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https://w.atwiki.jp/touhoukashi/pages/828.html
【登録タグ Alstroemeria Records Double Counterpoint S mican* オリジナル 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/5699.html
【登録タグ J ななひら イオシス 曲 有頂天変 ～ Wonderful Heaven 東方極楽湯界 ─イオシス東方コンピレーション vol.24─】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/orange_sherbet/pages/30.html
Language Definition The natural barriers to communication and making friends caused by language. Explanation Tolerance to Non-native Speakers People in multicultural areas such as the West coast, New York, or Toronto have tolerance in speaking English to non-native speakers. Local people are also used to listening to and understanding non-native English. However, Japanese people don t have the tolerance to speak with non-fluent Japanese speakers, and this creates a barrier at ICU between non-native speakers of Japanese and other students. Because Japan is a relatively homogenous society, most Japanese people have little or no experience talking with people who don t speak fluent Japanese, and therefore don t really know how to communicate with someone who is not fluent. Even in California and other highly multicultural areas, there are two kinds of people; those who have the abitlity to speak to foeigners and those who do not. Some people have never learned another language and have never been in a situation where they are unable to understand, and therefore lack the paitience and diligence required to communicate with non-fluent speakers. There are some people who have tolerance in speaking with non native Japanese speakers in Japan and of course, there are some people who do not like communicating with non-native English speakers in the U.S. Young people, especially teens tend not to have the tolerance or desire to speak with non-native speakers. Keigo "Keigo" or formal language can be a communication barrier. In Japanese, there is a custom to use keigo for elder people or people in positions above you, otherwise it is considered rude. Especially the first time you meet someone, keigo should be used in order to not sound rude. While keigo is useful to show respect or politeness, it keeps a certain distance between people in the relationship. When a relationship begins using keigo, it is hard to switch to "tame-guchi." Tameguchi is plain or casual speech, which is used for younger or lower postion people, but somtimes it can also be used when looking down on someone. Therefore, which level of speech you use upon meeting someone for the first time is a very important consideration. Bilingual Environment ICU is a particularly stressful environment when it comes to communicating. There are so many people that are fluent in English and Japanese that those of us that aren t have anxiety about trying to speak a language that we are not fluent in. Also, the environment of ICU allows for NOT speaking Japanese/English...there is always a way to get something done in either language. This makes practicing a foreign language even more difficult because people can automatically talk to you in the language you understand, making it simply inconvenient to practice the foreign language. Examples / Actual Cases From my experience, OYR students don t seem to want to use Japanese when they are hanging out with friends, and some students said they don t want to be bothered with Japanese outside of class because class and tutoring is enough practice. OYRs cannot relax when they are using Japanese, or cannot really enjoy themaelves when they have to use Japanese all the time. OYRs want to use Japanese and sometimes try, but it is still different from conversational Japanese. To really relax and enjoy a conversation, a high level of language skill is needed. OYRs want to use Japanese outside of class, but the problem (specially for native speakers of English) is that most ICU students tend to speak to them in English. So rather than complicate things and make the conversation longer, the task just is just carried out in English. Solutions From the Japanese side and the problem of low tolerance to non-native speakers, the solution is easy. It is important to realize that because OYR s Japanese is not fluent, Japanese speakers must speak slowly, pronounce clearly, and when they dont understand, repeat and paraphrase until they understand. It is also important to realize that the language you speak upon initially meeting someone often determines the kind of language that relationship will take on, weather that be English, Japanese, or a combination of both. Listen when your Japanese friends are talking amongst themselves. Try picking up important words or commonly-used expressions, know the context or situation in which they are spoken, and try to use them as much and as casually as you can in conversations. It s a good way to loosen up a conversation and let your Japanese friends know you re actually interested in speaking the language with them. As for OYRs, if you show that you really want to speak Japanese! If you refuse to resort to English, then your Japanese freinds will eventually learn how to communicate with you. Edit this page
https://w.atwiki.jp/touhoukashi/pages/4244.html
【登録タグ D めらみぽっぷ エニグマティクドール サーカスレヴァリエ 凋叶棕 彁 明治十七年の上海アリス 曲 蓬莱伝説】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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【登録タグ M SOUND HOLIC aki 懐かしき東方の血 ～ Old World 曲 永夜 -EIYA-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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https://w.atwiki.jp/animescriptstorage/pages/23.html
HYOUKA 1. The Return of the Time-Honored Classic Lit Club ()内は不確実な部分です。 Figures in parentheses () are uncertain. 折木奉太郎（Houtarou Oreki） They say high school is all sunshine and roses. Sunshine, roses, rainbows, unicorns. I’ve heard so much about blessing excitement being high school student that I bring it off as a worn-out cliche. Who’s to say that all teenagers even want high school to be like some fairy-tale fever dream. Seems ridiculous to me. As all the studying, the sports this area, the saccharine sweet meet romantic affairs. Those are the worst. A lot of teenagers have no interest in that kind of nonsense, right? Well, I guess when you rule out all that crap there’s not much leftover, is there? Satoshi Wow, Hotaro, I never knew you were such a full-fledged pessimist. Hotaro Wait, pessimist? Satoshi Why have you got a problem with studying, sports, romance, things normal kids enjoy. You make it sound so dismal. Hotaro That’s not what I said. You misunderstood me. Satoshi I’m telling you what I hear. Maybe you're just lazy. What do you think of that? Hotaro hm Satoshi Anytime you think something’s a hassle, or seems like it might be frivolous, you refuse to do it, which explains your motto. Hotaro If I don’t have to, I’m not going to. And, if I have to, I’ll do it as quickly as possible. Satoshi That’s the one. But just so you know, by not joining any of the offerings the veritable mecca of clubs, which we call Kamiyama high, you’ve made a little black cloud appear above your head. You might think you're slick, but you're only punishing yourself. You’ve crossed over into downright of masochism. Hotaro You sure like to run your mouth. Satoshi You just now noticing? We've been friends since middle school. Hotaro hm,, whatever go without me. Satoshi What do you mean, without you? What the.. Is that what I think it is?? A club application? Hotaro, you're joining one? Classic lit club? Really? Hotaro Oh you know. Satoshi Off course I do. Since what're you in the classic lit. What’s that? What does the letter from your sister have to do with it? Hotaro She sent it to me from India, some place in the north, called Varanasi. Satoshi Oh, yeah. I see what’s going on. Your sister's blackmailing you. Hotaro They're threatening to shut it down for lack of members. She wants me to join and help keep the club alive. Satoshi But I thought your sister was more into martial arts. Hotaro Aikido actually which is worse. If she wants to hurt you, she knows just how to do it. Satoshi Then you should do what she says. Hotaro Well, it’s not like I have anything better to do. Believe me, I have tried to think of (any) excuse. Satoshi So, the club doesn’t have any members? Hotaro Nope. Satoshi Well then, look on the bright side, you'll have the club room all to yourself. It'll be nice to have your own private space on school grounds at least. Sounds like a dream. Hotaro My own private space? I salute people who have that kind of energy. knock knock People usually misunderstand me on this. It’s not like I think my way of doing things is better than theirs by any means. I don’t think myself superior to those who choose to get involved. I'm just true to my motto, that’s all. If I don’t have to, I’m not going to. And if I have to, I’ll do this as quickly as possible. Student (There see?) Student Ew! Hotaro Fourth floor of the auxiliary building, that's as remote as it gets. um? Eru hm Hotaro huh? Eru Hello there. I didn’t know you are in classic literature club. Oreki, right? Hotaro Who are you? Eru Oh, you