約 6,209,793 件
https://w.atwiki.jp/keisks/pages/387.html
まさかのACL http //pearsonpte.com/wp-content/uploads/2014/07/AcademicCollocationList.pdf
https://w.atwiki.jp/mrfrtech/pages/44.html
Market Scenario During the projection period, 2021–2028, the global Crypto Asset Management Market was valued at USD 455.3 million in 2021 and is expected to reach USD 1807.9 million by 2028, with a CAGR of 21.8 percent. Crypto asset management is the practice of administering electronic assets to provide capable service through the use of a distributed electronic ledger network. Rather than depending on multiple wallets for each type of cryptocurrency, crypto asset management tools make it easier to handle all crypto wallet addresses in one place. The burgeoning cryptocurrency market and the increasing use of cryptocurrencies as a means of payment are propelling the crypto asset management industry forward. Cryptocurrencies have emerged as one of the most exciting investment prospects in recent years. As the price of cryptocurrencies continues to rise, an increasing number of institutional investors and wealth managers who have never invested in cryptocurrencies are planning to do so in the future year. The growing popularity of cryptocurrencies encourages more people to invest in them. It can be challenging for new cryptocurrency traders who aren t professionals in the field to break into the market. By employing better portfolio-management technologies, crypto asset management systems enable users to manage all crypto assets in one place. The development of crypto asset management platforms has made it easier for inexperienced investors to participate in the cryptocurrency market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10730 Competitive Outlook Coinbase, Inc. (US), Gemini Trust Company, LLC. (US), Crypto Finance AG (Germany), Crypto Finance AG (Germany), Bakkt Holdings, Inc. (US), BitGo, Inc. (US), Ledger SA (France), METACO SA (Switzerland), ICONOMI Limited (UK), EXODUS MOVEMENT, INC. (US), Xapo, Inc. (Switzerland), Xapo, Inc. (Switzerland), Koine Money Ltd (England), Amberdata, Inc. (US), BINANCE (UK), Tradeium Capital, LLC. (Germany), Opus Labs CVBA (Belgium) Kryptographe Inc (UK), and KOINLY (UK) are the key companies operating in the global crypto asset management market. Segmentation The worldwide crypto asset management market has classified components, deployment mode, application type, application, end-user, and region/country. The crypto asset management market has been divided into solutions and services based on components. During the forecasted period, the solutions category is expected to have the most market share. The crypto asset management market has been divided into cloud and on-premises deployment modes. The on-premises deployment category is predicted to have a bigger market share, but the cloud-based deployment sector is expected to grow at a faster rate over the forecast period. The crypto asset management industry has been divided into web-based and mobile applications based on application type. Within the worldwide crypto asset management market, web-based applications have the largest market share, while mobile-based applications are predicted to grow at the fastest rate throughout the forecast period. The crypto asset management market has been divided into two categories based on end-user individual users and enterprises. Banking, financial services, insurance, retail and e-commerce, healthcare, travel and hospitality, and others are the subcategories of the enterprise. During the forecasted period, the retail and eCommerce segment is likely to increase at the fastest rate. Regional Analysis The global crypto asset management industry is predicted to generate considerable revenue from various continents during the forecasted period. The crypto asset management market has been broken down into four regions North America, Europe, Asia-Pacific, and the Rest of the World. The United States, Canada, and Mexico make up North America. The United Kingdom, Germany, France, Italy, Spain, and the rest of Europe make up Europe. China, Japan, India, South Korea, Australia, and the Rest of Asia-Pacific make up Asia-Pacific. Industry News Gemini Trust Company, LLC, a US-based cryptocurrency exchange, expanded its operations in Southeast Asia on July 21, 2021, and opened satellite offices across the region, notably in Australia and Hong Kong, to boost its geographical presence. Genesis Capital, a renowned New York-based cryptocurrency firm that caters to institutional investors, purchased London-based custodian Volt on May 21, 2020. Genesis Capital will be able to recruit a wider range of institutional clients as a result of this transaction. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/crypto-asset-management-market-10730 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report Internet of things (IoT) Market https //ictmrfr.blogspot.com/2022/04/internet-of-things-market-growth-key.html B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb https //ict268262635.wordpress.com/2022/04/06/digital-business-card-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/touhoukashi/pages/5149.html
【登録タグ Stack V VENTEN 幻想浄瑠璃 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/tadaharuwatanabe/
<Publications> All English Chinese ORCID <Tools> WebSearch…Baidu / Yahoo! / Sogou / Mooter Mail…Zero Mail / Gmail / Outlook.com Blog…Livedoor cocolog SNS…mixi GREE Twitter Facebook 微博 読書管理…Media Marker Kindle Highlights Online Memo…pocket wri.pe ToDo/カレンダー…Wunderlist RTM Toodledo Google Calendar RSS Reader…Feedly PDF検索…Google pdf検索 百度文庫 豆丁 PDF加工…Web2PDF / PDF Split and Merge 論文・書籍検索…CiNii Google Scholar Microsoft Academic Search NACSIS Webcat Weipu CNKI WangFang Online Storage…Evernote OneDrive Dropbox Cloud Drive Box 大容量ファイル転送…宅ふぁいる便 写真共有…Flickr フォト蔵 EMS追跡…Japan China 辞書/翻訳…Dictionary(Excite) Translate(Excite) Translate(Google) Translate(livedoor) 人名漢字辞典 Lang-8 <Links> 本の検索(Searching for books) 心理学関係(Psychology) 統計データ(Statistical data) 料理・グルメ(Cooking and Eating out) 辞書・道具類(研究関連) 北京生活情報 中国関連 旅行(Travel) 地図類(Maps) 買い物(Shopping) 様々なジェネレーター(Generator) WEBサービス Excel Tips Comic/Video Music/Radio プレゼン関連(Presentation) 育児関連(Child Rearing) その他(others)
https://w.atwiki.jp/katsuhiro/pages/26.html
