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このページ名(Name of this Page)→【Event MEMO】 メニューMENU Event MEMO Info MEMO このページはテスト中です(This Page is Under Testing.) + ←クリック目次 [←Click here for CONTENTS] 自動作成目次(contents) This is the Top Page for the Event MEMO CONTENTS 目次Event MEMO 2014年 2013年 2012年 2011年 2009 and 2010 This is the Top Page for the Event MEMO CONTENTS 目次 lsd() ls(Event MEMO) ls() Event MEMO ここは、ライブや行事の概要を書きとめておくメモ帳です。有用な内容は、時間のある時にまとめて、データベースに記入してください。 英語の情報は、なるべく簡単な翻訳を付けておいて下さい。 You can write MEMOs related to Vocaloid Events. If you are writing in English, please consider Japanese translation if possible. LIVEと行事一覧DB 2014年 2013年 2012年 GUMI誕生祭2012 in ニコファーレ ~Megpoid 3rd Anniversary~ 2012年6月26日(火) 開場18 00 開演19 00 http //live.nicovideo.jp/gate/lv94924972 http //www.nicovideo.jp/gumitan2012 NicoFarre http //nicofarre.jp/event.php?id=119 PV http //www.nicovideo.jp/watch/sm18038985 In the NHK TV of Japan, they published the [MIKUNOPOLIS in Los Angeles in 2011 ] to limited people for the BS TV. NHK TV is some kind of public TV. 音楽熱帯夜- 「MIKUNOPOLIS in Los Angeles はじめまして、初音ミクです] Happy to meet you ! I'm HATSUNE MIKU」 番組詳細182137 BSプレミアム 5月20日(日)~5月20日(日) 00 15~01 39(19日深夜) http //www.nhk.or.jp/bs/past/index.html?genre=9 There are button to press regarding evaluation of the [MIKUNOPOLIS in Los Angeles 2011]. If you are interested in [MIKUNOPOLIS in Los Angeles 2011], you may vote. [ヨカッタ] means good or very good [キニナル] means interesting VOCALOID CINEMA PARTY 2012 (番組ID lv84342623) 2012/03/10(土) 開場 11 57 開演 12 00 http //live.nicovideo.jp/watch/lv84342623 『VOCALOID-PVを大画面で見たい、見てもらいたい。』そんな思いでこんなイベントが出来ました。 ニコニコ動画を中心に、世代や国境さえも超えて広がり続けるVOCALOIDの世界。 VOCAWORLD-01 2012年5月27日 場所:耕莘文教基金會1F大禮堂 (台北市辛亥路一段22號)、Taiwan 台湾 ◆活動名稱 VOCAWORLD-01 ◆內容 VOCALOID原創音樂,相關二次創作同人誌販售會 ◆時間 2012年05月27日(週日) ◆地點 耕莘文教基金會1F大禮堂 (台北市辛亥路一段22號) http //www.tiencf.org.tw/page1.aspx?no=77888 ◆一般入場門票 150NT(含場刊與紀念CD) ◆募集攤位數 48攤(含海外社團募集) ◆社團入場:09 30~11 00 ◆一般入場:10 00~15 00 會後特別活動企劃中 VOCAWORLD-01 Vocaloid Only Event http //vocaworld.web.fc2.com/ 主辦 http //macia1192.blog.fc2.com/ 出た!5月27日に台湾でボカロオンリーの「VOCAWORLD-01」が開催 (日本語 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10808.html Original video posted on NicoNicoDouga on February 12, 2012 http //www.nicovideo.jp/watch/sm16945608 八王子Pのイベント http //www.youtube.com/watch?v=M3q0L1aGV-M Animation on Displayイベントでミクのミニコンサートが開催 2012 2月18日 サンフランシスコ AniMiku and Vocalekt Visions Concert at AOD 2012! http //www.vocaloidism.com/2012/02/10/animiku-and-vocalekt-visions-to-hold-concert-at-aod-2012/ AniMiku and Vocalekt Visions Concert at AOD 2012! http //www.animiku.net/cms/blog-2/animiku-and-vocalekt-visions-concert-at-aod-2012/ http //www.youtube.com/39diymmdconcert Experiencing the Media Mix Anime, Manga, Video Games. (メディアミックスの体験:アニメ、マンガ、ビデオゲーム) President’s Conference Series February 4 to 6, 2012 (学長講演会シリーズ) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/ 日時:2012年2月4日ー6日 Location 1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada H3G Concordia University http //www.concordia.ca 場所:コンコルディア大学、モントリーオール、ケベック州、カナダ Academics discuss Japanese pop culture (アカデミック研究者が日本のポップカルチャーについて語る) http //www.concordia.ca/now/what-we-do/research/20120118/academics-discuss-japanese-pop-culture.php Speakers (講演者) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/speakers/ Schedule and Lecture abstracts (スケジュール及び講演抄録) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/schedule/ Lecture abstracts Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein Marc Steinberg-Media Mix as Experience Ian Condry-Miku Virtual Idol as Media Platform (ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames Thomas Lamarre-Transnational Storytelling Matthew Penney-Media Mixed Histories Kyara versus Context Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu Margherita Long-Nausicaa Now More Than Ever Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) コンコルディア大学でイアン・コンドリー氏がミクの講演をするらしい件 (日本語訳 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10754.html 講演タイトル (概要の翻訳) Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演(大塚 英志--ディズニーとアイゼンスタインの邪悪な同盟) Marc Steinberg-Media Mix as Experience (マーク・スタインバーグ--経験としてのメディアミックス) Ian