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Market Scenario The global Identity And Access Management Market has been expected to increase at a CAGR of 13.50%, with a value of USD 35.71 billion during the estimated forecasting year of 2030. The demand for identity and access management market is gaining traction due to the ring of regulatory compliances and security concerns. It also matters more than the increasing cloud adoption is one of the most important factors responsible for the growth of the identity and access management market sectors around the world. However, the integration of advanced technologies like blockchain as well as artificial intelligence into the identity and access management market solutions has been expected to raise the growth of the entire market sector within the upcoming time. It allows the organizations to manage the lifecycle of the identities like employees, contractors and vendors. Cloud technology is changing the way of business and other essential work while it is driven by cost efficiency and the economics of sale. Furthermore, the lack of effective security can undermine the benefits of cloud computing. This marks the fundamental need for security solutions that include security for identity-related crimes, and thus it drives the market for identity and access management. Secure the networks, and the digital assets have become an important component of every business. Hackers do not only commit the data breaches, but the individuals also commit many within an organization who have access to sensitive parts of the networks or facilities. Among these types of cloud deployment used in the market, the public cloud accounted for the largest share due to its increased adoption across the verticals. Due to the spread of the epidemic, the organizations have adopted remote work culture and cloud technology to mitigate the impact on the business operations. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2635 Competitive Outlook The key participants identified by MRFR operating in the global identity access management market are– F5 Networks (U.S.), Amazon Web Services (U.S.), HP (U.S.), IBM (U.S.), Microsoft Inc. (U.S.), Oracle Corporation (U.S.), Siemens AG (Germany), Dell Inc. (U.S.), CA Technologies (U.S.), ForgeRock Inc. (U.S.) among others. Segmentation The global identity and access management market has been divided into solutions, deployment, organization size, end-user verticals and regional analysis. The solution section further divides the market into five parts identity cloud, identity governance, access management, directory services, and other solutions. The deployment section further divides the market into three parts on-premise, hybrid and cloud-based. As per the organization part, the entire market has been segmented into two categories large enterprises and small medium enterprises. The identity and access management market is further classified into eight sections BFSI, IT telecom, education, healthcare, retail, energy, manufacturing, and other end-user verticals with end-user verticals. As per the regional basis, the market is divided into five parts Asia-pacific, Europe, North America, South America, and Middle East Africa. Regional Analysis Over the last few times, several data breaches have been reported in the Northern American region. These breaches have affected several end-user segments ranging from IT and telecom, healthcare, to the energy sector. The data breach affected around 2.7 million people and 173,000 businesses. The leaked information includes names, addresses, birth dates, email addresses and information about the transaction habits. Besides this, the region's healthcare sector also can defend against the cyber threats that its employees seriously undermine. Industry News In Canada, the prevention of attacks on organizations, the IT budgets of the companies increased by 11% between 2014 and 2017. In the United States, the IT sector has spent on security solutions to reach USD 66 billion. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/identity-access-management-market-2635 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report***** Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
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Loading Message Loading中に出てくる1行ヒント的なメッセージ。結局表示時間が短くて、読めないことがほとんどなわけだが。表示されている種類はこんな感じらしい。 GENERAL Press I to open your inventory. Press K to access your skill tree. Some items grant you skills while equipped. Personal Relocation Devices allow you to visit a station and then return to the battlefield. Items marked with a ? require an Analyzer to identify their properties. Battle Sets are mapped to F1, F2, and F3 and can hold different weapons and skills. You can pick up items by hitting F . Items such as Health Injectors and Powerpacks are consumed when you use them. So, stock up. Armor reduces the amount of damage received by an attack. Shields completely negate damage unless they are penetrated, knocked down, or overloaded. The Nano Forge is used to increase the basic power and level of items. The Augmentrex 3000 is used to add random enhancements to items. The Delux De-Modificator is used to remove mods from weapons. The six types of Mods are Fuel, Batteries, Ammo, Rockets, Techs, and Relics. Mods can only be removed from weapons by using the Delux De-Modificator found in most Stations. Mods of all sorts can be used to make your weapons more specialized or versatile. You can place items in a Storage Depot locker found in most Stations. Some environments have rare locations that you can find. Make sure you explore everywhere. Right-click and hold when selecting an NPC or Item to activate a radial menu with several fast-action options. NAVIGATION Press TAB to open the Mini-map. Press TAB again to expand the map to the center of your display. Press M to view the World Map. A purple question mark (?) on the Mini-map shows the location of a storyline quest. A yellow exclamation point (!) on the Mini-map shows the location of a side mission. A green British pound symbol (￡) on the Mini-map shows the location of a vendor. A red cross (+) on the Mini-map shows the location of a medic or healer. A blue X on the Mini-map shows the location of an open portal, passage or Hellrift. A red X on the Mini-map shows the location of a closed portal, passage or Hellrift. To zoom in on the Mini-map, press the + symbol on the map. STAT FEED ADVICE Higher Strength will allow you to equip heavier armor. Higher Accuracy will allow you to equip more powerful guns. Higher Willpower will allow you to equip more powerful swords. Higher Willpower will allow you to equip more powerful weapon mods. Higher Willpower will allow you to equip more powerful focus items. Higher Stamina will allow you to equip better shields. Higher Willpower will allow you to equip some weapons and armor with more powerful attributes. Higher Stamina will allow you to equip some armor with more powerful attributes. SKILL POINTS STAT POINTS When you gain a level, you receive an additional skill point. You have skill points to spend. Press K to open your skill tree. When you gain a level, you earn 5 points to distribute amongst your attributes. You have attribute points to spend. Press I to open your inventory and attributes screen. SHIFT CONTROL KEYS When moving forward, pressing SHIFT will activate your Sprint skill. You can toggle whether a skill can be activated by SHIFT by checking it in your skill tree. The left side of the Action Bar shows which skill will be activated by SHIFT . The right side of the Action Bar shows which boost will be used by CONTROL . SECONDARY DAMAGE EFFECTS Phased monsters and characters deal half damage and take 50% more damage. When you re poisoned, you can t heal until the toxic effects are gone. "An ignited enemy loses 5% health per second." - Argus HIGH LEVEL CHARACTER ADVICE You should really know what you re doing by now. EVOKER ADVICE The Evoker s spell damage comes from his focus items and not the spells themselves. Almost all Evoker skills require a focus item. "Pick the proper skill for the moment." - Bogi "Two focus items means more damage." - Bogi "Higher damage focus items increase the damage of all Evoker spells." - Bogi Make sure that you use both long and short range spells. "Word of Fear is often your best protection." - Bogi "Use one Battle Set for damage and another for elemental attacks." - Bogi SUMMONER ADVICE "A Demon for every situation. . . choose carefully." - Ragthor Each Elemental that you control reduces your total available power. Meat Shield and Enrage are powerful commands for your Carnagor. "Receive every battle with an army." - Ragthor "When surrounded, use Word of Fear." - Ragthor "Select the perfect moment for the Reaper." - Ragthor "Use Blood Link to keep your minion alive." - Ragthor Pets can be dismissed by clicking on their portrait. BLADEMASTER ADVICE You can only have one Aura active at a time. "Do not lose heart in the heat of battle." - Adiss "Have a set of weapons ready for each opponent." - Adiss "Having more skills gives you more options." - Adiss "Call of the Chosen helps disperse crowds of enemies." - Adiss "Two swords are better than one." - Adiss "Sweeping Strike is very effective for packs of small enemies." - Adiss "Each enemy in your Holy Radius strengthens your Aura." - Adiss "Surges are gained by killing a monster with a surge skill." - Adiss "It is very powerful to have multiple surges." - Adiss GUARDIAN ADVICE "Have faith in your shield. It can stun almost any foe." - George You can only have one Aura active at a time. "If you live longer than your enemy, you win." - George "You can control a battle with patience and a strong shield." - George "Anchor, Challenge and Sword of Reckoning are a deadly combination." - George "Get surrounded - each enemy strengthens your Aura." - George "Spiritual Strength allows you to equip much more powerful armor." - George "Switch auras as you fight - each one has a different purpose." - George MARKSMAN ADVICE "Know when to stand and when to withdraw." - Argus The Tactical Stance, Rapid Fire, and Sniper skills require you to stop moving. Precision Strike and Grenade skills improve as your character gains levels. Use the Escape skill when you re surrounded or overwhelmed. Critical Hits can trigger skills - like Ricochet and Reflected Shot. "Create a Battle Set for close range and another for long range." - Argus "Keep upgrading your weapons." - Argus "Grenades work well with low rate of fire guns." - Argus ENGINEER ADVICE "Metal is cheap. Let them hit the Drone." - Johnny "You can control only two kinds of Bots at once." - Johnny Your Drone can be upgraded with a handgun, rifle, sword, and torso armor. "Drones feel no pain." - Johnny The Drone s armor and weapons are saved with your character. "Watch your Inhibitor Bots, and no one will sneak up on you." - Johnny "Nanobots are quite effective." - Johnny Bots cannot be targeted. SOCIAL Treat others with the respect you would expect from them. Joining groups increases the experience and rewards you earn! Joining a Guild is a great way to always have friends to adventure with. Using all caps when chatting is considered rude because YOU ARE YELLING! You only see the items you can pick up when in a group. If you can t use an item, you can usually sell it, trade it, or dismantle it for scrap. Make sure to put people you know or like playing with on your Buddy List! Press B to access your Buddy List. To add a friend to your Buddy List, just type the name of the character you want to include in the Buddy panel. Now you ll know when they are online! CHAT WINDOW To talk with other players in the game, simply press ` to activate the chat window. To speak privately with a specific player, open the chat window and type /w playername your message To speak to everyone in your immediate vicinity, open the chat window and type /town your message To speak with everyone in your adventuring party, open the chat window and type /p your message Your chat log will fade after a time, but you view it again by pressing the small arrow button located on the top left of your Health orb. MISCELLANEOUS Take everything in moderation, including Hellgate London! It s a good idea to stretch your hands and legs every 15 - 20 minutes. Remember to eat a healthy meal, drink plenty of water, and get enough sleep! If something is frustrating you, fire up some Hellgate London and have fun! Take the time to say something nice to someone today.
