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Umweltschutz Boehlau Verlag? Stefan M Gergely? Oliver M Dworak? BoehlauVerlag? StefanMGergely? OliverMDworak? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-SocialSciences-Library&InformationScience-LibraryManagement? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Global Methane and the Coal Industry A Two-Part Report on Methane Emissions from the Coal Industry and Coalbed Methane Recovery and Use Organization for Economic? Coal Industry Advisory Board? International Energy Agency? OrganizationforEconomic? CoalIndustryAdvisoryBoard? InternationalEnergyAgency? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-Civil-Mining? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Petroleum,Mining&Geological? 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Pe Pipe - Design and Installation Awwa Manual M55 (Awwa Manual) Amer Water Works Assn? Awwa Staff? AmerWaterWorksAssn? AwwaStaff? ジャンル別? Subjects-Engineering-Civil-Construction-Plumbing? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Outdoors&Nature-Conservation-Water? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Construction-Plumbing? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? 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Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Characterizing the Forms, Solubilities, Bioavailabilities, and Mineralization Rates of Phosphorus in Biosolids, Commercial Fertilizers, and Manures Phase 2 Field Studies Biosolids and Residuals Werf Report 99-pum-2t (Werf Report) Intl Water Assn? G. Oconnor? IntlWaterAssn? G.Oconnor? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-General? 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Subjects-Science-General World Water Scenarios Analysing Global Water Resources and Use Earthscan Pubns Ltd? Frank R. Rijsberman? EarthscanPubnsLtd? FrankR.Rijsberman? ジャンル別? Substores-UnknownASINs-65? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse? Subjects-Outdoors&Nature-Environment-Conservation? Subjects-Outdoors&Nature-Environment-WaterSupply? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Nature&Ecology-WaterSupply&LandUse? Subjects-Science-Nature&Ecology-Environment-Conservation? Subjects-Science-Nature&Ecology-Environment-WaterSupply? The Meteorology And Climatic of Tropical Africa (Patrick Moore's Practical Astronomy) Springer-Verlag? Marcel Leroux? Springer-Verlag? MarcelLeroux? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-FieldGuides-Regional-Africa? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Rivers? Subjects-Science-EarthSciences-Climatology-General? Subjects-Science-EarthSciences-Weather? Subjects-Science-General Subjects-Science-Nature&Ecology-FieldGuides-Regional-Africa? Subjects-Science-Astronomy-Comets,Meteors&Asteroids? 2, 2-Dichloro-1, 1trifluoroethane (Hcfc-123) (Concise International Chemical Assessment Document) World Health Organization? WorldHealthOrganization? ジャンル別? Substores-UnknownASINs-67? Subjects-Engineering-Civil-Environmental-General Subjects-Health,Mind&Body-General? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-Medicine-Pharmacology-Toxicology? Die neue Offensive der Atomwirtschaft Beck C. H.? Gerd Rosenkranz? Irene Meichsner? Manfred Kriener? BeckC.H.? GerdRosenkranz? IreneMeichsner? ManfredKriener? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Energy and Environment Proceedings of the International Conference on Energy and Environment, Shanghai, China, May 1995 Begell House? Zhihang Chen? T. Nejat Veziroglu? D. A. Reay? BegellHouse? ZhihangChen? T.NejatVeziroglu? D.A.Reay? ジャンル別? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Professional&Technical-ProfessionalScience-Physics-Energy? Subjects-Science-General Subjects-Science-Physics-Energy? Environment Abstracts Annual, 1990 Rr Bowker Llc? RrBowkerLlc? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Reference-Publishing&Books-Bibliographies&Indexes-General? Subjects-Reference-General? Subjects-Science-Nature&Ecology-Environment? Environment Abstracts Annual, 1991 Rr Bowker Llc? RrBowkerLlc? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Reference-General? Subjects-Science-Nature&Ecology-Environment? Finanzierung der nuklearen Entsorgung Gabler, Betriebswirt.-Vlg? Johannes Reich? Gabler,Betriebswirt.-Vlg? JohannesReich? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Quimica Medioambiental Pearson Publications Company? G. Thomas Spiro? William M. Stigliani? PearsonPublicationsCompany? G.ThomasSpiro? WilliamM.Stigliani? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Geht uns die Luft aus? Oekologische Perspektiven der Atmosphaere Deutsche Verlags-Anstalt? Georg Breuer? DeutscheVerlags-Anstalt? GeorgBreuer? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Deutschland, Deine Landschaften. Ein Geographiebuch zum Thema Umweltzerstoerung. DTV Deutscher Taschenbuch? Richard Brunnengraeber? DTVDeutscherTaschenbuch? RichardBrunnengraeber? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Deutscher Muell fuer alle Welt. Die dunklen Geschaefte der Muellschieber. Droemer Knaur? Winfried Schnurbus? Andreas Bernstorff? DroemerKnaur? WinfriedSchnurbus? AndreasBernstorff? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-HazardousWaste? Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste? Biosferas Alianza? Dorion Sagan? Alianza? DorionSagan? ジャンル別? Substores-UnknownASINs-54? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Sustainable Communities in Europe Earthscan Pubns Ltd? William M. Lafferty? EarthscanPubnsLtd? 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Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-Physics-Applied? An Introduction to Environmental Pattern Analysis Parthenon Pub Group? Pierce J. Howard? ParthenonPubGroup? PierceJ.Howard? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-General? Subjects-Nonfiction-SocialSciences-Research? Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-General? Subjects-Reference-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Mathematics-Applied-General? Schule und Umweltschutz. Prakt. Handreichungen fuer Grund-und Hauptschule Ehrenwirth Verlag? Manfred Luft? EhrenwirthVerlag? ManfredLuft? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Environmental Threats John Wiley and Sons Ltd? Jennifer Brown? JohnWileyandSonsLtd? JenniferBrown? ジャンル別? Subjects-Business&Investing-Industries&Professions-RealEstate-General? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Science? Industry Attitudes to Steam Cycle Clean Coal Technologies Survey of Current Status Organization for Economic? International Energy Agency? OrganizationforEconomic? InternationalEnergyAgency? ジャンル別? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Economics-NaturalResources Subjects-Business&Investing-General? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Nonfiction-Economics-NaturalResources Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Subjects-Science-Physics-Applied? Geotechnics of Landfills Contaminated Land - Technical Recommendations Glc Ernst,Wilhelm & Sohn,Verlag fur Architektur und Technische Wissenschaften Gmbh.,Germany? Ernst & Sohn? Ernst,Wilhelm&Sohn,VerlagfurArchitekturundTechnischeWissenschaftenGmbh.,Germany? Ernst&Sohn? ジャンル別? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Engineering-Civil-Environmental-General Subjects-Engineering-General? Subjects-Nonfiction-ForeignLanguageNonfiction-French? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Civil-Environmental-General 洋書
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Market Scenario Web scraper software Market, also called as web data extraction or data scraping, is a specialized tool designed to extract data from web pages accurately. Over the past few years, web scraping has become crucial in the big data industry, giving access to different personal and business-related information. It uses intelligent automation to retrieve many data points from the Internet s seemingly endless frontier. Businesses leverage web scraping capabilities to gain a competitive advantage in the market by obtaining important informative data that can be later processed and evaluated for price monitoring, lead generation, equity financial research, maintaining identity, enhancing SEO activities, etc. The data extracted in web scrapping is then used to make intelligent decisions, from executive decisions to individual customer service experiences. The true power of web scraping tools lies in their ability to build and power some of the world s most revolutionary business applications and enhance business operations. The global web scraper software market is witnessing significantly rising revenues. The market rise attributes to the rising uptake of the software across the end-user verticals. Moreover, the proliferation of cloud-based platforms is another key factor escalating market growth. With increasing uses of the Internet and smart connected devices, the market is expected to witness major traction in the years to come. According to Market Research Future (MRFR), the global web scraper software market is estimated to reach exponential value by 2027, growing at an impressive CAGR during the forecast period (2020-2027). Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10347 Competitive Outlook The web scraper software market appears fiercely competitive and fragmented, with several well-established players and new entrants forming a competitive landscape. Strategic partnerships, mergers acquisitions, innovation, brand reinforcement, and collaboration remain prevailing key trends for the leading players. Players leading the global web scraper software market include PilotFish, Inc. (US), Phantom Buster (France), Mozenda, Inc. (US), Hangzhou Duosuan Technology Co., Ltd. (China), Diggernaut, LLC. (US), SysNucleus (India), Octopus Data Inc. (US), ParseHub (Canada), UiPath (US), Import.io (US), Newprosoft (US), Diffbot Technologies Corp. (US), Sequentum (US), Apify (Czech Republic), Dexi ApS (UK), and Datopian (UK), among others. Segmentation The market report is segmented into types, verticals, and regions. The type segment is sub-segmented into general-purpose web crawlers, focused web crawlers, incremental web crawlers, and deep web crawlers. The vertical segment is further bifurcated into advertising media, retail e-commerce, real estate, finance, automotive, and others (research, law, and tourism). Among these, the retail and e-commerce segment accounts for the largest market share. The advertising and media vertical is the next-leading segment in the market. Regional Analysis North America leads the global web scraper software market. Factors such as the vast advances in technology and the presence of large enterprises that utilize web scraper software to transform web information into actionable data drive the web scraping market size. Moreover, increasing uptake and investments in developing cloud-based solutions impact the web content scraper software market growth. The presence of several technology providers in the region and advances in open-source web scraper software solutions boost the web data scraper software market size. The US dominates the regional market due to the wide uptake of various data crawling solutions. Europe is the second-largest market for web scraper software globally. Factors such as the growing number of retail firms, advertising companies, and financial service providers foster the region s website scraper software market share. Additionally, advances in web crawling technologies are the latest trends that support the growth of the regional market. Asia Pacific holds a sizable share in the global web scraper software market. The proliferation of smartphones and the Internet in the region boost the web scraper software market size. Factors such as the increasing demand for web content scraper software, the rapidly growing e-commerce sector, and continued economic growth driving industrialization in the region foster market growth. Furthermore, the rising trend of outsourcing web scraping services creates substantial market demand in the regional market. Industry Analysis Nov. 19, 2020 – Mozenda, Inc. announced an exciting partnership with Dexi.io. With this deal, Mozenda became a part of the wider Dexi brand and product suite. The partnership enables Mozenda to provide its global customer base with extended support hours and resources from various locations in the UK with high data quality, enterprise-caliber project management, and high-quality service form the cornerstone of its offering. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/web-scraper-software-market-10347 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. 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https://w.atwiki.jp/sherlocks2/pages/15.html
1 00 00 03,841 -- 00 00 05,040 Why today? 2 00 00 09,560 -- 00 00 14,639 Do you want to hear me say it? 18 months since our last appointment. 3 00 00 14,640 -- 00 00 15,880 You read the papers? 4 00 00 17,400 -- 00 00 18,479 Sometimes... 5 00 00 18,480 -- 00 00 19,920 And you watch telly? 6 00 00 22,240 -- 00 00 23,680 You know why I m here. 7 00 00 27,600 -- 00 00 28,920 I m here because... 8 00 00 33,760 -- 00 00 35,400 What happened, John? 9 00 00 47,680 -- 00 00 49,120 Sherl... 10 00 00 53,400 -- 00 00 54,840 You need to get it out. 11 00 00 57,280 -- 00 00 59,399 My best friend... 12 00 00 59,400 -- 00 01 00,840 Sherlock Holmes... 13 00 01 03,120 -- 00 01 04,520 is dead. 14 00 01 37,920 -- 00 01 42,119 Falls Of The Reichenbach. Turner s masterpiece. 15 00 01 42,120 -- 00 01 43,879 Thankfully recovered, 16 00 01 43,880 -- 00 01 47,839 owing to the prodigious talent of Mr Sherlock Holmes. 17 00 01 51,360 -- 00 01 53,240 A small token of our gratitude. 18 00 01 54,400 -- 00 01 57,679 Diamond cufflinks... All my cuffs have buttons. 19 00 01 57,680 -- 00 01 59,000 He means thank you. Do I? 20 00 01 59,001 -- 00 02 01,839 Just say it. Thank you. 21 00 02 01,840 -- 00 02 03,240 Hang on. 22 00 02 07,800 -- 00 02 13,639 Back together with my family, after my terrifying ordeal. 23 00 02 13,640 -- 00 02 17,919 And we have one person to thank for my deliverance... 24 00 02 17,920 -- 00 02 20,079 Sherlock Holmes. 25 00 02 23,880 -- 00 02 26,280 Tie pin. I don t wear ties. 26 00 02 29,480 -- 00 02 34,439 Peter Ricoletti... Number one on Interpol s most wanted list since 1982. 27 00 02 34,440 -- 00 02 36,620 We got him, and there s one person we have 28 00 02 36,621 -- 00 02 38,799 to thank for giving us the decisive leads. 29 00 02 38,800 -- 00 02 41,439 With all his customary diplomacy and tact. 30 00 02 41,440 -- 00 02 44,000 Sarcasm. Yes. 31 00 02 45,200 -- 00 02 46,560 We all chipped in. 32 00 02 53,920 -- 00 02 55,559 Put the hat on. Put the hat on. 33 00 02 55,560 -- 00 02 57,839 Yes, Sherlock, put it on. 34 00 02 57,840 -- 00 03 00,160 Just get it over with. 35 00 03 10,840 -- 00 03 13,039 "Boffin!" 36 00 03 13,040 -- 00 03 15,599 "Boffin Sherlock Holmes!" 37 00 03 15,600 -- 00 03 16,878 Everybody gets one. 38 00 03 16,879 -- 00 03 18,360 One what? Tabloid nickname. 39 00 03 18,361 -- 00 03 20,780 SuBo, Nasty Nick. I ll probably get one soon. 40 00 03 20,781 -- 00 03 23,199 Page five, column six, first sentence. 41 00 03 23,200 -- 00 03 26,279 Why is it always the hat photograph?! 42 00 03 26,280 -- 00 03 28,100 "Bachelor John Watson. " What kind of hat is it? 43 00 03 28,101 -- 00 03 29,919 What are they implying?! 44 00 03 29,920 -- 00 03 32,919 Is it a cap? Why has it got two fronts? It s a deerstalker. 45 00 03 32,920 -- 00 03 35,240 "Frequently seen in the company of bachelor John Watson. 46 00 03 35,241 -- 00 03 37,559 " What are you going to do, throw it? 47 00 03 37,560 -- 00 03 41,239 "Confirmed bachelor John Watson." A death frisbee! This is too much, 48 00 03 41,240 -- 00 03 43,620 we need to be more careful. It s got flaps. 49 00 03 43,621 -- 00 03 45,999 Ear flaps, it s an ear hat, John. 50 00 03 46,000 -- 00 03 47,799 What do you mean, more careful? 51 00 03 47,800 -- 00 03 50,999 I mean, this isn t a deerstalker now, it s a Sherlock Holmes hat. 52 00 03 51,000 -- 00 03 53,879 I mean, you re not exactly a private detective any more. 53 00 03 53,880 -- 00 03 56,079 You re this far from famous. It ll pass. 54 00 03 56,080 -- 00 03 59,840 It better pass. The press will turn, Sherlock, 55 00 03 59,841 -- 00 04 03,599 they always turn and they ll turn on you. 56 00 04 03,600 -- 00 04 06,279 - It really bothers you. - What? What people say. Yes. 57 00 04 06,280 -- 00 04 08,400 About me? why would it upset YOU? 58 00 04 10,560 -- 00 04 14,640 Just try to keep a low profile. Find yourself a little case this week. 59 00 04 15,920 -- 00 04 17,880 Stay out of the news. 60 00 04 58,280 -- 00 04 59,999 That s your phone. 61 00 05 00,000 -- 00 05 02,200 It keeps doing that. 62 00 05 05,120 -- 00 05 10,719 So, did you just talk to him for a really long time? 63 00 05 10,720 -- 00 05 13,839 Henry Fishguard never committed suicide. 64 00 05 13,840 -- 00 05 16,439 Bow Street runners missed everything. 65 00 05 16,440 -- 00 05 20,839 Pressing case, is it? They re all pressing until they re solved. 66 00 05 20,840 -- 00 05 23,800 Put your key back please. Thank you. 67 00 05 26,800 -- 00 05 29,319 Excuse me, sir. 68 00 05 29,320 -- 00 05 32,040 Any metal objects, keys, mobile phones? 69 00 05 34,240 -- 00 05 35,919 You can go through. 70 00 05 35,920 -- 00 05 37,240 Thank you. 71 00 06 08,080 -- 00 06 09,560 Fancy a cuppa then, mate? 72 00 06 09,561 -- 00 06 11,040 Yeah, why not? 73 00 06 13,280 -- 00 06 15,079 Gilts at seven. 74 00 06 15,080 -- 00 06 18,960 Dutch Telecoms in free-fall. Thank you, Harvey. 75 00 06 23,040 -- 00 06 24,160 What are you saying? 76 00 06 24,161 -- 00 06 27,999 Refuse them all parole and bring back the rope? 77 00 06 28,000 -- 00 06 29,600 Let s begin. 78 00 06 48,360 -- 00 06 50,879 This is an emergency. Please leave. 79 00 06 50,880 -- 00 06 54,440 Sir, I m going to have to ask you to leave. 80 00 07 07,560 -- 00 07 09,239 Sir, there s been a break-in. 81 00 07 09,240 -- 00 07 10,280 Not our division. 82 00 07 10,281 -- 00 07 11,719 You ll want it. 83 00 07 22,200 -- 00 07 24,440 The vault! 84 00 07 30,880 -- 00 07 35,078 Hacked into the Tower of bloody London s security?! How?! 85 00 07 35,241 -- 00 07 37,060 Tell them we re on our way! 86 00 07 37,061 -- 00 07 38,879 There s been another one, another break-in. 87 00 07 38,880 -- 00 07 40,280 Bank of England! 88 00 08 00,320 -- 00 08 03,320 Sir! Security s down, sir. It s failing. 89 00 08 04,680 -- 00 08 05,880 What is it now? 90 00 08 05,881 -- 00 08 07,639 Pentonville Prison. 91 00 08 07,640 -- 00 08 10,360 No! 92 00 09 20,280 -- 00 09 22,360 No rush. 93 00 09 26,280 -- 00 09 27,720 I ll get it, shall I? 94 00 09 36,240 -- 00 09 38,919 Here. Not now, I m busy. 95 00 09 38,920 -- 00 09 41,760 Sherlock... Not now! He s back. 96 00 09 57,320 -- 00 09 59,759 That glass is tougher than anything. 97 00 09 59,760 -- 00 10 03,520 Not tougher than crystallised carbon. He used a diamond. 98 00 10 40,560 -- 00 10 42,520 Ready? Yes. 99 00 10 44,800 -- 00 10 47,239 Stand back. Stand back. Mr Holmes. Mr Holmes. 100 00 10 47,240 -- 00 10 50,600 Let them through. Thank you. Get in. 101 00 11 23,960 -- 00 11 25,520 Remember... Yes. 102 00 11 27,040 -- 00 11 28,360 Remember... Yes. 103 00 11 29,680 -- 00 11 33,159 - Remember what they told you. - Don t try to be clever. No. 104 00 11 33,160 -- 00 11 35,620 Please, keep it simple and brief. God forbid the 105 00 11 35,621 -- 00 11 38,079 star witness at the trial should appear intelligent. 106 00 11 38,080 -- 00 11 41,479 Intelligent, fine. Let s give "smart-arse" a wide berth. 107 00 11 41,480 -- 00 11 44,640 - I ll just be myself. - Are you listening to me 108 00 11 52,880 -- 00 11 54,799 Today, outside the Old Bailey... 109 00 11 54,800 -- 00 11 58,199 This is the trial of the century... The trial of James Moriarty... 110 00 11 58,200 -- 00 12 00,599 James Moriarty, earlier today accused of... 111 00 12 00,600 -- 00 12 02,599 attempting to steal the Crown Jewels. 112 00 12 02,600 -- 00 12 05,800 At the Old Bailey we have Reichenbach hero Sherlock Holmes... 113 00 12 15,160 -- 00 12 18,080 Would you mind slipping your hand into my pocket? 114 00 12 35,680 -- 00 12 37,359 Thanks. 115 00 12 43,760 -- 00 12 48,240 Crown v Moriarty, please proceed to Court 10. 116 00 12 49,760 -- 00 12 50,920 You re him. 117 00 12 53,360 -- 00 12 56,639 - Wrong toilet. I m a big fan. - Evidently. 118 00 12 56,640 -- 00 12 59,759 I read your cases, follow them all. 119 00 12 59,760 -- 00 13 02,600 Sign my shirt, would you? 120 00 13 04,360 -- 00 13 06,440 There are two types of fans. 121 00 13 07,520 -- 00 13 10,559 Catch me before I kill again, Type A. 122 00 13 10,560 -- 00 13 14,959 What s Type B? Your bedroom s just a taxi ride away. 123 00 13 14,960 -- 00 13 16,280 Guess which one I am? 124 00 13 19,760 -- 00 13 22,359 - Neither. Really? - No, you re not a fan at all. 125 00 13 22,360 -- 00 13 25,639 Those marks on your forearm, edge of a desk. 126 00 13 25,640 -- 00 13 29,519 You ve been typing in a hurry, probably, pressure on, facing a deadline. 