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!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN""DTD/xhtml1-transitional.dtd" !-- Japanese Translated by Testing Engineer s Forum (TEF) in Japan, Working Group of TestLink Japanese Translation Project -- html xmlns="http //www.w3.org/1999/xhtml" lang="jp" head meta http-equiv="Content-Type" content="text/html; charset=UTF-8" / meta http-equiv="Content-language" content="jp"/ meta name="author" content="Martin Havlat" / meta name="copyright" content="GNU" / meta name="robots" content="NOFOLLOW" / title TestLink Help Test Project /title link rel="stylesheet" type="text/css" href="../../{$smarty.const.TL_THEME_CSS_DIR}tl_docs.css" / /head body h1 テスト計画 /h1 {include file="nav.tpl"} h2 スコープ /h2 p これはデータ分類のための主なポイントです。右上にあるメニューの中からテストプロジェクトを選んでください。 /p h2 特徴 /h2 h3 テスト仕様 /h3 p このセクションはユーザーが構成要素（コンポーネント）、カテゴリー、テストケースを作成、編集、削除するところです。またユーザが全てのテストケースを探すことも出来ます。 br / 正式な権限を持つユーザは、リストに現れたテストケース、カテゴリの順序を変えることが出来ます。 /p h3 キーワード /h3 p TestLinkはユーザがテストケースを彼らの構成要素（コンポーネント）、カテゴリ、ユーザの指定したキーワードのフィルターにかけることを可能にする。キーワードを管理するセクションは、正式な権限を持つユーザによってキーワードの追加、編集、削除が可能なところです。 br / i 注意：キーワードは一括キーワード管理ページと同様に、テストケース管理セクションで割り当てることができます。 /i /p h3 テストプロジェクト管理 /h3 p テストプロジェクト管理セクションは主にAdmin（管理者）機能です。ユーザはテストプロジェクトを作ったり編集したりすることが出来ます。各テストプロジェクトでは、異なった設定と機能が利用可能です。 /p /body /html
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HINTERNET g_hInet; HINTERNET g_hURL; //===========================================================================// /*! @brief WinInetライブラリ初期処理 @param[in] lpszURL 対象URL @return 成否 */ //===========================================================================// BOOL InitWinInet(LPCTSTR lpszURL) { // WinInetライブラリ開始 g_hInet = InternetOpen( L"", INTERNET_OPEN_TYPE_PRECONFIG, NULL, NULL, 0); if (g_hInet == NULL) { return FALSE; } // セッションオープン g_hURL = InternetOpenUrl(g_hInet, lpszURL, NULL, 0, 0, 0); if (g_hURL == NULL) { return FALSE; } return TRUE; } //===========================================================================// /*! @brief WinInetライブラリ終了処理 @return 無し */ //===========================================================================// void TerminateWinInet() { // WinInet関連ハンドル開放 if (g_hURL) { InternetCloseHandle(g_hURL); } if (g_hInet) { InternetCloseHandle(g_hInet); } } //===========================================================================// /*! @brief HTTPソース取得 @param[in] lpszURL 対象URL @param[out] lpOutBuffer HTTPソースバッファ @param[in/out] hMem メモリハンドル @return 成否 */ //===========================================================================// BOOL WINAPI NMAPI_GetHttpHeader(LPCTSTR lpszURL, LPTSTR lpOutBuffer, HGLOBAL hMem) { BOOL bRet = FALSE; // WinInetライブラリ初期処理 if (! InitWinInet(lpszURL)) { goto END; } // バッファバイト数取得 DWORD dwSize = 0; if (! HttpQueryInfo(g_hURL, HTTP_QUERY_RAW_HEADERS_CRLF, (LPVOID)NULL, dwSize, NULL)) { if (GetLastError()==ERROR_HTTP_HEADER_NOT_FOUND) { goto END; } } // メモリ再割り当て hMem = GlobalReAlloc(hMem, (SIZE_T)dwSize+1, GMEM_MOVEABLE); if (hMem == NULL) { goto END; } lpOutBuffer = (TCHAR *)GlobalLock(hMem); if (lpOutBuffer == NULL) { goto END; } // HTTPヘッダ情報取得 if (! HttpQueryInfo(g_hURL, HTTP_QUERY_RAW_HEADERS_CRLF, (LPVOID)lpOutBuffer, dwSize, NULL)) { goto END; } bRet = TRUE; END // WinInetライブラリ終了処理 TerminateWinInet(); return bRet; } //===========================================================================// //呼び出し側 //===========================================================================// { HGLOBAL hMem = GlobalAlloc(GHND, sizeof(TCHAR)); CHAR* lpszSource = (CHAR*)GlobalLock(hMem); if (NMAPI_GetHttpSource(strURL, lpszSource, hMem)) { ・・・ ・・・ ・・・ } // メモリ開放 GlobalUnlock(hMem); GlobalFree(hMem); }
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An International History of the Vietnam War Palgrave Macmillan? R.B. Smith? PalgraveMacmillan? R.B.Smith? ジャンル別? Substores-UnknownASINs-8 Subjects-History-MiddleEast-General? Procedures to Investigate Water-Borne Illness Intl Assn of Milk? IntlAssnofMilk? ジャンル別? Substores-UnknownASINs-8 Subjects-Science-General Btr;Breakthro French Int Net 16-20 Rybak S Macmillan? Macmillan? ジャンル別? Substores-UnknownASINs-8 Explorers on Top of the World (Activity Readers) Macmillan Education Ltd? L.M. Arnold? MacmillanEducationLtd? L.M.Arnold? ジャンル別? Substores-UnknownASINs-8 Btr;Breakthro Spanish Int Net 16-20truscott S Macmillan? Macmillan? ジャンル別? Substores-UnknownASINs-8 Advanced Coastal Navigation United States Coast Guard? George E. Brooks? UnitedStatesCoastGuard? GeorgeE.Brooks? ジャンル別? Substores-UnknownASINs-8 Hands-On Paradox Cobb Group? Steven S. Cobb? CobbGroup? StevenS.Cobb? ジャンル別? Substores-UnknownASINs-8 Jamestown A Guide to Old Town Assn for the Preservation of? Ransom B. True? 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El Pregón. (la caballeriza de una venta en la Mancha de Aragón. Al levantarse el telón aparece el retablo, lleno por todas partes de candelillas de cera encendidas. La escena está dividida en dos secciones que corresponden al proscenio y al retablo. En la primera sección aparecen y accionan los muñecos representativos de las personas que se hallan en la venta. De estas figuras, la que representa a D. Quijote ha de ser, por lo menos, de doble tamaño que las restantes. La segunda sección de la escena, o sea el fondo, ocupado por el retablo, debe dar la impresión de algo independiente en absoluto de la primera. Es el verdadero teatro, y ha de estar colocado a una sensible altura del plano que ocupa el proscenio. Supónese que está sobre unas como andas cubiertas por cortinas, tras las que Maese Pedro manipula los muñecos. Aparece Maese Pedro, que hace cesar la música agitando fuertemente una campanilla. Maese Pedro, en ésta su primera aparición, lleva sobre el hombro izquierdo un mono grande y sin cola, con las posaderas de fieltro) MAESE PEDRO ¡Vengan, vengan a ver vuesas mercedes el Retablo de la libertad de Melisendra, que es una de las cosas más de ver que hay en el mundo! La sinfonía de Maese Pedro. (Poco a poco van entrando en escena todos cuantos se supone que están en la venta, siendo los últimos en pasar don Quijote y Sancho. Los personajes se detienen ante la embocadura del retablo, examinándolo con gran curiosidad y haciendo mudos, pero expresivos comentarios. Cuando aparece don Quijote, Maese Pedro le saluda con ceremoniosas reverencias, ofreciéndole sitio preferente a uno de los lados del retablo. Luego, lentamente, los personajes van a ocupar sus sitios respectivos para presenciar el espectáculo, asomando la cabeza como si se hallasen de pie, hasta que Maese Pedro les invita a sentarse, en cuyo momento desaparecen, quedando sólo visibles las piernas de don Quijote. Éstas, muy largas y de cómico aspecto, permanecen durante la representación, ya en postura reposada, ya puestas una sobre otra. De vez en cuando, y especialmente en las interrupciones de don Quijote, deben aparecer en el proscenio las cabezas de los espectadores, todas o sólo algunas, según lo exija el momento escénico; pero, durante la mayor parte de la representación en el retablo, han de quedar ocultas a la vista del público) MAESE PEDRO ¡Siéntense todos! Atención, señores, que comienzo. (Después de descargarse con gesto rápido del mono, se mete bajo las andas del retablo. Entra El Trujamán con una varilla en la mano) EL TRUJAMÁN Esta verdadera historia que aquí a vuesas mercedes se representa, es sacada de las Crónicas francesas y de los Romances españoles que andan en boca de las gentes. Trata de la libertad que dio el señor don Gayferos a su esposa