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Schaum's Outline of Introduction to Mathematical Economics (Schaum's Outlines) Mcgraw-Hill Osborne Media? Edward T. Dowling? Mcgraw-HillOsborneMedia? EdwardT.Dowling? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Nonfiction-Education-Curricula? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Economics-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-Education-Curricula? Subjects-Professional&Technical-Accounting&Finance-Economics-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Reference-StudyGuides? Subjects-Science-General Subjects-Science-Mathematics-Applied-General? An Atlas of Histology Springer? Shu-Xin Zhang? Springer? Shu-XinZhang? Subjects-Medicine-BasicScience-Anatomy? Subjects-Medicine-BasicScience-Histology? 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Diaper luggage by designers are now coming in different stylish models. You could oversight their diaper baggage as the normal bags inside the marketplace for girls. Timi and Leslie luggage have revealed lots of versatility paired with stylish elegance. Plus they remained their trademark in creating diaper luggage. They may have developed bags in several hues this sort of as black, brown, bronze, blue, white, silver, pewter, pink, and purple. But not surprisingly, black is the most sought coloration by most women as it is often paired with practically bao bao issey miyake any coloration. It signifies toughness, boldness, and sometimes insolence. You could quickly match black with formal and everyday attires. Allow me to share the various Timi and Leslie diaper baggage in black that you just would certainly really like to get. Newborn Jane Diaper Bag in Black This black diaper bag is manufactured of fake leather. But you can expect to be confident that it is PVC absolutely free. It has significant excellent tailored antique brass components. This bag has quite a few compartments and pockets so that you can provide all of the requirements you will want inside your exercise outside. It has a crucial fob so that you won t ever drop your keys or possess a tough time locating your keys in the bottom of your bag. Identical to every other Timi and Leslie baggage, this bag also features a Pouchette for Mom s necessities these types of as credit history card, mobile devices, pen, and other people. You will also reach use a diaper changing mat and wipes pocket inside this bag. You might easily connect the stroller strap in the event you wish to relieve your shoulders with all the body weight. It s got an insulated bottle holder with clip to maintain the temperature of your respective baby s drinks. Genvieve II Satchel Diaper Bag in Black This smaller shoulder diaper bag is manufactured of light-weight quilted nylon substance. Furthermore, it has customized hardware in antique brass complete. You won t really have to fear a great deal with regards to the space and arranging because it has 6 inside pockets. It s got also a vital fob which means you will issey miyake tote never come across it hard looking for your keys. This Timi and Leslie bag includes a Pouchette in it wherever Mother can place her smaller necessities within. Bundled are also diaper switching mat and pockets to the wipes. You may protected your baby s bottles within their insulated bottle pockets. Hannah Diaper Bag Tote in Black This Timi and Leslie bag is created of faux leather-based that s PVC totally free. It s got custom created components in antique brass complete. You can also make utilization of it roomy six pockets within for additional requirements to be placed inside. It s got a vital fob to protected your keys to ensure it is going to not get lost. It has a matching Pouchette for Mom s smell points these types of as mobile phones, credit score cards, make