127 00 13 29,520 -- 00 13 31,039 That all? 128 00 13 31,040 -- 00 13 34,319 There s an ink smudge on your wrist, a bulge in your jacket pocket. 129 00 13 34,320 -- 00 13 36,440 Bit of a giveaway? The smudge is deliberate, 130 00 13 36,441 -- 00 13 38,559 to see if I m as good as they say I am. 131 00 13 38,560 -- 00 13 41,879 Oil-based, used in newspaper print. 132 00 13 41,880 -- 00 13 45,879 But drawn on with an index finger, your finger. 133 00 13 45,880 -- 00 13 49,680 Journalist. Unlikely you get your hands dirty at the press. 134 00 13 51,040 -- 00 13 54,199 You put that there to test me. I m liking you. 135 00 13 54,200 -- 00 13 57,639 I d make a great feature, "Sherlock Holmes, the man beneath the hat". 136 00 13 57,640 -- 00 13 59,359 Kitty... 137 00 13 59,360 -- 00 14 01,759 Riley. Pleased to meet you. 138 00 14 01,760 -- 00 14 04,220 I m saving you the job of asking. 139 00 14 04,221 -- 00 14 06,679 I won t give you an interview. No, I don t want the money. 140 00 14 06,680 -- 00 14 08,860 You and John Watson, just platonic? 141 00 14 08,861 -- 00 14 11,039 Can I put you down for a "no" there as well 142 00 14 11,040 -- 00 14 16,359 There s all sorts of gossip in the press about you. 143 00 14 16,360 -- 00 14 20,239 Sooner or later, you re going to need someone on your side. 144 00 14 20,240 -- 00 14 23,440 Someone to set the record straight. 145 00 14 25,360 -- 00 14 27,479 You think you re the girl for that job, do you? 146 00 14 27,480 -- 00 14 30,440 I m smart and you can trust me... 147 00 14 31,640 -- 00 14 32,999 totally. 148 00 14 33,000 -- 00 14 36,719 Smart? OK, investigative journalist. 149 00 14 36,720 -- 00 14 39,920 Good. Well, look at me and tell me what you see. 150 00 14 42,000 -- 00 14 45,319 If you re that skilful, you don t need an interview, 151 00 14 45,320 -- 00 14 47,440 you can just read what you need. 152 00 14 49,280 -- 00 14 51,959 No? OK, my turn. 153 00 14 51,960 -- 00 14 54,100 I see someone who s waiting for their first 154 00 14 54,101 -- 00 14 56,239 scoop, so their editor will notice them. 155 00 14 56,240 -- 00 14 58,920 You re wearing an expensive skirt, that s been 156 00 14 58,921 -- 00 15 01,599 rehemmed twice. Only posh skirt you ve got. 157 00 15 01,600 -- 00 15 03,500 Your nails, you can t afford to do them that often. 158 00 15 03,501 -- 00 15 05,399 I see someone who s hungry, 159 00 15 05,400 -- 00 15 07,860 I don t see smart. I don t see trustworthy. 160 00 15 07,861 -- 00 15 10,320 I ll give you a quote. If you like. Three little words. 161 00 15 12,080 -- 00 15 15,360 You repel me. 162 00 15 28,480 -- 00 15 31,559 "A consulting criminal." Yes. 163 00 15 31,560 -- 00 15 34,960 Your words. Can you expand on that answer? 164 00 15 36,160 -- 00 15 39,519 James Moriarty is for hire. A tradesman? 165 00 15 39,520 -- 00 15 42,679 Yes. But not the sort who d fix your heating? 166 00 15 42,680 -- 00 15 45,759 No, the sort who d plant a bomb or stage an assassination. 167 00 15 45,760 -- 00 15 48,279 But I m sure he d make a decent job of your boiler. 168 00 15 48,280 -- 00 15 49,839 Would you describe him as... 169 00 15 49,840 -- 00 15 52,319 - Leading. What? - You re leading the witness. 170 00 15 52,320 -- 00 15 54,839 He ll object and the judge ll uphold. Mr Holmes. 171 00 15 54,840 -- 00 15 56,760 Ask me how, HOW would I describe him? 172 00 15 56,761 -- 00 16 00,439 What opinion have I formed of him? Do they not teach you this? 173 00 16 00,440 -- 00 16 02,599 Mr Holmes, we are fine without your help. 174 00 16 02,600 -- 00 16 06,519 HOW would you describe this man, his character? 175 00 16 06,520 -- 00 16 08,039 First mistake. 176 00 16 08,040 -- 00 16 10,839 James Moriarty isn t a man at all. 177 00 16 10,840 -- 00 16 12,520 He s a spider. 178 00 16 13,880 -- 00 16 17,599 A spider at the centre of a web, a criminal web with a thousand threads 179 00 16 17,600 -- 00 16 21,480 and he knows precisely how each and every single one of them dances. 180 00 16 25,080 -- 00 16 27,439 And how long...? No, no. Don t, don t do that. 181 00 16 27,440 -- 00 16 30,159 That s really not a good question. Mr Holmes! 182 00 16 30,160 -- 00 16 32,919 How long have I known him? Not your best line of enquiry. 183 00 16 32,920 -- 00 16 35,159 We met twice, five minutes in total. 184 00 16 35,160 -- 00 16 37,479 I pulled a gun, he tried to blow me up. 185 00 16 37,480 -- 00 16 39,639 I felt we had a special something. 186 00 16 39,640 -- 00 16 44,079 Miss Sorrel, are you seriously claiming this man is an expert? 187 00 16 44,080 -- 00 16 47,119 After knowing the accused for just five minutes? 188 00 16 47,120 -- 00 16 50,159 Two minutes would have made me an expert, five was ample. 189 00 16 50,160 -- 00 16 53,280 Mr Holmes, that s a matter for the jury. Really? 190 00 16 56,760 -- 00 16 58,479 One librarian, two teachers, 191 00 16 58,480 -- 00 17 00,759 two high-pressure jobs, probably the City. 192 00 17 00,760 -- 00 17 03,100 The foreman s a medical secretary, trained 193 00 17 03,101 -- 00 17 05,439 abroad, judging by her shorthand. Mr Holmes? 194 00 17 05,440 -- 00 17 08,559 Seven are married, two are having an affair with each other. 195 00 17 08,560 -- 00 17 10,780 They ve just had tea and biscuits. 196 00 17 10,781 -- 00 17 12,999 Would you like to know who ate the wafer? Mr Holmes! 197 00 17 13,000 -- 00 17 16,759 You ve been called here to answer Miss Sorrel s questions, 198 00 17 16,760 -- 00 17 20,399 not to give us a display of your intellectual prowess. 199 00 17 20,400 -- 00 17 24,119 Keep your answers brief and to the point. 200 00 17 24,120 -- 00 17 26,279 Anything else will be treated as contempt. 201 00 17 26,280 -- 00 17 29,359 Do you think you could survive for just a few minutes... 202 00 17 29,360 -- 00 17 30,800 WITHOUT SHOWING OFF?! 203 00 17 50,720 -- 00 17 53,439 What did I say? I said don t get clever. 204 00 17 53,440 -- 00 17 57,519 I can t just turn it on and off like a tap. Well? Well, what? 205 00 17 57,520 -- 00 18 00,999 You were there for the whole thing, up in the gallery, start to finish. 206 00 18 01,000 -- 00 18 04,639 Like you said it would be... sat on his backside, never even stirred. 207 00 18 04,640 -- 00 18 06,799 Moriarty is not mounting any defence. 208 00 18 06,800 -- 00 18 09,799 Bank of England, Tower of London, Pentonville. 209 00 18 09,800 -- 00 18 12,319 Three of the most secure places in the country 210 00 18 12,320 -- 00 18 15,399 and six weeks ago, Moriarty breaks in, 211 00 18 15,400 -- 00 18 17,119 no-one knows how or why. 212 00 18 17,120 -- 00 18 19,880 All we know is... He ended up in custody. 213 00 18 21,800 -- 00 18 23,999 Don t do that. Do what? 214 00 18 24,000 -- 00 18 26,260 The look. Look? You re doing the look again. 215 00 18 26,261 -- 00 18 28,519 Well, I can t see it, can I? 216 00 18 28,520 -- 00 18 29,839 It s my face. 217 00 18 29,840 -- 00 18 33,439 Yes and you re doing a "We both know what s really going on here" face. 218 00 18 33,440 -- 00 18 36,519 We do. No, I don t, which is why I find the face so annoying. 219 00 18 36,520 -- 00 18 38,919 If Moriarty wanted the jewels, he d have them. 220 00 18 38,920 -- 00 18 41,799 If he wanted the prisoners freed, they d be on the streets. 221 00 18 41,800 -- 00 18 45,439 The reason he s still in a prison cell is cos he chose to be there. 222 00 18 45,440 -- 00 18 47,200 Somehow this is part of his scheme. 223 00 18 57,360 -- 00 19 01,800 Mr Crayhill, can we have your first witness? 224 00 19 03,640 -- 00 19 07,119 Your Honour, we re not calling any witnesses. 225 00 19 07,120 -- 00 19 08,639 I don t follow. 226 00 19 08,640 -- 00 19 11,119 You ve entered a plea of not guilty. 227 00 19 11,120 -- 00 19 14,999 Nevertheless, my client is offering no evidence. 228 00 19 15,000 -- 00 19 17,760 The defence... rests. 229 00 19 26,840 -- 00 19 31,639 Ladies and gentlemen of the jury, James Moriarty stands accused... 230 00 19 31,640 -- 00 19 34,080 of several counts of attempted burglary. 231 00 19 35,480 -- 00 19 37,799 Crimes which, if he s found guilty, 232 00 19 37,800 -- 00 19 40,719 will elicit a very long custodial sentence, 233 00 19 40,720 -- 00 19 43,439 and yet... his legal team... 234 00 19 43,440 -- 00 19 47,199 has chosen to offer no evidence whatsoever 235 00 19 47,200 -- 00 19 49,279 to support their plea. 236 00 19 49,280 -- 00 19 51,879 I find myself in the unusual position 237 00 19 51,880 -- 00 19 54,999 of recommending a verdict wholeheartedly. 238 00 19 55,000 -- 00 19 57,880 You must find him guilty. 239 00 20 01,240 -- 00 20 02,399 Guilty. 240 00 20 02,400 -- 00 20 04,280 You must find him guilty. 241 00 20 15,080 -- 00 20 18,439 They re coming back. That s six minutes. 242 00 20 18,440 -- 00 20 21,399 Surprised it took them that long, to be honest. 243 00 20 21,400 -- 00 20 23,440 There s a queue for the loo! 244 00 20 33,880 -- 00 20 36,320 Have you reached a verdict on which you all agree? 245 00 20 45,440 -- 00 20 48,319 Not guilty, they found him not guilty. 246 00 20 48,320 -- 00 20 51,280 No defence and Moriarty s walked free. 247 00 20 54,000 -- 00 20 55,639 Sherlock? 248 00 20 55,640 -- 00 20 59,240 Are you listening? He s out, you know he ll be coming after you. Sherl... 249 00 21 46,560 -- 00 21 48,040 Most people knock. 250 00 21 49,560 -- 00 21 51,800 But then, you re not most people, I suppose. 251 00 21 52,960 -- 00 21 54,960 Kettle s just boiled. 252 00 21 56,360 -- 00 21 58,680 Johann Sebastian would be appalled. 253 00 22 02,800 -- 00 22 04,800 May I? Please. 254 00 22 10,520 -- 00 22 13,439 You know when he was on his deathbed, Bach, 255 00 22 13,440 -- 00 22 18,279 he heard his son at the piano playing one of his... pieces. 256 00 22 18,280 -- 00 22 21,279 The boy stopped before he got to the end. 257 00 22 21,280 -- 00 22 24,359 The dying man jumped out of bed, ran to the piano and finished it. 258 00 22 24,360 -- 00 22 26,500 Couldn t cope with an unfinished melody. 259 00 22 26,501 -- 00 22 28,639 Neither can you, that s why you ve come. 260 00 22 28,640 -- 00 22 31,759 Be honest, you re a tiny bit pleased. What, with the verdict? 261 00 22 31,760 -- 00 22 34,960 With me, back on the streets. 262 00 22 36,240 -- 00 22 38,960 Every fairy tale needs a good old-fashioned villain. 263 00 22 41,400 -- 00 22 44,120 You need me or you re nothing. 264 00 22 45,640 -- 00 22 47,999 Because we re just alike, you and I, 265 00 22 48,000 -- 00 22 49,480 except you re boring. 266 00 22 50,520 -- 00 22 52,879 You re on the side of the angels. 267 00 22 52,880 -- 00 22 54,680 You got to the jury, of course. 268 00 22 55,880 -- 00 22 57,959 I got into the Tower of London, 269 00 22 57,960 -- 00 23 00,320 you think I can t worm my way into 12 hotel rooms? 270 00 23 01,360 -- 00 23 02,559 Cable network. 271 00 23 02,560 -- 00 23 05,760 Every hotel bedroom has a personalised TV screen. 272 00 23 07,720 -- 00 23 10,039 And every person has their pressure point. 273 00 23 10,040 -- 00 23 13,240 Someone that they want to protect from harm. 274 00 23 14,960 -- 00 23 16,599 Easy peasy. 275 00 23 16,600 -- 00 23 18,600 So how are you going to do it? 276 00 23 20,280 -- 00 23 21,799 Burn me? 277 00 23 21,800 -- 00 23 25,080 That s the problem, the final problem. 278 00 23 26,880 -- 00 23 28,560 Have you worked out what it is yet? 279 00 23 31,360 -- 00 23 33,479 What s the final problem? 280 00 23 33,480 -- 00 23 37,240 I did tell you... but did you listen? 281 00 23 50,400 -- 00 23 53,040 How hard do you find it, having to say "I don t know"? 282 00 23 54,120 -- 00 23 57,319 I don t know. That s clever, very clever, awfully clever. 283 00 23 57,320 -- 00 24 01,039 Speaking of clever, have you told your little friends yet? 284 00 24 01,040 -- 00 24 02,240 Told them what? 285 00 24 02,241 -- 00 24 05,279 Why I broke into all those places and never took anything? No. 286 00 24 05,280 -- 00 24 08,359 - But you understand? Obviously. - Off you go, then. 287 00 24 08,360 -- 00 24 11,559 Tell you what you already know? No, prove that you know it. 288 00 24 11,560 -- 00 24 14,879 You didn t take anything because you don t need to. Good. 289 00 24 14,880 -- 00 24 18,359 You ll never need to take anything ever again. Very good, because? 290 00 24 18,360 -- 00 24 20,599 Because nothing in the Bank of England, 291 00 24 20,600 -- 00 24 24,039 the Tower of London or Pentonville Prison could possibly match 292 00 24 24,040 -- 00 24 26,719 the value of the key that could get you into all three. 293 00 24 26,720 -- 00 24 31,719 I can open any door anywhere with a few tiny lines of computer code. 294 00 24 31,720 -- 00 24 35,039 No such thing as a private bank account now, they re all mine. 295 00 24 35,040 -- 00 24 38,200 No such thing as secrecy, I OWN secrecy. 296 00 24 39,200 -- 00 24 40,479 Nuclear codes? 297 00 24 40,480 -- 00 24 42,879 I could blow up NATO in alphabetical order. 298 00 24 42,880 -- 00 24 46,999 In a world of locked rooms, the man with the key is king. 299 00 24 47,000 -- 00 24 51,040 And honey, you should see me in a crown. 300 00 24 52,080 -- 00 24 54,439 You were advertising all through the trial, 301 00 24 54,440 -- 00 24 56,599 you were showing the world what you can do. 302 00 24 56,600 -- 00 24 58,079 And you were helping. 303 00 24 58,080 -- 00 25 01,879 Big client list... rogue governments, intelligence communities, 304 00 25 01,880 -- 00 25 03,480 terrorist cells. 305 00 25 04,640 -- 00 25 06,479 They all want me. 306 00 25 06,480 -- 00 25 08,679 Suddenly, I m Mr Sex. 307 00 25 08,680 -- 00 25 12,479 If you can break any bank, what do you care about the highest bidder? 308 00 25 12,480 -- 00 25 15,319 I don t, I just like to watch them all competing. 309 00 25 15,320 -- 00 25 19,119 "Daddy loves me the best." Aren t ordinary people adorable? 310 00 25 19,120 -- 00 25 23,599 Well, you know, you ve got John. I should get myself a live-in one. 311 00 25 23,600 -- 00 25 27,279 Why are you doing all of this? It must be so funny. 312 00 25 27,280 -- 00 25 30,759 You don t want money or power, not really. 313 00 25 30,760 -- 00 25 33,159 What is it all for? 314 00 25 33,160 -- 00 25 34,840 I want to solve the problem. 315 00 25 37,360 -- 00 25 38,719 Our problem. 316 00 25 38,720 -- 00 25 40,040 The final problem. 317 00 25 43,080 -- 00 25 47,279 It s going to start very soon, Sherlock... the fall. 318 00 25 49,040 -- 00 25 51,759 But don t be scared, falling is just like flying, 319 00 25 51,760 -- 00 25 54,440 except there s a more permanent destination. 320 00 26 02,280 -- 00 26 03,640 Never liked riddles. 321 00 26 07,360 -- 00 26 08,600 Learn to. 322 00 26 10,280 -- 00 26 12,160 Because I owe you a fall, Sherlock. 323 00 26 14,440 -- 00 26 18,520 I-owe-you. 324 00 27 48,920 -- 00 27 52,720 Excuse me, I m looking for Mycroft Holmes? 325 00 27 56,240 -- 00 27 58,999 Would you happen to know if he s around at all? 326 00 27 59,000 -- 00 28 00,439 Can you not hear me? 327 00 28 00,440 -- 00 28 03,239 Yes, all right. Anyone? 328 00 28 03,240 -- 00 28 05,559 Anyone at all know... 329 00 28 05,560 -- 00 28 09,079 where Mycroft Holmes is, I ve been asked to meet him here? 330 00 28 09,080 -- 00 28 12,999 No takers, right. Am I invisible, can you actually see me? 331 00 28 13,000 -- 00 28 17,559 Thanks, gents. I ve been asked to meet Mycroft Holmes. What the hell?! 332 00 28 19,480 -- 00 28 22,479 Tradition, John, our traditions define us. 333 00 28 22,480 -- 00 28 24,639 So total silence is traditional, is it? 334 00 28 24,640 -- 00 28 26,479 You can t even say pass the sugar? 335 00 28 26,480 -- 00 28 28,639 Three-quarters of the diplomatic service 336 00 28 28,640 -- 00 28 31,959 and half the government front bench all sharing one tea trolley, 337 00 28 31,960 -- 00 28 33,639 it s for the best, believe me. 338 00 28 33,640 -- 00 28 38,079 We don t want a repeat of... 1972. 339 00 28 38,080 -- 00 28 40,879 But we can talk in here. You read this stuff? 340 00 28 40,880 -- 00 28 42,279 Caught my eye. 341 00 28 42,280 -- 00 28 45,719 Saturday, they re doing a big expose. 342 00 28 45,720 -- 00 28 48,439 I d love to know where she got her information. 343 00 28 48,440 -- 00 28 51,399 Someone called Brook. Recognise the name? 344 00 28 51,400 -- 00 28 53,279 School friend, maybe? 345 00 28 53,280 -- 00 28 55,840 Of Sherlock s? 346 00 28 56,960 -- 00 28 59,280 But that s not why I asked you here. 347 00 29 06,560 -- 00 29 09,799 - Who s that? Don t know? No. - Never seen his face before? 348 00 29 09,800 -- 00 29 13,199 He s taken a flat in Baker Street, two doors down from you. 349 00 29 13,200 -- 00 29 16,359 I was thinking of doing a drinks thing for the neighbours. 350 00 29 16,360 -- 00 29 18,959 I m not sure you ll want to. 351 00 29 18,960 -- 00 29 22,679 Sulejmani, Albanian hit squad, expertly trained killer, 352 00 29 22,680 -- 00 29 25,279 living less than 20 feet from your front door. 353 00 29 25,280 -- 00 29 28,399 Well, it s a great location. Jubilee line s handy. 354 00 29 28,400 -- 00 29 30,719 John... What s it got to do with me? 355 00 29 30,720 -- 00 29 32,759 Dyachenko. Ludmila. 356 00 29 35,600 -- 00 29 38,119 Actually, I think I have seen her. Russian killer. 357 00 29 38,120 -- 00 29 40,399 She s taken the flat opposite. 358 00 29 40,400 -- 00 29 41,560 OK. 359 00 29 42,640 -- 00 29 44,839 I m sensing a pattern here. 360 00 29 44,840 -- 00 29 47,599 In fact, four top international assassins relocate 361 00 29 47,600 -- 00 29 50,440 to within spitting distance of 221b. 362 00 29 52,000 -- 00 29 54,639 Anything you d care to share with me? 363 00 29 54,640 -- 00 29 58,439 I m moving? It s not hard to guess the common denominator, is it? 364 00 29 58,440 -- 00 30 00,079 You think this is Moriarty? 365 00 30 00,080 -- 00 30 02,679 He promised Sherlock he d come back. 366 00 30 02,680 -- 00 30 07,120 If this was Moriarty, we d be dead already. If not Moriarty, then who? 367 00 30 08,480 -- 00 30 11,879 Why don t you talk to Sherlock, if you re so concerned about him? 368 00 30 11,880 -- 00 30 15,519 God, don t tell me. 369 00 30 15,520 -- 00 30 17,399 Too much history between us, John. 370 00 30 17,400 -- 00 30 20,599 Old scores, resentments. 371 00 30 20,600 -- 00 30 23,120 Nicked all his Smurfs? Broke his Action Man? 372 00 30 27,840 -- 00 30 28,880 (Finished.) 373 00 30 30,120 -- 00 30 32,319 We both know what s coming, John. 374 00 30 32,320 -- 00 30 36,559 Moriarty is obsessed, he s sworn to destroy his only rival. 375 00 30 36,560 -- 00 30 38,520 So you want me to watch out for your 376 00 30 38,521 -- 00 30 40,479 brother because he won t accept your help? 377 00 30 40,480 -- 00 30 42,600 If it s not too much trouble? 378 00 31 25,720 -- 00 31 27,840 Excuse me. Sorry. 379 00 31 35,400 -- 00 31 39,439 Sherlock, something weird... What s going on? Kidnapping. Rufus Bruhl. 380 00 31 39,440 -- 00 31 42,919 The ambassador to the US. He s in Washington, isn t he? 381 00 31 42,920 -- 00 31 45,999 Not him, his children. Max and Claudette, age seven and nine. 382 00 31 46,000 -- 00 31 48,879 They re at St Aldates. Posh boarding place in Surrey. 383 00 31 48,880 -- 00 31 50,919 School broke up, the boarders went home. 384 00 31 50,920 -- 00 31 52,880 A few kids remained, including those two. 385 00 31 52,881 -- 00 31 54,839 The kids have vanished. 386 00 31 54,840 -- 00 31 58,440 The ambassador s asked for you personally. The Reichenbach hero. 387 00 32 00,680 -- 00 32 02,920 Isn t it great to be working with a celebrity? 388 00 32 12,840 -- 00 32 16,439 We shouldn t need to keep you for much longer. Thank you. 389 00 32 16,440 -- 00 32 19,919 It s all right. Miss Mackenzie, House Mistress. Go easy. 390 00 32 19,920 -- 00 32 22,559 Miss Mackenzie, you re in charge of pupil welfare, 391 00 32 22,560 -- 00 32 24,879 yet you left this place wide open last night. 392 00 32 24,880 -- 00 32 28,079 What are you, an idiot, a drunk or a criminal?! Quickly, tell me! 393 00 32 28,080 -- 00 32 30,759 All the doors and windows were properly bolted. 394 00 32 30,760 -- 00 32 34,399 No-one, not even me, went into their room last night. 395 00 32 34,400 -- 00 32 37,519 You have to believe me! I do, I just wanted you to speak quickly. 396 00 32 37,520 -- 00 32 40,000 Miss Mackenzie will need to breath into a bag now. 397 00 32 46,960 -- 00 32 50,239 Six grand a term, you d expect them to keep the kids safe for you. 398 00 32 50,240 -- 00 32 53,039 You said the other kids had all left on their holidays. 399 00 32 53,040 -- 00 32 55,439 They were the only two sleeping on this floor. 400 00 32 55,440 -- 00 32 57,679 There s absolutely no sign of a break-in. 401 00 32 57,680 -- 00 33 01,280 The intruder must have been hidden inside some place. 402 00 33 14,520 -- 00 33 16,760 Show me where the brother slept. 403 00 33 29,800 -- 00 33 31,480 The boy sleeps there every night. 404 00 33 32,480 -- 00 33 35,359 Gazing at the only light source outside in the corridor. 405 00 33 35,360 -- 00 33 37,839 He d recognise every shape, every outline, 406 00 33 37,840 -- 00 33 40,239 the silhouette of everyone who came to the door. 407 00 33 40,240 -- 00 33 44,239 OK, so? So if someone approaches the door who he doesn t recognise, 408 00 33 44,240 -- 00 33 47,080 an intruder, maybe he can even see the outline of a weapon. 