Melisendra, que estaba cautiva en España, en poder de moros, en la ciudad de Sansueña. Verán vuesas mercedes cómo está jugando a las tablas don Gayferos, según aquello que se canta "Jugando está a las tablas don Gayferos, que ya de Melisendra se ha olvidado." Cuadro1 La Corte de Carlomagno. (Sale el Trujamán, descorriéndose al mismo tiempo la cortina de la embocadura del retablo. Sala en el palacio imperial. D. Gayferos está jugando a las tablas con D. Roldán. Reaparece el Trujamán. No se cierran las cortinas del retablo, pero las figuras quedan inmóviles) EL TRUJAMÁN Ahora verán vuesas mercedes cómo el emperador Carlomagno, padre putativo de la tal Melisendra, mohíno de ver el ocio y descuido de su yerno, le sale a reñir, y después de advertirle del peligro que corría su honra en no procurar la libertad de su esposa, dicen que le dijo "Harto os he dicho, ¡miradlo!", volviendo las espaldas y dejando despechado a don Gayferos, el cual, impaciente de la cólera, pide apriesa las armas, y a don Roldán su espada Durindana. Adviertan luego vuesas mercedes cómo don Roldán no se la quiere prestar, ofreciéndole su compañía en la difícil empresa; pero el valeroso enojado no la quiere aceptar, antes dice que él solo es bastante para sacar a su esposa, si bien estuviese metida en el más hondo centro de la tierra. Y con esto se entra a armar para ponerse luego en camino. (Se reanuda la representación ocultándose el Trujamán. Esto hará cada vez que cesa su intervención, de no indicarse expresamente lo contrario. Entran los heraldos del emperador) (Pavoneándose mucho aparece Carlomagno, seguido de caballeros y guardias de su corte. Don Gayferos y don Roldán cesan de jugar a la entrada de Carlomagno, levantándose de sus asientos y quedando inmóviles y en actitud respetuosa mientras el Emperador y su corte realizan un paseo circular por la sala. A una seña de Carlomagno, don Gayferos y don Roldán se le acercan. Entre los tres personajes cámbianse graves y pomposos saludos. Carlomagno se encara con don Gayferos, desarrollándose la escena ya explicada por el Trujamán. Crece por momentos el enojo del Emperador que al reconvenir a su yerno, golpea con el cetro la cabeza de don Gayferos. Carlomagno, volviendo airadamente las espaldas, recobra su porte mayestático y se aleja, precedido por los Heraldos y seguido de su corte, en la misma forma que entró en escena. Solos de nuevo don Roldán y don Gayferos, éste, despechado y colérico, arroja lejos de sí el tablero y las tablas, pidiendo a voces las armas, y a don Roldán su espada Durindana. Rechazada la petición por don Roldán, síguese una acalorada disputa entre ambos. Vase furioso don Gayferos y la cortina del retablo se cierra) EL TRUJAMÁN Ahora veréis la torre del alcázar de Zaragoza, y la dama que en un balcón parece es la sin par Melisendra, que desde allí, muchas veces, se ponía a mirar el camino de Francia, y puesta la imaginación en París y en su esposo, se consolaba en su cautiverio. Verán también vuesas mercedes cómo un moro se llega por las espaldas de Melisendra, y la da un beso en mitad de los labios, y la priesa que ella se da en limpiárselos y cómo se lamenta, mientras el rey Marsilio de Sansueña, que ha visto la insolencia del moro, su pariente y gran privado, le manda luego prender. (Torre del homenaje del alcázar de Sansueña. Como fondo, grandes lejanías. Ábrese la cortina y se ve a Melisendra asomada a un balcón de la torre y en actitud contemplativa, con la mirada fija en la lejanía. Poco después, el rey Marsilio aparece paseando lentamente por la galería exterior del castillo. De vez en cuando, y sin ser visto del rey ni de Melisendra, aparece el Moro Enamorado, cautelosamente, y a espaldas de aquella. Última aparición del Moro, que, paso a paso y puesto el dedo en la boca, se acerca a Melisendra. El beso. Grito de sorpresa y gestos de indignación de Melisendra, que se limpia los labios con la manga de su camisa. Melisendra pide socorro a grandes voces mientras se mesa y arranca sus largos cabellos. El Rey Marsilio manda prender y castigar al Moro, que al huir ha caído en manos de los soldados de la guardia real. Llévanse al culpable) Cuadro 2 Melisendra EL TRUJAMÁN Miren luego vuesas mercedes cómo llevan al moro a la plaza de la ciudad, con chilladores delante y envaramiento detrás, y cómo luego le dan doscientos azotes, según sentencia del Rey Marsilio, ejecutada apenas había sido puesta en ejecución la culpa, porque entre moros no hay traslado a la parte, ni a prueba y estése, como entre nosotros. (Don Quijote, cuyas piernas han traducido por movimientos nerviosos su protesta contra las últimas palabras del Trujamán, se asoma al proscenio, encarándose con el muchacho) DON QUIJOTE Niño, niño, seguid vuestra historia línea recta, y no os metáis en las curvas y transversales, que para sacar una verdad en limpio menester son muchas pruebas y repruebas. MAESE PEDRO (sacando la cabeza por las cortinas) Muchacho, no te metas en dibujos, sino haz lo que ese señor te manda sigue tu canto llano y no te metas en contrapuntos, que se suelen quebrar de sotiles. EL TRUJAMÁN Yo así lo haré. DON QUIJOTE ¡Adelante! (Ocúltase Maese Pedro bajo el retablo, y don Quijote vuelve a sentarse) Cuadro 3 El suplicio del Moro. (Descúbrese el retablo. Plaza pública en la ciudad de Sansueña. La escena se llena de morisma. Llega el Moro culpable conducido por la guardia del rey y precedido por voceadores que leen al pueblo la sentencia condenatoria. Síguenle dos verdugos de feroz aspecto, provistos de largas varas. El Jefe de la Guardia ordena que comience el suplicio, y el Moro es puesto entre los dos verdugos, en el centro de la plaza. Los verdugos azotan al culpable con golpes alternados. Se interrumpe el suplicio. Gran movimiento en la muchedumbre. Se reanuda el castigo. Cae el Moro. Los soldados se lo llevan a rastras, seguidos por los verdugos y la morisma) EL TRUJAMÁN Miren ahora a don Gayferos, que aquí parece a caballo, camino de la ciudad de Sansueña. Cuadro 4 Los Pirineos (Don Gayferos, al trote de su caballo y cubierto con una capa gascona, aparece diferentes veces desde la falda hasta la cumbre de una montaña, como siguiendo un camino en espiral, llevándo en la mano un cuerno de caza) EL TRUJAMÁN Ahora veréis a la hermosa Melisendra, que, ya vengada del atrevimiento del enamorado moro, se ha puesto a los miradores de la torre y habla con su esposo creyendo que es algún pasajero, según aquello del Romance, que dice "Caballero, si a Francia ides, por Gayferos preguntade." Veréis también cómo don Gayferos se descubre y qué alegres ademanes hace Melisendra al reconocerle, descolgándose luego del balcón, y cómo don Gayferos ase de ella, y poniéndola sobre las ancas de su caballo, toma de París la vía. Cuadro 5 La Fuga (Melisendra ocupa su puesto en el mirador de la torre. Por el camino que se extiende en el plano superior de la escena aparece don Gayferos a caballo, cubierto el rostro con su capa. El caballo lleva un paso tranquilo. Melisendra hace señas al caballero para que se acerque. Llega don Gayferos al pie de la torre por el camino que ocupa el primer término de la escena. Diálogo de Melisendra y don Gayferos. Don Gayferos se descubre. Alegría de Melisendra, que se descuelga del balcón por el lado de la torre opuesto al público. Don Gayferos, que acude a recogerla, reaparece con ella montada en las ancas de su caballo. Ambos desaparecen al trote, cruzando los dos caminos ya indicados, y ciérrase la cortina) EL TRUJAMÁN (que desde este momento no abandona más