約 5,863,563 件
https://w.atwiki.jp/rockincook/pages/11.html
2008/7/22 インディアナ州 インディアナポリス 会場:Conseco Fieldhouse <写真> http //www.david-cook.org/PHOTOS-July-22-AI-TOUR-Indianopolis-t10874.html http //www.flickr.com/photos/lisatodd/sets...57606342439535/ <ニュース・インタビューなど> http //www.david-cook.org/Idol-Top-10-in-Indy-t10872.html (http //fox59.trb.com/) http //www.david-cook.org/Idol-singers-win-by-losing-themselves-in-the-music-t10871.html (http //www.indy.com/posts/10094) http //www.1070thefan.com/kravitzandeddie/podcast.aspx (インタビュー動画?うちではエラーが出て見れない~) http //news.cincinnati.com/apps/pbcs.dll/article?AID=/20080724/ENT03/307240003/1025/ENT referrer=NEWSFRONTCAROUSEL GID=RgUu/OcCsyoQJZ3NoWyDIRi2JleEuPxyVJLB56Zz51c%3D (良くないレビューのようです・・・) <総合> http //www.david-cook.org/7-22-Conseco-Fieldhouse-Indianapolis-IN-t10744.html (Rickey.org Live Blog) http //www.david-cook.org/Tuesday-7-22-Indianapolis-IN-American-Idols-Live-Tourri-t10790.html <ファンレビュー> http //www.david-cook.org/The-AI-concert-in-Indy-t10883.html http //www.david-cook.org/My-little-Indianapolis-experience-t10899.html <動画> ☆My Hero http //www.youtube.com/watch?v=iTVpC4yBZtM http //ca.youtube.com/watch?v=seq8wd7xjLI ☆BJ http //www.youtube.com/watch?v=rsP0mbBIsug http //www.youtube.com/watch?v=R5rTyuUXx2I (ダウンロード) http //www.megaupload.com/?d=FJ0CODWO ☆Hello http //www.youtube.com/watch?v=0Vom73sqphw http //www.youtube.com/watch?v=-B22iTJfm7o (ダウンロード) http //www.megaupload.com/?d=MYIO38FX ☆TOML (and Who boos safety?) http //vids.myspace.com/index.cfm?fuseaction=vids.individual videoid=39131694 ☆Don t Stop The Music - American Idol http //www.megaupload.com/?d=P41V4JD6 http //ca.youtube.com/watch?v=NfhohB0jECk
https://w.atwiki.jp/mrfrtech/pages/79.html
Market Synopsis The analysis conducted by the data experts of Market Research Future Reports informs that the Marketing Attribution Software Market Analysis is speculated to display a promising CAGR of 15.3% during the assessment period. The increasing demand for optimizing the marketing expenditure of organizations is the most significant factor influencing the global marketing attribution software market 2020. Besides, the increasing adoption of developed technologies like AI is estimated to be a substantial element driving the global market. Moreover, the need for tracking customer behaviour for targeted marketing initiatives is another significant factor leading to market growth. In addition, the software also provides insights to review ROI and gives details with respect to the lead generation. Therefore, demand is estimated to increase swiftly during the review period. However, the security threats related to sensitive data of the organizations is estimated to be a major hindrance in market growth. Also, the expansion of the global marketing attribution software market is projected to be affected significantly due to the outbreak of COVID-19. The daily operations in various regions were put to a halt which immensely affected the manufacturing cycle of the product. Market Segmentation The worldwide marketing attribution software market can be classified on the basis of attribution, component, type, organization size, deployment mode, vertical, and region. Based on attribution type, the global marketing attribution software market can be classified into single-source attribution, multi-source attribution, and probabilistic or algorithmic attribution Based on component, the global marketing attribution software market can be classified into software and services. Based on organization size, the global marketing attribution software market can be classified into large enterprises and small and medium-sized enterprises. Based on deployment mode, the global marketing attribution software market can be classified into the cloud and on-premise. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7475 Based on vertical, the global marketing attribution software market can be classified into retail, FMCG and consumer packaged goods, consumer electronics, IT telecom, BFSI, healthcare, travel and hospitality, media and entertainment, and others. Based on the region, the global marketing attribution software market can be classified into North America, Europe, Asia-Pacific, Middle East Africa, and South America. Regional Analysis Thorough research has been carried out for North America, Europe, Asia-Pacific, Middle East Africa, and South America. As per the evaluation, the market is projected to expand significantly during the assessment period. Among all regions, the global market is speculated