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Stabilization In this section, we’ll go into SynthEyes’ stabilization system in depth, and describe some of the nifty things that can be done with it. If we wanted, we could have a single button “Stabilize this!” that would quickly and reliably do a bad job almost all the time. If that s what you’re looking for, there are some other software packages that will be happy to oblige. In SynthEyes, we have provided a rich toolset to get outstanding results in a wide variety of situations. You might wonder why we’ve buried such a wonderful and significant capability quite so far into the manual. The answer is simple in the hopes that you’ve actually read some of the manual, because effectively using the stabilizer will require that you know a number of SynthEyes concepts, and how to use the SynthEyes tracking capabilities. If this is the first section of the manual that you’re reading, great, thanks for reading this, but you’ll probably need to check out some of the other sections too. At the least, you have to read the Stabilization quick-start. Also, be sure to check the web site for the latest tutorials on stabilization. We apologize in advance for some of the rant content of the following sections, but it s really in your best interest! Why SynthEyes Has a Stabilizer The simple and ordinary need for stabilization arises when you are presented with a shot that is bouncing all over the place, and you need to clean it up into a solid professional-looking shot. That may be all that is needed, or you might need to track it and add 3-D effects also. Moving-camera shots can be challenging to shoot, so having software stabilization can make life easier. Or, you may have some film scans which are to be converted to HD or SD TV resolution, and effects added. People of all skill levels have been using a variety of ad-hoc approaches to address these tasks, sometimes using software designed for this, and sometimes using or abusing compositing software. Sometimes, presumably, this all goes well. But many times it does not a variety of problem shots have been sent to SynthEyes tech support which are just plain bad. You can look at them and see they have been stabilized, and not in a good way. We have developed the SynthEyes stabilizer not only to stabilize shots, but to try to ensure that it is done the right way. How NOT to Stabilize Though it is relatively easy to rig up a node-based compositor to shift footage back and forth to cancel out a tracked motion, this creates a fundamental problem Most imaging software, including you, expects the optic center of an image to fall at the center of that image. Otherwise, it looks weird—the fundamental camera geometry is broken. The optic center might also be called the vanishing point, center of perspective, back focal point, center of lens distortion. For example, think of shooting some footage out of the front of your car as you drive down a highway. Now cut off the right quarter of all the images and look at the sequence. It will be 4 3 footage, but it s going to look strange—the optic center is going to be off to the side. If you combine off-center footage with additional rendered elements, they will have the optic axis at their center, and combined with the different center of the original footage, they will look even worse. So when you stabilize by translating an image in 2-D (and usually zooming a little), you’ve now got an optic center moving all over the place. Right at the point you’ve stabilized, the image looks fine, but the corners will be flying all over the place. It s a very strange effect, it looks funny, and you can’t track it right. If you don’t know what it is, you’ll look at it, and think it looks funny but not know what has hit you. Recommendation if you are going to be adding effects to a shot, you should ask to be the one to stabilize or pan/scan it also. We’ve given you the tool to do it well, and avoid mishap. That s always better than having someone else mangle it, and having to explain later why the shot has problems, or why you really need the original un-stabilized source by yesterday. In-Camera Stabilization Many cameras now feature built-in stabilization, using a variety of operating principles. These stabilizers, while fine for shooting baby s first steps, may not be fine at all for visual effects work. Electronic stabilization uses additional rows and columns of pixels, then shifts the image in 2-D, just like the simple but flawed 2-D compositing approach. These are clearly problematic. One type of optical stabilizer apparently works by putting the camera imaging CCD chip on a little platform with motors, zipping the camera chip around rapidly so it catches the right photons. As amazing as this is, it is clearly just the 2-D compositing approach. Another optical stabilizer type adds a small moving lens in the middle of the collection of simple lens comprising the overall zoom lens. Most likely, the result is equivalent to a 2-D shift in the image plane. A third type uses prismatic elements at the front of the lens. This is more likely to be equivalent to re-aiming the camera, and thus less hazardous to the image geometry. Doubtless additional types are in use and will appear, and it is difficult to know their exact properties. Some stabilizers seem to have a tendency to intermittently jump when confronted with smooth motions. One mitigating factor for in-camera stabilizers, especially electronic, is that the total amount of offset they can accommodate is small—the less they can correct, the less they can mess up. Recommendation It is probably safest to keep camera stabilization off when possible, and keep the shutter time (angle) short to avoid blur, except when the amount of light is limited. Electronic stabilizers have trouble with limited light so that type might have to be off anyway. 3-D Stabilization To stabilize correctly, you need 3-D stabilization that performs “keystone correction” (like a projector does), re-imaging the source at an angle. In effect, your source image is projected onto a screen, then re-shot by a new camera looking in a somewhat different direction with a smaller field of view. Using a new camera keeps the optic center at the center of the image. In order to do this correctly, you always have to know the field of view of the original camera. Fortunately, SynthEyes can tell us that. Stabilization Concepts Point of Interest (POI). The point of interest is the fixed point that is being stabilized. If you are pegging a shot, the point of interest is the one point on the image that never moves. POI Deltas (Adjust tab). These values allow you to intentionally move the POI around, either to help reduce the amount of zoom required, or to achieve a particular framing effect. If you create a rotation, the image rotates around the POI. Stabilization Track. This is roughly the path the POI took—it is a direction in 3-D space, described by pan/tilt/roll angles—basically where the camera (POI) was looking (except that the POI isn’t necessarily at the center of the image). Reference Track. This is the path in 3-D we want the POI to take. If the shot is pegged, then this track is just a single set of values, repeated for the duration of the shot. Separate Field of View Track. The image preparation system has its own field of view track. The image prep s FOV will be larger than main FOV, because the image prep system sees the entire input image, while the main tracking and solving works only on the smaller stabilized sub-window output by image prep. Note that an image prep FOV is needed only for stabilization, not for pixel-level adjustments, downsampling, etc. The Get Solver FOV button transfers the main FOV track to the stabilizer. Separate Distortion Track. Similarly there is a separate lens distortion track. The image prep s distortion can be animated, while the main distortion can not. The image prep distortion or the main distortion should always be zero, they should never both be nonzero simultaneously. The Get Solver Distort button transfers the main distortion value (from solving or the Lens-panel alignment lines) to the stabilizer, and begs you to let it clear the main distortion value afterwards. Stabilization Zoom. The output window can only be a portion of the size of the input image. The more jiggle, the smaller the output portion must be, to be sure that it does not run off the edge of the input (see the Padded mode of the image prep window to see this in action). The zoom factor reflects the ratio of the input and output sizes, and also what is happening to the size of a pixel. At a zoom ratio of 1, the input and output windows and pixels are the same size. At a zoom ratio of 2, the output is half the size of the input, and each incoming pixel has to be stretched to become two pixels in the output, which will look fairly blurry. Accordingly, you want to keep the zoom value down in the 1.1-1.3 region. After an Auto-scale, you can see the required zoom on the Adjust panel. Re-sampling. There s nothing that says we have to produce the same size image going out as coming in. The Output tab lets you create a different output format, though you will have to consider what effect it has on image quality. Re-sampling 3K down to HD sounds good; but re-sampling DV up to HD will come out blurry because the original picture detail is not there. Interpolation Filter. SynthEyes has to create new pixels “in-between” the existing ones. It can do so with different kinds of filtering to prevent aliasing, ranging from the default Bi-Linear to the most complex 3-Lanczos. The bi-linear filter is fastest but produces the softest image. The Lanczos filters take longer, but are sharper—although this can be drawback if the image is noisy. Tracker Paths. One or more trackers are combined to form the stabilization track. The tracker s 2-D paths follow the original footage. After stabilization, they will not match the new stabilized footage. There is a button, Apply to Trkers, that adjusts the tracker paths to match the new footage, but again, they then match that particular footage and they must be restored to match the original footage (with Remove f/Trkers) before making any later changes to the stabilization. If you mess up, you either have to return to an earlier saved file, or re-track. Overall Process We’re ready to walk through the stabilization process. You