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• 2dogswiki @ ウィキ - The real owner of Japan Two Loyal Tsunami Dogs, Mr. O described how he felt [1]

  https://w.atwiki.jp/2dogswiki/

  Update： March 11th 2013. 1 03 am (Japan time) Posted by Mika Iwamuro Visitors total： - today： - yesterday： - (Mon) March 11th 2013, the white dog Lee-chan is still missing. The real owner Mr. Okubo is still looking for his white dog (named Lee-chan) desperately. The real owner of Japan Two Loyal Tsunami Dogs, Mr. Okubo described how he felt [1](2) http //youtu.be/llqfGPkKlPg June 30th 2012 Ms. Akiko Fujimura’s talk show, at Yokohama Japan. Akiko is Nippon SPCA founder (Japanese animal protection group). (Translation and filming, by Mika Iwamuro.) I still don t work on subtitles on this move, but I finished just translation below. [Ms. Kaori Hayakawa] Today everyone, I want you to buy this book, which was written by Ms. Fujimura wrote "Victim Pets Rescue". The dog on a cover, Is there anyone who watched this dog? Ah, there is. Before this work, Aftermath of the Earthquake, on the broadcast, I knew this one. The dog became very famous in various ways. The owner of the dog, Mr. Okubo, please come. Everybody, please greet him with applause. Ms. Fujimura, could you introduce him to everyone simply? [Ms. Akiko Fujimura] Yes well.. Today he came here from far away, thanks Mr. Okubo. His house was washed away by the tsunami, so he lives in other place now. This dog was televised, and now the dog, over 100,000 video views on youtube. Not just in Japan, but also overseas, CNN, ABC, actually these two dogs were televised. He is the owner of these dogs. In fact, this dog, brown one named Mei-chan was found, and another white dog named Lee-chan is still missing. I hope that white dog will be found, so I wrote the book. I appreciate, he came here from far away, while he is busy. I think I would like to hear from him, I hope everyone listen to the end. [Ms. Kaori Hayakawa] All right, there is only one mike, so first of all, I would like to hear various things from Mr. Okubo. Thank you for coming. [Mr. Okubo] Ah. [Ms. Kaori Hayakawa] The disaster area still... I have seen Yokohama-city, it seems that we have gotten back to our ordinary days. But still... How is it the status in disaster area now? [Mr. Okubo] The situation is still unchanged... I m anxious about the future. [Ms. Kaori Hayakawa] I agree.. When you suffered from the earthquake, what the situation was you in? Your dogs and your family, suffered in different locations? [Mr. Okubo] Yes. [Ms. Kaori Hayakawa] How was it in the aftermath of the disaster? [Mr. Okubo] The first, my family flashed into my mind. [Ms. Kaori Hayakawa] You and your family suffered in different locations. Could you tell me the details in that situation? How could you meet your family again? [Mr. Okubo] Then I returned my home by car.. and I rescued my dogs. Ah.. first, I looked for my family, and I rescued my dogs.. [Ms. Kaori Hayakawa] Then your dogs were in your house? [Mr. Okubo] Yes, no human was in my house, when my parent went to work, so there were only my dogs. [Ms. Kaori Hayakawa] Arahama-district is the area had huge damage by the tsunami. When you rescued your dogs, before the tsunami came? [Mr. Okubo] Yes, before it came. [Ms. Kaori Hayakawa] You rescued your dogs by your quick wit. [Mr. Okubo] Yes..I wanted to save my dogs anyway. After rescued, my dog showed me her very joy, and she seemed concerned about me, she licked my face. In a car, she had licked my face scores of times, so when I thought that I may can t drive a car. [Ms. Kaori Hayakawa] Your dog felt so relieved. These dogs were rescued once by Mr. Okubo. But after that why were they in the situation on TV? Everyone wonder when what happened? You rescued your dogs once, after that.... [Mr. Okubo] I rescued them..and I took refuge in the elementary school with my dogs. I kept my dogs on a lead in the elementary school. However, I couldn t take my dogs, when