la escena) ¡Vais en paz, oh par sin par de verdaderos amantes! Lleguéis a salvamento a vuestra patria; los ojos de vuestros amigos y parientes os vean gozar en paz tranquila los días, que los de Néstor sean, que os quedan de la vida. MAESE PEDRO (asomando la cabeza por debajo del retablo) ¡Llaneza, muchacho, no te encumbres, que toda afectación es mala! (Ocúltase) (Descórrese por última vez la cortina del retablo y vuelve a aparecer la plaza pública de Sansueña. Vese al rey Marsilio corriendo presuroso en busca de sus guardias. Estos, que acuden al llamamiento del rey, reciben sus órdenes y parten precipitadamente) Cuadro 6 La Persecución EL TRUJAMÁN (Al explicar la acción, va señalando con su varilla los muñecos que la representan. Durante el toque de alarma cruzan presurosamente por la plaza pequeños grupos aislados, y el rey, reapareciendo, sigue dando órdenes con gran premura) Miren vuesas mercedes cómo el rey Marsilio, enterado de la fuga de Melisendra, manda tocar alarma, y con qué priesa, que la ciudad se hunde con el son de las campanas, que en todas las torres de las mezquitas suenan. (Don Quijote da crecientes muestras de impaciencia, asomando la cabeza y pugnando por hablar) DON QUIJOTE (saltando de su sitio con visible indignación) ¡Eso no, que es un gran disparate, porque entre moros no se usan campanas, sino atabales y dulzainas! MAESE PEDRO (sacando de nuevo la cabeza) No mire vuesa merced en niñerías, señor don Quijote. ¿No se representan casi de ordinario mil comedias llenas de mil disparates, y con todo eso siguen felicísimamente su carrera, y hasta se escuchan con admiración? (Don Quijote, cuya indignación se ha ido calmando, asiente gravemente con signos de cabeza a las palabras de Maese Pedro) DON QUIJOTE Así es la verdad. MAESE PEDRO Prosigue, muchacho. EL TRUJAMÁN Miren cuánta y cuán lucida caballería sale de la ciudad en seguimiento de los dos católicos amantes. ¡Cuántas dulzainas que tocan, cuántas trompetas que suenan, cuántos atabales y atambores que retumban! Témome que los han de alcanzar y los han de volver atados a la cola de su mismo caballo! Final DON QUIJOTE (poniéndose de un brinco junto al retablo y desenvainando la espada) ¡Deteneos, mal nacida canalla, no los sigáis ni persigáis; si no, conmigo sois en la batalla! ¡Non fuyades, cobardes, malandrines y viles criaturas, que un solo caballero es el que os acomete! (Don Quijote, con acalorada y nunca vista furia, comienza a llover cuchilladas, estocadas, reveses y mandobles sobre la titerera morisma, derribando y descabezando a unos, estropeando y destrozando a otros, y dando entre muchos un altibajo tal, que pone en peligro la cabeza de Maese Pedro, ya fuera de su escondite, quien se abaja, se encoge y agazapa para evitar los golpes. Sancho Panza hace gestos de grandísimo pavor y el resto de los espectadores de la Venta va siguiendo con vivos y expresivos comentarios las peripecias de la acción) MAESE PEDRO ¡Deténgase, deténgase vuesa merced, mi señor don Quijote; mire que me destruye toda mi hacienda! DON QUIJOTE ¡Oh bellaco villano, malmirado, atrevido y deslenguado! MAESE PEDRO ¡Desgraciado de mí! DON QUIJOTE ¡Y vosotros, valeroso don Gayferos, fermosa y alta señora Melisendra ya la soberbia de vuestros perseguidores yace por el suelo, derribada por este mi fuerte brazo; y porque no penéis por saber el nombre de vuestro libertador, sabed que yo me llamo don Quijote, caballero y cautivo de la sin par y hermosa Dulcinea! MAESE PEDRO ¡Pecador de mí! DON QUIJOTE (absorto, con la mirada en alto) ¡Oh Dulcinea, señora de mi alma; día de mi noche, gloria de mis penas... MAESE PEDRO ¡Desventurado! DON QUIJOTE .. norte de mis caminos... MAESE PEDRO ¡Desdichado del padre que me engendró! DON QUIJOTE ... dulce prenda y estrella de mi ventura! MAESE PEDRO ¡Cuitado de mí! DON QUIJOTE (despertando bruscamente de su éxtasis y dirigiéndose a todos los presentes) ¡Oh vosotros, valerosa compañía; caballeros y escuderos, pasajeros y viandantes, gentes de a pie y a caballo! Miren si no me hallara aquí presente, ¿qué fuera del buen don Gayferos y de la fermosa Melisendra? ¡Quisiera yo tener aquí delante aquellos que no creen de cuánto provecho sean los caballeros andantes! ¡Dichosa edad y siglos dichosos aquellos que vieron las fazañas del valiente Amadís, del esforzado Felixmarte de Hircania, del atrevido Tirante el Blanco; del invencible don Belianís de Grecia; con toda la caterva de innumerables caballeros, que con sus desafíos, amores y batallas, llenaron el libro de la Fama! MAESE PEDRO ¡Santa María! DON QUIJOTE En resolución ¡Viva, viva la andante caballería sobre todas las cosas que hoy viven en la tierra! El Pregón. (la caballeriza de una venta en la Mancha de Aragón. Al levantarse el telón aparece el retablo, lleno por todas partes de candelillas de cera encendidas. La escena está dividida en dos secciones que corresponden al proscenio y al retablo. En la primera sección aparecen y accionan los muñecos representativos de las personas que se hallan en la venta. De estas figuras, la que representa a D. Quijote ha de ser, por lo menos, de doble tamaño que las restantes. La segunda sección de la escena, o sea el fondo, ocupado por el retablo, debe dar la impresión de algo independiente en absoluto de la primera. Es el verdadero teatro, y ha de estar colocado a una sensible altura del plano que ocupa el proscenio. Supónese que está sobre unas como andas cubiertas por cortinas, tras las que Maese Pedro manipula los muñecos. Aparece Maese Pedro, que hace cesar la música agitando fuertemente una campanilla. Maese Pedro, en ésta su primera aparición, lleva sobre el hombro izquierdo un mono grande y sin cola, con las posaderas de fieltro) MAESE PEDRO ¡Vengan, vengan a ver vuesas mercedes el Retablo de la libertad de Melisendra, que es una de las cosas más de ver que hay en el mundo! La sinfonía de Maese Pedro. (Poco a poco van entrando en escena todos cuantos se supone que están en la venta, siendo los últimos en pasar don Quijote y Sancho. Los personajes se detienen ante la embocadura del retablo, examinándolo con gran curiosidad y haciendo mudos, pero expresivos comentarios. Cuando aparece don Quijote, Maese Pedro le saluda con ceremoniosas reverencias, ofreciéndole sitio preferente a uno de los lados del retablo. Luego, lentamente, los personajes van a ocupar sus sitios respectivos para presenciar el espectáculo, asomando la cabeza como si se hallasen de pie, hasta que Maese Pedro les invita a sentarse, en cuyo momento desaparecen, quedando sólo visibles las piernas de don Quijote. Éstas, muy largas y de cómico aspecto, permanecen durante la representación, ya en postura reposada, ya puestas una sobre otra. De vez en cuando, y especialmente en las interrupciones de don Quijote, deben aparecer en el proscenio las cabezas de los espectadores, todas o sólo algunas, según lo exija el momento escénico; pero, durante la mayor parte de la representación en el retablo, han de quedar ocultas a la vista del público) MAESE PEDRO ¡Siéntense todos! Atención, señores, que comienzo. (Después de descargarse con gesto rápido del mono, se mete bajo las andas del retablo. Entra El Trujamán con una varilla en la mano) EL TRUJAMÁN Esta verdadera historia que aquí a vuesas mercedes se representa, es sacada de las Crónicas francesas y de los Romances españoles que andan en boca de las gentes. Trata de la libertad que dio el señor don Gayferos a su esposa Melisendra, que estaba cautiva en España, en poder de moros, en la ciudad de Sansueña. Verán