I to complain of but myself, Who Heav n s great trust could not in silence keep, But weakly to a woman must reveal it! Oh, glorious strength! Oh, impotence of mind! But without wisdom, what does strength avail? Proudly secure, yet liable to fall? God (when he gave it) hung it in my hair, To show how slight the gift. - But, peace, my soul! Strength was my bane, the source of all my woes, Each told apart would ask a life to wail. Micah (to Samson) Matchless in might! once Israel s glory, now her grief! Welcome, thy friends well known, to visit thee! Samson Welcome, my friends! Experience teaches now, How counterfeit the coin of friendship is, That s only in the superscription shown. In the warm sunshine of our prosp rous days, Friends swarm; but in the winter of adversity, Draw in their heads; though sought, not to be found. Micah Which shall we first bewail, Thy bondage, or lost sight? Samson O loss of sight, of thee I most complain! Oh, worse than beggary, old age, or chains! My very soul in real darkness dwells! 12. Air Samson Total eclipse! No sun, no moon! All dark amidst the blaze of noon! Oh, glorious light! No cheering ray To glad my eyes with welcome day! Why thus depriv d Thy prime decree? Sun, moon, and stars are dark to me! 13. Accompagnato Micah Since light so necessary is to life That in the soul tis almost life itself, Why to the tender eyes is sight confin d, So obvious and so easy to be quench d; Why not as feelings through all parts diffus d, That we might look at will through every pore? 14. Chorus of Israelites O first created beam! And thou great word! "Let there be light!" - And light was over all, One heav nly blaze shone round this earthly ball. To thy dark servant, life, by light afford! 15. Recitative Samson Ye see, my friends, how woes enclose me round. But had I sight, how could I heave my head For shame? Thus, for a word, or tear, divulge To a false woman God s most secret gift, And then be sung, or proverb d for a fool! Micah The wisest men have err d, and been deceiv d By female arts. Deject not then thyself, Who hast of griefs a load yet men will ask, Why did not Samson rather wed at home? In his own tribe are fairer, or as fair. Samson Oh that I had! Alas, fond wish, too late! That specious monster, Dalila, my snare! Myself the cause, who vanquish d by her tears, Gave up my fort of silence to a woman. Micah Here comes thy rev rend sire, old Manoah, With careful steps, and locks as white as down. Samson Alas! Another grief that name awakes. Scene 3 Enter Manoah. Manoah Brethren and men of Dan, say, where is my son, Samson, fond Israel s boast? Inform my age! Micah As signal now in low dejected state, As in the height of pow r. - See, where he lies! 16. Accompagnato Manoah Oh, miserable change! Is this the man, Renown d afar, the dread of IsraeI s foes? Who with an angeI s strength their armies duell d, Himself an army! - Now unequal match To guard his breast against the coward s spear! 17. Recitative Israelitish Man Oh, ever failing trust in mortal strength! And oh, what not deceivable and vain in man! 18. Air Israelitish Man God of our fathers, what is man? So proud, so vain, so great in story! His fame a blast, his life a span, A bubble at the height of glory! Oft he that is exalted high, Unseemly falls in human eye. 19. Accompagnato Manoah The good we wish for, often proves our bane. I pray d for children, and I gain d a son, And such a son, as all men hail d me happy. But who d be now a father in my stead? The blessing drew a scorpion s tail behind; This plant (select and sacred for awhile, The miracle of all!) was in one hour Ensnar d, assaulted, overcome, led bound, His foes derision, captive, poor, and blind! 