ups, and lots of extra. It s got a different strap to help you very easily change its shoulder straps into stroller straps. You will not have got a challenging time changing baby s dirty nappy due to the fact it features diaper shifting mat and also a pocket for baby s damp wipes. Baby s bottle will probably be held harmless and warm in the bag s insulated bottle pocket. The Charlie II Tote Diaper Bag by Timi Leslie in Black This bag has lots of features this sort of as it s stroller straps in it, it s insulated bottle holder, change mat, essential holder, it has 6 inside pockets and many some others. This black bag is created of built from fake leather-based and it is actually PVC no cost. It s got Pouchette in it.
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【登録タグ B SOUND HOLIC aki 上海紅茶館 ～ Chinese Tea 曲 紅魔 -KOUMA-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/concrete5j/pages/12.html
The following terms are used in concrete5 to describe the front-end content of a website. This is content that you see in a web browser when viewing a page. In concrete5, a site is a collection of Pages. Concrete5においては「サイト」は「ページ」の集合です。 These pages are arranged into a Tree – every page except the home page has to have a parent page. これらのページは「ツリー」に配置され、「ホームページ」を除く全てのページは「親ページ」を持たなければいけません。 The entire site tree is viewable through the Sitemap page in the Dashboard. サイト全体のツリーはダッシュボードのサイトマップで確認できます。 The Dashboard is the back-end or back office to Concrete5. ダッシュボードはConcrete5のバックエンド(またはバックオフィス)です。 Generally, content-related changes to your website happen right from the page where the content is located, and site-wide administrative actions like adding users or managing files happens from within the Dashboard. 一般的に、サイト The Dashboard is protected by permissions. ダッシュボードは「パーミッション」で保護されています。
https://w.atwiki.jp/oper/pages/2417.html
ATTO V Scena Prima IRO O dolor! O martir! Che l alma attrista! O mesta rimembranza di dolorosa vista! Io vidi i Proci estinti, i Proci furo uccisi. Ah! Ah, ch io perdei le delizie del ventre e della gola! Chi soccorre il digiun, chi lo consola? Oh flebile parola! I Proci, Iro, perdesti, i Proci, i padri tuoi! Sporga pur quante vuoi lagrime amare e meste, ché padre è chi ti ciba e chi ti veste. Chi più della tua fame satollerà le brame? Non troverai, no, no, non troverai chi goda empir del vasto ventre, l affamate caverne! Non troverai, no, no, chi rida del ghiotto trionfar Della tua gola! Chi soccorre il digiun, chi lo consola? Infausto giorno a mie ruine armato! Poco dianzi mi vinse un vecchio ardito, or m abbatte la fame, dal cibo abbandonato! L ebbi già per nemica l ho distrutta, l ho vinta. Or troppo fora vederla vincitrice. Voglio uccider me stesso e non vo mai, mai ch ella porti di me trionfo e gloria! Che si toglie al nemico ha gran vittoria! Coraggioso mio core, mio core coraggioso, Vinci il dolore! E pria ch alla fame nemica egli soccomba, vada il mio corpo a disfamar la tomba. Scena Seconda (Discendi ombre de Proci ed Mercurio) (Scena perduta) Scena Terza (Reggia) Sinfonia MELANTO E quai nuovi rumori, e che insolite stragi, e che tragici amori? Chi fu l ardito che osò con nuova guerra, la pace intorbidar ch hai tu negli occhi, e trar disfatti a terra que tempii che ad Amor furono eretti in que focosi petti? PENELOPE Vedova amata, vedova regina, nuove lagrime appresto. In somma, all infelice ogni amore è funesto! MELANTO Così all ombra de scettri anco pur sono malsicure le vite! Vicine alle corone son le destre esecrande anco più ardite. Scena Quarta EUMETE Forza d occulto affetto raddolcisce il tuo petto. Chi con un arco solo, isconosciuto, diede a cento morti il duolo, quel forte, quel robusto, che domò l arco e fe volar gli strali, colui che i Proci insidiosi e felli valoroso trafisse, rallegrati, regina, egli era Ulisse! PENELOPE