約 6,212,665 件
https://w.atwiki.jp/touhoukashi/pages/2465.html
【登録タグ 3L L NJK Record TOHO EURO FLASH Vol.1 maria♂polo 曲 神さびた古戦場 ～ Suwa Foughten Field】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/japaneseartist/pages/10.html
Ryota Matsumoto is one of the most prominent philosophers of postdigital theory and visual artist known for the hybrid art. He is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio based in New York and Tokyo. Biography Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. Matsumoto has previously collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, Cesar Pelli and MIT Media Lab before establishing his office. As a designer and consultant of Nihon Seikei Inc. and Japanese railway, he has worked on high-profile projects including Kyushu University Ito Campus masterplan(2003-2005), Shinjuku redevelopment project in Tokyo(2009-2012), Bach Mai hospital in Hanoi(2000) and Qingdao mixed-use development in China(2011). He has presented his work on posthumanism, digital design and bio art at the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts and NTT InterCommunication Center as a visual artist. As a video producer, he has worked with Peter Christopherson for Japanese Nike commercial and contributed to the promotional projects for his first solo album as Threshold Houseboys Choir. His academic career started as a teaching assistant for architectural historian, Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow school of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability and design interventions for Dhaka, Bangladesh in 2005. He has served as an MFA advisor of Transart institute, University of Plymouth and teaches at Asagaya Institute of Art and Design as a professor of practice. He is a research associate at the New Centre of Research Practice found by Mohammad Salemy, Jason Adams and Reza Negarestani. Matsumoto is the recipient of Visual Art Open First Prize, FILE (Electronic Language International Festival) Prix Lux Finalist, Florence Biennale Mixed Media 2nd Place Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, Lynx International Prize Be Art Builder Award, Lumen Prize Finalist and Western Bureau Art Prize Honorable Mention. He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of University of Texas at Tyler. His work, writings, and interviews were published in Kalubrt Magazine, University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Next Nature Network, Rhizome.org, Carbon Culture Review, KooZA/rch, Supersonic Art, Component Design (Winka Dubbeldam ed.), Post Digital Aethetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike(SEPI-SP editors) and Drawing Futures (The Bartlett UCL) among others. Matsumoto s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gllery and Arts and Heritage Centre Altrincham. He also had solo exhibitions at Transylvania University (2015), Los Angeles Center of Digital Art (2016) and Alviani ArtSpace, Pescara (2017). Links The Official Website https //www.ryotamatsumoto.com The New Centre Profile https //thenewcentre.org/people/ryota-matsumoto Prabook https //prabook.com/web/ryota.matsumoto/619708 Facebook https //www.facebook.com/ryota.matsumoto.718 Instagram https //www.instagram.com/ryt.matsumoto Enpedia https //enpedia.rxy.jp/wiki/松本良多 LinkedIn https //www.linkedin.com/in/ryota-matsumoto-68746080 Discogs https //www.discogs.com/ja/artist/5796857-Ryota-Matsumoto Muck Rack Journalist Profile https //muckrack.com/ryota-matsumoto
https://w.atwiki.jp/dapump_booster/pages/35.html
2018.07.22 InstagramStory SUPREME 18SS Corduroy Baseball Jersey 53,784 円（税込） https //store.shopping.yahoo.co.jp/fashionplate-fsp/sup-item-0165.html 2018.07.18 InstagramStory ルイ・ヴィトン クリストファー PM 315,360円 https //jp.louisvuitton.com/jpn-jp/products/christopher-pm-monogram-macassar-008803 2017.08.07 Instagram https //www.instagram.com/p/BXcZDQuFY2a/ Louis Vuitton/Supreme Eye-Trunk for iPhone 7 143,640円 Louis Vuitton/Supreme Eye-Trunk for iPhone 7+ 152,280円 https //godmeetsfashion.com/wp-content/uploads/2017/01/supreme-louis-vuitton-collaboration-2017aw-release-20170630-62.jpg 2015.10.04 Instagram https //www.instagram.com/p/8Z1hfou-A6/ JOYRICH (ジョイリッチ)Joy Wall St Motor Jkt t (BLACK) 価格26,250円(税込) http //blog.bpm.bz/?eid=2715 http //img-cdn.jg.jugem.jp/5a1/3277385/20150624_1050265.jpg
https://w.atwiki.jp/gava92/pages/411.html
( ＾ω＾)人の絵を勝手にさらしていきます 画伯の絵はすごいよ！！１ お題：ハム太郎 作者：マサーニ画伯 お題：みどり 作者：びわくるぽむゆう お題：アームストロング少佐 作者：びわ湖 お題：いささかさん 作者：びわ湖 お題：びわ湖＠vip 作者： びわくるぽむ お題：(o｜＿｜o) 作者：びわくるぽむ お題：たこす 作者：びわくるぽむ お題：ほも 作者：ぽむす お題：ベリーダンス 作者：gava お題：すべりだい 作者：ネルフ お題：じゃぐりんぐ 作者：でっていう お題：とうにゅう 作者：ネルフ お題：まぐなむとるねーど 作者：はぁ君 お題：すぬーぴー 作者：やむち お題：ほてる 作者：くるる お題：こーんふれーく 作者：ネルフ お題：とらんくす 作者：ネルフ お題：ぶれいくだんす 作者：優一 お題：ばっふぁろー 作者：masa-ni お題：さくらだのり 作者：masa-ni お題：あゆ 作者：クサーノ お題：ばれえだんさー 作者：ネルフ お題：ぶたこま 作者：優一 お題：なんきょくてん 作者：びわ湖 お題：くうき 作者：びわ湖 お題：しーつ 作者：優一 お題：むすびめ 作者：クサーノ お題：ほぼ 作者：クサーノ お題：りゅっくさっく 作者：クサーノ お題：ぴっきんぐ 作者：masa-ni お題：ぞう 作者：masa-ni お題：さいころすてーき 作者：masa-ni お題：にんてんどーでぃーえす 作者：masa-ni お題：のびた 作者：役満 GAVA masa-ni お題：とら 作者：役満 GAVA masa-ni お題：せんとくん 作者：役満 GAVA masa-ni でって(右上) お題：ヨッシー 作者：役満 GAVA masa-ni でって クッキー お題：ブラックジャック 作者：役満 GAVA masa-ni クッキー お題：フシギダネ 作者：役満 GAVA masa-ni でって お題：クルル 作者：役満 GAVA masa-ni でって お題：ジャイアン 作者：役満 GAVA masa-ni クッキー お題：GAVA 作者：役満 GAVA masa-ni でって #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (gavas.jpg) お題：犬 作者：役満 GAVA masa-ni 右下(誰だ？) お題：てっち 作者：役満 GAVA masa-ni でって #ref error ：ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (tetti.jpg) お題：メロンパンナ 作者：役満 GAVA masa-ni vispom お題：ダンデライオン（たんぽぽ） 作者：やくまん お題：ヒラガサイト 作者：やくまん お題：モアイ 作者：マサーニ GAVA 役満 ぶーん ねるふ vispom お題：ぶーん 作者：giko やくまん ぽむ がヴぁ お題：ゴルゴ 作者：giko やくまん ぶーん がヴぁ お題：フリーザ 作者：GAVA 側近 お題：ルージュラ 作者：GAVA 側近 お題：リーマン×仁 作者：GAVA 仁 気になったらコメントをどうぞ( ＾ω＾) VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ deportivas air max http //www.sente.es/zapatillas/deportivas-air-max.html -- (deportivas air max) 2014-04-10 04 22 45 Hello,that is a good post.Thanks for sharing! nike blazer pas cher http //www.arthur-clement.fr -- (nike blazer pas cher) 2014-05-07 20 47 12 Selon Xinhua Nouvelles Agence a indiqué que le Falcons opérations spéciales commando brigade est armé Institut SWAT . En 1982 , le Comité central du PCC a décidé de créer une excellente