don’t know? My name is Eru, Eru Chitanda. Hotaro Sorry, I have no idea who you are. Eru Hotaro Oreki from class 1B, that is your name, isn’t it? I’m in class 1A, so we have met. Hotaro I’m sorry, but that’s not () rebels so.. 1A.. Maybe we share elective. Wait a sec, you wouldn’t happen to be my music class, would you? Eru Yep Hotaro We’ve only hand that class once so far this term. Her memory is incredible. So what, Chitanda, what you doing in here. Are you lost or something? Eru Nope. You see? I join the classic lit club. This is what (accessary) supposed to mean. Hotaro Are you for real? Why would you do that? Eru I have my own reasons, but they’re kind of personal. Why did you join? Hotaro Oh well, no reason really, I’m just glad you have members. Are you happy now, sis? Classic lit club lives to see another day. Well, see you later. Eru You are leaving already? Hotaro Sure I am, have fun in here. Be sure to lock up when you leave. Eru What? I can’t let go before I don’t have a key. Hotaro What’s that? Eru I was saying that I don’t have a key. Hotaro Oh yeah, here. Eru Wait a sec, why do you have the key to this room, Oreki? Hotaro What do you mean by that? How (and how) was I supposed to get door locked class room without one? Pardon my flinch I’m confused. I don’t understand how you got in before I showed up. Eru The door was open when I got here. Hotaro Well, then, you must’ve just locked behind you. Eru Are you saying what I think? I was locked in here? Hotaro Yeah, you were. Eru So, someone came along and trapped me alone in this room until you showed up? Hotaro Look, I’m sure you just did yourself. Are you certainly you didn’t? Eru Yes I am absolutely certain. Hotaro But, I’m the only one with the key. I mean what else could’ve possibly happened here. Eru Maybe we should ask the guy who’s hiding in the hallway. Hotaro Satoshi. Satoshi Hey hey, sorry about that. I totally didn’t () eavesdrop on you guys. Hotaro You totally did. Satoshi Okey, guilty is charged. But I’ve got admit when I see good buddy, Hotaro known for his () in the empty classroom with the young lady in (dusk fast) approaching? I get more than a little curious. I had no intention of versing in there. I kind of want to see what it was like to be a Peeping Tom. Eru Hey, we were, no, I wasn’t,, Hotaro You’ve gotta be kidding me. Satoshi Off course, just joking. Eru Oh thank goodness. Hotaro Sorry about that. This guy has no manners at all. Satoshi Nothing beats a good joke, don’t ever take life too seriously. I live by that model. Eru Right.. Oreki, who is this boy. Hotaro This is Satoshi Fukube, would be a comedian. Satoshi hm Eru I see. Satoshi Hey, good one. I’m honored that you think so, good friend. Nice to meet you. And you are..? Eru I’m Eru Chitanda. Satoshi Did you say Chitanda? (As) in the very famous Chitandas? Hotaro What’s the matter with you? Satoshi Wait, are you telling me you’ve never heard of Chitanda family? Kamiyama has more than a few prestigious dynasties. But none of them () notable is the four higher power familes. There is the shrine Jumonji family. This is the Sarusuberi book store tycoons. The wealthy Chitanda farmers. And the Manninbashi land owners. Written this way, the Kanji for its name increases by the power of ten hence the name higher power families. Hotaro Is that true? Eru I wouldn’t say we are prestigious family. And I’ve never heard of (as referred to) that name before. Hotaro You made up the name. Satoshi It sounds cool and I thought I can be the one (who) coin the phrase. Eru They really increase by powers of ten, huh? Hotaro Don’t (accele) impressed. Forget (). Satoshi They also say the oldest Chitanda girl is known for her beauty and incredible grades and that she is the most refined girl in the all of Kamiyama. In middle school, she got a perfect score on the prefectural exams and the school board went crazy. Hotaro No way, is he right? Eru It’s just a fluke. I have () for acing standardized test. Satoshi Well, I beg your pardon. Anyway, I happened to hear you guys talking. Wow, what a mistery, am I right? Hotaro I’m not following. Satoshi How and the heck did Chitanda get locked inside this room earlier? Eru Oh, we are forgot. When I showed up the door (to) this room was most definitely unlocked, but when Oreki got here was bolted and () get inside. So, what happened? Hotaro Well that’s easy. You must’ve locked when you came in and forgotten. Satoshi Try again. Kami high school’s doors can only be locked using keys from the insides or the outsides. So that means it’s not even possible for Chitanda to lock self in. Eru That’s crazy. Hotaro Man, you’ve been such a (know) at all. Satoshi I prefer the term database, sir? Hotaro Hm,, Well, I’m sure there is a reasonable explanation for this lock thing. See you guys later. Eru No. Please don’t go just yet. Hotaro Why not? Eru I have to know. How did it come to be locked in this room like that. And if the door was supposed to be locked why was it open when I got here. Did someone leave it open on purpose? And If they did, why? If not, how did they lock () without me noticing. I beg you Oreki, think about it carefully. I need your hand. Please I have to know. Hotaro Yeah,, ok I’ll help. It is interesting after all. Eru Thank you so very much. So, do you have any ideas to (stop) the top of your head? Satoshi Wow, Chitanda, give (me) some time, when I fall off useless information and can’t make any deductions, Hotaro is the opposite. Once he seizes some time to think, his conclusions are fairly accurate. Hotaro That’s enough. Let’s see. So, how long were you here before me. Eru It couldn’t have been more than three minutes. Hotaro Did you notice anything unusual? Eru Well, actually, I’ve been hearing this weird rattling below us this whole time. Satoshi What? I don’t hear anything. Eru It’s really faint. Listen. Satoshi You must have really sharp ears. So, have you figured anything out yet? Eru Maybe. Hotaro I bet the culprit is on the floor below us right now. Worker Last one, good Satosi Uhuh, Chitanda must have gone into the room where the maintenance guy was working and accidentally got locked inside without knowing it Hotaro I have the regular key to the science room in my pocket. I know the (genetor) has a master. They don’t give those out to students . Satoshi That’s how you knew he was working. But still, you guessed that just from the noise. Hotaro Yeah, I did. Anyway, I still don’t understand why didn’t notice the sound of the door locking when you are inside the science room if you could hear the (genetor) through the floor. Eru Ah, simple explanation. I was distracted by that old building. Satoshi It’s ancient. Eru Yep Hotaro Is it really? Satoshi Yeah, look at it. Eru By the way, we should talk about the club. Satoshi That’s right. Eru Yeah. (From the look of things), I would say it’s only gonnna be the three of us Hotaro Three of us. Eru Fukube, what do you think? Wanna join? Satoshi Why not? I sure had a lot fun today. I’ll have to () executive committee in the () clause, but a,, Yep, I’m in. Hotaro is in too. He’s already filled up the application. Eru Have you, really? Hotaro; Yeah, I filled it up. Eru Great. Right, I’ll turn this in. I’m really looking forward to seeing you again. Satoshi Yeah, same here. And Hotaro is too. Eru I guess we gonna have to choose a president. Who should be picked? Satoshi Huh,, good question. I don’t think Hotaro would be the best candidate. Hotaro Well, there you have it, sis? Your pressures to classic literature club lives to see another term. As a result, my dreams of conserving energy are dead. No, I’m not gonna () rest (for the) out of a fight. I refuse to give up my piece () easily. I will devote all my effort to do (this) as little as possible. There’s just one problem, that little lady. Satoshi It happened yesterday after school. A first year girl climbed to fourth floor of the auxiliary building. When she arrived, she heard () streams of moonlight sonata coming from the music room. Setting sun,() the hole way () and () the warm tone. Hotaro Objection, it rained all day, you couldn’t see the sunset. Satoshi Fine, it was a dark and gloomy afternoon and dusk () here. A fear of knees climbed the girl in the ()() skin () shiver. Hotaro Embarrassing. Satoshi Lured by the mysterious tone, she entered the room. immediately the music stopped. The lid of piano was up and no one was seated at the (). The drawn curtain and the gloomy weather mede the room darker than usual. That’s what she saw her. A female student with long messy hair hang over the face front over across the room. Her eyes was so blood shut and almost (). It was the gun step of the piano member of the past. () tragic () before national competition. Hotaro Oh really. Satoshi Well, I don’t know the that part for sure. It’s not impossible. Hotaro Yeah, that’s what I thought. Satoshi Hey, I’ve gotta say, this is a surprise. I don’t think you have ever forgotten your homework all the years I’ve known you. Hotaro I didn’t forget to do it. I just left it home this morning, that’s all. So, now I have to stay after school, write