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Home » Admin and Setup » Installing the database Installing the Database This document attempts to provide information for both experienced and novice users alike. If the command line is your preference, we have command line examples for you to follow. There are also simple GUI approaches, as described in the pgAdmin section. And if all you want is a quick install for demo purposes, then check out our automated installers information. For additional information, you might also read Perry Clark s blog post "Installing PostBooks... the long way." Quick Overview This quick overview assumes you are not using one of the automated installers. Download and extract the xTuple ERP client application to a local directory Download and install PostgreSQL Initialize PostgreSQL for xTuple (This simply means adding the super user admin and the group xtrole .) Create a database using UTF-8 encoding Download and restore an xTuple database on your new database Automated Installers Automated installers are currently available for PostBooks on Windows and Mac. You can download the installers from the PostBooks project pages on SourceForge. The installers are perfect for users interested in demo-ing the product. When you run the installer, everything is handled for you Installs (and starts) PostrgreSQL Loads a demo PostBooks database Installs the PostBooks client Enterprise users should not rely on the installer for their production systems. Instead, install production databases manually as described in this document. The reason for this is that the installers make certain assumptions which may not be recommended for production environments. PostgreSQL Considerations Before you can start using xTuple ERP, you must first have PostgreSQL 8.1.x or later installed and properly configured. Also make sure to check the SupportedPostgresVersions page for the latest details on which PostgreSQL version will work best with your xTuple ERP version. For information related to easy database administration using the open source tool pgAdmin, please see the pgAdmin section below. And for additional information related to installing PostgreSQL, please visit www.postgresql.org where you will find in-depth documentation and other resources related to PostgreSQL. xTuple ERP uses encryption for credit card processing--and because of this, the PostgreSQL "pgcrypto" module is required to support encryption in xTuple ERP. You should be sure to include the pgcrypto module when installing PostgreSQL. If you do not, you will encounter errors. Detailed Instructions The following paragraphs detail the steps (long version) required to both initialize your PostgreSQL instance to support the xTuple Database and load the database schema. To skip these details, see the (short version) Command Line Examples section below. Or skip to the pgAdmin section below to learn about initializing and loading your database using pgAdmin, a free GUI database administration tool. Once you have the PostgreSQL server running, the next step is to establish the user admin and the group xtrole on your PostgreSQL instance. This is done by executing the init.sql script, which is available in the downloads area. The complete text of the init.sql file is as follows -- ** PLEASE NOTE, THE GROUP ROLE IS NOW xtrole , not openmfg -- This script creates the group xtrole and the user admin -- -- -- Create the xtrole group CREATE GROUP xtrole; -- -- Create the admin user with createdb and createuser -- permissions. Place the user in the xtrole group and -- set the password to the default of admin. -- CREATE USER admin WITH PASSWORD admin CREATEDB CREATEUSER IN GROUP xtrole; -- End of init.sql If you are initializing the database server instance from the command line, the init.sql script must be loaded by the postgres superuser. This is not required if you are using pgAdmin to initialize the database server. Please also note that since the default password the admin user is "admin," you ll want to change it immediately. You may create a different admin user with a different name if you choose to. However, do this with caution as all documentation examples refer to the default admin user. When you have finished executing the init.sql script, you should next create a new PostgreSQL database to contain the xTuple Database schema. Use UTF-8 encoding when creating the database. You can name the database anything you want. Shorter names that are easy to remember are preferred. Once the database has been created, you are ready to load the xTuple schema into it. There are several starter schema to choose from, including the following empty.backup - This is an empty database with no data, but all the tables and structures created. quickstart.backup - This database contains a basic Chart of Accounts and also the Account Assignments required to run the full range of transactions. demo.backup - This database (if available) contains a suite of sample data built on top of the quickstart database Like the init.sql script, the database schema can be loaded on the command line. Alternately, you may use GUI tools like pgAdmin III to execute the script and load the schema. For information on loading the databases using pgAdmin, please see the pgAdmin section below. The .backup format of the xTuple Database schemas is a compressed format used by the pg_restore binary. This format may be loaded seamlessly using pgAdmin. To load a .backup file using pgAdmin, connect to the database you created. Right-click on the database object and select the option Restore . On the resulting screen, use the ellipses to navigate to the location of the .backup file on your local machine. With the .backup file selected, simply click OK. To learn more about the psql utility or the pgAdmin application, please consult the PostgreSQL documentation. Command Line Examples The following examples demonstrate the steps needed to initialize, create, and load an xTuple Database. You may give the database you create any name which does not conflict with the rules for naming PostgreSQL databases. However, we recommend that you choose a simple name with all lowercase characters. For example, we have used a database named production in the following example. With a clean PostgreSQL instance installed, you can use the following commands to get started psql -U postgres -f init.sql template1 createdb -U admin production pg_restore -U admin -d production quickstart.backup -v The first command line example uses the psql utility to load the init.sql script. This script creates the user admin and the group xtrole . The first option ( -U postgres ) tells the system to connect as the postgres user. This user is typically the default PostgreSQL superuser. The next option ( -f init.sql ) tells psql to read the init.sql script and execute the commands. The last option ( template1 ) tells psql which database to connect to. You are not required to run the init.sql script against the template1 database. You may also run it against another database you create. Also In newer versions of PostgreSQL, the postgres database is the new default template. By default, the init.sql script will create the admin user with the password of "admin". You should be sure to change the password once you have your xTuple system installed and running. The second command line example uses createdb to create a new database. Notice that this command uses the same first two options as used in the psql command to specify the user to connect as. Note that now we are using the option -U admin to indicate we want to connect as the admin user created previously. The last option is the name of the new database we want to create (e.g., production ). The third command line example loads the schema for the xTuple quickstart Database. The .backup file format is a compressed format and is used by the pg_restore binary. The -d switch enables you to specify the database into which the restore will be performed (i.e., the production database in this example.) Next, we specify the name of the .backup file with the path to its location if necessary. Finally, we specify -v for verbose output. It is important to keep in mind that if you configured PostgreSQL to listen on a port other than the default port of 5432, you will need to specify this with -p XXXX where XXXX is the port number. If you want a .sql file instead of a .backup, you can easily do this using pg_restore, as follows pg_restore -f quickstart.sql quickstart.backup This example says use pg_restore to create a file called quickstart.sql from the file called quickstart.backup . This completes the command line examples section. Using pgAdmin To Get Started pgAdmin is a free, cross-platform GUI tool for administering PostgreSQL databases. In this section we assume you have PostgreSQL already installed on your system. The following screenshots and narrative describe how to get xTuple ERP running on your PostgreSQL server. We will describe how to accomplish two main objectives Configuring PostgreSQL for xTuple Loading the xTuple database(s) Configuring for xTuple Since you already have PostgreSQL installed, the first thing to do is initialize the server so xTuple databases will run successfully on it. While that last sentence may sound complicated, the reality is you only have to do the following things Link pgAdmin to your PostgreSQL server Create a group called "xtrole" Create a user "admin" Put the user "admin" in the group "xtrole" This section assumes you installed PostgreSQL on your local drive (a.k.a. "localhost" or "127.0.0.1"). Okay, so the first thing to do is to create a link between your pgAdmin application and your PostgreSQL database. If that link already exists, then you can skip this step. But if not, simply select the "File" menu option and then select the "Add Server" option. Add New Server When you are presented with the new server screen, enter the information as it s shown in the next screenshot. You have flexibility in some of the options you choose. However, the following must be used Host = localhost or 127.0.0.1 Port = 5432 Username = postgres Password = Password used for postgres user when you installed PostgreSQL Server Definition Once you have the connection between pgAdmin and PostgreSQL completed, the next step is to configure PostgreSQL so xTuple databases will run successfully on it. The first thing to do then is to create the "xtrole" group. By right-clicking on the Group Roles section, you can select the "New Group Role" option. Group Roles When creating the new group role for "xtrole", you only need to enter a minimal amount of information. Enter the same information as it s shown in the next screenshot. The Role name should be lower case. And the only Role Privilege you need is "Inherits rights from parent roles". That s it. No password required. And you don t have to add any information under the other tabs that are shown. Group Role for xtrole Now that you have the "xtrole" group role define, the next step is to create the "admin" user and place the user in the group "xtrole". The next screenshot shows how you can access the screen for creating a new login role. Login Roles The screen for creating a login role for "admin" looks similar to the screen we saw before for creating the "xtrole" group. However, this time we will need to add more information--and select more options. You have some flexibility over some of the options you choose, but the following should be the same as shown in the screenshot Role name = admin Role Privileges = Select all If you don t need the account to expire at a certain point, then just leave the expiration date blank. That will keep the account open indefinitely. Login Role for admin User Once the "admin" user s properties have been defined, select the Role membership tab. It s on this screen you make the user "admin" a member of the group "xtrole". The following screenshot shows the end result of this action. By using the double arrows " " you can move "admin" from not being a member in "openmfg" to being a member in "openmfg". Admin in Group xtrole And that s all you need to initialize PostgreSQL for xTuple. You can now load xTuple ERP databases onto the server and connect to them using your xTuple ERP client application. Creating New Database The last getting started step is to create a database and load (i.e., restore) an xTuple ERP backup file into it. The next screenshot shows how right-clicking on the "Databases" element enables you to access the "New Database" option. List of Databases You can name your database anything you want to. In our example we will be calling our new database "dbTest". When you are creating a new database with pgAdmin, be sure to use the following values, as shown in the screenshot Owner = admin Encoding = UTF8 Template = template1 You can leave everything else with the default values pgAdmin gives you. And there s no need to enter additional information under any of the other tabs. Create New Database The database we just created now appears in the list of databases, as you can see in the next screenshot. Our final step is now to load an xTuple database backup file into the database we created. For the purposes of this example, we will assume you have already downloaded the database backup file from either the PostBooks site on SourceForge--or from the xTuple website (Standard and Manufacturing Editions only). Restoring from Backup File As the next screenshot shows, we can reach the "Restore" option by right-clicking on the new database we just created. The "Restore" option is the one we need to load the xTuple .backup file. Restore Backup File The Restore screen looks just like the next screenshot. All you have to do here is Browse your computer for the xTuple .backup file you downloaded Select it the .backup file so the path to it appears in the "Filename" field You should leave the other options not-selected--except for the last one, which will give you more verbose messaging during the load process (this can be helpful). And then simply select the OK button to begin the restore process. Begin Restore BeginRestore.png Don t worry if the restore takes several minutes to complete. This is normal. At the end of the process you will see log messages which look like those shown in the following screenshot. Depending on the circumstances of your PostgreSQL installation (e.g., whether previous databases have been installed