may want to refer to the Image Preprocessor Reference. · Track the features required for stabilization either a full auto-track, supervised tracking of particular features to be stabilized, or a combination. · If possible, solve the shot either for full 3-D or as a tripod shot, even if it is not truly nodal. The resulting 3-D point locations will make the stabilization more accurate, and it is the best way to get an accurate field of view. · If you have not solved the shot, manually set the Lens FOV on the Image Preprocessor s Lens tab (not the main Lens panel) to the best available value. If you do set up the main lens FOV, you can import it to the Lens tab. · On the Stabilization tab, select a stabilization mode for translation and/or rotation. This will build the stabilization track automatically if there isn’t one already (as if the Get Tracks button was hit), and import the lens FOV if the shot is solved. · Adjust the frequency spinner as desired. · Hit the Auto-Scale button to find the required stabilization zoom · Check the zoom on the Adjust tab; using the Padded view, make any additional adjustment to the stabilization activity to minimize the required zoom, or achieve desired shot framing. · Output the shot. If only stabilized footage is required, you are done. · Update the scene to use the new imagery, and either re-track or update the trackers to account for the stabilization · Get a final 3-D or tripod solve and export to your animation or compositing package for further effects work. There are two main kinds of shots and stabilization for them shots focusing on a subject, which is to remain in the frame, and traveling shots, where the content of the image changes as new features are revealed. Stabilizing on a Subject Often a shot focuses on a single subject, which we want to stabilize in the frame, despite the shaky motion of the camera. Example shots of this type include · The camera person walking towards a mark on the ground, to be turned into a cliff edge for a reveal. · A job site to receive a new building, shot from a helicopter orbiting overhead · A camera car driving by a house, focusing on the house. To stabilize these shots, you will identify or create several trackers in the vicinity of the subject, and with them selected, select the Peg mode on the Translation list on the Stabilize tab. This will cause the point of interest to remain stationary in the image for the duration of the shot. You may also stabilize and peg the image rotation. Almost always, you will want to stabilize rotation. It may or may not be pegged. You may find it helpful to animate the stabilized position of the point of interest, in order to minimize the zoom required, see below, and also to enliven a shot somewhat. Some car commercials are shot from a rig that shows both the car and the surrounding countryside as the car drives they look a bit surreal because the car is completely stationary—having been pegged exactly in place. No real camera rig is that perfect! Stabilizing a Traveling Shot Other shots do not have a single subject, but continue to show new imagery. For example, · A camera car, with the camera facing straight ahead · A forward-facing camera in a helicopter flying over terrain · A camera moving around the corner of a house to reveal the backyard behind it In such shots, there is no single feature to stabilize. Select the Filter mode for the stabilization of translation and maybe rotation. The result is similar to the stabilization done in-camera, though in SynthEyes you can control it and have keystone correction. When the stabilizer is filtering, the Cut Frequency spinner is active. Any vibratory motion below that frequency (in cycles per second) is preserved, and vibratory motion above that frequency is greatly reduced or eliminated. You should adjust the spinner based on the type of motion present, and the degree of stabilization required. A camera mounted on a car with a rigid mount, such as a StickyPod, will have only higher-frequency residual vibration, and a larger value can be used. A hand-held shot will often need a frequency around 0.5 Hz to be smooth. Note When using filter-mode stabilization, the length of the shot matters. If the shot is too short, it is not possible to accurately control the frequency and distinguish between vibration and the desired motion, especially at the beginning and end of the shot. Using a longer version of the take will allow more control, even if much of the stabilized shot is cut after stabilization. Minimizing Zoom The more zoom required to stabilize a shot, the less image quality will result, which is clearly bad. Can we minimize the zoom, and maximize image quality? Of course, and SynthEyes provides the controllability to do so. Stabilizing a shot has considerable flexibility the shot can be stable in lots of different ways, with different amounts of zoom required. We want a shot that everyone agrees is stable, but minimizes the effect on quality. Fortunately, we have the benefit of foresight, so we can correct a problem in the middle of a shot, anticipating it long before it occurs, and provide an apparently stable result. Animating POI The basic technique is to animate the position of the point-of-interest within the frame. If the shot bumps left suddenly, there are fewer pixels available on the left side of the point of interest to be able to maintain its relative position in the output image, and a higher zoom will be required. If we have already moved the point of interest to the left, fewer pixels are required, and less zoom is required. Earlier, in the Stabilization Quick Start, we remarked that the 28% zoom factor obtained by animating the rotation could be reduced further. We’ll continue that example here to show how. Re-do the quick start to completion, go to frame 178, with the Adjust tab open, in Padded display mode, with the make key button turned on. From the display, you can see that the red output-area rectangle is almost near the edge of the image. Grab the purple point-of-interest crosshair, and drag the red rectangle up into the middle of the image. Now everything is a lot safer. If you switch to the stabilize tab and hit Autoscale, the red rectangle enlarges—there is less zoom, as the Adjust tab shows. Only 15% zoom is now required. By dragging the POI/red rectangle, we reduced zoom. You can see that what we did amounted to moving the POI. Hit Undo twice, and switch to the Final view. Drag the POI down to the left, until the Delta U/V values are approximately 0.045 and -0.035. Switch back to the Padded view, and you’ll see you’ve done the same thing as before. The advantage of the padded view is that you can more easily see what you are doing, though you can get a similar effect in the Final view by increasing the margin to about 0.25, where you can see the dashed outline of the source image. If you close the Image Prep dialog and play the shot, you will see the effect of moving the POI a very stable shot, though the apparent subject changes over time. It can make for a more interesting shot and more creative decisions. Too Much of a Good Thing? To be most useful, you can scrub through your shot and look for the worst frame, where the output rectangle has the most missing, and adjust the POI position on that frame. After you do that, there will be some other frame which is now the worst frame. You can go and adjust that too, if you want. As you do this, the zoom required will get less and less. There is a downside as you do this, you are creating more of the shakiness you are trying to get rid of. If you keep going, you could get back to no zoom required, but all the original shakiness, which is of course senseless. Usually, you will only want to create two or three keys at most, unless the shot is very long. But exactly where you stop is a creative decision based on the allowable shakiness and quality impact. Auto-Scale Capabilities The auto-scale button can automate the adjustment process for you, as controlled by the Animate listbox and Maximum auto-zoom settings. With Animate set to Neither, Auto-scale will pick the smallest zoom required to avoid missing pieces on the output image sequence, up to the specified maximum value. If that maximum is reached, there will be missing sections. If you change the Animate setting to Translate, though, Auto-scale will automatically add delta U/V keys, animating the POI position, any time the zoom would have to exceed the maximum. Rewind to the beginning of the shot, and control-right-click the Delta-U spinner, clearing all the position keys. Change the Animate setting to Translate, reduce the Maximum auto-zoom to 1.1, then click Auto-Scale. SynthEyes adds several keys to achieve the maximum 10% zoom. If you play back the sequence, you will see the shot shifting around a bit—10% is probably too low given the amount of jitter in the shot to begin with. The auto-scale button can also animate the zoom track, if enabled with the Animate setting. The result is equivalent to a zooming camera lens, and you must be sure to note that in the main lens panel setting if you will 3-D solve the shot later. This is probably only useful when there is a lot of resolution available to begin with, and the point of interest approaches the boundary of the image at the end of the shot. Keep in mind that the Auto-scale functionality is relatively simple. By considering the purpose of the shot as well as the nature of any problems in it, you should often be able to do better. Tweaking the Point of Interest This is different than moving it! When the selected trackers are combined to form the single overall stabilization track, SynthEyes examines the weight of each tracker, as controlled from the main Tracker panel. This allows you to shift the position of the point-of-interest (POI) within a group of trackers, which can be handy. Suppose you want to stabilize at the location of a single tracker, but you want to stabilize the rotation as well. With a single tracker, rotation can not be stabilized. If you select two trackers, you can stabilize the rotation, but without further action, the point of interest will be sitting between the two trackers, not at the location of the one you care about. To fix this, select the desired POI tracker in the main viewport, and increase its weight value to the maximum (currently 10). Then, select the other tracker(s), and reduce the weight