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https://w.atwiki.jp/cadencii_en/pages/68.html
English 日本語 Release Note Release Date 9 Sep., 2010 Notes Cadencii requires ".NET Framework Runtime(version 2.0 or later)". Installer of this rumtime is available from the link below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Cadencii can be launched with the latest version of mono. This enable you to use Cadencii with many platforms supported by mono. (Note Several functions using VOCALOID2 VSTi are not available in this case.) Mono is available from the link mono download Download Cadencii version 3.0.24 (1.7MB) Get codes Source code is available on SourceForege.JP. Please follow the instruction below for checking out the SourceForge.JP s SVN repository. svn checkout -r 1254 http //svn.sourceforge.jp/svnroot/cadencii/Cadencii/branches/3.0 ./ These svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" option.
https://w.atwiki.jp/boare/pages/234.html
Release Note Release Date 15 Mar., 2010 Notes Cadencii requires ".NET Framework Runtime(version 2.0 or later)". Installer of this rumtime is available from the link below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Cadencii can be launched with the latest version of mono. This enable you to use Cadencii with many platforms supported by mono. (Note Several functions using VOCALOID2 VSTi are not available in this case.) Mono is available from the link mono download Download Cadencii version 3.0.17 (1.2MB) How to get source codes Source code is available on SourceForege.JP. Please follow the instruction below for checking out the SourceForge.JP s SVN repository. svn checkout -r 916 http //svn.sourceforge.jp/svnroot/cadencii/branches/3.0 ./ These svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" option.
https://w.atwiki.jp/boare/pages/232.html
Release Note Release Date 15 Mar., 2010 Notes Cadencii requires ".NET Framework Runtime(version 2.0 or later)". Installer of this rumtime is available from the link below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Cadencii can be launched with the latest version of mono. This enable you to use Cadencii with many platforms supported by mono. (Note Several functions using VOCALOID2 VSTi are not available in this case.) Mono is available from the link mono download Download Cadencii version 3.0.16 (1.2MB) How to get source codes Source code is available on SourceForege.JP. Please follow the instruction below for checking out the SourceForge.JP s SVN repository. svn checkout -r 912 http //svn.sourceforge.jp/svnroot/cadencii/branches/3.0 ./ These svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" option.
https://w.atwiki.jp/cadencii_en/pages/61.html
English 日本語 Release Note Release Date 30 Mar, 2009 Notes This version is beta-build for debugging the functions of Cadencii version 1.4. Debugging purpose only. Cadencii requires ".NET Framework Runtime(version 2.0 or later)" and "Visual C++ Library DLLs". Installers of these rumtimes are available from the links below. .NET Framework Runtime Download .NET Framework 3.5 SP1 Visual C++ Library DLL Microsoft Visual C++ 2008 Redistributable Package (x86) Download Cadencii version 1.4b1 (408KB) How to get source codes Source code repositories are now separated to 2 parts. Repository for the components listed below are on SVN LipSync repository of SourceForge.JP. Boare.Lib.AppUtil Boare.Lib.Media Boare.Lib.Vsq bocoree Also, Repository for the list below are on SVN Cadencii repository of SourceForege.JP. Cadencii vstidrv3 GenerateKeySound Please follow the instruction below for checking out the SourceForge.JP repository. If you required to enter the password, just hit enter key. cvs -d pserver anonymous@cvs.sourceforge.jp /cvsroot/lipsync login cvs -z3 -d pserver anonymous@cvs.sourceforge.jp /cvsroot/lipsync co -r CADENCII_1_4_B_1 Boare.Lib.AppUtil cvs -z3 -d pserver anonymous@cvs.sourceforge.jp /cvsroot/lipsync co -r CADENCII_1_4_B_1 Boare.Lib.Media cvs -z3 -d pserver anonymous@cvs.sourceforge.jp /cvsroot/lipsync co -r CADENCII_1_4_B_1 Boare.Lib.Vsq cvs -z3 -d pserver anonymous@cvs.sourceforge.jp /cvsroot/lipsync co -r CADENCII_1_4_B_1 bocoree Source codes on Google Codes can be checked out as follows. svn checkout -r 51 http //svn.sourceforge.jp/svnroot/cadencii/trunk ./ These cvs / svn command is for checiking out "THIS" version of Cadencii. In order to get the latest source codes, please remove "-r" options from these commands.