there, etc.), the messages pgAdmin reports may vary. The ideal scenario on a fresh PostgreSQL install is for 0 errors to be reported and an exit code = 0. However, as the next screenshot shows, pgAdmin may report a number of errors and a non-zero exit code. If this is the result you get, don t be alarmed. Simply review the list of errors by using the scroll bar in the "Restore Database" screen. Scroll to the top and review the list of errors which were reported. Most if not all of the errors you get can safely be ignored. Here are some examples of error messages which can safely be ignored. The first error reports that the PostgreSQL procedural language plpgsql is already installed--and so it does not need to be restored pg_restore creating PROCEDURAL LANGUAGE plpgsql pg_restore [archiver (db)] Error while PROCESSING TOC pg_restore [archiver (db)] Error from TOC entry 2121; 2612 48797691 PROCEDURAL LANGUAGE plpgsql pg_restore [archiver (db)] could not execute query ERROR language "plpgsql" already exists Command was CREATE PROCEDURAL LANGUAGE plpgsql; Likewise, you may see other messages such as the following two, which both indicate functionality already exists and does not need to be restored from the .backup file Example 1 pg_restore [archiver (db)] Error from TOC entry 18; 1255 7469922 FUNCTION armor(bytea) admin pg_restore [archiver (db)] could not execute query ERROR function "armor" already exists with same argument types Command was CREATE FUNCTION armor(bytea) RETURNS text AS $libdir/pgcrypto , pg_armor LANGUAGE c IMMUTABLE STRICT; Example 2 pg_restore [archiver (db)] Error from TOC entry 20; 1255 7470043 FUNCTION crypt(text, text) admin pg_restore [archiver (db)] could not execute query ERROR function "crypt" already exists with same argument types Command was CREATE FUNCTION crypt(text, text) RETURNS text AS $libdir/pgcrypto , pg_crypt LANGUAGE c IMMUTABLE STRICT; In short, you should review any error messages you get when restoring an xTuple database backup file. However, in many cases the errors that are being reported can safely be ignored. Use your common sense when reviewing error messages. If you come across an error message which concerns you, search the xTuple forums to see if others have been concerned about the same thing. Quite often others in the community will have seen the same errors you are concerned about. Once the restore is completed, select the OK button. Restore Complete To see that the restore operation loaded the xTuple database successfully, simply refresh your pgAdmin view. Then expand the new database element to see the xTuple schema (i.e., tables, functions, etc.) listed under the Schema element. The following screenshot shows the "api" and "public" schema found in every xTuple database. Database Schema Loaded Successfully So that s all you have to do. Now simply locate your xTuple client application and open it up. Then use the following login options Server = localhost or 127.0.0.1 Database = dbTest (or whatever you named yours) Port = 5432 Username = admin Password = admin You can use the same steps described above to add more databases to your PostgreSQL server. However, if you are running a production database, we recommend that you run only the production database on the server--and don t load other databases onto the same PostgreSQL instance.
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class="header-black" /div /div /header nav div class="nav-container" div class="nav-main" span class="nav-span" a href="/" class="nav-a" Home /a /span span class="nav-span-next" /span span class="nav-span" a href="/original/" class="nav-a" 本家譜面 /a /span span class="nav-span-next" /span span class="nav-span" 検索結果 /span /div /div /nav div class="search-container search-container-original" div class="search-main-container" div class="search-title-container" i class="fas fa-poll" /i h2 class="search-title-h2" 検索結果 /h2 /div div class="search-description-container" p class="search-description-p" 検索結果：2件 /p p class="search-description-p" span 検索条件：【ジャンル】 /span ボーカロイド,バラエティ,クラシック,アニメ,J-POP span 【レベル】 /span ★6 span 【頭文字】 /span span 指定なし /span /p p class="search-description-p" ソート順： 公開日が新しい順 /p /div /div /div div class="ad-container" script async src="//pagead2.googlesyndication.com/pagead/js/adsbygoogle.js" /script !-- 広告_Responsive_bg_white -- ins class="adsbygoogle" style="display block" data-ad-client="ca-pub-8155037410327671" data-ad-slot="6023331188" data-ad-format="rectangle" data-full-width-responsive="false" /ins script (adsbygoogle = window.adsbygoogle || []).push({}); /script /div div class="original-list-container" div class="original-list-main" div class="original-list-child" h2 class="topic-h2 original-topic-h2" 検索結果一覧（1 / 1ページ） /h2 ul class="original-list-ul" li class="original-list-li" a href="/original/natsumatsuri/" class="original-list-contents-main-a" div class="original-list-contents-sub" div class="created-label-container" p class="common-label label-j-pop" J-POP /p /div /div div class="original-list-contents-main" h3 class="original-music-title-h3" [[夏祭り]] /h3 p class="original-music-description-p" Whiteberry /p /div div class="original-list-contents-sub" div class="common-description-level-container" div class="common-description-level-sub-container common-description-level-sub-omote" img src="/wp-content/uploads/oni.png" class="cource-symbol-img" p class="common-description-level-p" ★6 / 488combo /p /div /div /div /a /li li class="original-list-li" a href="/original/yawarakasensya/" class="original-list-contents-main-a" div class="original-list-contents-sub" div class="created-label-container" p class="common-label label-variety" バラエティ /p /div /div div class="original-list-contents-main" h3 class="original-music-title-h3" やわらか戦車 /h3 p class="original-music-description-p" 「やわらか戦車」より /p /div div class="original-list-contents-sub" div class="common-description-level-container" div class="common-description-level-sub-container common-description-level-sub-omote" img src="/wp-content/uploads/oni.png" class="cource-symbol-img" p class="common-description-level-p" ★6 / 488combo /p /div /div div class="common-description-level-container" div class="common-description-level-sub-container common-description-level-sub-ura" img src="/wp-content/uploads/oni-ura.png" class="cource-symbol-img" p class="common-description-level-p" ★9 / 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その他の建築物 そいえば、でかい塔って言ったら、立川の昭和記念公園から 見えた、戦時中の煙突もけっこうでかかったよね。 まさか、戦時中のものが、公園の横に残ってたとは思わなかった からなんだろって思ってた。 去年解体されたらしいけど。 つべにドローンの空撮がある。 (Part35, 973) https //youtu.be/ByG8-oBR7o8 豊田市のでっかいコンクリートの塔っていったら アローズブリッジの主塔だろうか (Part35, 972) http //ducatimhr900.blog.so-net.ne.jp/2009-12-24-1 これ。 人に比べて巨大で強烈に明るい。 たまに同じようなのが赤黒い光を放ちつつ深夜の空を飛んでいることがある (Part35, 840) http //www.akaricenter.com/toukouki/img/sindaiwa-01big.jpg エレベーターは垂直のみで、カーブの部分は短いのを２本ずらしてあるらしい (Part35, 828) http //25.media.tumblr.com/1b8dfa90ee272424e399ef4361e45442/tumblr_mwvwp3VfmS1rdgexeo2_1280.jpg こんなもん造るのはやっぱりドバイ (Part35, 819) http //www.luxuryestate.com/blog/wp-content/uploads/2014/05/crescent-moon-tower-dubai1-726x408.jpg 本当に建設中らしい (Part35, 817) http //i.milliyet.com.tr/GaleriHaber/2015/01/09/fft20_mf5173827.Jpeg (Part35, 812) http //blogs.c.yimg.jp/res/blog-8d-8a/aki_setura2003/folder/1027739/98/30291998/img_0 中国 (Part35, 670) http //i2.wp.com/hackapell.com/wp-content/uploads/2014/04/staircases7.jpg http //img2.ph.126.net/mN8sVttL1Rt9HFxroZxvVA==/633881647569400442.jpg 奥に見える白い円形の建物が大きくて怖い (Part35, 659) http //kzho.net/jlab-giga/s/1413714074152.jpg 写真で巨大さを伝えるべく比較して撮ってみた (Part35, 645) 焦点距離17mm（広角） http //i.imgur.com/Ii0umRs.jpg 焦点距離50mm（人間の目と同じ） http //i.imgur.com/BWcCduS.jpg 焦点距離105mm（望遠） http //i.imgur.com/9uIKFkc.jpg うーん、もっと望遠のレンズを持っていれば違いが出たかな。 画面に大きさの比較対象になる人物とか写っていたほうが大きさがつかみやすいな。 今回は視点の高さも影響しちゃったかも。 本当は横位置で撮りたかったけど、後ろに壁があって望遠側が入りきらなかった。 http //i.imgur.com/F75mR8x.jpg 志免炭鉱竪坑櫓 (Part35, 634) http //i.imgur.com/FvdzUrk.jpg http //i.imgur.com/baiCX3I.jpg http //i.imgur.com/iXN606d.jpg (Part35, 601) http //www.rupan.net/uploader/download/1411983992.jpg 正直、ばか巨大というわけではないが俺は好きだ (Part35, 576) http //allxa.web.fc2.com/a-map/_src/sc2501/bungomori01.jpg 豊後森機関庫 http //allxa.web.fc2.com/a-map/jp_oita/bungomori/bungomori01.html 山手線乗ると現れる (Part35, 500) http //livedoor.blogimg.jp/kenyos/imgs/0/0/00001e37.JPG http //www.lococom.jp/talist/21330310299/2232573/ もっと大きい画像があったんだけど (Part35, 404) http //livedoor.blogimg.jp/laba_q/imgs/9/0/90e263ae.jpg 空から見ると大きすぎて怖いメキシコの街 (Part35, 401) http //livedoor.blogimg.jp/nwknews/imgs/6/7/6792bb63-s.jpg (Part35, 379) http //goldnews.jp/archives/020/201405/5367802ade3b3.jpg アンテナで思い出したが、小田急線の登戸には、かつて、秘密兵器 を開発してた陸軍登戸研究所っていう巨大な研究所が存在した。 今は大学になってるが (Part35, 356) http //stat.ameba.jp/user_images/20131102/20/henroisimanjyu/ca/8a/j/o0800080012736433192.jpg そこで、開発されてたひとつが、この巨大な『怪力光線（く号）』発生器。 http //homepage3.nifty.com/time-trek/img/0-hv22.jpg マイクロウェーブ電波で上空のＢー29爆撃機の乗組員に指向性アンテ ナで照射、人間を焼き殺す殺人光線である怪力線が研究されていたが 発電所１基分の膨大な電力が必要で実現しなかった アメリカ本土を狙った風船爆弾や、偽札を作って相手国をインフレにしちゃう 研究とか、ライター形カメラや針を飛ばして人を殺せる万年筆、鯖の缶詰の 爆弾、細菌兵器なんかもリアルに研究していた。 近くにある十重の塔の先は、すでにぽっきり折れている (Part35, 214) http //www.hisayuki.org/wp-content/uploads/2012/10/121007_092314.jpg 巨大な焚き火 (Part35, 121) http //twistedsifter.files.wordpress.com/2013/01/worlds-biggest-bonfire-alesund-norway-sankthans-slinningsbalet-midsummer-6.jpg http //twistedsifter.files.wordpress.com/2013/01/worlds-biggest-bonfire-alesund-norway-sankthans-slinningsbalet-midsummer-4.jpg 燃やす前 http //twistedsifter.files.wordpress.com/2013/01/worlds-biggest-bonfire-alesund-norway-sankthans-slinningsbalet-midsummer-2.jpg ヘーベルハウスの新CMちびったわ (Part35, 115) http //i.imgur.com/7uPLwx9.jpg http //i.imgur.com/7uIL9rr.jpg http //i.imgur.com/ktnJxt4.jpg その馬の頭何なんだ (Part35, 83) http //himg2.huanqiu.com/attachment2010/2013/1212/20131212035637512.jpg 怒ってる (Part34, 988) http //sociorocketnews.files.wordpress.com/2013/12/how_things_are_done_in_russia_640_25_580px.jpg これか 他にもいろいろあるな (Part34, 982) http //gigazine.net/news/20120627-amazing-infrastructure/ 怖いってわけじゃないんだけど巨大 (Part34, 981) http //i.gzn.jp/img/2012/06/27/amazing-infrastructure/09.jpg スコットランドにある回転式船舶昇降機 (Part34, 918) http //i.imgur.com/MvrSmfx.gif 建物としてはもっと大きいモノもあるけど均一な壁ってのがスケール感じさせるかな (Part34, 872) http //home.osakagas.co.jp/tsushin/1205294_8566.html もうわけわかんないスケールだけど実際見たらどんな感じなんだろう (Part34, 863) 工期を9割短縮、世界最大のタンク壁 http //kenplatz.nikkeibp.co.jp/article/const/news/20131007/634970/ 犬とか (Part34, 821) http //www.cnn.co.jp/storage/2013/10/14/65c1b52ffad73f57f8b162b59b0b7de1/04foldable-car-hiriko-horizontal-gallery.jpg (Part34, 774) http //www.topworks-body-blog.com/wp-content/uploads/2013/06/caption.jpg http //image.space.rakuten.co.jp/lg01/81/0000002781/66/imgf10c8179zikfzj.jpeg http //www.1242.com/information/routehunter/mc120116-5.jpg ４号機に建設された、使用済燃料プールから燃料を取り出すための鉄骨建方＝２８日午後、福島県大熊町(松本健吾撮影) (Part34, 689) http //sankei.jp.msn.com/images/news/130629/dst13062900480001-p1.jpg オランダ人がノアの方舟フルサイズで再現したったｗｗｗｗｗｗ (Part34, 618) http //hamusoku.com/archives/7626136.html http //livedoor.blogimg.jp/hamusoku/imgs/7/d/7d2b10dd.jpg http //livedoor.blogimg.jp/hamusoku/imgs/8/b/8b2a90d1.jpg ただただ怖い (Part34, 617) http //i.imgur.com/FPO3S59.jpg バーニングマンの画像が幻想的で色々面白い (Part34, 616) http //gigazine.net/news/20130517-art-and-culture-of-burning-man/ http //gigazine.jp/img/2013/05/17/art-and-culture-of-burning-man/38.jpg http //gigazine.jp/img/2013/05/17/art-and-culture-of-burning-man/19.jpg http //greenz.jp/2012/10/18/burning_man1/ 未完成なところがまた (Part34, 539) http //i.imgur.com/cDGN72M.jpg 別の意味でも怖い (Part34, 530) http //www.hvn4u.com/wp-content/uploads/2013/03/130323a61.jpg 廃墟怖い (Part34, 493) http //i.imgur.com/UTSSXln.jpg http //i.imgur.com/tCiIepo.jpg これはやばい (Part34, 360) http //livedoor.blogimg.jp/chinaexplosion/imgs/3/b/3bdfc925.jpg Coral Castle (Part34, 356) http //miamibeachadvisor.com/wp-content/uploads/miami-14-paparutzi399-ll.jpg http //1.bp.blogspot.com/-QJRdVSgahs4/T86Cr_IfnDI/AAAAAAAAEIE/_YBDL2PRDt0/s1600/2012-06-05+11.59.23.jpg http //2.bp.blogspot.com/_Eqf9ZXMsEHE/TAUlOO9eFEI/AAAAAAAAAJs/G_AGh8tbiJg/s1600/img021.jpg か細いこの男が誰の手も借りずひとりで作ったというコーラル城。 引っ立てられる最中 (Part34, 353) http //sankei.jp.msn.com/images/news/121112/wir12111215400002-p1.jpg GIGAZINE：ロシア西部の森林にある謎の巨大球体に放射能の影？ (Part34, 253) http //gigazine.net/news/20070918_russia_ball/ モハーヴェ空港 (Part34, 185) http //ja.wikipedia.org/wiki/%E3%83%A2%E3%83%8F%E3%83%BC%E3%83%B4%E3%82%A7%E7%A9%BA%E6%B8%AF ＵＦＯみたい (Part33, 821) http //art55.photozou.jp/pub14/541/2554541/photo/132711276_org.v1335804811.jpg 遺伝子か? (Part33, 712) http //www.lbnelert.com/wp-content/themes/default/images/lbnelert/071102_stair.jpg ドイツの風洞実験施設 (Part33, 520) http //upload.wikimedia.org/wikipedia/commons/1/11/Bundesarchiv_Bild_102-17158%2C_Deutsche_Versuchsanstalt_f%C3%BCr_Luftfahrt.jpg 遊園地即廃墟 (Part33, 516) http //s1.reutersmedia.net/resources/r/?m=02 d=20111212 t=2 i=545886525 w=450 fh= fw= ll= pl= r=2011-12-12T175511Z_02_GM1E7CC0Z3401_RTRRPP_0_CHINA http //jp.reuters.com/news/pictures/rpSlideshows?articleId=JPRTR2V5YT#a=10 万博記念公園の夢の池に、こんな感じの塔？