vuesas mercedes cómo está jugando a las tablas don Gayferos, según aquello que se canta "Jugando está a las tablas don Gayferos, que ya de Melisendra se ha olvidado." Cuadro1 La Corte de Carlomagno. (Sale el Trujamán, descorriéndose al mismo tiempo la cortina de la embocadura del retablo. Sala en el palacio imperial. D. Gayferos está jugando a las tablas con D. Roldán. Reaparece el Trujamán. No se cierran las cortinas del retablo, pero las figuras quedan inmóviles) EL TRUJAMÁN Ahora verán vuesas mercedes cómo el emperador Carlomagno, padre putativo de la tal Melisendra, mohíno de ver el ocio y descuido de su yerno, le sale a reñir, y después de advertirle del peligro que corría su honra en no procurar la libertad de su esposa, dicen que le dijo "Harto os he dicho, ¡miradlo!", volviendo las espaldas y dejando despechado a don Gayferos, el cual, impaciente de la cólera, pide apriesa las armas, y a don Roldán su espada Durindana. Adviertan luego vuesas mercedes cómo don Roldán no se la quiere prestar, ofreciéndole su compañía en la difícil empresa; pero el valeroso enojado no la quiere aceptar, antes dice que él solo es bastante para sacar a su esposa, si bien estuviese metida en el más hondo centro de la tierra. Y con esto se entra a armar para ponerse luego en camino. (Se reanuda la representación ocultándose el Trujamán. Esto hará cada vez que cesa su intervención, de no indicarse expresamente lo contrario. Entran los heraldos del emperador) (Pavoneándose mucho aparece Carlomagno, seguido de caballeros y guardias de su corte. Don Gayferos y don Roldán cesan de jugar a la entrada de Carlomagno, levantándose de sus asientos y quedando inmóviles y en actitud respetuosa mientras el Emperador y su corte realizan un paseo circular por la sala. A una seña de Carlomagno, don Gayferos y don Roldán se le acercan. Entre los tres personajes cámbianse graves y pomposos saludos. Carlomagno se encara con don Gayferos, desarrollándose la escena ya explicada por el Trujamán. Crece por momentos el enojo del Emperador que al reconvenir a su yerno, golpea con el cetro la cabeza de don Gayferos. Carlomagno, volviendo airadamente las espaldas, recobra su porte mayestático y se aleja, precedido por los Heraldos y seguido de su corte, en la misma forma que entró en escena. Solos de nuevo don Roldán y don Gayferos, éste, despechado y colérico, arroja lejos de sí el tablero y las tablas, pidiendo a voces las armas, y a don Roldán su espada Durindana. Rechazada la petición por don Roldán, síguese una acalorada disputa entre ambos. Vase furioso don Gayferos y la cortina del retablo se cierra) EL TRUJAMÁN Ahora veréis la torre del alcázar de Zaragoza, y la dama que en un balcón parece es la sin par Melisendra, que desde allí, muchas veces, se ponía a mirar el camino de Francia, y puesta la imaginación en París y en su esposo, se consolaba en su cautiverio. Verán también vuesas mercedes cómo un moro se llega por las espaldas de Melisendra, y la da un beso en mitad de los labios, y la priesa que ella se da en limpiárselos y cómo se lamenta, mientras el rey Marsilio de Sansueña, que ha visto la insolencia del moro, su pariente y gran privado, le manda luego prender. (Torre del homenaje del alcázar de Sansueña. Como fondo, grandes lejanías. Ábrese la cortina y se ve a Melisendra asomada a un balcón de la torre y en actitud contemplativa, con la mirada fija en la lejanía. Poco después, el rey Marsilio aparece paseando lentamente por la galería exterior del castillo. De vez en cuando, y sin ser visto del rey ni de Melisendra, aparece el Moro Enamorado, cautelosamente, y a espaldas de aquella. Última aparición del Moro, que, paso a paso y puesto el dedo en la boca, se acerca a Melisendra. El beso. Grito de sorpresa y gestos de indignación de Melisendra, que se limpia los labios con la manga de su camisa. Melisendra pide socorro a grandes voces mientras se mesa y arranca sus largos cabellos. El Rey Marsilio manda prender y castigar al Moro, que al huir ha caído en manos de los soldados de la guardia real. Llévanse al culpable) Cuadro 2 Melisendra EL TRUJAMÁN Miren luego vuesas mercedes cómo llevan al moro a la plaza de la ciudad, con chilladores delante y envaramiento detrás, y cómo luego le dan doscientos azotes, según sentencia del Rey Marsilio, ejecutada apenas había sido puesta en ejecución la culpa, porque entre moros no hay traslado a la parte, ni a prueba y estése, como entre nosotros. (Don Quijote, cuyas piernas han traducido por movimientos nerviosos su protesta contra las últimas palabras del Trujamán, se asoma al proscenio, encarándose con el muchacho) DON QUIJOTE Niño, niño, seguid vuestra historia línea recta, y no os metáis en las curvas y transversales, que para sacar una verdad en limpio menester son muchas pruebas y repruebas. MAESE PEDRO (sacando la cabeza por las cortinas) Muchacho, no te metas en dibujos, sino haz lo que ese señor te manda sigue tu canto llano y no te metas en contrapuntos, que se suelen quebrar de sotiles. EL TRUJAMÁN Yo así lo haré. DON QUIJOTE ¡Adelante! (Ocúltase Maese Pedro bajo el retablo, y don Quijote vuelve a sentarse) Cuadro 3 El suplicio del Moro. (Descúbrese el retablo. Plaza pública en la ciudad de Sansueña. La escena se llena de morisma. Llega el Moro culpable conducido por la guardia del rey y precedido por voceadores que leen al pueblo la sentencia condenatoria. Síguenle dos verdugos de feroz aspecto, provistos de largas varas. El Jefe de la Guardia ordena que comience el suplicio, y el Moro es puesto entre los dos verdugos, en el centro de la plaza. Los verdugos azotan al culpable con golpes alternados. Se interrumpe el suplicio. Gran movimiento en la muchedumbre. Se reanuda el castigo. Cae el Moro. Los soldados se lo llevan a rastras, seguidos por los verdugos y la morisma) EL TRUJAMÁN Miren ahora a don Gayferos, que aquí parece a caballo, camino de la ciudad de Sansueña. Cuadro 4 Los Pirineos (Don Gayferos, al trote de su caballo y cubierto con una capa gascona, aparece diferentes veces desde la falda hasta la cumbre de una montaña, como siguiendo un camino en espiral, llevándo en la mano un cuerno de caza) EL TRUJAMÁN Ahora veréis a la hermosa Melisendra, que, ya vengada del atrevimiento del enamorado moro, se ha puesto a los miradores de la torre y habla con su esposo creyendo que es algún pasajero, según aquello del Romance, que dice "Caballero, si a Francia ides, por Gayferos preguntade." Veréis también cómo don Gayferos se descubre y qué alegres ademanes hace Melisendra al reconocerle, descolgándose luego del balcón, y cómo don Gayferos ase de ella, y poniéndola sobre las ancas de su caballo, toma de París la vía. Cuadro 5 La Fuga (Melisendra ocupa su puesto en el mirador de la torre. Por el camino que se extiende en el plano superior de la escena aparece don Gayferos a caballo, cubierto el rostro con su capa. El caballo lleva un paso tranquilo. Melisendra hace señas al caballero para que se acerque. Llega don Gayferos al pie de la torre por el camino que ocupa el primer término de la escena. Diálogo de Melisendra y don Gayferos. Don Gayferos se descubre. Alegría de Melisendra, que se descuelga del balcón por el lado de la torre opuesto al público. Don Gayferos, que acude a recogerla, reaparece con ella montada en las ancas de su caballo. Ambos desaparecen al trote, cruzando los dos caminos ya indicados, y ciérrase la cortina) EL TRUJAMÁN (que desde este momento no abandona más la escena) ¡Vais en paz, oh par sin par de verdaderos amantes! Lleguéis a salvamento a vuestra