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【登録タグ Alstroemeria Records Double Counterpoint S mican* オリジナル 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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Market Scenario The global Digital Payment in Healthcare Market Size will touch USD 9.62 billion at a 22.6% CAGR during the forecast period 2020- 2027, states the latest Market Research Future (MRFR) analysis. Digital payment solutions in healthcare provide an online payment platform which connects payers, providers, and consumers for every healthcare payment transaction. Such solutions are accessible as on the cloud and on-premise. The payee and the payer use electronic modes for sending and receiving money. The payment is done through digital wallets, bank cards, net banking, digital currencies, digital currencies, and contactless and contact payment methods. Various factors are fuelling the global digital payment healthcare market growth. As per the recent MRFR market estimates, such factors include the growing digital transformation in the healthcare vertical, increasing digital payments in the health insurance sector, the rising adoption of smartphones, rapidly increasing internet penetration, the demand for hassle-free and fast transaction services, increasing internet penetration, increasing digitalization in the healthcare vertical, increasing use during COVID-19 pandemic, and most health insurance providers showing preference to digital payments over hard cash payments. On the contrary, concerns regarding security and domination of paper-based billing and the growing number of cyber-attacks may limit the global digital payment healthcare market growth over the forecast period. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7977 Competitive Outlook The leading players profiled in the global digital payment healthcare market report include Zelis Payments (US), Elavon Inc. (US), Change Healthcare (US), BillingTree (US), InstaMed (US), Fiserv, Inc. (US), Wirecard AG (Germany), Worldpay, LLC (UK), PayPal (US), First Data Corporation (US), Global Payments Direct, Inc. (US), ACI Worldwide, Inc. (US), Stripe (US), Aliant Payments (US), and Aurus Inc. (US), among others. The global digital payment healthcare market is fragmented and also competitive with the presence of many domestic as well as international industry players. They have incorporated assorted strategies to stay at the forefront and also cater to the surging needs of the customers, including collaborations, partnerships, contracts, geographic expansions, new product launches, joint ventures, and more. Additionally, these players are also making heavy investments in research and development activities for strengthening their portfolios and also creating a hold in the market. Segmentation The MRFR report throws light on an inclusive segmental analysis of the global digital payment healthcare market based on vertical, organization size, deployment mode, and component. By component, the global digital payment healthcare market is segmented into services and solutions. Of these, the solutions segment will lead the market over the forecast period. By deployment mode, the global digital payment healthcare market is segmented into cloud and on-premise. Of these, the cloud segment will dominate the market over the forecast period. By organization size, the global digital payment healthcare market is segmented into large enterprises and small and medium-sized enterprises. Of these, the large enterprises will spearhead the market over the forecast period. Regional Analysis By region, the global digital payment healthcare market covers the recent trends and growth opportunity across Europe, the Asia Pacific (APAC), North America, and Rest of the World (RoW). Of these, North America will remain domineer in the market over the forecast period as healthcare providers, HMO (health maintenance organizations), and other