Sei buon pastor, Eumete, se persuaso credi contro quello che vedi. EUMETE Il canuto, l antico, il povero, il mendico, che co Proci superbi coraggioso attaccò mortali risse, rallegrati, regina, egli era Ulisse! PENELOPE Credulo è il volgo e sciocco, è la tromba mendace della fama fallace. EUMETE Ulisse, Ulisse io vidi, sì, sì! Ulisse è vivo, è qui! PENELOPE Relatore importuno, consolator nocivo! EUMETE Dico che Ulisse è qui. Io stesso il vidi, e l so. Non contenda il tuo "no" con il mio "sì" Ulisse è vivo, è qui. PENELOPE Io non contendo teco perché sei stolto e cieco. Scena Quinta TELEMACO È saggio, Eumete, è saggio! È ver quel ch ei racconta. Ulisse, a te consorte ed a me padre, ha tutte uccise le nemiche squadre. Il comparir sotto mentito aspetto, sotto vecchia sembianza arte fu di Minerva, e fu suo dono. PENELOPE Troppo egli è ver, che gli uomini qui in terra servon di gioco agli immortali dèi. Se ciò credi, ancor tu lor gioco sei. TELEMACO Vuole così Minerva, per ingannar con le sembianze finte gl inimici d Ulisse. PENELOPE Se d ingannar gli dèi prendon diletto, chi far fede mi puote che non sia mio l inganno, se fu mio tutto il danno? TELEMACO Protettrice de Greci è, come sai, Minerva, e più che gli altri Ulisse a lei fu caro. PENELOPE Non han tanto pensiero gli dèi, lassù nel Cielo, delle cose mortali. Lasciano ch arda il foco e agghiacci il gelo figlian le cause lor piaceri e mali. Scena Sesta (Marittima) MINERVA Fiamma è l ira, o gran dea, foco è lo sdegno! Noi sdegnose ed irate, incenerito abbiam di Troia il regno. Offese da un troian, ma vendicate! Il più forte fra Greci ancor contende col destin, con il fato Ulisse addolorato. GIUNONE Per vendetta che piace ogni prezzo è leggero. Vada il troiano impero anco in peggio di polvere fugace! MINERVA Dalle nostre vendette nacquero in lui gli errori delle stragi dilette son figli i suoi dolori. Convien al nostro nume il vindice salvar, placar gli sdegni del Dio de salsi frutti. GIUNONE Procurerò la pace, ricercherò il riposo d Ulisse glorioso. MINERVA Per te del sommo Giove e sorella e consorte s aprono nove in Ciel divine porte. Scena Settima GIUNONE Gran Giove, alma de dèi, Dio delle menti, mente dell universo, tu che l tutto governi e tutto sei, inchina le tue grazie a prieghi miei. Ulisse troppo errò, troppo, ahi, troppo soffrì! Tornalo in pace un dì fu divin il voler che lo destò. Ulisse troppo errò. GIOVE Per me non avrà mai vòta preghiera Giuno, ma placar pria conviensi, lo sdegnato Nettuno. Odimi, odimi, o Dio del mar! Fu scritto qui, dove il destin s accoglie, dell eccidio troiano fatal punto. Or ch al suo fine il destinato è giunto, sdegno otioso un gentil petto invoglia. Nettun, pace, o Nettun! Nettun, perdona il suo duolo, il suo duolo, al mortal ch afflitto il rese. Ecco scrive il destin le sue difese, non è colpa dell uom se il Cielo tuona. NETTUNO Se ben quest onde frigide, son ben quest onde gelide, mai sentono l ardor di tua pietà. Nei fondi algosi ed infimi, nei cupi acquosi termini, il decreto di Giove anco si sa. Contro i Feaci arditi e temerari, mio sdegno si sfogò; pagò il delitto pessimo la nave che restò. Viva, viva felice pur, viva Ulisse sicur! CORO IN CIELO Giove amoroso, fa il Ciel pietoso nel perdonar. CORO MARITTIMO Benché abbia il gelo, non men del Cielo pietoso è il mar. I DUE CORI Prega, mortal, deh, prega, ché sdegnato e pregato, un Dio si piega. GIOVE Minerva, or fia tua cura d acquetar i tumulti de sollevati gli Achivi, che per vendetta degli estinti Proci pensano portar guerra all itacense terra. MINERVA Rintuzzerò que spirti, smorzerò quegli ardori, comanderò la pace, Giove, come a te piace. Scena Ottava (Reggia) ERICLEA Ericlea, che vuoi far? Vuoi tacer o parlar? Se parli tu consoli, obbedisci se taci sei tenuta a servir, obbligata ad amar. Vuoi tacer o