Condry-Miku Virtual Idol as Media Platform (イアン・コンドリー:ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames (Mia Consalvo--予想外の旅行:日本のビデオゲームのROMハッカーとファンによる翻訳) Thomas Lamarre-Transnational Storytelling (トーマス・ラマール--国を越えたストリーテリング ) Matthew Penney-Media Mixed Histories Kyara versus Context (マシュー・ペニー--メディアミックスの歴史:キャラ 対 コンテクスト) Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu (上野俊哉--狼と犬の間:押井守と手塚治虫) Margherita Long-Nausicaa Now More Than Ever (マルガリータ・ロング--ナウシカ、NOW MORE THAN EVER (愛は限りなく)) Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) (トーマス・ルーサー--ゲームの自律(そして、銃の暗い価値)) 講演タイトル (概要の翻訳) Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演(大塚 英志(神戸芸術工科大学)--ディズニーとアイゼンスタインの邪悪な同盟) Marc Steinberg-Media Mix as Experience (マーク・スタインバーグ(Concordia大学)--経験としてのメディアミックス) Ian Condry-Miku Virtual Idol as Media Platform (イアン・コンドリー(MIT):ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames (Mia Consalvo(Concordia大学)--予想外の旅行:日本のビデオゲームのROMハッカーとファンによる翻訳) Thomas Lamarre-Transnational Storytelling (トーマス・ラマール(McGill大学)--国を越えたストリーテリング ) Matthew Penney-Media Mixed Histories Kyara versus Context (マシュー・ペニー(Concordia大学)--メディアミックスの歴史:キャラ 対 コンテクスト) Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu (上野俊哉(和光大学)--狼と犬の間:押井守と手塚治虫) Margherita Long-Nausicaa Now More Than Ever (マルガリータ・ロング(California大学) Nausicaa Now More Than Ever--ナウシカ、NOW MORE THAN EVER (愛は限りなく)) Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) (トーマス・ルーサー(New York大学)--ゲームの自律(そして、銃の暗い価値)) 関連行事:MIT/Harvard Cool Japan Initiative (米国、ボストン) MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) http //vocaloid.blog120.fc2.com/blog-entry-9806.html (日本語訳) 参考文献: ミク:日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳) Miku Japan's virtual idol and media platform. (original report) http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform MIT比較メディア研究科 Comparative Media Studies (CMS) http //cms.mit.edu/ 参考文献:初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ 日時:2012年2月4日、5日 イベント名: 成都(Chengdu)ComicParty 入場料: 25元 公式サイト http //scparty.com/ 企業参加:COSPA、ANIMATE、WACOM 他 成都ComicParty 同人交流会 四川科技馆 开展时间9 00-16 30 预售票淘宝网订票地址 http //item.taobao.com/item.htm?id=14129979565 イベントに参加すると・・・ こちらのハイセンスなステッカー限定5,000枚!がもらえます! ※2月のブログTOP絵に際採用された方にはもれなくこちらをプレゼント! http //blog.piapro.jp/2012/01/topsnow-miku-20122top.html 出た!5月27日に台湾でボカロオンリーの「VOCAWORLD-01」が開催 (日本語訳 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10808.html 外語祭・初音( ゚д゚)ミク http //www.youtube.com/watch?v=PcvHF9lVnP0 Polski gracz w Japonii #5 - Juwenaliowe koncerty #1 http //gameplay.pl/news.asp?ID=63889 V_N feat.AVSS 主に毎月第四水曜日、渋谷のclub axxcisにて開催しています http //vnavss.blog47.fc2.com/blog-date-201111.html http //vnavss.blog47.fc2.com/blog-entry-63.html ust→ http //www.ustream.tv/channel/v-n1 https //twitter.com/#!/search?q=%23v_n 「みらいのねいろ」ドイツチームによる、ドイツ・アミッド上映会第二弾が ドイツ語圏最大のアニメファンポータル"Animexx"のニュースとして紹介されました。 http //desu.de/news_9874 #Animexx みらいのねいろ~未來音色~台灣座談會 活動日期:2012/5/26(六) 活動時間:13 00開放入場、13 30-16 00節目進行 http //www.accupass.com/go/sof2012#.T64P8fWvFVE.twitter 2011年 DANCEROID FES in 台北 VOL.01 ~X`mas Special Live Party!!~ with 八王子P 8#Prince DJ 2011-12-23 Taipei,Taiwan DANCEROID 12/23 X'mas Party in 台北 試跳投稿招募中 ! Luka Luka Night Fever http //www.youtube.com/watch?v=j1TlZXr_4-U Dance Contest of DANCEROID 2011/12/23 X'Mas Party in Taipei. If you are living in taipei. You can apply your dance video with title "DANCEROID台灣試跳舞者選拔賽" and upload through website http //tw.smilevideo.jp/ .then send video link and your infomation to email danceroid_con_tw@clsupport.jp before 2011/12/20. The dance video must be "Luka Luka Night Fever" sample http //www.youtube.com/watch?v=IpoR_xlslLI. The winner will join the party and dance with DANCEROID on the stage and more. DANCEROID Offical website http //www.danceroid.jp 台湾版、DANCEROID X'mas Party in台北試跳投稿招募中! - NicoNico新聞 http //tw.blog.nicovideo.jp/2011/11/danceroid-xmas-party-in.html DANCEROID 2011/12/23 X'mas Party in 台北試跳投稿招募中! 【DANCEROID台灣試跳舞者選拔賽】活動需知 指定曲目:ルカルカ★ナイトフィーバー http //tw.nicovideo.jp/watch/sm7517202 http //www.youtube.com/watch?v=IpoR_xlslLI 截止日期:即日起至12/20(二)台灣時間23 59止 投稿頁面:http //tw.smilevideo.jp/ (請先登入NicoNico動畫,或新會員註冊https //secure.nicovideo.jp/secure/register) 如有任何不清楚的地方歡迎聯絡台灣營運https //secure.nicovideo.jp/secure/support_form?lang=tw。 