https://w.atwiki.jp/reallivemax/pages/21.html
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https://w.atwiki.jp/bfgmatome/pages/606.html
ゲーム情報(登録されているタグ) ジャンル>アイテム探し ジャンル>アドベンチャー ジャンル>パズル 製作会社>不明 言語>英語 コメント欄へ移動 ゲーム配布ページ 英語 http //www.bigfishgames.com/download-games/11174/dying-for-daylight/index.html 日本語 紹介文 Enter a vampire world as Dahlia, a vampire with a fantastic sense of fashion and a razor-sharp wit! Go on an epic hunt to find the legendary sun potion in Dying for Daylight. As vampires have been productive and ultimately accepted into society, their ancient vulnerability remains true – they can only emerge at night. When rumors circulate that a legendary potion exists allowing vampires to walk amid the daylight, Dahlia jumps at the chance to further investigate in this fun Hidden Object game. Incredible atmosphere Fantastic action Enter a vampire world! Check out our Blog Walkthough! 画像 « » var ppvArray_0_60836a39dfcc340adc0cb7815ba4391b = new Array(); ppvArray_0_60836a39dfcc340adc0cb7815ba4391b[0] = http //w.atwiki.jp/bfgmatome/?cmd=upload&act=open&page=Charlaine+Harris%3A+Dying+for+Daylight&file=en_dying-for-daylight-screen1.jpg ; window.onload=function(){ ppvShow_0_60836a39dfcc340adc0cb7815ba4391b(0); }; function ppvShow_0_60836a39dfcc340adc0cb7815ba4391b(n){ if(!ppvArray_0_60836a39dfcc340adc0cb7815ba4391b[n]){ alert( 画像がありません ); return; } ppv_0_60836a39dfcc340adc0cb7815ba4391b$( ppv_img_0_60836a39dfcc340adc0cb7815ba4391b ).src=ppvArray_0_60836a39dfcc340adc0cb7815ba4391b[n]; ppv_0_60836a39dfcc340adc0cb7815ba4391b$( ppv_link_0_60836a39dfcc340adc0cb7815ba4391b ).href=ppvArray_0_60836a39dfcc340adc0cb7815ba4391b[n]; ppv_0_60836a39dfcc340adc0cb7815ba4391b$( ppv_prev_0_60836a39dfcc340adc0cb7815ba4391b ).href= javascript ppvShow_0_60836a39dfcc340adc0cb7815ba4391b( +(n-1)+ ) ; ppv_0_60836a39dfcc340adc0cb7815ba4391b$( ppv_next_0_60836a39dfcc340adc0cb7815ba4391b ).href= javascript ppvShow_0_60836a39dfcc340adc0cb7815ba4391b( +(n+1)+ ) ; } function ppv_0_60836a39dfcc340adc0cb7815ba4391b$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; } videoプラグインエラー 正しいURLを入力してください。 備考 レス一覧 813 名前: 名無しさんの野望 [sage] 投稿日: 2011/02/12(土) 23 35 33 ID B9Pi+BXz Dying for Daylight、 4章で終わりだから短いかと思ったけど体験版やる限り各章が長そうだな タイトルとかでかかる曲が格好いい コメント コメント すべてのコメントを見る トップページに戻る
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WaiWaiの記事を転載した英語サイト: [A|B|C|D|E|F|G|H|I|J|K|L|M|N|O|P|Q|R|S|T|U|V|W|X|Y|Z|数字] Adult Portal 関連ページ Adult Portal http //www.delightfulfantasy.com/ Asian Sex Gazete からの部分転載 Japanese women share the trials of a life without climax http //www.delightfulfantasy.com/news.php?readmore=2555 "Four lusty lasses share the trials of a life without climax" DVDs teaching raunchy English snapped up in Japan http //www.delightfulfantasy.com/news.php?readmore=2554 "English teaching DVDs get low down and dirty" Adventurous Japanese couples thrust Dream Love Chairs into overdrive http //www.delightfulfantasy.com/news.php?readmore=2552 "Adventurous couples thrust Dream Love Chairs into overdrive" Kansais red lights still glowing strong http //www.delightfulfantasy.com/news.php?readmore=2549 "Kansai s red lights still glowing strong" Wise Japanese investors add love hotels, AV idols to their portfolios http //www.delightfulfantasy.com/news.php?readmore=2490 "Wise Japanese investors add love hotels, starlets to their portfolios" Train Cafe takes hands-on approach in fight against transit molesting in Japan http //www.delightfulfantasy.com/news.php?readmore=2489 "Train Cafe takes hands-on approach in fight against molesting" Slutty schoolgirls and self-circumcisions All in a days work for Japanese urologists http //www.delightfulfantasy.com/news.php?readmore=2270 "Slutty schoolgirls and