parlar? Ma ceda all obbedienza la pietà non si dee sempre dir ciò che si sa. Medicar chi languisce, oh, che diletto! Ma che ingiurie e dispetto scoprir l altrui pensier! Bella cosa talvolta è un bel tacer. Bel segreto taciuto tosto scoprir si può, una sol volta detto celarlo non potrò. Ericlea, che farai? Tacerai, tu? Insomma, un bel tacer mai scritto fu. Scena Nona PENELOPE Ogni vostra ragion sen porta l vento. Non ponno i nostri sogni consolar le vigilie dell anima smarrita. Le favole fan riso e non dan vita. TELEMACO Troppo incredula! EUMETE Incredula troppo! TELEMACO Troppo ostinata! EUMETE Ostinata troppo! TELEMACO E più di vero. EUMETE Di vero è più che l vecchio arciero Ulisse fu. TELEMACO Eccolo, che sen vene e la sua forma tiene. EUMETE Ulisse, egli è! TELEMACO Eccolo affè! Scena Decima (Sopraggiunge Ulisse in sua forma, e detti) ULISSE O delle mie fatiche meta dolce e soave, porto caro, amoroso dove corro al riposo! PENELOPE Fermati, cavaliero, incantator o mago, di tue finte mutanze io non m appago! ULISSE Così del tuo consorte, così, dunque, t appressi a lungamente sospirati amplessi? PENELOPE Consorte io sono, ma del perduto Ulisse. Né incantesmi o magie perturberan la fé, le voglie mie. ULISSE In onor de tuoi rai l eternità sprezzai; volontario cangiando e stato e sorte, per serbarmi fedel son giunto a morte. PENELOPE Quel valor che ti rese ad Ulisse simile, care mi fa le stragi degli amanti malvagi. Questo di tua bugia il dolce frutto sia. ULISSE Quell Ulisse son io, delle ceneri avanzo. Residuo delle morti; degli adulteri e ladri fiero castigator e non seguace. PENELOPE Non sei tu il primo indegno che, con nome mentito tentasse di trovar comando o regno. ERICLEA Or di parlar è tempo! È questo Ulisse, casta e gran donna. Io lo conobbi all ora che, nudo, al bagno venne, ove scopersi del feroce cinghiale, l onorato segnale. Ben ti chieggo perdon, se troppo tacqui loquace, femminil, garrula lingua. Per comando d Ulisse, con fatica lo tacque, e non lo disse. PENELOPE (fra sé) Creder ciò ch è desio m insegna amore, serbar costante il sen comanda onore. Dubbio pensier, che fai? La fé negata ai prieghi del buon custode Eumete, di Telemaco il figlio, alla vecchia nutrice anco si nieghi, ché il mio pudico letto sol d Ulisse è ricetto! ULISSE Del tuo casto pensiero io so il costume. So ch il letto pudico, che tranne Ulisse solo altro non vide. Ogni notte da te s adorna e copre con un serico drappo, di tua mano contesto, in cui si vede col virginal suo coro, Diana effigiata. M accompagnò mai sempre memoria così grata. PENELOPE Or sì ti riconosco, or sì ti credo, antico possessore del combattuto core! Onestà mi perdoni! Dono tutto ad amor le sue ragioni! ULISSE Sciogli la lingua, deh, sciogli per allegrezza i nodi! Sciogli un sospir, un "ohimé", la voce snodi! PENELOPE Illustratevi, o Cieli, rinfioratevi, o prati! Aure, gioite! Gli augelletti cantando, i rivi mormorando or si rallegrino! Quell erbe verdeggianti, quell onde sussurranti, or si consolino! Già ch è sorta felice, dal cenere troian, la mia Fenice! ULISSE Sospirato mio sole! PENELOPE Rinnovata mia luce! ULISSE Porto quieto e riposo! PENELOPE Bramato sì, ma caro! ULISSE Bramato sì, ma caro! PENELOPE Per te gli andati affanni A benedir imparo! ULISSE Non si rammenti Più de tormenti! PENELOPE Sì, sì, vita, sì, sì! ULISSE Tutto è piacere! PENELOPE Sì, sì, vita, sì, sì! Fuggan dai petti dogliosi affetti! ULISSE Sì, sì, core, sì, sì! PENELOPE Tutto è godere! PENELOPE, ULISSE Del piacer, del goder venuto è il dì! Sì, sì, vita! Sì, sì, core, sì, sì! ATTO V Scena Prima IRO O dolor! O martir! Che l alma attrista! O mesta rimembranza di dolorosa vista! Io vidi i Proci estinti, i Proci furo uccisi. Ah! Ah, ch io perdei le delizie del ventre e della gola! Chi soccorre il digiun, chi lo consola? Oh flebile