409 00 33 51,200 -- 00 33 53,359 What would he do? 410 00 33 53,360 -- 00 33 56,279 In the precious few seconds before they came into the room, 411 00 33 56,280 -- 00 33 58,759 how would he use them if not to cry out? 412 00 33 58,760 -- 00 34 01,639 This little boy, this particular little boy, 413 00 34 01,640 -- 00 34 05,119 who reads all of those spy books, what would he do? 414 00 34 05,120 -- 00 34 06,280 He d leave a sign? 415 00 34 19,120 -- 00 34 20,240 Get Anderson! 416 00 34 22,560 -- 00 34 23,720 Linseed oil. 417 00 34 25,000 -- 00 34 28,639 Not much use, it doesn t lead us to the kidnapper. Brilliant, Anderson. 418 00 34 28,640 -- 00 34 31,400 Really? Yes, brilliant impression of an idiot. 419 00 34 32,840 -- 00 34 33,840 Floor. 420 00 34 34,880 -- 00 34 38,799 He... made a trail for us. The boy was made to walk ahead of them. 421 00 34 38,800 -- 00 34 41,559 On what, tiptoe? Indicates anxiety. 422 00 34 41,560 -- 00 34 43,160 Gun held to his head. 423 00 34 44,520 -- 00 34 47,519 The girl was pulled beside him, dragged sideways. 424 00 34 47,520 -- 00 34 50,120 He had his left arm cradled about her neck. 425 00 34 51,560 -- 00 34 54,559 That s the end of it, we don t know where they went from here. 426 00 34 54,560 -- 00 34 56,759 Tells us nothing after all. 427 00 34 56,760 -- 00 34 59,240 You re right, Anderson, nothing. 428 00 35 00,640 -- 00 35 03,960 Except his shoe size, his height, his gait, his walking pace. 429 00 35 13,640 -- 00 35 15,960 Having fun? Starting to. 430 00 35 17,080 -- 00 35 19,920 Maybe don t do the smiling. Kidnapped children? 431 00 35 28,880 -- 00 35 31,799 How could he get past the CCTV? If all the doors were locked. 432 00 35 31,800 -- 00 35 33,879 He walked in when they weren t locked. 433 00 35 33,880 -- 00 35 36,759 But a stranger can t just walk into a school like that. 434 00 35 36,760 -- 00 35 40,279 Anyone can walk in anywhere if they pick the right moment. 435 00 35 40,280 -- 00 35 43,799 Yesterday, end of term, parents milling around, chauffeurs, staff. 436 00 35 43,800 -- 00 35 45,800 What s one more stranger among that lot? 437 00 35 48,400 -- 00 35 49,920 He was waiting for them. 438 00 35 51,080 -- 00 35 53,120 All he had to do was find a place to hide. 439 00 36 02,240 -- 00 36 03,279 Molly! 440 00 36 03,280 -- 00 36 06,439 Hello, I m just going out. No, you re not. I ve got a lunch date. 441 00 36 06,440 -- 00 36 09,079 - Cancel it, have lunch with me. - What? I need your help. 442 00 36 09,080 -- 00 36 11,719 One of your old boyfriends, we re tracking him down. 443 00 36 11,720 -- 00 36 14,599 - He s been naughty. Moriarty? - Of course it s Moriarty! 444 00 36 14,600 -- 00 36 17,519 Jim wasn t my boyfriend, we went out three times. I ended it. 445 00 36 17,520 -- 00 36 20,000 Then he stole the Crown Jewels, broke into the 446 00 36 20,001 -- 00 36 22,479 Bank of England and organised a prison break. 447 00 36 22,480 -- 00 36 24,840 For the sake of law and order, I suggest you avoid 448 00 36 24,841 -- 00 36 27,200 all future attempts at a relationship, Molly. 449 00 36 30,560 -- 00 36 34,279 Oil, John. The oil in the kidnapper s footprint. 450 00 36 34,280 -- 00 36 36,159 It ll lead us to Moriarty. 451 00 36 36,160 -- 00 36 39,879 All the chemical traces on his shoe have been preserved. 452 00 36 39,880 -- 00 36 42,260 The sole of the shoe is like a passport. 453 00 36 42,261 -- 00 36 44,640 If we re lucky, we ll see everything he s been up to. 454 00 36 48,240 -- 00 36 49,960 I need that analysis. 455 00 36 52,800 -- 00 36 53,839 Alkaline. 456 00 36 53,840 -- 00 36 56,800 Thank you, John. Molly. Yes. 457 00 37 19,920 -- 00 37 22,680 I-O-U. 458 00 37 24,680 -- 00 37 26,680 Glycerol molecule. 459 00 37 27,840 -- 00 37 29,920 What are you? 460 00 37 34,720 -- 00 37 36,080 What did you mean, IOU? 461 00 37 37,920 -- 00 37 39,280 You said IOU. 462 00 37 40,360 -- 00 37 43,880 You were muttering it while you were working. Nothing, mental note. 463 00 37 46,040 -- 00 37 49,319 You re a bit like my dad. He s dead. No, sorry. 464 00 37 49,320 -- 00 37 51,380 Molly, please don t feel the need to make 465 00 37 51,381 -- 00 37 53,439 conversation, it s really not your area. 466 00 37 53,440 -- 00 37 56,399 When he was dying, he was always cheerful, he was lovely, 467 00 37 56,400 -- 00 37 59,200 except when he thought no-one could see. 468 00 38 00,560 -- 00 38 04,040 I saw him once, he looked sad. Molly. 469 00 38 05,200 -- 00 38 09,160 You look sad, when you think he can t see you. 470 00 38 13,480 -- 00 38 17,199 Are you OK? And don t just say you are, because I know what that means, 471 00 38 17,200 -- 00 38 19,600 looking sad when you think no-one can see you. 472 00 38 21,320 -- 00 38 23,680 You can see me. I don t count. 473 00 38 24,760 -- 00 38 28,399 What I m trying to say is, that if there s anything I can do, 474 00 38 28,400 -- 00 38 31,199 anything you need, anything at all, you can have me. 475 00 38 31,200 -- 00 38 37,920 No, I just mean, I mean, if there s anything you need, it s fine. 476 00 38 40,280 -- 00 38 41,840 But what can I need from you? 477 00 38 42,920 -- 00 38 45,479 Nothing. I don t know. 478 00 38 45,480 -- 00 38 48,640 You could probably say thank you, actually. 479 00 38 50,480 -- 00 38 51,599 Thank you? 480 00 38 51,600 -- 00 38 55,679 I m just going to go and get some crisps. Do you want anything? 481 00 38 55,680 -- 00 38 58,399 It s OK, I know you don t. 482 00 38 58,400 -- 00 39 01,400 Well, actually, maybe I ll... I know you don t. 483 00 39 11,320 -- 00 39 13,279 Sherlock? 484 00 39 13,280 -- 00 39 18,719 This envelope that was in her trunk, there s another one. What? 485 00 39 18,720 -- 00 39 23,760 On our doorstep. Found it today. Yes, and look at that. 486 00 39 25,440 -- 00 39 28,000 Look at that, exactly the same seal. 487 00 39 34,080 -- 00 39 36,799 - Breadcrumbs. - It was there when I got back. 488 00 39 36,800 -- 00 39 39,079 A little trace of breadcrumbs. 489 00 39 39,080 -- 00 39 41,240 Hardback copy of Fairy Tales. 490 00 39 42,440 -- 00 39 44,740 Two children led into the forest by a wicked 491 00 39 44,741 -- 00 39 47,039 father, follow a little trail of breadcrumbs. 492 00 39 47,040 -- 00 39 50,999 That s Hansel and Gretel. What sort of kidnapper leaves clues? 493 00 39 51,000 -- 00 39 53,639 The sort that likes to boast, that thinks it s a game. 494 00 39 53,640 -- 00 39 56,959 He sat in our flat and he said these exact words to me... 495 00 39 56,960 -- 00 39 59,640 "All fairy tales need a good old-fashioned villain." 496 00 40 00,720 -- 00 40 05,680 The fifth substance, it s part of the tale. The witch s house. What? 497 00 40 07,360 -- 00 40 08,800 The glycerol molecule. 498 00 40 12,880 -- 00 40 15,760 - PGPR! What s that? - It s used in making chocolate. 499 00 40 24,040 -- 00 40 25,719 This fax arrived an hour ago. 500 00 40 29,000 -- 00 40 30,360 What have you got for us? 501 00 40 30,361 -- 00 40 32,200 We need to find a place in the city where 502 00 40 32,201 -- 00 40 34,039 all five of these things intersect. 503 00 40 34,040 -- 00 40 36,399 Chalk, asphalt, brick dust, vegetation. 504 00 40 36,400 -- 00 40 40,159 What... chocolate?! I think we re looking for a disused sweet factory. 505 00 40 40,160 -- 00 40 43,599 We need to narrow that down. A sweet factory with asphalt? 506 00 40 43,600 -- 00 40 45,799 No, too general. Something more specific. 507 00 40 45,800 -- 00 40 48,840 Chalk, chalky clay. That s a far thinner band of geology. 508 00 40 51,680 -- 00 40 52,640 Brick dust? 509 00 40 53,920 -- 00 40 56,079 Building site. Bricks from the 1950s. 510 00 40 56,080 -- 00 40 58,639 There s thousands of building sites in London. 511 00 40 58,640 -- 00 41 01,039 I ve got people out looking. So have I! 512 00 41 01,040 -- 00 41 03,479 Homeless network, faster than the police, 513 00 41 03,480 -- 00 41 06,159 far more relaxed about taking bribes. 514 00 41 20,000 -- 00 41 20,959 John. 515 00 41 20,960 -- 00 41 24,520 Rhododendron ponticum. Matches. 516 00 41 29,520 -- 00 41 30,720 Addlestone. What? 517 00 41 30,721 -- 00 41 34,999 A mile of disused factories between the river and the park, matches everything. 518 00 41 35,000 -- 00 41 36,400 Right, come on. Come on! 519 00 41 48,400 -- 00 41 49,959 OK, you look over there. 520 00 41 49,960 -- 00 41 51,000 Look everywhere. 521 00 41 51,001 -- 00 41 54,480 OK, spread out, please, spread out. 522 00 41 56,240 -- 00 41 58,520 (Quietly, quietly!) 523 00 42 03,400 -- 00 42 07,879 This was alight moments ago. They re still here! Sweet wrappers? 524 00 42 07,880 -- 00 42 12,560 What s he been feeding you? Hansel and Gretel. 525 00 42 20,800 -- 00 42 22,159 Mercury. What? 526 00 42 22,160 -- 00 42 24,799 The papers, they re painted with mercury, lethal. 527 00 42 24,800 -- 00 42 25,920 The more they ate... 528 00 42 25,921 -- 00 42 29,599 It was killing them. But it s not enough to kill them on its own. 529 00 42 29,600 -- 00 42 33,239 Taken in large enough quantities, eventually it would kill them. 530 00 42 33,240 -- 00 42 36,199 He didn t need to be there for the execution. 531 00 42 36,200 -- 00 42 40,000 Murder by remote control, he could be 1,000 miles away. 532 00 42 43,240 -- 00 42 47,399 The hungrier they got, the more they ate, the faster they died. Neat. 533 00 42 47,400 -- 00 42 49,600 Sherlock. Over here! 534 00 42 52,040 -- 00 42 53,880 I ve got him, don t worry. 535 00 43 02,240 -- 00 43 04,639 Right then, the professionals are finished. 536 00 43 04,640 -- 00 43 07,000 If the amateurs want to go in and have their turn. 537 00 43 07,001 -- 00 43 10,199 Now remember, she s in shock and she s just seven years old, 538 00 43 10,200 -- 00 43 12,279 so, anything you can do to... 539 00 43 12,280 -- 00 43 14,600 Not be myself? Yeah, might be helpful. 540 00 43 24,280 -- 00 43 25,719 Claudette, I... 541 00 43 25,720 -- 00 43 28,559 No, no, I know it s been hard for you. 542 00 43 28,560 -- 00 43 31,320 Claudette, listen to me. Out. Get out! 543 00 43 34,840 -- 00 43 37,159 Makes no sense. Kid s traumatised. 544 00 43 37,160 -- 00 43 41,119 Something about Sherlock reminds her of the kidnapper. What s she said? 545 00 43 41,120 -- 00 43 44,799 - Hasn t uttered another syllable. - And the boy? No, he s unconscious. 546 00 43 44,800 -- 00 43 46,880 He s still in intensive care. 547 00 44 00,760 -- 00 44 01,920 Don t let it get to you, 548 00 44 01,921 -- 00 44 04,639 I always feel like screaming when you walk into a room. 549 00 44 04,640 -- 00 44 06,360 In fact, so do most people. 550 00 44 07,440 -- 00 44 08,480 Come on. 551 00 44 13,000 -- 00 44 16,279 Brilliant work you did finding those kids from just a footprint, 552 00 44 16,280 -- 00 44 17,440 it s really amazing. 553 00 44 17,441 -- 00 44 18,559 Thank you. 554 00 44 18,560 -- 00 44 19,920 Unbelievable. 555 00 44 34,160 -- 00 44 35,680 You OK? Thinking. 556 00 44 38,080 -- 00 44 41,640 This is my cab, you get the next one. Why? You might talk. 557 00 44 53,880 -- 00 44 57,239 Is this chocolate? We re looking for a disused sweet factory. 558 00 44 57,240 -- 00 44 58,919 Get out! 559 00 45 02,480 -- 00 45 03,520 Problem? 560 00 45 13,800 -- 00 45 19,039 ..This stunning evening wear set from us at London Taxi Shopping. 561 00 45 19,040 -- 00 45 23,199 Can you turn this off, please? The set comprises of a beautiful... 562 00 45 23,200 -- 00 45 25,239 Can you turn this off?! 563 00 45 25,240 -- 00 45 28,320 Accompanied by four spangly diamond bracelets... 564 00 45 29,680 -- 00 45 30,719 Hello. 565 00 45 30,720 -- 00 45 33,679 Are you ready for the story? 566 00 45 33,680 -- 00 45 36,200 This is the story of Sir Boast-a-lot. 567 00 45 37,800 -- 00 45 40,759 A footprint, it s all he had. 568 00 45 40,760 -- 00 45 42,759 A footprint. 569 00 45 42,760 -- 00 45 46,399 Yeah, well, you know what he s like. CSI Baker Street. 570 00 45 46,400 -- 00 45 48,559 Well, our boys couldn t have done it. 571 00 45 48,560 -- 00 45 52,839 Well, that s why we need him, he s better. That s one explanation. 572 00 45 52,840 -- 00 45 54,519 And what s the other? 573 00 45 54,520 -- 00 45 56,620 Sir Boast-a-lot was the bravest and 574 00 45 56,621 -- 00 45 58,719 cleverest knight at the round table. 575 00 45 58,720 -- 00 46 02,679 But soon the other knights began to grow tired of his stories 576 00 46 02,680 -- 00 46 05,760 about how brave he was and how many dragons he d slain. 577 00 46 07,120 -- 00 46 10,100 And soon they began to wonder, 578 00 46 10,101 -- 00 46 13,079 "Are Sir Boast-a-lot s stories even true?" 579 00 46 13,080 -- 00 46 15,160 Only he could have found that evidence. 580 00 46 16,000 -- 00 46 17,479 No. 581 00 46 17,480 -- 00 46 19,440 The girl screams her head off when she sees him... 582 00 46 19,441 -- 00 46 21,399 a man she has never seen before, 583 00 46 21,400 -- 00 46 24,039 unless she had seen him before. What s your point? 584 00 46 24,040 -- 00 46 26,919 You know what it is, you just don t want to think about it. 585 00 46 26,920 -- 00 46 30,199 So, all of the knights went to King Arthur and said, 586 00 46 30,200 -- 00 46 34,759 "I don t believe Sir Boast-a-lot s stories. 587 00 46 34,760 -- 00 46 40,039 "He s just a big old liar who makes things up to make himself look good." 588 00 46 43,360 -- 00 46 46,359 You re not seriously suggesting he s involved, are you? 589 00 46 46,360 -- 00 46 48,400 We have to entertain the possibility. 590 00 46 49,280 -- 00 46 53,000 And then, even the King began to wonder. 591 00 46 57,240 -- 00 47 00,880 But that wasn t the end of Sir Boast-a-lot s problem. 592 00 47 01,920 -- 00 47 03,080 No. 593 00 47 05,840 -- 00 47 08,040 That wasn t the final problem. 594 00 47 09,560 -- 00 47 11,560 The end. 595 00 47 13,560 -- 00 47 15,159 Stop the cab. 596 00 47 15,160 -- 00 47 16,759 Stop the cab! 597 00 47 16,760 -- 00 47 17,880 What was that?! 598 00 47 19,680 -- 00 47 21,999 What was that? 599 00 47 22,000 -- 00 47 23,000 No charge. 600 00 47 29,920 -- 00 47 30,880 Watch out! 601 00 47 36,880 -- 00 47 38,040 Thank you. 602 00 47 51,240 -- 00 47 52,240 Sherlock! 603 00 47 59,040 -- 00 48 00,559 That is him. It s him. 604 00 48 00,560 -- 00 48 03,479 Sulejmani or something, Mycroft showed me his file. 605 00 48 03,480 -- 00 48 06,399 He s a big Albanian gangster, lives two doors down from us. 606 00 48 06,400 -- 00 48 08,360 He died because I shook his hand. What? 607 00 48 08,361 -- 00 48 10,880 He saved my life, but he couldn t touch me. Why? 608 00 48 12,760 -- 00 48 15,079 Four assassins living right on our doorstep. 609 00 48 15,080 -- 00 48 16,999 They haven t come here to kill me. 610 00 48 17,000 -- 00 48 18,559 They have to keep me alive. 611 00 48 18,560 -- 00 48 21,919 I ve got something that all of them want. 612 00 48 21,920 -- 00 48 23,640 But if one of them approaches me... 613 00 48 23,641 -- 00 48 26,040 The others kill them before they can get it. 614 00 48 28,720 -- 00 48 31,760 All of the attention is focused on me. 615 00 48 33,400 -- 00 48 36,479 There s a surveillance web closing in on us right now. 616 00 48 36,480 -- 00 48 38,640 So what have you got that s so important? 617 00 48 40,440 -- 00 48 41,999 I need to ask about the dusting. 618 00 48 42,000 -- 00 48 45,279 Precise details, in the last week, what s been cleaned? 619 00 48 45,280 -- 00 48 49,359 Tuesday, I did your lino. No, this room, this is where we ll find it. 620 00 48 49,360 -- 00 48 51,320 Any break in the dust line. 621 00 48 51,321 -- 00 48 53,279 You can put back anything but dust. Dust is eloquent. 622 00 48 53,280 -- 00 48 54,760 (What s he on about?) 623 00 48 56,440 -- 00 48 58,039 Cameras, we re being watched. 624 00 48 58,040 -- 00 49 00,639 What?! Cameras? Here? 625 00 49 00,640 -- 00 49 03,560 I m in my nightie! 626 00 49 20,640 -- 00 49 22,439 No, Inspector. Why? 627 00 49 22,440 -- 00 49 24,879 The answer s no. You ve not heard the question! 628 00 49 24,880 -- 00 49 28,439 You want to take me to the station. Saving you the trouble of asking. 629 00 49 28,440 -- 00 49 30,119 Sherlock. 630 00 49 30,120 -- 00 49 32,279 The scream? Yeah. 631 00 49 32,280 -- 00 49 34,439 Who was it? Donovan? I bet it was Donovan. 632 00 49 34,440 -- 00 49 36,839 "Am I somehow responsible for the kidnapping?" 633 00 49 36,840 -- 00 49 38,399 Moriarty is smart. 634 00 49 38,400 -- 00 49 42,319 He planted that doubt in her head. That little nagging sensation. 635 00 49 42,320 -- 00 49 44,639 You re going to have to be strong to resist. 636 00 49 44,640 -- 00 49 47,119 You can t kill an idea, can you? 637 00 49 47,120 -- 00 49 50,320 Not once it s made a home... there. 638 00 49 52,920 -- 00 49 55,799 Will you come? One photograph, that s his next move. 639 00 49 55,800 -- 00 49 57,239 Moriarty s game. 640 00 49 57,240 -- 00 50 01,159 First the scream, then a photograph of me being taken in for questioning. 641 00 50 01,160 -- 00 50 03,359 He wants to destroy me inch by inch. 642 00 50 03,360 -- 00 50 07,520 It is a game, Lestrade, and not one I m willing to play. 643 00 50 08,920 -- 00 50 10,880 Give my regards to Sergeant Donovan. 644 00 50 43,200 -- 00 50 45,519 They ll be deciding. Deciding? 645 00 50 45,520 -- 00 50 49,039 Whether to come back with a warrant and arrest me. You think? 646 00 50 49,040 -- 00 50 52,679 Standard procedure. You should have gone with him. People ll think... 647 00 50 52,680 -- 00 50 54,599 I don t care what people think. 648 00 50 54,600 -- 00 50 57,759 You d care if they thought you were stupid or wrong. 649 00 50 57,760 -- 00 51 00,079 No, that would just make them stupid or wrong. 650 00 51 00,080 -- 00 51 02,760 Sherlock, I don t want the world believing you re... 651 00 51 06,120 -- 00 51 07,280 That I am what? 652 00 51 09,920 -- 00 51 10,920 A fraud. 653 00 51 12,680 -- 00 51 15,020 You re worried they re right. What? 654 00 51 15,021 -- 00 51 17,359 That they re right about me. No. That s why you re upset. 655 00 51 17,360 -- 00 51 20,119 You can t entertain the possibility they may be right. 656 00 51 20,120 -- 00 51 22,519 You re afraid you ve been taken in. I m not. 657 00 51 22,520 -- 00 51 26,160 Moriarty is playing with your mind, too. Can t you SEE what s going on?! 658 00 51 29,760 -- 00 51 32,439 No, I know you for real. 100 percent? 659 00 51 32,440 -- 00 51 35,880 Well, nobody could fake being such an annoying dick all the time. 660 00 51 41,720 -- 00 51 43,999 Sherlock Holmes? Yes, sir. 661 00 51 44,000 -- 00 51 46,239 That bloke that s been in the press? 662 00 51 48,680 -- 00 51 50,879 I thought he was some sort of private eye. 663 00 51 50,880 -- 00 51 54,319 He is. We ve been consulting with him, that s what you re telling me? 664 00 51 54,320 -- 00 51 57,439 Not used him on any proper cases though, have we? 665 00 51 57,440 -- 00 51 58,680 Well, one or two. 666 00 51 58,681 -- 00 52 00,319 Or 20 or 30. 667 00 52 00,320 -- 00 52 01,759 What?! 668 00 52 01,760 -- 00 52 05,079 I m not the only senior officer who did this. Gregson... Shut up! 669 00 52 05,080 -- 00 52 09,879 An amateur detective given access to all sorts of classified information. 670 00 52 09,880 -- 00 52 12,999 And now he s a suspect in a case. 671 00 52 13,000 -- 00 52 15,919 With all due respect... You re a bloody idiot, Lestrade! 672 00 52 15,920 -- 00 52 17,640 Now go and fetch him in, right now. 673 00 52 17,641 -- 00 52 19,160 Do it! 674 00 52 24,720 -- 00 52 28,159 Proud of yourselves? Well, what if it s not just this case? 675 00 52 28,160 -- 00 52 31,039 What if he s done this to us every single time? 676 00 52 42,800 -- 00 52 46,159 So, still got some friends on the force. It s Lestrade. 677 00 52 46,160 -- 00 52 48,118 Says they re all coming over here now. 678 00 52 48,119 -- 00 52 50,040 Queuing up to slap on the handcuffs. 679 00 52 50,041 -- 00 52 52,439 Every officer you ve ever made feel like a tit, 680 00 52 52,440 -- 00 52 53,680 which is a lot of people. 681 00 52 55,520 -- 00 52 57,439 Sorry, am I interrupting? 682 00 52 57,440 -- 00 53 01,399 Some chap delivered a parcel, I forgot, marked perishable. 683 00 53 01,400 -- 00 53 03,879 I had to sign for it. 684 00 53 03,880 -- 00 53 07,600 Funny name, German, like the fairy tales. 685 00 53 16,720 -- 00 53 18,040 Burnt to a crisp. 686 00 53 20,080 -- 00 53 22,039 What does it mean? 687 00 53 22,040 -- 00 53 23,880 Police! I ll go. 688 00 53 23,881 -- 00 53 25,439 Sherlock. 689 00 53 25,440 -- 00 53 27,879 Excuse me, Mrs Hudson. We need to talk to you. 690 00 53 27,880 -- 00 53 30,200 You can t just barge in like that! 691 00 53 31,560 -- 00 53 33,679 - Have you got a warrant? - Have you? 692 00 53 33,680 -- 00 53 35,000 Leave it, John. 693 00 53 35,001 -- 00 53 37,079 Manners! 694 00 53 37,080 -- 00 53 41,999 Sherlock Holmes, I m arresting you on suspicion of abduction and kidnapping. 695 00 53 42,000 -- 00 53 43,679 It s OK, John. He s not resisting. 696 00 53 43,680 -- 00 53 46,079 No, it s not all right, this is ridiculous. 697 00 53 46,080 -- 00 53 47,238 Get him downstairs now. 698 00 53 47,239 -- 00 53 48,518 You don t have to do this. 699 00 53 48,519 -- 00 53 51,000 Don t try to interfere or I shall arrest you too. 700 00 53 55,160 -- 00 53 56,519 You done? 701 00 53 56,520 -- 00 53 57,440 I said it. 702 00 53 57,441 -- 00 53 59,519 First time we met. Don t bother. 