があるけど‥‥ちとイメージが違うかな (Part33, 495) http //blogimg.goo.ne.jp/user_image/30/19/7df5af2b81a3845f9f372f3b6aa56385.jpg http //pds.exblog.jp/pds/1/201103/20/37/d0065737_21295916.jpg すげえｗ (Part33, 493) http //blog-imgs-43.fc2.com/y/u/k/yukkuri0616/no-photoshop0030.jpg バルセロナ - 煙突群 (Part33, 485) http //static.panoramio.com/photos/original/14881466.jpg http //static.panoramio.com/photos/original/3925821.jpg http //static.panoramio.com/photos/original/299893.jpg wikipedia「煙突」にまずい写真がいっぱいで心臓がスースーする (Part33, 439) http //upload.wikimedia.org/wikipedia/commons/c/c0/GRES-2.jpg http //upload.wikimedia.org/wikipedia/commons/5/58/Inco_Superstack.JPG http //upload.wikimedia.org/wikipedia/commons/6/6f/HCGeneratingTowers.JPG http //upload.wikimedia.org/wikipedia/commons/c/c8/Endesa-Termic.jpg http //upload.wikimedia.org/wikipedia/commons/0/09/Phoenix_copper_smelter.jpg http //upload.wikimedia.org/wikipedia/commons/6/6a/T%C3%A9rmica_Andorra.jpg http //upload.wikimedia.org/wikipedia/commons/a/af/Plomin2.JPG http //upload.wikimedia.org/wikipedia/commons/6/62/Kamin_westerholt.JPG http //upload.wikimedia.org/wikipedia/commons/b/bd/Kraftwerk_Buschhaus_Luftbild_%282007%29.JPG http //upload.wikimedia.org/wikipedia/commons/7/78/Elektrownia_Rybnik.jpg http //upload.wikimedia.org/wikipedia/commons/4/41/ELJAW3.jpg http //upload.wikimedia.org/wikipedia/commons/2/2e/20051029_Belchatow_power_station.jpg http //upload.wikimedia.org/wikipedia/commons/5/56/POL_EC_Kozienice.jpg http //upload.wikimedia.org/wikipedia/commons/c/c2/POL_Warsaw_EC_Kaw%C4%99czyn.jpg 謎の巨大人工物 (Part33, 419) http //www.gizmodo.jp/2011/11/post_9611.html 光が丘の煙突 池袋の煙突はさらにヤバい… (Part33, 410) http //pds.exblog.jp/pds/1/201108/01/19/e0167419_0401223.jpg http //blog-cdn.oricon.co.jp/_images/ishigurokoichi/image/2010-05-15T18 58 29-1.JPG http //dokin-grenoble.blog.so-net.ne.jp/blog/_images/blog/_424/dokin-grenoble/10865760.jpg http //dokin-grenoble.blog.so-net.ne.jp/blog/_images/blog/_424/dokin-grenoble/10865763.jpg http //cdn-ak.f.st-hatena.com/images/fotolife/i/imakitasangyo/20081206/20081206104317.jpg なんとなくググったらいい写真が載ってるページ見つけた http //tkytrvls.exblog.jp/i3/ こんなのに落ちたら死ぬ (Part33, 324) http //img.blogs.yahoo.co.jp/ybi/1/90/58/s_takayuki6188/folder/1807551/img_1807551_64290348_13?1307574089 http //vivio.jpn.org/bolog/assets_c/2011/05/101_0811-thumb-320x240-20092.jpg http //syowavoxx.web.fc2.com/tochigi/nikko-shi/ashio-dozan-kyusenkojo/kyu-senkoujo_01.jpg ドリームハウススレより (Part33, 296) http //designworks.up.seesaa.net/image/domehouse.jpg http //hg-hts1.cocolog-nifty.com/photos/uncategorized/2008/11/10/n081110_2.jpg http //gigazine.jp/img/2006/07/11/tree_house/entrance1.jpg http //gigazine.jp/img/2006/07/11/tree_house/travelling1.jpg http //gigazine.jp/img/2006/07/11/tree_house/below4.jpg http //gigazine.jp/img/2006/07/11/tree_house/stairs1.jpg http //gigazine.jp/img/2006/07/11/tree_house/entrance2.jpg 手の感じがなんだか不気味なラブレター (Part33, 286) http //www.suigen.jp/image/vp/tourplans/276172089376b.jpg なんか、ぞわっときた (Part33, 284) http //livedoor.3.blogimg.jp/himasoku123/imgs/3/9/39ec3ea3.jpg 鉄管 (Part33, 214) http //island.geocities.jp/mayob_e_parade/ep370010.jpg ジャンクション (Part33, 200) http //times.johanesville.net/galerie/999/intersec.jpg http //xxxearthxxx.up.seesaa.net/image/suita-jct2B1.5k.jpg http //xxxearthxxx.up.seesaa.net/image/houston-jct-610-102B500.jpg ロシア連邦ノリリスク市 (Part33, 7) http //static.panoramio.com/photos/original/814373.jpg http //www.ljplus.ru/img/l/y/lyks/norilsk2.JPG 巨大な水圧鉄管に入る (Part32, 956) http //www.geocities.jp/shyu0530/tikasuiro.html 話題の巨大とっくりは貯水タンクで高さ43メートルだそうだ (Part32, 955) http //blog.47club.jp/wp-content/uploads/2010/04/shizuoka-5-kyodai1-246x366.jpg これもとっくりのように見える http //urbanlike.up.seesaa.net/image/P1080556.JPG みんなの地元にもあるかもしれない卵形消化タンク (Part32, 950) http //www.kajima.co.jp/gallery/civil_kajima/kurasi/image/01-photo1.jpg 巨大とっくり (Part32, 943) http //blogimg.goo.ne.jp/user_image/78/2f/789d6256ae8fa222eddc7808f85b20b3.jpg http //blogimg.goo.ne.jp/user_image/7d/a8/d89674f3ad5e7e45a1177f32b0a8ac64.jpg ガウディ Casa Mila (Part32, 938) http //www.arizonafoothillsmagazine.com/valleygirlblog/wp-content/uploads/casa-mila-roof.jpg いやな天井 (Part32, 928) http //shunjudo.cocolog-nifty.com/photos/uncategorized/2008/12/22/photo_5.jpg さすがドイツ人変態だ 何でこんな形にしたし (Part32, 912) http //labaq.com/archives/51665475.html nagatsuka_hrv ちなみにリトアニアの首都ビリニュスには2万人規模のナショナルスタジアム建築が進められていたものの、建設業者がトンズラしたらしく、建築途中のまま2～3年ほったらかしになっています。写真→ 2011年05月14日 05 43 57 (Part32, 876) http //p.twipple.jp/wQyue チケット即完売！ 名古屋“世界最大のプラネタリウム”に潜入 - 東海ウォーカー (Part32, 861) http //www.news-gate.jp/2011/0501/10/20110429212038_00_400.jpg カラパイア オーストリアの湖上で開催される「ブレゲンツ・フェスティバル」の巨大な舞台装置が凄い (Part32, 853) http //lb.to/dLD3Lm これでかかったら怖いだろうね (Part32, 808) http //cdn.dornob.com/wp-content/uploads/2010/10/barn-house-design.jpg 最も深い階段 実物見たらすげえ怖いだろうなぁ (Part32, 766) http //www.moolf.com/images/stories/Interesting/Deepest-Step-Well/Deepest-Step-Well-13.jpg http //4.bp.blogspot.com/_kxPG6y8Qctk/S5knrxg1MuI/AAAAAAAAYNo/Qe_7HZZyW4I/s800/Deepest+Well+Jaipur+(15).jpg http //3.bp.blogspot.com/_hh9OjQWyAdc/Sb05K2folwI/AAAAAAAABLE/QnKVH40KM5A/s400/Deepest-Step-Well-4.jpg メキシコも巨大フォビアと集合体フォビアにきついのが結構あるよなw (Part32, 748) http //gigazine.jp/img/2007/02/22/mexico/CasitasGeo.jpg http //gigazine.jp/img/2007/02/22/mexico/Neza.jpg (Part32, 747) http //livedoor.2.blogimg.jp/kinisoku/imgs/3/6/36a8c781.jpg レドーム群こえええええええ (Part32, 499) http //commondatastorage.googleapis.com/static.panoramio.com/photos/original/7729165.jpg この煙突のうちの一本です (Part32, 432) http //www.maritimequest.com/liners/titanic/photos/fitting_out/21_titanic.jpg 高いところからイヤーン http //www.bytenet.net/rmscaronia/images/Top_of_funnel_number_4.jpg これは煙突上部を再現したレプリカだそうですが 海底から引き上げられたような怖い演出が施されています http //media3.washingtonpost.com/wp-srv/photo/gallery/101103/GAL-10Nov03-6303/media/PHO-10Nov03-265582.jpg 中国天津市のランドスケープ「天津の眼」は運河を跨ぎ (Part32, 422) http //pic.enorth.com.cn/0/05/89/54/5895424_690126.jpg 道路の真ん中を貫いて乗り場を設置 近代的でユニークなんですが http //images.beijing2008.cn/20080612/Img214400425.jpg 工事中の寂寥感が… http //news.xinhuanet.com/photo/2007-12/17/xinsrc_52212041714199061291713.jpg http //news.xinhuanet.com/photo/2007-12/17/xinsrc_54212041714190002964116.jpg 写真が巨大 (Part32, 412) http //upload.wikimedia.org/wikipedia/commons/a/ab/Villejuif_-_Chateaux_d%27eau.jpg 霧の中で怖すぎ http //farm3.static.flickr.com/2195/2225242945_ebee7dea9b.jpg ちょっと平和 http //www.thbz.org/images/banlieue/villejuif/reservoirs-villejuif.jpg ローラーコースター (Part32, 332) http //www.gizmag.com/ferrari-world-abu-dhabi-boasts-worlds-fastest-roller-coaster/15794/picture/118100/ 乾ドック (Part32, 310) http //1.bp.blogspot.com/_gwAButW42xk/SYxl0phguNI/AAAAAAAAAIw/VMvCXVePTkY/s1600/dry%2Bdock%2B3.jpg http //4.bp.blogspot.com/_gwAButW42xk/SYxlvsevSSI/AAAAAAAAAIo/GHeEQ18sHPM/s1600/dry%2Bdock%2B2.jpg http //1.bp.blogspot.com/_gwAButW42xk/SYxlqYbdSSI/AAAAAAAAAIg/pojP98wxoT8/s1600/dry%2Bdock%2B1.jpg イヤな雰囲気が醸し出されている (Part32, 305) http //farm1.static.flickr.com/40/77118339_cf584f71e8.jpg らばQ 今もイギリスの海上に浮かぶ対空要塞…第二次世界大戦の遺物 (Part32, 267) http //labaq.com/archives/51162733.html http //livedoor.2.blogimg.jp/laba_q/imgs/6/d/6d40d4d9.jpg http //livedoor.2.blogimg.jp/laba_q/imgs/0/a/0a7219c0.jpg 監獄？ (Part32, 98) http //fuji76.sakura.ne.jp/koku_plus/bbsdata/581-0.jpg 造船所 (Part31, 904) http //xpda.com/junkmail/junk163/001111-N-0000D-001.jpg 探しちゃったよｳﾜｧｧｧﾝ｡･ﾟ･(ﾉД`)･ﾟ･ (Part31, 483) http //www.designboom.com/tools/WPro/images/11s/hw2.jpg http //kozmofol.files.wordpress.com/2009/06/img_sitooterie_3.jpg http //farm1.static.flickr.com/147/413830599_7106d31561_o.jpg おお、なるほど。縦にして使うのね (Part31, 463) http //www.chuokai-miyagi.or.jp/~sekiyu/image/s_kids_d_01.jpg 石油タンクでかいな (Part31, 243) http //portal.nifty.com/2010/04/14/a/img/RIMG5499.jpg http //portal.nifty.com/2010/04/14/a/img/RIMG5591.jpg http //portal.nifty.com/2010/04/14/a/ 北の天使 (Part31, 113) http //farm1.static.flickr.com/26/100167168_bf6a959f38.jpg http //www.mark-fuller.co.uk/AngelOfTheNorth-Venus1.jpg これでも見て落ち着いてください (Part30, 942) http //blog.livedoor.jp/ftmember/archives/50915798.html そんなあなたにこれはどうですか？ (Part30, 934) http //blog-imgs-31-origin.fc2.com/c/h/i/chiquita/100131a65.jpg テトラポッドってこんなにでかかったっけ？ (Part30, 680) http //blog-imgs-32-origin.fc2.com/n/e/w/news2plus/20090920_218_1.jpg フォルクスワーゲン本社の駐車場 (Part30, 638) http //blog-imgs-21-origin.fc2.com/l/l/l/lllparopuntelll/polo-parking-germany.jpg 採石場に放置された大きくて廃な・・・何か (Part30, 630) http //www.geocities.co.jp/SilkRoad-Oasis/5323/haikyoten/070121ryujin.jpg 岩？？？怖っ (Part30, 513) http //pds.exblog.jp/pds/1/200906/09/86/f0137286_2262388.jpg 世界最大級、フェラーリのテーマパークの建物がついに完成 (Part30, 509) http //labaq.com/archives/51289776.html アメーバっぽい オクラホマでクライミング用に転用されたサイロ (Part30, 472) http //farm4.static.flickr.com/3055/2895014529_45f4cfc0e9.jpg 妙なふくらみのあるサイロ。 クライミングの練習をしているのか、貼りついている人が見える (Part30, 470) http //www.inhabitat.com/wp-content/uploads/climbingsilo-17.jpg この画像が既出でなく、かつ誰かのガクブルを刺激するものであることを祈る (Part30, 513) http //blog-imgs-29-origin.fc2.com/c/r/a/cranephile/05062809.jpg 一羽でチュン 二羽でチュチュン (Part30, 169) http //image.blog.livedoor.jp/laba_q/imgs/a/e/ae68fd68.jpg (Part30, 166) http //image.blog.livedoor.jp/mawaru123/imgs/2/9/2998d23c.JPG (Part30, 165) http //www.indymedia.ie/attachments/sep2008/tower_2.jpg (Part30, 164) http //www.vagabondjourney.com/travelogue/uploaded_images/old-factory-communism-albania-750305.JPG (Part30, 161) http //www.virtualtripping.com/wp-content/uploads/2008/08/skulls.jpg (Part30, 160) http //maruta.be/user/data/sungo/x4BaNm2v.jpeg (Part30, 159) http //lioninoil.net/blog/wp-content/uploads/2009/02/yao_cctv_1024.jpg (Part30, 151) http //z.about.com/d/archaeology/1/0/m/A/gondar.jpg モアイ (Part30, 154) http //z.about.com/d/architecture/1/0/F/l/EasterIsland02.jpg 水汲み場って言うか井戸だった。 一応生活用水らしいよ (Part30, 103) http //labaq.com/archives/51082946.html http //karapaia.livedoor.biz/archives/51488771.html なんか、目がチカチカする (Part30, 98) http //www.wackyarchives.com/wp-content/uploads/2008/08/001_kolodec.jpg http //www.wackyarchives.com/wp-content/uploads/2008/08/002_kolodec.jpg http //www.wackyarchives.com/wp-content/uploads/2008/08/021_kolodec.jpg http //www.wackyarchives.com/wp-content/uploads/2008/08/025_kolodec.jpg ウランバートルから５４キロの距離にあるチンギスハーンの像でまだ未完成？ (Part30, 67) http //4travel.jp/traveler/map/album/10138689/ 廃墟 (Part30, 60) http //4.bp.blogspot.com/_Fzq94YVbHHM/SpQF4HEFQ8I/AAAAAAAAg6s/4k082vfqe44/s400/abandoned_industrial_sites_hdr_01.jpg http //3.bp.blogspot.com/_Fzq94YVbHHM/SpQFuoEWmBI/AAAAAAAAg6U/jFy_NKdD_dA/s400/abandoned_industrial_sites_hdr_04.jpg http //3.bp.blogspot.com/_Fzq94YVbHHM/SpQFonvSfcI/AAAAAAAAg6M/535o8JRFusA/s400/abandoned_industrial_sites_hdr_05.jpg http //2.bp.blogspot.com/_Fzq94YVbHHM/SpQEdBzbndI/AAAAAAAAg30/n-_6vYODztI/s400/abandoned_industrial_sites_hdr_19.jpg ちょい怖 (Part29, 965) http //image.blog.livedoor.jp/karapaia_zaeega/imgs/2/2/22299588.jpg 夜の竪坑櫓 (Part29, 940) http //ys0326ys.web.fc2.com/images/HP38/tatekou401.jpg そんな感じの不安感に廃なモノを思わせる錆び色が加わると (Part29, 910/ Part32, 415) http //komatan2006.up.seesaa.net/image/komatan2006-2006-10-19T09 58 11-1.jpg アメンホテプ3世 (Part29, 863) http //ein-corgi.cocolog-nifty.com/photos/uncategorized/2008/01/19/077.jpg 祖谷の小便小僧 (Part29, 854) http //pds.exblog.jp/pds/1/200803/05/38/e0146338_17434273.jpg http //jkp-m.up.seesaa.net/image/8FA6F13F3F3F3F3F3F20011.jpg エジプト？ (Part29, 863) http //vfg.cocolog-nifty.com/photos/uncategorized/philae_temple_aswan.jpg 既出か？ これはかっこいい (Part29, 824) http //images.stanzapub.com/readers/2009/08/07/1_2.jpg 大阪には行ったことは無いけどこの景色見たいな。 綺麗だね (Part29, 792) http //pds.exblog.jp/pds/1/200601/29/69/f0021869_0243097.jpg 飛行船の骨格と格納庫天井トラス (Part29, 773) http //www.geocities.co.jp/Playtown-Dice/2996/lz1-2.jpg 何物かわからないところがなんとも (Part29, 762/ Part33, 271) http //f.hatena.ne.jp/images/fotolife/y/ysdk1/20090604/20090604223729.jpg ガスタンクは可愛いのがけっこうあるみたい (Part29, 705) http //image.space.rakuten.co.jp/lg01/00/0000566700/11/imgda9a069bzikczj.jpeg http //takatobino1.blog.so-net.ne.jp/_images/blog/_c3b/takatobino1/IMGP1640.jpg http //img.kanshin.jp/asp/img_17/174460/1259765035.jpg 可愛い (Part29, 697) http //photofriend.jp/u/31822/d7e88ef51e7e7f1f421f1966ec8f6ee980000000000000915567.jpg 足尾銅山 (Part29, 512) http //home.f01.itscom.net/spiral/ashio/ashio01.html こんな錆びて大きい物が住宅街を見てるのが凄く怖かったんで・・・ (Part29, 511) http //farm1.static.flickr.com/159/352890503_0000be785c.jpg http //kaede472.web.fc2.com/ruins02_077.htm http //www.funkygoods.com/hai/ft/ft_06.jpg http //www.flickr.com/photos/ucb/352887961/in/set-72157600051480696/ http //www.flickr.com/photos/ucb/352887430/in/set-72157600051480696/ http //www.flickr.com/photos/ucb/sets/72157600051480696/ http //blogimg.goo.ne.jp/user_image/48/99/a9c509275d5dcd59b52bdd0259c31fdc.jpg こんな・・・ (Part29, 508) http //farm2.static.flickr.com/1079/1118196099_c442c0354f_o.jpg 傾いてしまうこともあるのね・・・ http //farm2.static.flickr.com/1028/970224718_b2d9ba99af_o.jpg ひぃぃ (Part29, 266) http //furusho.way-nifty.com/photos/uncategorized/2009/01/05/img_4687.jpg 『立坑』をキーワードにいろいろ探してるうちに、あることに気がつきました。 そしてこれは櫓のみ 美唄炭鉱 ・・・三菱 (Part29, 242) http //upload.wikimedia.org/wikipedia/ja/thumb/a/ab/Bibai_2006_08_13.JPG/800px-Bibai_2006_08_13.JPG 斜めに延びた鉄骨・・・ http //coalmine.img.jugem.jp/20080213_264053.jpg 3枚目のPrague TV towerも壁に赤ちゃんがはいはいしてるね (Part29, 225) http //www.e-politik.de/lesen/wp-content/images/2009/01/babies_flickr_knottyboy_cc.jpg 色んな意味で嫌だ (Part29, 220) http //lh5.ggpht.com/_dlkAw43cLC0/SgSSQZvzhmI/AAAAAAAAEtw/zNCL3H9-Hds/s800/David-Cerny-hanging-tower-babies1.jpg 出先で見た調圧水槽というやつ。 ここに貼られてるのに比べたら大した事ないけど、近所にあったら嫌だ (Part29, 217) http //p.upup.be/?ucgu2tocU1 東邦亜鉛安中製錬所 場所がJRの駅の真裏なので、いつもはこういう感じで見えてる (Part29, 173) http //mw2.google.com/mw-panoramio/photos/medium/5586481.jpg いやーん 夢に出そう・・・ (Part29, 113) http //bnvn05.up.269g.net/image/070512moaimodoki.jpg このおっきな写真も貼って欲しかった (Part29, 78) http //portal.nifty.com/2009/06/04/b/img/008.jpg http //portal.nifty.com/2009/06/04/b/img/013.jpg ＋高所に弱い方はスルー (Part29, 74) http //www.djmick.co.uk/really/daredevil-asian-construction-workers-23-photos/ 太陽公園オフィシャル (Part28, 970) http //www.taiyo-park.com/ 地上1000ｍのソーラータワー。