qualité des forces nationales de lutte contre le terrorisme poing , a ensuite formé un " détournement de forces spéciales de la police , " la sélection des joueurs sont de l élite de l armée . Siège de la police armée a été créé en 1983, le quartier général des forces armées sous le nom a été changé pour " Police armée brigade spéciale de la police populaire chinois . " Mai 2000, approuvé par la Commission militaire centrale , rebaptisée « police armée académie de police spéciale du peuple chinois . " chaussures louboutin http //louboutin.bwy.fr/chaussures-louboutin-pas-cher.html -- (chaussures louboutin) 2014-05-19 21 50 52 Great product and fast shipping. Thank you!! men Hermes Bag http //www.admiral-group.co.uk/Hermes/ -- (men Hermes Bag) 2014-05-27 15 33 25 sySBas Very good post.Really looking forward to read more. Will read on... -- (awesome seo solutions) 2014-06-04 23 45 55 more willing to look at other options. They will be looking for those discount oakley sunglasses sale http //www.huntsantiques.co.uk/calendar.php -- (discount oakley sunglasses sale) 2014-06-12 11 42 42 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ oakley wayfarer sunglasses uk Home oakleys sale uk http //www.ukoakleys.org/30662-oakley-wayfarer-sunglasses-uk-home-oakleys-sale-uk.html -- (oakley wayfarer sunglasses uk Home oakleys sale uk) 2014-06-14 12 28 42 China Maine Maine HotelsChina Lake CruiseChina, ME (Road Biking)This ride is just plain good pedaling on quiet back roads in an area of rural Maine that s easily accessible from the interstate and from coastal regions. This vehicle launched the modernization of the era when it came to high-performance sports cars. Add the orange lemon peel ginger. bestax rayleigh http //www.ecumaniacs.co.uk/ukpolo/ralph-lauren-city-polo.html -- (bestax rayleigh) 2014-06-24 22 08 44 lqEvc9 Major thanks for the article.Much thanks again. Keep writing. -- (link building) 2014-07-17 13 34 49 It is not my first time to go to see this web page, i am visiting this web page dailly and get fastidious information from here all the time. ugg outlet wrentham ma http //www.tech-team.it/it-ugg/jt6tdWlHZ6/ -- (ugg outlet wrentham ma) 2014-11-11 12 53 49 My mind is examine by its for example anyone! You appear to understanding thus considerably approximately this, such as you authored the e-book inside or anything. I really believe which you can perform with some p.c. This really is wonderful blog to force the message property instead of this, although a bit. An excellent study. I’ll definitely be again. i-m.mx/HomeSecuritySystems/Free-Alarm-System-Quote/news.html http //www.i-m.mx/HomeSecuritySystems/Free-Alarm-System-Quote/news.html -- (i-m.mx/HomeSecuritySystems/Free-Alarm-System-Quote/news.html) 2014-11-20 12 39 08 contemplated I d personally restraint points unconscious. I like exactly what I envision i really am located absolutely charting you. Look forward to -- (Wisnoskypi) 2014-11-25 14 40 19 I’d like to win this for my daughter! she’d love it!! Scarpe timberland shop online http //www.timberlandoutlets.it -- (Scarpe timberland shop online) 2014-12-17 21 08 48 mbt lifestyle red shoes VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ mbt shoes alternatives japan http //www.allureaandeamstel.nl/mbt-outlet/mbt-shoes-alternatives-jeddah-mbt-shoes-alternatives-japan.html -- (mbt shoes alternatives japan) 2015-01-01 14 41 36 mbt sirima womens leather shoes-black VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ mbt shoes boots technology http //www.autocrossnederland.nl/mbtshoesoutlet/mbt-shoes-boots-toronto-stores-mbt-shoes-boots-technology.html -- (mbt shoes boots technology) 2015-01-01 17 49 07 Of them come from Workington on the other side of the river so their journeys were severely disrupted but they all got up earlier, got in on time and carried on working, every single person. I think that is absolutely incredible and a real testament to the attitude and commitment of our workforce and of Cumbrian people in general. http //www.gppa.net/remote/nike-shox-women.php http //www.gppa.net/remote/nike-shox-women.php -- (http //www.gppa.net/remote/nike-shox-women.php) 2015-01-11 09 20 38 If your child has sent a request slip to the fairy, then the best way to reply to it is with a receipt from her, and a small thank you note. relojes baratos mujer http //www.institutodefertilidad.es/wp-content/?relojes-baratos-mujer -- (relojes baratos mujer) 2015-01-18 14 31 43 where to buy cheap jerseys, buy wholesale pro jerseys from china online with paypal. http //afgefirefighters.org/images/sitemap.html http //afgefirefighters.org/images/sitemap.html -- (http //afgefirefighters.org/images/sitemap.html) 2015-01-24 01 31 09 I agree with you and will be definitely looking forward to your future updates. Thank you and keep the great work up. Good luck! nike air max black and orange http //www.nike--airmax.net/air-max-2015-black-orange-green-p-1115 -- (nike air max black and orange) 2015-02-05 03 30 19 Very Fast Delivery! chanel AAA Replica bags http //www.bagsreplicashop.co.uk/Chanel/ -- (chanel AAA Replica bags) 2015-02-14 16 47 05 名前 コメント すべてのコメントを見る 腹筋が物故割れた -- (名無しさん) 2009-02-12 07 13 16 ネルフって人とｍａｓａーｎｉって人見た事ない -- (名無しさん) 2009-02-17 16 00 42 ２名がお題以外の物を描いてるとしか思えない -- (名無しさん) 2009-02-19 20 57 07 文字書くのありかよｗｗｗ -- (名無しさん) 2009-02-20 17 23 33 やるきねーだろｗ -- (名無しさん) 2009-02-24 12 53 50 Qualityたかすｗｗｗｗｗｗｗ -- (名無しさん) 2009-02-27 01 40 58 なんでこいつらモアイ描く気ないの？ｗ -- (名無しさん) 2009-02-28 23 05 00 左下の２人のことね。 -- (名無しさん) 2009-02-28 23 16 11 あげ -- (名無しさん) 2009-06-05 01 08 22 7C5xKq Wow, great blog.Much thanks again. Want more. -- (awesome things!) 2014-03-01 06 13 23 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ http //www.rightinfo.co.uk/ http //www.rightinfo.co.uk/ -- (http //www.rightinfo.co.uk/) 2014-03-02 08 00 45 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ http //www.talentregister.co.uk/ http //www.talentregister.co.uk/ -- (http //www.talentregister.co.uk/) 2014-03-13 21 48 29 Your images look terrific !!!