I took refuge by helicopter. (A Self-Defense Forces Personnel told him that helicopter does not take the dogs. In Japan, in an emergency, people take priority over animals. Even if Self-Defense Forces have enough space for some dogs in helicopter, then they abandon dogs, It s the "rule" in Japan. I am ashamed it as a Japanese, I think that Japan has no right to sell any animals.) [Mr. Okubo] So...I left my dogs in the elementary school. [Ms. Kaori Hayakawa] You could take refuge with your dogs once, but after that, you had to take in helicopter to refuge other place, then you couldn t take them in helicopter. [Mr. Okubo] Yes, I couldn t stay there until the end. [Ms. Kaori Hayakawa] Ah....and after that, dogs got lost? [Mr. Okubo] When I took in helicopter, I kept my dogs on a leash. But I returned there a few days later, it seems that someone went of the leash on my dogs, one dog (white dog) was not there..... (A man told Mr. Okubo "There is some dog food for a week-10 days in Elementary School.", so he left his two dogs in Elementary School, and he went to the work of the Volunteer fire department to help other people.) [Ms. Kaori Hayakawa] Even though you rescued your dogs once, and kept them on a leash, but after that someone unleash for some reason... And the dog got lost.. [Mr. Okubo] Yes... [Ms. Kaori Hayakawa] How many people, is there anyone who has seen this video? There are the people raise hands.. I watched this video, too. Aftermath the earthquake, it became the talk of the whole huge people. So many people said "What happened afterwards?" on many blog. For example Ms. Aya Sugimoto s blog, on her comment field, "What happened on the dogs afterwards?" "Does anyone know of the dogs safe?", so many people all over Japan were worried about these dogs. (Ms. Aya Sugimoto is a Japanese famous TV talent. She has been working on animal welfare.) After that many rumors have appeared "I heard these dogs were rescued" "It seems that the dogs were rescued", and I had believed in that false reports, too. And when I read Ms. Fujimura s book, I noticed the white dog has been missing, even now she is still missing. Have you known a false rescued report? [Mr. Okubo] .......Yes... I have known. [Ms. Kaori Hayakawa] What did you think of when you hear that? [Mr. Okubo] I thought that "where is my dog?" "if my dog is truly somewhere, we want her to come back to us." my family said, too. [Ms. Kaori Hayakawa] Not only Mr. Okubo, but also many people have been looking for their pets, have you tried something to find your dog? [Mr. Okubo] We have been to the seaside over and over, I have thought my dog may be somewhere. (and also Mr. Okubo visited animal control center in Miyagi-prefecture, in May to July 2011. ) [Ms. Kaori Hayakawa] I see, now, there is the photo of the dogs, on the left side, rare dog breeds Brittany Spaniel, Mei-chan, she already was rescued and she has been together with Okubo family. [Mr. Okubo] Yes. [Ms. Kaori Hayakawa] Mei-chan was found. [Mr. Okubo] Yes, when I got back the school, Mei came close to me. (March 18th 2011) Mei had a sad expression on her face, so I felt Lee got lost... [Ms. Kaori Hayakawa] Then another dog, Lee-chan was not there. And Mr. Okubo has tried to hardly to search for Lee-chan, but Lee-chan is still missing. [Mr. Okubo] Yes... Details and Timeline (Fri) March 11th, 2011 Mr. Hisato Okubo is a very courageous and tender and loyal person. On March 11th, 2011, when the tsunami came, the moment Mr. Hisato Okubo heard the tsunami warning, he returned his home, and he took his two dogs (Mei-chan and Lee-chan) and took refuge to the fives floor in Elementary School. Soon after that, his house was washed away by the tsunami. If Mr. Okubo did not return his home, maybe Mei-chan is no more... Mei-chan (brown tan dog) was rescued by Mr. Okubo who is her real owner, on March 18th 2011. (Sat)March 12, 2011 Mr. Okubo joined the volunteer of fire department. A man told him "There is some dog foods for a week-10 