to the minimum (0.050). This will put the POI very close to your main tracker. If you play with the weights a bit, you can make the POI go anywhere within a polygon formed by the trackers. But do not be surprised if the resulting POI seems to be sliding on the image the POI is really a 3-D location, and usually the combination of the trackers will not be on the surface (unless they are all in the same plane). If this is a problem for what you want to do, you should create a supervised tracker at the desired POI location and use that instead. If you have adjusted the weights, and later want to re-solve the scene, you should set the weights back to 1.0 before solving. (Select them all then set the weight to 1). Resampling and Film to HDTV Pan/Scan Workflow If you are working with filmed footage, often you will need to pull the actual usable area from the footage the scan is probably roughly 4 3, but the desired final output is 16 9 or 1.85 or even 2.35, so only part of the filmed image will be used. A director may select the desired portion to achieve a desired framing for the shot. Part of the image may be vignetted and unusable. The image must be cropped to pull out the usable portion of the image with the correct aspect ratio. This cropping operation can be performed as the film is scanned, so that only the desired framing is scanned; clearly this minimizes the scan time and disk storage. But, there is an important reason to scan the entire frame instead. The optic center must remain at the center of the image. If the scanning is done without paying attention, it may be off center, and almost certainly will be if the framing is driven by directorial considerations. If the entire frame is scanned, or at least most of it, then you can use SynthEyes s stabilization software to perform keystone correction, and produce properly centered footage. As a secondary benefit, you can do pan and scan operations to stabilize the shots, or achieve moving framing that would be difficult to do during scanning. With the more complete scan, the final decision can be deferred or changed later in production. The Output tab on the Image Preparation controls resampling, allowing you to output a different image format then that coming in. The incoming resolution should be at least as large as the output resolution, for example, a 3K 4 3 film scan for a 16 9 HDTV image at 1920x1080p. This will allow enough latitude to pull out smaller subimages. If you are resampling from a larger resolution to a smaller one, you should use the Blur setting to minimize aliasing effects (Moire bands). You should consider the effect of how much of the source image you are using before blurring. If you have a zoom factor of 2 into a 3K shot, the effective pixel count being used is only 1.5K, so you probably would not blur if you are producing 1920x1080p HD. Due to the nature of SynthEyes’ integrated image preparation system, the re-sampling, keystone correction, and lens un-distortion all occur simultaneously in the same pass. This presents a vastly improved situation compared to a typical node-based compositor, where the image will be resampled and degraded at each stage. Changing Shots, and Creating Motion in Stills You can use the stabilization system to adjust framing of shots in post-production, or to create motion from still images (the Ken Burns effect). To use the stabilizing engine you have to be stabilizing, so simply animating the Delta controls will not let you pan and scan without the following trick. Delete any the trackers, click the Get Tracks button, and then turn on the Translation channel of the stabilizer. This turns on the stabilizer, making the Delta channels work, without doing any actual stabilization. You must enter a reasonable estimate of the lens field of view. If it is a moving-camera or tripod-mode shot, you can track it first to determine the field of view. Remember to delete the trackers before beginning the mock stabilization. If you are working from a still, you can use the single-frame alignment tool to determine the field of view. You will need to use a text editor to create an IFL file that contains the desired number of copies of your original file name. Stabilization and Interlacing Interlaced footage presents special problems for stabilization, because jitter in the positioning between the two fields is equivalent to jitter in camera position, which we’re trying to remove. Because the two different fields are taken at different points in time (1/30th or 1/25th of a second apart, regardless of shutter time), it is impossible for man or machine to determine what exactly happened, in general. Stabilizing interlaced footage will sacrifice a factor of two in vertical resolution. Best Approach if at all possible, shoot progressive instead of interlace footage. This is a good rule whenever you expect to add effects to a shot. Fallback Approach stabilize slow-moving interlaced shots as if they were progressive. Stabilize rapidly-moving interlaced shots as interlaced. To stabilize interlaced shots, SynthEyes stabilizes each sequence of fields independently. Note that within the image preparation subsystem, some animated tracks are animated by the field, and some are animated by the frame. Frame levels, color/hue, distortion/scale, ROI Field FOV, cut frequency, Delta U/V, Delta Rot, Delta Zoom When you are animating a frame-animated item on an interlaced shot, if you set a key on one field (say 10), you will see the same key on the other field (say 11). This simplifies the situation, at least on these items, if you change a shot from interlaced to progressive or “yes” mode or back. Avoid Slowdowns Due to Missing Keyframes While you are working on stabilizing a shot, you will be re-fetching frames from the source imagery fairly often, especially when you scrub through a shot to check the stabilization. If the source imagery is a QuickTime or AVI that does not have many (or any!) keyframes, random access into the shot will be slow, since the codec will have to decompress all the frames from the last keyframe to get to the one that is needed. This can require repeatedly decompressing the entire shot. It is not a SynthEyes problem, or even specific to stabilizing, but is a problem with the choice of codec settings. If this happens (and it is not uncommon), you should save the movie as an image sequence (with no stabilization), and Shot/Change Shot Images to that version instead. Alternatively, you may be able to assess the situation using the Padded display, turning the update mode to Neither, then scrubbing through the shot. After Stabilizing Once you’ve finished stabilizing the shot, you should write it back out to disk using the Save Sequence button on the Output tab. It is also possible to save the sequence through the Perspective window s Preview Movie capability. Each method has its advantages, but using the Save Sequence button will be generally better for this purpose it is faster; does less to the images; allows you to write the 16 bit version; and allows you to write the alpha channel. However, it does not overlay inserted test objects like the Preview Movie does. You can use the stabilized footage you write for downstream applications such as 3dsmax and Maya. But before you export the camera path and trackers from SynthEyes, you have a little more work to do. The tracker and camera paths in SynthEyes correspond to the original footage, not the stabilized footage, and they are substantially different. Once you close the Image Preparation dialog, you’ll see that the trackers are doing one thing, and the now-stable image doing something else. You should always save the stabilizing SynthEyes scene file at this point for future use in the event of changes. You can then do a File/New, open the stabilized footage, track it, then export the 3-D scene matching the stabilized footage. But… if you have already done a full 3-D track on the original footage, you can save time. Click the Apply to Trkers button on the Output tab. This will apply the stabilization data to the existing trackers. When you close the Image Prep, the 2-D tracker locations will line up correctly, though the 3-D X s will not yet. Go to the solver panel, and re-solve the shot (Go!), and the 3-D positions and camera path will line up correctly again. (If you really wanted to, you could probably use Seed Points mode to speed up this re-solve.) Important if you later decide you want to change the stabilization parameters without re-tracking, you must not have cleared the stabilizer. Hit the Remove f/Trkers button BEFORE making any changes, to get back to the original tracking data. Otherwise, if you Apply twice, or Remove after changes, you will just create a mess. Also, the Blip data is not changed by the Apply or Remove buttons, and it is not possible to Peel any blip trails, which correspond to the original image coordinates, after completing stabilization and hitting Apply. So you must either do all peeling first; remove, peel, and reapply the stabilization; or retrack later if necessary. Flexible Workflows Suppose you have written out a stabilized shot, and adjusted the tracker positions to match the new shot. You can solve the shot, export it, and play around with it in general. If you need to, you can pop the stabilization back off the trackers, adjust the stabilization, fix the trackers back up, and re-solve, all without going back to earlier scene files and thus losing later work. That s the kind of flexibility we like. There s only one slight drawback each time you save and close the file, then reopen it, you’re going to have to wait while the image prep system recomputes the stabilized image. That might be only a few seconds, or it might be quite a while for a long film shot. It s pretty stupid, when you consider that you’ve already written the complete stabilized shot to disk! Approach 1 do a Shot/Change Shot Images to the saved stabilized shot, and reset the image prep system from the Preset Manager. This will let you work quickly from the saved version, but you must be sure to save this scene file separately, in case you need to change the stabilization later for some reason. And of course, going back to that saved file would mean losing later work. Approach 2 Create an image prep preset (“stab”) for the full stabilizer settings. Create another image prep preset (“quick”), and reset it. Do the Shot/Change Shot Images. Now you’ve got it both ways fast loading, and if you need to go back and change the stabilization, switch back to the first (“stab”) preset, remove the stabilization from the trackers, change the shot imagery back to the original footage, then make your stabilization changes. You’ll then need to re-write the new stabilized footage, re-apply it to the trackers, etc. Approach 1 is clearly simpler and should suffice for most simple situations. But if you need the flexibility, Approach 2 will give it to you.