HTTPメソッド GET情報取得メソッド POST PUT DELETEリソース削除メソッド HTTPリクエスト ポストデータ HTMLのPOST指定のformから送信されるデータ JSPのrequestオブジェクトから下記のメソッドで情報を取得できるgetParameter getParameterValues リクエストボディのセットされて送信される クエリ情報 URLの末尾の"?"以降に「キー=値」のセットで付加される簡易な情報 複数のセットがある場合は" "で連結される URLに直接指定するほか、HTMLのGET指定のformから送信されるデータ formのmethod属性が省略された場合もクエリ情報として送信される JSPのrequestオブジェクトから下記のメソッドで情報を取得できるgetParameter クエリ情報に特殊文字が含まれる場合は、あらかじめエンコードしておく必要がある(form経由の場合はエンコード不要) URLに使用可能な文字数を超えて送信できない(2,083文字)FireFoxの場合は制限が無いが、動作が遅くなる場合もあるらしい データがアドレス欄に露出してしまう ヘッダ情報 「名前: 値」形式 種類一般ヘッダ(要求/応答時双方で利用) エンティティヘッダ(コンテンツに関する情報) リクエスト(要求)ヘッダ(クライアントに関する情報) レスポンス(応答)ヘッダ(その他) JSPのrequestオブジェクトから下記のメソッドで情報を取得できるgetHeaderNames ただし、情報取得専用メソッドが存在するヘッダについてはそちらを使う ■ヘッダ例 種類 ヘッダ名 概要 一般 Cache-Control キャッシュルールを規定する Connection プロキシ(中間)サーバで削除すべきHTTPヘッダを指定 Date コンテンツ生成日時 Pragma キャッシングを利用するか(下位互換用のヘッダ) Transfer-Encoding コンテンツの転送エンコーディング方式 リクエスト Accept クライアント対応コンテンツの種類(優先順) Accept-Language クライアント対応言語(優先順) Authorization 認証情報 Cookie クライアントに保存されたクッキーデータを送信 Host 要求先ホスト名 If-Modified-Since 指定日時以降にコンテンツが更新されている場合にのみ、サーバはデータを送信 Proxy-Authorization プロキシサーバ用の認証情報 Range 要求リソース範囲 Referer リンク元URI User-Agent クライアントの種類 レスポンス ETag リソースを一意に特定するためのキー情報(コンテンツが更新されていないかどうかを特定する場合などに使用) Location クライアントに新しいURIに移動するように促す Server サーバの種類 Set-Cookie クライアントにクッキーを送信 WWW-Authenticate クライアントに認証を要求 エンティティ Content-Encoding コンテンツのエンコーディング方式 Content-Length コンテンツサイズ Content-Type コンテンツの種類 Expires コンテンツの有効期限 Last-Modified コンテンツの最終更新年月日 クッキー サーバがクライアントに対して自由に読み書きできるテキスト クッキーの有効期限負数をセットした場合、ブラウザの終了時に削除される 0をセットした場合、その場で削除される 1以上をセットすると、その秒数分保持される クッキーのデメリットクライアント側でクッキーを受け入れないように設定することが可能 クライアント側でクッキーの改竄や削除が可能 実データがネットワーク上を流れてしまう クッキーの制約1つのホスト、ドメイン当たりの最大個数は20個(総数では300個以内) クッキー1つあたりの最大サイズは4096バイト セッション情報 長期間にわたって情報を保持するには不向き ユーザがブラウザを開いている間だけアプリケーション内で情報を受け渡しする場合にはクッキーより手軽でセキュアな仕組み sessionJSPの暗黙オブジェクトの1つ 下記のメソッドを使って読み書きするgetAttribute setAttribute @pageディレクティブのsession属性がfalseの場合は使えない sessionが不要の場合はsession属性をfalseにしておく(サーバリソースの節約) sessionを使うと… クライアントからサーバにリクエスト送信 サーバからのレスポンスにSet-Cookieヘッダの値としてセッションIDが付加される(JSESSIONID) クライアントからサーバに2回目以降のリクエスト送信時、Cookieヘッダの値として、受け取ったJSESSIONIDを付加して送る サーバをそのセッションIDに該当するセッションを使って処理をし、レスポンスを返す セッションの破棄方法明示的な破棄(session.invalidate()) 有効期限を設定する(session.setMaxInactiveInteval()) web.xmlにセッションの有効期限を設定する session-config session-timeout セッションの寿命明示的に破棄されるか有効期限を過ぎない限り、クライアントを閉じてもサーバ上で生き続ける ieHTTPHeaders http //www.blunck.info/iehttpheaders/iehttpheaders.html ⇒IE上でHTTPによる通信内容をトレースするツール
https://w.atwiki.jp/chex/pages/320.html
Lecture for intermediate Lecture for intermediate Lecture for those who intend to become intermediate Lecture for those who intend to become intermediate Introduction As you, designers who are familiar to the development of OKEs some degree, may know that clear goals are not exist in this game. You can play it in any direction, and it is free that how far you elaborate. It can be thought that, the goal setting is also a part of the contents of this game already. That is, as you become more familiar, how to enjoy and how to beat becomes more different from each other. For example, there are some people pursue every day how well avoid mines. But next to it, there are some people do everything in their power to assault by destroying all mines. Descriptions satisfy both at the same time is extremely difficult. As you become more familiar, as it becomes finer contents, your own strategy is going to be made. For these reasons, it is difficult to determine what to lecture for intermediate people or what is the definition of intermediate in the first place. So first, for those who intend to become intermediate, I entered from the description of the timing and execution speed of the program that are essential knowledge for creating large programs. For the reaction rate of OKE and scale of the program A CPU that you select in Hardware has parameters of "storage capacity", "execution speed" (and weight). "Execution speed" represents the execution speed of the program and the unit c/s means "(the number of executing) chips per second". The highest execution speed of CPU is 240c/s; you can execute 240 actions or decisions per second. Looks ridiculously large numbers at first glance, but is not really so much. Let s take a closer look. In this game, various judgment of combat takes place on a frame-by-frame basis. Frame is a still image that makes up a video. When you choose "frame advance" of the system menu in combat you can check the status of frame-by-frame. This game is 30fps, 30 pictures will be displayed per second. Therefore, if the CPU is 240c/s, you execute 240 chips per one second (= 30 frames), 8 chips per frame (= 1/30 sec). To pause during the battle actually, you can check the number of executing chips that appears bright. This number will significantly affect the "reaction rate of OKE". OKE runs all the actions as instructed in chips read in that time. Even though you made an excellent program, not only it becomes waste unless it is done when it is needed, but also it may cause trouble when it is executed with unnecessary timing. So let s look at an avoidance decision. There is a branch of “whether there is a bullet around the body” at the beginning of the avoidance decision, perform the avoidance maneuver If this were yes, go to the next process if it was no. What is needed in this case is that the first branch is executed when there is a bullet in the vicinity of the body. For example, if you set the range of around the body radius 100m, it is best to branch to avoidance decision with a margin of distance of 100m. But if the code is longer, for example, what happens if a program executes about 40 chips until return at earliest? Even with the fastest CPU, it takes 5 frames or more to go around once. If there is only once decision per go-around, avoidance maneuver is performed 5 or more frames late when a bullet comes at the worst timing. 5 frames = 5/30 of a second, it is about 0.17 seconds. During this time, AP ammunition flies about 50m; beam and rail gun flies about 80m. That is, then you will get a direct hit with no reaction if it was shot from the distance. Even though you perform reaction, if not even 30m away at that time, it is too late to act. Leaving aside one shot of beam gun, in case of rail gun, even a hit is directly linked to defeat frequently. The avoidance decision was given as an example here, but I can say the same thing to the decision of all of course. As it become a larger-scale program, more complex assessment of the situation and actions can be performed by OKEs but the reaction rate will reliably drop instead. Stack of subtle reduction of reaction rate affect more than a little on combat result. If you create a large program without thinking about the reaction rate, most will weaken comprehensively than small and medium-sized programs. There are mainly two know-hows to maintain the reaction rate when you building a large program, utilizing subroutine and utilizing loop. Utilize subroutine In the CPU with a maximum storage capacity, there are two areas that can be form subroutines of 7× 7 size on the right side. It is possible to run the subroutine from the chips of the “SUB 1” “SUB 2” placed in the main program of the left side. When the executed subroutine is completed, the process proceeds to the next of “SUB” chip which was placed in the main routine. By placing regularly this "SUB" chips in the main routine, it becomes possible to execute programs implemented into the subroutine several times until go around a main routine. For example, implement avoidance decision into a subroutine, when you call the subroutine whenever the main routine proceeds about 10 chips, reaction rate is significantly improved because it began to determine once per about two frames whether it is necessary to avoid. It should be noted that, of course main program is stopped at the place of "SUB" chip while executing subroutine. If there is a long program that is always executed in the subroutine, the rotation of the main program will be dull depending on the number of calls. Although rate of behavior that implemented into the subroutine improves, all other