指定標籤:投稿時請務必鎖上「DANCEROID台灣試跳舞者選拔賽」標籤 投稿條件: 1.不限男女老少。 2.舞蹈曲長及舞歩不限,不過如果跳愛川こずえ版本的話本人會很開心的! 3.可複數投稿。 4.舊投稿動畫(須跳ルカルカ★ナイトフィーバー)加上指定標籤即可參加甄選。 審査標準:包含播放數、評論數、加入我的清單數在内,由DANCEROID 成員精心挑選1名至數名優秀台灣試跳舞者。 優秀獎賞: 12/23與DANCEROID同台表演資格。 12/23參加DANCEROID的Live表演後慶功宴。 獲得「DANCEROID公認台灣舞者」稱號及LOGO。 DANCEROID之簽名精美週邊商品。 投稿確認:請?在投稿後1小時之内將以下資料寄至CLS信箱,以確認本人投稿。 屆時?獲選也會以?寄送的資料通知?! CLS聯絡信箱:danceroid_con_tw@clsupport.jp 主旨:「DANCEROID台灣試跳舞者選拔賽」 投稿通知 姓名: ?稱: 電話(手機): E-mail: 如有其他投稿動畫或我的清單可一併提供: 指定曲 「ルカルカ★ナイトフィーバー」 応募締め切り 12/20 台湾時間23 59 投稿はから タグロック DANCEROID台灣試跳舞者選拔賽 でタグロックしてください。 投稿條件: 1.老若男女OK 2.投稿動画の長さや踊り方は自由。 3.複数投稿も可 4.以前にUPした動画でもOK(「ルカルカ★ナイトフィーバー」限る)タグロック を追加してください 審査基準:再生数、コメント数、マイリスト数を参考にしつつ、DANCEROIDとStaffが1名から数名の踊り手を選びます。 発表日時:12/23 LIVE 会場にて 選ばれた方には 12/23DANCEROIDと一緒にステージに上がれます。 12/23DANCEROID Live 後の打ち上げに参加できます。 名前(ハンドルネーム)入特製 DANCEROID 公認 LOGO DANCEROID のサイン入りGOODSプレゼント 投稿の確認:動画投稿後1時間以内に下記の資料を下記アドレスにお送りくださ い。特製 DANCEROID 公認 LOGO は登録いただいた情報を基に作成いたします。 【DANCEROID+八王子P】Baby Maniacs(初音ミク)in台北 修正版 http //www.youtube.com/watch?v=UeT5UzTgmzw 12月23日に行われたDANCEROIDの台湾初公演 DANCEROID Fes in 台北 VOL.01 ~X`mas Special Live Party!!~ Credits and information Original movies Thanks DANCEROID Fes feat.八王子P in 台北生放送 http //live.nicovideo.jp/watch/lv74183294 初音ミク - Baby Maniacs 【オリジナル曲+PV】 http //www.nicovideo.jp/watch/sm16481237 Art Direction & Editor わかむらP Music 8#Prince(八王子P) 【ニコカラ】Baby Maniacs【on vocal】 http //www.nicovideo.jp/watch/sm16486308 八王子P http //www.nicovideo.jp/mylist/16586786 愛川こずえブログ http //ameblo.jp/aikawa-kozue/ 愛川こずえさんのmylist http //www.nicovideo.jp/mylist/8105413 愛川こずえさんのYouTubeチャンネル http //jp.youtube.com/user/xxxayu3 柚姫(ユズキ)ブログ http //ameblo.jp/yuzukingdam/ まぁむ ブログ http //ameblo.jp/maaamblog/ いとくとらブログ http //ameblo.jp/ikura-uniuni/ DANCEROID公式サイト http //danceroid.jp/ 【DANCEROID Fes in 台北】8#Prince http //www.youtube.com/watch?v=Uo0f5d2nxxE 2011/12/23 八王子P a.k.a 8#Prince DJ set for DANCEROID FES in 台北 VOL.01 ~X`mas Special Live Party!!~ Website http //plug8.info/ Twitter http //twitter.com/8_Prince Facebook http //www.facebook.com/hachiojip NND http //www.nicovideo.jp/mylist/16586786 Tracklist 1) Mad Lovers feat. Megurine Luka 2) CRAZY GiRL feat. Hatsune Miku 3) KiLLER LADY feat.GUMI 4) Keep Only One Love feat. Hatsune Miku 5) whiteout feat. Hatsune Miku (Hatsune Miku Append) 6) electric love feat. Hatsune Miku 7) Distorted Princess feat. Hatsune Miku Megurine Luka 8) Sweet Devil feat. Hatsune Miku 【DANCEROID Fes in 台北】八王子P「electric love」 http //www.youtube.com/watch?v=RY6wR0X9tBc 2011/12/23 DANCEROID Fes in 台北 VOL.01 ~X`mas Special Live Party!!~ (SD Version Part 22/32) 人気急上昇中の踊り手ユニットDANCEROIDによる 海外初ライブとなる台北ライブが急遽生放送決定!! DANCEROID公認台湾踊り手候補もステージで一緒に踊るかも?! スペシャルゲストが決まりました!! 日本からはボカロPの【八王子P a.k.a 8#Prince】、 台湾からはメイドグループ【CANDY☆STAR】!! 八王子P a.k.a 8#Prince My List Main http //www.nicovideo.jp/mylist/16586786 Collaboration http //www.nicovideo.jp/mylist/19370736 CD participants http //www.nicovideo.jp/mylist/20371116 Official Site http //www.hachiojip.jp/ Twitter http //twitter.com/8_Prince Facebook http //www.facebook.com/hachiojip Circle HP http //plug8.info/ 「Sweet Devil」(八王子P)が台湾チャート第4位になっているらしい件 http //vocaloid.blog120.fc2.com/blog-entry-10356.html http //miku.sugar-spot.com/?p=2927 初音ミク・巡音ルカ - Distorted Princess PV http //www.youtube.com/watch?v=z5J5qdxrFso 【CDSM 2012】8#Prince feat. DANCEROID http //www.youtube.com/watch?v=3nFIvEQJroA 2011/12/31 八王子P a.k.a 8#Prince DJ set for CDSM at CLUB CITTA' Count Down Shite Mita (カウントダウンしてみた) countdown special 2011~2012 Website http //www.countdownshitemita.com/ Twitter http //twitter.com/CDSMofficial 八王子P a.k.a 8#Prince Website http //plug8.info/ Twitter http //twitter.com/8_Prince Facebook http //www.facebook.com/hachiojip NND http //www.nicovideo.jp/mylist/16586786 DANCEROID Website http //danceroid.jp/ Twitter http //twitter.com/DANCEROID_JP Youtube http //www.youtube.com/user/DANCEROIDjp NND http //www.nicovideo.jp/user/9037659 MC motsu from m.o.v.e saolilith 初音ミク ライブパーティー2011 ミクパ♪ 11月11日、2011 Miku Live Party (Miku-Pa) in Singapore 2011 (シンガポール) I Love Anisong at Anime Festival