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There are some arguments against NEON OO Model on which Mops and Win32Forth are based. Most of those arguments stands on some implicit presuppositions that lead to the conclusionthat NEON OO Model is bad. I hate to participate in political debates disdaining something. But I will try here to defend NEON OO Model against tricky arguments. By the way, I never try to refute other OO models than that of Mops. Simply I want to free Mops OO Model from wrong images. An Object should be passed via parameter stack in Forth dialects? In Object Orientation Semantics, Object is a receiver of messages and an actor. It is not considered as a Data or Parameter or other thing to be passed to a procedure via parameter stack. Surely, an object is internally some data in Mops and Win32Forth, too. But the fact belongs to the implementation details. Implementation detail is another problem than the syntax and semantics of a language. If one says objects must be data so that they must be passed via parameter stack as parameters, the one is losing sight of OO semantics and sticking to the second class or pseudo OO, say, "Data Orientation". Of course, it is never wrong in itself for objects to be able to be passed as parameters. The objectID (normally pointer) of an object is surely a datum. But at the same time it could not be called a defect of the system if an object would not be passed as a parameter in normal message sending. So "selector object" syntax is never worse than "object selector" syntax from the view of OO semantics (human interpretation). Or rather "selector object" syntax is better in message sending appearance in my opinion because it distiguishes the actor (object) from parameters to be processed by it. The fact that Selector cannot be ticked hinders extensibility. By the way, why can Selector always be ticked? Tick pushes xt of the word ticked to data stack. Which xt? Selector is not a word in that its execution semantics is undefined without combining witha class or object. Surely, after defining a way of binding a selector can be ticked. That is, we can do in NEON Model AMETHOD SELECTOR [] ; AMETHOD But it is because by defining the selector as being late bound, looking for the appropriate method of a passed object through class linkage becomes a part of contents of SELECTOR s execution semantics.The opinion that a selecor should always be tickable is based on a presupposition thatselector always has its definite execution semantics.But the presupposition itself is false in NEON Model.In OO semantics of NEON Model it is object, not selector that looks for method in its class on gentting message. Normal selector in NEON model is a part of message but not a name of a procedure by itself. Still you need early bound method xt? If so you can do in PowerMops ref ACLASS AnObjRef no_subclasses \ ossia ObjPtr AnObjRef class_is ACLASS AMETHOD ( param1 param2 ... ^obj -- ? ) - AnObjRef SELECTOR AnObjRef ; AMETHOD Or you need faster late bound method xt using a methods table? If so you can do in PowerMops ref ACLASS AnObjRef AMETHOD ( param1 param2 ... ^obj -- ? ) - AnObjRef SELECTOR AnObjRef ; AMETHOD AnObjRef can be a temporary (that is, local) object when it is declared with "ref". Addition (8/3/06) An object could be seen as an actor or data+index to method. parameters selector object syntax shows the object as an actor and parameters+selector=message as Input to the object. That is, selector is a part of input to object.It is default OO syntax of NEON model, so we cannot reproduce the process or function from selector via tick. Why could we know from a part of the input, the process in which it will be thrown? On the other hand, Mops allows also to see an object as data+index to method.Index to method is a pointer to the class or to the method table in PowerMops.Other optional arrangements for method binding represent this consideration. Smalltalk-like late bind is slow. Yes, it is slow compared with early bind. Late bind is about 20 times slower than early bind in some bench mark code in PowerMops.But early bound method is very fast in PowerMops. Although it can not be generalized, early bound method of PowerMops on PPC seems to be about 5 times faster than equivalent non-OO code in GForth native on x86 machine in CPU clock base from some data. Anyway, PowerMops early bound method is really fast.Late bind is slower than _it_. On PowerPC, PowerMops late bound method is about 10 % faster than non-OO equivalent codein GForth 0.6.2. Damn slow? Definitely NO. In reality, iterative late binding (polymorphism) happens often on a heavy task in itself like "DRAW".In such a case over head concerning method binding is almost negligible. Besides. Who can say NEON Model is incompatible with a vtable like late bind?PowerMops class does build a methods table. It is not the matter of OO model.Again, an implementation detail!PowerMops doesn t require something like VIRTUAL declarations of methods, unlike C++.Quite handy. To tell the truth, PowerMops normal (wihout vtable) late binding implementation has a special search optimization (acceleration) mechanism. As the result, it becomes fast as it is.System implementer can and should elaborate one s implementation in order to make the system fit with the preference, unless the implementation details should be controlled by others. Conclusion An argument such that using such and such technique internally is bad will come typically from the view of language system implementers, not from that of users of the language. We could see the OO feature of a language as one of the tools to write application in the language. Implementation details could be left to the ingenuity of system implementers.Then we could concentrate the syntax-semantics relation of OO constructs.In this respect NEON model is not bad. If you have your own (favorite) Forth with OO extension different from NEON model,NEON model may look bad and ununderstandable. So what?From my experience Mops OO feature is very good for application programming.But if you don t understand and never have done programming in Mops, Mops code will look like unreadable. That would hold for any languages.The strength of OO syntax of PowerMops may be best realized when you are writing some application in PowerMops. -- Maybe not when you are trying to implement the OO model for your system. Theories concerning OO generally look like bound by (negatively or positively) the world view of Algol family (C, C++, Java). But Forth is flexible and extensible language, instead of inflexible and fixed language, like C.Why do we need to worry about OO theories build (aversively) on (procedural or sometimes even including hybrid type) Algol family languages?Java model may be good (the best? how about Objective-C? you stick to the (a bit old) industry and/or scholastic standard? It may be ok. But unfortunately we are free from such a credo.) OO construct in context of C. But its OO syntax and semantics look still in half way. "When an object is passed as a parameter to a procedure,the procedure checks the class and ..." This sounds like always-virtualized C++. But we really need it on Forth?Surely NEON model didn t look like (reversed) Java. But so what? Is it a bad signal in itself? In my opinion, the thought that an object is data is a quite low level idea.Even if such a thought is allowable, taking an object quite the same as other parameters is wrong according to the standard OO way of thinking. It might be better to push object IDs onto another stack than normal parameter stack in that such a thought, at least, is not confusing objects with data parameters.But once we suppose a special object stack to which objects are dynamically pushed at runtime, default late binding begins to look very natural in order to send messages consecutively to anonymous objects in the object stack. This thought seems to treat objects as a group of data.This grouping is realized as class-structures in Java or C++. Late binding loosens tight and narrow restrictions of class-as-type mechanism in Java or C++,and virtual method utilize this looser grouping. So late binding (sometimes identified with polymorphism) is seen as the true establishment of OO for Java or C++. In this philosophy, an instance (individual) is derived from its group (whole or class structure). Building the structure (set-subset grouping) is more important than individual objects. Objects (instances) are processed by something (method) according to the group they belongs to. Methods are the first class entities in this view, so each of them should have the independent meaning inspite of naming collisions.This is quite different from the philosophy of NEON model where the property of an individual object is more important than class structure, and the structure is a mere result of the similarity of properties among objects. Objects (instances) process some data as processors using their methods.Objects are the first class entities and methods are secondary (ancillary) to the object that knows them. Surely, PowerMops uses systemcall functions. Those are written in C++ so that a system object is a data -- low level object -- to be passed as a parameter to a function.But we know our OO model can cohabit with it because ours lives at higher level. In NEON OO model we don t need to stick to the lower level to keep low level accessibility because our moving to the higer level never sacrifice the lower level constructs. Such a cohabitation of low level and high level is Forth, I think. In my humble opinion, C++ or Java looks like taking a side road to OO. In Smalltalk or NEON model we think that an object has its ability (functionality) and propertiesand shares those with other objects by inheritance. While in C++ or Java all such things seem to be treated in view of accessibility. It is not, of course, illogical. But