to be dominated by North America. Among all nations in North America, the US and Canada are likely to make the most significant participation during the assessment period. Besides, it also consists of the nations that are technically well-equipped and adopt innovative digital technologies fast. The growing demand for tracking consumer behaviour and preference has resulted in the enlargement of regional market size. Besides, most of the established manufacturers are based out of the US and has a strong customer base. On the other hand, the European market is speculated to expand at the maximum CAGR during the assessment period from 2018 to 2023. The APAC region is speculated to augment substantially during the assessment period due to the presence of various startups which are acting as a market catalyst. Key Players The distinguished market competitors of the worldwide marketing attribution software market are Adobe Inc. (US), Google (US), Visual IQ – A Nielsen Company (US), SAP SE (Germany), Oracle Corporation (US), Analytic Partners, Inc. (US), Calibermind (US), Attribution LLC (US), Engagio (US), Singular (US), Wizaly (France), Rockerbox, Inc. (the US), Neustar, Inc. (the US), OptiMine (US), and Merkle Group Inc. (US), and a few others. Browse Complete Report @ https //www.marketresearchfuture.com/reports/marketing-attribution-software-market-7475 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/clickvip/pages/273.html
SET LIST for 3contries Radio 一番クリックした奴が優勝inパー速 外交部 Part3 http //ex14.vip2ch.com/test/read.cgi/part4vip/1183099640/ Travelling (J-POP/WOMAN) Shonen Jidai (Old J-POP/MAN) Memories Custom (J-POP/GROUP) Kimiwo Nosete (ANIME/WOMAN) UE WO MUITE ARUKOU (Old J-POP/MAN) Sima-Uta (J-POP/GROUP) OSCA (J-POP/WOMAN) Genisis Of Aquerion (ANIME) HANA (Traditional/Choras) Merry Christmas Mr.Lawrence (CINEMA/INSTRUMENTAL) Utada Hikaru - Travelling [2001] hanocha4821.jpg The singer, Utada Hikaru (1983-), one of the most well known Japanese artist has been making continuous hits ever since she debuted in 1998, Japan. The concept of this song "Traveling" is to cheer up everyone.It is simply about an ordinary person on Friday afternoon, but its upbeat rhythm and music are surely catchy. Hope you enjoy it, too. lyrics of the song, "Traveling" 歌詞的Traveling Inoue Yosui - Shounen Jidai [1992] hanocha4826.jpg "Shonen Jidai (boyhood)" is singing about a boy s sentimentality over the end of Summer Now that fun Summer days have passed, my heart is filled with happy memory. I am seeking the continued path of those happy days. Inoue Yosui (1948-) originally composed this song as a main theme of the movie with same title. However, the song has been widely used on TV programs and advertisements, and also on school book of music. This song has been very popular among various generation and became one of the most famous works of his. Spitz - Memories Custom [2000] hanocha4822.jpg Spitz is Japanese veteran rock band formed in 1987. As we can often hear their songs on TV dramas or commercials, it has got big popularity among all ages and genders.The characteristic of the band is a high range of the vocal, the wonder lyric, and the sound mixed pop rock. This is so abstract and memorable number of their works. "Memories-Custom". Kimi Wo Nosete (from "Castle in the Sky") [1986] hanocha4823.jpg Do you know Japanese animation film "Laputa Castle in the Sky" (1986) by Miyazaki Hayao ? His animation films are loved nationally cross over generations. Perhaps many people in the world know him through his works such as "Spirited Away" and "Howl s Moving Castle". The film "Castle in the Sky" is one of his best from his early works. Its plot is an adventure of a young boy and a girl in an alternative world motived by the late 19th Century of Europe. While it has been 20 years since the film is released, its quality and popularity are never faded today. Naturally, its theme song "Kimi Wo Nosete" got a nation-wide popularity in Japan. It is on school book of music, and sung by many people today. This song is composed by Hisaishi Joe (1950-), known as cooperation with film director such as Miyazaki Hayao and Kitano Takeshi. http //en.wikipedia.org/wiki/Hayao_Miyazaki http //en.wikipedia.org/wiki/Joe_Hisaishi http //en.wikipedia.org/wiki/Castle_in_the_Sky Sakamoto Kyu - UE O MUITE ARUKOU(SUKIYAKI) [1961] hanocha4828.jpg Sakamoto Kyu (1941-1985) was a popular singer who was active mainly in 1960 s and 1970 s. This is his most popular song. "UE O MUITE ARUKOU", or probably known as "SUKIYAKI", is selling