parola! I Proci, Iro, perdesti, i Proci, i padri tuoi! Sporga pur quante vuoi lagrime amare e meste, ché padre è chi ti ciba e chi ti veste. Chi più della tua fame satollerà le brame? Non troverai, no, no, non troverai chi goda empir del vasto ventre, l affamate caverne! Non troverai, no, no, chi rida del ghiotto trionfar Della tua gola! Chi soccorre il digiun, chi lo consola? Infausto giorno a mie ruine armato! Poco dianzi mi vinse un vecchio ardito, or m abbatte la fame, dal cibo abbandonato! L ebbi già per nemica l ho distrutta, l ho vinta. Or troppo fora vederla vincitrice. Voglio uccider me stesso e non vo mai, mai ch ella porti di me trionfo e gloria! Che si toglie al nemico ha gran vittoria! Coraggioso mio core, mio core coraggioso, Vinci il dolore! E pria ch alla fame nemica egli soccomba, vada il mio corpo a disfamar la tomba. Scena Seconda (Discendi ombre de Proci ed Mercurio) (Scena perduta) Scena Terza (Reggia) Sinfonia MELANTO E quai nuovi rumori, e che insolite stragi, e che tragici amori? Chi fu l ardito che osò con nuova guerra, la pace intorbidar ch hai tu negli occhi, e trar disfatti a terra que tempii che ad Amor furono eretti in que focosi petti? PENELOPE Vedova amata, vedova regina, nuove lagrime appresto. In somma, all infelice ogni amore è funesto! MELANTO Così all ombra de scettri anco pur sono malsicure le vite! Vicine alle corone son le destre esecrande anco più ardite. Scena Quarta EUMETE Forza d occulto affetto raddolcisce il tuo petto. Chi con un arco solo, isconosciuto, diede a cento morti il duolo, quel forte, quel robusto, che domò l arco e fe volar gli strali, colui che i Proci insidiosi e felli valoroso trafisse, rallegrati, regina, egli era Ulisse! PENELOPE Sei buon pastor, Eumete, se persuaso credi contro quello che vedi. EUMETE Il canuto, l antico, il povero, il mendico, che co Proci superbi coraggioso attaccò mortali risse, rallegrati, regina, egli era Ulisse! PENELOPE Credulo è il volgo e sciocco, è la tromba mendace della fama fallace. EUMETE Ulisse, Ulisse io vidi, sì, sì! Ulisse è vivo, è qui! PENELOPE Relatore importuno, consolator nocivo! EUMETE Dico che Ulisse è qui. Io stesso il vidi, e l so. Non contenda il tuo "no" con il mio "sì" Ulisse è vivo, è qui. PENELOPE Io non contendo teco perché sei stolto e cieco. Scena Quinta TELEMACO È saggio, Eumete, è saggio! È ver quel ch ei racconta. Ulisse, a te consorte ed a me padre, ha tutte uccise le nemiche squadre. Il comparir sotto mentito aspetto, sotto vecchia sembianza arte fu di Minerva, e fu suo dono. PENELOPE Troppo egli è ver, che gli uomini qui in terra servon di gioco agli immortali dèi. Se ciò credi, ancor tu lor gioco sei. TELEMACO Vuole così Minerva, per ingannar con le sembianze finte gl inimici d Ulisse. PENELOPE Se d ingannar gli dèi prendon diletto, chi far fede mi puote che non sia mio l inganno, se fu mio tutto il danno? TELEMACO Protettrice de Greci è, come sai, Minerva, e più che gli altri Ulisse a lei fu caro. PENELOPE Non han tanto pensiero gli dèi, lassù nel Cielo, delle cose mortali. Lasciano ch arda il foco e agghiacci il gelo figlian le cause lor piaceri e mali. Scena Sesta (Marittima) MINERVA Fiamma è l ira, o gran dea, foco è lo sdegno! Noi sdegnose ed irate, incenerito abbiam di Troia il regno. Offese da un troian, ma vendicate! Il più forte fra Greci ancor contende col destin, con il fato Ulisse addolorato. GIUNONE Per vendetta che piace ogni prezzo è leggero. Vada il troiano impero anco in peggio di polvere fugace! MINERVA Dalle nostre vendette nacquero in lui gli errori delle stragi dilette son figli i suoi dolori. Convien al nostro nume il vindice salvar, placar gli sdegni del Dio de salsi frutti. GIUNONE Procurerò la pace, ricercherò il riposo d Ulisse glorioso. MINERVA Per te del sommo Giove e sorella e consorte s aprono nove in Ciel