Asia 2011 (AFA 2011)11月11日ー13日 AFA2011公式HP及び場所:Suntec Convention Exhibition Centre Halls 402 to 404. http //www.animefestival.asia/hatsune_miku.html http //www.animefestival.asia/about_afa.html コンサートチケットはSISTICにて10月1日から販売 良い席を確保したい人は「1日VIP券S$148」か「3日通しVIP券S$368」を購入 http //www.animefestival.asia/ticketing.html#anisong 座席表:下記、会場:Suntec Convention Hall 402の場合、開演:7 00 PM- (開場 6pm) http //www.sistic.com.sg/stix/images/internetcontent/ila1111/esun111111_overview.jpg 会場説明と住所:1 Raffles Boulevard, Suntec City Singapore 039593:Tel 6337 2888 http //www.suntecsingapore.com バーチャルツアー Exhibition Halls 4F 詳細はカーソル操作 http //www.suntecsingapore.com/virtualtour/vr_exhibition.htm http //www.suntecsingapore.com/media/corpvideo.htm http //nagamochi.info/src/up86999.jpg 公式 Facebook及びTweitter http //www.facebook.com/animefestivalasia https //twitter.com/#!/animefestival11 Presented by AFA11 and Cool Japan Project, Toyota Tsusho Singapore (c) Crypton Future Media, Inc. Graphics by SEGA/MARZA ANIMATION PLANET INC. Organized by 5pb. Supported by Cool Japan Music. (AFA Organizer Dentsu Singapore, SOZO) 日本語説明 http //animeanime.jp/news/archives/2011/09/afamayn.html http //blog.livedoor.jp/asagawoblog/archives/1642340.html http //www.animefestival.asia/afax/index.html 空路情報 http //www.flighttime.jp/asia/singapore.html ミクパ♪ シンガポール公式応援弾丸ツアー詳細 締め切り10月20日 https //www.jtbbwt.com/contents/docs/miku.pdf http //www.jtbbwt.com/contents/tour.html 添乗員同行 専用車有 合計料金:127920円 旅行代理店:JTB 最小催行人数:30名 出国日:11月10日(木)21 00 東京(羽 田)集合 帰国日:11月13日(日)05 30~06 30頃 東 京(羽 田) 着予定 ただし、ミクノポリスのツアーの様な失航などの突発事故等に注意 日時:2011年10月17日(月)5 00 PM - 7 00 PM 場所:4-136(MIT)米国ボストン [キャラクターを越える初音ミク:MikuMikuDanceの最前線] 三原龍太郎(経済産業省) まさたかP(ボカロプロデューサ) イアン・コンドリー(MIT、司会) http //whereis.mit.edu/?go=4 (場所) ミクポリ短縮版の上映会、アミッド・スクリーン披露、他 9 30-10 30pm a Party at Enormous Room http //www.beatresearch.com/ 日時:2011年10月18日(火)3 00 PM - 5 00 PM 「メディアプラットフォームとしての仮想アイドル初音ミク:創造性メディアの変化」 伊藤博之(クリプトン) 福岡俊弘(ASCII) 三原龍太郎(経済産業省) イアン・コンドリー(MIT比較メディア学准教授) 日時:2011年10月19日(水)9 30 AM - 11 00 AM [クリプトン社とのコラボレーションのためのブレーンストーミング] 主催:MIT/Harvard Cool Japan Initiative (米国、ボストン) MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) http //vocaloid.blog120.fc2.com/blog-entry-9806.html (日本語訳) http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳) 週刊アスキー福岡総編集長が語る 初音ミクは日本の伝統芸能だった http //ascii.jp/elem/000/000/634/634796/ 米国、New York:NY Comic Con 2011年10月13日-16日 ミクノポリス映像の上映会及び講演会 NY Comic Con 公式日程 http //nycc11.mapyourshow.com/5_0/sessions/sessiondetails.cfm?ScheduledSessionID=1AACC9 http //nycc11.mapyourshow.com/5_0/sessions/sessiondetails.cfm?ScheduledSessionID=18A9 http //vocaloid.blog120.fc2.com/blog-entry-9665.html (日本語訳) 「みらいのねいろ―TOKYO~第1回ボーカロイド文化祭」 11月13日(日曜)、概要:アミッドスクリーン(網戸の網)披露、VOCALOID JAZZ LIVE他 http //tweetvite.com/event/pnjr (予定一覧) http //vocaloid.blog120.fc2.com/blog-entry-9582.html 誤訳御免Δ MIKUNOPOLIS 詳細紹介記事 (2人目の赤シャツ氏の紹介他) http //goyaku.blog45.fc2.com/blog-entry-401.html 初音ミク米国初コンサートの海外反応 http //japancool.sblo.jp/article/46529083.html 2009 and 2010 2009年8月31日 「ミクフェス 09’(夏)」 主催:インクストゥエンター http //blog.piapro.jp/2009/09/fes09.html http //ascii.jp/elem/000/000/456/456009/ 初音ミク・ソロコンサート~ WEB LIVE http //namidame.2ch.net/test/read.cgi/liveuranus/1268128458/ 【初音ミク】ミクフェス09'(夏)実況スレ【ミクFES】 http //namidame.2ch.net/test/read.cgi/liveuranus/1251705271/ 【初音】ミクフェス09'(夏)実況スレ2【ミクFES】 http //namidame.2ch.net/test/read.cgi/liveuranus/1251717604/ 【初音】ミクフェス09'(夏)実況スレ3【ミクFES】 http //namidame.2ch.net/test/read.cgi/liveuranus/1251721940/ 【初音ミク】本気でミクFESに参加してみた【Project DIVA】 http //www.nicovideo.jp/watch/1255673703 「ミクFES(ミクフェス)'09(夏)」レポート! http //blog.piapro.jp/2009/09/fes09.html 「ミクFES'09(夏)」がかなり盛り上がったらしい件について http //vocaloid.blog120.fc2.com/blog-entry-4169.html Live Viewing Japan Presents A Special Hatsune Mikuevent For One-Night-Only In 9 Major U.S. Cities In November http //www.mi2n.com/press.php3?press_nb=147762
https://w.atwiki.jp/touhoukashi/pages/6216.html