動画付き (Part28, 965) http //www.sythe.org/showthread.php?p=2940970 豊島区煙突 (Part28, 925) https //www.google.co.jp/search?hl=ja q=%E8%B1%8A%E5%B3%B6%E5%8C%BA%E7%85%99%E7%AA%81 lr= um=1 ie=UTF-8 sa=N tab=wi biw=765 bih=565 sei=N9gfUpK-HYWikgXkwYHwCA tbm=isch 団子型の何か (Part28, 815) http //kenta.toyone.org/2008/photo/4_F808/DSC_6965.jpg 通称「しめタン」か・・・ (Part28, 788) http //sonoc813ao.exblog.jp/7861153/ 何だかわかんないけど巨大で怖い 伊東山中にあった鉄骨マンションも壊されちゃったらしく 残念。 鉄系モニュメントは儚さが素敵なんだけど (Part28, 723) http //fishki.net/comment.php?id=34493 海に建つ建造物 (Part28, 698) http //www.geograph.org.uk/photos/18/09/180936_80ef8bc7.jpg http //www.susurrations.com/wp-content/uploads/2009/03/maunsell.jpg こんなのがあります。ロシアの地下廃トンネル こんなところで置き去りにされたら・・・・ (Part28, 494) http //gigazine.net/index.php?/news/comments/20070301_moscow_dungeons/ こういうやつのデカイ版ですね (Part28, 441) http //www.ne.jp/asahi/mogi/nwc/dtv_hitachikamine.html 映画とかこのなか歩いたりするんだよね (Part28, 341) http //www.kondoki.jp/result/img/%E6%97%A5%E6%96%B0%E3%83%80%E3%82%AF%E3%83%881.jpg 移動式クレーンの伸び具合からスケールを察することができる プラントのようなタンクのような・・・何か (Part28, 300) http //www.offshore-technology.com/projects/mad_dog/images/image7.jpg 近隣の街路からみる大橋ジャンクションのぐるぐる部分 (Part28, 232) http //yaplog.jp/cv/tsukuda/img/337/1_p.jpg この中を自動車がうぉんうぉん通ると思うとけっこうな違和感があります。 大橋ジャンクション (Part28, 228) http //blog.livedoor.jp/sohsai/archives/51464035.html 【審議中】 (Part28, 227) http //japan.busytrade.com/upload/images/5060614.jpg コーラ L (Part27, 975) http //www.millenniumwave.com/ev/cokebottle.jpg ロシアの工業・軍事系跡地廃墟画像 (Part27, 910) http //www.abandoned.ru/ でかいものばかりではないけどね。 タマといえば・・・多摩湖。（村山貯水池） 多摩川からの取水が導水路を通って出てくる穴。そして山口貯水池へ分流するための水門。 現在立ち入ることができない場所に、これがあるそうです。セピアカラーの写真がいやーん (Part27, 783) http //library.jsce.or.jp/Image_DB/card/09_image/large/09001.jpg そして多摩湖からの水が東村山浄水場近くに出てくる穴。 http //library.jsce.or.jp/Image_DB/card/09_image/large/09011.jpg ちょっと造りが変更されたようですが今でもフェンス越しに見ることができるので、 近くを通ると見に行って放水時にはガクブルしています。 http //www5e.biglobe.ne.jp/~ootaka/tamako1/PB252091.JPG これも一種のコンクリート神殿 (Part27, 760) http //portal.nifty.com/2008/09/18/b/2.htm 110万人が生活できる「未来のピラミッド」、建造計画中 (Part27, 582) http //slashdot.jp/article.pl?sid=08/08/28/0345202 http //worldarchitecturenews.com/news_images/10224_1_Pyramids1big.jpg http //worldarchitecturenews.com/news_images/10224_2_Pyramids2big.jpg この隙間に挟まって上なんか見上げたら間違いなくやばいです。。。 フランスとイタリアの国境にあるブラックホール作る施設とか (Part27, 480) http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc15.jpg http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc5.jpg http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc26.jpg http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc17.jpg http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc19.jpg http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc20.jpg http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc21.jpg http //cache.boston.com/universal/site_graphics/blogs/bigpicture/lhc_08_01/lhc25.jpg http //www.gridpp.ac.uk/cubes/5.jpg http //epistles.files.wordpress.com/2008/04/cern_cms_vacuum_tank.jpg http //lh3.ggpht.com/_BK47N8nh0vM/RroQVDr0bII/AAAAAAAACyQ/hdF5SgoRAWg/_MG_3117.JPG http //upload.wikimedia.org/wikipedia/commons/5/53/ATLAS_TRT.jpg http //popsci.typepad.com/photos/uncategorized/2007/06/27/cms.jpg 人がいない状態の鯨大和煮オイルタンク (Part27, 471) http //blog-imgs-27.fc2.com/b/i/m/bimitankyu/kinoya1.jpg 工場跡かなにかだろうか？うへえ、深部筋が不随意に動く生理的な不快感 (Part27, 430) http //blog-imgs-21.fc2.com/w/o/r/workingnews/WindowsLiveWriter_92bce6e91802_33E_viploader714611_2046a5dc-84f2-4cea-9cfa-b4b7a3d4f660.jpg ウィンドファーム設置予定の根元部分 (Part27, 404) http //www.laurensphotos.com/Windfarm%20Gallery/images/Resolution%20021.jpg これがヤバすぎる。。。 ここにいて動かれた日にゃ。。。あぁ (Part27, 396) http //photos.streamphoto.ru/b/2/c/c4df93bd7f238580b8df1efcf10cec2b.jpg これ見たら怖さが増した (Part27, 391) http //www.kyushu-heritage.jp/report/sogi/sogi02.html ドバイで建設中の世界一高いビル (Part27, 282) http //pixdaus.com/pics/12148184559g7rGsb.jpg すきーのジャンプ台 (Part27, 65) http //image.space.rakuten.co.jp/lg01/37/0000056437/57/img711027b6ggqiq7.jpeg (Part27, 16) http //ihasa.up.seesaa.net/image/china0165.jpg 使われなくなった観覧車 (Part26, 915) http //syaraku.yh.land.to/bbs/img/739.jpg http //syaraku.yh.land.to/bbs/img/740.jpg http //syaraku.yh.land.to/bbs/img/741.jpg http //syaraku.yh.land.to/bbs/img/743.jpg http //syaraku.yh.land.to/bbs/img/744.jpg 表面がイヤーな感じの・・・ 何か (Part26, 749) http //static.flickr.com/128/383611460_93d37ca03d.jpg 白くそびえ立つ・・・ 何か。 http //static.flickr.com/164/383611457_0de05e0c0a.jpg なにが貯蔵されているのか・・・ サイロ。 http //static.flickr.com/177/474849035_21569918af.jpg 三菱崎戸炭坑遺構 (Part26, 647) http //www.gunkanjima-odyssey.com/about/about0116p1.jpg 近代建築のニオイ漂うレンガ造りがイヤーン http //www.gunkanjima-odyssey.com/about/about0105p1.jpg うわーいやだ http //www.gunkanjima-odyssey.com/about/about0105p2.jpg 黄昏のクレーン群。不気味に映える三菱 (Part26, 642) http //www.su-chan.net/gallery/shourounagashi/yuuhi1.JPG 700トン級。オレンジ色が怖い三菱。 http //www.doboku.pref.nagasaki.jp/~megami/2010.jpg なんともイヤな傾き。復旧にどんな船舶が使われるか想像してｶﾞｸﾌﾞﾙ (Part26, 626) http //www.solarnavigator.net/images/oil_rig_flotation_controlled_sinking.jpg ロンドン・アイ（London Eye）画像 (Part26, 581) http //static.panoramio.com/photos/original/43819.jpg 水運用エレベータ 回転中 (Part26, 304) http //www.barrettwells.com/images/Falkirk%20Wheel%202.jpg http //www.brianmicklethwait.com/images/uploads/FalkirkWheel2.jpg ここらでゆるいのを 三重県鳥羽市の不気味な公園 (Part26, 267) http //image.blog.livedoor.jp/tokaimakai/imgs/8/1/819b9956.jpg 夜は絶対に行きたくない 採掘機ははっきり見えないけど、やぐらだけでもイヤーンな新津油田地 (Part26, 180) http //www.nbz.or.jp/rekibun/siryo/ehagaki/1369.jpg これで大きさが把握できた (Part26, 126) http //www.kajima.co.jp/news/digest/mar_2005/kajimakiko/image/kiko15.jpg 想像以上にデカイ・・・ PC卵型消化タンク (Part26, 124) http //www.kajima.co.jp/news/digest/mar_2005/kajimakiko/image/kiko35.jpg イヤァァァ (Part25, 752) http //www.rri.kyoto-u.ac.jp/NSRG/Chernobyl/Photo/Chernobyl/No5-6_0211.jpg 姫路のモノレール軌道跡の橋脚 (Part25, 731) http //pds.exblog.jp/pds/1/200703/20/82/b0070482_20513078.jpg (大船とドリームランド間のモノレールは1967年に廃線) 軌道 http //www5b.biglobe.ne.jp/~a-uchi/haibutu/hai/kama8.jpg ポイント部分？ http //blogimg.goo.ne.jp/user_image/0e/84/6ebcdb83487f8c1eec1b616ae5be97b3.jpg 上の廃線と関係なく大船と江ノ島間で現在運行中の湘南モノレール http //www.oline.jp/sugizaki_archives/monor1s.jpg 巨大さといい水の透明度といい閉鎖性といい壁のぶつぶつといい 俺にとっては恐怖要素のてんこ盛り (Part25, 531) http //masamune.miyakyo-u.ac.jp/fullsk/skphoto.jpg http //www.atmarkit.co.jp/news/200701/12/kamiokande01.jpg 変電所？ (Part25, 226) http //gigazine.jp/img/2007/07/05/russian_transformers_tesla/52695107.jpg http //gigazine.jp/img/2007/07/05/russian_transformers_tesla/52695075.jpg http //gigazine.jp/img/2007/07/05/russian_transformers_tesla/52695085.jpg あ、にょっきり感はそっちっぽい (Part25, 225) http //gigazine.net/index.php?/news/comments/20070705_russian_transformers_tesla/ 人型の街灯 大阪にあるらしんだけど、見た事ある人いる？ (Part24, 683) http //photozou.jp/photo/show/125373/4027130 海上ならこんなのも (Part24, 668) http //www.umeshunkyo.or.jp/108/prom/230/page.html http //www.umeshunkyo.or.jp/108/prom/230/img_p/p_1.jpg http //www.umeshunkyo.or.jp/108/prom/230/img_p/p_2.gif 散々既出のような悪寒 (Part24, 634) http //www.ecivilnet.com/images/art_Inco_Superstack.jpg 歯医者さんがやたら多いんだっけ？ (Part24, 598/ Part26, 108) http //upload.wikimedia.org/wikipedia/commons/3/3a/Kowloon_Walled_City.jpg おまけ (Part24, 362) http //farm2.static.flickr.com/1292/681672764_f32d679798_o.jpg http //farm2.static.flickr.com/1218/680816731_0631134553_o.jpg むかし、こんなのが空飛んでる映画無かった？ (Part34, 329) http //livedoor.blogimg.jp/karapaia_zaeega/imgs/4/7/4783d7b2.jpg 有名所だがゴールデンロック (Part24, 328) http //www.mp.haw-hamburg.de/pers/Kaspar-Sickermann/mm/emm005.html この向こうがどうなってるのか非常に気になる・・・ (Part24, 183/ 228) http //blog-imgs-1.fc2.com/i/m/i/imihu/viploader304086_R.jpg サイロ (Part24, 34) http //www.ishii-iiw.co.jp/seihin/sub/sairo02.jpg ガスタンク http //www.icydog.com/micmt/htdocs/mt/archives/gastank.jpg どっかの廃墟マニアのHPで侵入してたな (Part24, 15) http //www.geocities.jp/ramopcommand/img025.jpg 小学生のころ旅行先で散歩していたら、道路のすぐ脇にあったのを 間近に見た。それ以来「水圧鉄管」が怖い (Part23, 824) http //www-it.jwes.or.jp/images/weld_example/Penstock.jpg http //www-it.jwes.or.jp/images/weld_example/PenstockBifurcation.jpg 水面下にうっすら見えてモレタ (Part23, 812) http //www.pearlharborsurvivorsonline.org/photos/ARIZONA%20MEMORIAL.JPG http //www.hrvatski-vojnik.hr/hrvatski-vojnik/0332005/bpictures/j.S.S.%20Arizona%20Memorial.jpg http //pubs.usgs.gov/of/2005/1334/images/coverphoto.jpg http //www.geocities.jp/torikai004/terror/arizona-3big.jpg 巨大＆海のコンボはヤバイ (Part23, 806) http //www.kh.rim.or.jp/~goburin/travel/miya01l.jpg 軍事レーダー施設(巨大ジャングルジム?) (Part23, 658) http //unio-n.cocolog-nifty.com/.shared/image.html?/photos/uncategorized/001_3.jpg 温室 http //unio-n.cocolog-nifty.com/.shared/image.html?/photos/uncategorized/eden_project1.jpg 首都圏外郭放水路 http //unio-n.cocolog-nifty.com/.shared/image.html?/photos/uncategorized/00.jpg 世界最大のベル (Part23, 488) http //susono.img.jugem.jp/20070105_278521.jpg http //susono.img.jugem.jp/20070103_277662.jpg ハッチが数ヶ所にあり、ウンコの峰線に命綱を繋ぐためのアンカーがたくさん付いている (Part23, 103) http //www.originalcv.com/topography/works/honoonoobje/honoonoobje.html こわい (Part23, 22/ 26) http //photo.net/photo/pcd4229/zipper-2.2.jpg ドゥバイの海上都市 (Part21, 754) http //static.flickr.com/52/164520151_95b74300cf_o.jpg いろいろ (Part21, 753) http //static.flickr.com/52/132855226_7282d4f3e6_o.jpg http //static.flickr.com/122/288255794_2147badb06_o.jpg 夏場に黒い部分だけ異常に高温になって、そこの部分から爆発炎上してるのを想像してしまった (Part21, 587) http //yaginome.jp/gas/toukou/shibata.gas02.gif 下にスクロールすると (Part21, 585) http //www.mlit.go.jp/crd/city/sewerage/gyosei/ondanka.html マーライオン (Part21, 511) http //www.fmyokohama.co.jp/guide/breeze/fujita/20020619/3.jpg モンサント (Part20, 484) http //www.geocities.jp/poukunkei/monsant-e.html http //www.geocities.jp/poukunkei/monsant-b.html http //www.geocities.jp/poukunkei/monsant-a.html このサイトを見れば幸せになれるかも (Part20, 480) http //home.f01.itscom.net/spiral/research3.html 志免炭鉱竪坑櫓に行ってみたい 何ヶ月もここ来てなかったけど、今さっき久々にぞわっと鳥肌立ったから 駆けつけますた (Part20, 431) http //portal.nifty.com/2006/07/28/b/ 大黒インターチェンジ (Part20, 428) http //image.blog.livedoor.jp/cosmotech/imgs/e/1/e1a75437.JPG 伊佐布インターチェンジ建設中 http //www.alajin.jp/image7502.jpg どっか外国 http //www.americabyair.com/images/interchange.jpg http //itd.idaho.gov/bridge/gallery/ITDBridgePhoto/Wye%20Interchange%203.jpg http //itd.idaho.gov/bridge/gallery/gallery.htm 聖地ロカマドール (Part20, 74) http //www.swiss-cave-diving.ch/gallery/rocamadour2004/diverse/bildergr/rocamadour17.jpg メテオラ寺院(ロード・オブ・ザ・リングの世界観だな) (Part9, 833/ Part19, 270) http //www.peakbagging.com/Greece/Meteora.jpg 飛行船スレで教えてもらった (Part19, 678) http //www.aht.ndirect.co.uk/sheds/Cardington.htm http //www.aht.ndirect.co.uk/sheds/images/Doors.jpg んでけええええええええええ！！！ 転んで死ぬ人居ないのかな (Part19, 254) http //homepage.smc.edu/urmston_william/art%209%20slides/urmston/13.%20Temple%20Pyramid%201,%20Tikal.jp つくば学園都市の国土地理院巨大パラボラが 夜になると不気味なグリーンでライトアップされてとても怖い (Part19, 139) http //www.aurora.dti.ne.jp/~mrkei/dti/drive/gakuen/vlbi.jpg http //naritama.org/report/gsi_tsukuba.html 高速のJCTもちょと怖い (Part18, 925) http //osakanight.xrea.jp/night_view/photo/higashiosaka04.jpg 建物 (Part18, 866) http //www.galenfrysinger.com/Photos/georgia35.jpg ロックマンのＤｒワイリーの城のような、発電所だか研究所だか、謎の施設 (Part18, 639) http //www.mcci.or.jp/Utukushi/utsk01.jpg 世界の風車シリーズ (Part17, 973) スペイン http //www.industcards.com/la-muela-enerco.jpg フィリピン http //www.industcards.com/northwind.jpg デンマーク http //www.industcards.com/Horns-Rev.jpg たくさん並んでると墓標みたいだ・・・ 広い意味では趣旨に合っている (Part17, 846) http //plaza.rakuten.co.jp/img/user/10/29/2251029/89.jpg 乾ドック (Part17, 752) http //www.midwaysailor.com/midway1970/drydock-001b.jpg 詳細キボン。URL削ってもよくわからなかった (Part17, 728) http //tenplusone.inax.co.jp/underground/photo/01/origin/01_03.html 浄水場内にあるタンク (Part17, 560) http //pds.exblog.jp/pds/1/200507/11/92/b0016692_204517.jpg 柱の部屋 (Part17, 542) http //pirori.org/kengaku/2004/gai4/4a.jpg モアイ (Part17, 329) http //www.asahi-net.or.jp/~yf5f-wtnb/moai_idx/tongariki/moai6_06.jpg 階段 (Part17, 280) http //people.debian.org/~tille/debian-background/1280x1024/VaticanMuseumStaircase.jpg 大阪のふらくとらむはのどかでええのう。 地面の上にそびえる巨大な物は怖いが、 その逆も・・・ (Part17, 267) http //esamultimedia.esa.int/images/EarthObservation/AMEC_story/Palabora_Figure2_H.jpg 大阪のふらくとらむはのどかでええのう (Part16, 524) http //www.kanshin.jp/rojiura/index.php3?mode=keyword id=331155 http //image.kanshin.jp/img_10/100144/1546588805.jpg http //www.nnn.co.jp/dainichi/kikaku/senso/senso040816.html 国鉄志免炭鉱 (Part16, 325) http //www.hasiru.net/~maekawa/mine/shime/shime.html どうよ (Part16, 317) http //pya.cc/pyaimg/pimg.php?imgid=18801 ちょっとなごむ (Part16, 190) http //www.venus.dti.ne.jp/~tomotake/te/favorite/image_bura/2003_1230_shiminmu01_6448.JPG 城 (Part16, 110) http //www.failteweb.com/wallpaper/germany/hohenzollern/03662_64.html 宮古市のラサ工業の煙突 ﾔﾊﾞｰ (Part15, 801) http //www.nnet.ne.jp/~imaki/bnlocal/DSC00061.JPG 世界最大規模の音響実験室 (Part15, 801) http //www.komatsu.co.jp/CompanyInfo/press/2005053015330519497.html これかい？ (Part15, 79) http //members2.jcom.home.ne.jp/planet.earth/green_circle.html あんま話題に挙がってないけどみんなコレは平気なの？ 自分的には結構ヤバい…この写真はそんなでもないけど (Part14, 330) http //www.kohan-studio.com/fg/# 巨大長家 (Part13, 879) http //pya.cc/pyaimg/pimg.php?imgid=10606 首都圏外郭放水路のことかな (Part13, 159) http //kengaku.exblog.jp/802026/ いろいろな消波根固ブロック (Part12, 722) http //homepage3.nifty.com/tetratamami/block/block01.htm 万博お祭り広場大屋根 (Part11, 698) http //www.bekkoame.ne.jp/~kakikuke/banpakuomaturi.jpg http //www.bekkoame.ne.jp/~kakikuke/banpakutou.jpg http //www.bekkoame.ne.jp/~kakikuke/banpakututa1.jpg http //www.bekkoame.ne.jp/~kakikuke/banpakuooyaneko.jpg (Part11, 417) http //www.housing.hawaii.edu/Pics/hale_aloha.jpg こんなとこ住みたくねェ(テトラの柄も凄いが..) (Part11, 26) http //www.trekearth.com/gallery/Europe/Spain/photo61323.htm オセロ (Part10, 678) http //www.trekearth.com/gallery/Europe/Germany/West/Nordrhein-Westfalen/photo30760.htm なんだこれ (Part10, 510) http //kso.jp/okinawa/irabushimoji/irabushimoji070x.html 注意※対比物有り (Part10, 461) http //www.trekearth.com/gallery/Europe/United_Kingdom/photo44798.htm The next step in life (Part10, 398) http //www.trekearth.com/gallery/Asia/China/photo32702.htm Wind snow (Part10, 370) http //www.trekearth.com/gallery/Middle_East/Israel/photo42416.htm Sunset in the Bozcaada Island http //www.trekearth.com/gallery/Middle_East/Turkey/photo18591.htm Jean Guichard 灯台 (Part10, 150) http //jeanluc.lemaitre.free.fr/pro/guichard/image_40.jpg モエレ沼公園、感動した。