703 00 53 59,520 -- 00 54 03,319 Solving crimes won t be enough. One day he ll cross the line. 704 00 54 03,320 -- 00 54 07,479 Now ask yourself, what sort of man would kidnap those kids 705 00 54 07,480 -- 00 54 09,719 just so he can impress us all by finding them? 706 00 54 09,720 -- 00 54 14,199 - Donovan? Sir? Got our man? - Yes, sir. 707 00 54 14,200 -- 00 54 16,479 Looked a bit of a weirdo, if you ask me. 708 00 54 16,480 -- 00 54 19,960 Often are, these vigilante types. 709 00 54 22,000 -- 00 54 23,200 What are you looking at? 710 00 54 25,600 -- 00 54 26,960 Are you all right, sir? 711 00 54 29,040 -- 00 54 30,959 Joining me? Yeah. 712 00 54 30,960 -- 00 54 35,159 Well, apparently it s against the law to chin the Chief Superintendent. 713 00 54 35,160 -- 00 54 37,119 Bit awkward this. 714 00 54 37,120 -- 00 54 39,439 There s no-one to bail us. 715 00 54 39,440 -- 00 54 42,839 I was thinking more about our imminent and daring escape. 716 00 54 42,840 -- 00 54 46,399 All units to 27. What? 717 00 54 46,400 -- 00 54 47,799 All units to 2... 718 00 54 51,280 -- 00 54 54,440 Ladies and gentlemen, will you all please get on your knees? 719 00 54 55,680 -- 00 54 58,920 Would be good! Do as he says! 720 00 55 00,920 -- 00 55 04,679 Just so you re aware, the gun is his idea, I m just a... you know. 721 00 55 04,680 -- 00 55 08,879 My hostage. Hostage, yes, that works. That works. 722 00 55 08,880 -- 00 55 10,359 So what now? 723 00 55 10,360 -- 00 55 14,320 Doing what Moriarty wants, becoming a fugitive. Run! 724 00 55 18,160 -- 00 55 20,320 Get after him, Lestrade! 725 00 55 21,760 -- 00 55 23,159 Take my hand. 726 00 55 25,520 -- 00 55 28,520 - Now people will definitely talk. - The gun! Leave it! 727 00 55 36,000 -- 00 55 37,200 Sherlock, wait! 728 00 55 39,040 -- 00 55 41,520 We re going to need to coordinate. 729 00 55 42,680 -- 00 55 45,239 - Go to your right. - Go to your right. 730 00 55 48,920 -- 00 55 52,519 Everybody wants to believe it, that s what makes it so clever. 731 00 55 52,520 -- 00 55 54,440 A lie that s preferable to the truth. 732 00 55 54,441 -- 00 55 56,480 My deductions were a sham. No... 733 00 55 56,481 -- 00 55 58,519 one feels inadequate, Sherlock s an ordinary man. 734 00 55 58,520 -- 00 56 00,719 Mycroft, he could help us. 735 00 56 00,720 -- 00 56 04,480 Big family reconciliation, now s not really the moment. 736 00 56 06,240 -- 00 56 10,439 Sherlock... we re being followed. I knew we couldn t outrun the police. 737 00 56 10,440 -- 00 56 13,919 That s not the police, it s one of my new neighbours from Baker Street. 738 00 56 13,920 -- 00 56 16,280 Let s see if he can give us some answers. 739 00 56 21,400 -- 00 56 22,919 (Where are we going?) 740 00 56 22,920 -- 00 56 26,120 We re going to jump in front of that bus. 741 00 56 36,880 -- 00 56 39,519 Tell me what you want from me. 742 00 56 39,520 -- 00 56 41,439 Tell me! 743 00 56 41,440 -- 00 56 42,879 He left it at your flat. 744 00 56 42,880 -- 00 56 45,159 Who? Moriarty. 745 00 56 45,160 -- 00 56 46,599 What? 746 00 56 46,600 -- 00 56 48,799 The computer key code. Of course. 747 00 56 48,800 -- 00 56 52,320 He s selling it. The programme he used to break into the Tower. 748 00 56 54,680 -- 00 56 56,999 He planted it when he came around. 749 00 57 12,960 -- 00 57 14,439 It s a game-changer. 750 00 57 14,440 -- 00 57 16,919 It s a key, it can break into any system 751 00 57 16,920 -- 00 57 19,679 and it s sitting in our flat right now. 752 00 57 19,680 -- 00 57 23,719 That s why he left that message, telling everyone where to come, "Get Sherlock!" 753 00 57 23,720 -- 00 57 27,199 We need to get back into the flat and search. CID will be camped out. 754 00 57 27,200 -- 00 57 28,679 Why plant it on you? 755 00 57 28,680 -- 00 57 30,919 It s another subtle way of smearing my name, 756 00 57 30,920 -- 00 57 33,160 now I m best pals with all those criminals. 757 00 57 35,600 -- 00 57 37,279 Yeah, well, have you seen this? 758 00 57 37,280 -- 00 57 39,239 A kiss-and-tell. 759 00 57 39,240 -- 00 57 41,160 Some bloke called Rich Brook. 760 00 57 43,400 -- 00 57 44,600 Who is he? 761 00 58 10,160 -- 00 58 12,320 Too late to go on the record? 762 00 58 13,760 -- 00 58 16,799 Congratulations, "The Truth About Sherlock Holmes." 763 00 58 16,800 -- 00 58 19,919 The scoop that everybody wanted and you got it. Bravo! 764 00 58 19,920 -- 00 58 21,919 I gave you your opportunity. 765 00 58 21,920 -- 00 58 24,119 I wanted to be on your side, remember? 766 00 58 24,120 -- 00 58 25,400 You turned me down, so... 767 00 58 25,401 -- 00 58 28,279 Then lo and behold, someone spills all the beans. 768 00 58 28,280 -- 00 58 31,519 How utterly convenient. Who is Brook? 769 00 58 31,520 -- 00 58 34,959 Come on, Kitty, no-one trusts the voice at the end of a phone. 770 00 58 34,960 -- 00 58 37,039 All those little meetings in cafes, 771 00 58 37,040 -- 00 58 40,479 those sessions in the hotel room when he gabbled into your Dictaphone. 772 00 58 40,480 -- 00 58 42,719 How do you know that you can trust him? 773 00 58 42,720 -- 00 58 45,999 A man turns up with the Holy Grail in his pockets. 774 00 58 46,000 -- 00 58 47,480 What were his credentials? 775 00 58 50,040 -- 00 58 53,760 Darling, they didn t have any ground coffee, so I just got normal. 776 00 59 00,360 -- 00 59 04,559 You said that they wouldn t find me here, you said that I d be safe here. 777 00 59 04,560 -- 00 59 05,639 You are safe. 778 00 59 05,640 -- 00 59 09,079 Richard, I m a witness, they wouldn t harm you in front of witnesses. 779 00 59 09,080 -- 00 59 12,479 So that s your source? Moriarty is Richard Brook? 780 00 59 12,480 -- 00 59 15,239 Of course he s Richard Brook, there is no Moriarty. 781 00 59 15,240 -- 00 59 19,079 There never has been. What are you talking about? Look him up. 782 00 59 19,080 -- 00 59 23,760 Rich Brook, an actor Sherlock Holmes hired to be Moriarty. 783 00 59 29,160 -- 00 59 31,479 Dr Watson, I know you re a good man, 784 00 59 31,480 -- 00 59 34,839 don t, don t, don t hurt me. 785 00 59 34,840 -- 00 59 37,839 No, you are Moriarty! He s Moriarty! 786 00 59 37,840 -- 00 59 40,839 We ve met, remember? You were going to blow me up! 787 00 59 40,840 -- 00 59 43,319 I m sorry. I m sorry. 788 00 59 43,320 -- 00 59 46,919 He paid me, I needed the work. I m an actor, I was out of work. 789 00 59 46,920 -- 00 59 50,199 Sherlock, you d better explain, because I am not getting this. 790 00 59 50,200 -- 00 59 52,919 I ll be doing the explaining, in print. 791 00 59 52,920 -- 00 59 55,680 It s all here, conclusive proof. 792 00 59 57,280 -- 00 59 59,679 You invented James Moriarty, your nemesis. 793 00 59 59,680 -- 01 00 01,519 Invented him?! 794 01 00 01,520 -- 01 00 03,959 He invented all the crimes, actually. 795 01 00 03,960 -- 01 00 06,479 And to cap it all, he made up a master villain. 796 01 00 06,480 -- 01 00 10,119 - Don t be ridiculous! Ask him. - He s right here. Just ask him. 797 01 00 10,120 -- 01 00 13,399 Tell him, Richard. For God s sake, this man was on trial! 798 01 00 13,400 -- 01 00 17,199 Yes, and you paid him to take the rap. Promised you d rig the jury. 799 01 00 17,200 -- 01 00 20,679 Not exactly a West End role, but I ll bet the money was good. 800 01 00 20,680 -- 01 00 23,559 But not so good he didn t want to sell his story. 801 01 00 23,560 -- 01 00 26,119 I am sorry. I am. I am sorry. 802 01 00 26,120 -- 01 00 28,759 So this is the story you re going to publish? 803 01 00 28,760 -- 01 00 32,919 The big conclusion of it all, Moriarty s an actor? He knows I am. 804 01 00 32,920 -- 01 00 35,959 I have proof. Show them... Kitty, show them something. 805 01 00 35,960 -- 01 00 37,920 Yeah, show me something. 806 01 00 42,560 -- 01 00 46,280 I m on TV. I m on kids TV. I m the story-teller. 807 01 00 49,080 -- 01 00 52,640 I m the story-teller. It s on DVD. 808 01 01 00,160 -- 01 01 03,119 Just tell him. It s all coming out. It s all over. 809 01 01 03,120 -- 01 01 06,679 Just tell them. Just tell them. Tell them! It s all over now! 810 01 01 06,680 -- 01 01 09,639 No! Don t you touch me! Don t you lay a finger on me! 811 01 01 09,640 -- 01 01 11,679 Stop it now! 812 01 01 11,680 -- 01 01 14,199 Don t hurt me! Don t let him get away! 813 01 01 14,200 -- 01 01 16,520 Leave him alone! 814 01 01 19,440 -- 01 01 21,559 No, no, no. He ll have back-up. 815 01 01 21,560 -- 01 01 23,519 Do you know what, Sherlock Holmes? 816 01 01 23,520 -- 01 01 29,000 I look at you know and I can read you... and you repel me. 817 01 01 33,480 -- 01 01 35,519 Can he do that? 818 01 01 35,520 -- 01 01 38,399 Completely change his identity, make you the criminal? 819 01 01 38,400 -- 01 01 40,279 He s got my whole life story. 820 01 01 40,280 -- 01 01 42,399 That s what you do when you sell a big lie, 821 01 01 42,400 -- 01 01 45,039 you wrap it up in the truth to make it more palatable. 822 01 01 45,040 -- 01 01 46,879 It ll be your word against his. 823 01 01 46,880 -- 01 01 50,079 He s been sowing doubt into people s minds for 24 hours. 824 01 01 50,080 -- 01 01 54,040 There s only one thing he needs to do to complete his game and that... 825 01 01 55,080 -- 01 01 56,560 Sherlock? 826 01 01 57,520 -- 01 02 01,600 - There s something I need to do. - What? Can I help? No, on my own. 827 01 02 18,280 -- 01 02 20,280 You re wrong, you know? 828 01 02 21,760 -- 01 02 23,560 You do count. 829 01 02 24,520 -- 01 02 28,000 You ve always counted and I ve always trusted you. 830 01 02 29,000 -- 01 02 31,320 But you were right. 831 01 02 33,360 -- 01 02 35,159 I m not OK. 832 01 02 35,160 -- 01 02 37,400 Tell me what s wrong. 833 01 02 39,520 -- 01 02 42,680 Molly, I think I m going to die. 834 01 02 44,720 -- 01 02 48,159 What do you need? If I wasn t everything that you think I am, 835 01 02 48,160 -- 01 02 50,320 everything that I think I am... 836 01 02 51,360 -- 01 02 53,680 would you still want to help me? 837 01 02 55,120 -- 01 02 57,440 What do you need? 838 01 03 04,400 -- 01 03 06,360 You. 839 01 03 19,680 -- 01 03 24,079 She has really done her homework, Miss Riley, 840 01 03 24,080 -- 01 03 28,040 and it s things that only someone close to Sherlock could know. 841 01 03 29,080 -- 01 03 32,559 Have you seen your brother s address book lately? 842 01 03 32,560 -- 01 03 36,079 Two names... yours and mine... 843 01 03 36,080 -- 01 03 39,079 and Moriarty didn t get this stuff from me. 844 01 03 39,080 -- 01 03 42,599 John... So how does it work, your relationship? 845 01 03 42,600 -- 01 03 46,279 Do you go out for a coffee now and then, you and Jim? 846 01 03 46,280 -- 01 03 48,479 Your own brother 847 01 03 48,480 -- 01 03 54,320 and you blabbed about his entire life to this maniac. 848 01 03 56,360 -- 01 03 59,159 I never intend... I never dreamt... 849 01 03 59,160 -- 01 04 03,279 This... this is what you were trying to tell me, isn t it? 850 01 04 03,280 -- 01 04 06,040 "Watch his back because I ve made a mistake." 851 01 04 09,600 -- 01 04 11,640 How did you meet him? 852 01 04 13,720 -- 01 04 19,400 People like him, we know about them, we watch them. 853 01 04 21,040 -- 01 04 23,040 But James Moriarty... 854 01 04 25,080 -- 01 04 29,359 the most dangerous criminal mind the world has ever seen, 855 01 04 29,360 -- 01 04 32,479 and, in his pocket, the ultimate weapon. 856 01 04 32,480 -- 01 04 34,559 The key code. 857 01 04 34,560 -- 01 04 38,680 A few lines of computer code that can unlock any door. 858 01 04 39,560 -- 01 04 44,040 And you abducted him to try and find the key code? 859 01 04 45,080 -- 01 04 47,639 Interrogated him for weeks. 860 01 04 47,640 -- 01 04 50,640 And? He wouldn t play along. 861 01 04 51,680 -- 01 04 54,359 He just sat there 862 01 04 54,360 -- 01 04 57,040 staring into the darkness. 863 01 05 00,320 -- 01 05 03,080 The only thing that made him open up... 864 01 05 07,040 -- 01 05 11,040 I could get him to talk, just a little. 865 01 05 12,600 -- 01 05 14,359 But... 866 01 05 14,360 -- 01 05 17,880 In return you had to offer him Sherlock s life story. 867 01 05 18,880 -- 01 05 21,320 So, one big lie... 868 01 05 22,360 -- 01 05 24,439 Sherlock s a fraud, 869 01 05 24,440 -- 01 05 28,200 and people will swallow it because the rest of it s true. 870 01 05 29,240 -- 01 05 32,719 Moriarty wanted Sherlock destroyed, right, 871 01 05 32,720 -- 01 05 38,040 and you have given him the perfect ammunition. 872 01 05 44,040 -- 01 05 46,080 John. 873 01 05 49,080 -- 01 05 50,799 I m sorry. 874 01 05 50,800 -- 01 05 52,720 Please! 875 01 05 54,080 -- 01 05 56,560 Tell him, would you? 876 01 06 08,080 -- 01 06 09,799 I got your message. 877 01 06 09,800 -- 01 06 13,399 The computer code is the key to this. We find it, we can use it. 878 01 06 13,400 -- 01 06 16,319 Use it? He used it to create a false identity 879 01 06 16,320 -- 01 06 19,159 so we can break into the records and destroy Richard Brook. 880 01 06 19,160 -- 01 06 20,879 Bring back Jim Moriarty again. 881 01 06 20,880 -- 01 06 21,920 Somewhere in 221b, 882 01 06 21,921 -- 01 06 24,719 somewhere on the day of the verdict he left it hidden. 883 01 06 27,320 -- 01 06 29,959 What did he touch? An apple, nothing else. 884 01 06 29,960 -- 01 06 32,680 Did he write anything down? No. 885 01 07 24,840 -- 01 07 26,719 Yeah, speaking. 886 01 07 26,720 -- 01 07 28,039 What? 887 01 07 28,040 -- 01 07 30,919 What happened? Is she OK? 888 01 07 30,920 -- 01 07 33,479 My God! Right, yes, I m coming. 889 01 07 33,480 -- 01 07 36,679 - What is it? Paramedics. - Mrs Hudson s been shot. 890 01 07 36,680 -- 01 07 39,959 How? Probably one of the killers you managed to attract. Jesus! 891 01 07 39,960 -- 01 07 42,799 She s dying, Sherlock. Let s go. You go. I m busy. 892 01 07 42,800 -- 01 07 45,399 Busy?! Thinking. I need to think. 893 01 07 45,400 -- 01 07 47,999 You need to...? Doesn t she mean anything to you? 894 01 07 48,000 -- 01 07 50,959 You once half-killed a man because he laid a finger on her. 895 01 07 50,960 -- 01 07 54,759 She s my landlady. She s dying... you machine! 896 01 07 54,760 -- 01 07 58,159 Sod this. Sod this! You stay here if you want, on your own. 897 01 07 58,160 -- 01 08 00,639 Alone is what I have. Alone protects me. 898 01 08 00,640 -- 01 08 02,680 No, friends protect people. 899 01 08 39,080 -- 01 08 43,079 Well... here we are at last. 900 01 08 43,080 -- 01 08 46,199 You and me, Sherlock. 901 01 08 46,200 -- 01 08 49,719 And our problem... the final problem. 902 01 08 49,720 -- 01 08 52,760 Staying alive! 903 01 08 54,040 -- 01 08 57,160 It s so boring, isn t it? 904 01 08 58,400 -- 01 09 01,520 It s just staying. 905 01 09 02,560 -- 01 09 05,599 All my life I ve been searching for distractions 906 01 09 05,600 -- 01 09 08,799 and you were the best distraction and now I don t even have you 907 01 09 08,800 -- 01 09 11,039 because I ve beaten you. 908 01 09 11,040 -- 01 09 14,080 And you know what? In the end, it was easy. 909 01 09 15,520 -- 01 09 17,199 It was easy. 910 01 09 17,200 -- 01 09 20,439 Now I ve got to go back to playing with the ordinary people, 911 01 09 20,440 -- 01 09 23,520 and it turns out you re ordinary, just like all of them. 912 01 09 24,560 -- 01 09 27,520 Well. 913 01 09 28,880 -- 01 09 32,719 Did you almost start to wonder if I was real? 914 01 09 32,720 -- 01 09 35,439 Did I nearly get you? 915 01 09 35,440 -- 01 09 37,919 Richard Brook. 916 01 09 37,920 -- 01 09 41,999 Nobody seems to get the joke, but you do. 917 01 09 42,000 -- 01 09 43,919 Of course. Attaboy. 918 01 09 43,920 -- 01 09 46,639 Richard Brook in German is Reichenbach. 919 01 09 46,640 -- 01 09 50,720 The case that made my name. Just trying to have some fun. 920 01 09 55,120 -- 01 09 58,160 Good. You got that too. 921 01 09 59,640 -- 01 10 02,079 Beats like digits. 922 01 10 02,080 -- 01 10 06,079 Every beat is a one, every rest is a zero. 923 01 10 06,080 -- 01 10 07,759 Binary code. 924 01 10 07,760 -- 01 10 10,599 That s why all those assassins tried to save my life. 925 01 10 10,600 -- 01 10 13,279 It was hidden on me, hidden inside my head. 926 01 10 13,280 -- 01 10 16,719 A few simple lines of computer code that can break into any system. 927 01 10 16,720 -- 01 10 21,199 Told all my clients, last one to Sherlock is a sissy. 928 01 10 21,200 -- 01 10 26,080 But now that it s up here, I can use it to alter all the records. 929 01 10 27,080 -- 01 10 31,000 I can kill Rich Brook and bring back Jim Moriarty. 930 01 10 33,160 -- 01 10 36,359 No, no, no, no, no. This is too easy. 931 01 10 36,360 -- 01 10 38,319 This is too easy. 932 01 10 38,320 -- 01 10 41,760 There is no key, doofus! 933 01 10 44,160 -- 01 10 48,199 Those digits are meaningless. They re utterly meaningless. 934 01 10 48,200 -- 01 10 51,799 You don t really think a couple of lines of computer code 935 01 10 51,800 -- 01 10 54,479 are going to crash the world around our ears? 936 01 10 54,480 -- 01 10 57,159 I m disappointed in you, ordinary Sherlock. 937 01 10 57,160 -- 01 11 02,719 - But the rhythm... Partita no 1! - Thank you, Johann Sebastian Bach. 938 01 11 02,720 -- 01 11 04,780 But then how did you... ? How did I break 939 01 11 04,781 -- 01 11 06,839 into the bank, to the Tower, to the prison? 940 01 11 06,840 -- 01 11 11,040 Daylight robbery! All it takes is some willing participants. 941 01 11 16,440 -- 01 11 19,879 I knew you d fall for it. That s your weakness. 942 01 11 19,880 -- 01 11 22,359 You always want everything to be clever. 943 01 11 22,360 -- 01 11 25,039 Shall we finish the game? One final act. 944 01 11 25,040 -- 01 11 28,439 Glad you chose a tall building. Nice way to do it. 945 01 11 28,440 -- 01 11 30,480 Do it? Do what? 946 01 11 33,080 -- 01 11 35,040 Yes, of course. 947 01 11 37,040 -- 01 11 38,599 My suicide. 948 01 11 38,600 -- 01 11 41,159 Genius detective proved to be a fraud. 949 01 11 41,160 -- 01 11 43,959 I read it in the paper so it must be true. 950 01 11 43,960 -- 01 11 46,399 I love newspapers. 951 01 11 46,400 -- 01 11 48,440 Fairy tales. 952 01 11 51,480 -- 01 11 54,080 And pretty grim ones too. 953 01 12 02,200 -- 01 12 06,239 God, John, you made me jump. Is everything OK with the police? 954 01 12 06,240 -- 01 12 08,880 Has Sherlock sorted it all out? 955 01 12 10,920 -- 01 12 13,400 My God. 956 01 12 16,560 -- 01 12 17,840 Taxi! 957 01 12 19,080 -- 01 12 22,359 Taxi! No, no, no. Police... sort of! 958 01 12 22,360 -- 01 12 24,399 Thanks, mate. Thanks a lot! 959 01 12 24,400 -- 01 12 27,439 I can prove that you created an entirely false identity. 960 01 12 27,440 -- 01 12 30,520 Just kill yourself. It s a lot less effort. 961 01 12 32,480 -- 01 12 33,919 Go on. 962 01 12 33,920 -- 01 12 35,399 For me. 963 01 12 35,400 -- 01 12 38,080 Please! 964 01 12 42,080 -- 01 12 43,720 You re insane. 965 01 12 44,880 -- 01 12 47,439 You re just getting that now? 966 01 12 47,440 -- 01 12 49,120 OK. 967 01 12 50,720 -- 01 12 53,919 Let me give you a little extra incentive. 968 01 12 53,920 -- 01 12 56,080 Your friends will die if you don t. 969 01 12 57,080 -- 01 12 58,399 John? 970 01 12 58,400 -- 01 13 00,560 Not just John. Everyone. 971 01 13 01,640 -- 01 13 04,479 Mrs Hudson? Everyone. 972 01 13 04,480 -- 01 13 10,359 Lestrade? Three bullets, three gunmen, three victims. 973 01 13 10,360 -- 01 13 12,800 There s no stopping them now... 974 01 13 14,800 -- 01 13 17,320 unless my people see you jump. 975 01 13 25,080 -- 01 13 28,559 You can have me arrested, you can torture me, 976 01 13 28,560 -- 01 13 31,079 you can do anything you like with me, 977 01 13 31,080 -- 01 13 34,799 but nothing s going to prevent them from pulling the trigger. 978 01 13 34,800 -- 01 13 37,999 Your only three friends in the world will die unless... 979 01 13 38,000 -- 01 13 41,040 Unless I kill myself and complete your story. 980 01 13 42,080 -- 01 13 44,919 You ve got to admit, that s sexier. 981 01 13 44,920 -- 01 13 49,559 - And I die in disgrace. Of course. - That s the point of this. 982 01 13 49,560 -- 01 13 52,600 You ve got an audience now. 983 01 13 54,080 -- 01 13 56,080 Off you pop. 984 01 13 57,080 -- 01 13 58,480 Go on. 985 01 14 00,600 -- 01 14 02,640 I told you how this ends. 986 01 14 06,120 -- 01 14 09,799 Your death is the only thing that s going to call off the killers. 987 01 14 09,800 -- 01 14 12,160 I m certainly not going to do it. 988 01 14 13,080 -- 01 14 16,800 Would you give me one moment, please? 989 01 14 17,840 -- 01 14 19,960 One moment of privacy. 990 01 14 21,000 -- 01 14 22,600 Please. 991 01 14 24,600 -- 01 14 26,320 Of course. 992 01 14 49,720 -- 01 14 51,799 What?! 993 01 14 51,800 -- 01 14 53,960 What is it? 994 01 14 55,080 -- 01 14 58,040 What did I miss? 995 01 15 01,040 -- 01 15 03,479 You re not going to do it. 996 01 15 03,480 -- 01 15 05,479 So the killers can be called off, 997 01 15 05,480 -- 01 15 08,440 then there s a recall code or a word or a number. 998 01 15 10,880 -- 01 15 13,439 I don t have to die 999 01 15 13,440 -- 01 15 15,399 if I ve got you. 1000 01 15 18,000 -- 01 15 20,799 You think you can make me stop the order? 