【登録タグ Cold Snap FELT W クリスタライズシルバー 曲 舞花】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Content Analytics Market Overview Content Analytics Market is defined as a group of technologies that can process digital content and use behavior while engaging and consuming the content. For instance, news sites, social media platforms, customers, documents etc., to answer specific questions. Content is one of the important tools for enhancing and exposing the market to engage consumers. It is a way to engage the consumers and keep them on their toes. It fulfills required business goals like brand awareness, increasing revenue, creating leads, etc.; in the pandemic, several market revenue decreased. However, the rising use of cloud-based technologies increased in the COVID 19 outbreak, due to which the market got positively impacted. The effect of the pandemic is decreasing, and it will accelerate the market. The tech giants are forming new developments, and regions rising digitalization will push the market towards potential growth. As cloud technologies are easing business operations, it will increase the demand for content analysis; these factors will fuel the market. The increasing popularity of online mediums such as Instagram, Facebook, Linkedin, and youtube upsurge the demand for content analytics and will help in the market s progression, creating many opportunities for the Content Analytics Market. Many companies adopt content analytic software for major growth; such advantages will foster the market. The inability and disruption in the industrial operation and supply chain function are huge restraints for the market. Still, people are there who lack awareness, and the growing concern and the data breach are challenges the market will have to cross to gain growth. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/3956 Major Key Players Due to the presence of multiple players who strive to capture a greater share, the global content analytics market appears to be moderately fragmented during the forecast period of 2017 and 2023. The report published by Market Research Future has profiled the significant players in the content analytics market to provide a comprehensive overview of their operations and strategies. Some of these prominent players present in the global Content Analytics Market include International Business Machine Corporation (U.S.), Adobe Systems, INC. (U.S.), Clarabridge, INC. (U.S.), Interactive Intelligence Group, INC. (U.S.), Opentext Corporation (Canada), Oracle Corporation (U.S.), Verint Systems (U.S.), Nice Systems LTD. (Israel), SAP SE (Germany), and SAS Institute, INC. (U.S.). Segmental Analysis The Content Analytics Market is segmented by application, deployment and vertical. The market is divided into the on-premise and cloud-based on the application segment. The cloud-based content analysis software will gain a high growth rate in the forecast period. The application segment is bifurcated into social media analytics, web analytics, text analytics, speech analytics, etc. Social media analytics will dominate the market in the forecast period as most people spend their time on social platforms. Not only people but different enterprises and industries also use this platform to improve market growth as this increases exposure. The variables of the vertical segment of the Content Analytics Market are IT and Telecommunication, media and entertainment, retail and consumer goods, healthcare, government, BFSI, travel and hospitality, and others. Regional Analysis The Content Analytics Market is studied in five major regions such as North America, Asia Pacific, Europe and other parts. North America will register a high CAGR in the market in the forecast period. The presence of major vendors and the rising use of content analytic software will improve the market condition in the forecast period. The Asia Pacific is growing in the second position due to the high adoption of digitalization. The region is also experiencing high development in IT structure and will propel the market. Industry Update LinkedIn has announced to the customers that it is bringing some new tools for creators, including improved content analytics, new profile video tools, newsletter showcase options, a subscriber bell for update notifications, etc. Access Report Details @ https //www.marketresearchfuture.com/reports/content-analytics-market-3956 