| cheap ray ban sunglasses http //www.fermanicannucce.it/sunglasses.php -- (cheap ray ban sunglasses) 2014-03-23 22 43 31 This is a beautiful shot with very good light-weight ;-)| http //www.sandtrans.dk/longchamp.html http //www.sandtrans.dk/longchamp.html -- (http //www.sandtrans.dk/longchamp.html) 2014-03-26 07 34 29 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ nike air max online http //www.mirtoshop.es/zapatillas/nike-air-max-online.html -- (nike air max online) 2014-03-26 08 16 41 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ Nike Air Max 90 http //www.aguasdealcala.es/zapatillas/ -- (Nike Air Max 90) 2014-03-28 11 04 14 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ nike air max 24-7 http //www.carrier.es/zapatillas/nike-air-max-24-7.html -- (nike air max 24-7) 2014-03-29 22 22 39 { Longchamps Le Pliage http //www.osimana.it/le-pliage.php -- (Longchamps Le Pliage) 2014-03-30 18 45 52 { jeremy scott longchamp http //www.sandtrans.dk/longchamp.html -- (jeremy scott longchamp) 2014-04-02 19 53 55 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ nike air max hombre http //www.facc.info/zapatillas/nike-air-max-hombre.html -- (nike air max hombre) 2014-04-04 20 51 51 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ comprar air max http //www.elchaletsuizo.es/zapatillas/comprar-air-max.html -- (comprar air max) 2014-04-06 01 35 03 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ nike air max salida http //www.ulysse.es/zapatillas/nike-air-max-salida.html -- (nike air max salida) 2014-04-07 09 06 57 Just checked out some of your photos ( i m actually happy i obtained to job darkness you. You re excellent!| http //www.perceptio.net/le-pliage.asp http //www.perceptio.net/le-pliage.asp -- (http //www.perceptio.net/le-pliage.asp) 2014-04-07 11 52 19 1 Air Max Uptempo 90 Nike Air Max 97. nike air max 95 air max classic El Lobo asics cumulus http //www.strongerbritney.com.ar/asics.php?p=asics cumulus -- (asics cumulus) 2014-04-08 12 23 15 Sustain the good job and generating the crowd!| oakley discount http //www.roofsrus.com.au/cheapsunglasses.html -- (oakley discount) 2014-04-08 22 05 12 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ http //www.febe.es/premium/ http //www.febe.es/premium/ -- (http //www.febe.es/premium/) 2014-04-09 06 45 46 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ nike air max para mujer http //www.carrier.es/zapatillas/nike-air-max-para-mujer.html -- (nike air max para mujer) 2014-04-09 13 18 06 Simply looked at several of your pictures ( i m truly glad i reached task darkness you. You re wonderful!| http //www.adbx.com.au/sunglassesforcheap.html http //www.adbx.com.au/sunglassesforcheap.html -- (http //www.adbx.com.au/sunglassesforcheap.html) 2014-04-10 01 22 24 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ deportivas air max http //www.sente.es/zapatillas/deportivas-air-max.html -- (deportivas air max) 2014-04-10 04 22 45 Hello,that is a good post.Thanks for sharing! nike blazer pas cher http //www.arthur-clement.fr -- (nike blazer pas cher) 2014-05-07 20 47 12 Selon Xinhua Nouvelles Agence a indiqué que le Falcons opérations spéciales commando brigade est armé Institut SWAT . En 1982 , le Comité central du PCC a décidé de créer une excellente qualité des forces nationales de lutte contre le terrorisme poing , a ensuite formé un " détournement de forces spéciales de la police , " la sélection des joueurs sont de l élite de l armée . Siège de la police armée a été créé en 1983, le quartier général des forces armées sous le nom a été changé pour " Police armée brigade spéciale de la police populaire chinois . " Mai 2000, approuvé par la Commission militaire centrale , rebaptisée « police armée académie de police spéciale du peuple chinois . " chaussures louboutin http //louboutin.bwy.fr/chaussures-louboutin-pas-cher.html -- (chaussures louboutin) 2014-05-19 21 50 52 Great product and fast shipping. Thank you!! men Hermes Bag http //www.admiral-group.co.uk/Hermes/ -- (men Hermes Bag) 2014-05-27 15 33 25 sySBas Very good post.Really looking forward to read more. Will read on... -- (awesome seo solutions) 2014-06-04 23 45 55 more willing to look at other options. They will be looking for those discount oakley sunglasses sale http //www.huntsantiques.co.uk/calendar.php -- (discount oakley sunglasses sale) 2014-06-12 11 42 42 VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ oakley wayfarer sunglasses uk Home oakleys sale uk http //www.ukoakleys.org/30662-oakley-wayfarer-sunglasses-uk-home-oakleys-sale-uk.html -- (oakley wayfarer sunglasses uk Home oakleys sale uk) 2014-06-14 12 28 42 China Maine Maine HotelsChina Lake CruiseChina, ME (Road Biking)This ride is just plain good pedaling on quiet back roads in an area of rural Maine that s easily accessible from the interstate and from coastal regions. This vehicle launched the modernization of the era when it came to high-performance sports cars. Add the orange lemon peel ginger. bestax rayleigh http //www.ecumaniacs.co.uk/ukpolo/ralph-lauren-city-polo.html -- (bestax rayleigh) 2014-06-24 22 08 44 lqEvc9 Major thanks for the article.Much thanks again. Keep writing. -- (link building) 2014-07-17 13 34 49 It is not my first time to go to see this web page, i am visiting this web page dailly and get fastidious information from here all the time. ugg outlet wrentham ma http //www.tech-team.it/it-ugg/jt6tdWlHZ6/ -- (ugg outlet wrentham ma) 2014-11-11 12 53 49 My mind is examine by its for example anyone! You appear to understanding thus considerably approximately this, such as you authored the e-book inside or anything. I really believe which you can perform with some p.c. This really is wonderful blog to force the message property instead of this, although a bit. An excellent study. I’ll definitely be again. i-m.mx/HomeSecuritySystems/Free-Alarm-System-Quote/news.html http //www.i-m.mx/HomeSecuritySystems/Free-Alarm-System-Quote/news.html -- (i-m.mx/HomeSecuritySystems/Free-Alarm-System-Quote/news.html) 2014-11-20 12 39 08 contemplated I d personally restraint points unconscious. I like exactly what I envision i really am located absolutely charting you. Look forward to -- (Wisnoskypi) 2014-11-25 14 40 19 I’d like to win this for my daughter! she’d love it!! Scarpe timberland shop online http //www.timberlandoutlets.it -- (Scarpe timberland shop online) 2014-12-17 21 08 48 mbt lifestyle red shoes VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ mbt shoes alternatives japan http //www.allureaandeamstel.nl/mbt-outlet/mbt-shoes-alternatives-jeddah-mbt-shoes-alternatives-japan.html -- (mbt shoes alternatives japan) 2015-01-01 14 41 36 mbt sirima womens leather shoes-black VIP将棋部@部員用wiki - キャチマ部＠描いた絵晒しページ mbt shoes boots technology http //www.autocrossnederland.nl/mbtshoesoutlet/mbt-shoes-boots-toronto-stores-mbt-shoes-boots-technology.html -- (mbt shoes boots technology) 2015-01-01 17 49 07 Of them come from Workington on the other side of the river so their journeys were severely disrupted but they all got up earlier, got in on time and carried on working, every single person. I think that is absolutely incredible and a real testament to the attitude and commitment of our workforce and of Cumbrian people in general. http //www.gppa.net/remote/nike-shox-women.php http //www.gppa.net/remote/nike-shox-women.php -- (http //www.gppa.net/remote/nike-shox-women.php) 2015-01-11 09 20 38 If your child has sent a request slip to the fairy, then the best way to reply to it is with a receipt from her, and a small thank you note. relojes baratos mujer http //www.institutodefertilidad.es/wp-content/?relojes-baratos-mujer -- (relojes baratos mujer) 2015-01-18 14 31 43 where to buy cheap jerseys, buy wholesale pro jerseys from china online with paypal. http //afgefirefighters.org/images/sitemap.html http //afgefirefighters.org/images/sitemap.html -- (http //afgefirefighters.org/images/sitemap.html) 2015-01-24 01 31 09 I agree with you and will be definitely looking forward to your future updates. Thank you and keep the great work up. Good luck! nike air max black and orange http //www.nike--airmax.net/air-max-2015-black-orange-green-p-1115 -- (nike air max black and orange) 2015-02-05 03 30 19 Very Fast Delivery! chanel AAA Replica bags http //www.bagsreplicashop.co.uk/Chanel/ -- (chanel AAA Replica bags) 2015-02-14 16 47 05
https://w.atwiki.jp/touhoukashi/pages/4793.html
【登録タグ CrazyBeats T うさ 曲 秘神マターラ ～ Hidden Star in All Seasons. 頭文字T T-SELECTION Vol.09】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/mrfrtech/pages/99.html
Market Scenario Parking is an important part of a transportation system. The ease of parking influences people to visit a place. It is also important and makes it easy to reach a certain destination. Parking management manages and uses all the sources available for parking the vehicles efficiently. The increasing urbanization is the main reason for the complications in parking. In COVID 19, the Parking Management Market deteriorated as in that time, the majority of the market got hit economically globally. All the construction projects and there was a restriction in the traveling sector which led to disruption in the market growth. Constant parking management solutions such as real-time parking indicators and developed signs decrease the wastage of the parking spaces by providing information to the customers about the parking place. It also increases the source more efficiently but different the parking spaces according to the price. A better parking solution would be helpful and would solve the parking issues by 20 to 40%, leading to increases in the infrastructure. Management policies can also decrease the demand for parking subsidies, increase travel options for non-drivers, provide financial savings to lower-income households, and increase housing affordability. The parking management deals with hardware such as traffic control devices, computer servers, etc. It becomes difficult for the parking space operators to use the new and innovative parking management systems, creating challenges for the market. The usage of innovative technologies and improvement in the mobility, housing and economy in smart cities is opening up a new door of opportunity for the Parking Management Market. The Parking Management Market is expected to hold $7 billion in 2023, and it will also grow at a rate of 12% CAGR between 2017 to 2023. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/3232 Competitive Outlook The well-known companies in parking management market are Kapsch TrafficCom AG (Austria), Siemens AG (Germany), T2 Systems, Inc. (U.S.), AMANO Corporation (Japan), XEROX Corporation (U.S.), SWARCO AG (Austria), Cubic Corporation (U.S.), INRIX, Inc. (U.S.), INDIGO (France), SKIDATA AG (Austria), among others. Segmentation The Parking Management Market is segregated by component, parking site, solution and vertical. Based on the component, the market is divided into software and service. Off-street parking and on-street parking are the variables of the segment parking site. The solution segment is bifurcated into Access Control, Security, Surveillance, Valet, and Revenue Management. By vertical, the market is divided into retail, transportation, hospitality, BFSI, healthcare, academia, government etc.; the service segment is anticipated to witness a high segment in the forecast period. The increasing demand is due to the appropriate pricing for all car parks by providing a view of the price rates. The one-site parking segment is expected to dominate the market in the forecast period due to the global adaptation of government authorities. Other segments of the market will also register growth in the forecast period. Regional Analysis The Parking Management Market is studied in prominent places like North America, Asia Pacific, Europe, etc. The continuous increase of vehicles in Canada and U the S is attributed to the growth of North America. It is creating the need for deducing issues like traffic congestion, and it is also essential to increase the growth of the market. In the next few years, it is expected that the Asia Pacific region will hold a large growth rate as the government of the Asia region is increasing the spending on the development of smart cities. The adaptation of automation technologies and development investment by the top IT companies to develop AI technologies will improve the market growth. Industry News The MoWiz app, a user-friendly parking payments platform, facilitates parking payments by allowing Curitiba residents and visitors to park and pay in zone-regulated areas from the convenience of their mobile phones. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/parking-management-market-3232 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report Fixed-Mobile Convergence (FMC) Market By Convergence Type (Device Convergence, Network Convergence and Application Convergence), Mode (Single-mode and Dual-mode), Component (Infrastructure and Service) Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/403mister/pages/13.html