same stupid essay again while you talk my ear off. Satoshi Yeah, lucky you. Anyway, I heard the really was a crazy hair ghost in the music room, that’s all. Anyone in class A talked about it during lunch today. The real question is how quickly the story was spread through the rest of the school. (). It’s one of the seven wonder of Kamiyama high school, number two, you know? I’m interested to see how many days it takes to spread to class D, my class. Hotaro Hold on a second. Exactly when where from home did you hear this story? Satoshi Earlier today, in the club room from Chitanda. Hotaro Is the music room goes to the second of seven wonders, what’s the first. I’m sure you are dying to tell me. Eru Hey, I was suspected I might find you two in here. I laddered up for you, here you go. Satoshi Thanks, I appreciate that. I’m sorry, as a member of the executive committee, I’m forced to delegate some of responsibilities to others. Eru Don’t worries, after all I am the club president now. Hi, Oreki. Hotaro You came in the perfect time. Satoshi just finished telling me a quite interesting story. Eru Yeah, I’m glad you () that up. I heard that at lunch. Hotaro It’s about the mysterious secret club recruitment notes. Have you heard it? Eru Secret club? Hotaro Why don’t you tell that story, Satoshi? Satoshi What do you say? Wanna hear it? Honestly, it’s pretty fascinating. Eru Yes. Satoshi I heard it today at the executive committee meeting. Well, you already know this school has a million clubs. So, off course there are recruitment posters postered all over the place. There are so many at the bulletin boards could ()(). When the executive committee finds an unauthorized post, we take them down, no exceptions. However, for the past few years, a strange recruitment notice (has) been turning up. No one claims (who know a) thing about it. Last year, showed up as a scrap of a note book paper with just a meeting place and times scribbled on it. This club has been gathering, conducting secret business and recruiting new members all without the executive committee knowledge. No one knows for sure who they are, what they do, but we do have one piece of information, their name. Eru Yeah, what is it? Satoshi Joro spiders society. Eru Joro spider. Satoshi So, you know Tanabe, the chair of the executive committee? Well, he tried () them up last year by going to the legend meeting place at the exact time the note says. That plan didn’t go over so well. He didn’t find anything beside it was a hopes that the committee looks stupid. However. Eru What happened? Satoshi On graduation day, one of the departing student () aside, and says,“I was the president of Joro spider society.” Please give my warm regards to the one who succeeds me, which will be hard because we will ensure that you never unveil (us) identity. They’re likely recruiting members for this year, too. But we haven’t be able to find the secret base yet. Eru The () recruitment note of Joro spider society. That’s it, I must know. Hotaro Yes. I had feeling you’d say that, which is why I said you came the a perfect time Eru What do you mean by that? Hotaro You are just in the next step, to find the note. Eru Right. Hotaro There’s total of thirty bulletin board throughout the school. Eru That many? Are we going to search all of them? Hotaro No, we are not. It’s faster just the search the board with the most likely to hide the note. Eru That make sense. Hotaro Where would you put the secret recruitment note? Eru Well, if it were up to me, I think I pin it to another corner bulletin boards where it would attract as little attention as possible. Hotaro That’s where you are in wrong, though. Eru Wait, why is that? Hotaro Remember that the purpose of this notice to recruit members. So, they probably put it on the boards in the first floor entrance. Eru What? But everyone in the school would see, wouldn’t they? Satoshi Hold on, Chitanda. I’m sure Hotaro has a brilliant idea (up) sleep. Wow, it’s pretty impressive that our school has all these clubs, kinda hard to believe. Eru Well, this remarkable, a calligraphy club, a basket ball club, a track club, but it just keeps going. There’s barely it would be space left on the board. Hey Oreki, are you doing OK? Hotaro Yeah, I’m just a little overwhelmed by all this activity, I guess. Satoshi This world must be beyond () to our energy conserving friend here. Anyway, since this is a first bulletin board that students see, it’s become a battle ground. Eru Wait, what is that mean? Oh, right. I get it. There’s so many clubs competing to get notice so that unauthorized post can slip (under the later). Hotaro That’s part of it. Eru Part of it? Wait, what could assume other reasons be. Hotaro You’ll see. Let’s just start looking around, OK? Eru Right. There’s the environmental club, debate club, even a hundred poets card game club, ah, fortune telling club. I have a good friend who just joined that one on this year. Satoshi Oh yeah. Eru Koto club, ping-pong club, the art club,, It doesn’t seems like there’s anything here for the Joro spider spciety. Satoshi I don’t know. You might not be able to tell what the secret recruitment note is just by looking at it. Eru What? What do you mean by that? Satoshi Well, they might come up with the code to keep the executive committee from finding them out . Eru A code,, I see. Satoshi Aha. But if it’s here we are gonna break it. Hotaro Found something. Eru There it is, all right. I would imagine they pick a more crowded place on the board to hide it. Hotaro Definitely the work of amateurs. An unexperienced first years trying to be (). If this secret club knew at all what they were doing, our job would have been much harder. Eru It’s a good point. It’s still weird, though. They are lack of any real skills painfully obviously now you mentioned it, but I’m not actually surprised (on the least). Satoshi No stamp of approval from the committee. Well, I’d better report this. Hotaro All right, I’m gonna stop by the faculty room to turn in my essay. Then start to head home. Satoshi Yeah, OK. I guess I’ll walk alone with you then. Eru It is getting late. Until the next time we meet then gentle man, any experienced first years trying to be (). I’ll never forget that. Satoshi Well, you fight mystery with mystery plan was a real success, I applaud you. Hotaro Yeah, thanks for all your help. For some reasons, I had feelings she was coming find us. Satoshi Uhh, so that’s why you wrote the note and got the pin ready. Well, looks like you have a () for the (ception). I’m curious though, why did you go to so much trouble to set up () loose just to the distract from the music room mystery. Don’t tell me that silly ghost story actually freaked you out or something. Hotaro The music room was too far away. Satoshi Are you kidding? Hotaro No, I’m not. I wanted to find the way to get us close to the main entrance, wrap up the mystery, so I can turn in my essay, and get the heck out of there fast. Satoshi I wish I could say I’m surprised. That’s typical Hotaro. Eru “Please I have to know.” Hotaro If I have to do something, I’ll do this quickly as possible, right? Satoshi No way. You won’t get away with that. If you gonna proclaim your model, do it with your head held high, don’t paraphrase. If I’d know any better, I would say you are just making a solely excuse. Distracting from one mystery with another mystery? I approve. Nice (). But you know something, Hotaro, what you did today wasn’t your style. When Chitanda showed up, why didn’t you just (blow) her off, like the lazy bones we know in love. That was fatal mistake this afternoon. You would have been home, already. Sometimes, you don’t know how to best live by your own model. Hotaro Maybe you are right. Satoshi Inexperienced, first years trying to be (). That’s exactly you were today, as a matter of fact. Chitanda was throwing you off your game, my friend? I didn’t expect (that of you). I wonder why you took such a meander detour. I understand you were trying to trick Chitanda at all, but there were efficient ways. Hotaro I wasn’t actually trick her. Satoshi No, off course you weren’t. You were just putting the situation on board for later. Hotaro (). Oh yeah. That’s right. Satoshi Speaking of the other situation, what do you make up for the music room’s thing. Hotaro Right. Well,() shut eyes. It sounds like someone who just woke from a nap. Satoshi Oh, you are right. Hotaro Some piano club member got sleepy and decided to have a rest. She was nervous that she’d sleep past six o’clock when they lock up. So, she set the alarm on the CD player and put it moonlight sonata. It’s a simple, is that? Satoshi That make sense. I’m sure we check it out, we would have known it right away. Hotaro The music room is too far away. Satoshi Yeah, I hear that. Even so, you know what? I have a feeling you wasted a lot of time by (aboarding) the trip. You could conserve more energy by checking it out. Be careful next time. This might end up costing you more than you think. This is me. Don’t worry. I don’t judge. But (knock) it hold over your head. Bye. Hotaro One (hold), huh? Right.