20. Air Manoah Thy glorious deeds inspir d my tongue, Whilst airs of joy from thence did flow. To sorrows now I tune my song, And set my harp to notes of woe. 21. Recitative Samson Justly these evils have befalI n thy son; Sole author I, sole cause, who have profan d The mysteries of God; by me betray d To faithless parlies, feminine assaults! To the false fair I yielded all my heart; So far effeminacy held me yok d Her slave. Oh, foul indignity, oh blot To honour and to arms! Manoah Worse yet remains. This day they celebrate with pomps and sports, And sacrifice to Dagon, idol God, Who gave thee bound and blind into their hands; Thus is he magnified, the living God Blasphem d and scorn d by that idolatrous rout. Samson This have I done, this pomp, this honour brought To idol Dagon; but to Israel shame, And our true God disgrace. 22. Accompagnato Samson My griefs for this Forbid mine eyes to close, or thoughts to rest. But now the strife shall end me overthrown, Dagon presumes to enter lists with God, Who, thus provok d, will not convive, but rouse His fury soon, and his great name assert; Dagon shall stoop, ere long be quite despoil d Of all those boasted trophies won on me. 23. Air Samson Why does the God of lsrael sleep? Arise with dreadful sound, And clouds encompass d round! Then shall the heathen hear thy thunder deep. The tempest of thy wrath now raise, In whirlwinds them pursue, Full fraught with vengeance due, Till shame and trouble all thy foes shall seize! 24. Recitative Micah There lies our hope! True prophet may st thou be, That God may vindicate his glorious name; Nor let us doubt whether God is Lord, or Dagon. 25. Chorus of Israelites Then shall they know, that He whose name Jehovah is alone, O er all the earth but One, Was ever the Most High, and still the same. 26. Recitative Manoah For thee, my dearest son, must thou meanwhile Lie, thus neglected, in this loathsome plight? Samson It should be so, to expiate my crime, If possible. Shameful gratuity! Had I reveal d the secret of a friend, Most heinous that! But impiously to blast God s counsel, is a sin without a name! Manoah Be for thy fate contrite but oh, my son, To high disposal leave the forfeit due. God may relent, and quit thee all his debt; Reject not then the offer d means of life. Already have I treated with some lords, To ransom thee. Revenge is sated now, To see thee thus who cannot harm them more. Samson Why should I live? Soon shall these orbs to double darkness yield. 27. Accompagnato Samson My genial spirits droop, my hopes are fled; Nature in me seems weary of herself; My race of glory run, and race of shame Death, invocated oft, shall end my pains, And lay me gently down with them that rest. 28. Recitative (air) Micah Then long eternity shall greet your bliss; No more of earthly joys, so false and vain! 29. Air Micah Joys that are pure, sincerely good, Shall then o ertake you as a flood Where truth and peace do ever shine, With love that s perfectly divine. 30. Chorus of Israelites Then round about the starry throne Of Him who ever rules alone, Your heav nly-guided soul shall climb Of all this earthly grossness quit, With glory crown d, for ever sit, And triumph over death, and thee, O Time! ACT ONE 1. Overture Scene 1 Before the Prison in Gaza. Samson, blind and in chains. Chorus of the Priests of Dagon, celebrating his festival. 2. Recitative Samson This day, a solemn feast to Dagon held, Relieves me from my task of servile toil; Unwillingly their superstition yields This rest, to breathe heav n s air, fresh blowing, Pure and sweet. 3a. Chorus of Philistines Awake the trumpet s lofty sound! The joyful sacred festival comes round, When Dagon king of all the earth is crown d. 4. Air Philistine Woman Ye men of Gaza, hither bring The merry pipe and pleasing string, The solemn hymn, and cheerfuI song; Be Dagon prais d by ev ry tongue! 3b. Chorus of Philistines Awake the trumpet s lofty sound! The joyful sacred festival comes round, When Dagon king of all the earth is crown d. 5. Air Philistine Loud as the thunder s awful voice, In notes of triumph, notes of praise, So high great Dagon s name we ll raise That heav n and earth may hear how we rejoice! 6. Air Philistine Woman Then free from sorrow, free from thrall, All blithe and gay, With sports and play, We ll celebrate his festival. 