actions are delayed slightly. Therefore, you must be sure to execute subroutines only when necessary. To give avoidance as an example, if the OKE is quick moving or jumping already, it is not needed to execute subroutine. By increasing the rotation speed of the main routine even slightly by reducing unnecessary processing, let s improve the rate of each operation. Utilize loop To tell the truth first, loop may cause a fatal bug in high probability if you are not familiar. What is the loop, about the risk and the usefulness of the loop, I describe a simple example together. Please see the image below. This is avoidance decision of the program that is described in "Lecture for beginners", introduced the missile countermeasure. Missile detection is added before scanning for a high-speed flying object. It is built with the assumption that the behavior " Continue to lie down when a missile is detected to 100m range, then jump to avoid after it approach to 20m" . As long as the missile does not come within 20m, it will continue to run the operation of lie down repeatedly. This portion that is run repeatedly, this is the loop. By looping temporarily here, at the moment the missile enters the 20m range, you will be able to perform reaction immediately. To execute the process that you want to run on certain situations quickly, or in order to run an action timely at the moment the situation has changed, loop processing is quite useful. Now tested the program of the sample image, then it was confirmed that it is possible to avoid opponent’s missile on a one-to-one. So I organized a three-machine team triumphantly, and fought with a team that has missiles, then, OMG! There is an OKE that continues to lie down and does not move at all! Of course playing possum like that definitely not effective to OKEs, they were wiped out within a numerical disadvantage. What on earth was the problem? This sample is the form of, "Detected a missile coming towards in the 100m distance " → "loop until a missile is detected in the 20m range" The problem is that, in the first place, it has formed a loop on the assumption that "missile coming towards" is reach to the location of the OKE reliably. The missile coming towards is aimed at the OKE really? Or there is not an obstacle before it reaches? In such a variety of reasons, if the missile did not come in the 20m range, you will not be able to get out of the loop. In this case, you can solve the problem by modifying like the image below. By only one shifting of the ahead of an arrow, you will leave the loop if the missile does not come to 20m range. In the case also maintaining a bidirectional loop, you can resolve the problem as the image below. When you specify the range, you can be outside the range around your OKE by up and down key while holding down R button. By utilizing this, form a loop of “Continue to lie down if there are one or more missiles between 20m and 100m, proceed to avoidance decision when there are no missiles”. In this way, you can perform jump by avoidance decision when the missile is coming within 20m. In addition, even though the missile towards different direction or disappear, loop is always released. (There are waste and problem still in this example, I set it aside for the time being) It was long, but in short, it is that want you to understand firmly the risk and benefits of loop processing. Because bugs of this kind occur frequently, let s repeat behavior test and thoroughly verify when introducing a loop. If you will master successfully, quick reactions become possible in limited situations and that slight differences lead to great results. [Summary] When building a large program, needs attention to the execution timing of behaviors that require quick responses. The more complex and courteous programs, the more reduced the reaction rate is. Beware treatment of unnecessary processes in many cases. Consider the timing that should be executed and the need for each decision. For example, execute a long thinking process during operation that cannot be canceled, etc. Subroutine and loop are useful, but you should utilize it after a solid understanding of its risk. If the subroutine that will be called each time is long, the main program will not go around quickly. Wrong release condition of the loop leads to defeat very likely. [Supplemental Commentary loop examples] Although I gave the missile countermeasure loop as a reference, in addition, describe an example of a relatively safe loop to be able to make easy.Conducting enter and exit of the loop in accordance with the each state of OKE, it will be safety and quick loop process. For example, because it will not be able to perform the most operations when the OKE is struck and overturning, there is a way to check the situation in the dedicated loop and determine whether activate options or not, take evasive action to avoid additional attack immediately after the state recovered. In opposite, if the target is struck and overturning, it might be interesting to enter the loop for pursuit and additional attack. Because the state recovers automatically, it will be expected a certain effect without causing an infinite loop. Narrow down the processes There are many processes that you want to monitor situation changes constantly such as Scan for Projectiles, Activate Option, and process during overturning, etc. You can easily monitor such processes constantly by putting in places to pass frequently (Top of main and top of sub used frequently). However, in other words, would be referred to as "regardless of need or not, have repeated frequently the same process ", it is a waste of processing power. This will cause delaying the response. For example, in the case of Self-Cooling System of options, you do not have to monitor the amount of heat of body constantly in many cases. Mostly the purpose of starting the cooling is either, prevent thermal damage when it is struck or increase the frequency of fire. If the purpose of preventing thermal damage, it is only necessary to assess once when entering or exiting the process of when be struck or avoiding. If you increase the frequency of fire, it is only necessary to assess when it refrain from attack due to the heat. In this way, it is possible to improve the throughput performance if you stop constantly monitor the processes being monitored constantly. However, by stopping the constant monitoring, it is possible that the case that cannot be monitored occurs. In the case of cooling system, if you assess only when entering or exiting the process of when be struck or avoiding, there is likely to be roasted by "beam from close range (undaunted, cannot detect by Scan for Projectiles)" or "heat generated by the flames of napalm (undaunted, are not projectiles )". Although you should assess elsewhere to avoid this, the mounting area increases in this instance, and eventually you would waste the processing power if you assess too much. It is necessary to narrow down and pinpoint the necessary timing of decision, or if you do not narrow, must be determined after having analyzed trade-off among the mounting area, effect and risk when stopped constant monitoring.