divine porte. Scena Settima GIUNONE Gran Giove, alma de dèi, Dio delle menti, mente dell universo, tu che l tutto governi e tutto sei, inchina le tue grazie a prieghi miei. Ulisse troppo errò, troppo, ahi, troppo soffrì! Tornalo in pace un dì fu divin il voler che lo destò. Ulisse troppo errò. GIOVE Per me non avrà mai vòta preghiera Giuno, ma placar pria conviensi, lo sdegnato Nettuno. Odimi, odimi, o Dio del mar! Fu scritto qui, dove il destin s accoglie, dell eccidio troiano fatal punto. Or ch al suo fine il destinato è giunto, sdegno otioso un gentil petto invoglia. Nettun, pace, o Nettun! Nettun, perdona il suo duolo, il suo duolo, al mortal ch afflitto il rese. Ecco scrive il destin le sue difese, non è colpa dell uom se il Cielo tuona. NETTUNO Se ben quest onde frigide, son ben quest onde gelide, mai sentono l ardor di tua pietà. Nei fondi algosi ed infimi, nei cupi acquosi termini, il decreto di Giove anco si sa. Contro i Feaci arditi e temerari, mio sdegno si sfogò; pagò il delitto pessimo la nave che restò. Viva, viva felice pur, viva Ulisse sicur! CORO IN CIELO Giove amoroso, fa il Ciel pietoso nel perdonar. CORO MARITTIMO Benché abbia il gelo, non men del Cielo pietoso è il mar. I DUE CORI Prega, mortal, deh, prega, ché sdegnato e pregato, un Dio si piega. GIOVE Minerva, or fia tua cura d acquetar i tumulti de sollevati gli Achivi, che per vendetta degli estinti Proci pensano portar guerra all itacense terra. MINERVA Rintuzzerò que spirti, smorzerò quegli ardori, comanderò la pace, Giove, come a te piace. Scena Ottava (Reggia) ERICLEA Ericlea, che vuoi far? Vuoi tacer o parlar? Se parli tu consoli, obbedisci se taci sei tenuta a servir, obbligata ad amar. Vuoi tacer o parlar? Ma ceda all obbedienza la pietà non si dee sempre dir ciò che si sa. Medicar chi languisce, oh, che diletto! Ma che ingiurie e dispetto scoprir l altrui pensier! Bella cosa talvolta è un bel tacer. Bel segreto taciuto tosto scoprir si può, una sol volta detto celarlo non potrò. Ericlea, che farai? Tacerai, tu? Insomma, un bel tacer mai scritto fu. Scena Nona PENELOPE Ogni vostra ragion sen porta l vento. Non ponno i nostri sogni consolar le vigilie dell anima smarrita. Le favole fan riso e non dan vita. TELEMACO Troppo incredula! EUMETE Incredula troppo! TELEMACO Troppo ostinata! EUMETE Ostinata troppo! TELEMACO E più di vero. EUMETE Di vero è più che l vecchio arciero Ulisse fu. TELEMACO Eccolo, che sen vene e la sua forma tiene. EUMETE Ulisse, egli è! TELEMACO Eccolo affè! Scena Decima (Sopraggiunge Ulisse in sua forma, e detti) ULISSE O delle mie fatiche meta dolce e soave, porto caro, amoroso dove corro al riposo! PENELOPE Fermati, cavaliero, incantator o mago, di tue finte mutanze io non m appago! ULISSE Così del tuo consorte, così, dunque, t appressi a lungamente sospirati amplessi? PENELOPE Consorte io sono, ma del perduto Ulisse. Né incantesmi o magie perturberan la fé, le voglie mie. ULISSE In onor de tuoi rai l eternità sprezzai; volontario cangiando e stato e sorte, per serbarmi fedel son giunto a morte. PENELOPE Quel valor che ti rese ad Ulisse simile, care mi fa le stragi degli amanti malvagi. Questo di tua bugia il dolce frutto sia. ULISSE Quell Ulisse son io, delle ceneri avanzo. Residuo delle morti; degli adulteri e ladri fiero castigator e non seguace. PENELOPE Non sei tu il primo indegno che, con nome mentito tentasse di trovar comando o regno. ERICLEA Or di parlar è tempo! È questo Ulisse, casta e gran donna. Io lo conobbi all ora che, nudo, al bagno venne, ove scopersi del feroce cinghiale, l onorato segnale. Ben ti chieggo perdon, se troppo tacqui loquace, femminil, garrula lingua. Per comando d Ulisse, con fatica lo tacque, e non lo disse. PENELOPE (fra sé) Creder ciò ch è desio m insegna amore, serbar costante il sen comanda onore. Dubbio pensier, che