3c. Chorus of Philistines Awake the trumpet s lofty sound! The joyful sacred festival comes round, When Dagon king of all the earth is crown d. 7. Recitative Samson Why by an angel was my birth foretold, As in a fiery column ascending From off the altar, in my parents sight? As of a person separate to God? If I must die, betray d and captiv d thus, The scorn and gaze of foes? Oh, cruel thought! My griefs find no redress! They inward prey, Like gangren d wounds, immedicable grown. 8. Air Samson Torments, alas, are not confin d To heart, or head, or breast! But will a secret passage find Into the very inmost mind, With pains intense opprest, That rob the soul itself of rest. Scene 2 Enter Micah and Israelites, observing Samson. 9. Recitative Micah (apart) Oh, change beyond report, thought, or belief! See, how he lies with languish d head, unpropt, Abandon d, past all hope! Can this be he, Heroic Samson, whom no strength of man, Nor fury of the fiercest beast could quell? Who tore the lion, as the lion tears the kid, Ran weaponless on armies clad in iron, Useless the temper d steel, or coat of mail. 10. Air Micah Oh, mirror of our fickle state! In birth, in strength, in deeds how great! From highest glory fall n so low, Sunk in the deep abyss of woe! 11. Recitative Samson (apart) Whom have I to complain of but myself, Who Heav n s great trust could not in silence keep, But weakly to a woman must reveal it! Oh, glorious strength! Oh, impotence of mind! But without wisdom, what does strength avail? Proudly secure, yet liable to fall? God (when he gave it) hung it in my hair, To show how slight the gift. - But, peace, my soul! Strength was my bane, the source of all my woes, Each told apart would ask a life to wail. Micah (to Samson) Matchless in might! once Israel s glory, now her grief! Welcome, thy friends well known, to visit thee! Samson Welcome, my friends! Experience teaches now, How counterfeit the coin of friendship is, That s only in the superscription shown. In the warm sunshine of our prosp rous days, Friends swarm; but in the winter of adversity, Draw in their heads; though sought, not to be found. Micah Which shall we first bewail, Thy bondage, or lost sight? Samson O loss of sight, of thee I most complain! Oh, worse than beggary, old age, or chains! My very soul in real darkness dwells! 12. Air Samson Total eclipse! No sun, no moon! All dark amidst the blaze of noon! Oh, glorious light! No cheering ray To glad my eyes with welcome day! Why thus depriv d Thy prime decree? Sun, moon, and stars are dark to me! 13. Accompagnato Micah Since light so necessary is to life That in the soul tis almost life itself, Why to the tender eyes is sight confin d, So obvious and so easy to be quench d; Why not as feelings through all parts diffus d, That we might look at will through every pore? 14. Chorus of Israelites O first created beam! And thou great word! "Let there be light!" - And light was over all, One heav nly blaze shone round this earthly ball. To thy dark servant, life, by light afford! 15. Recitative Samson Ye see, my friends, how woes enclose me round. But had I sight, how could I heave my head For shame? Thus, for a word, or tear, divulge To a false woman God s most secret gift, And then be sung, or proverb d for a fool! Micah The wisest men have err d, and been deceiv d By female arts. Deject not then thyself, Who hast of griefs a load yet men will ask, Why did not Samson rather wed at home? In his own tribe are fairer, or as fair. Samson Oh that I had! Alas, fond wish, too late! That specious monster, Dalila, my snare! Myself the cause, who vanquish d by her tears, Gave up my fort of silence to a woman. Micah Here comes thy rev rend sire, old Manoah, With careful steps, and locks as white as down. Samson Alas! Another grief that name awakes. Scene 3 Enter Manoah. Manoah Brethren and men of Dan, say, where is my son, Samson, fond Israel s boast? Inform my age! Micah As signal now in low dejected state, As in the height of pow r. - See, where he lies! 16. Accompagnato Manoah Oh, miserable change! Is this the man, Renown d afar, the dread of IsraeI s foes? Who with an angeI s strength their armies duell d, Himself an army! - Now unequal match To guard his breast against the coward s spear! 