一度行ってみたいなぁ‥‥ (Part10, 30) http //www.sapporo-park.or.jp/moere/ http //www.sapporo-park.or.jp/photo/moere.html http //www.dosanko.co.jp/eyeswalk/moere/ 札幌のモエレ沼公園 (Part10, 22) http //www.econavi.org/weblogue/back/25/backnumber/special/image/bphoto3.jpg http //www.econavi.org/weblogue/back/25/backnumber/special/image/bphoto2.jpg http //mytown.asahi.com/hokkaido/images/pic5_428_127.JPG 北の国から (Part9, 828) http //pya.cc/pyaimg/pimg.php?imgid=2404 俺はそんなところではくつろげない (Part9, 479) http //www.westnet.com/~crywalt/photos/cr_mast1.jpg なんで建てれるの？ http //www.westnet.com/~crywalt/photos/cr_mast2.jpg ニューヨーク・ゲイトウェイアーチ (Part9, 443) http //images.google.co.jp/images?q=gatewayarch svnum=10 hl=ja lr= ie=UTF-8 oe=UTF-8 start=0 sa=N ここが職場だったらキツイな (Part9, 329) http //www.trollshop.net/trolls/troll-skyscraper.jpg Angel of the North 無駄に馬鹿デケー (Part9, 228) http //www.carr999.freeserve.co.uk/images/angel400.jpg 記念塔(ハンマー？) (Part9, 140) http //www.asianlaw.jp/image/KP199908_067.jpg 記念塔 http //www.asahi-net.or.jp/~ud4k-ymd/KITAMACHI16.jpg 建物からﾄﾞｶｰﾝ http //www.isas.ac.jp/j/enterp/rockets/sounding/image/3-23-2.jpg ディオソニスの劇場 (Part9, 79) http //jyu-bako.vis.ne.jp/Greece/DionysusTheatre.htm 旧小野田セメント (Part8, 440) http //www.gijyutu.com/ooki/tanken/tanken2001/onoda/onoda.htm 掩体壕(えんたいごう) 学校の帰り道から見えたんだよなぁ 夕闇の中にその異形を晒すコイツがなんとも不気味だった (Part7, 511) http //rwy.s18.xrea.com/ オペラ (Part7, 154) http //expositions.bnf.fr/boullee/grand/82.htm 中心部の拡大図 http //expositions.bnf.fr/boullee/images/expo/6/80h.jpg タージ・マハル (Part5, 851) http //www.geocities.com/intrepidberkeleyexplorer/Page7.html 海に向かって宣伝したい散髪屋でもあるのかと (Part5, 754) http //www.ncsu.edu/coast/chl/lh.jpg 世界最大と言われるレディ・イザベラ水車(Lady Isabella Water Wheel)等の昔のお姿 (Part5, 732) http //www.angelfire.com/journal/millbuilder/album4.html レディ・イザベラ水車近影 http //www.manxgeology.com/Media/isabella.jpg マークがこあい… 宮崎の平和台公園の「平和の塔」 (Part5, 556) http //www.yado.co.jp/kankou/miyazaki/minitoi/heiwad/heiwad.htm テレビ塔 (Part5, 548) http //www.iwatas.net/tomisawa/html/dainenji01.html http //www.iwatas.net/tomisawa/html/dainenji02.html http //www.iwatas.net/tomisawa/html/dainenji03.html http //www.iwatas.net/tomisawa/html/dainenji04.html Σ（ﾟдﾟlll） (Part5, 493) http //www7.ocn.ne.jp/~gunka/aikoku.jpg ぜったい怖がらせようとして作ってる・・・ (Part5, 388) http //www.geocities.co.jp/SilkRoad-Desert/4430/oota/oota1.html ガス処理システム (Part5, 188) http //www.offshore-technology.com/contractor_images/kvaerner3/MEG-regeneration3.jpg ＠Radio Essex (Part4, 654/ Part5, 10) http //www.offshore-radio.de/OEM/46-18.jpg http //www.radiolondon.co.uk/kneesflashes/happenings/septoct01/knockj.jpg ＠巨大地下空間 (Part4, 324/ Part5, 16) http //tenplusone.inax.co.jp/underground/photo/02/origin/02_10.jpg http //tenplusone.inax.co.jp/underground/photo/01/origin/01_15.html http //tenplusone.inax.co.jp/underground/photo/07/origin/07_04.jpg ＠首都圏外郭放水路 (Part4, 323/ Part5, 7/ Part13, 154) http //tenplusone.inax.co.jp/underground/photo/01/origin/01_21.jpg ＠flakturm (Part4, 93/ Part5, 16) http //www.antville.org/img/mks/flakturm.jpg ＠スーパーカミオカンデ(3番目は破損したときの画像) (Part4, 9/ Part5, 7) http //www7.ocn.ne.jp/~inouex/images/photo_super/super_3.gif http //www.kek.jp/newskek/2002/janfeb/photo/sk_build44.jpg http //www.kek.jp/newskek/2002/janfeb/photo/11130041.jpg 電波望遠鏡 (Part3, 886/ Part9, 901/ Part10, 66/ Part13, 889) http //www.stelab.nagoya-u.ac.jp/omosaic/pamph94/steh2.gif バベルの塔だって (Part3, 749) http //www.kyoto-np.co.jp/kp/topics/photo-news/photo/diary12-13.jpg 新岡部変電所 (Part3, 136) http //www.asahi-net.or.jp/~js4m-isgi/tettou/c01.jpg 奥行き感がたまらない 巨大静電気発生装置 (Part3, 132) http //www.mos.org/sln/toe/ ＠大仁金山 (Part3, 105/ Part4, 10/ Part5, 8) http //www.nue.org/people/amagai/images/photo/kinzan94/kinzan.jpg 階段？城？墓？ (Part3, 85) http //www.ppsimages.co.jp/theme/hrtg_images/MexicoUxmal.jpg ＠テトラポットいろいろ (Part3, 8/ Part4, 13/ 98/ Part5, 18) http //www.geocities.co.jp/NatureLand/6455/takadati01421006.jpg http //www.ne.jp/asahi/ishii/hp/tetra/tetra_.gif こいつも何気にやな形してません？ (Part2, 927) http //www.kms.ac.jp/~hsc/photo/oversea/australia/AU5.jpg ヨルダンのぺトラ遺跡「エル・カズネ」 下の人間の大きさと比較すると・・・ (Part2, 826) http //www.ne.jp/asahi/hikyo/yamaya/jordan3.html 既出かな？ (Part2, 655) http //homepage2.nifty.com/Hakubun/others/entotsu/enpa2.JPG 大谷石地下採掘場跡 (Part2, 405) http //www.oya909.co.jp/museum/chika.html 巨大昆虫？ (巨大な物が怖いという, 680/ Part5, 438) http //homepage1.nifty.com/tabitsubo/etc/etc_c03.htm おまけ。地下施設写真集。怖くない。ｶｺｲｲ (巨大な物が怖いという, 148) http //tenplusone.inax.co.jp/underground/photo/atarashi01.html 油田 (巨大な物が怖いという, 102) http //www.tilt-measurement.com/appnotes/appjpg/oilrig2.jpg 手前の機械もかっこいいが、ウシロの建物がもっといいよ (※巨大なものが怖い※ , 443) http //www.srl.org/machines/flamehurricane/pulse2.jpg 巨大といえばこれ (※巨大なものが怖い※ , 323) http //www.j-area2.com/hama/wards/totsuka/totsukaouwaraji.html 夜行くのをお勧めします 浅草12階計画 (※巨大な物が怖く感じる。だが見てしまう・・・, 750) http //www.12kai.com/ 風の塔 怖いっしょ？ねえ、これ怖いっしょ？ (※巨大な物が怖く感じる。だが見てしまう・・・, 507) http //www.kajima.co.jp/news/digest/jan_1998/tokushu/toku3.htm 戻る
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https://w.atwiki.jp/2dogslink/pages/6.html
START November 6th 2011 update March 26th, 2013. 4 10 pm (Japan time) Posted by Mika Iwamuro(tottorimiyagi, mii) Visitor Total： - Today： - Yesterday： - 誤った報道をした世界中の大手メディア（日本語ページ）：http //www38.atwiki.jp/2dogslink/pages/8.html [Please help us find missing white dog. Please Share and Spread The Truth.] In fact this White Dog named Lee-chan is still missing since March 14th 2011. Even now( March 26th, 2013), the real owner is still looking for Lee, desperately since March 2011. Click! http //www48.atwiki.jp/2dogsdemosoft/pages/20.html We need your help, and eyewitness in Sendai Japan. In fact, on March 18th 2011, brown tan dog named Mei-chan was rescued by their real owner Mr. Okubo, in the Elementary School, where near the place two dogs filmed, but when white dog (Lee-chan) was not there. About two years ago, after the Japan Big Earthquake and Tsunami (March 11th 2011), several major medias reported false rescue story "both tsunami dogs were rescued by an animal rescue group" around the world. Too many people still believe in false rescue story. So even now, fake rescue rumors are hindering us from searching for the missing white dog (Lee-chan). http //www.youtube.com/watch?v=eRMawJtJ6cU sns=em Please know the truth, Please help us find missing white dog. Lee-chan (white injured dog) and Mei-chan (Brown dog) attracted the people s attention to many victim animals, all over the world, and they rescued many animals. So... Let s repay their loyal. Let s reunite with Lee-chan (missing white dog) her real owner Mr. Okubo Mei-chan (safe brown dog). Their real owner Mr. Okubo and his family said "If a person who saved Lee hope that he/she keeps Lee, it wouldn t be a problem. I would like to thank you so much for saving Lee." "I want to make clear dead or alive." "I still will not give up about Lee." "I want to meet Lee again." The real owner of Japan Two Loyal Tsunami Dogs, Mr. Okubo described how he felt [1] On (Sat) June 30, 2012, Mr. O talked about his two dogs on Akiko Fujimura s talk show at Yokohama Kanagawa Japan. http //www52.atwiki.jp/2dogswiki/ 1-10 Major media reported false information "both dogs were rescued" without confirmation of facts in March 2011, around the world.1. Fuji TV (Japan)2. CNN (America) 3. CBS (America) 4. ABC (America) 4. NPR redio station (America) 6. TYT (Online News of America) 7. ITN (England) 8. UK Telegraph (England) 9. Apple Daily news paper (Hong Kong) 10. Russian TV Station (Russia) 【I cannot understand these language】11. Where? 12. Spanish News 1 13. Spanish News 2 14. Spanish News 3 15. Chinese News 16-18 The movies of Genuine Mei-chan(Brown tan dog).16. Nippon SPCA 17. Mei eat food, this movie was taken by Mika, on Aplil 1st 2012. 18 Mei Mika, taken by Mika 1-10 Major media reported false information "both dogs were rescued" without confirmation of facts in March 2011, around the world. But there were NO film/pictures of after dogs were rescued, on their resque report. There were only stray dogs, on their report. 1. Fuji TV (Japan) March 17th 2011, about 5 30 pm Fuji TV reported false rescue story "both dogs were rescued by an animal protection group" without confirmation of facts. http //www.youtube.com/watch?v=5awVBo7WSaw sns=em 安藤優子アナウンサーの声で 「右側のこの、衰弱していた白い犬は、現在も食べ物を口にする事が出来ず 点滴の治療を受けているということです で、反対にこちら、茶色い犬は、比較的元気にしているという事です 茶色い犬が、私達の目には、この白い犬に寄り添って、この白い犬を守っているように見えました」 と言って放送していたが、放送の中で救助後の犬の姿は一切映っていませんでした。 On (Thu) March 17th 2011, 5 30 pm (Japan time) Fuji TV announcer Yuko Ando said "It seems that this injured white dog of right side, even now cannot eat food, so is receiving a drip infusion treatment. On the one hand, it seems that brown dog is comparatively fine. Brown tan dog looked like stay with this white dog and protect this white dog." But there were NO film/pictures of after dogs were rescued, on Fuji report. There were only stray dogs, on Fuji report. At March 17th 2011, Fuji TV crew NO ONE has seen these two dogs were rescued, they have only heard a false rescue rumor. Late in July 2011, Mr. Yamashina who is Fuji TV reporter visited dog owner’s house, with other two staff, and Yamashina actually saw brown tan dog, that dog had same pattern on it’s fur, from the dog was aired on Fuji TV. And when Yamashina heard that white dog has been missing, from dog owner. But even now (March 26th, 2013) Fuji TV has NEVER correct their wrong report, and they have not contacted the dogs owner since summer 2011. Maybe, if Fuji TV report the truth (Lee is still missing), then Fuji TV lose their popularity and Fuji lose the benefit. So Fuji TV has not reported the truth. Major media reported false information, and they are hindering us from searching for the white dog, and they already hurt dogs owner and many other people, but they still have NOT corrected their wrong reports. A man said "Major media make money by publishing stories people want to know. It is not about the truth. Two dogs rescue was a good story, even if it s a lie." Do you want FAKE good story? I NEVER want to know any lies. I always want to know the TRUTH, whatever good or bad. 2. CNN (America) (Fri) March 18th 2011, CNN reported false information “two dogs were rescued by Sakurai’s friends” without confirmation of facts。 http //www.youtube.com/watch?v=2B0YuxmtlOA Jeanne Moos said good news because animal rescuers believe that this man, animal rights supporter and dog food importer Kenn Sakurai got his friends to get the dogs. PETA (Ashley Funro) “He was able to get into the area with the help of two men on motorcycles. On his facebook page Kenn Sakurai, said the injured dogs are at a vet clinic and the healthier one is in a nearby shelter, and he said please know that these two are just the tip of the iceberg, there are more, and we need help”. Reported by Jeanne Moos, CNN ―――――――――――――― I was disappointed with CNN. Where is a proof of life of white dog? The rescue reports on CNN are based on the rumor on Facebook page and were not checked out. CNN reported false information, they already hurt dogs owner, I sent CNN email about two dogs, three times, but I have NOT received a reply. 2nd movie of CNN http //www.youtube.com/watch?v=rg5VppaG2r4 3. CBS (America) March 17, 2011 11 54am (Japan time) A Japanese who live in America posted on a blog below. [Two dogs] 今、ＣＢＳのニュースで、”忠実な友達”とのタイトルであの２匹も報道。 無事救助されたとのことです。 ＡＢＣでも映像のみ流れて流れてました。 よかった！！！ Now, CBS news reported ”loyal friend” about those two dogs. They were saved. Also ABC reported only movie. I’m glad!!! 03/17 11 54 CBS YouTube movie http //www.youtube.com/watch?v=lpbVEoFSec8 CBS aired false information "Out of the ruins of the earthquake and tsunami come the touching example of loyalty, new video shows dog surviving among the wreckage at Sendai, first dog appears scared *** ***(I was not able to follow this part.) close look shows it s standing vigil next another dog it is injured or sick inseparable even in a disaster we are happy to report that both animals have been now rescued." 