organizations in the healthcare vertical are transforming and getting more inclined towards being digitalized. US has the utmost market share for the presence of several leading market players and the growing adoption of digital payment methods in the healthcare industry. In Europe, the global digital payment healthcare market is predicted to have the second-largest share over the forecast period for the establishment of digital methods in healthcare software start-ups and increasing need for hassle-free and fast transaction services. In the APAC region, the global digital payment healthcare market is predicted to have healthy growth over the forecast period. Growing demand in developing countries of China and India, growing internet penetration, and significant rise in the number of smartphones are adding to the global digital payment healthcare market growth in the region. In RoW, the global digital payment healthcare market is predicted to have sound growth over the forecast period. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/digital-payment-healthcare-market-7977 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Trending Report** Application Management Services Market Open Source Intelligence (OSINT) Market https //www.scutify.com/articles/2022-04-25-b2b-telecommunication-market-research-focused-on-the-core-business-key-vendors-development- https //www.scutify.com/articles/2022-04-25-enterprise-file-synchronization-and-sharing-market-size-focused-on-the-core-business-key-vendors https //blogfreely.net/pranali004/social-media-security-market-companies-focused-on-the-core-business-global About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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Market Scenario According to Market Research Future, the global digital payment in healthcare market has been segmented based on component, deployment mode, organization size, and region/country. The major factors boosting market growth are increasing internet penetration and the digitalization in the healthcare vertical. Furthermore, there has been a significant increase in the adoption of smartphones, which is driving market growth as smartphone users prefer payment via digital modes. A large number of health insurance providers also prefer digital payments over hard cash payments. This fuels the growth of digital payments in healthcare market. However, concerns regarding data security and dominance of paper-based billing are expected to restrain market growth. Also, the rising number of cyber-attacks is a challenge for the digital payments solution providers. The global Digital Payment in Healthcare Market size will touch USD 9.62 billion at a 22.6% CAGR during the forecast period 2020- 2027, states the latest Market Research Future (MRFR) analysis. Digital payment solutions in healthcare provide an online payment platform which connects payers, providers, and consumers for every healthcare payment transaction. Such solutions are accessible as on the cloud and on-premise. The payee and the payer use electronic modes for sending and receiving money. The payment is done through digital wallets, bank cards, net banking, digital currencies, digital currencies, and contactless and contact payment methods. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/7977 Competitive Outlook The key players in the global digital payment in healthcare market are Aurus Inc. (US), Aliant Payments (US), Stripe (US), ACI Worldwide, Inc. (US), Global Payments Direct, Inc. (US), First Data Corporation (US), PayPal (US), Worldpay, LLC (UK), Wirecard AG (Germany), Fiserv, Inc. (US), InstaMed (US), BillingTree (US), Change Healthcare (US), Elavon Inc. (US), and Zelis Payments (US) Segmentation By component, the global digital payment in healthcare market has been divided into solutions and services. The solutions segment is expected to have a larger market share while the services segment is projected to