17. Recitative Israelitish Man Oh, ever failing trust in mortal strength! And oh, what not deceivable and vain in man! 18. Air Israelitish Man God of our fathers, what is man? So proud, so vain, so great in story! His fame a blast, his life a span, A bubble at the height of glory! Oft he that is exalted high, Unseemly falls in human eye. 19. Accompagnato Manoah The good we wish for, often proves our bane. I pray d for children, and I gain d a son, And such a son, as all men hail d me happy. But who d be now a father in my stead? The blessing drew a scorpion s tail behind; This plant (select and sacred for awhile, The miracle of all!) was in one hour Ensnar d, assaulted, overcome, led bound, His foes derision, captive, poor, and blind! 20. Air Manoah Thy glorious deeds inspir d my tongue, Whilst airs of joy from thence did flow. To sorrows now I tune my song, And set my harp to notes of woe. 21. Recitative Samson Justly these evils have befalI n thy son; Sole author I, sole cause, who have profan d The mysteries of God; by me betray d To faithless parlies, feminine assaults! To the false fair I yielded all my heart; So far effeminacy held me yok d Her slave. Oh, foul indignity, oh blot To honour and to arms! Manoah Worse yet remains. This day they celebrate with pomps and sports, And sacrifice to Dagon, idol God, Who gave thee bound and blind into their hands; Thus is he magnified, the living God Blasphem d and scorn d by that idolatrous rout. Samson This have I done, this pomp, this honour brought To idol Dagon; but to Israel shame, And our true God disgrace. 22. Accompagnato Samson My griefs for this Forbid mine eyes to close, or thoughts to rest. But now the strife shall end me overthrown, Dagon presumes to enter lists with God, Who, thus provok d, will not convive, but rouse His fury soon, and his great name assert; Dagon shall stoop, ere long be quite despoil d Of all those boasted trophies won on me. 23. Air Samson Why does the God of lsrael sleep? Arise with dreadful sound, And clouds encompass d round! Then shall the heathen hear thy thunder deep. The tempest of thy wrath now raise, In whirlwinds them pursue, Full fraught with vengeance due, Till shame and trouble all thy foes shall seize! 24. Recitative Micah There lies our hope! True prophet may st thou be, That God may vindicate his glorious name; Nor let us doubt whether God is Lord, or Dagon. 25. Chorus of Israelites Then shall they know, that He whose name Jehovah is alone, O er all the earth but One, Was ever the Most High, and still the same. 26. Recitative Manoah For thee, my dearest son, must thou meanwhile Lie, thus neglected, in this loathsome plight? Samson It should be so, to expiate my crime, If possible. Shameful gratuity! Had I reveal d the secret of a friend, Most heinous that! But impiously to blast God s counsel, is a sin without a name! Manoah Be for thy fate contrite but oh, my son, To high disposal leave the forfeit due. God may relent, and quit thee all his debt; Reject not then the offer d means of life. Already have I treated with some lords, To ransom thee. Revenge is sated now, To see thee thus who cannot harm them more. Samson Why should I live? Soon shall these orbs to double darkness yield. 27. Accompagnato Samson My genial spirits droop, my hopes are fled; Nature in me seems weary of herself; My race of glory run, and race of shame Death, invocated oft, shall end my pains, And lay me gently down with them that rest. 28. Recitative (air) Micah Then long eternity shall greet your bliss; No more of earthly joys, so false and vain! 29. Air Micah Joys that are pure, sincerely good, Shall then o ertake you as a flood Where truth and peace do ever shine, With love that s perfectly divine. 30. Chorus of Israelites Then round about the starry throne Of Him who ever rules alone, Your heav nly-guided soul shall climb Of all this earthly grossness quit, With glory crown d, for ever sit, And triumph over death, and thee, O Time! Handel,George Frideric/Samson/II