at the same time such accessibility definitions can be so much complicated thatan object cannot be recognizable as a semantically definite entity. I suspect that this growing tendency of the complication of rules to define wether to allow/prohibit accessing may cause, so to speak, concentration of abstract class structure and thought that an object is a mere data because such a complication is very likely to break the unity of an object as an actor. Of course, such way of thinking or programming habit comming from the C++ or Java situation is neither bad nor good in and by itself. My point is that different presuppositions will lead to different ways of thinking or programming habits. Terribly bad design fom one point of view may not be so bad from another point of view, vice versa. We should reflect on which presupposition we are putting in evaluating something. That s all. Mops default method binding is said to be Early Binding. But it is programming-default or a kind of standard, not interpreter and/or compiler default. Mops allows plural ways of message sending. But the way of binding is always explicit in code. Mops doesn t try to force programmers to take one certain way. It simply leaves many possibility to the programmers.It may be considered bad in the world of standard programming. But if they were true, Forth itself would be bad.Additionally we never confuse normal words with messages to invoke corresponding methodsin Mops code because they obey distinguishable syntax rules. Word and selector are different entities in NEON model, so they look different in Mops code. It is natural, I think. NEON OO model is said to be based on Smalltalk model.It is true that Smalltalk is too different from Forth since it is pure OO language. But we should be able to learn from Smalltalk (or other pure OO language) a natural and straightforward OO syntax-semantics correspondence, and think about its realization in Forth. From this point of view, NEON model has a excellent mesage sending appearance in my opinion. Moreover, advantages of NEON model are more in practical aspects of programming than in theoretical ones.This achivement is surely an evidence of Forth s tremendous expressive power since whole the OO construct has been written in Forth. Or you insist we should keep Forth pure? Well, but we never lose the pure Forth by adding OO constructs. Supplying NEON OO feature will never prevent us from programming in pure Forth.It is the strength of Forth we are referring to. You may need a simplicity. But there is no THE simplicity. Simple doesn t always mean short code.Fortunately, everything is already simple in Forth -- aren t you confused by your implicit suppositions?You may say "we should wipe it hour by hour and let no dust alight".But we will reply "it is always clean so where can the dust alight?"(Zen of Forth). Appendix a defect of some of Object-Method syntax (unfinished) My argument was(is) supposing PowerMops as a typical example of NEON OO model. And I treated only standard OO syntax of PowerMops. PowerMops has some OO related features that were not mentioned above.For example PowerMops allows also object-method(+class information) syntax for binding. We can select one way according to the situation. PowerMops class can have a method whose content may be different object-wise, and, when needed, can be changed dynamically. But this feature is achived by xt-variable functionality, which is already in standard Forth.That is, PowerMops solves this problem via instance variables, not inheritance. Since standard Forth already has the solution, NEON model doesn t need additional theoretically sophisticated late binding mechanism or other OO functionality to solve it. (I don t know what OO features Win32Forth has. But I think what features PowerMops has could be implemented in Win32Forth.) This article was written as a reaction agaist the claim "message-object syntax is bad or simply wrong". So, this article doesn t contain all features of PowerMops OO. I used an OO semantics to support message-object syntax. But I am not a Dogmatiker. I never insist that this semantics is one only theoretical foundation for PowerMops OO coding.I have never imagined that every PowerMops user should first be taken by this semantics to understand the OO code in PowerMops. My intention was simply that since one simple and understandable semantics can support message-object syntax, this syntax should have some reason. So I think that a claim "message-object syntax is bad or simply wrong" was shown to be baseless. I like PowerMops OO syntax by practical reason, not by dogmatical one. I have been thinking about philosophy to support PowerMops language including pure Forth part.But the motivation comes from experience of real coding on PowerMops.I have realized PowerMops is very powerful. Moreover PowerMops, which is optimizing native Forth compiler for PowerPC with OO feature based on NEON model, is wholly written in Mops.That means, PowerMops itself is an example software of NEON type OOP. And its syntax and semantics make communication with other programmers by codequite easy.I have been trying to undestand what in PowerMops language makes it so (in my opinion) great. I found Dogmatikers tend to hate NEON OO model, or even Forth ideas.Perhaps, because those ideas doesn t fit for their dogma.It is true, theory may help to simplfy the grammar of programming language. But excessive simplification could cause practical confusion. What I call practical reason to favour PowerMops, is the fact that what we are doing is clear from the code in PowerMops. Selectors have a bit different appearance from normal words.By that, we can easily realize whether certain part of the code is written in OO or in normal Forth. In all cases of OO coding, selector supposes object near by and may be followed by class name or certain token, which are context elements used to define appropriate method. (I tend to think such a combination of words as a "phrase", which is an extension of concept ‘word’.)The context is very local. It is consumed with one selector. (Well, now PowerMops has a syntax to extend the context in a case. But the ends of the context can be made clear in code.) Locality of information for interpretation of code is important factor for readble code. I realized that in some OO Forth using object-method syntax, object and method cannot be distinguished from normal Forth word in the names.And according to object-method synax theory, object (or class name) switches the contexts.Since we cannot see whether a word is an object or a normal forth word from its name,object can be said to cause implicit context change.Introducing implicit context change in a language is a really bad idea, I believe.OO system of such type will be, sooner or later, unable to live without some naming convention,such as, Begin Object name by a capital letter, etc.. But setting conventions will be too weak to avoid all possible problems coming from implicit context change. For example aFile dup may duplicate ‘aFile’ (File duplication when dup is a mothod of file). Or ‘aFile’ may do something and ‘dup’ duplicate a stack item. How could you know which is the case from this line?If you know aFile is an object and has a method ‘dup’, the definition of dup will be found in method implementation (definitioin). But the method operating code above doesn t contain the information. That is, introducing implicit context change may break the reliability of normal forth words in the meaning of the actions when reading code(especially when debugging the code other programmers wrote). In Reality, syntactical details are trivial. Implementing some features or flavors is also trivial in Forth based environment. Anything isn t very difficult to implement in Forth environment compared with some other languages. But I think confusing syntax should be avoided, even if that might be a result of exact mapping of OO to standard Forth syntax. Surely, good programmers could avoid all such troubles by some coding conventions or goood memory.Some may say, "I have no problem with that. So it is perfect."OK. I could believe it is true for you. But how about anyone other than you? Forth should be only for good programmers?But no one is born as a good programmer, andnot every person will begin programming as a good programmer. Such an elitism might kill the language. However I myself don t care about what floavors will be adopted as the future OO standard of Forth. Once the specification becomes clear, PowerMops surely can support it by an optional library. Top Page
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Subjects-Science-Technology-General&Reference Study Guide for Automotive Mechanics Career Education? William Harry Crouse? Donald L. Anglin? CareerEducation? WilliamHarryCrouse? DonaldL.Anglin? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General Subjects-Science-Technology-General&Reference Engineering Drawing and Design (Engineering Drawing) McGraw-Hill Science/Engineering/Math? Cecil Howard Jensen? Jay D. Helsel? McGraw-HillScience/Engineering/Math? CecilHowardJensen? JayD.Helsel? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-General Subjects-Science-Technology-General&Reference Fundamentals of Engineering Drawing (Engineering Drawing) McGraw-Hill Science/Engineering/Math? Cecil Howard Jensen? Jay D. Helsel? McGraw-HillScience/Engineering/Math? CecilHowardJensen? JayD.Helsel? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-General Subjects-Reference-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Intel Microprocessors Hardware, Software, and Applications Glencoe/Mcgraw Hill Post Secondary? Roy W. Goody? Glencoe/McgrawHillPostSecondary? RoyW.Goody? ジャンル別? Subjects-Computers&Internet-Hardware-Peripherals? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-General? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-Intel? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-MicroprocessorDesign? Subjects-Computers&Internet-General? Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Science-Technology-General&Reference Microprocessors Principles and Applications, Activities Manual Glencoe/Mcgraw Hill Post Secondary? McGraw-Hill? Glencoe/McgrawHillPostSecondary? McGraw-Hill? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Science-General Subjects-Science-Technology-General&Reference Telephone Techniques Irwin Professional Pub? Dorothy A. Neal? IrwinProfessionalPub? DorothyA.Neal? ジャンル別? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Business&Investing-General? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Machine Transcription A Comprehensive Approach for Today's Office Professional Glencoe/Mcgraw Hill Post Secondary? Carol A. Mitchell? Glencoe/McgrawHillPostSecondary? CarolA.Mitchell? ジャンル別? Substores-UnknownASINs-1? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-Business&Investing-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Machine Transcript A Comprehensive Approach Transparencies Glencoe/Mcgraw Hill Post Secondary? Carol A. Mitchell? Glencoe/McgrawHillPostSecondary? CarolA.Mitchell? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Pipe Template Layout Glencoe/Mcgraw-Hill? Thomas W. Frankland? Glencoe/Mcgraw-Hill? ThomasW.Frankland? ジャンル別? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Activities Manual for Programmable Logic Controllers (Electronics Books) McGraw-Hill Education? Frank D. Petruzella? McGraw-HillEducation? FrankD.Petruzella? ジャンル別? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Mechanical-Automation? Subjects-Professional&Technical-Engineering-ComputerTechnology-Robotics&Automation? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Mechanical-Automation? Subjects-Science-General Subjects-Science-Technology-General&Reference Technology of Machine Tools Mcgraw-Hill College? Stephen F. Krar? Albert F. Check? Mcgraw-HillCollege? StephenF.Krar? AlbertF.Check? ジャンル別? 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Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Engineering-Mechanical-Machinery? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Mechanical-Machinery? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference Communication Electronics Principles and Applications, Experiments Manual Career Education? McGraw-Hill? CareerEducation? McGraw-Hill? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Workbook for Basic Mathematics for Electricity and Electronics Career Education? Bertrand B. Singer? Harry Forster? Mitchel E. Schultz? CareerEducation? BertrandB.Singer? HarryForster? MitchelE.Schultz? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Drafting Glencoe McGraw-Hill? Los Angeles Unified School District Staf? GlencoeMcGraw-Hill? LosAngelesUnifiedSchoolDistrictStaf? ジャンル別? Subjects-Science-Technology-General&Reference General Industrial Education Macmillan Pub Co? Richard A. Vorndran? MacmillanPubCo? RichardA.Vorndran? ジャンル別? Substores-UnknownASINs-1? Subjects-Science-Technology-General&Reference Basic Mechanical Drawing Glencoe/Mcgraw-Hill? Glen N. Shaeffer? Glencoe/Mcgraw-Hill? GlenN.Shaeffer? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Science-Technology-General&Reference Visualized Basic Mechanical Drawing Glencoe/Mcgraw-Hill? Joseph J. Almon? Glencoe/Mcgraw-Hill? JosephJ.Almon? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Science-Technology-General&Reference Metric Drafting Glencoe/Mcgraw-Hill? Paul I. Wallach? Glencoe/Mcgraw-Hill? PaulI.Wallach? ジャンル別? Substores-UnknownASINs-1? Subjects-Science-Technology-General&Reference Drafting Delmar? Paul Ross Wallach? Delmar? PaulRossWallach? ジャンル別? Substores-UnknownASINs-1? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Science-Technology-General&Reference Diversity in Technology Education 1998 Yearbook (Council on Technology Education Yearbook) Glencoe/Mcgraw-Hill? Glencoe/Mcgraw-Hill? ジャンル別? Subjects-Engineering-Reference? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Introduction to Technology Glencoe/Mcgraw-Hill? Alan Piece? Dennis Karwatka? Glencoe/Mcgraw-Hill? AlanPiece? DennisKarwatka? ジャンル別? Substores-UnknownASINs-1? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-Mathematics? Automotive Excellence Glencoe/Mcgraw-Hill? Glencoe/Mcgraw-Hill? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Automotive Excellence Glencoe/Mcgraw-Hill? Glencoe/Mcgraw-Hill? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Yearbook 1996 Council on Technology Teacher Education (Council on Technology Education Yearbook) Glencoe/Mcgraw-Hill? Martin? 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Substores-UnknownASINs-1? Subjects-Children sBooks-Science,Nature&HowItWorks-Electricity&Electronics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Technology Interactions Glencoe/Mcgraw-Hill? Harms? Glencoe/Mcgraw-Hill? Harms? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? The Way Science Works Macmillan General Reference? Tom Ruppel? MacmillanGeneralReference? TomRuppel? ジャンル別? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference 100 Jobs in Technology Macmillan General Reference? Lori Hawkins? Betsy Dowling? MacmillanGeneralReference? LoriHawkins? BetsyDowling? ジャンル別? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Business&Investing-Careers-JobHunting-General? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-General Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Reference-Careers-JobHunting-General? Subjects-Science-Technology-General&Reference Encyclopedia of Science Technology and Ethics Macmillan Library Reference? Carl Mitcham? MacmillanLibraryReference? CarlMitcham? ジャンル別? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Reference-Encyclopedias-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Analog Electronic Music Techniques In Tape, Electronic, and Voltage-Controlled Synthesizer Studios Schirmer Books? Joel Naumann? James D. Wagoner? SchirmerBooks? JoelNaumann? JamesD.Wagoner? ジャンル別? Substores-UnknownASINs-1? Subjects-Entertainment-Music-Theory,Composition&Performance-Instruction&Study? Subjects-Science-Technology-General&Reference Case for Mars Macmillan Coll Div? Robert Zubrin? MacmillanCollDiv? RobertZubrin? ジャンル別? Substores-UnknownASINs-1? Subjects-Science-General Subjects-Science-Technology-General&Reference Tabular Data (Tabular Data) Macmillan Pub Co? MacmillanPubCo? ジャンル別? Subjects-Nonfiction-Education-General? Subjects-Science-Technology-General&Reference Technology Transfer and the University Amer Council on Education? Gary W. Matkin? AmerCouncilonEducation? GaryW.Matkin? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Engineering-Patents&Inventions? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnologyTransfer? Subjects-Science-Technology-General&Reference 洋書
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North Australian Sea Cucumbers (World Biodiversity Database CD-ROM) Springer-Verlag Berlin and Heidelberg GmbH & Co. K? L.R.G. Cannon? H. Silver? Keith E. Estep? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? L.R.G.Cannon? H.Silver? KeithE.Estep? ジャンル別? Substores-UnknownASINs-47? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-Invertebrates? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-Oceans&Seas-MarineBiology-General? Subjects-Science-BiologicalSciences-Zoology-General? Pesticide Properties in the Environment Springer-Verlag? A.G. Hornsby? R.D. Wauchope? A. Herner? Springer-Verlag? A.G.Hornsby? R.D.Wauchope? A.Herner? ジャンル別? Substores-UnknownASINs-47? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-AgriculturalSciences-General? Subjects-Science-AgriculturalSciences-Insecticides&Pesticides? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Fishes Of The North-eastern Atlantic And The Mediterranean Windows Version (World Biodiversity Database CD-Rom Series) Springer-Verlag? J. C. Hureau? Springer-Verlag? J.C.Hureau? ジャンル別? Substores-UnknownASINs-47? Subjects-Outdoors&Nature-Fauna-Fish&Sharks? 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Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Nonfiction-Law-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Law-Environmental&NaturalResourcesLaw? Subjects-Professional&Technical-Law-InternationalLaw? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Trails for the Twenty-First Century Planning, Design, and Management Manual for Multi-Use Trails Island Pr? Rails-to-Trails Conservancy? Karen L. Ryan? Charles A. Flink? IslandPr? Rails-to-TrailsConservancy? KarenL.Ryan? CharlesA.Flink? ジャンル別? Substores-UnknownASINs-35 Subjects-Outdoors&Nature-OutdoorRecreation-Hiking&Camping-Instructional? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Sports-General? Subjects-Sports-Hiking&Camping-Instructional? Assessing the Fate of Emerging Pathogens in Biosolids Werf Report Protecting Human Health 01-hhe-3 (Werf Report) Intl Water Assn? M. V. Yates? S. Yates? IntlWaterAssn? M.V.Yates? S.Yates? ジャンル別? Subjects-Medicine-Specialties-PreventiveMedicine? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-PreventiveMedicine? Marine Mammals Of The World Windows Version 1.0 (World Biodiversity Database CD-Rom Series) Springer-Verlag? T. A. Jefferson? Stephen Leatherwood? M. A. Webber? Springer-Verlag? T.A.Jefferson? StephenLeatherwood? M.A.Webber? ジャンル別? Substores-UnknownASINs-47? 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Marine Mammals Of The World Mac Version (World Biodiversity Database CD-Rom Series) Springer-Verlag? T. A. Jefferson? Stephen Leatherwood? M. A. Webber? Springer-Verlag? T.A.Jefferson? StephenLeatherwood? M.A.Webber? ジャンル別? Substores-UnknownASINs-47? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-BiologicalSciences-Zoology-General? Interactive Identification System European Limnofauna Libellenlarven Van Nederland (The World Biodiversity Database) Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Eti? Kiwa? Riza? Stowa? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? Eti? Kiwa? Riza? Stowa? ジャンル別? Substores-UnknownASINs-47? Subjects-Nonfiction-ForeignLanguageNonfiction-Dutch? Subjects-Outdoors&Nature-Fauna-Insects&Spiders? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-Animals-Insects&Spiders? Subjects-Science-BiologicalSciences-Zoology-General? Subjects-Science-BiologicalSciences-Biology-General? Advances In Environmental Science And Engineering (Advances in Environmental Science and Engineering) Gordon & Breach Science Pub? James R. Pfafflin? Edward N. Ziegler? Gordon&BreachSciencePub? JamesR.Pfafflin? EdwardN.Ziegler? ジャンル別? Substores-UnknownASINs-43? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Weather and Climate (Phenomena of the Earth) Springer-Verlag? Harald Frater? N. Klupsch? Springer-Verlag? HaraldFrater? N.Klupsch? ジャンル別? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? 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Subjects-Professional&Technical-Law-LawPractice-Reference? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Law? Subjects-Science-EarthSciences-EnvironmentalScience Safety Assurance for Environmental Introductions Genetically-Engineered Organisms Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Joseph R Fiksel? Vincent T. Covello? J. Fiksel? V. Covello? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? JosephRFiksel? VincentT.Covello? J.Fiksel? V.Covello? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Social Costs of Energy Consumption Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Olav Hohmeyer? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? OlavHohmeyer? ジャンル別? Substores-UnknownASINs-47? Subjects-Business&Investing-Economics-NaturalResources Subjects-Nonfiction-ForeignLanguageNonfiction-German? 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Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Groundwater? Subjects-Professional&Technical-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Aquaculture? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? Subjects-Science-Nature&Ecology-Environment-WaterSupply? Subjects-Science-BiologicalSciences-Zoology-Invertebrates? Environmental Law Library Lewis Pub? Elizabeth Glass Geltman? LewisPub? ElizabethGlassGeltman? ジャンル別? Substores-UnknownASINs-36? Subjects-Engineering-Civil-Environmental-General Subjects-Law-Business-Property? 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Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Reference-Education-Research? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General International Environmental Law in the Asia Pacific (International Environmental Law and Policy, No 47) Kluwer Law Intl? Ben Boer? Ross Ramsay? Donald R. Rothwell? KluwerLawIntl? BenBoer? RossRamsay? DonaldR.Rothwell? ジャンル別? Substores-UnknownASINs-67? Subjects-Law-Environmental&NaturalResourcesLaw? Subjects-Law-InternationalLaw-General? Subjects-Law-General? Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw? Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Nonfiction-Law-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Law-Environmental&NaturalResourcesLaw? Subjects-Professional&Technical-Law-InternationalLaw? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Ants Up Close (Minibeasts Up Close) Heinemann Library? Robin Birch? HeinemannLibrary? RobinBirch? ジャンル別? Subjects-Children sBooks-Animals-Bugs&Spiders-Nonfiction? Subjects-Home&Garden-AnimalCare&Pets-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Entomology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-BiologicalSciences-Biology-Entomology? Caught in the Net The Global Tuna Industry, Environmentalism, and the State Univ Pr of Kansas? Alessandro Bonanno? Douglas Constance? UnivProfKansas? AlessandroBonanno? DouglasConstance? ジャンル別? Subjects-Business&Investing-Economics-Exports&Imports? Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism? Subjects-Business&Investing-Industries&Professions-General? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Nonfiction-Economics-Exports&Imports? Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? The Exxon Valdez 1989 An Oil Taker Runs Aground (When Disaster Struck) Heinemann Library? John Townsend? HeinemannLibrary? JohnTownsend? ジャンル別? ユーズドブック(洋書)-Teens? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Religion&Spirituality-Christianity-Authors,A-Z-(T)-Townsend,John? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Teens-Science&Technology-General? Subjects-Teens-Science&Technology-Ecology? Control and Instrumentation for Wastewater Treatment Plants (Advances in Industrial Control) Springer? Reza Katebi? Michael A. Johnson? Jacqueline Wilkie? Springer? RezaKatebi? MichaelA.Johnson? JacquelineWilkie? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Engineering-Mechanical-ControlEngineering-General? Subjects-Outdoors&Nature-Environment-Recycling? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-QualityControl? Subjects-Professional&Technical-Engineering-Mechanical-ControlEngineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-Environment-Recycling? Seehafen Springer? Birgitt Brinkmann? Springer? BirgittBrinkmann? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Peering Through The Bushes A Commentary By Nationally Syndicated Environmental Columnist Edward Flattau Xlibris Corp? Edward Flattau? XlibrisCorp? EdwardFlattau? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Politics-U.S.? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Astronomy On Ice Xlibris Corp? Martin Pomerantz? XlibrisCorp? MartinPomerantz? ジャンル別? Subjects-Biographies&Memoirs-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Yellow Rain A Special Issue Of The Journal Comments On Toxicology Gordon & Breach Science Pub? H. B. Schiefer? Gordon&BreachSciencePub? H.B.Schiefer? ジャンル別? Substores-UnknownASINs-43? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Beyond Kyoto Energy Dynamics and Climate Stabilisation Organization for Economic? Cedric Philibert? OrganizationforEconomic? CedricPhilibert? ジャンル別? Substores-UnknownASINs-55? Subjects-Business&Investing-Industries&Professions-Oil&Energy? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Climatology-ClimateChanges? Subjects-Science-General Subjects-Science-Physics-Energy? Management of Latin American River Basins Amazon, Plata, and Sao Francisco (Water Resources Management and Policy Series) United Nations Univ? Brazil) Latin American Water Forum (1997 Sao Paulo? Asit K. Biswas? Newton V. Cordeiro? Benedito P. F. Brage? Cecilia Tortajada? UnitedNationsUniv? Brazil)LatinAmericanWaterForum(1997SaoPaulo? AsitK.Biswas? NewtonV.Cordeiro? BeneditoP.F.Brage? CeciliaTortajada? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-NaturalResources Subjects-Engineering-Civil-Hydrology? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Groundwater? Subjects-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Groundwater? Subjects-Professional&Technical-Engineering-Civil-Environmental-SolidWasteManagement? Subjects-Professional&Technical-Engineering-Civil-Environmental-WaterQuality&Treatment? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Rivers? Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Unsaturated Soils Taylor & Francis? Jose Fernando T. Juca? Taylor&Francis? JoseFernandoT.Juca? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Unsaturated Soils Taylor & Francis? Jose Fernando T. Juca? Taylor&Francis? JoseFernandoT.Juca? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-SoilScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-AgriculturalSciences-SoilScience? Disinfection of Pipelines and Storage Facilities Field Guide (Science and Technology) Amer Water Works Assn? William C. Lauer? Fred J. Sanchez? AmerWaterWorksAssn? WilliamC.Lauer? FredJ.Sanchez? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-WaterSupply? This Polluted World We Live In Gets Worse Authorhouse? Andrew D. Anderson? Authorhouse? AndrewD.Anderson? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Kraft-Warme-Kopplung Springer? Springer? ジャンル別? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Development of European Forests Until 2050 A Projection of Forest Resources and Forest Management in 30 Countries (Research Report (European Forest Institute), 15.) Brill Academic Pub? R. Pavinen? A. Pussinen? M. J. Schelhaas? G. J. Nabuurs? European Forest Institute? BrillAcademicPub? R.Pavinen? A.Pussinen? M.J.Schelhaas? G.J.Nabuurs? EuropeanForestInstitute? ジャンル別? ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? Substores-UnknownASINs-55? Subjects-Arts&Photography-Architecture-InteriorDesign-General? Subjects-Home&Garden-InteriorDesign-General? Subjects-Outdoors&Nature-Conservation-Forests? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-NaturalResources-General? Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Outdoors&Nature-Flora-Trees-General? Subjects-Professional&Technical-Architecture-InteriorDesign-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-Nature&Ecology-General? Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Subjects-Science-Nature&Ecology-NaturalResources-General? Subjects-Science-Nature&Ecology-Plants-Trees-General? Global Warming and International Law A Review of Strategies Island Pr? Kilaparti Ramakrishna? IslandPr? KilapartiRamakrishna? ジャンル別? Subjects-Nonfiction-Politics-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? TITLE NOT SUPPLIED Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? ジャンル別? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Praktische Umweltmedizin Springer-Verlag Berlin and Heidelberg GmbH & Co. K? Springer-VerlagBerlinandHeidelbergGmbH&Co.K? ジャンル別? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Deterministic Methods in Systems Hydrology (IHE Lecture Note Series) Aa Balkema? James C. I. Dooge? J. Philip O Kane? AaBalkema? JamesC.I.Dooge? J.PhilipO Kane? ジャンル別? Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General Remote Sensing With Soviet Satellites And Results From Telephoto 82 And Gyunesh-84 Experiments (Remote Sensing Reviews Series) Harwood Academic Pub? T. K. Ismailov? HarwoodAcademicPub? T.K.Ismailov? ジャンル別? Substores-UnknownASINs-48? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General A Guide to Advanced Sensors for Structural Condition and Environmental Monitoring in Fossil-Fired Power Plant (ERA Report) Era Technology? F. Bishop? EraTechnology? F.Bishop? ジャンル別? Substores-UnknownASINs-16? Subjects-Engineering-SpecialTopics-Measurement? Subjects-Engineering-General? Subjects-Engineering-PowerSystems? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-SpecialTopics-Measurement? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-PowerSystems? Subjects-Science-EarthSciences-EnvironmentalScience Asbestos University of Queensland Press? Jock McCulloch? UniversityofQueenslandPress? JockMcCulloch? ジャンル別? Subjects-Health,Mind&Body-Safety&FirstAid? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Medicine-Pharmacology-Toxicology? Subjects-Science-EarthSciences-EnvironmentalScience 洋書