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Without them you may find this site does not work properly and many features may be unavailable. More information on what cookies are and the types of cookies we use can be found /p p Tali Lennox has been named as new face of Karen Millen's spring/summer 2012 collection. br br With her rock 'n' roll background and striking features, Tali Lennox embodies the 'bold, confident' woman that Karen Millen wanted to channel for their S/S 2012 collection. br br The 19-year-old daughter of music legend Annie Lennox and Israeli film producer Uri Fruchtmann, decided to follow in her 過疎るのも不思議といえば不思議だ ここcodeaddictionだけじゃない、いくつかあった@wikiを使ったゲーム攻略サイト、 俺が知っている範囲では全部こんな状態だ。中には閉鎖して削除されたものも 確かに管理人が消えてコンテンツが更新されなくなった これも十分な理由だろう しかしあれだけしつこかった荒らしも居ないというのは寂しいものだ -- (nextutozin) 2016-11-26 21 07 56 Xとか生きてんだろうか -- (名無しさん) 2017-04-30 02 15 18 久々に覗いてみたらトップページになんか書いてあるし 長期間更新されてない＆コメントがあふれてるからデータ量たっぷり @wiki運営から見れば削除対象になっちゃうのかなぁ -- (nextutozin) 2017-08-24 21 24 18 管理人です 今、管理者アカウントが紛失された状態になってるのでatwikiさんに再発行をお願いした次第です といってもこのサイトのつづきを作りはじめることはないかもですｗ ただ新しいサイトは作ろうと思っています 大学院生になるのであまり時間はとれないですが。。。 思い出のためにこのサイトはとっておこうと思っています -- (パケモン) 2017-09-17 23 54 51 思い出したので来てみた。 考えてみると俺が小5か6の頃、つまり10年以上前からCODE ADDICTION、中毒があったわけか。 パケモンさんが今年大学院ってことは、小学生か中学生の頃にここを作ったってことになるのか。 俺はそんなすごい人にいろいろと迷惑かけてたんだな… -- (nextutozin) 2018-09-15 21 24 32 久々に見に来てみたらデザインが初期状態？になってるじゃないか SHARKのしわざか？ｗｗｗ -- (nextutozin) 2019-02-09 12 58 26 昔の思い出に浸りに、久しぶりに来てみた 当時はみんな小学校高学年～中学生 高校受験あたりから忙しくなって、誰も来なくなった。 あれだけしつこかった荒らしも来なくなった。 今はほとんど社会人、か。 一度オフ会でもしてみたいな、という気持ちもあるが、 ネットで知り合った人と会うのは危険、これ常識。 チャットでもしたいが、難しいかな。 -- (nextutozin) 2019-06-15 21 33 23 コメント失礼します。 私は2011から12年にかけ、Nokoemonという名前でCODE-ADDICTIONを使わせていただいておりました。 先日久方振りに当サイトの存在を思い出し、当時の雰囲気を懐かしもうかと思ったのですが 残念ながら私が最も頻繁に書き込んでいたマリオカートＤＳのページ（https //w.atwiki.jp/pakemon/pages/50.html）は、荒らしによって過去コメントの大半が流れてしまっているようでした。 そこで大変恐縮ですが、もしwikiの編集権限をお持ちでこのコメントをご覧になっている方がおられましたら、以下のメールアドレスまでご一報いただけますでしょうか。 当時のログが存在しているのであれば、受け取りを希望させていただきたいです。 cosmos(アット)tensi.org 私の目が黒いうちは上記アドレスの運用を続けていく所存ですので、この書き込みから何年が経過していたとしてもメールをお寄せいただいて構いません。 厚かましいお願いとは存じますが、何卒よろしくお願い申し上げます。 ご連絡をお待ちしております。 -- (Nokoemon) 2021-02-05 23 31 47 nextutozinさん メール拝読いたしました。ありがとうございます。 やはり望み薄ですね…実は当時、副管理人の方にも同様の質問をした際もログは存在しないとの回答だった記憶が仄かにあったのですが、 記憶違いという一抹の希望に賭けてこの度書き込みを行わせていただきました。 それにしても、ここまで早くご連絡いただけるとは予想もしておりませんでしたので大変驚きました。 このサイトを卒業されても皆さんはどこかでしっかり生きておられるんだなと感慨深い思いです。 本当は直接返信させていただきたかったのですが、恐縮ながら多忙で実現できぬままメールが保管期限を迎え削除されてしまいましたので この場を借りてお礼申し上げます。 改めまして、ありがとうございました。 -- (Nokoemon) 2021-06-24 02 11 19 時々思い出してアクセスして、「誰も書き込んでないか。そらそうか」となるのが常だったので Nokoemonさんの書き込みがあって嬉しいです。 code addiction全盛期(2006～2010年ごろかな)、から10年以上… マリオカートやポケモンの改造コードへの興味が薄まって、 当時コメント欄で雑談したり、荒らしたりしてた各々は、きっと自分の人生に真剣に向き合って生きている。 初めてcode addictionに書き込みをしたのは小学校高学年の頃。 当時ゲームとパソコンばっかりしていて両親に心配をかけていた。 紆余曲折ありながらも無事就職して、今は特別なプロジェクトに参加して業務自動化のシステムを構築しています。 小学生の頃に改造コードだの16進数だの言っていたのが今に活きてます。 私事ですが、来月から夜間 休日の大学院に進学します。 仕事は今まで通り継続するので、忙しくなります。なので、ここに来られる頻度は大きく減ります。 大げさに聞こえるかもしれませんが、「チート」「改造」そして「code addiction」は、 私の人生にプラスに働いたと感じています。世間的には「チート」「改造」はネガティブな言葉なのでしょうけど、 私にとっては人生の土台、基礎部分のようなものです。 長くなってしまいましたが、code addictionと管理人、そして私とコミュニケーションを取ってくださった皆様に感謝申し上げます。 ありがとうございました。 -- (nextutozin) 2021-06-27 15 15 39 名前 コメント すべてのコメントを見る
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【登録タグ D めらみぽっぷ 凋叶棕 恋色マスタースパーク 曲 記 魔法使いの憂鬱】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/lightsaber/pages/33.html
Page-1 1ページ目 Crystal Focus Saber CoreTM V6.10 クリスタル・フォーカス・セーバー・コアTM Version 6.10 Illuminated Saber Controller Pro - User’s manual 発光型ライトセーバー用高級制御装置 ユーザーズマニュアル ©Erv’- Plecter Labs - v 6.10 - October 2012 erv@plecterlabs.com http //www.plecterlabs.com （CF6画像) Important release information リリースに伴う重要なお知らせ ・Version 6.x uses WAV sound files, RAW isn’t supported anymore ・ヴァージョン6.xx以降はWAV形式ファイルを使用する。RAW形式は今後サポートされない ・Board is compatible with FAT and FAT32 (beta) ・SDカードのフォーマットはFAT及びFAT32互換（FAT32はベータ版） ・MacOS is supported (still beta) ・MacOSもサポート対象（まだベータ版） ・Many parameters are inherited from v5.x ・多くの設定値はヴァージョン5.xxを継承している ・Simplified gesture recognition settings ・動作検知の設定方法を単純化した ・Improved gesture recognition dynamic range and resolution ・ゼスチャー検知のダイナミックレンジと解像度が向上 ・Color mixing with the FlexiBlendTM engine ・FlexiBlendTMによるカラーミキシング機能 ・Audio output up to 1W/8 ohm or 2W/4 ohm ・サウンド出力が1ワット/8Ωまたは2ワット/4Ωに向上 ・LED current up to 3A ・LED電流が3Aに向上 ・Supports luxeon III, V, rebel (old or new), seoul LEDs, Ledengin, tri-rebels, tri-Cree etc ・LuxeonIII、V、Rebel（旧型と新型）、Seoul、Ledengine、tri-rebels, tri-CreeなどのLEDをサポート We spent a lot of time writing this manual to ensure all the important information is provided for proper use of that board. If you are new to saber building, to the use of Crystal Focus boards, or simply to electronics in general, we highly recommend you print a copy of that document and keep it with you during the whole process of installing CF in your hilt. この制御ボードを適切に使うための情報を盛り込むために、我々は多大な労力を費やしました。もし初めてPlecter Labの音源ボードを使ってライトセーバーを作る場合や、電気配線の参照のためにも、このマニュアルを印刷して、製作途中にいつでも手に取れるようにしておくことをおすすめします。 Plecter Labs is in no way affiliated, associated, licensed or endorsed by Lucasfilm Ltd., Industrial Light and Magic or any of their associates.All brands and trademarks listed are the exclusive property of their respective owners. PlecterLabsはルーカスフィルムならびにインダストリアルライト＆マジックやその関連企業とは商業上においても権利関係においても一切提携していない。すべてのブランドや登録商標はその所有者が独占的に所持・保有している。 (2ページ目は白紙) Page-3 3ページ目 Index 目次 CRYSTAL FOCUS SABER CORETM V6.10 1 クリスタル・フォーカス・セーバーコアTM V6.10 … 1 IMPORTANT RELEASE INFORMATION 1 リリースに伴う重要なお知らせ … 1 INTRODUCTION 5 はじめに … 5 High-Power LEDs (aka LuxeonTM ) 5 高輝度LED(LuxeonTM など)について … 5 Sound section 5 サウンドセクション … 6 Crystal Focus V6 Features Maximum Ratings 7 クリスタル・フォーカス Ver6の仕様と諸元 … 7 Placement Installation 8 設置と導入について … 8 TOOLS AND PARTS REQUIRED TO INSTALL/OPERATE THE MODULE 9 組立と操作に必要な工具と部品／使用方法 … 9 HOW DOES IT WORK ? 