over 10 million records worldwide since its release in Japan in 1961. In 1962, this song made a big hit in France, Belgium, Holland, and the UK. In the UK, Kenny Ball played this song and ranked the UK hit chart in 10th. In the US, this song earned the "Golden Disk Award" for the first time to Non-American record. While you can find word-to-word translation in the URL below, it sings about a man walking on the street at summer night. He is looking up sky, trying not to drop tears from his eyes. lyrics of the song, "Ueomuitearukou" The boom - Sima-Uta [1992] hanocha4824.jpg "Shima Uta" is from the impressions of the author Miyazawa Kazufumi (1966-) s visit on Okinawa. While Okinawa s lovely southern islands for holiday resort, it also has a tragic side. Near the end of the 2nd world war, it was a battle site often referred as the "the Typhoon of Steel". "Shima Uta" hopes to send out an message from Okinawa to the world across the ocean the message is that the battle (the war) took away friends, lovers, family members, and everyone. What could we do to stop it. What can we do now not to repeat the same sort of tragedy happen again. Tokyo Jihen - OSCA (Oscar) [2007] hanocha4820.jpg This is the newest hit song from Japan released on last July, OSCA by Tokyo Jihen. Every single instruments sound very unique, and so does the vocal. It s famous singer Shiina Ringo (1978-) who is the main vocal of the band. Their style is sort of strange, and really unique that gets many people addicted to. The lyric on the song is almost meaningless! I know you guys gonna be addicted to this. Enjoy the art of nonsense. Sousei no Aquarion (from "Genesis of Aquarion") [2005] hanocha4825.jpg This is the main theme song of "Genesis of Aquerion", which is a science fiction animation on the Earth in the future. In this story, once a disaster destroyed the world 12 thousands years before, and remaining human beings battle against disaster. This song got cult-like popularity among VIPPERs, and almost all Japanese Clickers have taken to this song. There s no limit of the power to accelerate their clicking speed. Taki Rentarou - Hana(Flower) [1900] hanocha4829.jpg Taki Rentarou (1879-1903) is one of the most important figure of Japanese modern music, and he is one of the first composer who expressed Japanese sensibility by using the idiom of European music.Even though he died at a young age, he had composed some prominent songs. This song, "Hana (Flower)" is one of the most popular songs composed by him. It is originally written for 2 female voice and piano accompaniment, and appeared in 1900, the late Meiji era. The motif of the song is the spring scenery of Sumida-gawa (Sumida River), which flows in Tokyo.The expression of the lyric much accords with melody, therefore we really love it, and still sing it. Sakamoto Ryuichi - Merry Christmas, Mr. Lawrence [1983] hanocha4827.jpg Sakamoto Ryuichi (1952-) is Japanese musician with a worldwide reputation, who is an Academy Awards-winning, Grammy-winning, and Golden Globe-winning. Sakamoto started his career from the late 1970s and joined the synth techno trio "Yellow Magic Orchestra" (YMO). The band succeeded internationally and influenced on the acid house and techno movements of the following decade. Next, he made a great success as film score composer. This is the main score of "Merry Christmas Mr.Lawrence", made him known to a broader public. The film, set in in Japanese war camp during the Second World War, deals with the peculiar friendship between Japanese soldiers and English prisoners beyond their position or culture.
https://w.atwiki.jp/vocalive/pages/100.html
LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events) メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓現在のページ名(Current Page Name)↓ 自動作成目次(contents) 行事紹介(Vocaloid Live Concert and Event Information) 【LIVE/海外/Vocaloid Concerts of Vocalekt Visions】 Under writing from following links Vocalekt Visionsダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff and Related Blog) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) Blog (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Vocaloid Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【LIVE/海外/Vocaloid Concerts of Vocalekt Visions】 LIVE/海外/Vocaloid Concerts of Vocalekt Visions Under writing from following links 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert (ページ作成中 CONSTRUCTION) [AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku http //www.youtube.com/watch?v=uIpT1kRSmPo Vocaloid MMD Live starts after 20min. Vocalekt