https://w.atwiki.jp/gtav/pages/2712.html
メディアプレイヤー(Media Player) メディアプレイヤー(Media Player)概要 説明 プレイリスト 概要 ジャンル:R B 、ディスコ 、エレクトロ 、ハウス 、テクノ 、ヒップホップ 楽曲数:69曲(5+5+5+5+14+35) 説明 「ロスサントス・チューナー」アップデートで追加されたラジオ局。オンラインのみ視聴可能。 メディアスティックを集めることで視聴可能なプレイリストが増えていき、アクションメニューの「所持品」のところから切り替えることができる。 なお、オフにすることもできるが、この場合はラジオオフとは異なり、航空機搭乗中やビジネス(調達・売却)中のBGMも完全オフにできる。 システム的にはエンドレスに無音を流すラジオと認識される模様。(オフの状態でソーシャルクラブに共有することができる。) + LSCM入庫時の挙動について LSカーミーティングに入庫すると、このラジオ局でかかるBGMが流れているが、システム的には乗り込んだ個人車両から鳴っていることになっているらしく、メディアスティックを所有していると出庫時に強制的にラジオ局が当局のBGMとして鳴っていたプレイリストに変更される。 無音や別のプレイリストに変更したい場合は、一度アクションメニューから切り替える必要がある。 プレイリスト Blue EP アーティスト名 曲名 発売年 Seth Troxler Lumartes 2021 Sama' Abdulhadi Reverie 2021 Rampa The Church 2020 Dixon Deichkind – Autonom (Dixon Edit) 2021 Kerri Chandler You 2021 Green EP アーティスト名 曲名 発売年 tINI feat. Amiture What If, Then What? 2021 DJ Tennis Atlanta 2021 Moodymann feat. CD Keep on Coming 2021 Jamie Jones Laser Lass 2021 Mano Le tough As If To Say 2021 Violet EP アーティスト名 曲名 発売年 Butch feat. Kemelion Raindrops 2021 Carl Craig Forever Free 2021 Margaret Dygas Wishing Well 2021 Red Axes Calib 2021 Luciano Mantra For Lizzie 2021 Black EP アーティスト名 曲名 発売年 Lost Souls of Saturn TOKiMONSTA Revision Of The Past 2021 Adam Beyer Break It Up 2021 Tale Of Us Nova Two 2021 Bedouin Up In Flames 2021 Damian Lazarus feat. Robert Owens The Future 2021 CLR Launch Party (Seth Troxler) アーティスト名 曲名 発売年 Lost Souls of Saturn TOKiMONSTA Revision Of The Past 2021 Adam Beyer Break It Up (Edited) 2021 DJ Tennis Atlanta (Edited) 2021 Bedouin Up In Flames 2021 tINI feat. Amiture What If, Then What? (Edited) 2021 Carl Craig Forever Free (Edited) 2021 Butch feat. Kemelion Raindrops (Edited) 2021 Rampa The Church (Edited) 2020 Seth Troxler Lumartes (Edited) 2021 Moodymann feat. CD Keep on Coming (Edited) 2021 Mano Le tough As If To Say (Edited) 2021 Dixon Deichkind – Autonom (Dixon Edit) 2021 Red Axes Calib (Edited) 2021 Sama' Abdulhadi/Jamie Jones Reverie/Laser Lass 2021 Kenny's Backyard Boogie アーティスト名 曲名 発売年 Thundercat Them Changes 2017 Christion Pimp This Love 1998 Atlanta Rhythm Section So Into You 1976 Ro James Ga$ 1976 Claudja Barry Love For Sake Of Love 1976 Barbara NcNair My World Is Empty Without You 1965 MFSB Plenty Good Lovin' 1976 The Emotions I Don't Wanna Lose Your Love 1976 Bell James Livin' It Up (Friday Night) 1978 Jesse Johnson/Moodymann Where The Devil Plays 2021 Stavroz Gold Town 2017 Larry Heard Lamentation 2005 Mobb Deep Cradle to the Grave 1995 Nipsey Hussle Checc Me Out 2013 Dam-Funk Hood Pass Intact 2010 Shade Sheist feat. Nate Dogg Kurupt Where I Wanna Be 2000 LTJ Xperience feat. Anduze Bad Side 2019 Aurra Make Up Your Mind 1982 Puff Daddy The Family feat. Black Rob I Love You Baby 2000 Teena Marie Deja Vu 1979 Rick James Hollywood 1978 Joey Purp Elastic 2018 Channel Tres Skate Depot (Moodymann Remix) 2020 Marvin Belton The Letter 2009 Moodymann Basement Party 2012 Moodymann Pray 4 Love 2012 Moodymann Technologystolemyvinyle 2007 AMP Fiddler feat. Moodymann I Get Moody Sometimes 2017 Sandy Barber I Think I'll Do Some Steppin On My Own (Opolopo Rework) 2012 Moodymann 9 Nights 2 Nowhere 2012 NEZ feat. Gangsta Boo Moodymann Freaks 2021 Obie Trice feat. Nate Dogg The Set Up 2003 Jose James Love Conversation 2010 Moodymann Misled 1997 Teena Marie I Need Your Lovin' 1980
https://w.atwiki.jp/gtavi_gta6/pages/2712.html
メディアプレイヤー(Media Player) メディアプレイヤー(Media Player)概要 説明 プレイリスト 概要 ジャンル:R B 、ディスコ 、エレクトロ 、ハウス 、テクノ 、ヒップホップ 楽曲数:69曲(5+5+5+5+14+35) 説明 「ロスサントス・チューナー」アップデートで追加されたラジオ局。オンラインのみ視聴可能。 メディアスティックを集めることで視聴可能なプレイリストが増えていき、アクションメニューの「所持品」のところから切り替えることができる。 なお、オフにすることもできるが、この場合はラジオオフとは異なり、航空機搭乗中やビジネス(調達・売却)中のBGMも完全オフにできる。 システム的にはエンドレスに無音を流すラジオと認識される模様。(オフの状態でソーシャルクラブに共有することができる。) + LSCM入庫時の挙動について LSカーミーティングに入庫すると、このラジオ局でかかるBGMが流れているが、システム的には乗り込んだ個人車両から鳴っていることになっているらしく、メディアスティックを所有していると出庫時に強制的にラジオ局が当局のBGMとして鳴っていたプレイリストに変更される。 無音や別のプレイリストに変更したい場合は、一度アクションメニューから切り替える必要がある。 プレイリスト Blue EP アーティスト名 曲名 発売年 Seth Troxler Lumartes 2021 Sama' Abdulhadi Reverie 2021 Rampa The Church 2020 Dixon Deichkind – Autonom (Dixon Edit) 2021 Kerri Chandler You 2021 Green EP アーティスト名 曲名 発売年 tINI feat. Amiture What If, Then What? 2021 DJ Tennis Atlanta 2021 Moodymann feat. CD Keep on Coming 2021 Jamie Jones Laser Lass 2021 Mano Le tough As If To Say 2021 Violet EP アーティスト名 曲名 発売年 Butch feat. Kemelion Raindrops 2021 Carl Craig Forever Free 2021 Margaret Dygas Wishing Well 2021 Red Axes Calib 2021 Luciano Mantra For Lizzie 2021 Black EP アーティスト名 曲名 発売年 Lost Souls of Saturn TOKiMONSTA Revision Of The Past 2021 Adam Beyer Break It Up 2021 Tale Of Us Nova Two 2021 Bedouin Up In Flames 2021 Damian Lazarus feat. Robert Owens The Future 2021 CLR Launch Party (Seth Troxler) アーティスト名 曲名 発売年 Lost Souls of Saturn TOKiMONSTA Revision Of The Past 2021 Adam Beyer Break It Up (Edited) 2021 DJ Tennis Atlanta (Edited) 2021 Bedouin Up In Flames 2021 tINI feat. Amiture What If, Then What? (Edited) 2021 Carl Craig Forever Free (Edited) 2021 Butch feat. Kemelion Raindrops (Edited) 2021 Rampa The Church (Edited) 2020 Seth Troxler Lumartes (Edited) 2021 Moodymann feat. CD