fai? La fé negata ai prieghi del buon custode Eumete, di Telemaco il figlio, alla vecchia nutrice anco si nieghi, ché il mio pudico letto sol d Ulisse è ricetto! ULISSE Del tuo casto pensiero io so il costume. So ch il letto pudico, che tranne Ulisse solo altro non vide. Ogni notte da te s adorna e copre con un serico drappo, di tua mano contesto, in cui si vede col virginal suo coro, Diana effigiata. M accompagnò mai sempre memoria così grata. PENELOPE Or sì ti riconosco, or sì ti credo, antico possessore del combattuto core! Onestà mi perdoni! Dono tutto ad amor le sue ragioni! ULISSE Sciogli la lingua, deh, sciogli per allegrezza i nodi! Sciogli un sospir, un "ohimé", la voce snodi! PENELOPE Illustratevi, o Cieli, rinfioratevi, o prati! Aure, gioite! Gli augelletti cantando, i rivi mormorando or si rallegrino! Quell erbe verdeggianti, quell onde sussurranti, or si consolino! Già ch è sorta felice, dal cenere troian, la mia Fenice! ULISSE Sospirato mio sole! PENELOPE Rinnovata mia luce! ULISSE Porto quieto e riposo! PENELOPE Bramato sì, ma caro! ULISSE Bramato sì, ma caro! PENELOPE Per te gli andati affanni A benedir imparo! ULISSE Non si rammenti Più de tormenti! PENELOPE Sì, sì, vita, sì, sì! ULISSE Tutto è piacere! PENELOPE Sì, sì, vita, sì, sì! Fuggan dai petti dogliosi affetti! ULISSE Sì, sì, core, sì, sì! PENELOPE Tutto è godere! PENELOPE, ULISSE Del piacer, del goder venuto è il dì! Sì, sì, vita! Sì, sì, core, sì, sì! Monteverdi,Claudio/Il ritorno d Ulisse in patria
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http //en.wikipedia.org/wiki/Dense_Inert_Metal_Explosive Dense Inert Metal Explosive From Wikipedia, the free encyclopedia Jump to navigation, search Dense Inert Metal Explosive (DIME) is an experimental type of explosive that has a relatively small but effective blast radius. It is manufactured by producing a homogeneous mixture of an explosive material (such as HMX or RDX) and small particles of a chemically inert material such as tungsten. It is intended to limit the distance at which the explosion causes damage, to avoid collateral damage in warfare. The phrase inert metal refers to a chemically inert metal that is not chemically active and therefore not part of the chemical reaction that causes the explosion, as opposed to some metals, such as aluminium that form part of the chemical reaction. An emerging criticism of DIME weapons is that they might turn out to have strong biological effects in those who are hit by the micro-shrapnel from these types of explosives.[1] DIME mixtures have been studied for some time,[2] but apparently only began to be adopted for weapons after the year 2000. Dense Inert Metal ExplosiveMethod of operation Toxic/carcinogenic effects Reported use See also References External links Method of operation DIME weapons consist of a carbon fiber casing filled with mixture of explosive and a very dense powder of a heavy metal tungsten alloy (HMTA) composed of tungsten and other metals such as cobalt and nickel or iron. Two common HMTA alloys are rWNiCo tungsten (91–93%), nickel (3–5%) and cobalt (2–4%) rWNiFe tungsten (91–93%), nickel (3–5%) and iron (2–4%) Upon detonation of the explosive, the casing disintegrates into extremely small particles, as opposed to the shrapnel which results from the fragmentation of a metal shell casing. The HMTA powder acts as micro-shrapnel which is very lethal at close range (about 4 meters or 13 feet), but loses momentum very quickly due to air resistance, coming to a halt within approximately 40 times the diameter of the charge. This increases the probability of killing people within a few meters of the explosion while reducing the probability of causing death and injuries or damage farther away. Survivors close to the lethal zone may have their limbs amputated (as the micro shrapnel can slice through soft tissue and bone) from the HMTA micro-shrapnel embedded in their body tissue.