・Python-Modules Python-Modulesは、Pythonのライブラリのこと（のはず）であり、それぞれのクラスから、様々な便利な機能を実装することができるようになっています。 以下に、各クラスの簡単な説明を書いていきます。 AutoComplete This extension can complete either attribute names of file names. It can pop a window with all available names, for the user to select from. この拡張は、ファイル名の名前を完結させることもでき、また属性を与えることもできる（？） ユーザーにとって、選ぶために、それは全ての利用可能な名前を持って、ウィンドウをポップすることができる。 AutoCompleteWindow AutoExpand BaseHTTPServer Note the class in this module doesn t implement any HTTP request; see SimpleHTTPServer for simple implementations of GET, HEAD and POST (including CGI scripts). It does, however, optionally implement HTTP/1.1 persistent connections, as of version 0.3. Contents - BaseHTTPRequestHandler HTTP request handler base class - test test function XXX To do - log requests even later (to capture byte count) - log user-agent header and other interesting goodies - send error log to separate file メモ： このモジュールにおけるそのクラスはHTTPリクエストを実行するわけではない：GET、HEADそしてPOSTメソッドの簡単な実行のためにSimpleHTTPServerを参照しなさい。（CGIスクリプトを含んでいる）。しかしながら、それは任意にVer 0.3のものとして、HTTP/1.1の永続的な接続を実行する。 内容： CallTipWindow After ToolTip.py, which uses ideas gleaned from PySol Used by the CallTips IDLE extension. CallTips Call Tips are floating windows which display function, class, and method parameter and docstring information when you type an opening parenthesis, and which disappear when you type a closing parenthesis. Canvas ClassBrowser CodeContext ColorDelegator ConfigParser Cookie Debugger Delegator Dialog DocXMLRPCServer EditorWindow FileDialog FileList FixTk FormatParagraph GrepDialog HTMLParser IOBinding IdleHistory MimeWriter MultiCall MultiStatusBar ObjectBrowser OutputWindow ParenMatch PathBrowser Percolator PyParse PyShell Queue RemoteDebugger RemoteObjectBrowser ReplaceDialog RstripExtension ScriptBinding ScrolledList ScrolledText SearchDialog SearchDialogBase SearchEngine SimpleDialog SimpleHTTPServer SimpleXMLRPCServer SocketServer StackViewer StringIO Tix Tkconstants Tkdnd Tkinter ToolTip TreeWidget UndoDelegator UserDict UserList UserString WidgetRedirector WindowList ZoomHeight _LWPCookieJar _MozillaCookieJar __builtin__ __future__ _abcoll _ast _bisect _bsddb _codecs _codecs_cn _codecs_hk _codecs_iso2022 _codecs_jp _codecs_kr _codecs_tw _collections _csv _ctypes _ctypes_test _elementtree _functools _hashlib _heapq _hotshot _io _json _locale _lsprof _md5 _msi _multibytecodec _multiprocessing _pyio _random _sha _sha256 _sha512 _socket _sqlite3 _sre _ssl _strptime _struct subprocess _symtable _testcapi _threading_local _tkinter _warnings _weakref _weakrefset _winreg abc aboutDialog aifc antigravity anydbm argparse array ast asynchat asyncore atexit audiodev audioop base64 bdb binascii binhex bisect bsddb baz2 cPickle cProfile cStringIO calendar cgi cgitb chunk cmath cmd code codecs codeop collections colorsys commands compileall compiler configDialog configHandler configHelpSourceEdit configSectionNameDialog contextlib cookielib copy copy_reg csv ctypes curses datetime dbhash decimal difflib dircache dis distutils doctest dumbdbm dummy_thread dummy_threading dynOptionMenuWidget email encodings errno exceptions filecmp fileinput fnmatch formatter fpformat fractions ftplib functools future_builtins gc genericpath getopt getpass gettext glob gzip hashlib heapq hmac hotshot htmlentitydefs htmllib httplib idle idlelib idlever ihooks imageop imaplib imghdr imp importlib imputil inspect io itertools json keybindingDialog keyword lib2to3 linecache locale logging macosxSupport macpath macur12path mailbox mailcap markupbase marshal math md5 mhlib mimetools mimetypes mimify mmap modulefinder msilib msvcrt multifile multiprocessing mutex netrc new nntplib nt ntpath ntur12path numbers opcode operator optparse os os2emxpath parser pdb pickle pickletools pipes pkgutil platform plistlib popen2 poplib posixfile posixpath pprint profile pstats pty py_compile pyclbr pydoc pydoc_data pyexpat quopri random re repr rexec rfc822 rlcompleter robotparser rpc run runpy sched select sets sgmllib sha shelve shlex shutil signal site smtpd smtplib sndhdr socket sqlite3 sre sre_compile sre_constants sre_parse ssl stat statvfs string stringold stringprep strop struct subprocess sunau sunaudio symbol symtable sys sysconfig tabbedpages tabnanny tarfile telnetlib tempfile test testcode testView testwrap this thread threading time timeit tkColorChooser tkCommonDialog tkFileDialog tkFont tkMessageBox tkSimpleDialog toaiff token tokensize trace traceback ttk tty turtlr types unicodedata unittest urllib urllib2 urlparse user uu uuid warnings wave weakref webbrowser whichdb winsound wsgiref xdrlib sml smllib smlrpclib xxsubtype zipfile zipimport zlib
https://w.atwiki.jp/touhoukashi/pages/6092.html
【登録タグ Another World4 F GET IN THE RING TUMENECO みぃ 曲 衛星カフェテラス 衛星トリフネ 車椅子の未来宇宙】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/1290.html
【登録タグ Nothing but Flowers V キャプテン・ムラサ 曲 発熱巫女～ず 衝動的の人】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/w3cwiki/pages/4.html