patria; los ojos de vuestros amigos y parientes os vean gozar en paz tranquila los días, que los de Néstor sean, que os quedan de la vida. MAESE PEDRO (asomando la cabeza por debajo del retablo) ¡Llaneza, muchacho, no te encumbres, que toda afectación es mala! (Ocúltase) (Descórrese por última vez la cortina del retablo y vuelve a aparecer la plaza pública de Sansueña. Vese al rey Marsilio corriendo presuroso en busca de sus guardias. Estos, que acuden al llamamiento del rey, reciben sus órdenes y parten precipitadamente) Cuadro 6 La Persecución EL TRUJAMÁN (Al explicar la acción, va señalando con su varilla los muñecos que la representan. Durante el toque de alarma cruzan presurosamente por la plaza pequeños grupos aislados, y el rey, reapareciendo, sigue dando órdenes con gran premura) Miren vuesas mercedes cómo el rey Marsilio, enterado de la fuga de Melisendra, manda tocar alarma, y con qué priesa, que la ciudad se hunde con el son de las campanas, que en todas las torres de las mezquitas suenan. (Don Quijote da crecientes muestras de impaciencia, asomando la cabeza y pugnando por hablar) DON QUIJOTE (saltando de su sitio con visible indignación) ¡Eso no, que es un gran disparate, porque entre moros no se usan campanas, sino atabales y dulzainas! MAESE PEDRO (sacando de nuevo la cabeza) No mire vuesa merced en niñerías, señor don Quijote. ¿No se representan casi de ordinario mil comedias llenas de mil disparates, y con todo eso siguen felicísimamente su carrera, y hasta se escuchan con admiración? (Don Quijote, cuya indignación se ha ido calmando, asiente gravemente con signos de cabeza a las palabras de Maese Pedro) DON QUIJOTE Así es la verdad. MAESE PEDRO Prosigue, muchacho. EL TRUJAMÁN Miren cuánta y cuán lucida caballería sale de la ciudad en seguimiento de los dos católicos amantes. ¡Cuántas dulzainas que tocan, cuántas trompetas que suenan, cuántos atabales y atambores que retumban! Témome que los han de alcanzar y los han de volver atados a la cola de su mismo caballo! Final DON QUIJOTE (poniéndose de un brinco junto al retablo y desenvainando la espada) ¡Deteneos, mal nacida canalla, no los sigáis ni persigáis; si no, conmigo sois en la batalla! ¡Non fuyades, cobardes, malandrines y viles criaturas, que un solo caballero es el que os acomete! (Don Quijote, con acalorada y nunca vista furia, comienza a llover cuchilladas, estocadas, reveses y mandobles sobre la titerera morisma, derribando y descabezando a unos, estropeando y destrozando a otros, y dando entre muchos un altibajo tal, que pone en peligro la cabeza de Maese Pedro, ya fuera de su escondite, quien se abaja, se encoge y agazapa para evitar los golpes. Sancho Panza hace gestos de grandísimo pavor y el resto de los espectadores de la Venta va siguiendo con vivos y expresivos comentarios las peripecias de la acción) MAESE PEDRO ¡Deténgase, deténgase vuesa merced, mi señor don Quijote; mire que me destruye toda mi hacienda! DON QUIJOTE ¡Oh bellaco villano, malmirado, atrevido y deslenguado! MAESE PEDRO ¡Desgraciado de mí! DON QUIJOTE ¡Y vosotros, valeroso don Gayferos, fermosa y alta señora Melisendra ya la soberbia de vuestros perseguidores yace por el suelo, derribada por este mi fuerte brazo; y porque no penéis por saber el nombre de vuestro libertador, sabed que yo me llamo don Quijote, caballero y cautivo de la sin par y hermosa Dulcinea! MAESE PEDRO ¡Pecador de mí! DON QUIJOTE (absorto, con la mirada en alto) ¡Oh Dulcinea, señora de mi alma; día de mi noche, gloria de mis penas... MAESE PEDRO ¡Desventurado! DON QUIJOTE .. norte de mis caminos... MAESE PEDRO ¡Desdichado del padre que me engendró! DON QUIJOTE ... dulce prenda y estrella de mi ventura! MAESE PEDRO ¡Cuitado de mí! DON QUIJOTE (despertando bruscamente de su éxtasis y dirigiéndose a todos los presentes) ¡Oh vosotros, valerosa compañía; caballeros y escuderos, pasajeros y viandantes, gentes de a pie y a caballo! Miren si no me hallara aquí presente, ¿qué fuera del buen don Gayferos y de la fermosa Melisendra? ¡Quisiera yo tener aquí delante aquellos que no creen de cuánto provecho sean los caballeros andantes! ¡Dichosa edad y siglos dichosos aquellos que vieron las fazañas del valiente Amadís, del esforzado Felixmarte de Hircania, del atrevido Tirante el Blanco; del invencible don Belianís de Grecia; con toda la caterva de innumerables caballeros, que con sus desafíos, amores y batallas, llenaron el libro de la Fama! MAESE PEDRO ¡Santa María! DON QUIJOTE En resolución ¡Viva, viva la andante caballería sobre todas las cosas que hoy viven en la tierra! Falla,Manuel de/El retablo de Maese Pedro
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Yeniche【yec】 イェニシェ語 00 Mixed language 01 German-Yiddish-Romani-Rotwelsch 《現》living language ドイツ【DE】 言語名別称 alternate names European Romany German Travellers Jenisch Yenishe 方言名 dialect names 参考文献 references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia
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https://w.atwiki.jp/2dogslink/pages/4.html
Translation two dogs of Arahama Sendai-city TOP page http //www18.atwiki.jp/2dogs/pages/1.html f： - ｜T： - ｜Y： - 時間の流れ日本語版はこちら http //www18.atwiki.jp/2dogs/pages/29.html Detail Truth of two loyal tsunami dogs Sendai Japan Update on (Sun) February 10th 2013. Posted by Mika (2dogs, tottorimiyagi, mii) March 11, 2011. When the tsunami came, the moment the real dog owner Mr. O heard the tsunami warning, he turned his home, and he took his two dogs (Mei and Lee) and took refuge to the fives floor in Elementary School. Soon after that, his house and his cell phone were washed away by the tsunami. http //www.youtube.com/watch?v=VQhJBpoA1Eo sns=em March 12, 2011. Dogs owner joined the volunteer fire department, he was told "There is some dog food for a week-10 days in Elementary School.", so he left two dogs in Elementary School, and he went to the work of the Volunteer fire department to help other people. Until March 12, 2011, two dogs were chained in Elementary School, but it seems that someone lost the chaine... March 13, 2011, 4-5 pm Two dogs were filmed by Fuji TV crew. And Fuji TV reporter Mr. Yamashina and other Fuji TV crew did not rescue two dogs. And they left two dogs behind. Mr. Yamashina and other TV crew have NOT called a vet or other rescue. (I heard this information from Mr. Yamashina on the phone, in early October 2011. Mr. Yamashina is a reporter of Fuji TV.) (Mon) March 14, 2011, about 7 00 am. A picture of white dog was taken By Takuya Imai, he is a cameraman of Nikkei news paper, near the place where dogs filmed by Fuji TV. http //www18.atwiki.jp/2dogs/pages/61.html Certainly Lee (white dog) was still alive until March 14th, 2011, 7 11 am. (Mon) March 14, 2011, about 9 40 pm. Two dogs were aired on Fuji TV. http //www.youtube.com/watch?v=eRMawJtJ6cU sns=em And these two loyal tsunami dogs became famous all over the world. So many people were concerned about these two dogs, and posted "help these dogs! Why did not Fuji TV crew rescue these dogs?" everywhere. (Tue) March 15, 2011, about 1 33 pm. Kenn Sakurai posted a lie "We already have rescued two dogs" on his facebook page. with Fuji TV movie. But, there were NO photo of after two dogs were rescued, on his Facebook page. http //www18.atwiki.jp/2dogs/pages/75.html (Tue) March 15, 2011, about 10 32 pm. Sakurai started collect money, Sakurai was only using two dogs video on Facebook to collect money via PayPal. http //www18.atwiki.jp/2dogs/pages/2.html Kenn Sakurai has never rescued two dogs and any other