register the higher CAGR during the forecast period. Based on deployment mode, the market has been segmented into cloud-based and on-premise. The cloud-based segment is expected to exhibit the higher CAGR during the forecast period due to the increasing adoption of cloud technology globally and technological advancements that offer security and privacy over the cloud. Based on organization size, the market has been segmented into large enterprises and small and medium enterprises (SME). The large enterprises segment is expected to have a greater market size during the review period. Large organizations deploy digital payment methods in healthcare solutions extensively to meet the considerable demand for fast and hassle-free transaction services. Large enterprises adopt on-premise or cloud-based solutions, while SMEs prefer only cloud-based solutions. By region, the global digital payment in healthcare market has been segmented into North America, Europe, Asia-Pacific, and the rest of the world. Regional Analysis The global digital payment in healthcare market has been segmented, by region, into North America, Europe, Asia-Pacific, and the rest of the world. North America was the largest market in 2018 as the US has the maximum number of leading market players. The market in Asia-Pacific is expected to be the fastest-growing during the forecast period of 2019 to 2024. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/digital-payment-healthcare-market-7977 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report** Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Biometric-as-a-Service Market https //blog.daum.net/mrfr/707 5G Industrial IoT Market https //telegra.ph/5G-Industrial-IoT-Market-Size-Growing-at-Market-Report-Analysis-Share-Revenue-Growth-Rate-Forecast-Overview-2027-Opportunity-Ass-04-01 About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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Best Budget CBD Oils For Dogs With Arthritis? This full spectrum, all natural CBD oils for pets is extremely cost effective and affordable. Check it out. Our dogs have the same needs as we do. They need the same nutrition and pain relief. Arthritis is one of the most common conditions in dogs. The dogs are also at risk with joint and arthritis issues. From hip dysplasia to arthritis, hip dysplasia to impingement from the surgical instruments. From heatstroke to joint trauma. From anesthetic to steroid injection. It s unfortunate that dogs are put through so much pain and suffer so much anxiety and depression. It seems they can t move or perform the way they do when young. Some breeds even end up paralyzed. There are breeds of dogs and puppies that are predisposed to developing certain types of arthritis. And some breeds of dogs are just genetically vulnerable to this painful disease. Best CBD for Dogs With Joint Pain and Glaucoma CBD is not a cure all and does not magically alleviate the pain. While CBD is an extremely strong anti-inflammatory, it has not been proven clinically to be effective in reducing arthritis symptoms in all cases. Research studies are currently being conducted and the focus remains to investigate the benefits of CBD for dogs, specifically with joint and inflammation-related pain. Glaucoma is a dangerous disease of the eye that can cause blindness if not treated quickly. Glaucoma is often associated with a negative emotional state and stressful life events such as the death of a loved one or divorce. It can also be caused by genetics, and recent studies have shown that genetic predisposition can increase the likelihood of developing glaucoma. Since CBD has been shown to be effective in reducing anxiety and depression, the medication may be a good alternative for older dogs and puppies with glaucoma. The best oils for pets are safe and carefully made. However, like anything else that your pet comes into contact with, there is always a chance of an allergic