1001 01 15 20,800 -- 01 15 24,079 You think you can make me do that? Yes. 1002 01 15 24,080 -- 01 15 27,999 So do you. Sherlock, your big brother and all the King s horses 1003 01 15 28,000 -- 01 15 30,519 couldn t make me do a thing I didn t want to. 1004 01 15 30,520 -- 01 15 32,840 Yes, but I m not my brother, remember? 1005 01 15 34,360 -- 01 15 36,079 I am you. 1006 01 15 36,080 -- 01 15 38,279 Prepared to do anything. 1007 01 15 38,280 -- 01 15 40,479 Prepared to burn. 1008 01 15 40,480 -- 01 15 44,159 Prepared to do what ordinary people won t do. 1009 01 15 44,160 -- 01 15 48,960 You want me to shake hands with you in hell? I shall not disappoint you. 1010 01 15 50,000 -- 01 15 51,640 Nah. 1011 01 15 52,680 -- 01 15 55,239 You talk big. 1012 01 15 55,240 -- 01 15 57,239 Nah. 1013 01 15 57,240 -- 01 15 59,279 You re ordinary. 1014 01 15 59,280 -- 01 16 02,359 You re ordinary. You re on the side of the angels. 1015 01 16 02,360 -- 01 16 05,359 I may be on the side of the angels, 1016 01 16 05,360 -- 01 16 11,040 but don t think for one second that I am one of them. 1017 01 16 19,280 -- 01 16 20,800 No... 1018 01 16 22,560 -- 01 16 24,520 you re not. 1019 01 16 30,040 -- 01 16 32,040 I see. 1020 01 16 33,560 -- 01 16 35,839 You re not ordinary. 1021 01 16 35,840 -- 01 16 37,320 No. 1022 01 16 38,560 -- 01 16 40,600 You re me. 1023 01 16 42,360 -- 01 16 44,240 You re me. 1024 01 16 46,000 -- 01 16 48,200 Thank you... 1025 01 16 49,200 -- 01 16 51,240 Sherlock Holmes. 1026 01 17 00,160 -- 01 17 02,200 Thank you. 1027 01 17 03,240 -- 01 17 05,040 Bless you. 1028 01 17 08,000 -- 01 17 13,040 As long as I m alive, you can save your friends, you ve got a way out. 1029 01 17 14,080 -- 01 17 16,160 Well, good luck with that. 1030 01 17 28,000 -- 01 17 30,040 No. 1031 01 17 53,000 -- 01 17 54,880 Yes, sir. Thank you. Bye. 1032 01 18 37,000 -- 01 18 40,359 Hello? 1033 01 18 40,360 -- 01 18 42,799 John. Hey, Sherlock. Are you OK? 1034 01 18 42,800 -- 01 18 46,119 Turn around and walk back the way you came. I m coming in. 1035 01 18 46,120 -- 01 18 48,279 Just do as I ask! 1036 01 18 48,280 -- 01 18 49,679 Please. 1037 01 18 49,680 -- 01 18 51,400 Where? 1038 01 18 52,520 -- 01 18 54,599 Stop there. 1039 01 18 54,600 -- 01 18 57,720 Sherlock? OK, look up. I m on the rooftop. 1040 01 18 58,760 -- 01 19 01,359 God. 1041 01 19 01,360 -- 01 19 05,839 I... I can t come down, so we ll just have to do it like this. 1042 01 19 05,840 -- 01 19 08,039 What s going on? 1043 01 19 08,040 -- 01 19 09,960 An apology. 1044 01 19 12,240 -- 01 19 14,079 It s all true. 1045 01 19 14,080 -- 01 19 16,079 What? 1046 01 19 16,080 -- 01 19 21,280 Everything they said about me. I invented Moriarty. 1047 01 19 27,280 -- 01 19 29,400 Why are you saying this? 1048 01 19 32,280 -- 01 19 34,359 I m a fake. 1049 01 19 34,360 -- 01 19 38,039 Sherlock... The newspapers were right all along. 1050 01 19 38,040 -- 01 19 41,079 I want you to tell Lestrade, 1051 01 19 41,080 -- 01 19 44,839 I want you to tell Mrs Hudson and Molly. 1052 01 19 44,840 -- 01 19 47,760 In fact, tell anyone who will listen to you... 1053 01 19 49,800 -- 01 19 53,520 that I created Moriarty for my own purposes. 1054 01 19 54,560 -- 01 19 56,159 OK, shut up Sherlock. Shut up. 1055 01 19 56,160 -- 01 19 59,039 The first time we met... the first time we met, 1056 01 19 59,040 -- 01 20 02,559 you knew all about my sister, right? Nobody could be that clever. 1057 01 20 02,560 -- 01 20 05,480 You could. 1058 01 20 12,360 -- 01 20 14,440 I researched you. 1059 01 20 15,480 -- 01 20 18,639 Before we met, I discovered everything that I could 1060 01 20 18,640 -- 01 20 20,920 to impress you. 1061 01 20 22,040 -- 01 20 24,639 It s a trick. Just a magic trick. 1062 01 20 24,640 -- 01 20 26,999 No. All right, stop it now. 1063 01 20 27,000 -- 01 20 29,520 No. Stay exactly where you are. 1064 01 20 30,560 -- 01 20 32,520 Don t move. All right. 1065 01 20 34,600 -- 01 20 37,159 Keep your eyes fixed on me. 1066 01 20 37,160 -- 01 20 40,519 Please, will you do this for me? Do what? 1067 01 20 40,520 -- 01 20 42,200 This phone call, it s... 1068 01 20 43,240 -- 01 20 45,080 it s my note. 1069 01 20 47,040 -- 01 20 49,880 It s what people do, don t they? 1070 01 20 51,880 -- 01 20 53,720 Leave a note? 1071 01 20 55,360 -- 01 20 57,519 Leave a note when? 1072 01 20 57,520 -- 01 21 00,440 Goodbye, John. No. Don t... 1073 01 21 11,520 -- 01 21 12,960 Sherlock! 1074 01 21 16,640 -- 01 21 17,880 Sherlock. 1075 01 22 04,080 -- 01 22 07,360 Sherlock... Sherlock. 1076 01 22 08,720 -- 01 22 12,279 I m a doctor, let me come through. Let me come through, please. 1077 01 22 12,280 -- 01 22 14,640 He s my friend. He s my friend... Please. 1078 01 22 30,440 -- 01 22 33,040 Please, let me just... 1079 01 22 39,040 -- 01 22 41,479 Jesus! 1080 01 22 41,480 -- 01 22 43,159 No. 1081 01 22 43,160 -- 01 22 44,800 God, no. 1082 01 24 23,920 -- 01 24 26,440 There s stuff that you wanted to say... 1083 01 24 28,480 -- 01 24 31,040 but didn t say it. Yeah. 1084 01 24 35,720 -- 01 24 37,760 Say it now. 1085 01 24 43,000 -- 01 24 45,320 Sorry, I can t. 1086 01 24 53,920 -- 01 24 58,079 There s all the stuff. All the science equipment. 1087 01 24 58,080 -- 01 25 01,559 I left it all in boxes. I don t know what needs doing. 1088 01 25 01,560 -- 01 25 04,040 I thought I d take it to a school. 1089 01 25 05,080 -- 01 25 10,040 Would you...? I can t go back to the flat again, not at the moment. 1090 01 25 13,080 -- 01 25 14,559 I m angry. 1091 01 25 14,560 -- 01 25 17,479 It s OK, John. There s nothing unusual in that. 1092 01 25 17,480 -- 01 25 20,039 That s the way he made everyone feel. 1093 01 25 20,040 -- 01 25 23,719 All the marks on my table and the noise, 1094 01 25 23,720 -- 01 25 27,039 firing guns at half past one in the morning... Yeah. 1095 01 25 27,040 -- 01 25 29,439 Bloody specimens in my fridge. 1096 01 25 29,440 -- 01 25 32,559 Imagine, keeping bodies where there s food. Yes. 1097 01 25 32,560 -- 01 25 36,599 And the fighting! Drove me up the wall with all his carryings-on. 1098 01 25 36,600 -- 01 25 39,279 Listen, I m not actually that angry, OK? 1099 01 25 39,280 -- 01 25 43,280 OK. I ll leave you alone to, you know... 1100 01 25 58,080 -- 01 26 01,040 You... you told me once... 1101 01 26 02,520 -- 01 26 04,439 that you weren t a hero. 1102 01 26 04,440 -- 01 26 08,239 There were times I didn t even think you were human, 1103 01 26 08,240 -- 01 26 11,359 but let me tell you this, you were... 1104 01 26 11,360 -- 01 26 12,999 the best man... 1105 01 26 13,000 -- 01 26 18,039 the most human... human being that I ve ever known 1106 01 26 18,040 -- 01 26 22,040 and no-one will ever convince me that you told me a lie, so... 1107 01 26 23,520 -- 01 26 25,240 there. 1108 01 26 32,040 -- 01 26 34,280 I was so alone... 1109 01 26 36,160 -- 01 26 38,040 and I owe you so much. 1110 01 26 42,560 -- 01 26 46,119 But, please, there s just one more thing, one more thing, 1111 01 26 46,120 -- 01 26 49,480 one more miracle, Sherlock, for me, don t be... 1112 01 26 51,040 -- 01 26 53,559 dead. 1113 01 26 53,560 -- 01 26 56,039 Would you do that just for me? 1114 01 26 56,040 -- 01 26 58,400 Just stop it. Stop this. 1115 01 28 10,720 -- 01 28 13,400 Subtitles by font color="#ffff00" APOLLO /font font color="#00ff00" www.addic7ed.com /font
https://w.atwiki.jp/oper/pages/1613.html
ELFTE SZENE Sindulfo (allein), dann Sora, später Benozzo SINDULFO Eine Million Lire! Sindulfo, zeige, dass du ein Weltmann, dass du diesem Conte Erminio überlegen bist! klopft auf den Tisch Heda, Wirtshaus! SORA kommt aus dem Haus Befehlen? SINDULFO Meine Braut ...? SORA Die Gräfin ruht ein wenig. SINDULFO Also heisst s warten. gähnt Wie langweilig! setzt sich Bring Wein, Sora, vom besten! SORA Zu dienen! ab SINDULFO Dieser Erminio muss mir Rede stehen. Ob auf Säbel oder auf Pistolen gleichviel! zündet sich eine Zigarre an SORA kommt mit Wein Hier, Signore, echter Syrakuser! SINDULFO trinkt, schnalzt mit der Zunge Famos! zieht Sora etwas an sich Weisst du, Kleine, dass du ein ganz appetitliches Weibchen bist? SORA Deshalb fand ich auch einen braven Mann, Signore! SINDULFO Ach ja, diesen Tagdieb von Benozzo! Benozzo erscheint auf dem Balkon, kehrt diesen mit einem Reisbesen, horcht auf, als er seinen Namen nennen hört. SORA Der hübscheste Junge von Syrakus! SINDULFO Aber ein heilloser Schmuggler! SORA Nicht, dass ich wüsste! SINDULFO Papperlapapp! Ich kaufte durch ihn vorigen Monat tausend geschmuggelte Zigarren! BENOZZO Die Sie heute noch schuldig sind! SINDULFO gleichgültig, klemmt sein Monokel ins Auge Ah, du bist auch da? BENOZZO Ja, ich bin auch da! kehrt wütend aus SINDULFO Geniere dich nicht! Du siehst, ich mache deiner Frau die Cour! BENOZZO Lassen Sie mich lieber Geld sehen! SINDULFO Für die Frau? BENOZZO Nein, für die Zigarren! sieht, dass Sindulfo zu Sora zärtlicher wird, heftig Keine Handgreiflichkeiten, wenn ich bitten darf! SORA Aber Signore! SINDULFO Ruhig, da oben! BENOZZO Nein, nicht ruhig da oben, sondern ruhig da unten, und wenn Sie nicht augenblicklich ... droht mit dem Besen; zu Sora Marsch, ins Haus mit dir! SINDULFO Nein, sie bleibt! BENOZZO Sie geht! Herein da, Sora! SINDULFO Ich glaube gar, der Bursche untersteht sich, sich mit mir zu messen! Das hiesse, ein edles Pferd zu einem Esel spannen! BENOZZO Wie kommen Sie dazu, mich ein Pferd zu nennen? SINDULFO Haha! Die Eifersucht macht ihn witzig! Höre nicht auf ihn, Sora! umfasst Sora BENOZZO Maledetto! Der Büffel in mir wird wütend! wirft den Besen nach Sindulfo und eilt durchs Haus nach unten SINDULFO lässt sich nicht abhalten, Sora mit Zärtlichkeiten zu verfolgen Der Büffel trägt Hörner, ergo SORA nimmt den Besen auf und wehrt Sindulfo damit ab Ei, Signore, jetzt ist s genug! BENOZZO auftretend Ob Sie jetzt gleich aufhören werden, meine Frau zu verfolgen, oder ... nimmt den Besen, den Sora weggeworfen hat und dringt auf Sindulfo ein. Sora, von Sindulfo verfolgt, welchen wieder Benozzo verfolgt, fliegt dem mit Luigi von rechts auftretenden Erminio in die Arme. ZWÖLFTE SZENE Die Vorigen, Erminio, Luigi ERMINIO heiter Gefangen! umarmt und küsst Sora SINDULFO für sich Conte Erminio? Eben recht! BENOZZO sieht das, fährt auf Erminio los Was war das? ERMINIO heiter Ich küsse jede hübsche Frau, die mir in die Arme eilt! küsst Sora wieder SORA Ah! BENOZZO erkennt Erminio, plötzlich freundlich Ah! Exzellenza! SINDULFO zu Benozzo Wie? Und das lässt du dir gefallen? BENOZZO zu Sindulfo Was geht s denn Sie an, wenn Exzellenza meint Erminio meine Frau küsst? zu Erminio Bitte! Wollen sich Exzellenza nur bedienen! zu Sindulfo Jetzt just, jetzt just! zu Erminio Bitte! präsentiert mit dem Besen SINDULFO Ich liess mir s doch nicht gefallen! ERMINIO stolz zu Sindulfo Darf ich fragen, mein Herr, mit welchem Rechte Sie sich da einmischen? SINDULFO stolz Ich... Herr?! ERMINIO lässt seinen Stock durch die Luft schwirren Ja, Sie ... Herr! trifft Sindulfo, der schreiend zurückfährt SINDULFO für sich Unangenehmer Patron! Werde mich nicht mit ihm schlagen! laut Habe nicht das Vergnügen, Sie zu kennen! ERMINIO Meinerseits! SINDULFO grüsst Ihr Diener! zu Sora, laut Sora! SORA Signore? SINDULFO zum Teil bedeutsam nach Erminio hinsprechend Melde meiner reizenden Braut, der Gräfin Santa Croce ... du verstehst? stärker meiner Braut, dass ich einen Wagen besorgen und mit Bedeckungsmannschaft zurückkehren werde ERMINIO dazwischenredend, für sich Zurückkehren? Wie ärgerlich! SINDULFO ohne abzusetzen ... um gewissen Leuten die leichte Mühe zu ersparen, sie abermals retten zu müssen, wenn Räuber sie anfallen! Sora geht ins Haus. Räuber?! Gott, wie romantisch! Hahaha! ERMINIO für sich Na warte! Das vergelt ich dir! leise Luigi! bespricht sich vertraulich mit Luigi SINDULFO will abgehen Addio! BENOZZO verstellt ihm den Weg Und mein Guthaben? SINDULFO Was bin ich schuldig? BENOZZO Was Sie alles schuldig sind, weiss ich nicht! Ich bekomme sechs Baiocci für den Wein und zwölf Scudi für die Zigarren. SINDULFO Gut, gut! Aufschreiben! will ab BENOZZO Aufgeschrieben wird bei mir nicht! SINDULFO Desto besser! schnell ab BENOZZO steht verblüfft da Ah! Das ist stark! LUIGI leise Benozzo! s gilt einen Streich gegen den da zeigt nach der Seite, wo Sindulfo abging Folge mir! BENOZZO Ah, ich verstehe! Zucker und Kaffee! Mit Wonne! Luigi und Benozzo folgen Sindulfo. DREIZEHNTE SZENE Erminio, Sora ERMINIO Jetzt ans Werk! ruft Sora! SORA Signore? ERMINIO Du beherbergst momentan die Gräfin Santa Croce? SORA Welcher ich bis zu meiner Verheiratung als Kammermädchen diente. Ja, Exzellenz! ERMINIO Ich habe der Gräfin - in ihrem Interesse - einen Rat zu geben. will ihr Geld geben Hier nimm und verschaffe mir eine Unterredung mit ihr! SORA Wo sich s um der Gräfin Interesse handelt, Signore, lasse ich mich nicht bezahlen! Ich will Sie melden. geht ab VIERZEHNTE SZENE Erminio (allein) ERMINIO O Liebe, Liebe! Zu welchen Torheiten kannst du selbst Männer von Charakter und Ehre verleiten! heiter zum Publikum Ich, Conte Erminio Saluzzo, dreissig Jahre alt, ledig, Gutsbesitzer, reich ... mache mit Luigi, meinem Freund, eine geologische Exkursion hierher. Auf einem Spazierritt begegne ich Carlotta, verliebe mich sterblich in sie, höre, dass sie in den Händen dieses dunklen Ehrenmannes Nasoni ist, dessen Sohn sie heiraten soll! Ich schliesse Einverständnisse mit Schmugglern, missbrauche die allgemeine Gasparone-Furcht, arrangiere einen fingierten Überfall; die Schmuggler vergreifen sich, nehmen, statt der Alten nur, auch die Gräfin gefangen! Ich muss Carlotta befreien und ernte einen Dank, den ich gar nicht verdiene ... wie beschämend für mich! Doch gleichviel! Ich muss sie diesem Nasoni entreissen, koste es, was es wolle! Ah, da kommt die Gräfin! Gott Amor, steh mir bei! FÜNFZEHNTE SZENE Erminio, Carlotta Nr. 5 - Duett CARLOTTA kommt aus dem Wirtshaus; mit Wärme zu Erminio Wie freu ich mich, dass Sie noch hier! Zu danken herzlich nach Gebühr war möglich mir bis jetzt noch nicht. Hier meine Hand als Unterpfand! Ich fühle innig Dankespflicht! Ja! Wohin Sie auch die Schritte lenken, o glauben Sie, stets werd ich Ihrer Tat gedenken; vergessen nie, wie Sie als Held mit starker Hand schnell die Gefahr von mir gewandt! ERMINIO freudig; sanft unterbrechend Zuviel! Doch bitt ich, fahren Sie nur fort, denn süss klingt mir solch innig Wort! CARLOTTA Gern möcht ich Ihnen mehr noch sagen, doch bin ich eigentlich zu End! ERMINIO entzückt Dass solchen Dank davonzutragen aufs neu Gelegenheit ich fänd! Ja! Wohin Sie auch die Schritte lenken, stets werde ich Sie schirmen vor des Feindes Ränken! Ganz sicherlich! Und wo Gefahr zu drohen scheint, wacht über Sie ein treuer Freund! CARLOTTA entzückt Zuviel! Doch bitt ich, fahren Sie nur fort, denn süss klingt solch ein Freundeswort! ERMINIO Es wacht ein Freund, vertraun Sie meinem Wort! traurig Sie sind ja Braut, in wenig Tagen ein andrer Sie die Seine nennt! losbrechend Oh, dass ich Sie durchs Leben tragen, dass ich Sie schützen, führen könnt ! CARLOTTA ein wenig zurückhaltend, doch ohne Kälte Dies Recht kann nur dem Gatten passen, er wird es sich nicht nehmen lassen. ERMINIO finster Ihr Gatte? Nun, er ist s noch nicht. CARLOTTA schwankend Doch wird er s sein! ERMINIO mit Nachdruck Gewiss! CARLOTTA immer schwankender Warum denn nicht? ERMINIO Warum? CARLOTTA Warum? ERMINIO nach kurzem, innerem Kampfe Noch darf ich s nicht erklären. Doch möchten Sie des Freundes Warnung hören! ernst Hüten Sie sich vor dem Räuberpaar, das schmeichelnd die Freundeshand Ihnen bot! Im Walde war kleiner die Gefahr, als hier von diesen beiden droht! Merken Sie sich Ein Freund bin ich, keinem andern traun, auf mich allein nur baun! Und was auch geschah, ich bin ja da, bleibe nah! CARLOTTA Merken will ich, dass sicherlich ich auf ihn darf baun, auf seinen Schutz vertraun. Und was auch geschah, er ist ja da, bleibt mir nah, mir nah! ERMINIO Merken Sie sich Ein Freund bin ich, keinem andern traun, auf mich allein nur baun! Was auch geschah, ich bleibe da, bleibe da! CARLOTTA für sich Wie sonderbar! Mir droht Gefahr von jenen beiden, die Freunde mir? Sollt er sie neiden? Was birgt sich hier? Sie meinten s schlecht? Verstand ich recht? ERMINIO Hüten Sie sich vor dem Räuberpaar, das schmeichelnd die Freundeshand Ihnen bot! Im Walde war kleiner die Gefahr, als hier von diesen beiden droht! CARLOTTA Merken will ich, dass sicherlich ich auf ihn darf baun, auf seinen Schutz vertraun. Und was auch geschah, er bleibt mir nah, er ist da! Setzt sein Leben dafür freudig ein, darf er mein Retter sein! ERMINIO Merken Sie sich Ein Freund bin ich, keinem traun, auf mich nur baun! Und was auch geschah, ich bleibe nah, ich bin da! Setz mein Leben dafür freudig ein, darf ich Ihr Retter sein! Mit schnellem Entschluss verabschiedet sich Erminio und eilt davon. Carlotta bleibt sinnend zurück. ELFTE SZENE Sindulfo (allein), dann Sora, später Benozzo SINDULFO Eine Million Lire! Sindulfo, zeige, dass du ein Weltmann, dass du diesem Conte Erminio überlegen bist! klopft auf den Tisch Heda, Wirtshaus! SORA kommt aus dem Haus Befehlen? SINDULFO Meine Braut ...? SORA Die Gräfin ruht ein wenig. SINDULFO Also heisst s warten. gähnt Wie langweilig! setzt sich Bring Wein, Sora, vom besten! SORA Zu dienen! ab SINDULFO Dieser Erminio muss mir Rede stehen. Ob auf Säbel oder auf Pistolen gleichviel! zündet sich eine Zigarre an SORA kommt mit Wein Hier, Signore, echter Syrakuser! SINDULFO trinkt, schnalzt mit der Zunge Famos! zieht Sora etwas an sich Weisst du, Kleine, dass du ein ganz appetitliches Weibchen bist? SORA Deshalb fand ich auch einen braven Mann, Signore! SINDULFO Ach ja, diesen Tagdieb von Benozzo! Benozzo erscheint auf dem Balkon, kehrt diesen mit einem Reisbesen, horcht auf, als er seinen Namen nennen hört. SORA Der hübscheste Junge von Syrakus! SINDULFO Aber ein heilloser Schmuggler! SORA Nicht, dass ich wüsste! SINDULFO Papperlapapp! Ich kaufte durch ihn vorigen Monat tausend geschmuggelte Zigarren! BENOZZO Die Sie heute noch schuldig sind! SINDULFO gleichgültig, klemmt sein Monokel ins Auge Ah, du bist auch da? BENOZZO Ja, ich bin auch da! kehrt wütend aus SINDULFO Geniere dich nicht! Du siehst, ich mache deiner Frau die Cour! BENOZZO Lassen Sie mich lieber Geld sehen! SINDULFO Für die Frau? BENOZZO Nein, für die Zigarren! sieht, dass Sindulfo zu Sora zärtlicher wird, heftig Keine Handgreiflichkeiten, wenn ich bitten darf! SORA Aber Signore! SINDULFO Ruhig, da oben! BENOZZO Nein, nicht ruhig da oben, sondern ruhig da unten, und wenn Sie nicht augenblicklich ... droht mit dem Besen; zu Sora Marsch, ins Haus mit dir! SINDULFO Nein, sie bleibt! BENOZZO Sie geht! Herein da, Sora! SINDULFO Ich glaube gar, der Bursche untersteht sich, sich mit mir zu messen! Das hiesse, ein edles Pferd zu einem Esel spannen! BENOZZO Wie kommen Sie dazu, mich ein Pferd zu nennen? SINDULFO Haha! Die Eifersucht macht ihn witzig! Höre nicht auf ihn, Sora! umfasst Sora BENOZZO Maledetto! Der Büffel in mir wird wütend! wirft den Besen nach Sindulfo und eilt durchs Haus nach unten SINDULFO lässt sich nicht abhalten, Sora mit Zärtlichkeiten zu verfolgen Der Büffel trägt Hörner, ergo SORA nimmt den Besen auf und wehrt Sindulfo damit ab Ei, Signore, jetzt ist s genug! BENOZZO auftretend Ob Sie jetzt gleich aufhören werden, meine Frau zu verfolgen, oder ... nimmt den Besen, den Sora weggeworfen hat und dringt auf Sindulfo ein. Sora, von Sindulfo verfolgt, welchen wieder Benozzo verfolgt, fliegt dem mit Luigi von rechts auftretenden Erminio in die Arme. ZWÖLFTE SZENE Die Vorigen, Erminio, Luigi ERMINIO heiter Gefangen! umarmt und küsst Sora SINDULFO für sich Conte Erminio? Eben recht! BENOZZO sieht das, fährt auf Erminio los Was war das? ERMINIO heiter Ich küsse jede hübsche Frau, die mir in die Arme eilt! küsst Sora wieder SORA Ah! BENOZZO erkennt Erminio, plötzlich freundlich Ah! Exzellenza! SINDULFO zu Benozzo Wie? Und das lässt du dir gefallen? BENOZZO zu Sindulfo Was geht s denn Sie an, wenn Exzellenza meint Erminio meine Frau küsst? zu Erminio Bitte! Wollen sich Exzellenza nur bedienen! zu Sindulfo Jetzt just, jetzt just! zu Erminio Bitte! präsentiert mit dem Besen SINDULFO Ich liess mir s doch nicht gefallen! ERMINIO stolz zu Sindulfo Darf ich fragen, mein Herr, mit welchem Rechte Sie sich da einmischen? SINDULFO stolz Ich... Herr?! ERMINIO lässt seinen Stock durch die Luft schwirren Ja, Sie ... Herr! trifft Sindulfo, der schreiend zurückfährt SINDULFO für sich Unangenehmer Patron! Werde mich nicht mit ihm schlagen! laut Habe nicht das Vergnügen, Sie zu kennen! ERMINIO Meinerseits! SINDULFO grüsst Ihr Diener! zu Sora, laut Sora! SORA Signore? SINDULFO zum Teil bedeutsam nach Erminio hinsprechend Melde meiner reizenden Braut, der Gräfin Santa Croce ... du verstehst? stärker meiner Braut, dass ich einen Wagen besorgen und mit Bedeckungsmannschaft zurückkehren werde ERMINIO dazwischenredend, für sich Zurückkehren? Wie ärgerlich! SINDULFO ohne abzusetzen ... um gewissen Leuten die leichte Mühe zu ersparen, sie abermals retten zu müssen, wenn Räuber sie anfallen! Sora geht ins Haus. Räuber?! Gott, wie romantisch! Hahaha! ERMINIO für sich Na warte! Das vergelt ich dir! leise Luigi! bespricht sich vertraulich mit Luigi SINDULFO will abgehen Addio! BENOZZO verstellt ihm den Weg Und mein Guthaben? SINDULFO Was bin