dogs, Kenn Sakurai is obviously a scam. Kenn Sakurai has not shown any proof that he did in deed rescue any dogs, only talk. Kenn Sakurai is the president of Butch Japan. (Wed) March 16, 2011. Many Japanese/overseas blogger posted on their blog "two dogs were rescued by off road bikers! Thank you Mr. Sakurai!" without confirmation of fact. The rumour spread like wildfire. (Thu) March 17, 2011. Fuji TV(Japanese major media) reported false information “Two tsunami dogs were rescued by an animal protection group. White injured dog is receiving a drip infusion treatment.” without confirmation of facts. There were NO rescued dogs, and were only stray dogs, on Fuji s rescue report. http //www.youtube.com/watch?v=5awVBo7WSaw sns=em As of March 17th 2011, Fuji TV crew NO ONE has seen these two dogs were rescued, they have only heard a talk from Kenn Sakurai. http //www18.atwiki.jp/2dogs/pages/6.html In fact white setter named Lee has been missing since March 14th 2011. (Fri) March 18, 2011. Dogs owner found Mei(brown tan dog) in elementary school where near the place where dogs filmed by Fuji TV. But Lee(white dog) was not there. There after, dogs owner have been looking for Lee frantically. http //www18.atwiki.jp/2dogs/pages/35.html At that time, dogs owner was not knowing that his dogs were aired on the TV around the world and Sakurai s lies yet. Intently, Dogs owner has been looking for Lee frantically. (Fri) March 18, 2011, 12 14 am Global Animal posted an article. "Tsunami Dogs Safety Unconfirmed" http //www.globalanimal.org/2011/03/19/update-loyal-tsunami-dogs-safe-at-veterinarians/32822/ "Global Animal cannot recommend that donations be made to Kenn Sakurai on his Facebook page." Many people requested on Sakurai s Facebook page to provide some sort of proof of dogs were safe, but Sakurai deleted their posts, and Sakurai quickly blocked them from Sakurai s page. March, 2011. Major media reported false information "both dogs were rescued" around the world. http //www18.atwiki.jp/2dogs/pages/34.html Fuji TV(Japan), CNN, NPR, TYT, CBS, ABC(America), UK telegraph, ITN(England), Apple Daily(Hong Kong), Russian TV, more, major media reported “Two loyal tsunami dogs were rescued. Happy ending!” without confirmation of facts. But in fact, white setter has been missing since March 14th 2011. Of course, there were NO film/pictures of after dogs were rescued, on their report. There were only stray dogs, on their report. But as of February 10th 2013, major media still have NOT corrected their wrong reports. So many many people still believe that two loyal tsunami dogs were rescued by bikers who are Sakurai s friends. Even now(February 10th 2013), Sakurai s lies and major media s wrong report are hindering us from searching for the white dog. Major media reported false information, and they took part in a scam, and they are hindering us from searching for the white dog, but major media still have NOT corrected their wrong reports. A man said "Major media make money by publishing stories people want to know. It is not about the truth. Kenn Sakurai rescue was a good story, even if it s a lie." Do you want FAKE good story? I NEVER want to know any lies. I always want to know the TRUTH, whatever good or bad. I and many Japanese requested Fuji TV to correct their wrong report, but Fuji has never replied us. Maybe, if Fuji TV report the truth(white dog is still missing), then Fuji TV lose their popularity and Fuji lose the benefit. So Japanese media has not report the truth. It is mortifying! But we will do all know. March 19, 2011, morning. Global Animal interviewed Mr. Sakurai. The co-founders of GlobalAnimal.org spoke by phone with Mr. Kenn Sakurai. "He said that he himself did not rescue the dogs, but rather, friends of his who are off-road bikers did. Mr. Sakurai says he promised the bikers that he wouldn’t reveal the location of the veterinarian because they don’t want animal rescue organizations to take the dogs for their own fundraising purposes." http //www.globalanimal.org/2011/03/19/japans-animal-victims-truth-news-vs-rumors-facebook/32951/ March 19, 2011. Kenn Sakurai posted on his FB page. "I will send you the money back." http //www.examiner.com/dog-rescue-in-national/kenn-sakurai-japan-s-loyal-friends-rescuer-or-shameless-fraud March 21, 2011. Kenn Sakurai posted on his FB page. “We wish to have the more images on those dogs but simply impossible for now. No cell phone reception” March 22nd, 2011 Life with dogs posted an animal on their site. "When we were interviewed Friday, it was still believed that the dogs were safe, but pointed questions directed at Kenn Sakurai were going unanswered, raising suspicions about his fundraising activities on behalf of the dogs." http //www18.atwiki.jp/2dogs/pages/4.html March 24, 2011 2 14am Kenn Sakurai posted a lie on his facebook page "brown dog is having his or her leg and toe soared and lost consciousness." http //www18.atwiki.jp/2dogs/pages/51.html In fact the brown tan dog and her owner were already together on March 24, 2011. when brown tan dog was very fine. March 25, 2011. Global Animal posted an article. "Still No ‘Proof Of Life,’ Despite Rumor Mill" "There is still no independent, verifiable‘proof of life’for these two dogs beyond the word of one man who has never seen the dogs himself." http //www.globalanimal.org/2011/03/25/still-no-proof-of-life-for-loyal-dogs-despite-rumormill/33710/ March 26, 2011. A Japanese interpreter asked Kenn Sakurai "A Russian TV want to interview about two dogs, so could you tell us where dogs are?" on twitter. But March 28, 2011. Kenn Sakurai replied that "I promised not to tell. So sorry, I cannot tell you." on twitter. Kenn Sakurai has been trying to avoid from all interview and a meeting. Fuji TV, APF News(Japan), CNN(America), Russian TV, Akiko Fujimura(the owner of Nippon SPCA), and I(Mika), Numerous news agencies and others have tried (unsuccessully) to contact Ken Sakurai. Ken Sakurai has refused to provide any proof, and he refused to see me and Akiko and any other news crew. April 4, 2011. Kenn Sakurai started selling the charity T-shut on his facebook page (and butch Japan s facebook page). But i could not find any photo of Butch T-shut wherever on Internet, and where does the proceeds go? About the Donations and the T-Shirt matter http //www18.atwiki.jp/2dogs/pages/3.html May 21, 2011, 7 03 pm(Japan time) A Japanese person asked Mr. Sakurai on twitter. "@ButchJapan Mr. Sakurai, excuse me...about Fuji TV dogs, have you seen rescued dogs? Were they really rescued?" May 22, 2011 12 13 am (Japan time) Butch Japan answered "@*********_**** We will never answer about it on Twitter." May 22, 2011 12 17 am Besides Butch Japan answered on twitter. "@*********_**** Here is Butch Japan s corporate site, It is not good to ask personal questions, via not DM. please contact our president directly. If he is not at office, president will get back to you, but our company has no part in that matter." It s unnatural. Butch Japan posted "Fuji TV dogs were rescued by biker who are Sakurai s friends/underlings." on their company twitter, and on their company facebook page, in Japanese language, many times. And some Japanese people said "I bought Butch food because I heard that president Sakurai rescued Fuji TV dogs, but after I knew the truth, I will never forgive Butch Japan!" "Our company has no part in that matter." ? It is improbable. June 8, 2011. Some Japanese people were concerned about two dogs, and they suspected Sakurai s rescue