Table of Contents 1 Market Introduction 1.1 Introduction 1.2 Scope of Study 1.2.1 Research objective 1.2.2 Assumptions 1.2.3 Limitations 1.3 Market Structure 2 Research Methodology 2.1 Research Type 2.2 Primary Research 2.3 Secondary Research 2.4 Forecast Model 2.4.1 Market Data Collection, Analysis Forecast 2.4.2 Market Size Estimation Continued…. View Similar Report** Mobile Security Software Market https //writeonwall.com/mobile-security-software-market-size-key-players-with-product-particulars-applications-future-trend-business-growth-market-size-key-players-update-business-statistics-and-forecast-till-20/ Casino Market https //tealfeed.com/antivirus-software-industrykey-players-product-particulars-breig Antivirus Software Market https //tealfeed.com/antivirus-software-industrykey-players-product-particulars-breig List of Tables Table 1 Content Analytics Market, By Application Table 2 Content Analytics Market, By Deployment Table 3 Content Analytics Market, By Vertical Table 4 Content Analytics Market, By Region Table 5 North America Content Analytics Market, By Application Continued…. List of Figures Figure 1 Research Type Figure 2 Content Analytics Market By Application (%) Figure 3 Content Analytics Market By Deployment (%) Figure 4 Content Analytics Market By Vertical (%) Figure 5 Content Analytics Market By Region (%) Continued… About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. 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https://w.atwiki.jp/comma-plus/
This is comma-plus project page "comma plus" is the temporary name of a project by Ayumi KIZUKA and Kazuki MATSUMOTO. We have started this project from April 2010. This page is used to review the progress. If you have any message or question, please visit here. Products of This project is open-source software. SVN repository is here New ★★ (5 to 23 Nov. 2011) We ll exhibit Bird Platform (tentatively name) in Machinaka Art Gallery 2011.11.5(sat),23(wed) at Hakata-Station. Link http //tenjin.jp/mag/ This page allow sharing of information among us. (with using password) New ★ (14 to 15 May. 2011) We Exhibited Torikage / Mebuki in Design Festa vol.33 2011.5.14(sat),15(sun) at Tokyo-Bigsight. (It s a international art event.) Thanks for your coming! Then, artists from various countries brought their works, putting them on display or sell. Torikage / Mebuki used a white board. First, an audience uses a pen. Second, he or she should wait. Three, some birds may come flying, and some buds may come out and bloom trees, flowers, or berry. If you block light from a projector, the birds would flied off and the botanical would sporulate toward fall leaves. Many guests tried and enjoyed Torikage / Mebuki. Some people have been amazing. We have finished this work "Mebuki" or "Torikage", and have exhibited !! But, we ll developing Mebuki continuously, thanks. The full work photos are here Finished. Sample Movie is here Prototype Movie. "torikage" performance, at Ishibashi Museum of Art 1F, July 2009. today - , yesterday - , total - | + + + | | |
https://w.atwiki.jp/touhoukashi/pages/971.html
【登録タグ Angelic Meister E SYNC.ART'S 仲村芽衣子 天河 -tenga- 感情の摩天楼 ~ Cosmic Mind 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/6139.html
【登録タグ 5150 W みーや 広有射怪鳥事 ~ Till When? 曲 東方 Compilation CD-BOOK 萃星霜 参 龍5150】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/orange_sherbet/pages/37.html
This is Masumi. I am sorry for making a new page without any permission... if anyone thinks this is inappropriate, please delete the page. If interested you may take a look ( ) also I hope this relieves you from stress. ? lol Doing this project, I figured out how there are so many funny expressions in Japanese that does not exist in English. Like what we talked randomly during discussion, we talked about how "doki-doki" "sara-sara" does not really exist. Onomatopoeia, right? Then how can people express the feelings in English?! If you were to explain "doki-doki" in English, wouldn t it be so hard? It may sound like saying it roundabout. whatshouldmacallit. Expression - Japanese people might be shy in expressing something, so they have these very