self-circumcisions All in a day s work for a urologist" Shibuya crackdown not all its cracked up to be http //www.delightfulfantasy.com/news.php?readmore=2202 "Shibuya cracks up at government s crackdown on sleaze" Japan Day trips offer lascivious liasions http //www.delightfulfantasy.com/news.php?readmore=2201 "Low-priced "gourmet" getaways give guys cheap chance to grope a gal" Mothers let kids strip for cash in Japan http //www.delightfulfantasy.com/news.php?readmore=2200 " Model mothers strip their kids for cash" Japan Caretakers that care too much http //www.delightfulfantasy.com/news.php?readmore=2142 "A sign some are cross after decidedly unholy hanky-panky goes on in Christian...-run home" Japanese prove easy prey for Chinese honey traps http //www.delightfulfantasy.com/news.php?readmore=2141 Japanese cops halt enterprising sex services http //www.delightfulfantasy.com/news.php?readmore=2105 "Cops deflate air mat master s slip and slide sex services" Man changes sex to keep lesbian girlfriend http //www.delightfulfantasy.com/news.php?readmore=2103 "Heard about the guy who had a sex-change after his girlfriend said she s a lesbian?" 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Configuring Constraints Directly 制約を直接指定する 同じフィールド(XY、YZまたはXZと平行の)で、座標軸と平行であるか、同じことであるために2ポイントを束縛するTarget Point機能を使うことができます。たとえば、X軸と平行の2ポイント、床と平行の他の2ポイント、起源になる第5のポイントをセットアップすることができます。 後ろの壁(座標系のZ上)を決定する3つのトラッカーがあると思ってください。 1) 座標系コントロールパネルに切り替えてください 2) 3つのトラッカーがA、BとCであるならば、Bを選択し、そしてALTを押しながら(マック:command)、Aをクリックしてください。 3) 制約タイプをUnlockedからSame XZ PLANEに変えてください。 4) 同様にCを選択し、ALT(Command)を押しながらAを選んで、Same XZ Planeにセットしてください。 これは回転を部分的に明らかにするだけでした。BとCがAのまわりで自由に回転(Y軸のまわりの平面上のどんな点にでも)できるため、もう一つの回転を指定する必要があります。 垂直に列をなさなければならない他の2つのトラッカー、DとEがある場合は、EとAlt/Command-Click Dを選んで、Z Axis(または、それらが水平ならばX軸)に、平行にセットしてください。 Fine point:座標系をセットアップしたとき、それが最初のフレームで大まかに配置され、正しく方向付けされるように、あなたは3D内ででカメラを調節しなければなりません。さもなければ、さかさまにセットされたカメラで緊張をほぐすことができます。それは等しく有効なカメラ位置です。 (原文) Each tracker has individual constraints that can be used to control the coordinate system, accessed through the Coordinate System Control panel. The *3 button automatically configures these controls for easy use, but you can manually configure them to achieve a much wider variety of effects—if you keep in mind the mental picture of the busy little feet in the coordinate measuring machine. Those feet do whatever you tell them, but are happy to wreak havoc in any axis you do not give them instructions for. As examples of other effects you can achieve, you can use the Target Point capability to constrain two points to be parallel to a coordinate axis, in the same plane (parallel to XY, YZ, or XZ), or to be the same. For example, you can set up two points to be parallel to the X axis, two other points to be parallel to the floor, and a fifth point to be the origin. Suppose you have three trackers that you want to define the back wall (Z up coordinate system). 1) Go to the coordinate system control panel 2) If the three trackers are A, B, and C, select B, then hold down ALT (Mac Command) and click A. 3) Change the constraint type from Unlocked toSame XZ plane. 4) Select C, and ALT-click (Command) on A, and set it to Same XZ Plane also. This has nailed down the translation, but rotation only partially—the feet will be busy. You also need to specify another rotation, since B and C can spin freely around A so far (or around the Y axis about any point in the plane). You might have two other trackers, D and E, that should stack up vertically. Select E and Alt/Command-Click tracker D and set it to Parallel to Z Axis (or X axis if they should be horizontal). Details of Lock Modes ロックモードの詳細 There are quite a few different constraint (lock) modes that can be selected from the drop-down list. Despite the fair number of different cases, they all can be broken down to answering two simple questions (1) which coordinates (X, Y, and/or Z) of the tracker should be locked, and (2) to what values. ドロップダウン・リストから選択することができる相当な数の異なる制約(ロックします)モードが、があります。 