reaction or irritation. It s important to follow directions on the label and to wash all the ingredients thoroughly. Also, it s important to make sure you know the right dose to give your dog. Consult your veterinarian for guidelines. Glaucoma and arthritis are closely linked. If you want to prevent the onset of the disease or lessen the pain of it, a safe, natural supplement such as CBD for dogs with arthritis may be just what you need. Glaucoma causes a lot of pain not just for the dog, but for the patient as well. An effective treatment could mean the difference between normal, happy life and extreme discomfort, leaving both dogs and patients behind in pain. When looking for the best oil for dogs with arthritis, look for companies that focus on natural products. Glucosamine Sulfate and Chondroitin Sulfate are commonly used ingredients in topical treatments for this condition. Since these ingredients are derived from plant sources, they are considered completely safe. The best oils for dogs with arthritis contain only natural ingredients and no synthetics. This type of treatment allows your pet to live a long, healthy, pain-free life, without any worries about side effects. Source https //dailycbd.com/en/best-cbd/oil-for-dogs/arthritis/
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【登録タグ A Scary Halloween Show ちよこ イオシス ブクレシュティの人形師 人形裁判 ～ 人の形弄びし少女 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/3950.html
【登録タグ A-One NAGISA S TOHO EUROBEAT VOL.8 旧地獄街道を行く 曲 華のさかづき大江山】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mainichi-matome/pages/3696.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Good girl pays the price for being naughty instead of niceよい少女が、素敵ではなく痴的でいた代償を払う 参考資料 拡散状況 関連ページ Good girl pays the price for being naughty instead of nice よい少女が、素敵ではなく痴的でいた代償を払う (*1) 0 Good girl pays the price for being naughty instead of nice 2006,07,14 Shukan Shincho 7/20 By Ryann Connell よい少女が、素敵ではなく痴的でいた代償を払う 2006,07,14 週刊新潮 7/20 ライアン・コネル記 1 Actress Akiko Yada s squeaky clean image took a battering when the paparazzi caught her on a dirty weekend trip to Hawaii with glitterati bad boy Manabu Oshio and now she looks like she ll pay for it with her career, according to Shukan Shincho (7/20). 女優・矢田亜希子のとってもクリーンなイメージは、きらびやかな不良少年・押尾学とのハワイへのいやらしい週末旅行中の彼女をパパラッチが見つけたため、痛手を受けた。 2 Yada was the face of the enormously popular TV campaign for Aflac insurance company, but has lost the job after her photos were splashed all over the scandal sheets. 矢田は、保険会社アフラックの大いに人気があるテレビ販促の顔だったが、彼女の写真がスキャンダル雑誌のいたるところに撒き散らされてから、その仕事を失った。 3 "She d been appearing in the company s commercials since 2002, but won t be in any more ads after her contract runs out on July 28," a reporter on the entertainment beat tells Shukan Shincho. "Tetsuro Yanagiba, who has been appearing with her, is going to keep on doing the ads, which effectively means that Yada was sacked." 「彼女は2002年からその会社のコマーシャルに出演していましたが、7月28日に彼女の契約が終了した後は、もはや広告に登場しないでしょう」と、芸能スクープレポーターは週刊新潮に語る。 「彼女とともに出演していたヤナギバテツロウ(柳葉敏郎)は、あの広告を続けていくことになっていますから、このことは事実上、矢田がクビになったことを意味します」 4 Producers of the commercial admit that Yada s scandal cost her the job. コマーシャルのプロデューサーは、矢田のスキャンダルが彼女に仕事を失わせたと認める。 5 "In today s society, there shouldn t be anything wrong with being spotted with a guy, but the image she has projected is of a well-mannered, prim-and-proper young lady, and the gap between the two is just too big," the producer says. "Oshio is notorious, swearing at reporters and generally being uncouth, which has left him with an awful reputation. When the women s magazine took photos of her pouring suntan lotion over the back of guy whose body was covered in tattoos she looked like nothing more than a typical yakuza whore." 「こんにちの社会では、男といるところを目撃されても何も悪いことはないでしょうが、彼女が与えてきたイメージは、行儀のよい取り澄ました若い淑女のものであり、これらの二つの間のギャップはあまりに大きすぎます」とこのプロデューサーは言う。 「押尾は悪名高く、記者に対して悪態をつき、概して粗野にふるまい、そのことが彼にひどい評判を与えました 女性雑誌が、体が刺青で覆われている男の背中に日焼け止めクリームを注いでいる彼女の写真を撮ったときは、彼女は典型的なヤクザのイロのようにしか見えませんでした。 