Visions after 34min, Staff introduction around 48min Vocalekt Visions Vocalekt Visions is the most active western VOCALOID producer team in USA. http //www.vocalektvisions.com/ Vocalekt Visions’ News http //web.me.com/tempo_p/Vocalekt_Visions/News/News.html Message http //web.me.com/tempo_p/Vocalekt_Visions/Message.html 主催のVocalekt Visionsから協力スタッフ等を募集 http //web.me.com/tempo_p/Vocalekt_Visions/Message.html Parallel World [Hatsune Miku] [Kagamine Rin] [Gumi] [SF-A2 Miki] [Original Vocaloid Song] http //www.youtube.com/watch?feature=player_embedded v=yXcdMWAHM7Y 藤本健の“DTMステーション” DTM Station ( by Ken Fujimoto) ボカロ曲をアメリカとルーマニアで合作するVOCALECT VISIONS http //www.dtmstation.com/archives/51859052.html English Article Vocalekt Visions http //www.mikustar.com/Vocalekt_Visions.html Vocalekt Visions at Anime LA 2012 (sound fixed) http //www.youtube.com/watch?v=hklEpmiRIN8 http //www.youtube.com/watch?v=tlpfusmbAvo (Original Recording ?) Songs presented 1) "Bring back your smile" - Gumi and Gakupo (motion under development) 2) "Overseas Travel" - Gumi 3) "Lemon Ice Bar" - Miku 4) "Headline Love" - Sweet Ann and Big Al (Koda-P) Vocalekt Visions presents Hatsune Miku and other Vocaloids at Anime LA on 2012-01-08. Vocalekt Visions is the largest western Vocaloid music-producing company and is quickly rising in popularity among western Vocaloid fans. With numerous connections to other Vocaloid professionals, Vocalekt Visions plans to expand its presence by producing fan-made Vocaloid concerts outside of Japan. Hear from host Holo the Wise, special guest Koda-P - the famous Engloid producer, and Tempo-P of Vocalekt Visions. Please visit their website for more original Vocaloid songs, and be sure to like and subscribe Vocalekt Visions! Credits 39diyMMDConcert (Shinji) film team Vocalekt Visions - neutrinoP and Tempo-P - http //www.vocalektvisions.com Host - Holo the Wise (James) Special Guest - Koda-P Animation AniMiku (Re VB) http //animiku.net MMD Animations by 1FNPony Dregorin Keeprefrigeratedful Raiku-P Choreographies by Myokuju Holo the Wise Yukie Dong Original video http //www.youtube.com/watch?v=tlpfusmbAvo ENJOY ^^ Materials to make Screen? 13 10secのところで、やや茶色い布が少し見える 映りこみなし。シーツ,。背面投影 neutrinoP s Vocaloid channel http //www.youtube.com/user/neutrino006 Vocalekt Visions official channel - Tempo-P and neutrinoP http //www.youtube.com/user/TempRecord/featured http //www.youtube.com/user/TempRecord/playlists Vocalekt Visions songs http //www.youtube.com/playlist?list=PL0B7F4958AAC860DA [AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku http //www.youtube.com/watch?v=uIpT1kRSmPo Vocaloid MMD Live starts after 20min. Vocalekt Visions 34min [Wow what a spectacular event! There were so many people cheering us on! There was probably close to 500 people in the audience! Anyways, our original video was uploaded here http //www.youtube.com/user/39diyMMDConcert#g/c/E940C14F6411A357 . but it was split up due to Shinji s youtube cap. Here, you can enjoy the full length show! The credits are at the end. We featured World Vocaloid Dance 01 and AniMiku this time! Vocalekt Visions is a western Vocaloid production unit that has their own Vocaloid dance group and Hatsune Miku Animation concert. We re probably a unique combination that exists nowhere else in the world! We ve partnered with http //mikubook.com and have character licensing from Crypton Future Media, Internet.co, PowerFX, and AHS-soft. Any character image that we represent belongs to these companies, but the whole production is the doing of Vocalekt Visions staff and it s partners. Most of the music was produced by Vocalekt Visions. EP Album link http //www.cdbaby.com/cd/tempopandneutrinop Vocalekt Visions http //www.facebook.com/VocalektVisions www.vocalektvisions.com Full Album Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Please enjoy the whole concert footage and share this with the world! Thanks! Tempo-P Vocalekt Visions] AniMiku Live Hatsune Miku Concert at Tora-Con 2012 Official Video http //www.youtube.com/watch?v=9F2c4YrvzQs https //www.youtube.com/watch?v=rt5jTynhgsA UtataP – Project Diva desu. DX (Nico) Vocalekt Visions – Overseas Travels (YouTube) Vocalekt Visions – Tornado (YouTube) Vocalekt Visions – Lemon Ice Bar (YouTube) LamazeP – PoPiPo (Nico) Koda-P – Headline Love (YouTube) LamazeP – WAVEFILE (Nico) (encore) Vocalekt Visions – Summer Festival (YouTube) Anime Destiny 2011 [Hatsune Miku][Vocaloid DJ][DEMO][Live concert][aniMiku][cosplay][Gumi][Gackpoid] http //www.youtube.com/watch?v=G0WZ-gbsEbM J-Pop Summit Festival 