9 動作概要 … 9 SD CARD CONTENTS, SOUND BANKS AND SLOTS 10 SDカード内容、およびサウンドバンクとスロットについて … 10 BOARD OVERVIEW 11 基板概略 … 11 USER’S NOTES 11 自由帳 … 11 GETTING STARTED WITH CRYSTAL FOCUS 12 Crystal Focusをはじめよう … 12 WIRING AND OPERATING THE MODULE 12 配線と使用方法について … 12 General Power Switch Recharge Port 12 主電源スイッチと充電ポートについて … 12 General wiring 14 一般的な配線方法 … 14 USER’S NOTES 14 自由帳 … 14 Animated Accent LEDs 15 動的アクセントLED … 15 Calculating resistors for LEDs 15 LED用抵抗の計算方法 … 15 MAIN CONFIGURATION FILE 17 主設定ファイルについて … 17 PARAMETERS AND FINE TUNING THE SABER 18 設定値およびライトセーバーのための最適な調整法 … 18 THE "OVERRIDE" CONFIGURATION FILE 24 ”オーバーライド”用設定ファイル USER'S NOTES 24 自由帳 … 24 RESONANT CHAMBER 25 共鳴効果について … 25 BROWSING THE SOUND BANKS - REBOOTING THE SABER 25 サウンドバンクの参照法、およびセーバーの再起動方法 … 25 CREATING YOUR OWN SOUNDS 26 効果音の作り方 … 26 INSTALLING A SOUND FONT ON THE SD CARD 26 SDカードへのサウンドフォントの記録方法 … 26 AUDIO PLAYER - ISABER 27 オーディオプレイヤーモード（ISABERモード）について … 27 CLASHES, SWINGS BLASTER (RANDOM) SELECTION MODES 28 クラッシュとスイング、ブラスターの（ランダム）選択モード … 28 ADVANCED WIRING USAGE 30 上級者向け配線法及び使用方法 … 30 WIRING A TACTILE FEEDBACK MOTOR AND A PROGRESSIVE POWER ON LED 30 バイブレーションモーターとパワーON表示LEDの配線方法 … 30 WIRING A GENERAL POWER-ON INDICATOR / ACCENT LED 32 通電表示LEDとアクセントLEDの配線方法 … 32 SIMPLE FLASH ON CLASHTM/ FOCTM EFFECT (CFV5 LEGACY MODE) 32 簡略版FLASH ON CLASHTM / FOCTM効果（CF Ver5レガシーモード） COLOR MIXING 34 カラーミキシング … 34 PSEUDO COLOR MIXING (WITHOUT THE COLOR XTENDERTMBOARD) 34 擬似的カラーミキシング（COLOR XTENDERTM基板無し) … 34 ACCURATE COLOR MIXING (USING THE COLOR XTENDERTMBOARD) 34 正確なカラーミキシング（COLOR XTENDERTM基板使用) … 34 FLASH ON CLASHTM SETUP CONFIGURATION 36 FLASH ON CLASHTM実装方法及び設定 … 36 ACCENT LEDS SEQUENCER 37 アクセントLEDによる電飾 … 37 Stages Delays 38 電飾の発光順序について … 38 DEEP SLEEP FLASHING LED 39 ディープスリープ（待機時）モード時のLED発光表示 … 39 Page-4 4ページ目 ACCENT LEDS AS A BARGRAPH POWER ON/OFF SEQUENCES PLI 39 アクセントLEDを電飾に使う：電源On/Off時および電圧レベル表示 … 39 PLI TIPS TRICKS 40 PLI(電圧レベル表示)のコツ … 40 SPECIAL ACCENT MODE FOR LED1 41 1番目のアクセントLEDでの特別な表示モード … 41 BANK MENU SPECIAL SETTINGS 41 サウンドバンク選択メニュー専用設定 … 41 “FORCE PUSH” EFFECT 44 「フォースプッシュ」効果 … 44 MOTION ACTIVATED IGNITION POWER ON MOVE / POWER ON FORCE 44 ゼスチャーによるセーバー起動/Power on Force … 44 IGNITION SOUND ANGULAR SELECTION 44 ヒルトの傾きで起動音を選択する … 44 MULTIPLE POWER-OFF SOUNDS 45 消灯音の複数利用 … 45 POWER SAVING MODES USAGE SCENARIOS 45 節電モードと利用シーン … 45 Idle Mode 45 待機モード … 45 Deep Sleep Mode 45 ディープスリープモード … 45 Scenarios Usage 46 節電モードの利用シーン … 46 MUTE ON THE GOTM 47 Mute On the Go(音声オフモード） … 47 USER’S NOTES 47 自由帳 … 47 USING R.I.C.E.(REAL-TIME INTERNAL CONFIGURATION EDITOR) 48 R.I.C.E.(Real-time Internal Configration Editor)使用方法 … 48 GETTING STARTED WITH R.I.C.E. 48 R.I.C.E.の始め方 … 48 READING THE CURRENT SETTINGS 50 現状設定の読み込み … 50 CHANGING SETTINGS 50 設定変更方法 … 50 DISCARDING SETTINGS 50 設定破棄方法 … 50 SAVING THE SETTINGS 50 設定の保存 … 50 USING R.I.C.E. AS A DEBUG TOOL 50 R.I.C.E.をデバッグツールとして使う … 50 COLOR SETUP COLOR MIXING 51 カラー設定とカラーミキシング … 51 Reference Current 51 電流参照値 … 51 Rough color setup 52 大まかな色設定 … 52 Color fine tuning 52 最適な色設定 … 52 Manual color setup 52 手動による色設定 … 52 Flash On ClashTM / FoCTM 52 Flash On ClashTM / FoCTM … 52 Color mixing specific issues 53 カラーミキシング特有の問題点 … 53 USER’S NOTES 53 自由帳 … 47 TROUBLESHOOTING FAQ 54 困ったときは＆よくある質問 … 54 Page-5 5ページ目 Introduction はじめに Our new Saber Controller Pro is the union of our evolutive saber sound module and our luxeon driver board we designed back in 2005. Driven by a single processor, this module features a perfect synchronization between light and sound effects with the possibility to setup each effect with parameters stored on our SD-ConfigTM technology. この新型高級セーバー制御装置は、2005年に設計されたサウンドモジュールとLuxeon用制御装置から進化を深めていった成果といえる。一つの制御装置だけで、SDカードコンフィグ技術を用いて記録された設定値に従って、光と音の完璧な協調動作を制御できるようになっている。 Crystal Focus Saber Core V6 has of course a lot of new features and capabilities compared to V1, including 16 bit sound playback, WAV format support, 6 different sound banks, blaster blocking, force push effects and more ! Crystal Focus Saber Core Ver.6は当然ながらVer.1よりも、盛りだくさんの新機能（16bitサウンドの再生・WAV形式のサポート・6つのサウンドバンク・ブラスター偏向・フォースプッシュ効果などなど）を備えている。 Warning You’ve just acquired an electronic board containing parts sensitive to ESD. Final wiring assembly is under responsibility of the user with the appropriate tools and ESD protection. 警告：あなたは静電気放電に敏感な電子機器を手にしています。配線と組み立ての完成には、静電気対策済み工具を使い、ボードを静電気放電から保護するなどの対策が自己責任で必要となります。 If you’re not familiar with ESD, please visit http //en.wikipedia.org/wiki/Electrostatic_discharge Plecter Labs can not be held responsible for improper use or assembly of the Crystal Focus board. もし放電についてお知りになりたければ、Wikipediaの放電・静電気の項を参照するといいでしょう。Plecter LabsはCrystal Focusの不適切な使用と組み立てに対しては責任を負いません。 High-Power LEDs (aka LuxeonTM ) 高輝度LED(LuxeonTM など)について DIY illuminated sabers have suffered for too long of the lack of a terrific and impressive blade retraction/ignition effect. EL wire technology did not allow this effect since it fades in and out in a homogeneous way all along its length, because of the phosphor composing the wire coating. MR/Hasbro Fx sabers found a workaround by using a 64 LED strip on a flexible PCB which makes the retraction effect by switching the LEDs by group of 8 but this setup remains very fragile. 個人製作の発光型セーバーは、印象的で素晴らしい光刃の伸縮効果の欠如に長年悩まされてきた。連結したEL管を用いたセーバーは、蛍光塗料の構成に依存するその長さに応じた一定のフェードイン・アウトしか行えなかった。