ich schuldig? BENOZZO Was Sie alles schuldig sind, weiss ich nicht! Ich bekomme sechs Baiocci für den Wein und zwölf Scudi für die Zigarren. SINDULFO Gut, gut! Aufschreiben! will ab BENOZZO Aufgeschrieben wird bei mir nicht! SINDULFO Desto besser! schnell ab BENOZZO steht verblüfft da Ah! Das ist stark! LUIGI leise Benozzo! s gilt einen Streich gegen den da zeigt nach der Seite, wo Sindulfo abging Folge mir! BENOZZO Ah, ich verstehe! Zucker und Kaffee! Mit Wonne! Luigi und Benozzo folgen Sindulfo. DREIZEHNTE SZENE Erminio, Sora ERMINIO Jetzt ans Werk! ruft Sora! SORA Signore? ERMINIO Du beherbergst momentan die Gräfin Santa Croce? SORA Welcher ich bis zu meiner Verheiratung als Kammermädchen diente. Ja, Exzellenz! ERMINIO Ich habe der Gräfin - in ihrem Interesse - einen Rat zu geben. will ihr Geld geben Hier nimm und verschaffe mir eine Unterredung mit ihr! SORA Wo sich s um der Gräfin Interesse handelt, Signore, lasse ich mich nicht bezahlen! Ich will Sie melden. geht ab VIERZEHNTE SZENE Erminio (allein) ERMINIO O Liebe, Liebe! Zu welchen Torheiten kannst du selbst Männer von Charakter und Ehre verleiten! heiter zum Publikum Ich, Conte Erminio Saluzzo, dreissig Jahre alt, ledig, Gutsbesitzer, reich ... mache mit Luigi, meinem Freund, eine geologische Exkursion hierher. Auf einem Spazierritt begegne ich Carlotta, verliebe mich sterblich in sie, höre, dass sie in den Händen dieses dunklen Ehrenmannes Nasoni ist, dessen Sohn sie heiraten soll! Ich schliesse Einverständnisse mit Schmugglern, missbrauche die allgemeine Gasparone-Furcht, arrangiere einen fingierten Überfall; die Schmuggler vergreifen sich, nehmen, statt der Alten nur, auch die Gräfin gefangen! Ich muss Carlotta befreien und ernte einen Dank, den ich gar nicht verdiene ... wie beschämend für mich! Doch gleichviel! Ich muss sie diesem Nasoni entreissen, koste es, was es wolle! Ah, da kommt die Gräfin! Gott Amor, steh mir bei! FÜNFZEHNTE SZENE Erminio, Carlotta Nr. 5 - Duett CARLOTTA kommt aus dem Wirtshaus; mit Wärme zu Erminio Wie freu ich mich, dass Sie noch hier! Zu danken herzlich nach Gebühr war möglich mir bis jetzt noch nicht. Hier meine Hand als Unterpfand! Ich fühle innig Dankespflicht! Ja! Wohin Sie auch die Schritte lenken, o glauben Sie, stets werd ich Ihrer Tat gedenken; vergessen nie, wie Sie als Held mit starker Hand schnell die Gefahr von mir gewandt! ERMINIO freudig; sanft unterbrechend Zuviel! Doch bitt ich, fahren Sie nur fort, denn süss klingt mir solch innig Wort! CARLOTTA Gern möcht ich Ihnen mehr noch sagen, doch bin ich eigentlich zu End! ERMINIO entzückt Dass solchen Dank davonzutragen aufs neu Gelegenheit ich fänd! Ja! Wohin Sie auch die Schritte lenken, stets werde ich Sie schirmen vor des Feindes Ränken! Ganz sicherlich! Und wo Gefahr zu drohen scheint, wacht über Sie ein treuer Freund! CARLOTTA entzückt Zuviel! Doch bitt ich, fahren Sie nur fort, denn süss klingt solch ein Freundeswort! ERMINIO Es wacht ein Freund, vertraun Sie meinem Wort! traurig Sie sind ja Braut, in wenig Tagen ein andrer Sie die Seine nennt! losbrechend Oh, dass ich Sie durchs Leben tragen, dass ich Sie schützen, führen könnt ! CARLOTTA ein wenig zurückhaltend, doch ohne Kälte Dies Recht kann nur dem Gatten passen, er wird es sich nicht nehmen lassen. ERMINIO finster Ihr Gatte? Nun, er ist s noch nicht. CARLOTTA schwankend Doch wird er s sein! ERMINIO mit Nachdruck Gewiss! CARLOTTA immer schwankender Warum denn nicht? ERMINIO Warum? CARLOTTA Warum? ERMINIO nach kurzem, innerem Kampfe Noch darf ich s nicht erklären. Doch möchten Sie des Freundes Warnung hören! ernst Hüten Sie sich vor dem Räuberpaar, das schmeichelnd die Freundeshand Ihnen bot! Im Walde war kleiner die Gefahr, als hier von diesen beiden droht! Merken Sie sich Ein Freund bin ich, keinem andern traun, auf mich allein nur baun! Und was auch geschah, ich bin ja da, bleibe nah! CARLOTTA Merken will ich, dass sicherlich ich auf ihn darf baun, auf seinen Schutz vertraun. Und was auch geschah, er ist ja da, bleibt mir nah, mir nah! ERMINIO Merken Sie sich Ein Freund bin ich, keinem andern traun, auf mich allein nur baun! Was auch geschah, ich bleibe da, bleibe da! CARLOTTA für sich Wie sonderbar! Mir droht Gefahr von jenen beiden, die Freunde mir? Sollt er sie neiden? Was birgt sich hier? Sie meinten s schlecht? Verstand ich recht? ERMINIO Hüten Sie sich vor dem Räuberpaar, das schmeichelnd die Freundeshand Ihnen bot! Im Walde war kleiner die Gefahr, als hier von diesen beiden droht! CARLOTTA Merken will ich, dass sicherlich ich auf ihn darf baun, auf seinen Schutz vertraun. Und was auch geschah, er bleibt mir nah, er ist da! Setzt sein Leben dafür freudig ein, darf er mein Retter sein! ERMINIO Merken Sie sich Ein Freund bin ich, keinem traun, auf mich nur baun! Und was auch geschah, ich bleibe nah, ich bin da! Setz mein Leben dafür freudig ein, darf ich Ihr Retter sein! Mit schnellem Entschluss verabschiedet sich Erminio und eilt davon. Carlotta bleibt sinnend zurück. Millöcker,Carl/Gasparone/I-5
https://w.atwiki.jp/warband/pages/499.html
ip_0.wenzitihuan|00.Translation work ip_0.wenzitihuan_text|The translation work is not good enough, and there still remain lots of text in companions’ stories and heroes’ stories in mind reading mission. We need more time to do this, and will try our best. If you can give any help, please connect me in MODDB/Nexusmods or workshop in Steam. ip_1.xiangxing|01. Nature system ip_1.xiangxing_text|Except for character, each hero has its own belief, which refers to its nature. According to description in “the Water Margin”, all hero’s nature can be divided into three kinds, i.e. loyalty, chivalry and bravery. In this game, nature has an influence to determine the possibility to recruit some particular hero in tavern. Besides, it also has an influence on interactions with lords, such as sending gifts, donating, blacksmithing, recruiting, converting and award for tasks. Same nature will provide an enhancement on the effect of these interaction. ip_2.zhiye|02. Career system ip_2.zhiye_text|Every hero has 1 or 2 careers, you can check it out in report or the character page. Every career will effect in battle while the hero is “on fire”, except Fisher and Taoist. Heroes can get career EXP by “on fire” status or working on the right center buildings. The higher REQ attribute the hero has, the more chance or effect will be. There are 15 careers total, here’s the list ^[Merchant] EFF get money, BUD Market, REQ INT ^[Farmer] EFF get food, increase prosperity, BUD Farm, REQ CHA ^[Warrior] EFF stop enemies (blue sign), BUD Camp, REQ STR ^[Artisan] EFF refill allies’ ammo and shield (player need press H), BUD Workshop, REQ INT ^ [Herder] EFF heal ally horses HP (player need press H), BUD Stable, REQ AGL ^[Titan] EFF reduce enemies morale and get chaos(green sign), BUD Training, REQ STR ^[Actor] EFF increase ally morale and make some ally heroes get excited too, BUD Downtown, REQ CHA ^ [Academic] EFF make enemies surrender, BUD College, REQ INT ^[Barkeeper] EFF make enemies or hero get drunk, 100% chance to capture (except bandit hero), BUD Tavern, REQ CHA ^ [Fisher] EFF make enemy heroes dead together while he's dying, BUD Fishery, REQ AGL^ [Thief] EFF invisible and steal enemies' equipment, BUD None, REQ AGL ^ [Doctor] EFF heal allies, BUD None, REQ INT ^ [Playboy] EFF make female enemies become allies(heart sign, 100% chance for enemy beauty), make female ally stronger, BUD None, REQ CHA ^ [Beauty] EFF make male enemies become allies(100% chance for enemy playboy) BUD None, REQ CHA ^ [Taoist] EFF enemies around him will take damage by percent per few second(red aura), but when he get excited, the aura will disappear, BUD None, REQ INT.^^Player can get one of first 9 career in the beginning, and then can learn the second from Han Bolong in Dong Jing tavern. ip_3.jianzhu|03. Building system ip_3.jianzhu_text|Each settlement has its own buildings. A city can have 10 buildings, and castle or fortress can have 7 buildings. These buildings can provide resources for the settlement. With your management and heroes’ work, these building can develop its scale. Buildings in bigger scale can provide more resource, and a more capable hero can make a larger increment on the building’s scale. ^If you are a governor of village, you may have the right to develop some building in the city which your village is subordinate to. If you have a city, a castle or fortress, you may appoint a hero in your team to work in it. If you are a king or field marshal, you may appoint governors of all cities as you please. Heroes will choose a suitable working post by themselves. Heroes’ profession and properties will make a special effect on buildings. Detail information can be found in building menu. ip_4.chengchi|04. New attributes for settlement ip_4.chengchi_text|Buildings have varied effects on attributes of settlements. Here the attributes are listed. ^Money financial income is used for recruiting soldiers, salary of lords, army equipment and so on. Food Food is consumed by soldiers daily, insufficient food supply will cause morale decline, casualties and fleeing. ^Population widely affects the attributes increments of settlement. Prosperity affects money income and population increasing. ^Equipment requirement for recruiting advanced soldiers. The higher rank is, the more equipment will be need. ^Horse requirement for recruiting cavalry. Each cavalry will consume 1 horse. ^Reserve force point requirement for recruiting advanced soldiers. Each training will consume 1 point. ^As Mount Blade Warband has already established a complete economy system, setting values for new parameters for this mode may take a long-term testing. In order to preserve the balance, most of new properties and attributes are set as a positive-related bonus, which means a high value will make a significant help, but low value may cause little negative effect. After evaluating the effect in this edition, the negative effect may be enhanced. ip_5.teji|05. Star skill ip_5.teji_text|The 108 heroes have their own star skills, you can check it out in their character info page. 5 kings and 100 vassals in Han, Liangshan, Zhao, Sha, Shu, plus 3 girls in companions which was Gu Dasao, Sun Erniang, Hu Sanniang are 108 heroes in the novel. ip_6.dantiao|06. Duel System ip_6.dantiao_text|If the strongest troop in enemy party are stronger than your party, they will call for a duel in the beginning of the battle. If not, player can also call for a duel. When the hero win the duel, he will get “on fire”, increase str and agl by temp, and the morale of his party will get higher. If the hero lose, his soldier in his party will get chaos or surrender. ip_7.gaoang|07. On Fire ip_7.gaoang_text|When a hero win the duel, or kill enough enemies, or was encouraged by an actor, he will get an “on fire” status. On this status, he will get a temp increase of attribute, recover hp. His career skill will effect and will speak his own dialog. ip_8.zhanchang|08. Sign in the battle ip_8.zhanchang_text|Chaos green sign;^ Immobilize blue sign;^ Fall in love Flower sign; ^ Taoist skill Red aura. ^ The higher leadership skill the leader was, the longer the status last. ip_9.shenqi|09. Legendary Item ip_9.shenqi_text|There’s purple color text in Legendary Item, and hero will get buff when equipped it.^ Player can get legendary item after battle by chance, or on duel to loot, or in some secret chest, or in the mission, or by some NPC.^ The stronger enemy is, the more chance you will get the unique loot. In addition, looting skill of main party also effect the chance.^ If player has not get unique loot for a long time, the chance will grow up slowly. ip_10.chenghao|10. Title system ip_10.chenghao_text|If you insist on doing something, you will get the corresponding title. These titles will help you do this better. ^ Players can view the title in the report menu, or quest pages. ip_11.huweidui|11. Guard party "ip_11.huweidui_text|If vassal has town or castle, he will recruit guard parties. Player can get guard party from mayor if joined a faction. Guard parties will demobilize the prisoners for money, and get new troops. The higher official player has, the more soldier the guard party can take. " ip_12.teshubingzhong|12. Special unit ip_12.teshubingzhong_text|Every contry has their own special unit. Player can not capture them by battle. Just talk to mayor of your faction, he will tell you what you need to train. ip_13.guanzhi|13. Official system ip_13.guanzhi_text|Players can gain merits when they join the country, and enough contribution can increase their official positions. ^Improve the official position to obtain attributes, increase the upper limit of the troops, issue squats, obtain special equipment for the country, and so on. ^ Players can be divided into official positions after independence, and different official positions have different effects. ip_14.waijiao|14. Diplomatic system ip_14.waijiao_text|When the player joins other faction, he can advise the king's diplomacy. ^ After the player independence, he can find an official or prime minister to carry out a series of diplomatic functions. ^After the player independence, he can deliver military orders to the subordinates in the camp menu. ip_15.qita|15. Other system ip_15.qita_text|There are so many functions and systems are from 108 Heroes in classic M B, so I don’t introduce them in the Warband M B info pages. You can just play and find it. If you have any questions, leave the message in NexusMODs/moddb/steam. Have Fun! ip_16.kuaijiejian|16. Hot keys ip_16.kuaijiejian_text|[M] on the battle Open/close the mini map;^[T] on the battle Show the morale and killing rank;^[H] on the battle career skill (Artisan/ Herder/Doctor);^[Y] on the map speed on (if Dai Zong is in your party);^[U] on the map hiding (if Shi Qian is in your party);^^If your own faction has enough vassals in Shu, when you on the battle [U] to start formation, [J] formation forward, [N] cancel the formation ip_17.shenqichengzhang|17. Suffix of legendary weapons ip_17.shenqichengzhang_text|Every legendary weapon has random suffix, which was Metal, Wood, Water, Fire, Earth. Every legendary weapon can get EXP by killing. The weapon has random max level, the most max level is 4, which needs 700 exp.^The first feature of legendary weapon is decide by the suffix, it should get 25 exp to unlock it. There also are two kinds of legendary weapon, one is only suitable for Taoist career, and another is not.^The 2-4 feature is random, which need 100/300/700 to unlock. And the value is depend on the color of the feature, which was green-blue-gold-orange.^^Warning Due to M B engine restrictions, you’d better DO NOT equip a same kind of item in one troop. For example, if player equip “Moon sword[Metal]” and “Moon sword[Wood]” at the same time, the “Moon sword[Wood]” won’t get any exp, and the skill of the feature won’t effect. ip_18.jingjichang|18. Tournament ip_18.jingjichang_text|Player can get special reward by join tourament for few times. ip_19.haohanchenghao|19. Titles of Heroes ip_19.haohanchenghao_text|In addition to the players, the hero can also get the corresponding title through different ways. After winning the title, there will be certain effects and random attributes and skill rewards. ^The hero can gain military strength by killing the enemy, and the value of the military power can be increased to obtain a random attribute reward. Military strength values can be viewed after the war and in the quest pages. ip_20.junzhixitong|20.Military system ip_20.junzhixitong_text|You can find Military Appointment menu in the camp or before battle.^[Commander] Player controlled character. When you learned mind reading and it’s not on CD, you can click the button to change commander before battle. The Leadership Level of player can increase whole party’s attribute, which have 10% effect. If there’s no leader in one class, the effect is 25%.^[Advisor] Party can use advisor skill on the battle. This function is unavailable in this version.^[Leader] Increase ATK/DEF of the class, take 50% effect.^[Attacker] Increase ATK of the class, take 20% effect.^[Defender] Increase DEF of the class, take 20% effect.^Besides, the relation of Leader/attacker/defender can also buff the class, take 20% effect. If they have same native, they will get more relation addition after battle. You can move your mouse to the number to check the percent. ^Leadership Level There are 5 level of leadership D, C, B, A, S. Each level also contain 3 level, which like C-, C, C+. There are two way when hero reach to A, power up ATK or DEF, like A+[A], or A-[D]. There are three way when hero reach to S, increase or decrease damage from cavalry /infantry /archers. Like S-[A]CAV, means leadership is S-, more ATK, and take extra damage to cavalry.^Heroes will get more leadership EXP if the soldier in his class kill more troops. The higher level troop is, the more EXP heroes will get. You can click the “Leadership Level” text to switch it to “Leadership EXP”. When the heroes in your party can level up to A or S, you should level it up manual and choose the direction. ip_21.bingzhongshixing|21. Leadership Level ip_21.bingzhongshixing_text|- Leadership level is effect not only player’s main party, but also every party. ^- If the troop equipped ranged weapons, he is the archers class. Other troops who have horses, are cavalry class, The rest are the infantry class.^- Every special unit has extra buff, such as Xu Ning Gold Lancers, which will inflict extra damage to cavalry.^- The default name of team “infantry/cavalry/archers” is just a name, not class. If you put a horseman in this team, he will get cavalry buff from leader/attacker/defender, not infantry buff.^- Troops in center or guard party will also get buff from his lord or leader.^- Heroes will also get the buff.^- Heroes only get 1/2 leadership EXP than soldiers by killing.^- The higher leadership skill the hero is, the more quickly leadership exp he get. ip_22.zhanqianbuzhen|22. Battle settings ip_22.zhanqianbuzhen_text|You can find Battle Setting menu in the camp or before battle. Make sure you set the leader of the team first.^ [Team Setting] Change the team order. ^[Formation Order] Click the team name to change the position, click the apply check to enable the form. ^[Grounp Leaders] Click the leader name on the right to switch the team. ip_23.duxinshuqianghua|23. Mind Reading power up ip_23.duxinshuqianghua_text|When you have been defeated on the battle, it will not come to an end. You can continue watching or quit.^ Press [Tab] key to quit the battle; Press [Space] key to change watching mode;^ Click [mouse left/right] button to switch heroes;^ Press [WASD] key to rotate camera; Press [Direction] key to move camera;^ Press [Enter] key to choose hero; Press [Left Ctrl] key to close the tip message.^Tips you can only control hero after you learned the mind reading, and you can only control the heroes in your party. ip_24.shenqiqianghua|24. Refine stones ip_24.shenqiqianghua_text|Refine stones unlock the higher exp level, the max level is 4, which is 700 exp.^Power up stones upgrade your legendary weapons' first feature by using power up stone, you should get at least 25 exp to unlock the feature. you can not upgrade the feature which was already orange color.^Reroll stones reroll your legendary weapon’s 2-4 random feature by using reroll stone, you should upgrade it to max level first, after my work finished, it will lose a few exp. Please put the weapon into first 3 inventory slots.^Owner stones set your legendary weapon’s owner by using owner stone, you should upgrade it to max level first. One kind of weapon can only set owner by 3 heroes at most, and one hero can only set 2 owner special item at most. Please put the weapon into first 3 inventory slots.^Besides Tang Long, Hou Jian and Huangfu Duan can also set armor or horses’ owner.^You can check your stones in collection page. ip_25.quanguowudaodahui|25. Tournament of China ip_25.quanguowudaodahui_text|You can join Tournament of China every month, it’s a 5v5 game, and if you win 3 of 5, you win.^- You can join the game if you joined a faction, or your party has more than 4 companions, or your own kingdom has more than 4 vassals.^- There are 3 fights Quarterfinals, Semifinals, and Finals. ^- The rule is as same as duel on the battle, ammo is only 10, star skill and Taoist skill will enable. Time limit is 90s, when time’s up, the hero who has more percent hp will win.^- Player can control hero by mind reading.^- If you win the finals, you will get lots of reward, and have chance to get extra reward from host.^- You can pay for a spy to watch opponent setting.^- You can also play the mode in main menu “Super Smash Mod” ip_26.zhiyexitong2|26. Extra career ip_26.zhiyexitong2_text|Player can get one of first 9 career in the beginning, and then can learn the second from Han Bolong in Dong Jing tavern.^- You should learned Mind Reading before you talk to Han Bolong.^- You can learned extra career if your career have been level 3, and there’s a hero who has level 4 career in your party. It will spend a whole day to learn it.