2011 Vocaloid Conference Zaneeds, Danceroids, Vocalekt Visions http //www.youtube.com/watch?v=HZlB0uxSQQw LA手作りライブの、左側の出演者のTempo-PさんとneutrinoPたちは 自分たちで作曲して投影ライブやってたらしい 【レモンアイスバー】ミクオリジナル曲 【初音ミク】 Tempo-P (Vocalekt Visions) http //www.nicovideo.jp/watch/sm14987729 (詳細リンク集有) http //www.youtube.com/watch?v=sLQWs7zFL8Y Lemon Ice Bar at PMX 2011 http //www.youtube.com/watch?v=sDWa-aU0XKc Tempo-P USA s vocaloid user in LA 30min http //www.youtube.com/user/TempRecord Amazon Tuned in the West Tempo-P NeutrinoP Anime Los Angeles Band Schedule 2012 http //www.animelosangeles.org/wp/2011/concerts-2/ Anime Los Angeles (紹介 日本語訳) http //www.bunkaextend.com/ala12_01.html ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) Vocalekt Visions at Anime LA 2012 (sound fixed) 動画配信 【初音ミク】 http //www.youtube.com/watch?v=hklEpmiRIN8 出た!「PMX 2012」で開催の「Vocalekt Visions」による初音ミクライブ映像 http //vocaloid.blog120.fc2.com/blog-entry-13681.html Hatsune Miku in Concert at PMX 2012 J-POP SUMMIT FESTIVAL. 2012 http //www.j-pop.com/2012/vocalekt-visions/ A special one night only vocaloid holographic concert featuring Hatsune Miku and other Vocaloid stars! チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 DVD/BD及びグッズ情報 Official goods Full Album Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Vocaloid Vacation (feat. Tempo-P Neutrinop) Vocalekt Visions on Itunes Please enjoy the whole concert footage and share this with the world! Amazon Tuned in the West Tempo-P NeutrinoP EP Album link http //www.cdbaby.com/cd/tempopandneutrinop 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) See also AniMIku for the technical data of [[AOD] [Hatsune Miku Animation Concert] Vocalekt Visions @ Anime on Display 2012 WVD01 AniMiku ] Screen 投影スクリーンの種類 (Screen Type): スクリーンの素材(Materials for making screen): 投影スクリーン等への映り込み状態(Reflection): 鮮明度 Clearness, resolution of screen: 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数(Junction within the screen)=(つないで使用された投影ボード等の枚数-1、?) :0 number of materials used for making main screen:1 使用された投影ボード等の枚数(Number of board used): 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector): 使用ソフト (Software): Projection software 3D model: Producer of 3D Model:モデル製作: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Motion: Computer and OS: レンダリング ソフトRendering software レンダリング速度等 fps フレーム速度(frame speed) fps カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): 会場設備 その他 (others): 衣装モジュール及びデザイン: (Clothing design of the models) 同期システム (Synchronization system): 選曲 (music selection): 出演者・製作者・関連ブログ等 (Musician, Staff and Related Blog) 演奏者と関連ブログ Vocalekt Visions official Facebook http //www.facebook.com/VocalektVisions セットリスト(演奏曲目)・その他 (Set List, name of music) Set List Fan-made VOCALOID Concert at Tora-con UtataP – Project Diva desu. DX (Nico) Vocalekt Visions – Overseas Travels (YouTube) Vocalekt Visions – Tornado (YouTube) Vocalekt Visions – Lemon Ice Bar (YouTube) LamazeP – PoPiPo (Nico) Koda-P – Headline Love (YouTube) LamazeP – WAVEFILE (Nico) (encore) Vocalekt Visions – Summer Festival (YouTube) Vocalekt Visions at Anime LA 2012 (sound fixed) http //www.youtube.com/watch?v=hklEpmiRIN8 Songs presented 1) "Bring back your smile" - Gumi and Gakupo (motion under development) 2) "Overseas Travel" - Gumi 3) "Lemon Ice Bar" - Miku 4) "Headline Love" - Sweet Ann and Big Al (Koda-P) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) Tempo-P NeutrinoP (Wolf Neve)? スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) Please find the separate page for Synthesized Reality Productions SRP in this Wiki. LIVE/海外/Vocaloid Concerts of Synthesized Reality Productions SRP Authorized FAN MADE SRP VOCALOID Concert at KamiCon 2014 http //www.youtube.com/watch?v=saCch6DjIOo Synthesized Reality Productions http //synthreality.com/ http //synthreality.com/about/ [After Tempo left Vocalekt Visions, Wolf Neve set out to find a new group wanting to focus on live VOCALOID shows. Now, with NeutrinoP, Alfred, EmpathP, Apparatus and RuchiiP, the team has one goal – to keep the bar set high and try to put on the best show possible. Our dream is to make live concerts for VOCALOID all over the world. With us and all of you, we can make this dream come true!] English GUMI official demo 【Megpoid English DEMO】 You Are The Reason FULL Ver. http //www.youtube.com/watch?v=jyE7uoE2_lQ 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO Blog 藤本健の“DTMステーション” DTM Station ( by Ken Fujimoto) ボカロ曲をアメリカとルーマニアで合作するVOCALECT VISIONS http //www.dtmstation.com/archives/51859052.html 出た!