story, and they made a thread on 2channel in order to verify dogs s whereabouts. (2channel is a big BBS in Japan) フジＴＶで放送された被災犬の行方を検証するスレ http //c.2ch.net/test/-/dog/1307535741/i フジＴＶで放送された被災犬の行方を検証するスレ２ http //yuzuru.2ch.net/test/read.cgi/dog/1317719783/ June 10, 2011. Mr. Sakurai asked LIA (Life Investigation Agency, an self‐appointed animal protection group) to delete LIA s blog which written about Sakurai s bikers rescued two dogs by baby sling. Sakurai claimed that LIA was using two dogs to collect money. Funny, Mr. Sakurai was using two dogs to collect money. Mr. Sakurai is obviously a scam. Sakurai has no rights to say that. June-July, 2011. Some Japanese (including me) sent some email and phoned to Fuji TV "Have you seen two dogs? How did you come by that information two dogs were rescued ? there is some possibility that Kenn Sakurai is a scam." But Fuji TV has never replied to us. About late of July, 2011. Fuji TV reporter Mr. Yamashina visited dogs owner s house. Mr. Yamashina saw Mei (brown tan dog) and made sure that Mei is the same dog aired on Fuji TV. Mr. Yamashina told dogs owner "There is a rumor that a dog was rescued by a man who live in Chiba prefecture." Mr. O and his family said "If that man has Lee (white dog), we want him to return Lee to us." But as everyone know, Kenn Sakurai is a lair, Sakurai has nothing but his dog (sumile). August 24, 2011. I told Mr. Harigaya (he is APF news crew and a member of Farm of Hope[M Farm]) about two tsunami dogs and Sakurai. As of August 24, 2011, I still not knew that white dog is missing, and I haven t met dogs owner yet. September 8, 2011. I phoned the two dogs owner on September 8th 2011, for the first time. I heard owner s voice, i was moved by the sad voice in which the owner spoke "white dog is still missing". I repented, I should have noticed Sakurai s lies earlier. If i/other people noticed his lies earlier, maybe Lee-chan was found long time ago. I was unable to repress my indignation at Sakurai s lies. At that time, I had bad back pain since July 2011, so I could not move long range transport, so I asked Mr. Harigaya to visit and interview Mr. O. September 13, 2011. I received an email and Mei-chan s photo via cell phone from dogs s owner, it s my treasure. I have never published this photo yet. I only showed this photo to Mr. Harigaya and some of my friends. September 14, 2011. Mr. Harigaya visited dog owner s house on September 14th 2011, for the first time. When Akiko Fujimura(the owner of Nippon SPCA) went to the dog owner s house with Mr. Harigaya. Akiko Fujimura met dog owner on September 14th 2011, for the first time, too. Ms. Fujimura heard information about the real dog owner Mr. O was found, from Mr. Harigaya. But as of September 14th 2011, Mr. Harigaya not told me about Ms. Fujimura, so I didn t know Ms. Fujimura met Mr. O. They actually saw brown tan dog. Thanks to everyone s efforts, thank you 2 channel users, thank you Global Animal and GA readers! Thank you Mr. Harigaya! If it were not for GA reports and GA reader s comments, and 2 channel user s posts, and Mr. Harigaya s advice, I could not contact the real owner. About late in September 2011. Akiko Fujimura sent a FAX to Sakurai. If it were not for Akiko s action, maybe there was no progress. I am grateful to Akiko that Akiko sent FAX to Kenn Sakurai. About early in October 2011. Akiko then received a response by Kenn’s attorney. Kenn’s attorney outlined he cannot reveal the name of the pet’s owner, cannot agree or disagree, as the microchip information is deemed privileged information. If that was so. Kenn wouldn’t have the information either. And I heared that Ms. Fujimura contacted dog s owner, from dogs s owner. Late in October 2011. Mr. Harigaya said "APF does not have our own TV station, so we told some Japanese TV station about two dogs s story, but they said We cannot air that story because that story is sad, and we may cannot get audience measurement. If white dog will be found, may we air that story ." Fuji TV, CNN, more, reported FAKE good story "both dogs were rescued", but they have NEVER reported true story "white dog has been missing. Their owner looking for white dog frantically". So i asked dogs s owner "Can i post Mei-chan s photo on my blog?" November 1, 2011. Akiko Fujimura published Mei-chan s photos and two dogs s story, via Hachiko Coalition facebook page. UPDATE JAPAN One Loyal Tsunami Dog Found http //www.globalanimal.org/2011/11/01/update-japan-one-loyal-tsunami-dog-found/43001/ But Ms. Fujimura did not tell me about it, so I was confused. But, I wanted to tell GA readers and 2channel users about Mei-chan was found by her real owner, and Lee-chan has been missing, their owner has been looking for Lee-chan since a long time ago. Ms. Fujimura published it and I attained my purpose at least. November 3, 2011. APF news Farm Sunctuary Farm of Hope ~Hukushima~ Official BLOG Kurumi-chan and Lee-chan http //www18.atwiki.jp/2dogs/pages/57.html November 15, 2011. I phoned an attorney who is employed by Sakurai, when I referred to Akiko s FAX. Sakurai s attorney said "We have heard from Mr. Sakurai as a witness what he knows about dog. But we have not seen the dog who was rescued by Mr. Sakurai, and we have not checked the information about microchip with our own eyes." http //www18.atwiki.jp/2dogs/pages/62.html (Mon)December 26, 2011. I phoned Butch Japan, when Kenn Sakurai s wife said "Fuji TV dogs s story has no connection with our company (Butch Japan). That was our President s own personal matter." and "Takeshi Sakurai", why does Sakurai use fake name Kenn? http //www18.atwiki.jp/2dogs/pages/43.html Late in December 2011. I sent a message Butch Pet Foods in New Zealand at December 2011. But I have not received a reply from them. Also, some Japanese people sent Butch NZ a message, but No one received their reply. So I m considering boycott Butch Pet Food. http //www18.atwiki.jp/2dogs/pages/45.html April 1, 2012. I went to see Mei-chan s and Lee-chan s owner, for the first time. http //www18.atwiki.jp/2dogs/pages/55.html http //www.youtube.com/watch?v=Mjn6O4Lf_yE sns=em May 17, 2012 Akiko Fujimura published a new book about the loyal tsunami dogs. http //www18.atwiki.jp/2dogs/pages/44.html (Wed) May 23, 2012 I visited Butch Japan office in Chiba-prefecture. Sakurai s wife said "We do not have to apologize to the Lee-chan s owner." "About that, some people misunderstood and have sent us money as their pleases." http //www18.atwiki.jp/2dogs/pages/46.html (Sun) July 15, 2012. We held A protest demonstration against Fuji TV About false report Two Loyal Tsunami Dogs, at Tokyo Teleport Station where near the Fuji TV Headquarters Building in Odaiba Tokyo. Thank you for your help! http //www34.atwiki.jp/2dogs_demo/ But Fuji TV NEVER corrected their wrong report. We still continue to send Fuji TV a message. August 8, 2012 I showed this picture to dog owner. A dog stay with a house which was collapsed by tsunami (March 14th, 2011. Morning, Arahama) = This picture was taken by Takuya Imai The owner said "This dog is Lee!" Certainly Lee (white dog) was still alive until March 14th, 2011, 7 11 am. But Lee is still missing. http //www18.atwiki.jp/2dogs/pages/61.html The owner’s house and his cell phone were washed away by the tsunami on March 11th 2011. So the real owner Mr. O has no photo of Lee (white dog) witch before tsunami, but actually he has been together with his brown tan dog, their family vet in Sendai knew that he is the real owner of Mei Lee. And when Mei was a puppy, a man who lives Miyagi prefecture sent Mei to the owner, he said Mr. O is real owner of Mei. So we can prove all the reliable proof. September 17, 2012 PLEASE sign up CNN and click "This belongs on CNN"! The truth of two loyal tsunami dogs in Japanhttp //www18.atwiki.jp/2dogs/pages/77.html As of February 10th 2013, we still need your help! Please. As of (Sun) February 10th 2013. The real owner and we are still looking for Lee desperately. If you have any information about white female setter who from Sendai Japan, please tell us. We will greatly welcome any information. Thank you. Email twodogs_tottorimiyagi_mii3328@yahoo.co.jp http //www18.atwiki.jp/2dogs/pages/92.html We need eyewitness white setter in Sendai Japan. Feature of the Lee-chan White setter Large dog Totally white on her body Her ears are right brown She has gray spotted around her nose Then she had silver chains around her neck Female Then NOT microchipped Then not spay Now, 10 years old She is friendly Time The Last Witness Monday March 14th 2011 about 7am By. Takuya Imai he is a cameraman of Nikkei newspaper. And March 13, 2011 about 5pm Fuji TV reporter Mr. Yamashina saw these two dogs. Location The Last Witness near the Sendai Municipal Arahama Elementary School, in Arahama, Wakabayashi-ku, Sendai-shi, Miyagi-ken, Japan. Nearby Miyagi Prefectural Road137, Arahama-Haranomachi Line. I know after the tsunami, PETA Asia, ASPCA, Kinship Circle had been in Sendai at that time, but I don’t know other foreign animal rescue team. If you know, please tell me. I think that there is some possibility Lee-chan was rescued by overseas people, and she was adopted to overseas foster parent or out of Miyagi-prefecture, but those rescuers believed in false report and they might have not looked for the real owner. Translation two dogs of Arahama Sendai-city TOP page http //www18.atwiki.jp/2dogs/pages/1.html
https://w.atwiki.jp/mrfrtech/pages/116.html
Market Scenario The global Cloud Manufacturing Market Players is projected to thrive at a CAGR of 19.8% during the assessment period from 2019 to 2024. According to the recent comprehensive research conducted by Market Research Future Reports (MRFR), The increasing adoption of IoT in manufacturing processes is projected to be one of the most pivotal factors driving the Cloud Manufacturing Industry Market 2020. Besides, the manufacturing industries across the world have been implementing cloud technology to manage their day-to-day operation efficiently. The global cloud manufacturing market is predicted to reach a market value of USD 111.90 billion by the end of 2024. However, the challenged posed due to the outbreak of COVID-19 has resulted in a changing market landscape. The market has been studied efficiently with the long haul with projections in the MRFR reports. We will provide a report on the impact analysis of COVID-19 on the global cloud manufacturing market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6004 Segmentation On the grounds of component, the worldwide cloud manufacturing market can be distinguished into hardware, software, and services. On the grounds of industry vertical, the worldwide cloud manufacturing market can be distinguished into healthcare, aerospace and defence, semiconductor electronics, metal amp, machinery manufacturing, automotive, and others. On the grounds of deployment, the worldwide cloud manufacturing market can be distinguished into the public cloud, private cloud, and hybrid cloud. On the grounds of organization size, the worldwide cloud manufacturing market can be distinguished into large enterprises and small and medium-sized enterprises. On the grounds of the region, the worldwide cloud manufacturing market can be distinguished into North America, Europe, Asia-Pacific, the Middle East and Africa, and South America. Regional Analysis region. Also, the region is adopting the IoT at a fast pace which plays an essential role in growing the market. Besides, the fast digitization in the region is a pivotal cause of market expansion in the region. The geographical evaluation of North America, Europe, Asia-Pacific, Middle East and Africa, and South America has been conducted. As per the evaluation, North America is projected to dominate the worldwide market. North America dominates the market owing to the presence of established players in the Europe is expanding significantly due to the adoption of cloud-based manufacturing techniques in the region. The enterprises in the UK are taking initiatives to implement the cloud-first technique, which is estimated to grow the regional market. The APAC region is predicted to expand significantly due to the presence of developing nations such as India, China, and Japan. The market in the APAC region is projected to expand significantly during the assessment period. Competitive Outlook The established organization of the worldwide cloud manufacturing market are DXC Technology Company, Oracle Corporation, Microsoft Corporation, Salesforce.com, Inc., Amazon Web Services, Inc. (AWS), Cisco Systems, Inc., VMware, Inc., Hewlett Packard Enterprise Company, Google LLC, Citrix Systems, Inc., Jelastic, Inc., Plex Systems Inc., and Rootstock Software. Industry News The global Cloud Manufacturing Market Trends has been affected due to the lockdown across the regions. This pandemic situation has hampered the Cloud Manufacturing Market Growth as well as its productivity, supply chain, and others. Moreover, the global market has lost its investors due to the increasing loss for the products, supply, transportation, workforce, and others. However, in the meantime, the key market players have implied various strategic techniques to boost global market growth. Thus, to meet the global market demands, the global market increased its speed in producing more valuable products for its intended customers. Recently, the global market has stabilized its position in the global market and is expected to register a higher Cloud Manufacturing Market Size for the forecast period. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/cloud-manufacturing-market-6004 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure 3Market Research Methodology 3.1Research Process 3.2Secondary Research 3.3Primary Research 3.4Forecast Model Continued…. LIST OF TABLES TABLE 1 MARKET SYNOPSIS 17 TABLE 2 GLOBAL CLOUD MANUFACTURING, BY COMPONENT, 2020–2027 (USD BILLION) 39 TABLE 3 GLOBAL CLOUD MANUFACTURING MARKET, BY DEPLOYMENT, 2020–2027 (USD BILLION) 41 Continued…. LIST OF FIGURES FIGURE 1 MARKET ATTRACTIVENESS ANALYSIS GLOBAL CLOUD MANUFACTURING MARKET 17 FIGURE 2 GLOBAL CLOUD MANUFACTURING MARKET MARKET STRUCTURE 18 FIGURE 3 BOTTOM-UP AND TOP-DOWN APPROACHES 23 Continued…. Trending Research Report** eSIM Market https //writeonwall.com/esim-market-by-development-size-share-and-demand-opportunity-competitive-outlook-for-future-and-forecasts-up-to-2027-opportunities-threats-covid-19-impact/ Geofencing Market https //ict268262635.wordpress.com/2022/04/08/geofencing-market-companies-magnificent-growth-with-an-impressive-cagr-changing-business-needs-factors-that-will-drive-industry-forecast-year-2030/ Voice Assistant Market https //ict268262635.wordpress.com/2022/04/06/voice-assistant-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ Digital Business Card Market https //ict268262635.wordpress.com/2022/04/06/digital-business-card-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. 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