マスターレプリカとハズブロ社が製造しているFXセーバーは基板に埋め込んだ64個のLEDストリップを8組に分けて点灯/消灯させることで伸縮効果を再現する方法を編み出したが、この方法は耐衝撃性に問題を残している。 The high-power LED technology allows a realistic ignition/retraction effect of the blade while keeping it almost empty and therefore not fragile when hit. 高輝度LEDを用いた技術はリアルな光刃の伸縮効果をもたらすと共に、中身が殆ど空のブレードを使うことにより、打撃に対しても脆弱ではない。 To achieve this effect, the high-power LED current must be driven very accurately. この効果を実現するためには高輝度LEDに対して非常に正確に電流を流さなければならない。 Guided by the special film, the light “climbs” progressively along the polycarbonate tubing and produces the desired effect. ポリカーボネートのチューブの中を目論見通りに光が登っていく様子についてはスペシャル画像を参照のこと。 Moreover, our SMPS high-power LED driver has the key feature of not heating, which is really different from the use of a simple resistor or chopping drivers to power the LED. The driver also maintains the brightness of the blade whenever the batteries become depleted, which is impossible to obtain with a resistor. さらに、SMPS（Switch Mode Power Supply - スイッチモード電源）式高輝度LEDドライバの特徴として単純な電気抵抗や降圧型LEDドライバよりも高熱になりにくい。ドライバは電源電圧が降下してもLEDの輝度を維持するが、これは電気抵抗では実現できない。 An additional feature of the luxeon driving section is the configurable generation of a flickering effect of the blade brightness. It’s a random alteration of the light produced by the high-power LED suggesting energy variations for a more realistic result which is pretty close to the lightsabers seen in the movies. Luxeonドライバのさらなる特徴としては、ブレードの明るさを設定に応じて脈動させることが可能となっている。高輝度LEDが生み出すランダムな変化のある輝きによって、劇中のライトセーバーに近い、エネルギーが変化していくようなリアリティのある表現が出来る。 Page-6 6ページ目 The effect is not a constant pulse but is more like a “candle effect”. We also added a core pulse effect that can be combined with the flickering, providing interesting behaviors of the high-power LED for non conventional or non-saber related props like an Electric Staff or a Light Whip. この効果は定常的な明滅ではなく、ロウソクのゆらめきに近い。CFにはさらにコアパルス効果を提供している。これはゆらめきにチラツキを組み合わせて、ありきたりでないセーバーやエレクトロスタッフやライトウィップのようなセーバー以外のプロップに使えるような面白い振る舞いを高輝度LEDにさせる。 The Plecter Labs high-power LED driver embedded on the Crystal Focus Board can now drive up to 3A and works with any high power LED featuring a forward voltage (Vf) lower or equal to 10V. Luxeon, Rebel, Seoul, Prolight and Ledengin branded LEDs have been tested successfully. Please note that as we’re writing this manual, we cannot guarantee the use with ANY kind of high-power LEDs appearing in the market in the future. Crystal Focusに実装されたPlecterLabs製高輝度LEDドライバは、3Aまでの電流を供給し、前方電圧が10V以下のどのような高輝度LEDでも使用可能である。Luxeon、Luxeon Rebel、Seoul、Prolight、Ledengineなどの各ブランドで問題なく検証済み。ただし、このマニュアル執筆時以降で、まだ市場に登場していないような高輝度LEDについては保証しないことに注意されたい Warning High-power LEDs (such as the Luxeon brand LED, which is mentioned in this document) are extremely bright. They are considered "class 2 lasers"! You should neither look directly to the beam nor point someone with it when the blade is not attached to the hilt, just like a powerfull lamp or flashlight. Plecter Labs could not be held responsible for any bad use of high-power LEDs. 警告 ：ハイパワーLED(このマニュアルに登場するLuxeonブランドのLEDのようなもの）は強烈に輝きます。それらは安全基準クラス2のレーザーとみなされています！LEDからの光を直視すべきではないし、ブレードがつけられていないときのヒルトは強力な電灯やフラッシュライトと同様なので、その状態で誰かに光を向けるべきではありません。Plecter LabsはハイパワーLEDの不適切な使用について責任を負いません。 To avoid injuries and retina damage due to the high brightness of those high-power LEDs, simple “emitter plugs” can be built using a piece of blade tubing ended with some decorative greeblies. これらのハイパワーLEDによる怪我や網膜へのダメージを避けるために、（ヒルトをブレードを挿していないときには）ブレードの端材から作れる簡単な「エミッタープラグ」を用いるべきでしょう。 Sound section サウンドセクション The Plecter Labs sound board is unique. It has been developed in the purpose of improving the quality of DIY sabers sound FX in a significant way. During too many years, sound modules were obtained from sacrificed toys and remained low quality. Master Replica FX sabers broke the line with better sounds and good dynamics. However, the low resolution motion sensors used as well as closed electronics made those boards impossible to adjust in term of sensitivity or sound contents. Plecter Labs製の音源ボードは比類なきものである。それは自作・改造ライトセーバーの音響効果の著しい品質向上を目的として開発されてきた。長い間、犠牲となったオモチャから流用されていたライトセーバーの発音装置は品質が低いままだった。マスターレプリカ社製FXライトセーバーはより良い音と動作のための道を開いたものの、しかしながらモーションセンサーの精度は低く、感度を調節することも出来ず、音色を変えることも出来なかった。 We have monitored several attempts for building an embedded sound module playing custom changeable sounds, often based on chipcorders. Using bulky parts, those were often unreliable and hard to fit in a hilt. Not to add those chipcorders were designed for digital answering machines, and therefore feature a bad restitution quality (voice sample rate - 8 KHz). 音色が自作できて変えられる発音装置をつくる試みが幾つか知られているが、それらはボイスレコーダーを基としたものだった。サイズがかさばり、ヒルトに入れにくいものになるのが普通であった。ボイスレコーダーはデジタル応答装置のためにデザインされており、音声解像度も低かった（サンプリングレート）。 Plecter Labs decided to process the internal motion sensors and the sound generation on the same board which requires some non-volatile memory. Second, we needed a simple way to upload or download sound contents or configuration of the saber through a simple and standard way. To avoid any plugging problem with a small connector and an easy-to-loose cable, we opted for a high-end flash memory card in the SD format (now microSD). Plecter Labsは不揮発メモリを搭載し、モーションセンサーと発音装置をひとまとめにした音源ボードを製作することを決意した。それにはセーバー用の音声や設定ファイルを簡単かつ一般的な方法で書き込める単純な方法が必要だった。外れやすい小さいコネクターを接続することにまつわる諸問題を避けるため、SDフォーマットされた最高仕様のフラッシュメモリーカード（現在はmicroSD）を適当とした。 Inserted in a USB card reader like the one we sell, the card is seen as a USB storage key and it takes a few seconds only to transfer files to or from the card, on Mac or PC, without the need of any custom piece of software. Plecter Labsのwebストアでも販売しているUSBカードリーダーにSDカードを差し込めば、MacでもPCでも特別なソフト無しに数秒のうちにUSBストレージとしてカード内部にアクセスすることが出来る。 