Keep on Coming (Edited) 2021 Mano Le tough As If To Say (Edited) 2021 Dixon Deichkind – Autonom (Dixon Edit) 2021 Red Axes Calib (Edited) 2021 Sama' Abdulhadi/Jamie Jones Reverie/Laser Lass 2021 Kenny's Backyard Boogie アーティスト名 曲名 発売年 Thundercat Them Changes 2017 Christion Pimp This Love 1998 Atlanta Rhythm Section So Into You 1976 Ro James Ga$ 1976 Claudja Barry Love For Sake Of Love 1976 Barbara NcNair My World Is Empty Without You 1965 MFSB Plenty Good Lovin' 1976 The Emotions I Don't Wanna Lose Your Love 1976 Bell James Livin' It Up (Friday Night) 1978 Jesse Johnson/Moodymann Where The Devil Plays 2021 Stavroz Gold Town 2017 Larry Heard Lamentation 2005 Mobb Deep Cradle to the Grave 1995 Nipsey Hussle Checc Me Out 2013 Dam-Funk Hood Pass Intact 2010 Shade Sheist feat. Nate Dogg Kurupt Where I Wanna Be 2000 LTJ Xperience feat. Anduze Bad Side 2019 Aurra Make Up Your Mind 1982 Puff Daddy The Family feat. Black Rob I Love You Baby 2000 Teena Marie Deja Vu 1979 Rick James Hollywood 1978 Joey Purp Elastic 2018 Channel Tres Skate Depot (Moodymann Remix) 2020 Marvin Belton The Letter 2009 Moodymann Basement Party 2012 Moodymann Pray 4 Love 2012 Moodymann Technologystolemyvinyle 2007 AMP Fiddler feat. Moodymann I Get Moody Sometimes 2017 Sandy Barber I Think I'll Do Some Steppin On My Own (Opolopo Rework) 2012 Moodymann 9 Nights 2 Nowhere 2012 NEZ feat. Gangsta Boo Moodymann Freaks 2021 Obie Trice feat. Nate Dogg The Set Up 2003 Jose James Love Conversation 2010 Moodymann Misled 1997 Teena Marie I Need Your Lovin' 1980
https://w.atwiki.jp/ilovebelgium/pages/3.html
Charlie and the Chocolate Factory - Sacramento Magazine Why TCHO Is About to Become a Vegan Chocolate Company - VegNews Chocolate Chocolate Chocolate teams up with Toys for Tots for ‘Truffles for Tots’ campaign - KSDK.com These fancy White Chocolate Ginger Cookies are a snap - The Washington Post On Africa's 'chocolate islands', cocoa producers target luxury market - Yahoo News The Truth About Juan Gutierrez From School Of Chocolate - Mashed Läderach brings Swiss chocolate to Stonebriar Centre in Frisco - Community Impact Newspaper 10+ delicious chocolate gifts to give this holiday season - NBC News Barefoot Wine and Oreo release cookie-flavored wine with hints of chocolate - New York Post Yes, Heinz Created a 'Chocolate Orange Mayo' in the UK - Snopes.com Trader Joe's Fans Think These Holiday Chocolates Taste Like Thin Mints - Mashed Why White Chocolate May Be Disappearing From Dunkin' - Mashed Keto Chocolate Brand, Goalz, Puts New Spin On What It Means To Be Sugar-free - PRNewswire Five-Ingredient Holiday Chocolate Bark - PureWow A Company Will Pay You $1K To Test Hot Chocolate As A 'Holiday Side Hustle' - Newsweek Mint Chocolate Spread Tastes Like Aero mint Chocolate - Delish.com Coming to Claymont, a Chocolate Ball to give disadvantaged families a holiday treat - 1150AM/101.7FM WDEL SantaCon NYC is coming to town and so are some hot chocolate-obsessed elves - WPIX 11 New York 'Saving grace' Famous Vermont chocolate maker borrows workers amid holiday crunch - WPTZ Legendary Chef Wolfgang Puck Just Shared His Favorite Chocolate With the World It’s Perfect For Holiday Baking - SheKnows Thief with a sweet tooth causes a lot of damage to Albuquerque chocolate shop - KRQE News 13 Art! Wine! Chocolate! Cheese! - Mad River Union These No-Bake Reindeer Rice Krispies Bars Will Be the Star of Every Holiday Party This Season - POPSUGAR The best way to store chocolate – cue, not in the fridge - Lifestyle Asia Simply Cooking Gluten-free dark chocolate peppermint cookies - Rocky Mountain Collegian 12 Craft Beer Experts Name The Best Beers For Chocolate Lovers - UPROXX Sassy Mama Italian Chocolate Pizzelle Recipe - news9.com KWTV RIDC lands life sciences firm for Chocolate Factory at Lawrenceville Technology Center - Pittsburgh Business Times Bhang Introduces Fast-Acting Hot Chocolate at HOF Palm Springs - Technical420 - Technical420 Swiss chocolate makers focus on incomes to end child labour - Reuters EATERS DIGEST Tramonti's Italian Christmas market returns, chocolate for your brain hoshigaki magic - Lookout Santa Cruz Just 10g of 85% dark chocolate three times a day 'makes you happier' - Daily Mail Chocolate stars in delicious holiday goodies - Bonner County Daily Bee Notes on chocolate don’t knock it till you’ve tried it - The Guardian Holiday sale Get 25% off Godiva chocolate sitewide - CNET Chocolate-covered bourbon cherries for Christmas dessert - Fox News Photos Loyola's winter Sneaux celebration returns | Photos | nola.com - NOLA.com Sweeten the season with DIY chocolate truffles | Community - HNGnews.com Holiday pairings of wine, cheese, chocolate from Aldi - WISHTV.com Hot Chocolate Run returns, raising more than $800,000 - GazetteNET Fudge vs. Chocolate What's the Difference? - Greatist Chocolate tubs ranked Heroes, Celebrations, Roses and Quality Street - The Tab Holiday wine, cheese and chocolate pairings on Coast Live - wtkr.com This Freezer Hack Is A Christmas Hot Chocolate Game-Changer - Mashed Hot cocoa bombs are back. Here's where to find