https://w.atwiki.jp/mrfrtech/pages/24.html
Computer-Aided Design Market Overview Market Research Future (MRFR), in its latest report on the Global Electrical Computer-Aided Design (ECAD) Market reveals that different forces that are likely to act on it. MRFR conducted a complete analysis on the impact of COVID 19 on the electrical computer-aided design (ECAD) market. MRFR study shows that the electrical computer-aided design market can rise at 9.22% CAGR across 2018 to 2024. The electrical computer-aided design market value can escalate from exhibiting USD 1,710.1 million in 2018 to USD 2,860.3 Million by 2024. Increase in awareness about Electrical computer-aided design (ECAD) benefits, such as easy-to-use, real-time standalone, and multi-user electrical design tool that efficiently resolve electrical interconnections for complex electrical systems is expected to support the rise of the ECAD market across the analysis period. Features, such as designing circuits accurately, quickly, and with optimization of the overall design process can promote the rise of the electrical computer-aided design market in the years to come. The increase in the application of ECAD in diagram making, concurrent designing, 3D assembly, and generation of manufacturing and documentation can favor the market rise. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/8235 Competitive Analysis ALPI International Software, EPLAN Software Service, Dassault Systèmes SE, Siemens PLM, Trimble, Inc., Autodesk, Inc., Bentley Systems, Inc., IGE+XAO, and Nemetschek SE among others are some reputed providers of global electrical computer-aided design (ECAD) solutions, as listed by MRFR. Segmental Analysis The segment study of the Global Electrical Computer-Aided Design (ECAD) Market is done by Industry Type, application, component, and vertical. The Component based segments of the electrical computer-aided design market are Software and Services. The Industry Type based segments of the electrical computer-aided design market are Process Industries and Discrete Industries. The Application based segments of the electrical computer-aided design market are Plant Design, Water Treatment and Distribution System Control, Switchgear Design, Industrial Machine Controls, Rail Signaling, Mining Equipment Control, and Others. The Vertical based segments of the electrical computer-aided design market are Equipment and Machinery, Construction, Automotive, Aerospace Defense, Power Generation and Energy, Railway, Oil Gas, Equipment and Machinery, and Food Beverage among others. Regional Analysis The trends of the electrical computer-aided design (ECAD) market is studied across APAC, North America, EU, and the rest of the world. MRFR regional evaluation reveals that the electrical computer-aided design market in North America is expected to be the largest market value. North America electrical computer-aided design market can thrive at 7.94% CAGR across the forecast period and reach a valuation of 0USD 620.4 million by 2024. The rise in the adoption of electrical computer-aided design (ECAD) technology across the growing number of discrete industries is expected to support the expansion of the regional market. In addition, the rise in industrial manufacturing investments can also promote the regional market growth. In Europe, the mounting complexities of manufacturing process are creating growth scope for the electrical computer-aided design regional market. Along with, the rise in focus on environmental concerns and industrial safety can impel the expansion of the market across the review period. The rise of EU ECAD market can be attributed to increase in viability of new energy sources, and gradual rise in cost of products as fresh set of competitive designers and engineers are focused on innovation. In APAC, the rise in popularity of ECAD and other effective 3D solution to enhance manufacturing and design processes is expected to drive the regional market. Controls development costs, accelerates time-to-market, aids in increasing cash flow, improves product quality, and profit margins can boost the expansion of APAC ECAD market. Access Report Details @ https //www.marketresearchfuture.com/reports/electrical-computer-aided-design-market-8235 Table of Content 1 Executive Summary 2 Market Introduction 2.1 Definition 17 2.2 Product Considered 17 2.3 Scope of The Study 18 2.4 Market Structure 19 Continued…. Similar Report Application Management Services Market By Service-Type (System Integration, Consulting Services, Modernization Services, And Others), By Organization Size, By Deployment, And By End-Users Open Source Intelligence (OSINT) Market By Security Type (Human Intelligence, Content Intelligence, Dark Web Analysis, Link/Network Analysis, Data Analytics, Text Analytics, Artificial Intelligence, Big Data, Others), Technology (Bid Data Software, Video Analytics, Text Analytics, Visualization Tool, Cyber Security, Web Analysis, Social Media Analysis, Others), Application (Military Defense, Homeland Security, Private Sector, Public Sector, National Security, Others) List of Tables Table 1 List of Assumptions 26 Table 2 Global Electrical Computer-Aided Design (Ecad) Market, By Component, 2020–2027 (Usd Million) 35 Table 3 Software Electrical Computer-Aided Design (Ecad) Market Estimates Forecast, By Region 36 Table 4 Global Electrical Computer-Aided Design (Ecad) Market, By Services, 2020–2027 (Usd Million) 36 Table 5 Support Electrical Computer-Aided Design (Ecad) Market Estimates Forecast, By Region 37 Continued….. List of Figures Figure 1 Market Synopsis 16 Figure 2 Market Structure Global Electrical Computer-Aided Design (Ecad) Market 19 Figure 3 North America Market Size Market Share By Country (2020 Vs 2027) 20 Figure 4 Asia-Pacific Market Size Market Share By Country (2020 Vs 2027) 20 Figure 5 Europe Market Size Market Share By Country (2020 Vs 2027) 21 Continued…. About Market Research Future At Market Research Future (MRFR), we enable our clients to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. MRFR team have supreme objective to provide the optimum quality market research and intelligence services to our clients. Our market research studies by Solutions, Application, Logistics and market players for global, regional, and country level market segments, enable our clients to see more, know more, and do more, which help to answer all their most important questions. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #growth #trend #report #analyis #share #marketing #forecast #digital #geographic #demographic #gnews Plugin Error キーワードを入力してください。 #tech #researchreport #marketreport #futrue
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【登録タグ A セラフィックチキン 不朽の曼珠沙華 冬乃桜 天秤亭 曲 漆黒の投影は月夜に -TABLETALK ROLE PLAY IN TOHO18-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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男爵 警察、警察！ ［警部が警備員を二人伴って登場。全員が動いて、彼らの場所を作る。］ 警部 ［鋭く］ 止まれ！誰も動くな！何が起こっているのですか？誰が助けを求めたのですか？誰が騒動を起こしたのですか？ ヴァルツァッキ ［オクタヴィアンへ］ ああ、なんと、どうなるんだ？ オクタヴィアン 私に任せておきなさい！成り行きに任せなさい。 ヴァルツァッキ 閣下のお命じのままに。 男爵 ［警部へ向かって、貴族らしい自信をもって］ 今や万事秩序通り。君にはまったく満足しているよ。ウィーンではすべてがすらすらと運ぶと信じていたよ。 ［楽しげに］ このごろつきどもを私の前から厄介払いしてくれたまえ。私は静かに晩餐を取りたいのだ。 警部 御仁はどなたですか？御仁はなんの権限をお持ちですか？あなたが主人ですか？ ［男爵はあんぐりと口を開く］ ［鋭く］ それならばどうぞ静かに黙って、私が呼ぶまでお待ちください。 男爵 ［狼狽して少し下がり、自分のかつらを探し始める。かつらは喧騒の間になくなってしまっており、発見できないままである。］ 警部 ［座る。二人の警備員は警部の後ろに陣取る］ 主人は誰ですか？ 宿屋の主人 ［へりくだって］ 私めで。上級警部様にはまことによろしくお願い申し上げます。 警部 このごたごたではお宅の印象はよろしくありませんな。では報告を！ 宿屋の主人 警部様！ 警部 はじめから！ 宿屋の主人 男爵様が… 警部 あそこにいる大男かね？あなたのかつらはどうなさったのですか？ 男爵 ［この間ずっと探している］ それは私が聞きたいよ！ 宿屋の主人 あちらはフォン・レルヒェナウ男爵様です。 警部 十分ではないな。 男爵 なに？ 警部 誰かそばにあなたの立場を証明する者はいますか？ 男爵 すぐ手元に。そこに。私の秘書が。イタリア人です。 ヴァルツァッキ ［オクタヴィアンと合意の目配せを交わす］ 申し訳ございませんが、ワタクシは何も知りません。こちらのトノは男爵かもしれませんし、そうではないかもしれません。ワタクシはなんにも知りません。 男爵 ［我を忘れて］ これはなんともひどい。イタリアの悪党め、うそだ！ 警部 ［男爵へ、鋭く］ ご自身のために、慎んだほうがよいですぞ！ オクタヴィアン ［ここまで静かにじっと立っていたが、ここにきて、あたかも、絶望してあちこちとさまよい、出口を見つけられずに窓を出口の扉と勘違いしたかのように振る舞う。］ ああ、神様、土の中に入ってしまいたいわ！マリアターフルの聖母様！ 警部 そちらのその若い人は誰ですか？ 男爵 彼女？誰でもないよ。彼女は私の保護下にある。 警部 あなたご自身が今現在保護を極めて必要としているのですよ。あの若い子は誰ですか、ここで何をしているのですか？ ［見回す］ あなたが神に呪われた放蕩者で誘惑者であるとは望みたくないですな。そうですと、あなたはかなり悪い立場に置かれますぞ。あなたはこのお嬢さんをどうやって知ったのですか。答えを求めます！ オクタヴィアン 水の中に身を投げるわ！ ［逃げようとする振りをしてアルコーヴへ駆け寄り、カーテンを引き開ける。そのため、ベッドがそこにあり、遮るものなく光があたっているのが見える。］ 警部 ［立ち上がる］ ご主人、これはなんですか？あなたはなんの商売をしているのですか？ 宿屋の主人 ［途方にくれて］ 身分のある方々がお食事やお夕食を取られる時には…… 警部 口を閉じなさい。あなたには後で聞こう。 ［男爵へ］ 今から三まで数えます。そうしたら、あなたがこの町のお嬢さんとどうやって知り合ったのか、お聞かせ願いましょう。嘘の証言をしようなどとお考えにならないように願います。 ［主人とヴァルツァッキが手振りで男爵に状況の危険性とその証言の持つ重要性を示す。］ 男爵 ［彼らに向かって、自信をもって、自分に任せるように、自分はこういうことに慣れている（新米ではない）ことを合図する。］ あなたは礼儀をご存知ないようだね、警部殿、身分ある者が婚約者と夜の九時に晩餐を一緒にとろうとしているところなのだよ。 ［周りをちらりと見て、自分の機転の効いた証言のききめを待つ］ 警部 あちらがあなたの許嫁なのですか？それではその父親の名前と住居を言ってください。あなたの申告が正しいとわかれば、お嬢さんと一緒に行ってかまいません。 男爵 私はこういうやり方には全く慣れていないんだ… 警部 ［鋭く］ 証言をしなさい、そうでないならもっと厳しくせざるを得ませんぞ。 男爵 答えは欠かしませんよ。 ［急いで］ ファニナル嬢です。ゾフィア・アンナ・バルバラ、生まれ高貴なるフォン・ファニナル氏の嫡出女であり、ホーフの自分の館に住んでおります。 ［扉の前には宿屋の従業員や、他の客、数人の演奏家が他の部屋から野次馬に集まってきている。フォン・ファニナル氏が、 慌てて興奮した様子で、帽子と外套をつけたまま、 彼らの間を突き進んで来る。］ ファニナル 着きました。私に御用とはなんでしょうか？ ［男爵に近づく］ なんというご格好ですか？こんな時間に下賤の酒場に急に呼び出されるとは思ってもいませんでしたよ。 男爵 ［ひどく驚き、不愉快になって］ 誰があなたをここに呼んだのだ？ちくしょうめ。 ファニナル ［抑えた声で彼に］ なぜ私にそのような愚かな問いを、婿殿よ？ほとんど扉を突き破らんばかりにして私に知らせを送ったのではないですか。とにかく急いでここに来るようにと、あなたが困った立場におかれていると、身に覚えのないことでそうなってしまったと。 男爵 ［頭を抱える］ 警部 御仁はどなたですか？この御仁はあなたとどういう関わりがあるのです？ 男爵 何も大したことじゃありません。単なる知り合いですよ、ただ偶然この宿屋に泊まっていたのです。 警部 お名前を頂戴しましょう！ ファニナル 私は貴族のフォン・ファニナルです。 警部 ということはあなたが父親なのですね。 男爵 ［間に立って、オクタヴィアンをファニナルの目から隠す。熱心に］ 断じてそうではない。血縁ですよ、兄弟、甥です！本人はもう一回り太ってます。 ファニナル ［ひどく驚いて］ 何が起きているのです？何を見ているのです？私がもちろん父親です。 男爵 ［彼を追い出したがって］ 後はまた今度に、すまないね！ ファニナル そうはいきませんよ。 男爵 ［激高して］ 帰りたまえ、ちくしょうめ！ ファニナル ［次第にいらいらを高めて］ 私の名前と体面をこのようなもめごとに巻き込んで、婿殿！ 男爵 ［何とかして口を閉じさせようとする。警部へ］ イデー・フィクス（強迫観念）なんです。私をそう呼ぶのを楽しんでるんですよ。 警部 はい、はい、もうよろしい。 ［ファニナルへ］ ではこちらの殿方はあなたの婿であると認めますか？ ファニナル そのとおりです！なぜ私にわからないはずだと？彼に髪の毛がないからですか？ 警部 ［男爵へ］ そしてあなたも、今となっては、こちらの殿方が、良かれ悪しかれ、あなたの義父であると認めますか？ 男爵 ［机の上から灯りを取り、ファニナルをしっかりと照らす］ ええ、ええ、そうそう！はいはい、確かにそのようです。今日は一晩中、まったくおかしかったんです。今日は自分の目を信じることができなくて。なんとも他に言いようがないのですが、ここには空中になにかいて、そのせいでうっ血を引き起こしてしまうんです。 警部 ［ファニナルへ］ それに対して、こちらの、彼がはっきりとあなたの娘だと言った女性に対する父子関係は否定されると。 ファニナル ［ここで初めてオクタヴィアンに気付く］ 私の娘？ そこの、その女中が私の娘だと詐称しているのかね？ 男爵 ［無理矢理に笑って］ お遊びですよ！まったくの誤解です！宿屋の主人がそちらの警部殿に私のファニナル家との婚約関係をもっともらしく話したからですよ！ 宿屋の主人 ［興奮して］ 一言も、一言も、警部殿、 ご本人の証言に寄るものです！ ファニナル ［我を忘れて］ その女性を逮捕しろ！さらしものだ！鞭打て！修道院に監禁しろ！私は…私は…私は… 男爵 家にお帰りなさい。明日の朝に！全てをご説明しますから。わかっているでしょう、あなたが私に何を負っているのか。 ファニナル ［我を忘れて、激怒して］ ご本人の証言に寄るものですと！ ［数歩後ろに下がって］ 私の娘をこちらへ！下で輿に座っているから！駆け足でこちらへ！ ［再び男爵に向かって突進して］ このことは高くつきますぞ！法廷に持ち込みますからな！ 男爵 まったくなんにもならないことのために、まったく馬鹿げたことをしていますぞ。カヴァリエがあなたの婿でいるためには馬のような忍耐が必要なのだ、誓って！私は私のかつらがいるのだ！ ［宿屋の主人を揺さぶる］ 私のかつらを持って来い！ ［かつらを探してあちこち勢いよく動き回るうちに、こどもの一人にぶつかり、その子をわきに押しのける。］ 4人の子供 ［自動的に］ パパ！パパ！パパ！パパ！パパ！ ファニナル ［のけぞる］ あれはいったい何だ？ 男爵 ［探すうちになんとか帽子だけは見つけ、 帽子で子供たちを打つ］ まったくなんでもない！ぺてんだ！このろくでもない連中などまったく知らん！彼女は私と結婚しているというんだ。クレドのなかのポンティウス（ピラト）のように恥をかかせようとしているのだ。 ゾフィー ［外套を来て急ぎ足で入ってくる。人々は場所を開ける。扉の前にはそれぞれ輿の持ち手を持ったファニナル家の下僕たちが見える。］ ［男爵が頭の禿げた部分を帽子でゾフィーから隠そうと試みる一方で、ゾフィーは父親の方へ歩み寄る。］ 見物人の合唱 花嫁だ！ああ、なんというスキャンダル！ ファニナル ［ゾフィーへ］ ここを見てごらん。あそこに婿殿がいる。あそこにはその清廉な殿の家族だ。奥方とその子供たちだ！そこの左手にいるご婦人だよ！いや、あれはお前だった、ご本人の証言に寄るとね、お前なのだ！土の中に沈みたいとな？私もだ！ ゾフィー ［嬉しそうに安堵の息を吐く］ とても嬉しいです！彼をそのように見たことは一度もありませんでしたから。 ファニナル 彼をそのように見たことは一度もない。 ［どんどん自暴自棄になりながら］ 彼をそのように見たことは一度もない。私の素晴らしい名前が！きっとこのどぶからは二度と這い上がれないだろう！もはや誰も私を相手にしないだろう！ ［ほとんど泣きそうになる］ 合唱 ［扉の前に立って］ スキャンダル！スキャンダル！フォン・ファニナル氏のスキャンダル！ ファニナル ウィーンの街中が！黒新聞が！ 壁から出た頭や地下からの合唱 ［壁や床から現れて、くぐもった声で］ スキャンダル、フォン・ファニナル氏のスキャンダル！ ファニナル そら！地下から！空から！ウィーンの街中が！ ［拳を握りしめながら男爵に向かっていく］ おお！いかさま師め！具合が悪くなってきた！椅子を！ ［下僕が飛び出してきて、彼を支える。二人ともこれ以前に持っていた棹を後に立つ人たちに投げ渡している。ゾフィーは不安でいっぱいになりながら彼の世話をしようとする。宿屋の主人も同時に飛び出してくる。彼らは彼を抱えて隣の部屋に連れて行く。数人の給仕が先にたって道を示し、扉を開ける。］ ［この間に男爵は魔法の手によってどこからともなく現れたかつらを見つけ、そこに突進し、頭の上にかぶせ、鏡の前で正しい位置に整える。この変化によってほぼ元通りの落ち着きを取り戻し、今に至るまで彼にとって得体のしれないアンニナと子供たちに対して背中を向けることで満足する。］ ［フォン・ファニナル氏とその下僕たちの後ろで左手の扉が閉まる。主人と給仕はすぐに静かに戻ってきて、薬と水の入ったカラフェなどを持って扉の元まで運び、扉の隙間からゾフィーがそれらを受け取る。］ 男爵 ［いまやかつての自信を取り戻して警部へ向かって］ これでますますはっきりしましたな！支払いを、私は出るぞ！ ［オクタヴィアンへ］ あなたは私が家まで送りましょう。 警部 それは違いますな！あなたには今からもう一回尋問を！ ［警部の合図で二人の警備員は部屋から関係者以外を全て追い出し、アンニナと子供たちだけが左手の壁の前に留まる。］ 男爵 もういいではありませんか。お遊びだったのですよ。後でまたこのお嬢さんが誰かはお伝えします。あなたに約束しましょう。私は恐らくこの娘と結婚するでしょう。あっちのごろつきどもも静かになりましたしな。 ［オクタヴィアンを連れ去る素振りをする］ もうわかったでしょう、私が誰であり、誰でないかを！ オクタヴィアン ［逃げる］ この旦那とは行きません！ 男爵 ［抑えた声で］ 私はあなたと結婚するのだから、あなたは私と行動するのだよ。あなたは男爵夫人にもなるんだし、私のことが大好きでしょう！ オクタヴィアン ［オクタヴィアンは男爵から腕を引き剥がす。しゃべる］ 「警部殿、調書に取ってもらいたいことがありますが、ここにいる男爵様には聞かれたくありません。」 ［警部の合図で二人の警備員は男爵を右手前方へ引っ張っていく。オクタヴィアンは警部に何かを伝え、それを聞いた警部はひどく驚く。警部はオクタヴィアンに付き添ってアルコーヴへ行く。オクタヴィアンはカーテンの後ろに消える。］ 男爵 ［警備員に、親しげに、抑えた声で、アンニナを指し示しながら］ あの女性のことは知らないのだ、名誉にかけて。 ちょうど食事をするところだったのだ。 彼女が何を求めているのかまったくわからないのだ。 そうでなければ自分で警察を呼んだりしないだろう… ［警部は楽しんでいる様子で、カーテンの隙間に臆することなく近づく。］ 男爵 ［警部の笑い声に気付く。不可解な展開に突然ひどく興奮して］ そこでいったい何をしている？こんなことがあり得るのか？この無作法者！それでも風紀警察か？生娘だぞ！生娘だ。 ［押しとどめるのが難しい］ 私の保護下にあるのだ。苦情を申し立てる！一言言わせてもらわねばならない！ ［身をもぎ離し、寝台の方へ行こうとする。彼らは男爵を再び捕まえて押さえる。］ ［アルコーヴからは一つずつマリアンデルの服が出てくる。警部はそれをまとめる。］ 男爵 ［興奮を募らせ、二人の警備員から逃れようともみ合う。彼らがなんとか男爵を押さえていると、オクタヴィアンの頭がカーテンの隙間から覗く。］ 何が何でも彼女の元へ行かねば！ ［給仕が入ってきて扉を開ける。］ 宿屋の主人 ［飛び込んできて］ 元帥公爵夫人閣下の御成！ ［はじめに元帥夫人の家僕の何人かが見え、それから男爵の小姓が見える。並ぶ。］ ［元帥夫人が入場。黒人の子供が彼女の引き裾を持っている。］ 男爵 ［警備員から身を引き剥がし、額の汗を拭い、元帥夫人の元へ急ぐ］ またとない幸運でございます、このような光栄は身に余ることで。閣下のこちらへのお越しは比べるもののないご友情と存じます。 オクタヴィアン ［カーテンの間から頭を突き出して］ マリー・テレーズ、なぜここに来たの？ 元帥夫人 ［動かず、答えず、問うように見回す。］ 警部 ［公爵夫人の元へ、儀式張った姿勢で］ 侯爵夫人閣下、謹んで下級警部主任としてご報告申し上げます… ［小姓は、誇らしげに自分に満足した様子で男爵の元へ向かう。男爵は彼に満足しているさまを合図する。］ 男爵 おわかりでしょう、警部殿、やんごとなきお方が自らご足労くださったのだ。君も自分がどのような立場かわかっただろう。 元帥夫人 ［警部へ］ 私をご存知？ 私もあなたを知ってるのでは？ そんな気がするわ。 警部 もちろんです！ 元帥夫人 以前、元帥様の有能な伝令兵ではなかった？ 警部 閣下、お言葉のままに。 ［オクタヴィアンは再びカーテンの間から頭を突き出す。］ 男爵 ［オクタヴィアンに隠れるように激しく合図し、同時に元帥夫人が彼に気づかないように不安げに苦心する。と、左手の扉から足音が近づくのが聞こえ、そちらへ急ぎ、扉に背中を押し付けて立ち、愛想の良い身振りをして元帥夫人に向かってまったく気後れのしていない態度を取り繕おうと努力する。］ ええい、そこにとどまってなさい！ 元帥夫人 ［左手に来て、じっと待つような表情で男爵を見つめる。］ オクタヴィアン ［男爵が背を向けるやいなや、男性の服を着てカーテンの間から出て来る。］ 約束と違うじゃない、マリー・テレーズ、驚いたよ！ 元帥夫人 ［あたかもオクタヴィアンの言うことを聞いていない風に、愛想よく期待するような眼差しをずっと男爵へ向け続ける。男爵は極度の困惑のなか、扉と元帥夫人の双方に注意を振り分けている。］ ［左手の扉が力づくで開けられ、そのために、それまで無駄な努力で扉に体を強く押し付けていた男爵は突然激しく突き飛ばされる。そしてファニナルの下僕二人がゾフィーを中に入れる。］ ゾフィー ［男爵の陰に隠れて見えない元帥夫人を見ることなく］ 私のお父様よりご伝言があります… 男爵 ［ゾフィーの言葉を遮って、抑えた声で］ 今はその時ではない、なんてこった！呼ばれるまで待つことはできないのかね？この酒場であなたをお披露目してほしいのかい？ オクタヴィアン ［静かに歩み出て、元帥夫人へ抑えた声で］ あちらがそのお嬢さんです、彼女のために… 元帥夫人 ［肩越しにオクタヴィアンへ、抑えた声で］ ちょっと急ぎすぎよ、ロフラーノ。私にも彼女が誰かは分かるわ。シャルマン（チャーミング）な子ね。 ［オクタヴィアンはカーテンの向こうへするりと戻る。］ ［元帥夫人は静かに警部と話をする。］ ゾフィー ［扉に背を付け、思わず男爵が一歩下がるほど鋭い口調で］ あなたはこの世の誰に対しても私をお披露目いたしません、あなたと今後関わりを持つことはほとんどないでしょうから。 そしてお父様よりあなたにお伝えします。もしあなたがこれ以上厚かましく振舞い続け、私どもの街の館から百歩以内にあなたの鼻面を見せようものなら、あなたの身に何が起ころうとあなたの責任です。以上が、お父様からあなたへのご伝言です。 男爵 ［激高して］ コルポディバッコ！いったいなんという無作法な話だ？ ゾフィー あなたにふさわしいことです。 男爵 ［我を忘れて、彼女を押しのけて扉の向こうへ行こうとする］ おい、ファニナル、私は… ［二人のファニナルの下僕が前に出てきて、彼を止め、後ろに押し戻す。］ ゾフィー そうはさせません！ ［扉の中に入り、彼女の後ろで扉が閉まる。］ 男爵 ［扉に向かって吠える］ 起こったことは全て許して忘れてやる用意はあるぞ！ 元帥夫人 ［男爵の背後に歩み寄っていて、その肩を軽く叩く］ ただ大人しくして、去りなさい、さあ、いち、に… 男爵 ［向きを変え、彼女を見つめる］ またなんでです？ 元帥夫人 ［快活に、優位にたって］ ディニテ（威厳）を保って立ち去りなさい！ 男爵 ［言葉を失う］ 私が？なんですと？ 元帥夫人 モヴェ・ジュ（下手なプレー）でボンヌ・ミヌ（滑稽な姿）をさらしてしまったのよ。身分ある人として踏みとどまりなさい。 男爵 ［言葉を失って彼女を見つめる］ ゾフィー ［静かに再び入ってくる。彼女の眼差しはオクタヴィアンを探す。］ 元帥夫人 ［右手後方に警備員とともに立っている警部へ］ おわかりでしょう、警部殿、全てがただの笑劇で、それだけのことですの。 警部 よくわかりました。私は謹んで撤収させていただきます。 ［退場、二人の警備員も彼に従う］ ゾフィー ［独白、愕然として］ 全てがただの笑劇で、それだけのことですの。 ［二人の女性の目が遇う。ゾフィーは元帥夫人に間の悪いお辞儀をする。