useful expression words. In contrast, American people do not need them because they are not shy! I am sorry for making random analysis. I know this has nothing to do with the project... Just out of curiosity, does Tagalog have any onomatopoeias? Some Asian language such as Japanese and Korean has them. Or does anyone know any other language that has onomatopoeias? -- Jin (2008-02-20 00 58 32) where is the edit this page button? or am i just going crazy? -- courtney (2008-02-20 01 41 35) cause actually i just wanted to say that there is nothing wrong with having a random discussion page. we re just cool like that. also i wanted to say....out project was the best. no offense to the other groups or anything... -- 名無しさん (2008-02-20 01 42 25) also....all lanugages have onomatop.... yeah. they all have them. but japanese is DEFNITELY one of the languages with the most. in english if we wanted to express doki doki, it woudl just be like....." i was sooo nervous that my hands were sweating!" or soemthing like that. basically we would use other phenomenon to *explain* the feeling rather than rely on the connotation of an onomatopea word! -- 名無しさん (2008-02-20 01 45 33) lol, thanx~!! I thought some ppl might be "donbiki"ed (translation "uhh, what the hell") and yeah! our project IS awesome!!! -- masumi (2008-02-20 16 04 34) oops, I meant, by making random page, I thought ppl would be donbikied by me lolz. btw, I made the edit button just for courtney! yeah, too bad you have to explain the feeling, which is pretty time consuming... dokidoki ("my heart is twinkling and twirling along with the heartpump, with or with no hope of something coming up...") ahh dunno-- -- masumi (2008-02-20 16 10 50) 名前 コメント extra I ve found some pages related to onomatopoeia issues. http //blog.livedoor.jp/fairypot/archives/51312664.html "Should Onomatopoeias in Japanese comics be translated?" http //www.howtodrawmanga.com/kdms1/kdms1000.html こんなものまであるのか!(笑) extra pointless thing I thought this was funny. http //www.youtube.com/watch?v=AJSTj9e9MQ0 How do you ... translate TOKIMEKI!!! note I am not a fan of wat don t worry lol Masumi Moto courtney, feb 20 21 30 hahaha thank you so much!! im lost without the "edit page" button... but dont you think its more fun to describe your feelings like that?? you can be more creative!! Edit this page whee
https://w.atwiki.jp/mrfrtech/pages/95.html
Market Scenario The anticipated global OTT content market size is expected to cross USD 551.75 billion by the end of the present forecast years. The current growth rate for the market in the present forecast years is recorded to be a CAGR of 17.9%. The OTT content services are a revolutionary substitute for older traditional telecommunication methods. The OTT term is defined as the mode of facilitating digital content over the internet without the use of any set-top box or cable subscription. It means that one doesn’t need to subscribe to any kind of cable TV subscription to enjoy its contents. The OTT services, in a nutshell, consist of television, telephony, SMS and others. The audience across the world is now switching from cable subscriptions to OTT subscriptions for its easy accessibility with just the internet. Thus, the demand pace is increasing at a rapid scale. With OTT picking up the trends, the content personalization concept has grown substantially. Hence, it is a data drive approach that promotes content creation for launching them over dedicated platforms. For a long time in the past, the impersonalized content ruled the entertainment arena, but not anymore. Such contents are now outdated and boring, for which OTT is escalating to the next levels. The demand is not specific to any country or region but is worldwide. The content personalization over the platforms is created with the taste and choices of the intended audience. Based on the viewing preferences, the platforms decide upon creating content or posting the ones they think would interest the viewers. Thus, this report is a brief reflection on the overall growth potential of this entire market. The market segmentation here highlights the fundamental elements that are put together for collective utilization. With the reputation amidst the young world, the regional analysis highlights the worldwide exposure of the OTT market, which explains the predictability of high market size in the present forecast years. Following that, the industry news upon select key players also explains the urge of the collective market to make the market thrive. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2912 Browse Full Report @ https //www.marketresearchfuture.com/reports/over-the-top-content-market-2912 Over The Top Content Market - Competitive Analysis With the entry of new industry players in over-the-top content market segment, a trend of solid, volume-driven growth has been observed in the market with the addition of new and advanced content types in the segment. Companies are aiming to capture solidify their share of the market segment, by competing and experimenting with various advantage points. The best long-term growth opportunities for this sector can be captured by ensuring quality content delivery and financial flexibility to invest in the optimal strategies. Effective planning is essential in terms of business development so as to gain maximum returns on investment. The prominent players in over the top content market are – Apple, Inc. (U.S.), Facebook (U.S.), Google, Inc. (U.S.), Netflix, Inc. (U.S.), Tencent Holdings Limited (China), ActiveVideo Networks, Inc. (U.S.). Other important players in the market are Brightcove Inc. (Boston,USA), Hulu LLC. (Santa Monica), Microsoft Corporation (U.S.), Nimbuzz (Netherlands), Limelight Networks, Inc. (India), Roku, Inc. (USA), among others. Over The Top Content Market – Segments Based on the content type segmentation, the global OTT market is categorized into various types of content posted over dedicated platforms. The types include VoIP, Videos and Images. Based on the deployment type segmentation, the global OTT market acts upon a couple of deployment systems, including cloud and on-premise deployment. Over The Top Content Market - Regional Analysis The regional analysis of Over-The-Top Content Market is being studied for regions such as Asia Pacific, North America, Europe and Rest of the World. It has been observed that North America would dominate the over-the-top content market owing to factors such as high speed connectivity and presence of well-established content providers in that region. Asia Pacific over-the-top content market is expected to show a positive growth over the forecast period owing to factors such as rise in OTT content providers. Latest Industry News With all of the possibilities in OTT entertainment systems, the subscription amounts are also supposed to be fair at all times. Recently, Google, Netflix and a few other platforms were fined for upgrading to unfair subscription amounts. The companies are working on neutralizing this drawback! 14 Nov 2017 The startup Philo has received $25 million in funding from five cable programming groups. Following the investment Philo has launched an over-the-top skinny TV bundle that strips out expensive broadcast and sports networks. Nov 2017 HBO has launched an over-the-top subscription streaming service in parts of Central Europe. This move will allow its viewers in Hungary, Romania, the Czech Republic and Slovakia to stream HBO programming alongside HBO Europe’s local content and will not require users to have a pay TV subscription. October 2017 DirecTV, the satellite TV business owned by AT T the company is preparing to release a set-top box that will deliver content entirely by way of the Internet, instead of satellite, with Google’s Android TV software serving to power the box. 8 September 2016 Quiptel Hong Kong Limited, the video streaming technology company has been acquired by Falcon Acquisitions Plc which is strategically focused on the over-the-top (“OTT”) market. Similar Report***** Fixed-Mobile Convergence (FMC) Market By Convergence Type (Device Convergence, Network Convergence and Application Convergence), Mode (Single-mode and Dual-mode), Component (Infrastructure and Service) Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com