Page-7 7ページ目 Crystal Focus V6 Features Maximum Ratings Crystal Focus Ver6の仕様と諸元 ・Dimensions 53x23.5x7.5 mm (with the microSD card). ・寸法：53x23.5x7.5 mm (microSDカード装着時) ・Power supply 5.5 to 11 V / 3.5A (with the high-power LED). 2 li-ion cells (18650 or 14500) batteries recommended. ・使用電力 5.5～11V / 3.5A(ハイパワーLED使用時)。2本のリチウムイオン電池(18650もしくは14500）の使用推奨 ・Idle current consumption 9 mA (deep sleep mode) ・待機電力 9mA(ディープスリープモード) ・Speaker 4 to 8 ohm. ・スピーカー 4～8Ω ・Audio output Power 2W ・オーディオ出力 2W ・Accent LEDs 7 ・アクセントLED 7個まで ・Accent LEDs pad current source 18 mA max per pad ・アクセントLED端子電力 端子毎に18mA ・On-board PLI ・PLI(パワーレベルインジケーター)を基板に実装 ・Handles momentary or latching for blade activation ・ブレード点灯はモーメンタリ又はラッチングスイッチで行う ・6 selectable sound banks via audio menu ・選択切替可能な6つのサウンドバンクとオーディオメニュー ・Blaster Blocking, Force, Force ClashTM and Lockup Fx ・ブラスター防御、フォースプッシュ、フォースクラッシュ、つばぜり合い効果 ・Blade Flickering Core pulse Fx ・ブレードの明滅効果とコアパルス効果 ・Blade Shimmering on Clash ・衝撃時に発光チラツキ ・Blaster Sounds ・ブラスターサウンド ・Up to 4 boot sounds ・最大4種の通電音 ・Up to 16 swing and 16 clash sounds ・最大16種のスイング音とクラッシュ音再生 ・Flash on ClashTM (FoCTM ) ・Flash on ClashTM 衝撃時にフラッシュ効果(FoC) ・Anti Power On / Off technology (A-POPTM ) ・誤操作による電源On/Offの防止機構あり(A-POPTM ) ・Blaster MoveTM ・ゼスチャーによるブラスター偏向音（Blaster MoveTM ) ・Power on ForceTM ・ゼスチャー起動（Power on ForceTM ) ・Hilt Angle Ignition Sound Selection ・ヒルトの角度による起動音セレクト ・Alternate Power Off sounds (motion vs no motion) ・収納音切替（移動時 or 静止時） ・Configurable Idle mode power saving timer ・設定可能な待機モードと節電モードタイマー ・Wake-up on motion with WakeOnMoveTM ・WakeOnMoveTMを使ったモーションによる起動 ・Ignition with Motion ・モーションによる起動 ・32 stage accent LED sequencer ・32段階のアクセントLEDシーケンサー ・WAV file support ・WAV形式ファイルサポート ・16 bit, 22.050 kSamples/sec crystal clear DAC ・16ビット 22.050キロ秒サンプリング デジタルアナログコンバーター ・iSaber Audio Player, up to 50 WAV tracks, play/pause/shuffle ・iセーバー オーディオプレイヤー：50個のWAVファイルを再生可能（再生・ポーズ・シャッフル再生） ・SD card support up to 2GB, FAT16 or FAT32 (beta). Sandisk and Kingston brands preferred. ・SDカード：最大2GB、FAT16又はFAT32フォーマット。サンディスク製又はキングストン製推奨 ・FlexiBlendTM powered Color Mixing on 3 channels using the satellite board ・FlexiBlendTM 補助基板を用いた3チャンネルカラーミキシング ・Configurable normal blade FoC colors ・変更可能なブレード及びFoCカラー ・Font Protection System ・フォント著作権保護システム ・Real Time Configuration Editor (R.I.C.E.TM) ・Real Time Configuration Editor (R.I.C.E.TM) Page-8 8ページ目 Placement Installation 設置と導入について Ideally, the module is placed in the hilt so that 理想としては、基板を下記のように設置すべきである。 ・the motion sensor is at 1” or more from the spinning center of the hilt ・モーションセンサーをヒルトの回転軸より1インチ(約2.5cm)以上離す。 ・the SD card remains easily accessible. ・SDカードへアクセスしやすい場所を選ぶ。 Usually the pommel area is a good choice, however hilts made of 2 halves can have the board installed in the top side of the saber. 大抵の場合、ポンメル側にCFを設置するのが望ましいが、ヒルトが分割可能であればセーバーの光刃側に設置することも出来る。 Securing the board can be done using hot glue or double sided foam tape. ホットボンドもしくは両面テープで基板をヒルト内に固定すると安定する。 (CF設置概略図） Page-9 9ページ目 Tools and Parts required to install/operate the module 組立と操作に必要な工具と部品 ・an ESD safe soldering station soldering wire (60/40, 1mm OD or eq.) ・静電気対策済みハンダごてとハンダ(60/40、1mm径又は同等品） ・pliers (flat and cutting) ・プライヤー(flat and cutting) ・a Digital Multimeter / DMM (strongly advised, so useful) ・デジタルテスター ・a latching or momentary switch for the blade ignition, and a momentary switch for the auxiliary switch. ・On/Off用にラッチング又はモーメンタリスイッチ。補助効果用にはモーメンタリスイッチ。 ・wire heat shrink ・リード線と熱収縮チューブ ・rechargeable Batteries ・充電池 ・recharge port (canon 2.1mm socket) ・充電用ポート（canon 2.1mmソケット) ・appropriate Battery charger ・充電池毎の専用充電器 ・a USB SD card reader accepting micro SD card or a regular SD card reader with a micro to regular SD card adapter. ・SDカード又はMicroSDカードが装着可能なUSB SDカードリーダー ・a computer ・パソコン ・a digital audio editor software handling WAV files if you wish to create your own sound fonts. ・サウンドフォントを作成したい場合は、WAVファイルを編集できるデジタルオーディオエディタ How does it work ? 動作概要 The two main effects of the saber is the production of a sound when the blade is cutting the air (swing, producing a sort of Doppler effect) and the impact between two blades (clash). The motion sensor we use is capable of detecting rotation movement and shocks. The main difficulty is to make the proper difference between the two classes of movements. The sensor is digitized by a microcontroller, then analyzed in real-time and compared to a modelization of clash and swing gestures using low latency DSP techniques (now down to 10 ms in CF v6). セーバーの2つの主要な効果は、空を切る際に発せられる音（1種のドップラー効果によるスイング音）と、二つのブレードが衝突した時の音（クラッシュ音）を発生させることである。CFに用いられているモーションセンサーは回転の動きと衝撃を検知することが出来る。その二つの動きに差異を見出すのには工夫を要した。センサーはマイクロコントローラーによりデジタル化されており、低遅延デジタルシグナルプロセッサ技術（CFv6では遅延は10マイクロ秒）がクラッシュとスイングの動作をリアルタイムに分析している。 The algorithm has many trimming parameters in order to be adjusted to the fighting style of each user or fighter, and also to each saber hilt design. As a matter of fact, each saber is unique and various interaction scenarios can be desired. A setup allows then to change the sensitivity to the swing and the clash, depending if the user wants a really verbose saber, or casual sound FX. Along the different versions we improved our gesture recognition algorithms which now have semi automated parameterization, the user selecting only basic thresholds and the general sensitivity. Moreover, default settings usually suit most users. 分析手順はユーザー各自のセーバーの振りかざし方や、ヒルトのデザインに合わせるため沢山の設定値によって調整される。実際、各々のセーバーは所有者それぞれ独自の使用形態が考えられる。スイングやクラッシュの敏感さを、数多のユーザーそれぞれが望む形で設定することが出来るようになっている。ヴァージョンを重ねるごとにゼスチャー分析手順は進化しており、現在では半自動的にパラメーターを定めることが出来、ユーザーは基本的な閾値と総合的な敏感さを選ぶだけで良いようになっている。