」 (*2) 6 The revealing shots are expected to be harmful for the 28-year-old actress. この衝撃写真は、この26歳の女優にとって害を及ぼすものとみられている。 7 "Yada ll probably lose lots of her sponsors," the producer says. "She was in the class making around 30 million yen a commercial, but she won t be able to command that much anymore." 「矢田はおそらく彼女のスポンサーをたくさん失うでしょう」と、このプロデューサーはいう。 「彼女はコマーシャル一本あたりおよそ3000万円を稼ぐレベルでしたが、彼女は今後はもう、そんなにたくさん受け取ることはできないでしょう」 8 Many feel the only hope Yada has of surviving in Japan s cutthroat entertainment world is to dump Oshio. 多くの人が、日本の情け容赦のない芸能界で生き残るための、矢田が持っているたった一つの希望は、押尾を捨てることだと感じている。 9 "What s most frightening about this whole thing is that she s not likely to give him the flick. Yada s incorrigible. Oshio is mainly making a living performing with his band and Yada, cool as you like, always turns up for his shows," the producer says. "Just the other day, they were spotted on a date at (Tokyo s) Odaiba -- right in front of the Fuji TV building. It was like as though she deliberately wanted somebody to spot her with him." 「このこと全体についてもっとも恐ろしいことは、彼女が彼を振ることはなさそうだということです。 矢田は手に負えません。 押尾は主に生計を彼のバンドとともに演ずることで得ていて、矢田は、平然として、いつも彼の舞台に姿を現します」とこのプロデューサーは語る。 「つい先日、かれらは(東京の)お台場でデートしているところを目撃されました --- フジテレビの建物のまん前です。 それはまるで、彼女がわざと彼と一緒の自分を目撃されたがっていたようでした」 10 Not everybody sees the scandal as a total blight on the actress name. すべての人が、このスキャンダルを、この女優の名声の完全な失墜の元と見なしているわけではない。 11 "If Yada eventually wants to be seen as a serious actress, she s got to make sure this scandal doesn t come to much," entertainment commentator Masaaki Hiruma says. "In some ways, the scandal could even open doors for her. But, she s got to get rid of Oshio. She s finished as an actress as long as she s with him." 「もし矢田がいずれまっとうな女優としてみなされたいと思うなら、彼女は、このスキャンダルから重大な結果を招かないことを、確実にしなければなりません」と、芸能コメンテーター・肥留間正明はいう。 「ある意味では、このスキャンダルは彼女に新たな道を開きさえするかもしれません。 しかし、彼女は押尾と手を切らなければなりません。 彼女が彼といる限り、彼女は女優としておしまいです」 12 Another entertainment beat reporter advises Yada to get in first. 別の芸能スクープレポーターは、矢田にぼやぼやするなと助言する。 13 "Oshio has gone out with and dumped Natsumi Abe, Naomi Zaisen, Ayana Hirayama and loads of other stars. He s you re archetypical playboy," the hack tells Shukan Shincho. "There are already whispers about that he s got another woman now. Yada might even end up finding herself dumped." (By Ryann Connell) 「押尾は安倍なつみ、ザイセンナオミ(財前直見)、ヒラヤマアヤナ(平山あや)や他のたくさんの有名人と付き合い、捨てました。 彼はあなたがプレイボーイの典型と思うところの人です」と、この駄文屋は週刊新潮に語る。 「彼は今では別の女を手に入れた、というささやき声が、すでにあります。 矢田も彼女自身が捨てられたことに気がつく羽目になるかもしれません」 14 (Mainichi Japan） July 14, 2006 (毎日 日本) 2006年7月14日 参考資料 whoreについて LDOCE4(Longman Dictionary of Contemporary English 第四版)によると taboo an offensive word for a woman who has many sexual partners. Do not use this word. a female prostitute タブー 多くのセックス相手がいる女性を意味する侮辱的な単語。この単語は使わないこと。 売春婦 とありました。OALD(Oxford Advaned Learner s Dictionary)のウェブ版にもtabooと書いてありました。 仮にもクォリティーペーパーなのに、タブーで使ってはいけない言葉を使う変態新聞… 結局whoreは、盗用元では「情婦」でしたが、それより悪い印象を与えるであろう「イロ」と訳しました。 そのほうがwaiwai記事により忠実であると判断しました。でもイロよりwhoreのほうが酷い言葉だと思われます。 拡散状況 Adult-DVD-Movie ｈｔｔｐ //www.adult-dvd-movie.co.uk/en/adult_news/8410/japanese-good-girl-pays-the-price-for-being-naughty-instead-of-nice.html Asian Sex Gazzete http //www.asiansexgazette.com/asg/japan/japan05news63.htm Adult Portal 部分転載：http //www.delightfulfantasy.com/news.php?readmore=1722 fuckedgaijin 部分転載：http //www.fuckedgaijin.com/forums/showthread.php?t=13849 JDorama.com http //www.jdorama.com/viewtopic.php?p=440187#440187 英語サイト 部分転載：http //www.pprune.org/2727561-post8039.html http //sgforums.com/forums/2427/topics/205466 http //www.u8sex.com/news/japanese-good-girl-pays-the-price-for-being-naughty-instead-of-nice_46/ 部分転載：http //xxx-news.net/?p=1393 関連ページ Adult Portal Adult-DVD-Movie JDorama.com WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：S WaiWaiの記事を転載した英語サイト：U fuckedgaijin アメリカンファミリー生命保険 毎日新聞英語版から配信された記事2006年