「PMX 2012」で開催の「Vocalekt Visions」による初音ミクライブ映像 http //vocaloid.blog120.fc2.com/blog-entry-13681.html Hatsune Miku in Concert at PMX 2012 「Pacific Media Expo」 https //www.facebook.com/PacificMediaExpo vocaloidism http //www.vocaloidism.com/tag/vocalekt-visions/ Vocalekt Visions Holds KickStarter for Improved Concerts http //www.vocaloidism.com/tag/vocalekt-visions/ New Album From Vocalekt Visions Now Available Digitally Vocalekt Visions Holding Concerts in California and Romania Fan-made VOCALOID Concert at Tora-con AniMiku and Vocalekt Visions to hold concert at AOD 2012 AOD 2012 VOCALOID Event Recording Uploaded (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 ライブ技術一覧/過去のライブの反省会等の一部 some オススメ osusume [GUMI] On my Way to Nowhere [VOCALOID3] ORIGINAL http //www.youtube.com/watch?v=S2C2dyOE4pk [Kokone] Vise de îndrăgostit [ROMANIAN] [VOCALOID] [ORIGINAL SONG] http //www.youtube.com/watch?v=PyKqxG49id4 English GUMI official demo 【Megpoid English DEMO】 You Are The Reason FULL Ver. http //www.youtube.com/watch?v=jyE7uoE2_lQ [GUMI ENGLISH] Happy New Year [COVER] https //soundcloud.com/shootingstar-p/gumi-english-happy-new-year [GUMI COMPLETE] Open your mind [REAPER_REMASTER] https //soundcloud.com/shootingstar-p/gumi-complete-open-your-mind コメント・Comment 名前 コメント EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/100.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page
https://w.atwiki.jp/hypixeljp/pages/285.html
こちらは、HypixelのSkyblock-Dungeon専用アイテムをまとめたページです。 シークレットでのアイテム アイテム名 説明 Training Weights アイテムをドロップ、または移動することによりアイテムを使用できる。イベントリーに長くある程Strengthが増大(最大+50)し、2分間の間Strengthを得ることができる Decoy 身代わりを召喚できる。モブはDecoyを優先的に攻撃するが、一撃でやられてしまうためMini-Bossやボス戦(Thorn)で使われる Defuse Kit 糸のトラップを破壊できる。(毎5トラップでIntelligence(+1)、最大45 (+10) Inflatable Jerry ボス以外のモブを追い払うことができる。がこのアイテムを使用することは滅多にない。 Spirit Leap 使用するとダンジョン内に居るプレイヤーにワープすることができる Dungeon Chest Key ボスを討伐した後のチェストを2つ開けることができる Entranceで入手可能なダンジョンアイテム このアイテムは全てのフロアのモブから入手できます。 アイテム名 入手方法 説明 Rotten Armour モブよりドロップ - Skeleton Grunt Armour モブよりドロップ - Skeleton Soldier Armour モブよりドロップ - Heavy Armour モブよりドロップ - Sniper Helmet モブよりドロップ - Soulstealer Bow モブよりドロップ - Sniper Bow モブよりドロップ - Dreadlord Sword モブよりドロップ - Machine Gun Bow モブよりドロップ - F1から入手可能なダンジョンアイテム F1~全てのフロアで入手できるアイテムについては、この文字で表示しています。 アイテム名 入手方法 説明 Necromancers Brooch 全てのボスチェスト - Bonzo s Staff emerald以上のボスチェスト - Recombobulator emerald以上のボスチェスト - Fuming Potato Book gold以上のボスチェスト - Feather Falling VI 全てのボスチェスト - Infinite Quiver VI 全てのボスチェスト - Combo I 全てのボスチェスト - Rejuvenate I 全てのボスチェスト - F2から入手可能なダンジョンアイテム アイテム名 入手方法 説明 Skeleton Master Armour Skeleton Masterよりドロップ - Ultimate Wise I 全てのボスチェスト - Adaptive Boots 全てのボスチェスト(F2〜F3) - Adaptive Blade emerald以上のボスチェスト - Scarf s Studies gold以上のボスチェスト - F3から入手可能なダンジョンアイテム アイテム名 入手方法 説明 Adaptive Armour diamond以上のボスチェスト - Skeletor Armour Skeletorよりドロップ - Zombie Soldier Armour Zombie Soldierよりドロップ - Zombie Soldier Cutlass Zombie Soldierよりドロップ - Zombie Knight Armour Zombie Knightよりドロップ - Silent Death Shadow Assassinより稀にドロップ - Midas Jewel King Midasより稀にドロップ - F4から入手可能なダンジョンアイテム アイテム名 入手方法 説明 Super Heavy Armour Super Tank Zombieよりドロップ - Earth Shard Super Tank Zombieよりドロップ - Bouncy Armour Super Archerよりドロップ - Ice Wand Frozen Adventurerよりドロップ 前方にいるモブに対して31,000~45,500のダメージと5秒間凍結させる。また、凍結したモブは10%増加のダメージを受ける Spirit Pet gold以上のボスチェスト - Spirit Boots gold以上のボスチェスト - Spirit Stone gold以上のボスチェスト - Spirit Bow gold以上のボスチェスト - Spirit Sword gold以上のボスチェスト - Spirit Wing diamond以上のボスチェスト - Spirit Bone diamond以上のボスチェスト - F5で入手可能なダンジョンアイテム アイテム名 入手方法 説明 Fel Pearl Fels(反転したエンダーマン)よりドロップ Fels Pearlを32個集め、クラフトするとFel Swordを作成することができる。 Healing Tissue Healthyが先頭についたモブよりドロップ - Shadow Assassin Armour Emerald以上のボスチェスト Livid Dagger Obsidian以上のボスチェスト ターゲットの背後から攻撃した時、ダメージが100%増加する。スキルでは、短剣を投げることができる。マナコスト 150 クールダウン 5秒間 Last Breath Obsidian以上のボスチェスト - Shadow Fury Bedrock以上のボスチェスト 10ブロック以内のモブ(最大5人の敵)の元へすばやくテレポートし、それワープできる。1部ではKillauraと呼ばれているクールダウン 15秒 Overload obisidian以上のボスチェスト(?) - F6で入手可能なダンジョンアイテム アイテム名 入手方法 説明 Summoning Ring Soulから稀にドロップ? Soulを召喚することができる。Soulは一緒に戦ってくれるもし、やられるとSoulは削除される Precursor Eye - - Flower of Truth - 敵の間で跳ね返る薔薇を撃ち、最大3人の敵にダメージを与える。より多くの敵が攻撃されると、ダメージが増加する。マナコスト 10%のMana クールダウン 1秒 Necromancer Lord Armor - - Sadan s brooch Obisidian以上のボスチェストにより入手(?) - Giant Tooth Obisidian以上のボスチェストにより入手(?) -
https://w.atwiki.jp/yychren/