更に、既定値は殆どのユーザーに適したものとなっている。 The swing gesture is a rotation of the blade leading it to cut the air at an average speed. The clash gesture is a sudden shock of the blade on an obstacle, or a hard shake of the hilt. ブレードが回転して空を切る速度を計測してスイングのゼスチャーとしている。ブレードが障害物に衝突した時の突然な衝撃やヒルトを激しく揺さぶった時の動きをクラッシュのゼスチャーとしている。 The saber setup is located on the SD card which also stores the sounds. A configuration text file is editable with a simple text editor such a windows notepad. セーバーの設定値はサウンドデータと共にSDカード内に収められる。設定用テキストファイルはWindowsのメモ帳のような簡素なテキストエディタで編集ができる。 Page-10 10ページ目 SD card contents, Sound Banks and Slots SDカード収録内容、サウンドバンクとスロット Sounds are stored in the WAV format (16 bits, 22050 samples per second). [The previously used RAW format is no longer supported] サウンドデータはWAVフォーマット(16bit、22050サンプル/秒)で収録。[以前まで使用していたRAW形式ファイルは今後サポートしない] WAV sound files must comply with the format above or they will be skipped during the boot, leading to sound gaps or board failure. WAV形式ファイルは上記レートでなければならず、これを越えるレートの場合はブート時の読み込みでスキップされて再生されない為、無音が発生したり基板のエラーを引き起こす。 Crystal Focus Version 6.0 has 6 sound banks. This allows storing different “style” in the same saber. Each sound bank is stored on the SD card in the sub-directories (or folders) bank1 to bank6. The contents of a bank is called a Sound Font. Crystal Focus Ver6.0は6つのサウンドバンクを用いる。これにより、一つのセーバーに複数のスタイルを与えられる。各々のサウンドバンクはSDカード内のサブディレクトリ（またはフォルダー）に第1バンクから第6バンクまで格納される。バンクの中の内容をサウンドフォントと呼ぶ。 In the root directory of the SD card, you’ll find the sound bank selection menu files SDカードのルートディレクトリにはサウンドバンク選択メニュー用ファイルが下記のように配置されている。 ・6 descriptive sounds of the sound banks (one - two - three - four - five - six.wav) ・サウンドバンクの説明を行う6つの音源（one - two - three - four - five - six.wav) ・a sound announcing the bank selection menu (menu.wav) ・バンク選択メニュー開始を告げる音源（menu.wav) ・a sound announcing the selection of the audio player - iSaber (player.wav) ・iSaber(オーディオプレイヤー）モード開始を告げる音源(player.wav) ・a background sound for the menu (menubgnd.wav) ・メニュー用BGM（menubgnd.wav) The sounds played by the saber are stored into 6 sub(directories (folders). During the selection of the sound bank (see further in this document), the latter is identified with a descriptive sound (one - two - three - four - five - six.wav) which can of course be customized. The user can record is own voice and describe the contents of the sound font/bank from the simplest manner like saying “bank one” to something really descriptive like “dark side configuration”, or by naming the weapon. セーバーが流す音は6つのサブディレクトリ（サブフォルダ）に格納される。サウンドバンクを選ぶ際(やり方は後述)に再生される、何個めのサウンドバンクかを示す音源データ（one - two - three - four - five - six.wav)は勿論カスタマイズ可能である。「第1バンク」みたいなそっけないものより、サウンドバンクやサウンドフォントの性質をより説明した「ダークサイドコンフィグ」や武器の名前などの音声データを自分で読み上げるなどして作成すると良い。 Each sound bank has 32 sound slots split as below サウンドバンクは下記に示す32個のサウンドスロットに分割されている。 ・up to 4 boot sound (boot[2-4].wav) ・最大4種の通電音(boot[2-4].wav) ・4 power on sounds (poweron.wav to poweron4.wav) ・4個の発光起動音(poweron.wav - poweron4.wav) ・Power on Force (poweronf.wav) ・ゼスチャー起動(Power on Force)用起動音（poweronf.wav) ・2 power off sounds (poweroff.wav and pwroff2.wav) ・2個の発光終了音(poweroff.wav と pwroff2.wav) ・continuous humming (hum.wav) ・アイドル時ハム音(hum.wav) ・up to 16 clash sounds (clash1.wav to clash16.wav) ・最大16個の衝撃音(clash1.wav から clash16.wav) ・up to 16 swing sounds (swing1.wav to swing16.wav) ・最大16個のスイング音(swing1.wav から swing16.wav) ・4 blaster blocking sound (blaster.wav to blaster4.wav) ・4個のブラスター防御音(blaster.wav から blaster4.wav) ・1 blade lockup sound (lockup.wav) ・鍔迫り合い音(lockup.wav) ・2 force effect sounds (force.wav and force2.wav) ・2個のフォース効果音(force.wav と force2.wave) When the power supply voltage is applied to the board, our board “boots” and plays a little logo sound to notify the user, just like a digital camera. This little logo makes sure the Crystal Focus Saber Core started properly and it gives a special identity to the saber and to the loaded sound font. This sound can be of course customized. If the boot sound boot.wav is not on the SD card, a little beep is played instead. If you don’t want any sound when powering the module, create a WAV sound file with 100 ms of silence. ボードに必要な電源が供給されると、ボードが起動し、ちょうどデジカメのようにユーザーにそれを知らせる、ちょっとしたロゴサウンドが再生される。このロゴサウンドはCrystal Focus Saber Coreが適切に起動し、サウンドフォントをロードして、特別な特徴をライトセーバーにもたらしたことを表している。このブート音はもちろんカスタマイズできる。もし通電音であるboot.wavがSDカードに記録されていない場合、小さなビープ音が代わりに流される。もし通電時に何の音も流したくない場合は、無音を100ミリ秒記録したWAV形式ファイルを(boot.wavとして)用いると良い。 Page-11 11ページ目 The sounds must be all there on the SD card and be named properly (lower case) to have the module operating properly. Same thing for the configuration files (.txt). In case of losing files, the original package of sounds and configuration file are available from Plecter Labs on request.. We advice the user to keep all its sound and configuration files in specific folders on the hard disk on the computer so that changing the saber’s contents remains easy. Use some explicit naming of the folders so that you can easily remember what the sound font and configuration files are doing, for instance [very_sensitive_dark_lord_saber]. 基板が正しく動作するためには、音源データが正しく名付けられて（全て小文字）、SDカードに配置されていなければならない。設定ファイル（config.txt)も同様である。もしファイルを紛失した場合はPlecter Labsに連絡をしてオリジナルデータをもらうこと。セーバーの設定を簡単にするために、音源データや設定ファイルをパソコンの適当な名前をつけたフォルダに保存しておくことを勧める。たとえば「かなり敏感設定のダークロードセーバー」とか、設定がわかり易い名前のフォルダーにしておくと、後で内容を思い出しやすいだろう。 Board Overview 基板概略 (基板の写真および各部説明) Power Supply Pads 電源端子 μSD MicroSDソケット Speaker Pads スピーカー端子 Motion Sensor モーションセンサー MCU メモリーコントロールユニット Ignition Switch 起動スイッチ端子 Aux. Switch サブスイッチ端子 Accent LED Pads アクセントLED端子 High-Power LED Pads 高出力LED端子 Crystal Focus V6.10 マニュアル対訳 その2へ