W3C Multimodal Application Developer Feedback W3C Working Group Note 14 April 2006 This version http //www.w3.org/TR/2006/NOTE-mmi-dev-feedback-20060414/ Latest version http //www.w3.org/TR/mmi-dev-feedback/ Previous version This is the first publication. Editors Andrew Wahbe, VoiceGenie Technologies Gerald McCobb, IBM Klaus Reifenrath, Nuance Raj Tumuluri, Openstream Sunil Kumar, V-Enable Copyright © 2006 W3C® (MIT, ERCIM, Keio), All Rights Reserved. W3C liability, trademark and document use rules apply. Abstract Several years of multimodal application development in various business areas and on various device platforms has provided developers enough experience to provide detailed feedback about what they like, dislike, and want to see improve and continue. This experience is provided here as an input to the specifications under development in the W3C Multimodal Interaction and Voice Browser Activities. Status of this Document This section describes the status of this document at the time of its publication. Other documents may supersede this document. A list of current W3C publications and the latest revision of this technical report can be found in the W3C technical reports index at http //www.w3.org/TR/. This document is a W3C Working Group Note. It represents the views of the W3C Multimidal Interaction Working Group at the time of publication. The document may be updated as new technologies emerge or mature. Publication as a Working Group Note does not imply endorsement by the W3C Membership. This is a draft document and may be updated, replaced or obsoleted by other documents at any time. It is inappropriate to cite this document as other than work in progress. This document is one of a series produced by the Multimodal Interaction Working Group (Member Only Link), part of the W3C Multimodal Interaction Activity. The MMI activity statement can be seen at http //www.w3.org/2002/mmi/Activity. Comments on this document can be sent to www-multimodal@w3.org, the public forum for discussion of the W3C s work on Multimodal Interaction. To subscribe, send an email to www-multimodal-request@w3.org with the word subscribe in the subject line (include the word unsubscribe if you want to unsubscribe). The archive for the list is accessible online. This document was produced by a group operating under the 5 February 2004 W3C Patent Policy. This document is informative only. W3C maintains a public list of any patent disclosures made in connection with the deliverables of the group; that page also includes instructions for disclosing a patent. An individual who has actual knowledge of a patent which the individual believes contains Essential Claim(s) must disclose the information in accordance with section 6 of the W3C Patent Policy. Table of Contents * 1 Introduction * 2 What developers liked o 2.1 Reusable and pluggable modality components o 2.2 Modular modality components o 2.3 Declarative synchronization between modalities o 2.4 Scripting and semantic interpretation o 2.5 Styling * 3 What developers would like to see o 3.1 Global grammars o 3.2 Speech grammars for HTML links and controls o 3.3 Speech prompts for voice-enabled HTML links and controls o 3.4 Speech-enabled widgets o 3.5 Use speech to activate links and change focus o 3.6 Back functionality * 4 What developers would like to see continue and improve o 4.1 Support for both off-line and on-line multimodal interaction o 4.2 Support for events distributed over the network o 4.3 Support for implicit events o 4.4 VoiceXML tag and feature support o 4.5 Support for both directed and user-initiated dialogs o 4.6 Mixed-initiative interaction o 4.7 Access to speech confidence scores and n-best list by the application o 4.8 Access to device details o 4.9 Choice of ASR o 4.10 Controlling N-Best choice of ASR 1 Introduction IBM, VoiceGenie Technologies, Nuance, V-Enable, and OpenStream customers have been developing multimodal applications in a broad range of business areas, including Field-Force Productivity, Health Care and Life Sciences, Warehouse and Distribution, Industrial Plant Floor, Financial and Information Services, Directory Assistance, and the Mobile Web. Customer device platforms have included PC s (desktops, laptops, and tablets), PDA s, kiosks, appliances, equipment consoles, and web browser-based smart phones. The multimodal applications primarily extended the traditional GUI mode of interaction with speech, with the location of the speech services either local on the device or distributed on a remote server. Several XML markup languages were used to develop these applications, including XHTML+Voice (X+V) and xHMI. During the process of developing these applications, developers found features they liked about the development environment they were using and found features they thought were lacking. Their experiences were collected and are summarized here as feedback for the W3C Multimodal Interaction and Voice Browser Working Groups to consider when specifying future multimodal and voice authoring capabilities. We also solicit comments from the wider multimodal development community on the extent to which these observations are consistent with their own development experiences. The developers surveyed were expert in various programming languages and application environments. Developers expert in C/C++ and Java generally speech enabled native applications on small devices. Device platforms included Windows Mobile, BREW, embedded Linux, Symbian, and J2ME. Developers expert in the Web generally speech enabled browser based applications. Web browser platforms included Opera, Access NetFront, Windows Mobile Internet Explorer, and the Nokia Series 60. Web developers understood the web programming model very well but generally were new to speech. They liked XHTML, XML namespaces, XML Events, CSS, JavaScript, and VoiceXML with its ability to hide platform details. Developers expert in VoiceXML and dictation had backgrounds in speech and telephony and generally worked on adding GUI to voice and dictation applications. 2 What developers liked 2.1 Reusable and pluggable modality components Developers preferred to develop modality components that are reusable and pluggable. Use Case VoiceXML modality component A VoiceXML modality component is reused without modification in different multimodal applications. 2.2 Modular modality components Modular modality components are preferred because they can be authored separately by the modality experts. Use Case XHTML and VoiceXML modality components A VoiceXML expert authors the voice modality component and an XHTML expert authors the GUI component. Modality component coordination is handled independently, for example, by X+V sync and cancel elements. 