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Environment and Economic Development in the Regions of the European Community Gower Pub Co? Gunter Schneider? Frank E. Joyce? GowerPubCo? GunterSchneider? FrankE.Joyce? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-History-Europe-General? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Nonfiction-Economics-NaturalResources Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Environment-Conservation? The Politics of Acid Rain Policy in Canada, Great Britain, and the United States Gower Pub Co? Marshall E. Wilcher? GowerPubCo? MarshallE.Wilcher? ジャンル別? 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以下、俺の案①今までにあった、海外旅行に行くのを断念した理由のうち、最も多かったのは次のうちどれですか？a,お金が足りなかったb,友達との時間が会わなかったc,その他（具体的に教えてください）d,断念したことがない②①でaを選択した方に伺います具体的には次のうちどれですか？a,生活するのに必要な「衣食住費及び学費」以外に使うお金がないので諦めたb,他に使う用途があるので諦めたc,海外旅行に行く上で必要なお金をよくしらないが、何となく高そうなので諦めたd,プランのグレードを下げたくないので、行くのを我慢したe,その他（具体的に教えてください）③①でbを選択した方に伺います具体的には次のうちどれですか？a,友人もしくは自分が忙しく、旅行に割く時間を確保できなかったb,一緒に行こうと計画していた友人全員の予定を合わせることができなかったc,その他とにかく、③が意味不明…改良求む。 -- (たかにー) 2007-01-21 01 14 27 たかにー早い！偉い！（具体的に教えてください）はいらないんじゃないかな？-- (なかーた) 2007-01-21 01 34 05 質問です☆回答は3問です！よろしくお願いいたします。※回答フォームをご利用ください。※-------------------------------------------------★回答フォーム★断念した経験は、ある/ない理由１→ エピソード１→理由２→ エピソード２→理由３→ エピソード３→-------------------------------------------------質問①これまでに、海外旅行に行くのを断念した経験はありますか？②断念した理由は何ですか？エピソードも簡単に合わせて教えてくだされば幸いです。（あ）お金が足りなかった。（い）達との時間が会わなかった。（う）その他（具体的に教えてください）③②で（あ）を選択した方に伺います。具体的には次のうちどれですか？よろしければエピソードも合わせてお願いいたします。（あ）生活するのに必要な「衣食住費及び学費」以外に使うお金がないので諦めた（い）他に使う用途があるので諦めた（う）海外旅行に行く上で必要なお金をよく知らないが、何となく高そうなので諦めた（え）プランのグレードを下げたくないので、行くのをやめた（お）その他（具体的に教えてください！）④②で（い）を選択した方に伺います具体的には次のうちどれですか？よろしければエピソードも合わせてお願いいたします。（あ）自分が旅行の時間を確保できなかった。（い）友達が旅行の時間を確保できなかった。（う）一緒に行こうと計画していた友人全員の予定を合わせることができなかった（え）その他（具体的に教えてください！） -- (がんちゃｎ) 2007-01-21 01 38 08 ＞なかーたそうかぁ。その他選択者には個別に聞いたほうがいいかもね、もし多ければ。③の質問が駄目なんだよね…・先の予定がわからない人・グループ全員で行きたい人・旅行に行く時間がない人ってあった時、「先の予定がわからない→放置→グループ全員はで行けなくなる」とか、「先の予定がわからない→放置→他の予定を入れてしまい、旅行に行く時間がなくなる」とかは、どうしようか…＞ALLそもそも、断念の理由が複数ある場合はどうするんだっけ？ -- (たかにー) 2007-01-21 01 41 31 断念の理由が複数あったら、全部選択してもらっていいと思った。それだけ不満に感じてる人がいるってことで。-- (れーな) 2007-01-21 01 44 30 それか、断念の理由が複数ある場合は、・その中で一番大きい要因。とか、・今までで一番多かったもの。を１つ選択してもらってもいいんじゃない？-- (なかーた) 2007-01-21 01 51 53 そうだねぇ、＞れーな金も都合も両方解決しなければならなくなる…？＞なかーたただ、「一番大きい」とかも人それぞれだし…-- (たかにー) 2007-01-21 01 55 14 不満の数の延べ人数がそれぞれわかるじゃない？それで、やめた原因はどっちが多いのかって比べたらいいんじゃないかなぁ？ -- (れーな) 2007-01-21 01 59 37 遅れながら、参加！それに加えて、もとあった対象者の旅行に行ったことがあるか？旅行に行きたいと思うか？を入れよう！行きたいと思うか？が不明瞭であるということなら、計画したこともしくは話にあがったことがあるか？を聞けば同じような事が聞けるはず！-- (ボンバ) 2007-01-21 02 08 20 ＞れーなうんうんそうねー。ただ、あんまり差が出ないって危険性があるよね。どっちか一つを選んでもらっても、「やっぱどちらかといえば金かな？」って考えるわけで、原因として大きい方が分かるんじゃないかな？＞ボンバ前提条件ってことね！ -- (なかーた) 2007-01-21 02 14 03 あと、現在の議論に対して。一応現在の論点である、日程に関して、お金に関して、以外にも、目的に関して、場所に関して、人数？に関して、をそれぞれ聞いてみては？二つだけにするとデータとしての信頼性が乏しくなる気がする。それを聞いた上で、面倒な順番をつけてもらう方針にするのはDO？ -- (ボンバ) 2007-01-21 02 15 45 みんな、俺が俺の案を携帯で送ったけど、見たか？超メンドイだろ？これ以上長くは出来ん（携帯なら） -- (たかにー) 2007-01-21 02 18 51 一つ思ったのが、携帯なら、細切れで質問したらどうだ？こっちは面倒だが、答えてくれる率上がると思う。 -- (たかにー) 2007-01-21 02 21 03 細切れって！？ -- (なかーた) 2007-01-21 02 22 29 第一問だけ送って、次に第二問だけ送って、みたいな。こっちは面倒だけど、回答率上がるんじゃね？ -- (たかにー) 2007-01-21 02 24 48 ＞たかにーたぶん、来るほうも結構めんどいで・・・。いつ終わるんだよ！的に・・・。 -- (ボンバ) 2007-01-21 02 30 08 そうか…ってか、メッセで会議しようや！ -- 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https://w.atwiki.jp/mainichi-matome/pages/206.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Gain comes at cost of pain, teen tarts discover利益は痛みというコストを伴う。１０代の売春婦は学んだ 拡散状況 翻訳の変更 関連ページ Gain comes at cost of pain, teen tarts discover 利益は痛みというコストを伴う。１０代の売春婦は学んだ http //mdn.mainichi.jp/culture/waiwai/archive/news/2007/07/20070728p2g00m0dm002000c.html (2007年7月28日配信） "One evening, I was made to do it with at least five customers," the girl, named Aiko (a pseudonym) sobs to Shukan Jitsuwa (8/2). "I d never had that many partners before. Some fingered me deep inside and I started bleeding. The doctor said the opening to my uterus had become inflamed. It took 10 days for the bleeding to stop..." 「ある晩、私は少なくとも５人の客を取らされた」と、アイコ（仮名）と名乗る少女は、週刊実話（8月2日号）に涙ながらに語った。「こんなに多くの人とセックスしたことはなかった。ある人が私の奥深くまでまで指を突っ込んだので、私は出血し始めた。お医者さんは、子宮口が炎症を起こしてるって言ってた。血が止まるまで10日かかった、、。」 Until last March, Aiko had been a student at a middle school in Tokyo s Toshima-ku. She subsequently went to work in a brothel named "Otona Club" in the Kinshicho entertainment district. The police staged a raid, and the 15-year-old found herself facing charges of prostitution. 先月まで、アイコは豊島区の中学校の生徒だった。その後彼女は、錦糸町の歓楽街の「大人クラブ」という名前の売春宿で働くようになった。警察の捜索が入り、この１５歳の少女は売春の罪に問われることになった。 Until its ignominious shutdown by the authorities, Otona Club was situated on the third floor of a building close to JR Kinshicho station in Tokyo s Sumida-ku, above a drug store and an internet cafe. The room consisted of a counter with stools, a small cloakroom, a central area with a large table and two cubicles toward the back, concealed by curtains. Each cubicle contained a cot and wheeled portable wash basin with a mirror. 当局によって閉鎖されるまで、大人クラブは東京と墨田区のＪＲ錦糸町駅の近くのビルの、ドラッグストアとネットカフェの上の三階にあった。部屋は、椅子のあるカウンターと、小さいクローク、大きなテーブルのある中央部分、そして、後方のカーテンで隠された２つの小部屋からなっていた。それぞれの小部屋には、簡易ベッドと車輪のついた移動式の鏡付き洗面台が置かれていた。 The secret of Otona Club s success was not that it abetted prostitution by under-age girls -- which has been going on for who knows how long -- but that it set its rates low to ensure a quick turnover, high-volume business. 大人クラブの成功の秘訣は、年齢を満たさない少女の売春を行っていたから（こんなことは、いつからか誰にも分からないくらい昔から行われている）ではなく、価格を安く設定することによって、薄利多売のビジネスにできるようにしたことにある。 "Customers would be escorted in and see the girls seated around the table," Aiko relates. "A shop employee would point to us one by one, and say, That one s in middle school, so she goes for 30,000 yen, but the one beside her s in high school, so she s 25,000 yen. They d take their pick and go into the cubicle -- there was no bath or shower -- and spend 15, maybe 20 minutes with the girl." 「お客さんは中に案内されると、テーブルの周りに座った女の子たちを見るんです」、とアイコは語った。 「店の人が、一人一人を指差して、『この子は中学生だから３万円、その隣の子は高校生だから２万５千円』という風に言っていくんです。お客さんは女の子を選んで、風呂もシャワーもない小部屋に行く。そして、１５分か２０分くらいの時間を女の子と過ごすんです。」 When the two cubicles were both occupied, impatient customers were permitted to take the girls out to nearby love hotels. ２つの小部屋が満員のときは、せっかちな客は少女を近くのラブホテルに連れて行ってもいい。 Out of the charges per each session, the shop took a 7,000-yen cut. 一回お客を取るごとに店は７千円をピンハネする。 Still, the sheer volume of turnover ensured the girls made pretty good money. Another working teen named Hideko tells the magazine she earned nearly 1 million yen during the month of April. それでも、かなりの額のお金が少女たちの手元に残る。他の１０代の売春婦のヒデコは、この雑誌の取材に、４月だけで１００万円近くのお金を稼いだと語った。 Some customers brought cameras to photograph the girls genitals and others would request they dress up in school uniforms and other costumes. In extreme cases, the "play" got rough. お客の中には、性器の写真を撮ったり、制服を着てくれと頼む者もいた。時には「プレイ」は荒々しいものとなった。 "From March of this year, two girls who at that time were still in middle school were particularly popular," Hideko relates. "But some of their johns overdid it, and more than once we saw them come back from the hotel in tears. Some of the customers probed them with their fingers and became outraged if the girls didn t seem to become aroused or have an orgasm. 「今年の３月からあとは、まだ中学に通う２人の女の子がすごく人気があった」 と、ヒデコは語った。「でも、彼女たちの客の中にはやりすぎちゃう人がいて、何度も彼女たちが泣きながらホテルから出てくるのを見た。お客の中には指で弄んで、でも彼女たちが感じたり、イったりしないと、キレる人たちがいた。」 "I had similar experiences, where men expected me to act out their fantasies like some kind of porno film actress." 「私も似たようなことがあった。男たちは私にポルノ映画の女優みたいな幻想を演じることを期待してた。」 "As far as we know, at least 13 girls were working there, all between the ages of 15 and 18," a reporter on the city desk tells the magazine. "Some were still in school and others were unemployed." 「私が知ってる範囲では、少なくとも１３人の１５-１８歳の女の子が働いていた。」社会部のレポーターがこの雑誌に語った。 「学生もいれば、無職の者もいた。」 Most of the girls, according to Shukan Jitsuwa, found the jobs via their cell phones, but a few of were recruited by friends and acquaintances. 週刊実話によると、多くの少女は携帯電話でこの仕事を見つけたが、中には友人や知人に勧誘された者もいた。 "Some girls said they wanted money to buy brand-name fashion goods, so I set them up at jobs," an 18-year-old named Chieko tells the magazine. 「ブランドグッズを買うお金を欲しがっている子がいたから、仕事を紹介してあげたの」と１８歳のチエコはこの雑誌に語った。 "These girls are daughters of ordinary salarymen, and attend Tokyo public high schools," she continues. When their parents found out, they became infuriated, carrying on and screaming things like, I m gonna kill you and then I ll die too. The girls were also kicked out of school. I don t think that was fair." 「あの子たちは普通のサラリーマンの子供で、東京の公立高校に通ってる」と彼女は続けた。「親たちに見つかると、親たちは激怒して『あんたを殺して私も死ぬ』とか言う。あの子達は学校も退学になる。フェアじゃないよ。」 Otona Club s manager Shingo Kato, age 29, was arrested by the MPD s juvenile division on multiple charges. He had allegedly told the girls, "Work here and you ll make good money. You ll be able to buy lots of new stuff right away." 大人クラブの経営者、カトウ・シンゴ（２９）は警視庁の少年課によって逮捕された。彼は少女たちに「お金が儲かるよ。新製品がすぐに買えるようになる」と言っていた。 Also arrested were street recruiter Tomoaki Shima, age 22, his assistant, an 18-year-old girl whose name was withheld as she was a minor, and three others. 勧誘役のシマ・トモアキ（２２）、１８歳の身元の明かされていない少女、そのほか３人も捕まった。 Between October 2006 and May 2007, police allege the teen tart trade by Kato and his tawdry team took in 10 million yen. 2006年10月から2007年5月の間に、加藤と彼のあくどいチームは1000万円を儲けたと、警察は主張している。 "I used to see groups of two or three teenage girls coming and going, and hear giggles coming from the door," a resident of the building tells Shukan Jitsuwa. "I thought they were just chums, you know, having all-night pajama parties or something." (By Masuo Kamiyama, People s Pick contributor) 「２,３人の女の子のグループが出入りするのを良く見かけ、ドアから来るくすくす笑いを良く聞いたものだ。」 とこのビルの住人の一人は語った。 「仲良しグループで集まって徹夜のパジャマパーティーかなにかをするんだと思ったよ。」(カミヤママスオ 寄稿者） （Mainichi Japan） July 28, 2007 拡散状況 Barely 18 Movies http //www.barely18movies.com/blog/?p=686 The Black Ship http //www.theblackship.com/forum/japan-tabloid-news/1354-gain-comes-cost-pain-teen-tarts-discover.html 英語サイト http //1obn.sauce-dan.com/2007/08/11/219 http //sgfrag.net/2007/08/03/girls-working-hard-for-money/ 翻訳の変更 小さな着替え部屋 →小さいクローク 鏡のある車輪付きの洗面台 →車輪のついた移動式の鏡付き洗面台 （こんなことは、いつからか分からないくらい昔から行われている） →（こんなことは、いつからか誰にも分からないくらい昔から行われている） ２つの小部屋が満員のときは、ラブホテルに連れて行ってもいい。 →２つの小部屋が満員のときは、せっかちな客は少女を近くのラブホテルに連れて行ってもいい。 「私も似たようなことがあった。私にポルノ映画の女優みたいな幻想を演じることを期待してた。 →「私も似たようなことがあった。男たちは私にポルノ映画の女優みたいな幻想を演じることを期待してた。 ２００６年から２００７年にかけて、加藤とそのグループは１０００万円を儲けたと見られている。 →2006年10月から2007年5月の間に、加藤と彼のあくどいチームは1000万円を儲けたと、警察は主張している。 「２,３人の女の子のグループが出入りするのを良く見かけた。」とこのビルの住人の一人は語った。 「仲良しグループで集まって徹夜のパジャマパーティーかなにかをするんだと思ったよ。」 →「２,３人の女の子のグループが出入りするのを良く見かけ、ドアから来るくすくす笑いを良く聞いたものだ。」 とこのビルの住人の一人は語った。 「仲良しグループで集まって徹夜のパジャマパーティーかなにかをするんだと思ったよ。」 上記全て2009/07/09に変更 関連ページ Barely 18 Movies The Black Ship WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：数字 シーファーが日本を児童ポルノ大国呼ばわりした原因 元記事一覧 毎日新聞英語版から配信された記事2007年(7月 - 12月)