them in Rochester - Rochester Democrat and Chronicle A biscotti recipe with white, chocolate, orange and rosemary - The Washington Post Chocolate Chip Peanut Butter Cookie Pizza [Vegan] - One Green Planet ChocXO Expands New Distribution in Sprouts Nationwide - PRNewswire Chocolate spice gingerbread house cake | Christmas baking | SBS Food - SBS Puratos brand Belcolade claims key plant based chocolate breakthrough - Confectionery Production My grandma took me to this grocery store every Christmas. Now I can carry on the tradition - The Arizona Republic Chocolate Cake With Peppermint Frosting Recipe - NYT Cooking - The New York Times Supply chain issues force San Antonio chocolate maker to get creative - FOX 29 Around the World With Chocolate - Newsweek A Molinillo Whisk Is Essential for Making the Best Hot Chocolate - Eater Try Dominique Ansel's new Baileys hot chocolate for free this month - Time Out New York Doctor Who Why The Sontarans Love Chocolate | Screen Rant - Screen Rant Meera Sodha’s vegan recipe for Indonesian-style salted peanut and chocolate pancakes - The Guardian Knoxville 6-year-old's hot chocolate stand raises money to help foster children over the holidays - WBIR.com Chef's Quick Tip Chocolate chunk cookies - News 12 Brooklyn Chocolate Cupcakes with Chocolate-Hazelnut Buttercream Recipe - Today.com Kent Skates ice rink officially opens with free hot chocolate for all - Record-Courier Spiked Orange and Chocolate Biscuits Recipe - Los Angeles Times MOO-ville Creamery snags first place at national ice cream competition - WSYM-TV Aldi's chocolate and honeycomb Christmas cracker cake is the 'insta-worthy' dessert you need - Daily Record A shortbread recipe with chocolate, figs and ginger - The Washington Post No-Bake Chocolate Clusters Recipe - NYT Cooking - The New York Times Chocolate Babka Rugelach Recipe - NYT Cooking - The New York Times Tom Brady's game-day meal plan protein smoothie, low-carb fish dish - Insider Vt. Chocolate Maker Gets Helping Hands Amid Christmas Rush - NECN How to Make Gluten-Free Chocolate Crinkle Cookies - Food Wine Cadbury's Chocolate Christmas Trifle Is The Perfect Christmas Dessert - Delish.com Dugan Dame Chocolate Bitters Released In Collaboration With Dewar's - The Whiskey Wash Sip Savor Chocolate, Tea, and Fresh Bread - 425magazine.com 10 Best Advent Calendars (2021) for Food Lovers - Bon Appetit Barry Callebaut on track to fully sustainable chocolate, progress report flags - FoodIngredientsFirst Chocolate tassies recipe combines the best of brownies and pie in a small package - The Washington Post Amazon's latest Fire Tablet discount makes it cheaper than Black Friday's deal - CNET From Black Bean and Walnut Tacos to Share to Chocolate Chip Peanut Butter Cookie Pizza Our Top Eight Vegan Recipes of the Day! - One Green Planet Chef's Quick Tip Chocolate Gelt - News 12 Bronx Happening on Staten Island tonight Free hot chocolate and tiramisu give-away and holiday tree lighting - SILive.com The Best Chocolate Bars For Baking - southernliving.com 80,000 ‘chocolate cars’ registered in Baja California - KXAN.com Keeping chocolate milk smooth, stable without carrageenan Unique high-pressure jet processing of chocolate milk may reduce the use of the controversial emulsifier - Science Daily Good or bad? Top cardiologist gives verdict on chocolate, coffee and wine - The Guardian Chocolate Olive Oil Cake Recipe - NYT Cooking - The New York Times 'The Nutcracker Dipped In Chocolate' set to debut in Philadelphia - 6abc Philadelphia - WPVI-TV Barry Callebaut launches nonpremium dairy-free chocolate line - Food Dive Is this a chocolate or yellow cake? A tweet sparks an internet debate - TODAY Food Quiz Eat Chocolate To See Where You Should Live - BuzzFeed Best Chocolate Gifts - U.S. News World Report Chocolate chips that are delicious even without the refined sugar - The Boston Globe Bobby Flay's Chocolate Chip Cookie Recipe Is Apparently '1 of the Greatest of All Time' - Showbiz Cheat Sheet Martha Stewart’s Double Chocolate Hot Cocoa Is What Winter Dreams Are Made Of - SheKnows A saltine s'mores recipe with layers of chocolate, marshmallow fluff and crackers - The Washington Post Find an extra sweet gift this holiday season at Chocolate Chocolate Chocolate Co. - KSDK.com Save up to 30% off chocolate gifts at Ghirardelli - CNET Loved ‘Great British Bake Off’? You Need to Watch Netflix’s New Show ‘School of Chocolate’ - PureWow It's a Chocolate Thing | News, Sports, Jobs - Fort Dodge Messenger Trader Joe's Snowman Hot Cocoa Bombs Are Back, but Some Stores Are Limiting How Many You Can Buy - Real Simple 100 item(s) Last-Modified 2021/12/08 15 47 13
https://w.atwiki.jp/vocalive/pages/198.html
LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events) メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓このページ名(Current Page Name)↓ 自動作成目次(contents) 行事紹介(Live Concert and Event Information) 【EVENT/海外/Miku @ MIT Boston USA 2011】 Miku @ MIT, Miku at MIT ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) International News (国際ニュース) New Project and collaboration Blog Memo・メモ帳 EDIT Page 行事紹介(Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【EVENT/海外/Miku @ MIT Boston USA 2011】 EVENT/海外/Miku @ MIT Boston USA 2011 Related page Miku @ MIT, Miku at MIT "Miku, Beyond the Character The Cutting Edge of Miku Miku Dance Software" Discussion and concert film screening featuring Ryotaro Mihara (Deputy Director, Creative Industries Division, Ministry of Economy, Trade, and Industry [Japan]) Masataka-P (producer of Miku songs and videos) Ian Condry (MIT, moderator) The presentation includes a demonstration of a prototype projection of Miku live, and a screening of an abridged version of Mikunopolis, Miku s live concert in Los Angeles, July 2011. Light dinner will be served. Afterwards, join us from 9 30-10 30pm for a Party at the Enormous Room (567 Mass. Ave., Cambridge, MA [NOTE Ages 18+ only] in conjunction with Beat Research (http //beatresearch.com). Meet the Miku guests president of Crypton, a Miku-P (producer), Japanese government rep, magazine editor and dance with Miku live . . . Date Monday October 17, 2011 Time 5 00 PM - 7 00 PM Location 4-136 (MIT) http //cooljapan.mit.edu/2011-2012-events =============================================================================== "Miku, Virtual Idol, as Media Platform Transforming Media Creativity" Keynote lecture Hiroyuki Itoh (president and CEO of Crypton Future Entertainment) with additional comments by Toshihiro Fukuoka (Editor, Tokyo Kawaii Magazine and ASCII Weekly) Ryotaro Mihara (Deputy Director, Creative Industries, METI) Ian Condry (Associate Professor, Comparative Media Studies, MIT) Date Tuesday October 18, 2011 Time 3 00 PM - 5 00 PM Location E51-345 (MIT) ================================================================================ Brainstorming session to discuss future collaborations with Crypton Future Entertainment Come join in a discussion of possible collaborations between Crypton Future Entertainment and area students and faculty. RSVP required to attend brainstorming session. Please contact Prof. Ian Condry at condry@mit.edu Date Wednesday October 19, 2011 Time 9 30 AM - 11 00 AM Location TBD (MIT) MIT/Harvard Cool Japan Initiative (米国、ボストン) MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) http //vocaloid.blog120.fc2.com/blog-entry-9806.html (日本語訳) 参考文献: Miku Japan s virtual idol and media platform. (original report)オリジナル レポート http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform ミク:日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳) MIT比較メディア研究科 Comparative Media Studies (CMS) http //cms.mit.edu/ 日時:2011年10月17日(月)5 00 PM - 7 00 PM 場所:4-136(MIT)米国ボストン [キャラクターを越える初音ミク:MikuMikuDanceの最前線] 主催:MIT/Harvard Cool Japan Initiative MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-9806.html (日本語訳) http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) 参考文献:初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ ■イベント名称: ■会場: ■日程: Twitter FaceBook Japanese Translation 日時:2011年10月17日(月)5 00 PM - 7 00 PM 場所:4~136(MIT) キャラクターを越える初音ミク:MikuMikuDanceの最前線 出演 三原龍太郎(経済産業省) まさたかP(ボカロプロデューサ) イアン・コンドリー(MIT、司会) 日時:2011年10月18日(火)3 00 PM - 5 00 PM 場所:E51- 345(MIT) メディアプラットフォームとしての仮想アイドル初音ミク:創造性メディアの変化 出演 伊藤博之(クリプトン) 福岡俊弘(ASCII) 三原龍太郎(経済産業省) イアン・コンドリー(MIT比較メディア学准教授) 日時:2011年10月19日(水)9 30 AM - 11 00 AM 場所:TBD(MIT) クリプトン社とのコラボレーションのためのブレーンストーミング http //vocaloid.blog120.fc2.com/blog-entry-9806.html ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) Miku @ MIT Monday Panel [PART 1] http //www.youtube.com/watch?v=GP_1huHBKg8 http //www.youtube.com/watch?v=F2Gjs25qpys Miku @ MIT Monday Panel [PART 2] http //www.youtube.com/watch?v=4xrGppIM5dQ Miku @ MIT Monday Panel [PART 3] Miku @ MIT Monday Panel [PART 4] http //www.youtube.com/watch?v=mrO0fLqbHc Miku @ MIT Monday Panel [PART 5] https //www.youtube.com/watch?v=fN-isCydknc 関連映像 (Related Videos) HatsuneMiku channel http //www.youtube.com/user/HatsuneMiku 【Hatsune Miku】 CONCERT!! 【初音ミク】 http //www.youtube.com/playlist?list=PL-pKPpZ1Q5NZqi-pHqc2zKXk8GG3U2fkW チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 official goods ニコ生 (Nico NIco Video LIVE streaming) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) Screen 投影スクリーンの種類 (Screen Type):DILAD,ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 投影スクリーンの形状 (Shape of Screen): スクリーンの素材(Materials for making screen): スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Reflection): 鮮明度 Clearness, resolution of screen: 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数(Junction within the screen)=(つないで使用された投影ボード等の枚数-1、?) : number of materials used for making main screen: 使用された投影ボード等の枚数(Number of board used): 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector): 使用ソフト (Software): 3D model: Producer of 3D Model: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Computer and OS: リアルタイム レンダリングの有無(real-time rendering or not) レンダリング速度等 60 fps フレーム速度 60 fps カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): 会場設備 東京ドームシティ公式サイト MEETS PORT (ミーツポート) http //www.meetsport.jp/about/seat/1f_05.htm#zaseki その他 (others): 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ セットリスト(演奏曲目)・その他 (Set