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【Tags 40meterP Gumi Y tS tT】 Original Music Title ヤクソクの種 Seeds of Promises (Yakusoku no Tane) Music Lyrics written, Voice edited by 40㍍P (40meterP) Music arranged by 40㍍P (40meterP) Singer Gumi (Megpoid) Click here for the Japanese Lyrics English Lyrics (translated by animeyay)： In a faraway place where not even light can reach, there were some nameless flowers. I heard that they would bloom into beautiful flowers whenever a promise was fulfilled. The seeds of words ride on the wind to this place, and grow into green sprouts again this year. The flowers bloom extravagantly without being loved by anyone. Your tears will probably become raindrops and embrace those flowers. Their meager wish believes that they will eventually bloom grandly far and wide. I entrusted my words to the starless sky "Someday I will go meet you." That promise, covered in wounds, sends its seed into the wind, which disappears into the sky. In a faraway place where not even light can reach, there were some nameless flowers. I heard that they would wilt and perish away whenever a promise was broken. Those flowers, having withered, become the wind and return to the people who originally gave the words, so that those promises would not end up being forgotten completely someday. Your smile will probably become the sun and shine over those flowers. Their meager wish believes that they will eventually bloom grandly far and wide. The words that I entrusted to the starless sky were still inflicting pain upon me even now. That promise, covered in wounds, sends its seed towards me. I entrusted my words to the starless sky and made a vow to my heart. That promise, covered in wounds, sends its seed into the wind, which disappears into the sky. In a faraway place where not even light can reach, there were some nameless flowers. I heard that they would bloom into beautiful flowers whenever a promise was fulfilled. Romaji lyrics (transliterated by animeyay)： hikari mo todokanai tooi basho ni namae sae shiranai hana ga arimashita dareka ga yakusoku o mamoru tabi ni kirei na hana o sakaseru to kikimashita kotoba no tane ga soyokaze ni notte kotoshi mo kono basho de aoku mebukimasu utsukushiku sakihokoru sono hana wa dare ni aisareru koto naku anata no namida wa ame ni natte sono hana o tsutsunde kureru deshou chiisana negai wa haruka tooku sakihokoru toki o shinjite hoshi no nai sora ni kotoba o azuketa "itsuka boku ga mukae ni yuku yo" to kizu dareke no sono yakusoku no tane wa kaze ni fukarete sora e kiesatte yuku hikari mo todokanai tooi basho ni namae sae shiranai hana ga arimashita dareka ga yakusoku o yaburu tabi ni kareochite kiete shimau to kikimashita kareochita sono mi wa kaze ni natte kotoba o unda hito no moto e kaerimasu musunda yakusoku ga itsu no hi ni mo wasurerarete shimawanu you ni anata no egao wa taiyou ni nari sono hana o terashite kureru deshou chiisana negai wa haruka tooku sakihokoru toki o shinjite hoshi no nai sora ni azuketa kotoba wa ima mo boku o kurushimasete ita kizu darake no sono yokusoku no tane wa itsuka boku no moto e to hoshi no nai sora ni kotoba o azuketa boku wa boku no kokoro ni chikatta kizu darake no sono yakusoku no tane wa kaze ni fukarete sora e kiesatte yuku hikari mo todokanai tooi basho ni namae sae shiranai hana ga arimashita dareka ga yakusoku o mamoru tabi ni kirei na hana o sakaseru to kikimashita [40m-P, 40mP, 40meter-P, K, 40meterP]
https://w.atwiki.jp/pathofexile12/pages/340.html
入手方法 詳説・特徴 関連リンク Brutal Restraint Timeless Jewel上限 1個半径 Large (1500) Denoted service of (500-8000) dekhara in the akhara of NasimaIDが(500-8000)の数値から選ばれる。Asenath,Deshre,Nasimaの三種ある。 Passives in radius are Conquered by the Maraketh範囲内のパッシブはMarakethによって変化する HistoricHistoricジュエル They believed themselves the most ordered, but that tradition turned their forests to salt. 入手方法 Legionリーグ限定品。 詳説・特徴 範囲内のパッシブを変化させるTimelessジュエルの一つ。(500-8000)のIDを持ち、その値によってパッシブの変化の仕方が変わる。 KeyStoneは名前（Asenath,Deshre,Nasima）によって以下のように変化する。 Asenath Dance with Death Deshret imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。Wind Dancer Nasima Second Sight } 関連リンク 英wiki https //pathofexile.gamepedia.com/Brutal_Restraint Unique Jewel 一覧