異なるケースのかなりの数にもかかわらず、それらのすべては、2つの単純な質問に答えることに分類することができます: (1)トラッカーの座標軸(X、YやZ)は、どこにロックされるべきか? (2)そして値はなにか? The first question can have one of eight different answers all the combinations of whether or not each of the three coordinate axes is locked, ranging from none (Unlocked) to all (Lock Point). Rather than listing each of the combinations of which axes are locked, the list really talks about which axis is NOT locked. For example, an X Axis lock really locks Y and Z, leaving X unlocked. Locking to the XZ plane actually locks only Y. The naming addresses WHAT you want to do, not HOW SynthEyes will achieve it. 第1の問題は、8つの異なる答えのうちの1つを持つことができます: 3本の座標軸の各々がロックされるかどうかの全組合せです。(ロックなしから全ロックまでの8通り)。 軸がロックされる組合せの各々をリスト化するのではなく、リストはどの軸がロックされないかについて表示します。 たとえば、X軸ロックは、実際はYとZをロックします、Xはアンロックのままです。 XZ平面ロックとは、実際はY.だけをロックです。 The second question has three possible answers (a) to zero, (b) to the corresponding “Seed and Lock” spinner, or (c) the corresponding coordinate from the tracker assigned as the Target Point. Answer (c) is automatically selected if a target point is present, while (a) is selected for “On” lock types, and (b) for “Any” lock types. Use the Any modes when you have some particular coordinates you want to lock a tracker to, for example, if a tracker is to be placed 2 units above the ground plane. 第2の問題は、3つのありうる答えを持ちます: (a)ゼロ (b)Seed and Lockスピナーに従う (c)Target Pointとして割り当てられたトラッカーから対応する座標軸 (c)はTarget Pointが存在すれば自動的に選択されます。(a)はロックタイプが「オン」の場合に選択されます。(b)は「Any」ロックタイプです。 たとえば、トラッカーが接地平面より上の置かれた2つのユニットであるならば、トラッカーをロックしたい特定の座標を持つとき、Anyモードを使用してください Watch Out! If you select several trackers, some with targets, some without, the lock type list will be empty. Either select fewer trackers, or right-click the Target button to clear the target tracker setting from all selected trackers. Here s the total list 注意! いくつかのトラッカー(ターゲットで)を選択するならば、ロック・タイプ・リストは空です。 少しのトラッカーを選択するか、Target ボタンを右クリックして全ターゲットトラッカーセッティングをクリアして下さい。 Lock Mode ロックモード Axes Locked 固定軸 To What 値 Unlocked None Nothing Lock Point X,Y,Z Spinners Origin X, Y, Z Zero On X Axis Y, Z Zero On Y Axis X, Z Zero On Z Axis X, Y Zero On XY Plane Z Zero On XZ Plane Y Zero On YZ Plane X Zero Any X Axis Y, Z Spinners Any Y Axis X, Z Spinners Any Z Axis X, Y Spinners Any XY Plane Z Spinners Any XZ Plane Y Spinners Any YZ Plane X Spinners Identical Place 同一の場所 X, Y, Z Target || X Axis X軸と平行 Y, Z Target || Y Axis Y軸と平行 X, Z Target || Z Axis Z軸と平行 X, Y Target Same XY Plane Z Target Same XZ Plane Y Target Same YZ Plane X Target Configuring Constraints for Tripod-Mode Shots 三脚-モード・ショットのための制約の構成 カメラが三脚モードで構成されるとき、より単純な座標システム設定を使うことができます。 三脚モードでは、全体的なサイジングは必要とされません、また、起源は必要とされませんし、許されません。 計算されたシーンは整列しなければならないだけです。ただしそれさえも必須ではありません。 最も単純な三脚調整構成は水平線上にある、もしくは、少なくとも水平線を作ってほしい2つのトラッカーを見つけることに頼ります。 2つのうち、1つにX軸であるよう命じます。100のノーマルのワールド・サイズの場合、座標X=100、Y=0、Z=0にロックするようにしてセットします。 ワールド・サイズが250であるならば、ロック・ポイントは250、0、0であるでしょう: 遠いトラッカーは、X2乗+Y2乗+Z2乗がワールド・サイズの2乗に等しい座標に、常にロックされなければなりません。 正しく示されるためにそれを除けば、制約が正しく働くことは、必要でありません。 1本の軸を明らかにして、他のトラッカーは「On XY plane(XY平面上)」(Y-UP座標の場合XZ)のラベルをはる必要があるだけです。 Tips: かなりの角度をパンする三脚shotの場合(120度以上)、カメラ、レンズで小さなシステムエラーが発生し、トラッキングはバナナ形のパスを引き起こすことがあります。 これを避けるために、水平線またはもう一つの直線に沿ってトラッカーの継承をセットしてください、そして、あるべき場所にそれらを固定pegしてください、さもなければ、aroll-axis lockを使ってください。 