[3] Toxic/carcinogenic effects The carcinogenic effects of heavy metal tungsten alloys (HMTA) have been studied by the U.S. Armed Forces since at least 2000 (along with depleted uranium (DU)). These alloys were found to cause neoplastic transformations of human osteoblast cells.[4] A more recent U.S. Department of Health and Human Services study in 2005 found that HMTA shrapnel rapidly induces rhabdomyosarcoma cancers in rats.[5] The tungsten alloy carcinogenicity may be most closely related to the nickel content of the alloys used in weapons to date. However, pure tungsten and tungsten trioxide are also suspected of causing cancer and other toxic properties, and have been shown to have such effects in animal studies.[6] DIME wounds are considered to be untreatable because the metal is delivered in the form of small pellets rather than larger chunks of metal that could be removed with surgery.[7] Reported use As reported in the French national newspaper Le Monde, according to a team of journalists from the Italian State radio-television RAI, DIME-type bombs were being used in the Gaza Strip by the IDF against Palestinian targets during July/August 2006. The investigation was performed by examining the unusual wounds, and a lab analysis of the metals found in the victims bodies was reportedly "compatible with the hypothesis" that a DIME weapon was involved. Israel denied possessing or using such weapons.[8] Dr. Mads Gilbert and Dr. Erik Fosse, working on wounded from the 2008–2009 Israel–Gaza conflict, report injuries that they believe can only be caused by some new type of weapon used by Israel which they suspect are DIME bombs.[9][10][11] See also GBU-39 Small Diameter Bomb References ^ DIME A New Horror at Question Everything, January 14, 2009 ^ Cooper, Paul W. Explosives Engineering. New York Wiley-VCH, 1996. ISBN 0-471-18636-8. ^ Dense Inert Metal Explosive (DIME) at globalsecurity.org ^ "Neoplastic transformation of human osteoblast cells to the tumorigenic phenotype by heavy metal–tungsten alloy particles induction of genotoxic effects". Carcinogenesis, Vol. 22, No. 1, 115-125, January 2001 ^ Embedded Weapons-Grade Tungsten Alloy Shrapnel Rapidly Induces Metastatic High Grade Rhabdomyosarcomas in F344 Rats by the National Institute of Environmental Health Sciences ^ Tungsten and Selected Tungsten Compounds - Review of Toxicological Literature ^ "Gaza Israel under fire for alleged white phosphorus use", Christian Science Monitor, January 14, 2009, by Robert Marquand and Nicholas Blanford ^ Gaza doctors say patients suffering mystery injuries after Israeli attacks, The Guardian. October 17, 2006. ^ Is Israel Using Banned and Experimental Munitions in Gaza?, Democracy Now!. Retrieved January 19, 2009 ^ Fouché G. Norwegian doctors call for investigation into weapons used on Gaza., BMJ 2009;338 b170. ^ Amira Hass (19/01/2009). "Norwegian doctor Israel used new type of weapon in Gaza". Haaretz (Israel). http //www.haaretz.com/hasen/spages/1056649.html. Retrieved on 19 January 2009. "His best guess, he said, is that the pressure wave is caused by a dense inert metal explosive, or DIME, a type of bomb developed to minimize collateral damage. A military expert working for Human Rights Watch also told Haaretz that the nature of the wounds and descriptions given by Gazans made it seem likely that Israel used DIMEs." External links Dense Inert Metal Explosive (DIME) How Goes the War From Here? Small diameter solutions SF Chronicle, September 12, 2006 Cancer worries for new U.S. bombs by Defense Tech Retrieved from "http //en.wikipedia.org/wiki/Dense_Inert_Metal_Explosive" Categories Ammunition | Explosives | Future American weapons | Weapons of Israel