］ BARON Polizei, Polizei! Kommissarius mit zwei Wächtern treten auf. Alles rangiert sich, ihnen Platz zu machen. KOMMISSARIUS scharf Halt! Keiner rührt sich! Was ist los? Wer hat um Hilf’ geschrien? Wer hat Skandal gemacht? VALZACCHI zu Octavian Oh weh, was machen wir? OCTAVIAN Verlaß Er sich auf mich! und laß Er’s gehn, wie’s geht. VALZACCHI Zu Euer Exzellenz Befehl. BARON auf ihn zu, mit der Sicherheit des großen Herrn Is all’s in Ordnung jetzt. Bin mit ihm wohl zufrieden. Hab’ gleich erhofft, daß in Wien all’s wie am Schnürl geht. vergnügt Schaff’ Er das Pack mir vom Hals. Ich will in Ruh’ soupieren. KOMMISSARIUS Wer ist der Herr? Was gibt dem Herrn Befugnis? Ist Er der Wirt? Baron sperrt den Mund auf scharf Dann halt’ Er sich gefällig still und wart’ Er, bis man Ihn vernehmen wird. BARON retiriert sich etwas, perplex, beginnt nach seiner Perücke zu suchen, die in dem Tumult abhanden gekommen ist und unauffindbar bleibt. KOMMISSARIUS setzt sich, die zwei Wächter nehmen hinter dem Kommissar Stellung Wo ist der Wirt? WIRT devot Mich dem Herrn Oberkommissarius schönstens zu rekommandieren. KOMMISSARIUS Die Wirtschaft da rekommandiert Ihn schlecht. Bericht Er jetzt! WIRT Herr Kommissar! KOMMISSARIUS Von Anfang! WIRT Der Herr Baron - KOMMISSARIUS Der große Dicke da? Wo hat Er sein Paruckl? BARON der die ganze Zeit gesucht hat Um das frag’ ich Ihn! WIRT Das ist der Herr Baron von Lerchenau. KOMMISSARIUS Genügt nicht. BARON Was? KOMMISSARIUS Hat Er Personen nahebei, die für Ihn Zeugnis geben? BARON Gleich bei der Hand. Da. Mein Sekretär ein Italiener. VALZACCHI wechelt mit Octavian einen Blick des Einverständnisses Ick excusier mick. Ick weiß nix. Die Herr kann sein Baron, kann sein auch nit. Ick weiß von nix. BARON außer sich Das ist doch stark. Wällisches Luder, falsches! KOMMISSARIUS zum Baron, scharf Fürs erste moderier’ Er sich! OCTAVIAN der bisher ruhig rechts gestanden, tut nun, als ob er in Verzweiflung hin und her irrend, den Ausweg nicht fände und das Fenster für eine Ausgangstür hält Oh mein Gott, in die Erd’n möcht ich sinken! Heilige Mutter vom Maria Tafer’l! KOMMISSARIUS Wer ist dort die junge Person? BARON Die? Niemand. Sie steht unter meiner Protektion. KOMMISSARIUS Er selber wird bald eine Protektion sehr nötig haben. Wer ist das junge Ding, was macht Sie hier? blickt um sich Ich will nicht hoffen, daß Er ein gottverdammter Debauchierer und Verführer ist! Da könnt’s Ihm schlecht ergehn. Wie kommt Er zu dem Mädel? Antwort will ich! OCTAVIAN I geh ins Wasser! rennt gegen den Alkofen, wie um zu flüchten, und reißt den Vorhang auf, sodaß man das Bett friedlich beleuchtet dastehen sieht. KOMMISSARIUS erhebt sich Herr Wirt, was seh ich da? Was für ein Handwerk treibt denn Er? WIRT verlegen Wenn ich Personen von Stand zum Speisen oder Nachtmahl hab’..... KOMMISSARIUS Halt’ Er den Mund. Ihn nehm’ ich später vor. zum Baron Jetzt zähl’ ich noch bis drei, dann will ich wissen, wie Er da zu dem jungen Bürgermädchen kommt! Ich will nicht hoffen, daß Er sich einer falschen Aussag’ wird unterfangen. Wirt und Valzacchi deuten dem Baron durch Geberden die Gefährlichkeit der Situation und die Wichtigkeit seiner Aussage an. BARON winkt ihnen mit Sicherheit, sich auf ihn zu verlassen, er sei kein heuriger Has. Wird wohl kein Anstand sein bei Ihm, Herr Kommissar, wenn eine Standsperson mit seiner ihm verlobten Braut um neune Abends ein Souper einnehmen tut. blickt um sich, die Wirkung seiner schlauen Aussage abzuwarten KOMMISSARIUS Das wäre Seine Braut? Geb’ Er den Namen an vom Vater und’s Logis. Wenn seine Angab’ stimmt mag Er sich mit der Jungfer retirieren! BARON Ich bin wahrhaftig nicht gewohnt, in dieser Weise - KOMMISSARIUS scharf Mach’ Er sein’ Aussag’ oder ich zieh andre Saiten auf. BARON Werd nicht mankieren. schnell Is die Jungfer Faninal, Sophia Anna Barbara, ehliche Tochter des wohlgeborenen Herrn von Faninal, wohnhaft im Hof im eigen Palais. An der Tür haben sich Gasthofpersonal, andere Gäste, auch einige der Musiker aus dem anderen Zimmer neugierig angesammelt. Herr von Faninal drängt sich durch sie durch, eilig aufgeregt in Hut und Mantel. FANINAL Zur Stelle. Was wird von mir gewünscht? auf den Baron zu Wie sieht Er aus? War mir vermutend nicht, zu dieser Stunde in ein gemeines Beisl depeschiert zu werden. BARON sehr erstaunt und unangenehm berührt Wer hat Ihn hierher depeschiert? In drei Teufels Namen. FANINAL halblaut zu ihm Was soll mir die saudumme Frag’, Herr Schwiegersohn? Wo Er mir schier die Tür einrennen läßt mit Botschaft, ich soll sehr schnell herbei und ihn in einer üblen Lage soutenieren, in die Er unverschuld’ter Weise geraten ist. BARON greift sich an den Kopf KOMMISSARIUS Wer ist der Herr? Was schafft der Herr mit Ihm? BARON Nichts von Bedeutung. Is blos ein Bekannter, hält sich per Zufall hier im Gasthaus auf. KOMMISSARIUS Der Herr geb’ seinen Namen an! FANINAL Ich bin der Edle von Faninal. KOMMISSARIUS Somit ist dies der Vater. BARON stellt sich dazwischen, deckt Octavian vor Faninals Blick; eifrig Beileib’ gar nicht die Spur. Ist ein Verwandter, ein Bruder, ein Neveu! Der Wirkliche ist noch einmal so dick. FANINAL sehr erstaunt Was geht hier vor? Wie sieht Er aus? Ich bin der Vater freilich. BARON will ihn forthaben Das Weitre findet sich, verzieh Er sich! FANINAL Ich muß schon bitten. BARON wütend Fahr’ Er heim in Teufels Namen! FANINAL immer ärgerlicher Mein Nam’ und Ehr’ in einem solchen Händel zu melieren Herr Schwiegersohn! BARON versucht, ihm den Mund zu zuhalten. zum Kommissar Ist eine idée fixe. Benennt mich also nur im G’spaß. KOMMISSARIUS Ja, ja, genügt schon. zu Faninal Er erkennt dem nach in diesem Herrn seinen Schwiegersohn? FANINAL Sehr wohl! Wieso sollt ich ihn nicht erkennen? Leicht weil er keine Haar nicht hat? KOMMISSARIUS zum Baron Und Er erkennt nun mehr wohl auch in diesem Herrn wohl oder übel Seinen Schwiegervater? BARON nimmt den Leuchter vom Tisch, beleuchtet sich Faninal genau So, so, la, la! Ja, ja, wird schon der selbe sein. War heut den ganzen Abend gar nicht recht beinand. Kann meinen Augen heut nicht traun. Muß Ihm sagen, liegt hier was in der Luft, man kriegt die Congestion davon. KOMMISSARIUS zu Faninal Dagegen wird von Ihm die Vaterschaft zu dieser ihm verbatim zugeschob’nen Tochter geleugnet. FANINAL bemerkt jetzt erst Octavian Meine Tochter? Da, der Fetzen gibt sich für meine Tochter aus? BARON gezwungen lächelnd Ein G’spaß! Ein purer Mißverstand! Der Wirt hat dem Herrn Kommissarius da was vorerzählt von meiner Brautschaft mit der Faninalschen! WIRT aufgeregt Kein Wort, kein Wort, Herr Kommisarius,laut eigner Aussag! FANINAL außer sich Das Weibsbild arretieren! Kommt am Pranger! Wird ausgepeitscht! Wird eingekastelt in ein Kloster! Ich - ich - ich - BARON Fahr Er nach Haus. Auf morgen in der Früh! Ich klär’ Ihm Alles auf. Er weiß, was Er mir schuldig ist. FANINAL außer sich, vor Wut Laut eignerAussag’! einige Schritte nach rückwärts Meine Tochter soll herauf! Sitzt unten in der Tragchaise! Im Galopp herauf! wieder auf den Baron losstürzend Das zahlt Er teuer! Bring Ihn vor’s Gericht! BARON Jetzt macht Er einen rechten Palawatsch für nichts und wieder nichts. Ein Kavalier braucht ein Roßgeduld, Sein Schwiegersohn zu sein, Parole d’honneur! Ich will mei’ Perrückn! schüttelt den Wirt Mei Perückn will ich sehn! im wilden Herumfahren, um die Perücke zu suchen, faßt er einige der Kinder an und stößt sie zur Seite. VIER KINDER automatisch Papa! Papa! Papa! Papa! Papa! FANINAL fährt zurück Was ist denn das? BARON im Suchen findet er wenigstens seinen Hut, schlägt mit dem Hut nach den Kindern. Gar nix! Ein Schwindel! Kenn nit das Bagagi! Sie sagt, daß sie verheirat war mit mir. Käm zu der Schand’ so wie der Pontius ins credo SOPHIE kommt im Mantel eilig herein, man macht ihr Platz. An der Tür sieht man die Faninalschen Bedienten, jeder eine Tragstange der Sänfte haltend. Baron sucht die Kahlseite seines Kopfes vor Sophie mit dem Hut zu beschatten,indeß Sophie auf ihren Vater zugeht. CHOR DER ZUSCHAUER Die Braut! Oh, was für ein Skandal! FANINAL zu Sophie Da schau dich um. Da hast du den Herrn Bräutigam. Da die Famili von dem saubern Herrn! Die Frau mitsammt die Kinder! Da das Weibsbild g’hört linker Hand dazu! Nein, das bist du, laut eigner Aussag’ Du! Möchtst in die Erd’n sinken, was? Ich auch! SOPHIE freudig aufatmend Bin herzensfroh! Seh ihn mit nichten an dafür. FANINAL Sieht ihn nicht an dafür. immer verzweifelter Sieht ihn nicht an dafür. Mein schöner Nam’! Ich trau mi’ nimmer übern Graben! Kein Hund nimmt mehr ein Stükk’l Brot von mir! er ist dem Weinen nahe CHOR die an der Tür stehenden Der Skandal! Der Skandal! Der Skandal für Herrn von Faninal! FANINAL Die ganze Wiener Stadt! Die schwarze Zeitung! DIE KÖPFE AUS DER WAND UND CHOR UNTER DER ERDE in der Wand und aus dem Fußboden auftauchend; dumpf Der Skandal, der Skandal für Herrn von Faninal! FANINAL Da! Aus dem Keller! Aus der Luft! Die ganze Wiener Stadt! auf den Baron zu, mit geballter Faust Oh! Er Filou! Mir wird nicht gut! Ein Sessel! Bediente springen hinzu, fangen ihn auf. Zwei desgleichen haben vorher ihre Stange einem der Hintenstehenden zugeworfen. Sophie ist angstvoll un ihn bemüht. Wirt springt gleichfalls hinzu. Sie nehmen ihn auf und tragen ihn ins Nebenzimmer. Mehrere Kellner, den Weg weisend, die Tür öffnend, voran. Baron wird in diesem Augenblicke seiner Perücke ansichtig, die wie durch Zauberhand wieder zum Vorschein gekommen ist, stürzt darauf los, stülpt sie sich auf und gibt ihr vor dem Spiegel den richtigen Sitz. Mit dieser Veränderung gewinnt er seine Haltung so ziemlich wieder, begnügt sich aber, Annina und den Kindern, deren Gegenwart ihm trotz allem nicht geheuer ist, den Rücken zu kehren. Hinter Herrn von Faninal und seiner Begleitung hat sich die Türe links geschlossen. Wirt und Kellner kommen bald darauf leise wieder heraus, holen Medikamente, Karaffen mit Wasser und anderes, das in die Tür getragen und von Sophie in der Türspalte übernommen wird. BARON nunmehr mit dem alten Selbstgefühl auf den Kommissarius zu Sind desto eher im Klaren! Ich zahl, ich geh! zu Octavian Ich führ’ Sie jetzt nach Haus. KOMMISSARIUS Da irrt Er sich! Mit Ihm jetzt weiter im Verhör! auf den Wink des Kommissarius entfernen die beide Wächter alle übrigen Personen aus dem Zimmer, nur Annina mit den Kindern bleibt an der linken Wand stehen. BARON Laß Er’s jetzt gut sein. War ein G’spaß. Ich sag Ihm später, wer das Mädel ist. Geb Ihm mein Wort Ich heirat sie wahrscheinlich auch einmal. Da hinten dort, das Klumpret ist schon stad. macht Miene, Octavian abzuführen Da sieht Er, wer ich bin und wer ich nicht bin! OCTAVIAN macht sich los I geh nit mit dem Herrn! BARON halblaut I heirat Sie, verhält Sie sich mit mir. Sie wird noch Frau Baronin, so gut gefallt Sie mir! OCTAVIAN Octavian reißt sich vom Arm des Barons los. gesprochen „Herr Kommissar, ich geb was zu Protokoll, aber der Herr Baron darf nicht zuhör’n dabei.‟ Auf den Wink des Kommissars drängen die beiden Wächter den Baron nach vorne rechts. Octavian scheint dem Kommissar etwas zu melden, was diesen sehr überrascht. Der Kommissarius begleitet Octavian bis an den Alkoven. Octavian verschwindet hinter dem Vorhang. BARON zu den Wächtern, familiär, halblaut, auf Annina deutend Kenn’ nicht das Weibsbild dort, auf Ehr’. War grad beim Essen. Hab’ keine Ahnung, was es will. Hätt’ sonst nicht selber um die Polizei - Der Kommissar scheint sich zu amüsieren und ist den Spalten des Vorhangs ungenierter Weise nahe. BARON bemerkt die Heiterkeit des Kommissars, plötzlich sehr aufgeregt über den unerklärlichen Vorfall Was geschieht denn dort? Ist wohl nicht möglich das? Der Lakkl! Das heißt Ihr Sittenpolizei? Ist eine Jungfer! Eine Jungfer. er ist schwer zu halten Steht unter meiner Protektion. Beschwer’ mich! Hab’ ein Wörtel drein zu reden! Er reißt sich los, will gegen das Bett hin. Sie fangen und halten ihn wieder. Aus dem Alkoven erscheinen Stück für Stück die Kleider der Mariandl. Der Kommissar macht ein Bündel draus. BARON immer aufgeregt, ringt, seine beiden Wächter loszuwerden. Sie halten ihn mühsam, während Octavians Kopf aus einer Spalte des Vorhanges hervorsieht. Muß jetzt partout zu ihr! Kellner herein, reißen die Türe auf. WIRT hereinstürzend Ihre hochfürstliche Gnaden, die Frau Fürstin Feldmarschall! Zuerst werden einige Menschen in der Marschallin Livrée sichtbar, dann der Leiblakai des Barons; sie rangieren sich. Die Marschallin tritt ein, der kleine Neger trägt ihre Schleppe. BARON hat sich von den Wächtern losgerissen, wischt sich den Schweiß von der Stirne, eilt auf die Marschallin zu Bin glücklich über Maßen, hab’ die Gnad’ kaum meritiert. Schätz’ Dero Gegenwart hier als ein Freundstück ohne Gleichen. OCTAVIAN steckt den Kopf zwischen dem Vorhang hervor Marie Theres’, wie kommt Sie her? MARSCHALLIN regungslos, antwortet nicht, sieht sich fragend um. KOMMISSARIUS auf die Fürstin zu, in dienstlicher Haltung Fürstliche Gnaden, melde mich gehorsamst als Vorstands-Unterkommissarius - Leiblakai auf den Baron zu, stolz und selbstzufrieden. Baron gibt ihm als Zeichen seiner Zufriedenheit. BARON Er sieht, Herr Kommissar, die Durchlaucht haben selber sich bemüht. Ich denk’, Er weiß, woran Er ist. MARSCHALLIN zum Kommissar Er kennt mich? Kenn ich Ihn nicht auch? Mir scheint beinah’. KOMMISSARIUS Sehr wohl! MARSCHALLIN Dem Herrn Feldmarschall sein’ brave Ordonanz gewest? KOMMISSARIUS Fürstliche Gnaden, zu Befehl. Octavian steckt abermals den Kopf zwischen den Vorhängen hervor. BARON winkt Octavian heftig, zu verschwinden, ist zugleich ängstlich bemüht, daß die Marschallin nichts merke. Dann hört er, wie sich Schritte der Tür links vorn nähern, stürzt hin, stellt sich mit dem Rücken gegen die Tür, durch verbindliche Gebärden gegen die Marschallin bestrebt, seinem Gebaren den Schein völliger Unbefangenheit zu geben. Bleib’ Sie zum Sakra, hinten dort! MARSCHALLIN kommt gegen links, mit zuwartender Miene den Baron anblickend. OCTAVIAN in Männerkleidung tritt zwischen den Vorhängen hervor, sobald der Baron ihm den Rücken kehrt. War anders abgemacht, Marie Theres’, ich wunder mich! MARSCHALLIN als hörte sie Octavian nicht, hat fortwährend den verbindlich erwartungsvollen Blick auf den Baron gerichtet, der in der äußersten Verlegenheit zwischen der Tür und der Marschallin seine Aufmerksamkeit teilt. Die Türe links wird mit Kraft geöffnet, sodaß der Baron, der vergebens versucht hatte, sich dagegen zu stemmen, wütend zurückzutreten genötigt ist. 2 Faninalsche Diener lassen jetzt Sophie eintreten. SOPHIE ohne die Marschallin zu sehen, die ihr durch den Baron verdeckt ist Hab’ Ihm von mei’m Herrn Vater zu vermelden... BARON Sophie ins Wort fallend, halblaut Ist jetzo nicht die Zeit, Kreuzelement! Kann Sie nicht warten, bis daß man Ihr rufen wird? Meint Sie, daß ich Sie hier im Beisl präsentieren werd’? OCTAVIAN ist leise hervorgetreten, zur Marschallin halblaut Das ist die Fräulein, die, um derentwillen - MARSCHALLIN über die Schulter zu Octavian, halblaut Find Ihn ein bissl empressiert, Rofrano. Kann mir wohl denken, wer sie ist. Find’ sie charmant. Octavian schlüpft zwischen die Vorhänge zurück. Die Marschallin spricht leise mit dem Kommissar. SOPHIE Den Rücken an der Tür, so scharf, daß der Baron unwillkürlich einen Schritt zurückweicht. Er wird mich keinen Menschen auf der Welt nicht präsentieren, dieweilen ich mit Ihm auch nicht so viel zu schaffen hab. Und mein Herr Vater laßt Ihm sagen wenn Er also weit die Frechheit sollte treiben, daß man Seine Nasen nur erblicken tät auf hundert Schritt von unserm Stadtpalais, so hätt Er sich die bösen Folgen selber zuzuschreiben. Das ist’s, was mein Herr Vater Ihm vermelden läßt. BARON zornig Corpo, di bacco! Was ist das für eine ungezogne Sprache? SOPHIE Die Ihm gebührt. BARON außer sich, will an ihr vorbei, zur Tür hinein He Faninal, ich muß - Die zwei Faninalschen Diener treten hervor, halten ihn’ auf, schieben ihn zurück. SOPHIE Er untersteh sich nicht! sie tritt in die Tür, die sich hinter ihr schließt. BARON gegen die Tür brüllend Bin willens, alles Vorgefall’ne vergeben und vergessen sein zu lassen! MARSCHALLIN ist von rückwärts an den Baron herangetreten und klopft ihn auf die Schulter Laß Er nur gut sein und verschwind Er auf eins, zwei - BARON dreht sich um, starrt sie an Wieso denn? MARSCHALLIN munter, überlegen Wahr Er sein Dignité und fahr Er ab! BARON sprachlos Ich? Was? MARSCHALLIN Mach’ Er bonne mine à mauvais jeu so bleibt Er quasi doch noch eine Standsperson. BARON starrt sie stumm an. SOPHIE tritt leise wieder heraus. Ihre Augen suchen Octavian. MARSCHALLIN zum Kommissar, der hinten rechts steht, desgleichen seine Wächter Er sieht, Herr Kommissar Das ganze war halt eine Farce und weiter nichts. KOMMISSARIUS Genügt mir. Retirier mich ganz gehorsamst. tritt ab, die beiden Wächter hinter ihm SOPHIE vor sich, erschrocken Das ganze war halt eine Farce und weiter nichts. Die Blicke der beiden Frauen begegnen sich Sophie macht der Marschallin einen verlegenen Knix. この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@mmnakai Strauss,Richard/Der Rosenkavalier/III-3+
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【Tags Miku Nashimoto-P tS D】 Original Music title どこかで他人が死んでいる English music title Strangers Are Dying Somewhere Romaji music title Doko ka de Tanin ga Shindeiru Music Lyrics written, Voice edition by 梨本P (Nashimoto-P) / 梨本うい(Nashimoto Ui) Music arranged by 梨本P (Nashimoto-P) / 梨本うい(Nashimoto Ui) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by motokokusanagi2009)： Dear God, I m really sorry I was ever born Dear God, I m really sorry I m still alive Dear God, I m such a bum Dear God, I m such scum In the world consisted of six tatami mats I m standing still Ah, on TV People are dying somewhere It doesn t matter to me at all but... People are dying somewhere It doesn t matter to me at all but... I feel deadly mournful, I feel deadly mournful I feel deadly mournful, I feel deadly mournful AaAaAa Blue AaAaAa Blue AaAaAa Blue AaAaAa Blue AaAaAa Having no time to despise myself, I breathe in this small room Ah, I m sorry I m happy somehow People are dying somewhere It doesn t matter to me at all but... People are dying somewhere I don t feel lonely for that at all but... If someone precious to me dies, I can t get it over forever but If a stranger dies, I ll forget it soon but for now I feel deadly mournful, I feel deadly mournful I feel deadly mournful, I feel deadly mournful This is how the world works Romaji lyrics (transliterated by motokokusanagi2009)： kami sama umarete kite hontō gomen nasai kami sama shinde nakute hontō gomen nasai kami sama boku wa totemo dame na hito desu kami sama boku wa totemo kuzu na hito desu roku jō hito ma no kono sekai heya no sumi ni tatazunde iru ah terebi no mukō dokoka de tanin ga shinde iru boku niwa kankei nai keredo dokoka de tanin ga shinde iru boku niwa kankei nai keredo kana shīne kana shīne kana shīne kana shīne ah ah ah ao ah ah ah ao ah ah ah ao ah ah ah ao ah ah ah jiko keno shiteru hima mo naku semai heya no naka iki o suru ah shiawase de dōmo gomen ne dokoka de tanin ga shinde iru boku niwa kankei nai keredo dokoka de tanin ga shinde iru zenzen samishiku nai keredo taisetsu na hito ga shinda nara isshō wasureya shinai kedo shira nai dare ka ga shin datte sugu wasureru demo ima dake wa kana shīne kana shīne kana shīne kana shīne kore de īka [Nashimoto-P, NashimotoP, Nashimoto Ui]