Constrained Points View After you have set up your constraints, you should check your work using the Constrained Points viewport layout, as shown here This is the view with the recommended (front/back-variant) constraint setup in Z-Up coordinates, as applied to a typical shot, after solving. Only trackers with constraints are listed, along with what they are locked to (coordinates or another tracker). The solved position is shown, along with the3-D errorof the constraint. For example, if a tracker is located at (1,0,0) but is locked to (0,0,0), the 3-D error will be 1. It will have a completely different 2-D error in hpix on the coordinate system panel. The constrained points view lets you check your constraints after solving, giving you the resulting 3-D errors, or check your setup before solving, without any error available yet. You can select the trackers directly from this view and tweak them with the coordinate system panel displayed. Upside-down Cameras Selecting the Desired Solution Many coordinate system setups can be satisfied in two or more different ways completely different camera and tracker positions that are camera matches, and satisfy the constraints. To review, the most basic 3-point setup consists of a point locked to the origin and a point locked to a specific coordinate on the X axis, plus a third point locked to be somewhere on the ground plane (XY plane for Z-up). This setup can be satisfied two different ways. If you start from one solution, you can get the other by rotating the entire scene 180 degrees around the X axis. If the camera is upright in the first solution, it will be upside-down in the second. The third point will have a Y coordinate that is positive in one, and negative in the other (for Z-Up coordinates). If you take this basic 3-point setup, and chase the setup of the second point from a lock to (20,0,0) to “On X Axis,” and add a separate distance (scale) constraint, there are nowfourdifferent possible solutions the different combinations of the second point s X being positive or negative, and the third point s Y coordinate being positive or negative. SynthEyes offers two ways to control which solution is used. Without specific instructions, SynthEyes uses the solution where the camera is upright, not upside-down. That handles the most common case, but if you need the camera upside-down, or have a setup with four solutions, you need to be more specific. SynthEyes lets you specify whether a coordinate should be positive or negative (a polarity), for each coordinate of each constrained tracker. The Coordinate System Control panel has buttons next to the X, Y, and Z spinners. The X button, for example, sequences from X to X+ to X-, meaning that X can have either polarity, that X must be positive, or that X must be negative. If there are two solutions, you should set up a polarity for an axis of one point; if there are four solutions, set the polarity for one axis of two points. For example, set a polarity for Y of the 3rdtracker, and an X polarity for the 2nd(on-axis) tracker. Subtleties and Pitfalls The locks between two trackers are inherently bidirectional. If you lock A to B,do not lock B to A. Similarly, avoid loops, such as locking A to B, B to C, and C to A. If you want to lock A, B, C, and D all to be on the same ground plane with the same height, say, it is enough to lock B, C, and D all to A. When you choose coordinates, you should keep the scene near the origin. If your scene is 2000 units across, but it is located 100000 units from the origin, it will be inconvenient to work with, and runs the risk of numeric inaccuracy. This can happen after importing scene coordinates based on GPS readings. You can use the Track/Shift Constraints tool to offset the scene back towards the origin.
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また日本語パッチの作成・公開もしています。|http //www.geocities.jp/montty_jp/index.htm| テーブルは 縦棒で くぎります