2.3 Declarative synchronization between modalities Implicit event support includes both implicit event generation and implicit event handling. At different stages in the operation of the modality component, there will be either event generation or event handling by the component itself. Use Case X+V sync element The X+V sync element provides a declarative synchronization of XHTML form control elements and the VoiceXML field element. The sync element allows input from one speech or visual modality to set the field in the other modality. Also, setting the focus of an input element that is synchronized with a VoiceXML field updates the FIA to visit that VoiceXML field. 2.4 Scripting and semantic interpretation Developers liked support for modality component integration via scripting and semantic interpretation. Use Case Timed notifications of an operating room medical procedure A timed notification changes dynamically as time progresses. The notification depends on the current state of the application as well as the notification state. For a GUI+speech multimodal application a notification may be a TTS output and a new GUI page, corresponding to the next step of an operating room medical procedure. Use Case Integrated pen and speech interaction with a map The user says "zoom in here" while drawing an area on a map. The application responds by enlarging the detail of the area within the boundary drawn by the user. 2.5 Styling Developers liked CSS for styling each modality. For example, the CSS3 module for styling speech based on SSML was useful for styling the voice modality. Use Case TTS rendering of a news article on the web The news article is read by the computer in a realistic voice that uses a different sounding voices for headlines, section headings, and text. There are also a pauses between paragraphs and before article headlines. 3 What developers would like to see 3.1 Global grammars Developers would like support for top-level ("global") grammars that are active across multiple windows (e.g., HTML frames or portlets) of the application. Use Case Top-level menus An application has top level menus "buy", "sell", and "trade". At any time while involved in the "buy" dialog, a user can say "trade" and be switched to the "trade" multimodal dialog. 3.2 Speech grammars for HTML links and controls Developers would like support for explicitly adding speech grammars to activate HTML links and controls. An automatically created speech grammar may not capture everything the user may say. Use Case Hotel booking application get list of hotels Before booking a hotel reservation the user looks up a list of available hotels. On the page along with the reservation is a link labeled "Available Hotels." The developer anticipates that besides "available hotels", the user may say "show me the available hotels" or ask "what hotels are available", and adds these two phrases to the grammar for activating the link. Use Case Hotel booking application submit reservation The reservation form s submit button says "submit reservation", but the developer anticipates that a user might say "submit booking" instead, and adds "submit booking" to the grammar for activating the button. 3.3 Speech prompts for voice-enabled HTML links and controls Developers would like support for explicitly adding speech prompts to voice-enabled HTML hyperlinks and controls. The prompts can provide more information than the visual labels attached to the HTML hyperlinks and input fields. Use Case Hotel booking application enter Hotel name The user is prompted to enter a hotel name with the following TTS "please enter a hotel name. You can get a list of available hotels by saying show me available hotels. " 3.4 Speech-enabled widgets Developers would like to see speech enabled UI widgets which contain a simple dialog flow (e.g. widgets which contain confirmation or disambiguation steps). This allows an author to configure the dialog properties (prompts, grammars, confirmation-mode, confidence thresholds, etc.) of an HTML control or hyperlink. Use Case Hotel booking application confirm hotel The user says the name of one of the available hotels. The application repeats the name of the hotel back to the user and asks if it is correct. If the user says yes then the application fills in the HTML field with the user s input. 3.5 Use speech to activate links and change focus It should be easy to use speech to do more than fill in HTML form controls. For example, there should be declarative support for activating an HTML link or changing focus within an HTML page. Use Case Speech enabled bookmark page A page that displays the user s bookmarks is speech-enabled such that each bookmark has an associated grammar for moving the browser to the bookmarked page. 3.6 Back functionality Developers like to see support for a consistent and intuitive "back" handling across modalities. The browser "Back" multimodal functionality should be built-in and not require custom code. Use Case Browser "back" button The user can either press the browser back button or say "browser go back" to return to the previous multimodal page. All spoken commands which control the browser are preceded by "browser" so there is no collision with an application grammar. 4 What developers would like to see continue and improve 4.1 Support for both off-line and on-line multimodal interaction Multimodal interaction should be supported both for applications that are on-line, that is, are connected to the network, as well as for off-line applications. If the multimodal application goes from an on-line to an off-line state, multimodal interaction should still be supported by the modality components that run locally on the device. Use Case Access of medical information while walking down a hallway A doctor carrying a wireless tablet accesses patient medical information while walking down a hallway. Loss of wireless connectivity does not prevent the multimodal application from interacting with the doctor or presenting information it has stored on the doctor s tablet. Use Case Multimodal application in hospital operating room An off-line multimodal application in an operating room delivers timely instructions to the doctor. 4.2 Support for events distributed over the network Because a modality may be distributed on a remote server, there must be support for distributed events between a modality and the interaction manager. Use Case Driving directions A user accesses a multimodal driving directions application using a cell-phone. The application tells the user to turn right at the next intersection. An arrow pointing right pops up over a map. The application had received an event to display an arrow from the server. 