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telnetでブラウズ(HTTP) このページでは、インターネットでホームページなどをブラウジングするときに利用するHTTPプロトコルについて説明しています。 概要 HTTPプロトコルとは、Hypertext Transfer Protocolの略で、インターネットでホームページなどをブラウジングするときに利用しているプロトコルです。 HTTPプロトコルは、TCP/IP上のプロトコルで、通常80番ポートを使ってアクセスします。 詳細な定義は、以下のRFCで定義されています。 RFC-1945 HTTP/1.0 RFC-2068 HTTP/1.1 基本的に、メッセージを要求(リクエスト)し、その応答結果(レスポンス)を表示するだけです。 HTTPのアクセスログ ApacheなどのWebサーバのログを見ると、リクエストとレスポンスが、以下の形式で出力されます。 アクセスログの書式 アクセス元 - - [アクセス時間] メソッド名 URL名 プロトコルバージョン レスポンスコード 例： 10.0.1.20 - - [01/Jul/1999 23 22 46 +0900] GET /usr/joe/index.html HTTP/1.0 200 2060 メソッドの種類には、GETやPOSTなどがあります。 GETメソッドは、HTMLデータや画像データなどを取得する場合に使用します。 GETメソッドで要求すると、ヘッダ情報とHTMLデータが返却されます。 GETメソッドでCGIを呼び出すこともできます。 パラメータを渡す場合は、URLの後に ?name1=データ1 name2=データ2 という形式で指定します。 HEADメソッドは、ファイルサイズや更新日時を調べる場合に利用します。 HEADメソッドを利用すると、ヘッダ情報だけが返却されます。 POSTメソッドは、CGIなどにデータを渡す場合に使用します。 パラメータなどのデータは、環境変数などによって、CGIに渡ります。 以下に、HTTPのバージョンとメソッドの種類を示します。 メソッドの種類 HTTP/1.0 GET, HEAD, PUT, POST, DELETE, LINK, UNLINK HTTP/1.1 OPTIONS, TRACE, PATCH 以下に、レスポンスコードの一覧を示します。 100番台は通信エラー、200番台は正常終了、300番台はリダイレクト、400番台はクライアントエラー、500番台はサーバエラーを表しています。 リダイレクトとは、クライアントの指定したURLに移動した場合などに返却されます。 レスポンスコード コード 内容 コード 内容 100 Continue 101 Switching Protocols 200 OK 201 Created 202 Accepted 203 Non-Authoritative Information 204 No Content 205 Reset Content 206 Partial Content 300 Multiple Choices 301 Moved Permanently 302 Moved Temporarily 303 See Other 304 Not Modified 305 Use Proxy 400 Bad Request 401 Unauthorized 402 Payment Required 403 Forbidden 404 Not Found 405 Method Not Allowed 406 Not Acceptable 407 Proxy Authentication Required 408 Request Time-out 409 Conflict 410 Gone 411 Length Required 412 Precondition Failed 413 Request Entity Too Large 414 Request-URI Too Large 415 Unsupported Media Type 500 Internal Server Error 501 Not Implemented 502 Bad Gateway 503 Service Unavailable 504 Gateway Time-out 505 HTTP Version not supported レスポンスコードは、ログファイルなどに出力されますので、知っていると役に立つと思います。 telnetでブラウジング では、実際にtelnetでブラウジングしてみましょう。 telnetコマンドで、WWWサーバ名と、80番ポートを指定します。 Linux# telnet ash.jp 80 そこで、環境変数をすべて表示するCGI(env.cgi)を起動してみます。 まず、GETコマンドで、取得したいURLと、HTTPのバージョンを指定します。 GET /~joe/prog/cgi/env01.cgi HTTP/1.0 ここで、リターンのみを入力しても表示されますが、以下のオプションも入力してみます。 指定したオプションは、環境変数としてCGIに渡ります。 User-Agent Telnet [ja] (Linux) Host www.ash.jp リターンのみを入力すると、レスポンスと、HTMLが表示されます。 当然、HTMLのソースが表示されるだけですから、頭の中でHTMLを解析し画面イメージを想像する必要があります。 以下に実行結果を示します。 Linux# telnet ash.jp 80 Trying 210.154.87.18... Connected to ash.jp. Escape character is ^] . GET /~joe/prog/cgi/env01.cgi HTTP/1.0 User-Agent Telnet [ja] (Linux) Host ash.jp HTTP/1.1 200 OK DeleGate-Ver 5.8.8 (delay=7) Date Fri, 02 Jul 1999 09 56 24 GMT Server Apache/1.3.3 (Unix) Content-Type text/html Via 1.0 210.154.87.18 80 (DeleGate/5.8.8) Content-Length 954 html body h1 ＣＧＩでの環境変数一覧 /h1 hr h3 環境変数の表示 /h3 DOCUMENT_ROOT = /usr/local/share/apache/htm br GATEWAY_INTERFACE = CGI/1.1 br HTTP_FORWARDED = by http //210.154.87.18 80/ (DeleGate/5.8.8) for sv01.lo.ash.or .jp br HTTP_HOST = ash.jp br HTTP_USER_AGENT = Telnet [ja] (Linux) br HTTP_VIA = 1.0 210.154.87.18 80 (DeleGate/5.8.8) br PATH = /usr/local/sbin /usr/local/bin /sbin /usr/sbin /bin /usr/bin br QUERY_STRING = br REMOTE_ADDR = 10.0.1.254 br REMOTE_PORT = 12621 br REQUEST_METHOD = GET br REQUEST_URI = /~joe/prog/cgi/env01.cgi br SCRIPT_FILENAME = /home/joe/public_html/prog/cgi/env01.cgi br SCRIPT_NAME = /~joe/prog/cgi/env01.cgi br SERVER_ADMIN = info@ash.jp br SERVER_NAME = ash.jp br SERVER_PORT = 80 br SERVER_PROTOCOL = HTTP/1.0 br SERVER_SIGNATURE = ADDRESS Apache/1.3.3 Server at ash.jp Port 80 /ADDRESS br SERVER_SOFTWARE = Apache/1.3.3 (Unix) br hr br このＣＧＩのソース： a href=env01.txt env01.cgi /a br /body /html Connection closed by foreign host. 最初の、HTTP/1.1 200 OKは、HTTPプロトコルで、正常に転送したことを表します。 その後にヘッダ情報が転送され、最後にHTMLのソースが転送されます。 環境変数として、以下の値が追加設定されているのが確認できます。 HTTP_HOST = ash.jp HTTP_USER_AGENT = Telnet [ja] (Linux) このように、HTTPプロトコルは、要求（リクエスト）に対して、応答（レスポンス）が返却されるだけのシンプルなプロトコルです。 余談ですが、HTTPプロトコルという呼び方は、Hyper Text Transfer Protocol プロトコルになって、プロトコルが2重になってしまい、おかしいです。 でも、この方がわかりやすいので、私はよく使います。
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