List, name of music) Set List SET LIST and Producer links of Vocaloid wiki Vocaloid concert directory http //vocaloid.wikia.com/wiki/Vocaloid_concert_directory Live Events http //vocaloid.wikia.com/wiki/Live_Events http //hatsunemikusetlists.wordpress.com/ for listings that are already in English, there will be no ‘romaji’. Summary in English and other language(英語等での紹介) http //www.niconico.com/ http //live.niconico.com/ 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) Experiencing the Media Mix Anime, Manga, Video Games. (メディアミックスの体験:アニメ、マンガ、ビデオゲーム) President’s Conference Series February 4 to 6, 2012 (学長講演会シリーズ) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/ 日時:2012年2月4日ー6日 Location 1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada H3G Concordia University http //www.concordia.ca 場所:コンコルディア大学、モントリーオール、ケベック州、カナダ Academics discuss Japanese pop culture (アカデミック研究者が日本のポップカルチャーについて語る) http //www.concordia.ca/now/what-we-do/research/20120118/academics-discuss-japanese-pop-culture.php Speakers (公演者) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/speakers/ Schedule and Lecture abstracts (スケジュール及び公演抄録) http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/schedule/ Lecture abstracts Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein Marc Steinberg-Media Mix as Experience Ian Condry-Miku Virtual Idol as Media Platform (ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames Thomas Lamarre-Transnational Storytelling Matthew Penney-Media Mixed Histories Kyara versus Context Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu Margherita Long-Nausicaa Now More Than Ever Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) コンコルディア大学でイアン・コンドリー氏がミクの講演をするらしい件 (日本語訳 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10754.html 公演タイトル (概要の翻訳) Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演(大塚 英志--ディズニーとアイゼンスタインの邪悪な同盟) Marc Steinberg-Media Mix as Experience (マーク・スタインバーグ--経験としてのメディアミックス) Ian Condry-Miku Virtual Idol as Media Platform (イアン・コンドリー:ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames (Mia Consalvo--予想外の旅行:日本のビデオゲームのROMハッカーとファンによる翻訳) Thomas Lamarre-Transnational Storytelling (トーマス・ラマール--国を越えたストリーテリング ) Matthew Penney-Media Mixed Histories Kyara versus Context (マシュー・ペニー--メディアミックスの歴史:キャラ 対 コンテクスト) Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu (上野俊哉--狼と犬の間:押井守と手塚治虫) Margherita Long-Nausicaa Now More Than Ever (マルガリータ・ロング--ナウシカ、NOW MORE THAN EVER (愛は限りなく)) Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) (トーマス・ルーサー--ゲームの自律(そして、銃の暗い価値)) 公演タイトル (概要の翻訳) Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演(大塚 英志(神戸芸術工科大学)--ディズニーとアイゼンスタインの邪悪な同盟) Marc Steinberg-Media Mix as Experience (マーク・スタインバーグ(Concordia大学)--経験としてのメディアミックス) Ian Condry-Miku Virtual Idol as Media Platform (イアン・コンドリー(MIT):ミク - メディアプラットフォームとしての仮想アイドル) Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames (Mia Consalvo(Concordia大学)--予想外の旅行:日本のビデオゲームのROMハッカーとファンによる翻訳) Thomas Lamarre-Transnational Storytelling (トーマス・ラマール(McGill大学)--国を越えたストリーテリング ) Matthew Penney-Media Mixed Histories Kyara versus Context (マシュー・ペニー(Concordia大学)--メディアミックスの歴史:キャラ 対 コンテクスト) Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu (上野俊哉(和光大学)--狼と犬の間:押井守と手塚治虫) Margherita Long-Nausicaa Now More Than Ever (マルガリータ・ロング(California大学) Nausicaa Now More Than Ever--ナウシカ、NOW MORE THAN EVER (愛は限りなく)) Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) (トーマス・ルーサー(New York大学)--ゲームの自律(そして、銃の暗い価値)) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 参考文献: Miku Japan s virtual idol and media platform. (original report)オリジナル レポート http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform ミク:日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳) 参考文献: 初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ 写真は『艶容女舞衣』 冨田人形共遊団(滋賀県長浜市) photo Wikipedia “Osonowiki” CC BY Ellywa http //upload.wikimedia.org/wikipedia/commons/c/cb/Osonowiki.jpg imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 中央にいるのが「シテ」、手前で背を向けているのが「ワキ」 photo Wikipedia “Noh-stage” CC BY Toto-tarou http //ascii.jp/elem/000/000/634/634970/Noh-stage_588x317.jpg 人形浄瑠璃 文楽 wikipedia 能 wikipedia [そこに現れたひとつの回答が「初音ミクは人形浄瑠璃である」という、週刊アスキー総編集長の福岡俊弘さんの説である。] ============================================================================= 【伊藤代表がおくる、MIKU@MITフォトレポート!】 http //blog.piapro.net/2011/10/mikumit.html http //blog.piapro.net/997.JPG 1日目 http //blog.piapro.net/1012.JPG 1日目夜 http //blog.piapro.net/1083.JPG 2日目 Media Lab http //blog.piapro.net/1044.JPG =============================================================================== NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 1 https //www.youtube.com/watch?v=0cKY0ZeF3q4 NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 2 https //www.youtube.com/watch?v=kQFkeleXDcA http //www.youtube.com/watch?v=NpCihCvXTtY NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 3 Hatsune Miku After MIKUNOPOLIS NEW YORK Comic Con/Anime Festival 2011 PANEL https //www.youtube.com/watch?v=Y9iFY9saX4g International News (国際ニュース) New Project and collaboration Blog Memo・メモ帳 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント