約 5,724,135 件
https://w.atwiki.jp/vocalive/pages/186.html
このページ名（Name of this Page）→【ライブ技術一覧/Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成】 Technology for the Vocaloid Handmade Live Concert and Event ライブ技術一覧 メニューMENU 1各自で研究開発中の投影ボードとスクリーンの一部 2手作りライブ等の為の技術情報 Technology for the Vocaloid Handmade Live Concert 3将来応用可能なライブ関連技術及び研究 Research and Development for Future Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 ギミック Gimmick of Live Concert コンテスト Contest スクリーンに投影可能なテスト素材動画 Videos for Testing メンバー募集案内 Member Request ライブ録画技術 Video Recording Technique 動画作成のコツとMMD [Tips for Making Video & MMD]+MEMO 参考文献 References 各自で研究開発中のKinectと遠隔操作等の一部 Remote Control & Kinect 各自で研究開発中の同期システム Synchronization System 技術関係のMEMO 技術関係のMEMO2 perm 過去のライブの反省会等の一部 過去のライブの反省会等の一部 MEMO 配信と動画up技術 Streaming and Uploading Tech of Video 手作りライブ等の為の技術情報 ライブ技術一覧/Mascot and Vocaloid Development マスコットキャラ及びボーカロイドの作成と育成 Related Pages TECH/Oversea/AniMiku Vocaloid Live Concerts Software Development USA LIVE/海外/Vocaloid Concerts of Synthesized Reality Productions SRP 1)Mascot Development マスコットキャラの作成と育成 Mascot Development of AniMiku "Ani-Chan" (マスコットキャラの作成と育成） http //akiglancy.deviantart.com/art/Ani-chan-369093012 Mascot of Animiku made by Aki Glancy http //akiglancy.deviantart.com/ MMD Development of "Ani-Chan" Model MMD Ani-Chan Release Mascot of Animiku MMD made by Digitrevx. http //digitrevx.deviantart.com/ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //digitrevx.deviantart.com/art/MMD-Ani-Chan-Release-Mascot-of-Animiku-386682659?q=gallery%3ADigitrevx%2F42498145 qo=1 Link to download page of AniMiku "Ani-Chan" http //www.animiku.com/cms/about/ani-chan [MMD] Remote control feat. Racing Miku, and Ani-chan http //www.youtube.com/watch?v=fQQWLo29Stw [MMD] Ani-Chan - [Animiku] - Sweet Devil http //www.youtube.com/watch?v=_sAlKlcn-04 AniMiku A VOCALOID Concert Animation System Designed and Coded by Re VB P http //www.animiku.net/ Mascot Development of SRP "YUME" (マスコットキャラの作成と育成） Yume is the official mascot of the Vocaloid concert group Synthesized Reality Productions. imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //synthreality.com/wp-content/uploads/YumeMMDwall_1280X720.png Mascot of YUME made by http //synthreality.com/about/ MMD Development of "YUME" imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 http //synthreality.com/wp-content/uploads/yume-mmd.png Model MMD YUME Mascot YUME MMD made by downloads DOWNLOADS for MMD MODEL of YUME http //synthreality.com/downloads/ SRP’s Mascot Yume as a Free MMD Download Yume MMD Wallpaper http //synthreality.com/downloads/ [MMDPV] Nekomimi Archive [SRP s YUME Cathood vers.] http //www.youtube.com/watch?v=gLRUvq02rPM Synthesized Reality Productions (SRP) http //synthreality.com/ http //synthreality.com/about/ Voice of Empath-P computer modification of the voice to make YUME voice. The new voice of Yume competition! (SRP-Yumeの声募集のコンテスト：ボーカロイド候補の声募集中) 英語と日本語 Synthesized Reality Productions 8月9日 8 36 · We have started to get in tracks for the new voice of Yume competition! So fare we have some great Stuff! But is there is still time!! It end on August 25th! Tag your friends! This is a exclusive SRP contract for the new Yume! This is the dream! You could be the next Vocaloid. Please sing, talk or more! and send to English please, Japanese is a plus! synthesizedrealityproductions ＠ gmail.com (Please change ＠ to @) It can be Youtube, Soundcloud, Mp3, Wav. or even a video file! We are looking for a female voice! Sorry guys! Not this time!! Again all entries must be in by August 25. Good Luck and Thank You! SRP http //www.facebook.com/SynthesizedRealityProductions/posts/315731811940780 2)Vocaloid Development ボーカロイドの作成と育成 Guide information to make Vocaloid voice library. Gaining background technique. Recording for making voice bank. Contract Release of Vocaloid Previous Example Tohoku Zunko http //voiceroid.wikia.com/wiki/Tohoku_Zunko#cite_note-3 A fundraising campaign was in effect with the goal of creating a Vocaloid voicebank for Zunko if the required funds (¥5,000,000) were met by July 20th. [4] Since then, the campaign was successful. http //zunko.jp/index.html 東北ずん子ボーカロイド化 http //www.anipipo.com/Project/Update/6 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/186.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント
https://w.atwiki.jp/2dogsdemosoft/pages/20.html
update：(Fri) July 17th 2015 (Japan time)｜Visitr total - today - yesterday - ｜ Posted by Mika Iwamuro (tottorimiyagi, mii) 白い犬リーちゃんを探しています [Please help us find missing white dog. Please Share and Spread The Truth.] We are looking for missing white dog named Lee-chan, she was lost at Arahama-district Sendai-city Miyagi-prefecture Japan, after the Earthquake. Thank you so much for many help. (Fri) July 17th 2015 (Japan time), the white dog Lee-chan is still missing. Please eyewitness information. About 4 years ago, after the Japan Big Earthquake and Tsunami (March 11th 2011), Several Major Medias reported false rescue story "both dogs were rescued by an animal rescue (off road bikers)". But in fact Brown tan dog named Mei-chan was rescued by her real owner Mr. Okubo on March 18th 2011. When Lee-chan (white dog) was not there. In fact The white dog has been missing since March 14th 2011. Even now, their real owner just hope that he will meet his white dog again. I think that there are many possibilities. I thought there is possibility that Lee-chan is dead. But there is possibility that Lee –chan is alive! Maybe Lee chan was rescued by overseas people, and carried somewhere. Maybe Lee chan was rescued neighbor and she is alive, and neighbor does not have Internet, so neighbor does not know that the owner is looking for Lee chan. There are several possible. I want to try all means possible to find Lee-chan. Youtube movie Mei (one of two loyal tsunami dogs in Japan) eat food, filmed by Mika http //youtu.be/Mjn6O4Lf_yE Feature of the missing dog Name Lee (Lee-chan, ‘chan’ is Japanese honorific.) English setter Female Large dog Totally white on her body Her ears are right brown She has gray spotted around her nose Then she had silver chains around her neck Then 8 years old (Now 12 years old) Then not spay Then not microchipped Gentle Friendly When Last Seen 4 years ago, Monday March 14th 2011 about 7 am, a photo of Lee-chan was taken by Takuya Imai who is a cameraman of Nikkei newspaper, near the place dogs filmed by Fuji TV. And March 13th 2011 about 4-5 pm, Lee-chan was filmed by Fuji TV crew. Where Last Seen Nearby 円庵(まどか庵 Madoka-Ann which was light meal shop.), near the Sendai Municipal Arahama Elementary School, in Arahama, Wakabayashi-ku, Sendai-shi, Miyagi-ken, Japan. Nearby Miyagi Prefectural Road137, Arahama-Haranomachi Line in Japan. MAP： Image of Lee-chan (filmed by Fuji TV at March 13th 2011 about 4-5 pm.) Image of Lee-chan (this photo is taken by Takuya Imai who is a cameraman of Nikkei news paper, at near by Madoka-Ann, on March 14th, 2011. about 7 am) Madoka-Ann was the place where the dogs filmed by Fuji TV 津波で倒壊した家に残る犬（14日午前、仙台市若林区）＝写真 今井拓也 A dog stay with a house which was collapsed by tsunami (March 14th, 2011. Morning, Arahama) = The picture by Takuya Imai When these dogs filmed by Fuji TV on March 13th 2011, 4-5 pm, white dog (Lee-chan) laid herself down on the ground, but next morning Lee-chan stood up by herself in Nikkei photo. Their real owner said “This dog of the photo is Lee!” Do you know someone who had been in Sendai around March – April 2011? 4 years ago, actually, PETA Asia, HSI, Kinship Circle, other foreign cameramen, human rescuers had been in Sendai at that time, but I don’t know other foreign people. If you know, please tell them this info please tell me. I think that there is possibility Lee-chan was got by overseas people, and she was adopted to far from Sendai Japan, but those rescuers might believed in false rescue report and they have not look for the real owner. Or they might did not notice that Lee-chan is same dog as one on TV, or might did not know about these dogs at the beginning. Pattern on Mei-chan (brown tan dog) is so characteristic, but there are many dogs like Lee-chan (white injured dog). If anyone have the info on the missing Lee-chan (white female setter), whoever please tell me (Mika Iwamuro) via Email twodogs_tottorimiyagi_mii3328@yahoo.co.jp I was not able to read and write English until Jury 2011, I started to learn English from July 2011, so I late to ask foreign people about this matter. Too much time passed from the earthquake, but I their real owner cannot give up searching Lee-chan. Please help us. URL of this page：http //www18.atwiki.jp/2dogs/pages/92.html Tiny URL of this page http //p.tl/rLFD If you access this page from your cell phone, then often 403 error occur. In that case, would you please access this page again after a short interval, and you can watch this page. ●Nippon SPCA, Ms. Akiko Fujimura said She received an information that a person looked Lee-chan in Arahama Elementary School, on March 17th 2011, but I have not heard detail. imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (荒浜小学校 2011年3月21日 カット.JPG) Above image Arahama elementary school about March 21st 2011. Madoka-Ann(Madoka-Arahama) was in back of the dogs in Fuji TV video. (Now, Madoka-Ann is not there, because it was torn down around November 2011.) Before the earthquake Madoka-Ann http //r.tabelog.com/miyagi/A0401/A040103/4010137/dtlrvwlst/1752399/4178357/ After the earthquake Madoka-Ann (Madoka-Ann was around 50 second in this video） http //www.youtube.com/watch?v=wIUn52aZ1Ko feature=related There is ken-do 137 (137 Prefectural Road) just in front of Madoka-Ann, Lee-chan was last seen by Nikkei cameraman near there. Japanese Self Defense Force, or police, or Firemen, or other, they had marked after search survivors. March 17th 2011, someone marked on Madoka-Ann. But we have not known who marked this, even though we have searched who is this. ■We have inquired about Lee-chan to several organizations. ●May to July 2011, their real owner Mr. Okubo had visited the Sendai Animal Control Center several time, but a workers said that white setter like Lee-chan has not been in there. ●In September 2011, I reported it the police and the Self-Defense Forces in Miyagi-prefecture Japan. They said “we wish white dog will be found” “I wish the best, please tell the owner ” But till now, they have had no information of Lee-chan. Since after March 19th 2011, every Saturday and Sunday, Madoka-Arahama staff had been to aroud this place, but they have not seen white dog. Until now, I have inquired about white setter to several animal rescue group, Minasigo-kyuuen-tai, Angels shiga, Animal Friends Niigata, Heart Tokushima, PETA Asia, these 5 group were searching for the two tsunami dogs in Sendai-city Japan around March 14 – 15th 2011. But they said “We have not seen white dog or brown tan dog”. Also I asked dogwood and UKC JAPAN, but they have not seen the white setter. January 2012, a staff of fire fighting team in Miyagi who asked other members, their family, 500 people, about white dog. But, unfortunately, they have not seen white dog, but I think we could close Lee-chan one step. We continue to search for Lee-chan. March 2012, I asked Kahoku news paper and Sankei news paper, because they reported about Arahama-district Sendai-city, but they have not seen white dog. I inquired of Gifu, Okinawa, Aichi Self-Defense Forces, because some of them had been in Sendai, but they have no information. I inquired of Metropolitan Police Department in Tokyo, if they had seen the white large dog, because some of them had been in Sendai, but they said that “It is hard for us to find the members who had been in Sendai at that time, because too many member went to disaster area.” July 2012, I inquired of Animal Peace Miyagi, they are so kind, but they have no informatin about Lee. August 2012, A-cube Miyagi said that they have no information. I have inquired of 14 animal rescue groups and other about 15 facilities in Japan, if they saw white dog, but 9 groups said “We were told that both dogs were rescued.” And most of other people did not know these dogs from the beginning, and only one group Animal Friends Niigata, Isabella said “NO proof of their safe, NOTHING.” around October 2011. August 2012, 2 groups said “We thought both dogs were rescued”, September 2012, one group said same thing. Around August 2012, I inquired of Ashlay Fruno and PETA Asia, Ashlay has not replied me, but PETA member replied me, but they didn’t had the information of Lee. Around February 4th 2013, I inquired of HSI and Kinship Circle and ASPCA, about Lee-chan, HSI replied me but they don’t have the information of Lee-chan. Kinship Circle and ASPCA have not replied me yet. Even now(March 10th 2013), rumors and major media s wrong report are hindering us from searching for the white dog. ■Is this Lee-chan? information(all in Japanese) Update (Thu) February 18th 2013 I have received many information about white setter from many people, thank you so much!! http //41.xmbs.jp/poyacchio-19056-n.php?guid=on plist=0 I have added everyone’s information on above Link ■Missing Dog Poster (up date February 24th 2013) Poster Missing white tsunami dog Sendai Japan leechan0314demosoft.PDF Do you know if someone has seen the white large dog in Sendai Japan, since after March 14th 2011? Several news said that many foreign human rescuers, animal rescuers, cameramen had came to Sendai Japan, since March 12th 2011. We believe someone has seen Lee-chan. Please ask your friends if someone has seen white female setter from Sendai Japan. Timeline Detail March 11, 2011. When the tsunami came, the moment their real owner Mr. Hisato Okubo heard the tsunami warning, he turned his home, and he took his two dogs(Mei and Lee) and took refuge to the fives floor in Elementary School. Soon after that, his house and his cell phone were washed away by the tsunami. ______________ March 12, 2011. Mr. Okubo joined the volunteer fire department, a man told him "There is some dog food for a week-10 days in Elementary School.", so he left two dogs in the Arahama Elementary School, and he went to the work of the Volunteer fire department to help other people. Until March 12, 2011, the two dogs were chained in Elementary School, but it seems that someone lost the chaine... _______________ March 13, 2011, 4-5 pm Two dogs were filmed by Fuji TV crew. And Fuji TV reporter Mr. Yamashina and other crew did not rescue the two dogs. And they left two dogs behind. Mr. Yamashina and other TV crew have NOT called a vet or other rescue. (I heard this information from Mr. Yamashina on the phone, in early October 2011. Mr. Yamashina is a reporter of Fuji TV.) _______________ (Mon) March 14, 2011, about 7 00 am. A picture of white dog was taken By Takuya Imai, he is a cameraman of Nikkei news paper, near the place where dogs filmed by Fuji TV. ______________ (Mon) March 14, 2011, about 9 40 pm. Two dogs were aired on Fuji TV. And these two loyal tsunami dogs became famous all over the world via youtube. So many people were concerned about these two dogs, and posted "help these dogs! Why did not Fuji TV crew rescue these dogs?" everywhere. _____________ (Tue) March 15, 2011. False rescue rumor started on Facebook. _______________ (Wed) March 16, 2011. Many Japanese/overseas blogger posted on their blog "two dogs were rescued by off road bikers!" without confirmation of fact. The rumor spread like wildfire. ______________ (Thu) March 17, 2011. Fuji TV(Japanese major media) reported false rescue story “Two tsunami dogs were rescued by an animal protection group. White injured dog is receiving a drip infusion treatment.” without confirmation of facts. There were NO rescued dogs, and were only stray dogs, on Fuji s rescue report. At (Thu) March 17th 2011, Fuji TV crew NO ONE has seen these two dogs were rescued, they have only heard a rumor. In fact white setter named Lee has been missing since March 14th 2011. ___________ (Fri) March 18, 2011. Their real owner Mr. Okubo rescued Mei (brown tan dog) in elementary school where near the place where dogs filmed by Fuji TV. But Lee (white dog) was not there. There after, Mr. Okubo and his family have been looking for Lee frantically. At that time, Mr. Okubo had not known that his dogs were aired on the TV around the world. Intently, Mr. Okubo his family have been looking for Lee frantically. ___________ March, 2011. Several Major medias reported false rescue story "both dogs were rescued by an animal rescue." around the world. Fuji TV(Japan), CNN, NPR, TYT, CBS, ABC(America), UK telegraph, ITN(England), Apple Daily(Hong Kong), Russian TV, more, Several major medias reported false rescue “Two loyal tsunami dogs were rescued. Happy ending!” without confirmation of facts. But in fact, white setter named Lee-chan has been missing since March 14th 2011. Of course, there were NO film/pictures of after dogs were rescued, on their report. There were only stray dogs, on their report. But even now, March 10th 2013 major medias still have NOT corrected their wrong reports. So many many people still believe that Japan two loyal tsunami dogs were rescued by bikers. Even now (March 10th 2013), rumors and major media s wrong report are hindering us from searching for the white dog. Major medias reported false information, and they are hindering us from searching for the white dog, but major media still have NOT corrected their wrong reports. A man said "Major media make money by publishing stories people want to know. It is not about the truth. false rescue was a good story." Do you want FAKE good story? I NEVER want to know any lies. I always want to know the TRUTH. I and many Japanese requested Fuji TV to correct their wrong report, but Fuji has never replied us. Maybe, if Fuji TV reports the truth (white dog is still missing), then Fuji TV lose their popularity and Fuji lose the benefit. So Japanese medias have not reported the truth. Late in July, 2011. Fuji TV reporter Mr. Yamashina visited Mr. Okubo s house. Then Mr. Yamashina actually saw Mei (brown tan dog) and made sure that Mei is the same dog aired on Fuji TV. Mr. Yamashina told Mr. Okubo "There is a rumor that a dog was rescued by a man who lives in Chiba-prefecture." Mr. Okubo and his family said "If that man has Lee (white dog), we want him to return Lee to us." But as everyone know, rescue story is false rumor…. September 8th, 2011. I phoned the two Mr. Okubo on September 8th 2011, for the first time. I heard Okubo s voice, I was moved by the sad voice in which the Mr. Okubo spoke "white dog is still missing". I repented, I should have noticed false rumor. If I/other people noticed Media’s false report earlier, Lee-chan might was found long time ago. September 14, 2011. Mr. Harigaya visited Mr. Okubo’s house on September 14th 2011, for the first time. When Ms. Akiko Fujimura (the Nippon SPCA founder) went to the Mr. Okubo’s house with Mr. Harigaya. Akiko Fujimura met Mr. Okubo on September 14th 2011, for the first time, too. They actually saw brown tan dog. Thanks to everyone s efforts, thank you 2 channel users, thank you Global Animal and GA readers! Thank you Mr. Harigaya! If it were not for GA reports and GA reader s comments, and 2 channel user s posts, and Mr. Harigaya s advice, I could not contact their real owner. November 1, 2011. Akiko Fujimura published Mei-chan s photos and two dogs s story, via Hachiko Coalition facebook page. UPDATE JAPAN One Loyal Tsunami Dog Found http //www.globalanimal.org/2011/11/01/update-japan-one-loyal-tsunami-dog-found/43001/ November 3rd, 2011. APF news Farm Sunctuary Farm of Hope ~Fukushima~ Official BLOG Kurumi-chan and Lee-chan (Copied and translation) http //www18.atwiki.jp/2dogs/pages/57.html Their real owner Mr. Okubo just hope he meet his white dog named Lee again! The owner had not has any Internet environment since the earthquake, so we have been supporting to search for Lee-chan. Lee-chan (white injured dog) and Mei-chan (Brown dog) attracted the people s attention to many victim animals, all over the world, and they rescued many animals. So... Let s repay their loyal. Let s reunite with Lee-chan (missing white dog) her real owner Mr. Okubo Mei-chan (safe brown dog). Do you know someone who got white dog from Sendai Japan? The real owner of Japan Two Loyal Tsunami Dogs, Mr. O described how he felt [1] http //www52.atwiki.jp/2dogswiki/ [2] The real owner of Japan Two Loyal Tsunami Dogs, Mr. O described how he felt http //www52.atwiki.jp/2dogswiki/pages/15.html Please tell me your information about white femal setter from Sendai Japan. Mika Iwamuro (みぃ@meba、tottorimiyagi、mii3328) E-mail twodogs_tottorimiyagi_mii3328@yahoo.co.jp Or lee_chan0314@yahoo.co.jp Even if someone has seen dead white dog in Sendai Japan, please tell me. Sorry to ask this of you when you are busy, but I hope your help. Also, Farm of Hope and Nippon SPCA are still looking for Lee-chan. Farm of Hope [M Farm] http //fukushima-farmsanctuary.blogzine.jp/blog/2011/11/post_f7ab.html kibouno.bokujyou@gmail.com Nippon SPCA http //www.nipponspca.com/ info@nipponspca.com Youtube｜mii169686 (Mika Iwamuro) http //www.youtube.com/user/mii169686 (There are the movie of brown tan dog named Mei-chan) Facebook｜Mika Iwamuro http //www.facebook.com/photo.php?fbid=420833198002550 set=a.371098812975989.90415.100002276214962 type=3 theater (Please share about Lee-chan) Twitter @tottorimiyagi http //twtr.jp/user/tottorimiyagi (Please RT about missing white dog)
https://w.atwiki.jp/dissertacao/
http //piresadvogados.adv.br/wp/?p=287 修士論文用の整理ページ 政策批判や政策提言の対象 ⇨いかなる政策が形成されるべきなのか 政策過程分析の対象 ⇨いかに政策は形成されるのか 政策評価の対象 ⇨いかなる帰結を政策はもたらすのか 次は、このペトロブラスのサイトを、じっくり読み込むこと。 o Programa Petrobras Cultural (PPC) http //www.hotsitespetrobras.com.br/ppc/ 2番組をじっくり繰り返す見る どういう順番でデータをまとめていくか？ まとめに使えそう Distorções na lei e no discurso http //www.culturaemercado.com.br/analise/distorcoes-na-lei-e-no-discurso/ 部分的に訳す価値あり Regulação da mídia e da cultura http //www.culturaemercado.com.br/headline/regulacao-da-midia-e-da-cultura/ Mecenato fecha 2009 com queda de 23% http //www.culturaemercado.com.br/leirouanet/mecenato-fecha-2009-com-queda-de-23/ Leonardo Brant A preocupante queda da Lei Rouanet http //www.culturaemercado.com.br/leirouanet/a-preocupante-queda-da-lei-rouanet/ Leonardo Brant O Brasil contemporâneo e as leis de incentivo http //www.culturaemercado.com.br/pontos-de-vista/o-brasil-contemporaneo-e-as-leis-de-incentivo/ Juliano Barone 政府発表のデータ類 http //www.cultura.gov.br/site/2007/11/21/estatisticas/ Já se foi o tempo do estado mínimo, onde se plantou a idéia que tudo que era estatal era ruim e pernicioso, lento e dispendioso. Vivemos outro momento e estamos a um passo de termos um mecanismo (O grande FNC após a aprovação de toda a legislação que tramita no congresso) justo, eficiente e que contemple a cultura brasileira nos 3 aspectos que é base da política do MinC desde Gil e que continua com o Juca cultura para preservação dos referenciais simbólicos nacionais, cultura como cidadania (nada mais exemplar que o Cultura Viva e seus maravilhosos Pontos de Cultura) e a economia da cultura para geração de emprego e renda, inclusão social, desenvolvimento local e regional, etc. 日本、アメリカ、フランスなどと比べてのブラジルのメセナの新しさを図ないし表に したもの ブラジルの文化支援策の年表 3－2、4－1で（データを示しつつ）今の段階で何がいえそうか を明らかにしてください。 支出をまとめる 公的出資に対してのメセナ費の比 まずはこちらをご覧ください。 @wikiの基本操作 用途別のオススメ機能紹介 @wikiの設定/管理 分からないことは？ @wiki ご利用ガイド よくある質問 無料で会員登録できるSNS内の@wiki助け合いコミュニティ @wiki更新情報 @wikiへのお問合せフォーム 等をご活用ください @wiki助け合いコミュニティの掲示板スレッド一覧 #atfb_bbs_list その他お勧めサービスについて 大容量１Ｇ、PHP/CGI、MySQL、FTPが使える無料ホームページは@PAGES 無料ブログ作成は@WORDをご利用ください 2ch型の無料掲示板は@chsをご利用ください フォーラム型の無料掲示板は@bbをご利用ください お絵かき掲示板は@paintをご利用ください その他の無料掲示板は@bbsをご利用ください 無料ソーシャルプロフィールサービス @flabo(アットフラボ) おすすめ機能 気になるニュースをチェック 関連するブログ一覧を表示 その他にもいろいろな機能満載！！ @wikiプラグイン @wiki便利ツール @wiki構文 @wikiプラグイン一覧 まとめサイト作成支援ツール バグ・不具合を見つけたら？ 要望がある場合は？ お手数ですが、メールでお問い合わせください。 修論の素材テキスト置き場 Lei Rouanetの変更点 ブラジルにおいて、民間から民間へのお金の流れを促す政策（Leis de Incentivo Fiscal）があることは、ブラジルの文化政策の方向性を決定づけている 一番縛りの少ないLei Rouanetは中心的な役割を担っている Wiki_BR Marketing_cultural http //pt.wikipedia.org/wiki/Marketing_cultural O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. http //www.cultura.gov.br/site/wp-content/uploads/2009/02/empresas-incentivadoras-e-respectivos-valores-incentivados-em-2008.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/incentivadores-por-ano-e-tipo-de-pessoa.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-projetos-com-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/2007/11/21/estatisticas/ Últimos comentários 13 comentários para "Estatísticas" RSS dos comentários 20 de novembro de 2009 às 16 55WILLIAM MORAES CORREA (OS FOLIOES- SAO LUIS- MA) Incentivar projetos que não consumam grandes valores é fundamental para o crecimento cultural de nosso país. Existem projetos maravilhosos que eriam realziados (e muito bem) com poucos recursos. A legislação precisa beneficiar iniciativas assim. 20 de novembro de 2009 às 10 43claudio ferreira a cultura ele tem qua ser mais aprofundada e mito importante o trabalho que as instituiçao,as ong e etc faz alem de leva o onhecimento o trabalho de pesquisa lavar tambem a etica familia eo respeito ao prossimo penser nisso vcs ai 08 de setembro de 2009 às 20 05Bruno Resende Ramos Que a Lei Rouanet continue para que pequenos projetos de cunho sócio-cultural alcancem melhores tempos. Aos contemplados e as empresas que oportunizam essa resposta social os nossos agradecimentos. 02 de setembro de 2009 às 11 44André Luiz Salvalaggio Olá, gostaria de saber quando abrirá um novo edital para a lei Rouanet? Obrigado. RESPOSTA, por Contate@Cultura Não há editais para a Lei Rouanet. O MinC recebe propostas durante todo o ano. Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. Mais informações, Siconv 0800-9782340. SalicWeb informe.sefic@cultura.gov.br 26 de junho de 2009 às 14 54Wedson Simões Dúvida Qualquer pessoa pode se cadastrar no SALICWEB ou deve ser o proponente do projeto? RESPOSTA, por Contate@Cultura Não há porque se cadastrar se não for apresentar um projeto. 14 de junho de 2009 às 18 30Alexandre Gomes Boa noite. Desejo saber mais sob apresentação de projetos para utilização dos recursos daLei Rouanet. Sem mais, agradeço e aguardo. RESPOSTA, por Contate@Cultura Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 05 de junho de 2009 às 12 15cleverson Olá, gostaria de saber se meu projeto se encaixa na Lei Rouanet de incentivo a cultura?? meu projeto se trata da gravação de um CD com músicas inéditas. Empresas que entram como patrocinadoras conseguem se enquadrar na Lei Rouanet? Aguardo resposta. RESPOSTA, por Contate@Cultura Gravação de CD pode ser contemplado pela Lei Rouanet, mas confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 03 de maio de 2009 às 21 54vania maria franceschi vieira Qual a estatística de projetos aprovados por região no Brasil nos últimos 5 anos? RESPOSTA, por Contate@Cultura Nesta página é possível encontrar todos os dados que temos publicado. Boa pesquisa!! 28 de abril de 2009 às 14 46Luiz Fernando Rodrigues Solicito incluir nas estatísticas um comparativo da renúncia fiscal aprovada versus a utilizada no período de1999 - 2009. 03 de abril de 2009 às 20 38Fabiano Pessanha - Geração Futuro Prezados, Parabens pela iniciativa de disponibilizar dados relevantes de nosso mercado cultural. São de grande valia e interesse publico! Sugiro a disponibilização de demembramento dos dados por obra e produtora, no caso de Certificado Audiovisual.
https://w.atwiki.jp/tyrant_unleashed/pages/75.html
flight club broadway phone number authentic jordan for cheap http //go-knights.com/authenticjordans.aspx -- (authentic jordan for cheap) 2014-09-23 06 27 29 christian louboutin lace up heels louboutin high heels from burlesque http //uisprairiestars.com/womens.aspx -- (louboutin high heels from burlesque) 2014-09-23 06 30 49 [Nota mi sto concentrando su bande, qui, ma questa voce avrebbe potuto altrettanto facilmente stato le vostre abilit脿 sul vostro calcio della Large School Staff o Il tuo regno come il Re della vostra scuola Reparto Alta Teatro.] patchwork duvet covers http //www.pomeziarugby.it/it/patchwork-duvet-covers.html -- (patchwork duvet covers) 2014-10-10 20 48 44 I giapponesi, mangiatori di ogni sorta di cose disgustose, erano state mangiando uova di puttana per un tempo molto lungo. Come se avevi bisogno di ulteriore prova che gli USA apre la strada in essere un gruppo di puritani, ci permettono di essere il primo a dire che la gente qui negli Stati Uniti sono state mangiando uova di puttana per lungo tempo anche. L unica differenza 猫, perch茅 abbiamo un certo tipo di paura irrazionale di puttane, abbiamo chiamarli uni qui, e questo 猫 un nome stupido, perch茅 ci貌 che realmente sono 猫 ricci di mare. zaino belstaff http //www.regola-darte.it/it/zaino-belstaff.html -- (zaino belstaff) 2014-10-10 20 48 52 Un altro esempio di corrispondenza personalit脿 sarebbe una societ脿 di revisione contabile; sarebbero a costruire una squadra di membri di analisi, non necessariamente creativi o spiritual. giubbotti duvetica http //www.trackartlight.it/it/giubbotti-duvetica.html -- (giubbotti duvetica) 2014-10-13 14 25 02 Assicurarsi che Disponete di method scritte per tutte le operazioni. Tali process dovrebbero riflettere ci貌 che sta realmente accadendo; disporre di procedure che vengono ignorati 猫 peggio che non averne affatto. Quando una nuova procedura 猫 sviluppato che 猫 pi霉 produttivo e meno soggetto a errori, l intero processo di documentazione e formazione dovrebbe ricominciare tutto da capo. noby http //www.phiweb.it/it/noby.html -- (noby) 2014-10-13 16 40 10 L acido polilattico (PLA) 猫 in poliestere termoplastico derivato da materie prime rinnovabili come l amido di mais, canna da zucchero, frumento, tapioca radici. PLA ha ampia applicazione, come nel Packaging, tessile, agricoltura, trasporto, Bio Medico e l industria elettronica. A causa di preoccupazioni ambientali e scarsit脿 volatilit脿 dei prezzi dei combustibili fossili, molte aziende e gli enti regolatori governativi si stanno concentrando per trovare sostituto ai prodotti a base di olio.three olio di pesce per l ADHD belstaff outlet italia http //www.sovanavacanze.it -- (belstaff outlet italia) 2014-10-15 11 33 26 A primeira vez que vi este filme foi re lan莽ado nos cinemas para o hum teenth tempo, e eu tinha apenas quatro anos de idade. Eu chorei histericamente quando vi a bruxa e teve que ser levado para fora do lado. Chanel Coco Cocoon 3520 Bolsos Nylon Preto http //www.compras2u.pt/chanel/index.php?main_page=product_info cPath=7 products_id=274 -- (Chanel Coco Cocoon 3520 Bolsos Nylon Preto) 2014-10-15 18 47 14 Pediatric Physical Therapist Stipendio rivenditori duvetica http //www.bt-software.it/it/rivenditori-duvetica.html -- (rivenditori duvetica) 2014-10-15 20 28 58 Sam ha scelto 18 amici per lui da gestire, e nel giorno della inaugurazione, una polizia scortato limousine lo spinse al campo, dove una folla di centinaia lui acclamato. Portato in per affrontare la squadra di Sam era una squadra varsity juniores i quali devono aver appena sentito come cazzi. ugg stivali prezzo http //www.aimbemiliaromagna.it/it/ugg-stivali-prezzo.html -- (ugg stivali prezzo) 2014-10-15 21 38 43 three. I bambini imparano facendo. Farli attivamente coinvolti. Musica a questa et脿 猫 la musica e il movimento. Ci貌 permetter脿 di integrare narrazione attraverso l uso di strumenti a percussione o dramma; si tratter脿 di danza e canzoni di azione e anche cantare. Esso coinvolger脿 anche il movimento interpretativo suonare musica classica dolce e utilizzare sciarpe per stimolare l immaginazione. giacca donna moncler http //www.retesos.it/it/giacca-donna-moncler.html -- (giacca donna moncler) 2014-10-15 21 38 49 Any guys feeling left out from the horror have to have only meet the large priestess of "The Church with the Most High Goddess", Mary Ellen Tracy. Functioning from her Beverly Hills dwelling she carried for the traditions of on the list of oldest religions in the planet, dating back to 3200 BC Egypt. It all begun when her and her husband were "visited by god" and told that Mary was to rest with a large number of men! Mary and her husband readily agreed seeing that, you do not just want to piss off God, best? Cheap Toms Farrin Hemp Rope Wedge Pink http //www.askkirsten.com/cheap-toms-farrin-hemp-rope-wedge-pink-p-123.html -- (Cheap Toms Farrin Hemp Rope Wedge Pink) 2014-10-15 22 16 28 Ci sono diversi campi di grasso all interno e nei pressi Illinois. Alcuni campi servono bambini e ragazzi in esclusiva, mentre altri sono progettati per gli adulti. ugg fucsia http //www.teknanico.it/it/ugg-fucsia.html -- (ugg fucsia) 2014-10-15 22 17 10 In terms of the best ab routines for ladies , keep in mind to do aerobic exercises They are exercise routines which might be created to condition the heart plus lungs. However they also use up body fat shops throughout your body for vitality. That usually means you will burn body fat when easy methods to reduce back unwanted fat for ladies you take part in them. Try strolling, jogging, swimming, or aerobics classes to assist burn up even more excess fat. Even while cannot decide on where the body fat is burned from, you are able to make sure which at some point it will be taken out of your stomach. Oakley Fast Jacket XL Polished Black Black Iridium Polarized P42 Sunglasses 009156-20 http //www.fallasvalencia.org/oakley-fast-jacket-xl-polished-black-black-iridium-polarized-ampp42-sunglasses-00915620-p-2579.html -- (Oakley Fast Jacket XL Polished Black Black Iridium Polarized P42 Sunglasses 009156-20) 2014-10-15 22 26 27
https://w.atwiki.jp/mrfrtech/pages/100.html
Content Analytics Market Overview Content Analytics Market is defined as a group of technologies that can process digital content and use behavior while engaging and consuming the content. For instance, news sites, social media platforms, customers, documents etc., to answer specific questions. Content is one of the important tools for enhancing and exposing the market to engage consumers. It is a way to engage the consumers and keep them on their toes. It fulfills required business goals like brand awareness, increasing revenue, creating leads, etc.; in the pandemic, several market revenue decreased. However, the rising use of cloud-based technologies increased in the COVID 19 outbreak, due to which the market got positively impacted. The effect of the pandemic is decreasing, and it will accelerate the market. The tech giants are forming new developments, and regions rising digitalization will push the market towards potential growth. As cloud technologies are easing business operations, it will increase the demand for content analysis; these factors will fuel the market. The increasing popularity of online mediums such as Instagram, Facebook, Linkedin, and youtube upsurge the demand for content analytics and will help in the market s progression, creating many opportunities for the Content Analytics Market. Many companies adopt content analytic software for major growth; such advantages will foster the market. The inability and disruption in the industrial operation and supply chain function are huge restraints for the market. Still, people are there who lack awareness, and the growing concern and the data breach are challenges the market will have to cross to gain growth. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/3956 Major Key Players Due to the presence of multiple players who strive to capture a greater share, the global content analytics market appears to be moderately fragmented during the forecast period of 2017 and 2023. The report published by Market Research Future has profiled the significant players in the content analytics market to provide a comprehensive overview of their operations and strategies. Some of these prominent players present in the global Content Analytics Market include International Business Machine Corporation (U.S.), Adobe Systems, INC. (U.S.), Clarabridge, INC. (U.S.), Interactive Intelligence Group, INC. (U.S.), Opentext Corporation (Canada), Oracle Corporation (U.S.), Verint Systems (U.S.), Nice Systems LTD. (Israel), SAP SE (Germany), and SAS Institute, INC. (U.S.). Segmental Analysis The Content Analytics Market is segmented by application, deployment and vertical. The market is divided into the on-premise and cloud-based on the application segment. The cloud-based content analysis software will gain a high growth rate in the forecast period. The application segment is bifurcated into social media analytics, web analytics, text analytics, speech analytics, etc. Social media analytics will dominate the market in the forecast period as most people spend their time on social platforms. Not only people but different enterprises and industries also use this platform to improve market growth as this increases exposure. The variables of the vertical segment of the Content Analytics Market are IT and Telecommunication, media and entertainment, retail and consumer goods, healthcare, government, BFSI, travel and hospitality, and others. Regional Analysis The Content Analytics Market is studied in five major regions such as North America, Asia Pacific, Europe and other parts. North America will register a high CAGR in the market in the forecast period. The presence of major vendors and the rising use of content analytic software will improve the market condition in the forecast period. The Asia Pacific is growing in the second position due to the high adoption of digitalization. The region is also experiencing high development in IT structure and will propel the market. Industry Update LinkedIn has announced to the customers that it is bringing some new tools for creators, including improved content analytics, new profile video tools, newsletter showcase options, a subscriber bell for update notifications, etc. Access Report Details @ https //www.marketresearchfuture.com/reports/content-analytics-market-3956 Table of Contents 1 Market Introduction 1.1 Introduction 1.2 Scope of Study 1.2.1 Research objective 1.2.2 Assumptions 1.2.3 Limitations 1.3 Market Structure 2 Research Methodology 2.1 Research Type 2.2 Primary Research 2.3 Secondary Research 2.4 Forecast Model 2.4.1 Market Data Collection, Analysis Forecast 2.4.2 Market Size Estimation Continued…. View Similar Report** Mobile Security Software Market https //writeonwall.com/mobile-security-software-market-size-key-players-with-product-particulars-applications-future-trend-business-growth-market-size-key-players-update-business-statistics-and-forecast-till-20/ Casino Market https //tealfeed.com/antivirus-software-industrykey-players-product-particulars-breig Antivirus Software Market https //tealfeed.com/antivirus-software-industrykey-players-product-particulars-breig List of Tables Table 1 Content Analytics Market, By Application Table 2 Content Analytics Market, By Deployment Table 3 Content Analytics Market, By Vertical Table 4 Content Analytics Market, By Region Table 5 North America Content Analytics Market, By Application Continued…. List of Figures Figure 1 Research Type Figure 2 Content Analytics Market By Application (%) Figure 3 Content Analytics Market By Deployment (%) Figure 4 Content Analytics Market By Vertical (%) Figure 5 Content Analytics Market By Region (%) Continued… About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/pianissimo/pages/26.html
MedConの使い方 インストール MedCon website このサイトで、左のコラムにあるDownloadを選択し、win32 versionをDLすればよい。 2009/12/30現在、xmedcon-0.10.5-1-win32.zipというファイルが取得される。 解凍して、setup.exeを実行する。 インストール後に表示されるreadme.txtの要点は、command lineで実行したいなら、\bin\ディレクトリにある実行ファイルにパスを通しておくこと。絶対パスでいうと、 C \Program Files\XMedCon\bin である。 コマンドラインでの使用 そのパスで、medcon.exe -hを実行すると、下記のヘルプファイルが手に入る。 全文は最後に載せるとして、基本的な使い方を書いておきたい。 まず、もっとも単純な使い方は、ヘッダ内容の確認である。 例 medcon -f aaaaaa.v aaaaaa.vというecat7ファイルを開いて、そのヘッダを表示する。 dicomヘッダも表示できるのでなかなかよい。 むしろ、MedConの主な使用目的は、ファイルのコンバートであろう。 例 medcon -c dicom -f *.v ワイルドカードで指定した".v"で終わるファイルをすべて、DICOM形式に変換する。 DICOMは1ボリューム1ファイルなので、いつもの感覚と違うが、スライス数は、(0054,0081) US[1] NumberOfSlices 63 (2 bytes)のタグに入っているようだ。 いつもの1スライス1ファイルにするには、オプションで指定してやればよい。 例 medcon -c dicom -split3d -f *.v 出力形式には以下のものが選べる。 "ascii" = Raw Ascii (.asc) "bin" = Raw Binary (.bin) "acr" = Acr/Nema (.ima) "anlz" = Analyze (.hdr)+(.img) "conc" = Concorde/uPET (.img.hdr) "dicom" = DICOM (.dcm) "ecat6" = CTI ECAT 6 (.img) "ecat7" = CTI ECAT 7 (.v) "gif" = Gif89a (.gif) "intf" = InterFile (.h33)+(.i33) "inw" = INW (RUG) (.im) "nifti" = NIfTI (.nii) "png" = PNG (.png) pngを選択すると、全スライスがpng形式のモノクロ（黒→白）画像で出力される。 ヘルプファイル全文 Usage medcon [options] -f files ... Flags -f, --file, --files file or list of files to handle General [-i -e -r -w] [-p -pa|-c format ...] [-o basename ] -e, --extract extract images from file -i, --interactive read files after user input -o, --output-name output name set from command-line -p, --print-values print values of specified pixels -pa, --print-all-values print all values without asking -r, --rename-file rename file after user input -w, --overwrite-files always overwrite files -c, --convert give list of conversion " format " strings "ascii" = Raw Ascii (.asc) "bin" = Raw Binary (.bin) "acr" = Acr/Nema (.ima) "anlz" = Analyze (.hdr)+(.img) "conc" = Concorde/uPET (.img.hdr) "dicom" = DICOM (.dcm) "ecat6" = CTI ECAT 6 (.img) "ecat7" = CTI ECAT 7 (.v) "gif" = Gif89a (.gif) "intf" = InterFile (.h33)+(.i33) "inw" = INW (RUG) (.im) "nifti" = NIfTI (.nii) "png" = PNG (.png) Pixels [-n] [-nf] [-qs|-qc|-q] [-b8|-b16[.12]] [-big|little] [-si= slope intercept ] [-cw= centre width ] -n, --negatives enable negative pixels -nf, --norm-over-frames normalize values over each frames -q, --quantitation quantitation using all factors (-qc) -qs, --quantification quantification (use one scale factor ) -qc, --calibration calibration (use two scale factors) -b8, --unsigned-char write unsigned char pixels (8 bits) -b16, --signed-short write signed short integers (16 bits) -b16.12 write unsigned shorts, only 12 bits used -big, --big-endian write files in big endian -little, --little-endian write files in little endian -si force slope/intercept rescaling -cw force specified contrast remapping Fallback Read Format [-fb-none|-fb-anlz|-fb-conc|-fb-ecat|fb-dicom] -fb-none, --without-fallback fallback disabled -fb-anlz, --fallback-analyze fallback on Analyze (SPM) -fb-conc, --fallback-concorde fallback on Concorde uPET -fb-ecat, --fallback-ecat fallback on ECAT 6.4 -fb-dicom, --fallback-dicom fallback on DICOM 3.0 Slices Transform [-fh -fv] [-rs -cs -cu] [-sqr | -sqr2] [-crop= X Y W H ] [-pad | -padtl | -padbr] -fh, --flip-horizontal flip images horizontally (along x-axis) -fv, --flip-vertical flip images vertically (along y-axis) -sqr, --make-square make square images (lagest dimension) -sqr2, --make-square-two make square images (nearest power) -crop, --crop-images crop image dimensions -rs, --reverse-slices reverse slices sequence -cs, --cine-sorting apply cine sorting -cu, --cine-undo undo cine sorting -pad, --pad-around padding symmetrical around image -padtl, --pad-top-left padding before first row and column -padbr, --pad-bottom-right padding after last row and column (default) Color Remap [-24 | -8 [-g -dith -mh|-mr|-mi|-mc|-lut file ]] -24, --true-color color mode of 24 bits RGB triplets -8, --indexed-color color mode of 8 bits indexed colormap -dith, --dither-color apply dithering on color reduction -g, --make-gray remap images to grayscale -mh, --map-hotmetal load colormap hotmetal -mr, --map-rainbow load colormap rainbow -mi, --map-inverted load colormap gray inverted -mc, --map-combined load colormap combined (gray/rainbow) -lut, --load-lut load specified LUT colormap Extras [-alias -noprefix -preacq -preser -uin] [[-splits | -splitf] | [-stacks | -stackf]] -alias, --alias-naming output name based on patient/study id s -noprefix, --without-prefix output name without default prefix -preacq, --prefix-acquisition use acquisition number as filename prefix -preser, --prefix-series use series number as filename prefix -uin, --use-institution-name override default name of institution -split3d, --split-slices split single image slices in separate files -split4d, --split-frames split volume time frames in separate files -stack3d, --stack-slices stack single image slices into one 3D file -stack4d, --stack-frames stack volume time frames into one 4D file Format Ecat/Matrix [-byframe] -byframe, --sort-by-frame sort ECAT images by frame (not anatomical) Format Analyze [-spm -optspm] -spm, --analyze-spm use analyze format for SPM software -optspm, --options-spm ask for SPM related options Format DICOM a) general [-cw= center width ] [-contrast] [-gap] [-implicit] [-nometa] -contrast, --enable-contrast enable support for contrast changes -gap, --spacing-true-gap slice spacing is true gap or overlap -implicit, --write-implicit output file as implicit little endian -nometa, --write-without-meta output file without (part 10) meta header -cw force window center/width contrast b) mosaic [-mosaic | -fmosaic= W x H x N [-interl] [-mfixv]] -mosaic, --enable-mosaic enable mosaic by "detected" stamps layout -fmosaic, --force-mosaic force mosaic by predefined stamps layout -mfixv, --mosaic-fix-voxel rescale voxel sizes by mosaic factor -interl, --mosaic-interlaced consider mosaic stamp slices as interlaced Format Gif89a [-optgif] -optgif, --options-gif ask for GIF related options Format InterFile [-skip1 -nopath -one] -skip1, --skip-preview-slice skip first preview slice -nopath, --ignore-path ignore path in name of data file key -one, --single-file write header and image to same file Patient/Slice/Study [-anon|-ident] [-vifi] -anon, --anonymous make patient/study anonymous -ident, --identify ask for patient/study information -vifi, --edit-fileinfo edit internal entries (images/slice/origent) Reslicing [-tra|-sag|-cor] -tra, --tranverse reslice images transverse -sag, --sagittal reslice images sagittal -cor, --coronal reslice images coronal Debug/Mode [-d -v -db -hackacr -ean] -d, --debug give debug information (printout FI) -s, --silent force silent mode, suppress all messages -v, --verbose run in verbose mode -db, --database print database info -ean, --echo-alias-name echo alias name on screen -hackacr, --hack-acrtags try to locate and interpret acr tags in file
https://w.atwiki.jp/dissertacao/pages/41.html
修論の素材テキスト置き場 Lei Rouanetの変更点 ブラジルにおいて、民間から民間へのお金の流れを促す政策（Leis de Incentivo Fiscal）があることは、ブラジルの文化政策の方向性を決定づけている 一番縛りの少ないLei Rouanetは中心的な役割を担っている Wiki_BR Marketing_cultural http //pt.wikipedia.org/wiki/Marketing_cultural O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. O que muda na Lei Rouanet A Lei 8.313, popularmente conhecida pelo nome do então ministro da Cultura Sérgio Paulo Rouanet, define as formas como o governo federal deve incentivar a produção cultural no Brasil. Após sua aprovação, em 1991, ela já foi alterada algumas vezes e sofreu regulamentações. Agora, o governo federal propõe uma nova reforma, para ampliar a capacidade de fomento à cultura e aumentar as formas como o produtor pode acessar os recursos. Saiba o que muda com o projeto que será enviado ao Congresso Nacional FNC – O Fundo Nacional de Cultura já existe na atual Rouanet, mas permite apenas doação de 80% do valor do projeto, com 20% de contrapartida. Com a Nova Rouanet, o FNC poderá fazer empréstimos, associar-se a projetos culturais e fazer repasse para fundos municipais e estaduais. Isso permitirá que o Fundo Nacional de Cultura se torne mais atrativo para produtores culturais e se transforme, verdadeiramente, numa alternativa para aqueles que não conseguem captar financiamento via renúncia. Renúncia fiscal – O mecanismo continua existindo, assim como a CNIC (Comissão Nacional de Incentivo à Cultura), que analisa os projetos. A única mudança é que, em vez de apenas ter duas faixas – de 30% e 100% – passa a ter mais quatro – 60%, 70%, 80% e 90%. A lei vai definir quais os critérios serão usados pela CNIC, que, além de analisar aspectos orçamentários do projeto, vai analisar em qual faixa ele se encaixa. O objetivo da mudança é permitir uma maior contribuição das empresas – hoje, de cada R$ 10 investidos pela Rouanet, R$ 9 são públicos – e permitir que projetos com menor atratividade de investimento tenham faixa de renúncia maior. Ficart – O Fundo de Investimento Cultural e Artístico também já existe. No entanto, nunca saiu do papel, por falta de interesse das empresas. A Nova Rouanet vai aumentar a atratividade, com maior dedução fiscal, para que seja uma alternativa atrativa para projetos com grandes chances de retorno financeiro. Vale Cultura - Grande novidade do projeto, o vale de R$ 50 para trabalhadores vai, além de facilitar o consumo de bens culturais para 12 milhões de trabalhadores, injetar, pelo menos, R$ 7,2 bilhões por ano, o que é mais de seis vezes o montante atual da Rouanet. http //www.cultura.gov.br/site/wp-content/uploads/2009/02/empresas-incentivadoras-e-respectivos-valores-incentivados-em-2008.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/incentivadores-por-ano-e-tipo-de-pessoa.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-projetos-com-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/wp-content/uploads/2009/02/mecenato-captacao-de-recursos-por-ano-e-area-cultural.pdf http //www.cultura.gov.br/site/2007/11/21/estatisticas/ Últimos comentários 13 comentários para "Estatísticas" RSS dos comentários 20 de novembro de 2009 às 16 55WILLIAM MORAES CORREA (OS FOLIOES- SAO LUIS- MA) Incentivar projetos que não consumam grandes valores é fundamental para o crecimento cultural de nosso país. Existem projetos maravilhosos que eriam realziados (e muito bem) com poucos recursos. A legislação precisa beneficiar iniciativas assim. 20 de novembro de 2009 às 10 43claudio ferreira a cultura ele tem qua ser mais aprofundada e mito importante o trabalho que as instituiçao,as ong e etc faz alem de leva o onhecimento o trabalho de pesquisa lavar tambem a etica familia eo respeito ao prossimo penser nisso vcs ai 08 de setembro de 2009 às 20 05Bruno Resende Ramos Que a Lei Rouanet continue para que pequenos projetos de cunho sócio-cultural alcancem melhores tempos. Aos contemplados e as empresas que oportunizam essa resposta social os nossos agradecimentos. 02 de setembro de 2009 às 11 44André Luiz Salvalaggio Olá, gostaria de saber quando abrirá um novo edital para a lei Rouanet? Obrigado. RESPOSTA, por Contate@Cultura Não há editais para a Lei Rouanet. O MinC recebe propostas durante todo o ano. Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. Mais informações, Siconv 0800-9782340. SalicWeb informe.sefic@cultura.gov.br 26 de junho de 2009 às 14 54Wedson Simões Dúvida Qualquer pessoa pode se cadastrar no SALICWEB ou deve ser o proponente do projeto? RESPOSTA, por Contate@Cultura Não há porque se cadastrar se não for apresentar um projeto. 14 de junho de 2009 às 18 30Alexandre Gomes Boa noite. Desejo saber mais sob apresentação de projetos para utilização dos recursos daLei Rouanet. Sem mais, agradeço e aguardo. RESPOSTA, por Contate@Cultura Confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 05 de junho de 2009 às 12 15cleverson Olá, gostaria de saber se meu projeto se encaixa na Lei Rouanet de incentivo a cultura?? meu projeto se trata da gravação de um CD com músicas inéditas. Empresas que entram como patrocinadoras conseguem se enquadrar na Lei Rouanet? Aguardo resposta. RESPOSTA, por Contate@Cultura Gravação de CD pode ser contemplado pela Lei Rouanet, mas confira se pode entrar em algum Edital Aberto, ou inscreva seu projeto na Lei Rouanet e, depois da avaliação pela Comissão, encontre um patrocinador para seu projeto que queira investir na sua idéia, este receberá em retorno desconto em impostos. Tanto pessoa física pagadora de Imposto de Renda (IR) quanto empresas tributadas com base no lucro real, podem ser beneficiadas por incentivos fiscais enquanto apóiam a arte brasileira. Para acessar o novo formulário é necessário antes se cadastrar no SALICWEB. Para ver o vídeo tutorial, que ensina o passo a passo clique aqui. 03 de maio de 2009 às 21 54vania maria franceschi vieira Qual a estatística de projetos aprovados por região no Brasil nos últimos 5 anos? RESPOSTA, por Contate@Cultura Nesta página é possível encontrar todos os dados que temos publicado. Boa pesquisa!! 28 de abril de 2009 às 14 46Luiz Fernando Rodrigues Solicito incluir nas estatísticas um comparativo da renúncia fiscal aprovada versus a utilizada no período de1999 - 2009. 03 de abril de 2009 às 20 38Fabiano Pessanha - Geração Futuro Prezados, Parabens pela iniciativa de disponibilizar dados relevantes de nosso mercado cultural. São de grande valia e interesse publico! Sugiro a disponibilização de demembramento dos dados por obra e produtora, no caso de Certificado Audiovisual.
https://w.atwiki.jp/vocalive/pages/198.html
LIVEと行事一覧DB データベース (DataBase for Vocaloid Live Concerts and Events) メニューMENU + ←クリック目次 [←Click here for CONTENTS] ↓↓↓このページ名（Current Page Name）↓ 自動作成目次(contents) 行事紹介（Live Concert and Event Information） 【EVENT/海外/Miku @ MIT Boston USA 2011】 Miku @ MIT, Miku at MIT ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト（演奏曲目）・その他 (Set List, name of music) Summary in English and other language（英語等での紹介） 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) International News （国際ニュース） New Project and collaboration Blog Memo・メモ帳 EDIT Page 行事紹介（Live Concert and Event Information） ↓このページ名（Current Page Name）↓ 【EVENT/海外/Miku @ MIT Boston USA 2011】 EVENT/海外/Miku @ MIT Boston USA 2011 Related page Miku @ MIT, Miku at MIT "Miku, Beyond the Character The Cutting Edge of Miku Miku Dance Software" Discussion and concert film screening featuring Ryotaro Mihara (Deputy Director, Creative Industries Division, Ministry of Economy, Trade, and Industry [Japan]) Masataka-P (producer of Miku songs and videos) Ian Condry (MIT, moderator) The presentation includes a demonstration of a prototype projection of Miku live, and a screening of an abridged version of Mikunopolis, Miku's live concert in Los Angeles, July 2011. Light dinner will be served. Afterwards, join us from 9 30-10 30pm for a Party at the Enormous Room (567 Mass. Ave., Cambridge, MA [NOTE Ages 18+ only] in conjunction with Beat Research (http //beatresearch.com). Meet the Miku guests president of Crypton, a Miku-P (producer), Japanese government rep, magazine editor and dance with Miku live . . . Date Monday October 17, 2011 Time 5 00 PM - 7 00 PM Location 4-136 (MIT) http //cooljapan.mit.edu/2011-2012-events =============================================================================== "Miku, Virtual Idol, as Media Platform Transforming Media Creativity" Keynote lecture Hiroyuki Itoh (president and CEO of Crypton Future Entertainment) with additional comments by Toshihiro Fukuoka (Editor, Tokyo Kawaii Magazine and ASCII Weekly) Ryotaro Mihara (Deputy Director, Creative Industries, METI) Ian Condry (Associate Professor, Comparative Media Studies, MIT) Date Tuesday October 18, 2011 Time 3 00 PM - 5 00 PM Location E51-345 (MIT) ================================================================================ Brainstorming session to discuss future collaborations with Crypton Future Entertainment Come join in a discussion of possible collaborations between Crypton Future Entertainment and area students and faculty. RSVP required to attend brainstorming session. Please contact Prof. Ian Condry at condry@mit.edu Date Wednesday October 19, 2011 Time 9 30 AM - 11 00 AM Location TBD (MIT) MIT/Harvard Cool Japan Initiative （米国、ボストン） MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) http //vocaloid.blog120.fc2.com/blog-entry-9806.html （日本語訳) 参考文献： Miku Japan's virtual idol and media platform. (original report)オリジナル レポート http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform ミク：日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳） MIT比較メディア研究科 Comparative Media Studies (CMS) http //cms.mit.edu/ 日時：2011年10月17日（月）5 00 PM - 7 00 PM 場所：4-136（MIT）米国ボストン [キャラクターを越える初音ミク：MikuMikuDanceの最前線] 主催：MIT/Harvard Cool Japan Initiative MIT/Harvard Cool Japan research project http //web.mit.edu/cooljapan/ http //vocaloid.blog120.fc2.com/blog-entry-9806.html （日本語訳) http //vocaloid.blog120.fc2.com/blog-entry-10471.html (TV) 参考文献：初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ ■イベント名称： ■会場： ■日程： Twitter FaceBook Japanese Translation 日時：2011年10月17日（月）5 00 PM - 7 00 PM 場所：4～136（MIT） キャラクターを越える初音ミク：MikuMikuDanceの最前線 出演 三原龍太郎（経済産業省） まさたかP（ボカロプロデューサ） イアン・コンドリー（MIT、司会） 日時：2011年10月18日（火）3 00 PM - 5 00 PM 場所：E51- 345（MIT） メディアプラットフォームとしての仮想アイドル初音ミク：創造性メディアの変化 出演 伊藤博之（クリプトン） 福岡俊弘（ASCII） 三原龍太郎（経済産業省） イアン・コンドリー（MIT比較メディア学准教授） 日時：2011年10月19日（水）9 30 AM - 11 00 AM 場所：TBD（MIT） クリプトン社とのコラボレーションのためのブレーンストーミング http //vocaloid.blog120.fc2.com/blog-entry-9806.html ダイジェスト映像・動画配信・写真等（Summary Video, Live Streaming Photo） Miku @ MIT Monday Panel [PART 1] http //www.youtube.com/watch?v=GP_1huHBKg8 http //www.youtube.com/watch?v=F2Gjs25qpys Miku @ MIT Monday Panel [PART 2] http //www.youtube.com/watch?v=4xrGppIM5dQ Miku @ MIT Monday Panel [PART 3] Miku @ MIT Monday Panel [PART 4] http //www.youtube.com/watch?v=mrO0fLqbHc Miku @ MIT Monday Panel [PART 5] https //www.youtube.com/watch?v=fN-isCydknc 関連映像 (Related Videos) HatsuneMiku channel http //www.youtube.com/user/HatsuneMiku 【Hatsune Miku】 CONCERT!! 【初音ミク】 http //www.youtube.com/playlist?list=PL-pKPpZ1Q5NZqi-pHqc2zKXk8GG3U2fkW チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 official goods ニコ生 (Nico NIco Video LIVE streaming) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) Screen 投影スクリーンの種類 (Screen Type)：DILAD,ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 投影スクリーンの形状 (Shape of Screen)： スクリーンの素材（Materials for making screen）： スクリーン素材の網の目等のメッシュのサイズ：Mesh number # or Mesh size of Screen： スクリーン素材の製品カタログ番号等（Product Number of materials for making screen）： スクリーン素材の透過率(%)及び色等（Light Transmittance (%) of screen, Color）： 投影スクリーン等への映り込み状態(Reflection)： 鮮明度 Clearness, resolution of screen： 舞台の高さ（stage height）： スクリーンの高さ（Screen height）： スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度)： スクリーンの大きさ又は横の長さ (Screen Size)： スクリーンの継ぎ目の数(Junction within the screen)=(つないで使用された投影ボード等の枚数-1、?) ： number of materials used for making main screen： 使用された投影ボード等の枚数（Number of board used）： 音響設備及び音響状態 (Sound)： プロジェクタの種類・台数 (Projector)： 使用ソフト (Software)： 3D model： Producer of 3D Model： スクリーン及び映像の解像度（Resolution of Screen and video）： 投影時の色補正（Color Adjustment to view on screen）： MMDのモデルの種類（Model Type of MikuMikuDance）： Computer and OS： リアルタイム レンダリングの有無(real-time rendering or not) レンダリング速度等 60 fps フレーム速度 60 fps カメラ等 (Camera)： 技術説明動画・写真等 (Tech Video Photo)： 会場設備のホームページ (Homepage of the Event Hall)： 会場設備 東京ドームシティ公式サイト MEETS PORT （ミーツポート） http //www.meetsport.jp/about/seat/1f_05.htm#zaseki その他 (others)： 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ セットリスト（演奏曲目）・その他 (Set List, name of music) Set List SET LIST and Producer links of Vocaloid wiki Vocaloid concert directory http //vocaloid.wikia.com/wiki/Vocaloid_concert_directory Live Events http //vocaloid.wikia.com/wiki/Live_Events http //hatsunemikusetlists.wordpress.com/ for listings that are already in English, there will be no ‘romaji’. Summary in English and other language（英語等での紹介） http //www.niconico.com/ http //live.niconico.com/ 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) Experiencing the Media Mix Anime, Manga, Video Games. （メディアミックスの体験：アニメ、マンガ、ビデオゲーム） President’s Conference Series February 4 to 6, 2012 （学長講演会シリーズ） http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/ 日時：2012年2月4日ー6日 Location 1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada H3G Concordia University http //www.concordia.ca 場所：コンコルディア大学、モントリーオール、ケベック州、カナダ Academics discuss Japanese pop culture （アカデミック研究者が日本のポップカルチャーについて語る） http //www.concordia.ca/now/what-we-do/research/20120118/academics-discuss-japanese-pop-culture.php Speakers （公演者） http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/speakers/ Schedule and Lecture abstracts （スケジュール及び公演抄録） http //www.concordia.ca/now/upcoming-events/presidents-conference-series/2012-event/schedule/ Lecture abstracts Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein Marc Steinberg-Media Mix as Experience Ian Condry-Miku Virtual Idol as Media Platform （ミク - メディアプラットフォームとしての仮想アイドル） Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames Thomas Lamarre-Transnational Storytelling Matthew Penney-Media Mixed Histories Kyara versus Context Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu Margherita Long-Nausicaa Now More Than Ever Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) コンコルディア大学でイアン・コンドリー氏がミクの講演をするらしい件 （日本語訳 Japanese Translation) http //vocaloid.blog120.fc2.com/blog-entry-10754.html 公演タイトル （概要の翻訳） Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演（大塚 英志--ディズニーとアイゼンスタインの邪悪な同盟） Marc Steinberg-Media Mix as Experience （マーク・スタインバーグ--経験としてのメディアミックス） Ian Condry-Miku Virtual Idol as Media Platform （イアン・コンドリー：ミク - メディアプラットフォームとしての仮想アイドル） Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames （Mia Consalvo--予想外の旅行：日本のビデオゲームのROMハッカーとファンによる翻訳） Thomas Lamarre-Transnational Storytelling （トーマス・ラマール--国を越えたストリーテリング ） Matthew Penney-Media Mixed Histories Kyara versus Context （マシュー・ペニー--メディアミックスの歴史：キャラ 対 コンテクスト） Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu （上野俊哉--狼と犬の間：押井守と手塚治虫） Margherita Long-Nausicaa Now More Than Ever （マルガリータ・ロング--ナウシカ、NOW MORE THAN EVER (愛は限りなく)） Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) （トーマス・ルーサー--ゲームの自律（そして、銃の暗い価値）） 公演タイトル （概要の翻訳） Eiji Otsuka-The Unholy Alliance of Disney and Eisenstein 基調講演（大塚 英志（神戸芸術工科大学）--ディズニーとアイゼンスタインの邪悪な同盟） Marc Steinberg-Media Mix as Experience （マーク・スタインバーグ（Concordia大学）--経験としてのメディアミックス） Ian Condry-Miku Virtual Idol as Media Platform （イアン・コンドリー（MIT）：ミク - メディアプラットフォームとしての仮想アイドル） Mia Consalvo-Unintended Travel ROM Hackers and Fan Translations of Japanese Videogames （Mia Consalvo（Concordia大学）--予想外の旅行：日本のビデオゲームのROMハッカーとファンによる翻訳） Thomas Lamarre-Transnational Storytelling （トーマス・ラマール（McGill大学）--国を越えたストリーテリング ） Matthew Penney-Media Mixed Histories Kyara versus Context （マシュー・ペニー（Concordia大学）--メディアミックスの歴史：キャラ 対 コンテクスト） Toshiya Ueno- Between Wolf and Dog On Oshii Mamoru and Tezuka Osamu （上野俊哉（和光大学）--狼と犬の間：押井守と手塚治虫） Margherita Long-Nausicaa Now More Than Ever （マルガリータ・ロング（California大学) Nausicaa Now More Than Ever--ナウシカ、NOW MORE THAN EVER (愛は限りなく)） Thomas Looser-The Autonomy of Gaming (and the Dark Value of Guns) （トーマス・ルーサー（New York大学)--ゲームの自律（そして、銃の暗い価値）） 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 参考文献： Miku Japan's virtual idol and media platform. (original report)オリジナル レポート http //civic.mit.edu/blog/condry/miku-japans-virtual-idol-and-media-platform ミク：日本のヴァーチャル・アイドルとメディア・プラットフォーム http //anond.hatelabo.jp/20110719203237 (Dr.イアン・コンドリーのレポート日本語訳） 参考文献： 初音ミクは日本の伝統芸能だった。週刊アスキー福岡総編集長が語る http //ascii.jp/elem/000/000/634/634796/ 写真は『艶容女舞衣』 冨田人形共遊団（滋賀県長浜市） photo Wikipedia “Osonowiki” CC BY Ellywa http //upload.wikimedia.org/wikipedia/commons/c/cb/Osonowiki.jpg imageプラグインエラー 画像を取得できませんでした。しばらく時間を置いてから再度お試しください。 中央にいるのが「シテ」、手前で背を向けているのが「ワキ」 photo Wikipedia “Noh-stage” CC BY Toto-tarou http //ascii.jp/elem/000/000/634/634970/Noh-stage_588x317.jpg 人形浄瑠璃 文楽 wikipedia 能 wikipedia [そこに現れたひとつの回答が「初音ミクは人形浄瑠璃である」という、週刊アスキー総編集長の福岡俊弘さんの説である。] ============================================================================= 【伊藤代表がおくる、MIKU@MITフォトレポート！】 http //blog.piapro.net/2011/10/mikumit.html http //blog.piapro.net/997.JPG １日目 http //blog.piapro.net/1012.JPG １日目夜 http //blog.piapro.net/1083.JPG 2日目 Media Lab http //blog.piapro.net/1044.JPG =============================================================================== NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 1 https //www.youtube.com/watch?v=0cKY0ZeF3q4 NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 2 https //www.youtube.com/watch?v=kQFkeleXDcA http //www.youtube.com/watch?v=NpCihCvXTtY NYAF+NYCC 10-16-2011 Hatsune Miku After Mikunopolis - Part 3 Hatsune Miku After MIKUNOPOLIS NEW YORK Comic Con/Anime Festival 2011 PANEL https //www.youtube.com/watch?v=Y9iFY9saX4g International News （国際ニュース） New Project and collaboration Blog Memo・メモ帳 EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser's window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page #facebook_comment コメント・Comment 名前 コメント
https://w.atwiki.jp/cheapugg058/pages/19.html
"The best part is, your privacy comes with youPapaya - This fruit naturally contains high levels of vitamins A and C and minerals like potassiumA Buses, cars, vans, and even the occasional 18 wheeler can be used as a great tailgating vehicle Despite being a fixture in Washington Dtimestamp a" - Terry Bradshaw, Former football player/announcer "I was glad to see Italy winSpirulina Maxima - This special edible blue-green algae is effective for appetite suppression, weight loss and in controlling cholesterol levelsTim McGraw and Faith Hill ? The countrynorth face outlet online singers (and husband and wife) have been connected to the Packers because of their friendship with Brett FavreorgDid you like this article? You can write articles like this and make money from it He was injured in 1990 and missed five games00Beckham Both Feet on the Ground An AutobiographyAmazon Price $3Minnesota at Houston, 7 p At 40, he must have tried so a gazillion different kinds of coffee, and by now has a favourite brand The excess inventories that remained on their shelves are purchased by the truckload by savvy resale owners who sell you the manufacturer software at a very low, cheap software discounts price that you could not find anywhere elseWanta be safe and protected through this whole cleansing of America about to happen! Enough is enough after 9/11, the "Patriot Act" bull and smearing our Constitution with their arrogance, it is a blessing to have Mr The Cowboys efforts to keep themselves in the limelight have paid off That season, he caught 60 passes for a career high 1077 yards with 10 TDs (also career best)ditto173861203540590592 a { color #CB9934;} p Last year, Manning showed that he has no intentions of slowing down, when he threw for 4,400 yards and 31 touchdowns while throwing just 9 picks Hence, you do not feel hungry immediately You should follow a high-calorie-diet for 5 days of the week and follow a low-calorie-diet for rest two days The excess inventories that remained on their shelves are purchased by the truckload by savvy resale owners who sell you the manufacturer software at a very low, cheap software discounts price that you could not find anywhere else Alcatraz, in operation as a maximum security federal penitentiary from 1934 to 1963, continues to fascinate, with Escape from Alcatraz effectively dramatizing conditions inside the notorious prison Though she is the eponymous character, the player controls the main protagonist, Link Some tailgaters never actually enter nfl jerseys cheap the stadium, but instead enjoy the entire game from the parking lotThe best part of this part aside from the community and food is the casual atmosphere of the partytimestamp a Once on the field, Michael himself seems clueless until Tuohy/Bullock shouts down a racist jerk in the stands, in the midst of the memorable play I mentioned at the beginning of this essay The Longest Yard, remade in 2005 starring Adam Sandler and Chris Rock, is both brutal and funny These jerseys are produce of thinner fabrics with less detail so they a lot less expensive It’s a lot of logic and math, but at the end of the day all that goo is abstracted away from the programmer3 The reanimated Blacula is now set loose on modern day Los Angeles, hitting the nightclubs, charming the young women and going about his bloody businessmetadata span Dwayne Wade Dwyane Tyrone Wade, Jrat-name a hover { color #999; text-decoration none; font-size 14px; font-weight normal; } Follow @MagicJohnson Earvin Magic Johnson @MagicJohnson So sad to hear the news about hip-hop mogul Chris Lighty passingtwimgThirty-two-year-old Visanthe Shiancoe is a free agent after playing nine years in the league and is a good fit for a Raiders team with little experience at tight end The 1974 season saw the Steelers, despite a slow start, finish with a 10-3-1 regular season record as they cruised toward their first of six consecutiveJoe Flacco Jersey AFC Central titles The 36 TDs ranks him in a tie for eighth place in a single season The first, and the most important thing while picking up any Zumbawear is to feel comfortable and loosened up Earlier today, he tweeted a pic of his Hamstring MRI, saying that it showed a bunch of “anti-awesomenessUpdate (God is in the details, y’know?)Update 200 custom-made parts make up the device twitterditto212522956352532482 a { color #990000; } div Edgecomb and his fellow guards carry out executions using Old Sparky, the prison s foreboding, oft-used electric chair Although the case was dismissed on sovereign immunity issues for the defendants, which Wanta understood he couldn t overcome, he was smart enough to file the case in order to get official court verification of his status as legal trustortimestamp a {color #999;text-decoration none;} p And remember to wish Bill Cosby a happy birthday while you’re at it Also, you can just connect your PC or Laptop to your big plasma Tv or HD TV and watch big NFL game live stream with your friends and family DirecTV Satellite TV ServiceDepending on your credit rating, when you order a free satellite TV system from DirecTV you may be required to pay a deposit or prepaymentWallace is one of the league s best young wide receivers, and he finished this past season with 72 receptions for nearly 1,200 yardsdittoTweet span Let s familiarize ourselves with some of these terms, so when you are looking at cue sticks you can make an informed decision Some of his favorite jazz musicians were not only performing but were creating new music especially to go on his jazz CD Most tailgaters will tell you that beer is the drink to be had at a tailgating partypng);background-repeat no-repeat;}spanditto166330814274076673 a { color #0084B4;} pWMV HD can be viewed on any computer with Windows XP based system Aldon Smith Jersey There are three of us, my wife, my daughter, and me He was invited to participate in a second dunk contest during the 2009 All-Star Weekend, but was replaced by JAll these venues are located within the South Philadelphia Sports Complex Well, here it is ? Ashlynn Brookemod_15950243" class="module moduleText color0" Your fantasy football team name is perhaps the second most important part of dominating your fantasy football league 12 Volt televisions are a great way to enjoy the game, whether you just want to watch the pre-game show or the entire game They are also preferred by women gymnasts You should try to distinguish between the two Watch today s NFL live Online games PC TV with Digital HD from Your own country According to Joyce Carol Oates, Lovecraft — as with Edgar Allan Poe in the 19th century — has exerted "an incalculable influence on succeeding generations of writers of horror fiction" Massive enivornment; Beautiful graphics; Great ambient music and sound; Totally engrossing gameplay But the game was innovative with the three point competition and slam dunk contest long before it showed up anywhereJulio Jones Jersey else It is also a good idea to check out which sportsbooks offer the best odds on their teaser action The €4 He chose to forgo college and entered the 2004 NBA Draft, and was selected first overall by the Magic
https://w.atwiki.jp/touhoukashi/pages/6293.html
【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*