4. ABC (America) YouTube movie http //www.youtube.com/watch?v=ERe3pSg19V4 sns=em ABC News said "Today we heard the story of a dog who raced towards rescuers and led them back, to a wounded dog. Their safe and still together tonight. And in village after village, at 5 o’clock a song plays over the speakers. In the village of Osaka they recognized a song about yesterday." A friend of mine said "ABC really didnt talk about the dogs, they were trying to be poetic, for hope for Japan!" So it seems that ABC didn t talk about the dogs were rescued and they were together. They only talk that dogs survive in tsunami and together, at that time. Copied from Global Animal report on March 19th 2011. http //www.globalanimal.org/2011/03/19/japans-animal-victims-truth-news-vs-rumors-facebook/32951/ “CNN, UK Telegraph, NPR, PETA and ABC News affiliates have reported that the dogs were rescued and are being taken care of by an undisclosed veterinarian.” But I have searched ABC movie, I cannot find a movie which PETA and ABC News affiliates. Perhaps, Global Animal misunderstood? In fact, PETA and "CNN" affiliates have reported that the dogs were rescued. But perhaps ABC may has never reported dogs were rescued. March 17th 2011, ABC reported only two dogs video. http //abcnews.go.com/WNT/video/dog-survives-Japan-tsunami-leads-rescuers-injured-friend-13156869 ABC News 03/08/2012 Japan Tsunami 2011 Hero Dog http //abcnews.go.com/International/video/japan-tsunami-2011-hero-dog-15881000 4. NPR redio station (America) http //www.npr.org/2011/03/19/134679845/a-tale-of-two-dogs-is-testament-to-japans-humanity Copied From NPR report below Top Stories A Tale Of Two Dogs Is Testament To Japan s Humanity Published March 19, 2011 by Scott Simon A news crew from Fuji TV saw a couple of dogs this week, lying in the wreckage of Mito, Japan. A dog with brown and white splotches seemed to hover over one with gray, black and white splotches. Both dogs looked grimy. The second dog didn t seem to move. When the dog with brown and white splotches came toward the crew, they thought it was warning them to stay away. But it returned to the other dog, and put a paw on its head. Then they understood the dog was sticking by his friend, and asking for help. Japan is a nation of pet lovers. Most families have a dog or cat, birds, a rabbit, or other pets in their apartments. The dog with brown and white splotches and his friend with gray, black and white splotches were rescued, and are in a veterinary clinic in the Ibaraki Prefecture. Kenn Sakurai, the president of a dog food company, who has been among the volunteers, says on Facebook ". . . The one which came close to the camera is in the better condition. The other . . was weak. . . But please know that those two are just the tip of the iceberg. There are more and we need help." TRANSCRIPT NPR reported wrong information. Gray, black and white splotches was NOT rescued, she has been missing since March 14th 2011 until now (March 26th, 2013.)] [Kenn Sakurai has not rescued two loyal tsunami dogs.] [Those dogs were NOT found in Ibaraki prefecture. They were found by Fuji TV camera crew in SENDAI on March 13 2011, not Ibaraki.] [Mr. Yamashina (山科睦) who is a reporter of Fuji TV, he did NOT understand any thing. In Fuji TV movie, he said "the dog is protecting his friend, so may the dog is saying Go away! to us. I can t watch this, I hope someone will rescue these dog soon." And Fuji TV crew left two dogs behind, they have NEVER called any rescue, nothing. In early October 2011, I phoned Fuji Super News and spoke with Mr. Yamashina, Mr. Yamashina said "I am in trouble because I was not able to find the white dog, if you will find the white dog, please tell me." I asked Mr. Yamashina "After you filmed the dogs, didn t you call a vet or any rescue? Nothing?" Mr. Yamashina said "No, I didn t....." ...Before I phoned Fuji, I intended to abuse Mr. Yamashina, but he seemed deeply regret and in low spirits and his voice was very faint, so I stopped abuse. But if he really regret, why Fuji TV has NEVER corrected their false rescue report? If Fuji TV reported the truth earlier, then may white dog was found long time ago. But Fuji keeps silent about two tsunami dogs, and many Japanese have requested Fuji to report the truth, but Fuji keeps ignore.] Japan is a nation of pet lovers? No, unfortunately, It depends on a person. Many animals are treated as things, in Japan. From Global Animal March 19, 2011 at 12 17 pm # Today’s NPR article is citing GlobalAnimal.org’s story and updates dating back to March 15, 2011. Unfortunately, the rescue and health status of both of these dogs remains unconfirmed. Global Animal spoke at length to Kenn Sakurai today (March 19, 2011) and we have requested photos to verify that the dogs are indeed rescued and alive. It is heartening to see the outpouring of compassion for these two dear dogs. Let us all hope for good news soon. Global Animal 6. TYT (Online News of America) TYT Network（The Young Turks ） ■TYT YouTube movie■ videoプラグインエラー 正しいURLを入力してください。 http //www.youtube.com/watch?v=vb6na-28Nm0 Woman Two dogs in Japan one dog is in injured and another dog is basically comforting. Man Yeah it’s incredibly sweet. Woman Yes so let’_s watch the video As the search continues in Japan for survivors from last week’s earthquake and tsunami. Remainders that the reality of devastation reaches beyond mankind Rescue efforts include the pets in Japan like this dot refuse to leave his friend And injured dog after about an hour’s rescuers finally calmed him down enough to leave the site of his fellow canine friend. The weaker one is now in a veterinary clinic and the dog who stood guard is being cared for at a shelter. Give me a break…why media reported a lies? Why they have NEVER confirmed the facts? 7. ITN (England) (Independent Television News) ITN said false “both dogs have since been rescued and a receiving veterinary care.” YouTube http //www.youtube.com/watch?v=rpj-xAzVpic a dog found by a Japanese film crew in Arahama-district and mayors from the rubble disoriented called and digi, what appeared to be in attempt to finance the crew off was in fact amazing disploay of protection and for a fellow Eileen canine standing loyal by the side of the second dog who appeared to be dead. as a big ensures began the signs of life Japanese crew arrive enjoyed saying he’s making he is a lot but I’m sorry happy to see his life the analyzed. Two weeks to get out the strong dog tempted to safeguard its compatriots Proving the universal truth of the dogs loyalty not only to mandate to their own. The crew was done that these lucky do you survived catastrophic disasters that struck Japan last week saying its just amazing that they survived these tremendous earthquake and tsunami. However the images are also a stark reminder that there will likely be thousands of pets orphaned when voluntarily abandons. But these two canine friends the future looks a little brush a with report that both dogs have since been rescued and a receiving veterinary care. ITN http //www.itn.co.uk/Home/TopStories 8. UK Telegraph (England) ■Movie■ Loyal Japanese dog leads rescuers to mate March 16th 2011 www.telegraph.co.uk http //www.telegraph.co.uk/news/worldnews/asia/japan/8386123/Loyal-Japanese-dog-leads-rescuers-to-mate.html Copied from UK telegraph report below Loyal dog leads rescuers to mate in Japan A spaniel found amid the devastation in Ibaraki Prefecture leads a TV crew to its injured friend. TelegraphPlayer-8386123 EMBED(telegraph_player.swf) 5 35PM GMT 16 Mar 2011 For the latest updates on the Japan earthquake and tsunami, follow our live coverage. Reporters came across the animal whilst filming the destruction wreaked by Friday s earthquake and tsunami in Ibaraki Prefecture, northeast Japan. The pair were rescued by vets from Japan Earthquake Animal Rescue and Support. The tan and white spaniel was taken to a shelter in Mito while its injured mate is being treated by a vet in the same town. How the disaster unfolded Japan s worst natural disaster in video ―――― [UK telegraph reported wrong information. injured white dog was NOT rescued, she is still missing since March 14th 2011.) Those dogs were NOT found in Ibaraki prefecture. They were found by Fuji TV camera crew in SENDAI on March 13 2011, not Ibaraki. Susan Mercer, from Heart-Tokushima, one of the three rescue organizations connected with Japan Earthquake Animal Rescue And Support, She categorically stated that Japan Earthquake Animal Rescue and Support did not rescue these two dogs, even though they went searching for them. The rescue reports on UK telegraph was based on the rumor on Facebook page and was not checked out.] 9. Apple Daily news paper (Hong Kong) ◇Copied from original article translation below◇ 日強震》鼻酸！直?小花狗守護受傷同伴 2011年03月17日21 20 蘋果即時 March 17th 2011 9 20 pm Apple News http //tw.nextmedia.com/rnews/article/SecID/103/art_id/19303/IssueID/20110317 『所幸2隻狗都獲救，小白狗被送往治療救回一命。』 『Fortunately both dogs were rescued, and white dog was taken to medical treatment , and life was saved.』 蘋果日報 Apple Daily(Wikipedia) http //ja.m.wikipedia.org/wiki/%E8%98%8B%E6%9E%9C%E6%97%A5%E5%A0%B1_(%E9%A6%99%E6%B8%AF)?useFormat=mobile Apple Daily YouTube movie http //www.youtube.com/watch?v=sJZmGGt5kGk sns=em Chinese ：由于這白色的狗至今去向不明、因此主人現在依然一直在找它． 茶斑点的狗被主人自身找到了、以后他們一起一直度過得健康. 兩只狗被都救助了是錯誤報道的. English ：This white dog is still missing, their owner has been searching this white dog. Brown tan dog was found by their owner,, after that, brown tan dog and teir owner have been together. It was wrong report that both dogs were rescued. 10. Russian TV Station (Russia) YouTube http //www.youtube.com/watch?v=HIj0GhyNhcE 48-55 seconds Russian announcer said “один odin (one), сейчас see-CHAHS (now) , ветеринар клинике (veterinary clinic)” 【I cannot understand these language】 So I cannot know if this movie said that both dogs were rescued. 11. Where? http //www.youtube.com/watch?v=RpiGG7fiMjI My friend S translated three Spanish news into English. Thank you S!!! 12. Spanish News 1 Spain news 1 Japan The faithful dog Japon El perro fiel http //www.youtube.com/watch?v=Ylg5IwVQ_oM sns=em “Is from RT, a news network very popular now because they always have a different view of the notice and it s in different languages. That is an all news about the dogs, sadly the reporter says the dogs were found.” 13. Spanish News 2 Spain news 2 PERRITOS SOBREVIVIENTES, TERREMOTO JAPON videoプラグインエラー 正しいURLを入力してください。 http //www.youtube.com/watch?v=I331hHZF-Bc sns=em “Sadly the same thing, all people beleives the two dogs are ok, but the reporter says that there are a lot of requests all over the world for the adoption of the two dogs, so maybe Lee chan is in another country. By the record that news tv program is from Chile, not from Spain.” 14. Spanish News 3 Spain news 3 El perrito de la tragedia de Japon videoプラグインエラー 正しいURLを入力してください。 http //www.youtube.com/watch?v=QZtMazKB_JU sns=em “They talk about the loyalty of Mei chan who doesn t want to leave Lee chan alone, even she is looking for help but never left alone Lee. Lee is badly injured but the two dogs are now in a foster in Ibaraki!...misinformation” 15. Chinese News Chinese news.mpg http //www.youtube.com/watch?v=BSv2BC7o_eY sns=em 16-18 The movies of Genuine Mei-chan(Brown tan dog). 16. Nippon SPCA NipponSPCA in Disaster area nipponspca2011/11/05 http //www.youtube.com/watch?v=BmMSUzflbZc sns=em Akiko Fujimura who is the owner of Nippon SPCA, met the dog owner on September 14th 2011 for the first time, when she actually saw brown tan dog named Mei. ――――― 17. Mei eat food, this movie was taken by Mika, on Aplil 1st 2012. http //www.youtube.com/watch?v=Mjn6O4Lf_yE sns=em I phoned the owner of two tsunami dogs, on September 8th 2011, for the first time. And I met the owner in April 2012, for the first time. When i actually saw brown tan dog named Mei. Mei is very cute very fine. ――――― 18 Mei Mika, taken by Mika http //www.youtube.com/watch?v=7o2ccJDtlG0 sns=em Translation loyal tsunami dogs in Sendai-shi Japan top page. http //www18.atwiki.jp/2dogs/pages/1.html ■TV放送の犬2匹の安否 http //www47.atwiki.jp/poyacchio-jishin/pages/51.html
https://w.atwiki.jp/vocalive/pages/183.html
LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events)-ライブ技術一覧 メニューMENU + ←クリック目次 [←Click here for CONTENTS] ↓↓↓現在のページ名（Current Page Name）↓ 自動作成目次(contents) 行事紹介（Vocaloid Live Concert and Event Information） 【TECH/Oversea/AniMiku Vocaloid Live Concerts Software Development USA】 AniMiku Mascot Development of AniMiku "Ani-Chan" (マスコットキャラの作成と育成） ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト（演奏曲目）・その他 (Set List, name of music) Summary in English and other language（英語等での紹介） 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) Blog Memo・メモ帳 EDIT Page ライブ技術一覧 ((TECHNOLOGY of Vocaloid Live Concert and Event) 1各自で研究開発中の投影ボードとスクリーンの一部 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert 3将来応用可能なライブ関連技術及び研究 Research and Development for Future Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 ギミック Gimmick of Live Concert コンテスト Contest スクリーンに投影可能なテスト素材動画 Videos for Testing メンバー募集案内 Member Request ライブ録画技術 Video Recording Technique 動画作成のコツとMMD [Tips for Making Video & MMD]+MEMO 参考文献 References 各自で研究開発中のKinectと遠隔操作等の一部 Remote Control & Kinect 各自で研究開発中の同期システム Synchronization System 技術関係のMEMO 技術関係のMEMO2 perm 過去のライブの反省会等の一部 過去のライブの反省会等の一部 MEMO 配信と動画up技術 Streaming and Uploading Tech of Video ls(TECH) 3D Printer English/Test Video to Put on Screen 投影テスト用映像 English/Translation tool 翻訳ツール Oversea/AniMiku Vocaloid Live Concerts & Software Development USA Oversea/HATSUNE MIKU Live Concerts of Miku-UK Project 39UK Oversea/Project MMD Live+39diyMMDConcert USA 日本/Hatsune Miku Hako Vision (Box Vision) Production 日本/Vocaloid Live at Ijirako ミクオン 伊自良ステージ Japan 日本/[TwiPla] 第3回 初音ミクコンサートライブin熊本市立図書館[TwiPla] Live in Kumamoto 日本/ボカパ Vocapa (Vocaloid Live Party) Japan 日本語/会場設備-EVENT Hall info 行事紹介（Vocaloid Live Concert and Event Information） ↓このページ名（Current Page Name）↓ 【TECH/Oversea/AniMiku Vocaloid Live Concerts Software Development USA】 【登録タグ(tag) tags plugin error ページが存在しているかを確認してください。】ますこっと tags plugin error ページが存在しているかを確認してください。 