About This is an English language wiki for YY-CHR.net. If you have any questions or comments, email me at christen.got@gmail.com このウィキはファンが書いたYY-CHR@atwikiの英語訳だ。christen.got@gmail.comへ質問を送れる。 Download 「 YY-CHR.net build 2021/06/06 」 (598kb) japanese, english Synopsis YY-CHR is a sprite editor that can edit and display images in ROMs for NES, SNES, and other old consoles. Additionally, it comes with a palette editor and a background pattern editor. It supports many image formats. Formats discussed below. (If you want to add a plugin for additional format support, please inquire on the YY-CHR forums). For easy editing, theres a sort feature that displays using 8x8 pixel units. The sort function can be tweaked. Because images in ROMs are often uncolored, it comes with a palette editor that colors them for display purposes (edit results do not affect images). There is also a function to read the palette from emulator state files to make it easier to reproduce the images in the game. If using the Favorites feature (Jump List), you can change the list and apply names to image addresses and image formats. You can save the trouble of matching the address and matching the image format each time you open the file.
https://w.atwiki.jp/mrfrtech/pages/66.html
Market Synopsis According to MRFR, the Sales Performance Management Market Growth is expected to grow at a CAGR of 16.6% during the forecast period and reach USD 9.34 billion by 2027. Market Highlights The demand for sales performance management has begun to develop over the past few years and a substantial growth rate is anticipated in the coming years. Sales performance management supports retail, banking and financial services, manufacturing, IT and telecommunication, and other sectors in their revenue fuctionality. The major factors contributing to the growth of the market are the growing adoption of Bring-your-own-devices (BYOD) by companies and the the demand for improved channel and efficiency of sales. The other considerations are the need for metrics based sales tools, and the need for process experience and channel performance indication. The limited knowledge of the tools for sales performance management is proving a constraint to this market. An opportunity for such solutions is the increasing incorporation of integrated platforms/products into enterprise sales functions. Get a Free Sample @ https //www.marketresearchfuture.com/sample_request/7476 Segmentation The global market for sales performance management is segmented into part, mode of delivery, size of organization, vertical and region / country. The global sales performance management is segmented by part into products and services. However, the Services section is divided into incentive compensation management, geographic management , business planning and tracking, market analytics and others. Furthermore, the Services segment is divided into consulting, implementation , training and support and management services. The global monitoring of sales output is segmented into on-premises and cloud by delivery mode. The global sales performance management is segmented by organizational size into small and medium-sized enterprises ( SMEs) and large corporations. The global sales performance management is segmented vertically into telecommunications and IT; retail; health and pharmaceutical; manufacturing; banking, financial and insurance (BFSI); travel and hospitality; transport and logistics; and others. Regional analysis Sales performance management business regional research is examined for North America, Europe , Asia-Pacific and the rest of the world (including the Middle East, Africa , and Latin America). North America is projected to have the largest market share during the forecast period amongst the regions listed. The high demand for sales performance management software from technologically advanced industries such as BFSI and Telecom and IT in North America is expected to raise the market size. Europe is expected to follow North America, in terms of market size. The increasing demand for better distribution channel and company results in Europe, as well as the growth of numerous US-based sales performance management software companies in Europe, are key reasons for Europe s second-largest market share. Asia Pacific is projected to have the highest growth rate as demand is expected to increase by 16.2 per cent over the 2018 to 2023 forecast period above the global CAGR. Emerging countries such as India and China are increasingly driving the sales performance management market across various sectors including BFSI, IT and Telecom, manufacturing, and retail. Rest of the World — Latin America and Middle East Africa are projected to give vendors various opportunities as sales success management systems are yet to be implemented in most countries. Competitive Dynamics Some of the major players are Salesforce.Com, Inc. (US), SAP AG (Germany), Synygy, Inc. (US), Xactly Corporation (US), Oracle Corporation (US), IBM Corporation (US), Callidus Software, Inc. (US), Microsoft Corporation (US), Axtria Inc. (US), Optymyze (US), Iconixx Corporation (US), Nice Systems Ltd. (US), Anaplan, Inc. (India), and Performio Solutions Inc. (US). The major strategies adopted by most of the players are collaborations, partnerships and agreements, and new product releases. Browse Complete Report @ https //www.marketresearchfuture.com/reports/sales-performance-management-market-7476 Table of Contents 1 Executive Summary 2 Scope of The Report 2.1 Market Definition 2.2 Scope of The Study 2.2.1 Research Objectives 2.2.2 Assumptions Limitations 2.3 Market Structure Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/nicepaper/pages/352.html
bootstrapのHTML整形。3月21日記事 目次 ひな形 CDN CSS CSS JavaScript ひな形 !DOCTYPE html html lang="ja" head meta charset="utf-8" meta http-equiv="X-UA-Compatible" content="IE=edge" meta name="viewport" content="width=device-width, initial-scale=1" !-- The above 3 meta tags *must* come first in the head; any other head content must come *after* these tags -- title ここにタイトル /title !-- Bootstrap -- link href="css/bootstrap.min.css" rel="stylesheet" !-- HTML5 shim and Respond.js for IE8 support of HTML5 elements and media queries -- !-- WARNING Respond.js doesn t work if you view the page via file // -- !--[if lt IE 9] script src="https //oss.maxcdn.com/html5shiv/3.7.2/html5shiv.min.js" /script script src="https //oss.maxcdn.com/respond/1.4.2/respond.min.js" /script ![endif]-- /head body !--ここにコンテンツ記述-- !-- jQuery (necessary for Bootstrap s JavaScript plugins) -- script src="https //ajax.googleapis.com/ajax/libs/jquery/1.11.3/jquery.min.js" /script !-- Include all compiled plugins (below), or include individual files as needed -- script src="js/bootstrap.min.js" /script /body /html CDN CSS !-- Latest compiled and minified CSS -- link rel="stylesheet" href="https //maxcdn.bootstrapcdn.com/bootstrap/3.3.6/css/bootstrap.min.css" integrity="sha384-1q8mTJOASx8j1Au+a5WDVnPi2lkFfwwEAa8hDDdjZlpLegxhjVME1fgjWPGmkzs7" crossorigin="anonymous" CSS !-- Optional theme -- link rel="stylesheet" href="https //maxcdn.bootstrapcdn.com/bootstrap/3.3.6/css/bootstrap-theme.min.css" integrity="sha384-fLW2N01lMqjakBkx3l/M9EahuwpSfeNvV63J5ezn3uZzapT0u7EYsXMjQV+0En5r" crossorigin="anonymous" JavaScript !-- Latest compiled and minified JavaScript -- script src="https //maxcdn.bootstrapcdn.com/bootstrap/3.3.6/js/bootstrap.min.js" integrity="sha384-0mSbJDEHialfmuBBQP6A4Qrprq5OVfW37PRR3j5ELqxss1yVqOtnepnHVP9aJ7xS" crossorigin="anonymous" /script
https://w.atwiki.jp/touhoukashi/pages/5201.html
【登録タグ Cocoa D Eurobeat Union THE BEST OF COCOA EUROBEAT 星の器 ~ Casket of Star 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/testlink/pages/37.html
!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN""DTD/xhtml1-transitional.dtd" !-- Japanese Translated by Testing Engineer s Forum (TEF) in Japan, Working Group of TestLink Japanese Translation Project -- html xmlns="http //www.w3.org/1999/xhtml" lang="jp" head meta http-equiv="Content-Type" content="text/html; charset=UTF-8" / meta http-equiv="Content-language" content="jp" / meta name="author" content="Martin Havlat" / meta name="copyright" content="GNU" / meta name="robots" content="NOFOLLOW" / title TestLink Instructions /title style media="all" type="text/css" @import "{$basehref}{$smarty.const.TL_THEME_CSS_DIR}testlink.css"; /style script // need due to global coupling in open_help_window()var fRoot= {$basehref} ; /script script type="text/javascript" src="{$basehref}gui/javascript/testlink_library.js" /script /head body div class="workBack" h1 テストケースの編集とアーカイブ /h1 h2 目的 /h2 p span class="help" onclick="javascript open_help_window( glosary , {$locale} );" テスト仕様書 /span は、存在する span class="help" onclick="javascript open_help_window( glosary , {$locale} );" テストプロジェクト /span , テストスイート,そして span class="help" onclick="javascript open_help_window( glosary , {$locale} );" テストケース /span の情報を閲覧したり変更したりする場所です。異なるバージョンのテストケースを見ることもできます。 /p h2 やってみましょう! /h2 ol li テストプロジェクトをナビゲーションシートから選択します。 /li li 新規のテストスイートとテストケースを作成します(テストプロジェクトの変更は右上のプルダウンリストから選択できます) /li li 左横にあるツリーにてデータ編集を指示します。 /li li 作成したテスト仕様書をテストケースが準備完了したときに span class="help" onclick="javascript open_help_window( glosary , {$locale} );" テスト計画 /span に割り当てます。 /li /ol p TestLinkはテストケースを構成するN レベルのテストスイートを提供します。また、テストスイートの内容を記述できます。この情報はテストケースとともに印刷されます。 /p /div /body /html