4.3 Support for implicit events Implicit event support includes both implicit event generation and implicit event handling. At different stages in the operation of the modality component, there will be either event generation or event handling by the component itself. For example, the VoiceXML modality component could implicitly generate a focus event when the FIA selects a new form input item. Use Case Hotel booking application name, address, phone number A hotel booking application has a form with separate HTML input fields for entering name, street address, city, state and phone number. When the user selects one of the fields the user hears a prompt for entering the correction information into the field. The visual input focus is coordinated with the speech input focus. 4.4 VoiceXML tag and feature support VoiceXML support should include, for example, the object and mark tags and the "record while recognition is in progress" feature. Use case Windows program for calculating stock purchase totals The object element can be used to load a reusable platform-specific plug-in. For example, the application would load a Windows program which calculates stock purchase totals using the object element. Use case Read part of an e-mail message The mark tag can be used to mark how much of the text was actually read before the user left the page. When the user returns to the page the rest of the text can be read beginning where the user left off. Use case Unrecognized user input The recording of an unrecognized user input can be logged by the speech recognizer. 4.5 Support for both directed and user-initiated dialogs There must be arbitrary as well as procedural speech access to the visual application. For a dialog mechanism used in conjunction with a visual form there should be support for user-initiated dialogs. For example, the user should be able to jump to arbitrary points in the dialog by changing the visual focus (e.g., by clicking on a text box). Use Case Form filling for air travel reservation The air travel reservation application takes the user step by step through making a reservation, beginning with the origin and destination of the flight. After the user has been given a selection of flights, the user clicks on the visual departure date field to change the departure date. Use Case Application with two HTML forms The user is taken step-by-step through filling out a set of HTML fields in a form. Before all the fields have been filled, the user clicks on a field belonging to the other form. 4.6 Mixed-initiative interaction Dialog mechanisms that combine speech and text input must support mixed-initiative interaction. Use Case Flight reservation application A flight reservation application has separate HTML input fields for entering destination airport, date of travel and seating class. With a single utterance "I d like to go to San Francisco on April 20th, business class" the user fills in all the fields at one time. 4.7 Access to speech confidence scores and n-best list by the application Confidence scores and n-best lists are useful for example to allow the user to pick from a set of results supplied by an input recognizer. Use Case Select a football player A user says the name of a favorite football player. A number of players matched the user s input with the same low confidence score. Instead of asking the user to repeat the name, the application displays a visual list of player names that was matched. The user selects a name from the list. 4.8 Access to device details The developer would like access to device information such as, for example, the cell phone number, phone model, and display screen size. Typically in any mobile application the content is very specific to the device and at times personalized for the user. Access to device specific details such device model (e.g., Nokia 6680) helps the application reduce the grammar size and render device specific content. Access to user information such as the phone number allows the application to personalize the content for the user. Use Case Mobile appointment application When user George accesses the appointment application the application says "Welcome George " and presents a list of appointments for the day. The user can select any of his appointments by saying an appointment label shown on his phone. Each label is short enough to fit entirely on George s display. 4.9 Choice of ASR The developer would like to have more control over ASR. An example is the capability of a multimodal application to choose between a local ASR or network based ASR depending on the location of the grammar. The developer should be allowed to pick the ASR depending on the application logic. Use Case Music search mobile application In a music search mobile application the application uses network-based ASR to perform a search for a particular Artist/Album such as Green Day , 50 Cent etc. In case of network-based recognition the grammar is changing dynamically and is large in size. The same music application may use local ASR for the purpose navigating through the application using commands such as Home , Next Page etc. 4.10 Controlling N-Best choice of ASR The application should be able to control the number of results it wants from ASR based on either a number N (say return top 5 matches) or confidence score (say return 0.8 score). The developer should be able to author this N-Best list control. Use Case Select a football player mobile application As with the previous football player selection use case, the list of players is visually displayed for the user to select. The user can make a selection from the visual presentation. The ASR may return more than 10 results as part of its N-Best response mechanism. However, the application depending on the screen size may choose to display only the top 5 entries on the screen. The application requests only the top 5 players in the N-best result instead of receiving 10 results and then ignoring the last 5 results.