TECH/Oversea/AniMiku Vocaloid Live Concerts & Software Development USA Related page ライブ技術一覧/2手作りライブ等の為の技術情報 AniMiku VOCALOID Concert Live at Tora-Con 2013 http //www.youtube.com/watch?v=fB9hWyaEkGc AniMiku A VOCALOID Concert Animation System Designed and Coded by Re VB P http //www.animiku.net/ Download AniMiku http //www.animiku.net/cms/download-animiku AniMiku Exhibition http //animiku.com/cms/exhibition http //www.animiku.net/cms/node/3 http //animiku.com/cms/tools AniMiku Non-Exhibition AniMiku Exhibition AniMiku blog (from New York) http //www.animiku.net/cms/blog-2/ Blog-AniMiku and Vocalekt Visions at AnimeLA 2012 http //www.animiku.net/cms/blog-2/animiku-and-vocalekt-visions-at-animela-2012/ AniMiku - VOCALOID Concert Animation System Software Overview Demonstration http //www.youtube.com/watch?v=fIkZBY90n8o New AniMiku Version 3.9 Release Beta Preview http //www.youtube.com/watch?v=okPvBMF3BRA 「Feature Explanation Controllable lighting effects You would be able to control the light's position, color, and brightness Light Source/Glow Mode Parts of the model can be configured to be light sources or to glow. This way, when the main virtual light is dimmed or turned off, these parts of the model will stay lit (for example, the lights on Miku's armbands and skirts). This effect was used in the 39's concerts. Animated Textures You would be able to load the model in an editor, and load multiple images that will act as frames for the animation (similar to an animated GIF, except higher quality), set the frame delay, and these textures will be animated by the renderer in real-time Transition Effects Currently the transition effect is a fade in or out. Possibly in the future I may add other effects Soft Shadows/Self Shadow The program will render realistic shadows on the model, improving the 3D effect」 AniMiku and MikUSA Release AniMiku - Hatsune Miku Full Scale Holographic Performance of 1/6! http //www.youtube.com/watch?v=k-WgZQgzWx0 AniMiku Live Hatsune Miku Concert at Tora-Con 2012 Official Video http //www.youtube.com/watch?v=9F2c4YrvzQs AniMiku Live Concert at Tora-Con Mascot Development of AniMiku "Ani-Chan" (マスコットキャラの作成と育成） imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 http //akiglancy.deviantart.com/art/Ani-chan-369093012 Mascot of Animiku made by Aki Glancy http //akiglancy.deviantart.com/ MMD Development of "Ani-Chan" Model MMD Ani-Chan Release Mascot of Animiku MMD made by Digitrevx. http //digitrevx.deviantart.com/ imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 http //digitrevx.deviantart.com/art/MMD-Ani-Chan-Release-Mascot-of-Animiku-386682659?q=gallery%3ADigitrevx%2F42498145 qo=1 Link to download page of AniMiku "Ani-Chan" http //www.animiku.com/cms/about/ani-chan [MMD] Remote control feat. Racing Miku, and Ani-chan http //www.youtube.com/watch?v=fQQWLo29Stw [MMD] Ani-Chan - [Animiku] - Sweet Devil http //www.youtube.com/watch?v=_sAlKlcn-04 AniMiku VOCALOID Concert Live at Tora-Con 2013 http //www.youtube.com/watch?v=fB9hWyaEkGc Concert title AniMiku VOCALOID Concert Live at Tora-Con 2013 This is the official video of the AniMiku concert at Tora-Con 2013. Date March 23 2013 Time 6 00 PM EST Location Tora-Con, Rochester Institute of Technology, Ingle Auditorium On March 23, we returned to Tora-Con 2013 to put on a much improved show from the previous year. This concert contained a setlist similar to the one we used at VocaNoIro, but with more songs and a different rendering setup. In this concert, we featured songs from Doriko DaniwellP Mitchie M Vocalekt Visions LamazeP iroha(sasaki) Dr. Yun EmpathP Otomania featuring the characters Miku Rin Gumi SeeU CUL Once again, the concert was put on using the latest version of the AniMiku 3.9 Beta, which features a rendering engine designed and built entirely by Re VB-P specifically for creating a holographic-like effect on stage (although it is not a true hologram by definition.) A special thanks goes out to everyone who helped to put this event together, from animators and choreographers to venue tech crew and Tora-Con. It was with your help that were were able to put on an awesome show yet again! To eliminate confusion, all content used in this concert was licensed in its entirety. The characters were used by permission of the respective companies, and the songs were used by direct permission from the respective producers. Romeo and Cinderella was used by an ASCAP venue performance license, which allowed us to use songs in the JASRAC database. Songs Romeo and Cinderella (Doriko) Nekomimi Switch (DaniwellP) Eazy Dance (Mitchie M) Lemon Ice Bar (Vocalekt Visions) Wavefile (LamazeP) Tatsumaki (Vocalekt Visions) Meltdown (iroha(sasaki)) Overseas Travels (Vocalekt Visions) Star (Dr. Yun) Paparoach (Dr. Yun) Leaving Donna (EmpathP) White Knight (EmpathP) Ievan Polkka (Otomania) Summer Festival (Vocalekt Visions) Animation tourbux Hino RaikuP 1FNPony Starful Choreography tourbux Myokuju Yukie Dong Planning/Rendering/Production Re VB-P Editing Shinji (39diymmdconcert) Special Thanks Tora-Con MIKUBOOK SBS Artech Mabcim Powered by AniMiku live 3D rendering engine Version 3.9 ■イベント名称： ■会場： ■日程： 主催： CG製作： Twitter ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） 関連映像 (Related Videos) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 official goods 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) AniMiku VOCALOID Concert Live at Tora-Con 2013 http //www.youtube.com/watch?v=fB9hWyaEkGc 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) Screen 投影スクリーンの種類 (Screen Type)： スクリーンの素材（Materials for making screen）： スクリーン素材の網の目等のメッシュのサイズ：Mesh number # or Mesh size of Screen： スクリーン素材の製品カタログ番号等（Product Number of materials for making screen）： スクリーン素材の透過率(%)及び色等（Light Transmittance (%) of screen, Color）： 投影スクリーン等への映り込み状態(Reflection)：Very low or nothing 鮮明度 Clearness, resolution of screen： maybe Very High 舞台の高さ（stage height）： スクリーンの高さ（Screen height）： スクリーンの大きさ又は横の長さ (Screen Size)： スクリーンの継ぎ目の数(Junction within the screen)=(つないで使用された投影ボード等の枚数-1、?) ：0 number of materials used for making main screen：1 使用された投影ボード等の枚数（Number of board used）：1 音響設備及び音響状態 (Sound)： プロジェクタの種類・台数 (Projector)：1 使用ソフト (Software)： Projection software Powered by AniMiku live 3D rendering engine Version 3.9 3D model： Producer of 3D Model：モデル製作： スクリーン及び映像の解像度（Resolution of Screen and video）： 投影時の色補正（Color Adjustment to view on screen）： MMDのモデルの種類（Model Type of MikuMikuDance）： Motion Computer and OS： レンダリング ソフトRendering software Powered by AniMiku live 3D rendering engine Version 3.9 レンダリング速度等 fps フレーム速度(frame speed) fps カメラ等 (Camera)： 技術説明動画・写真等 (Tech Video Photo)： 会場設備のホームページ (Homepage of the Event Hall)： 会場設備 その他 (others)： 衣装モジュール及びデザイン： (Clothing design of the models) 同期システム (Synchronization system)： 選曲 (music selection)： 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ セットリスト（演奏曲目）・その他 (Set List, name of music) セットリスト LIVE SET LIST SET LIST and Producer links of Vocaloid wiki Vocaloid concert directory http //vocaloid.wikia.com/wiki/Vocaloid_concert_directory Live Events http //vocaloid.wikia.com/wiki/Live_Events Summary in English and other language（英語等での紹介） 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO Blog Memo・メモ帳 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/183.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser's window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page #facebook_comment コメント・Comment 名前 コメント
https://w.atwiki.jp/contemporary-artist/pages/14.html
Ryota Matsumoto is the renowned philosopher and visual artist known for the hybrid art and postdigital theory. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Education Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London, Mackintosh School of Architecture, Glasgow School of Art and University of Miami in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. Architectural and Visual Work As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Prize, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto's multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Official Website http //ryotamatsumoto.com
https://w.atwiki.jp/dissertacao/
http //piresadvogados.adv.br/wp/?p=287 修士論文用の整理ページ 政策批判や政策提言の対象 ⇨いかなる政策が形成されるべきなのか 政策過程分析の対象 ⇨いかに政策は形成されるのか 政策評価の対象 ⇨いかなる帰結を政策はもたらすのか 次は、このペトロブラスのサイトを、じっくり読み込むこと。 o Programa Petrobras Cultural (PPC) http //www.hotsitespetrobras.com.br/ppc/ 2番組をじっくり繰り返す見る どういう順番でデータをまとめていくか？ まとめに使えそう Distorções na lei e no discurso http //www.culturaemercado.com.br/analise/distorcoes-na-lei-e-no-discurso/ 部分的に訳す価値あり Regulação da mídia e da cultura http //www.culturaemercado.com.br/headline/regulacao-da-midia-e-da-cultura/ Mecenato fecha 2009 com queda de 23% http //www.culturaemercado.com.br/leirouanet/mecenato-fecha-2009-com-queda-de-23/ Leonardo Brant A preocupante queda da Lei Rouanet http //www.culturaemercado.com.br/leirouanet/a-preocupante-queda-da-lei-rouanet/ Leonardo Brant O Brasil contemporâneo e as leis de incentivo http //www.culturaemercado.com.br/pontos-de-vista/o-brasil-contemporaneo-e-as-leis-de-incentivo/ Juliano Barone 政府発表のデータ類 http //www.cultura.gov.br/site/2007/11/21/estatisticas/ Já se foi o tempo do estado mínimo, onde se plantou a idéia que tudo que era estatal era ruim e pernicioso, lento e dispendioso. Vivemos outro momento e estamos a um passo de termos um mecanismo (O grande FNC após a aprovação de toda a legislação que tramita no congresso) justo, eficiente e que contemple a cultura brasileira nos 3 aspectos que é base da política do MinC desde Gil e que continua com o Juca cultura para preservação dos referenciais simbólicos nacionais, cultura como cidadania (nada mais exemplar que o Cultura Viva e seus maravilhosos Pontos de Cultura) e a economia da cultura para geração de emprego e renda, inclusão social, desenvolvimento local e regional, etc. 日本、アメリカ、フランスなどと比べてのブラジルのメセナの新しさを図ないし表に したもの ブラジルの文化支援策の年表 3－2、4－1で（データを示しつつ）今の段階で何がいえそうか を明らかにしてください。 支出をまとめる 公的出資に対してのメセナ費の比 まずはこちらをご覧ください。 @wikiの基本操作 用途別のオススメ機能紹介 @wikiの設定/管理 分からないことは？ @wiki ご利用ガイド よくある質問 無料で会員登録できるSNS内の@wiki助け合いコミュニティ @wiki更新情報 @wikiへのお問合せフォーム 等をご活用ください @wiki助け合いコミュニティの掲示板スレッド一覧 #atfb_bbs_list その他お勧めサービスについて 大容量１Ｇ、PHP/CGI、MySQL、FTPが使える無料ホームページは@PAGES 無料ブログ作成は@WORDをご利用ください 2ch型の無料掲示板は@chsをご利用ください フォーラム型の無料掲示板は@bbをご利用ください お絵かき掲示板は@paintをご利用ください その他の無料掲示板は@bbsをご利用ください 無料ソーシャルプロフィールサービス @flabo(アットフラボ) おすすめ機能 気になるニュースをチェック 関連するブログ一覧を表示 その他にもいろいろな機能満載！！ @wikiプラグイン @wiki便利ツール @wiki構文 @wikiプラグイン一覧 まとめサイト作成支援ツール バグ・不具合を見つけたら？ 要望がある場合は？ お手数ですが、メールでお問い合わせください。 修論の素材テキスト置き場 Lei Rouanetの変更点 ブラジルにおいて、民間から民間へのお金の流れを促す政策（Leis de Incentivo Fiscal）があることは、ブラジルの文化政策の方向性を決定づけている 一番縛りの少ないLei Rouanetは中心的な役割を担っている Wiki_BR Marketing_cultural http //pt.wikipedia.org/wiki/Marketing_cultural O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. http //www.cultura.gov.br/site/wp-content/uploads/2009/02/empresas-incentivadoras-e-respectivos-valores-incentivados-em-2008.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/incentivadores-por-ano-e-tipo-de-pessoa.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-projetos-com-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/2007/11/21/estatisticas/ Últimos comentários 13 comentários para "Estatísticas" RSS dos comentários 20 de novembro de 2009 às 16 55WILLIAM MORAES CORREA (OS FOLIOES- SAO LUIS- MA) Incentivar projetos que não consumam grandes valores é fundamental para o crecimento cultural de nosso país. Existem projetos maravilhosos que eriam realziados (e muito bem) com poucos recursos. A legislação precisa beneficiar iniciativas assim. 20 de novembro de 2009 às 10 43claudio ferreira a cultura ele tem qua ser mais aprofundada e mito importante o trabalho que as instituiçao,as ong e etc faz alem de leva o onhecimento o trabalho de pesquisa lavar tambem a etica familia eo respeito ao prossimo penser nisso vcs ai 08 de setembro de 2009 às 20 05Bruno Resende Ramos Que a Lei Rouanet continue para que pequenos projetos de cunho sócio-cultural alcancem melhores tempos. Aos contemplados e as empresas que oportunizam essa resposta social os nossos agradecimentos. 02 de setembro de 2009 às 11 44André Luiz Salvalaggio Olá, gostaria de saber quando abrirá um novo edital para a lei Rouanet? Obrigado. RESPOSTA, por Contate@Cultura Não há editais para a Lei Rouanet. O MinC recebe propostas durante todo o ano. Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. Mais informações, Siconv 0800-9782340. SalicWeb informe.sefic@cultura.gov.br 26 de junho de 2009 às 14 54Wedson Simões Dúvida Qualquer pessoa pode se cadastrar no SALICWEB ou deve ser o proponente do projeto? RESPOSTA, por Contate@Cultura Não há porque se cadastrar se não for apresentar um projeto. 14 de junho de 2009 às 18 30Alexandre Gomes Boa noite. Desejo saber mais sob apresentação de projetos para utilização dos recursos daLei Rouanet. Sem mais, agradeço e aguardo. RESPOSTA, por Contate@Cultura Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 05 de junho de 2009 às 12 15cleverson Olá, gostaria de saber se meu projeto se encaixa na Lei Rouanet de incentivo a cultura?? meu projeto se trata da gravação de um CD com músicas inéditas. Empresas que entram como patrocinadoras conseguem se enquadrar na Lei Rouanet? Aguardo resposta. RESPOSTA, por Contate@Cultura Gravação de CD pode ser contemplado pela Lei Rouanet, mas confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 03 de maio de 2009 às 21 54vania maria franceschi vieira Qual a estatística de projetos aprovados por região no Brasil nos últimos 5 anos? RESPOSTA, por Contate@Cultura Nesta página é possível encontrar todos os dados que temos publicado. Boa pesquisa!! 28 de abril de 2009 às 14 46Luiz Fernando Rodrigues Solicito incluir nas estatísticas um comparativo da renúncia fiscal aprovada versus a utilizada no período de1999 - 2009. 03 de abril de 2009 às 20 38Fabiano Pessanha - Geração Futuro Prezados, Parabens pela iniciativa de disponibilizar dados relevantes de nosso mercado cultural. São de grande valia e interesse publico! Sugiro a disponibilização de demembramento dos dados por obra e produtora, no caso de Certificado Audiovisual.