days in Elementary School.", so he left two dogs in Elementary School, and he went to the work of the Volunteer fire department to help other people. Until March 12, 2011, two dogs were chained in Elementary School, but it seems that someone lost the chaine... (Sun) March 13th, 2011 and in the evening on (Sun) March 13th, 2011, two dogs were filmed by Japanese Fuji Television crew. (Mon) March 14, 2011, about 7 am (Japan time) The photo of Lee-chan was taken by Takuya Imai who is a cameraman of Japan Nikkei news paper, at near by Madoka-Ann, on March 14th, 2011. about 7 am Madoka-Ann was the place where the dogs filmed by Fuji TV 津波で倒壊した家に残る犬（14日午前、仙台市若林区）＝写真 今井拓也 A dog stay with a house which was collapsed by tsunami (March 14th, 2011. Morning, Arahama) = The picture by Takuya Imai When these dogs filmed by Fuji TV on March 13th 2011, 4-5 pm, white dog (Lee-chan) laid herself down on the ground, but next morning Lee-chan stood up by herself in Nikkei photo. Their real owner Mr. Okubo and his family said “This dog of the photo is Lee!” (Mon) March 14th 2011, about 9 40 pm (Japan time) The two stay together tsunami dogs were aired on Japanese Fuji TV. http //www.youtube.com/watch?v=uct9Kzjw9XY sns=em (Thu) March 17th, 2011. about5 30 pm (Japan time) Japanese Fuji Television reported false rescue story "both dogs were rescued by an animal protection group". http //www.youtube.com/watch?v=5awVBo7WSaw sns=em (Fri) March 18th, 2011. CNN reported false rescue story "both dogs were rescued by bikers". http //www.youtube.com/watch?v=2B0YuxmtlOA sns=em The rescue reports on CNN/FujiTV/more are based on the rumor on Facebook page and were not checked out. On March 18, 2011, Mr. Okubo found Mei-chan in Arahama elementary school in Sendai-city Japan. But Lee-chan was not there. Thereafter, Mr. Okubo and his family have been looking for Lee-chan desperately. At that time, Mr. Okubo and his family were still not knowing that their dogs were aired on the TV around the world, because their home was washed away by the tsunami, and they lost TV and internetwork environment, many other victims, too. So they have been looking for Lee-chan intently, since March 18th 2011. About late of July, 2011. Fuji TV reporter Mr. Yamashina visited Okubo s house. Mr. Yamashina saw Mei-chan and made sure that Mei-chan is the same dog aired on Fuji TV. Mr. Yamashina told Mr. Okubo "There is a rumor that a dog was rescued by a man who live in Chiba prefecture." Mr. Okubo and his family said "If that man has Lee, we want him to return Lee to us." But as everyone know, that man has not rescued the two dogs. September 8th, 2011, I could contact with Mr. Okubo for the first time, thanks to everyone s efforts, thank you 2 channel users, thank you Global Animal and GA readers! Thank you Mr. Harigaya! If it were not for GA reports and GA reader s comments, and 2 channel user s posts, and Mr. Harigaya s advice, I could not contact Mr. Okubo. GA reports and GA readers comments encouraged me very much many time. NipponSPCA in Disaster area nipponspca2011/11/05 http //www.youtube.com/watch?v=BmMSUzflbZc sns=em Akiko Fujimura who is the Nippon SPCA　founder, met the dog owner Mr. Okubo on September 14th 2011 for the first time, when she actually saw brown tan dog named Mei. March - April 2012, Mei eat food, this movie was taken by Mika, on Aplil 1st 2012. http //www.youtube.com/watch?v=Mjn6O4Lf_yE sns=em I phoned the owner of two tsunami dogs Mr. Okubo on September 8th 2011, for the first time. And I met the owner in March - April 2012, for the first time. When I actually saw brown tan dog named Mei-chan. Mei-chan is very cute very fine. (Sat) June 30th, 2012 I went Akiko Fujimura s talk event on, at Yokohama Kanagawa Japan. Ms. Akiko Fujimura (left), Mika Iwamuro (middle), Mr. Okubo (right) Ms. Akiko is so cute, but my face was oily and shining , right man is Mr. Okubo who is the owner of Lee-chan Akiko s blog. (All in Japanese) 震災ペットを救う！トークイベント3カ所全て満員御礼☆ 2012/07/01 12 36 http //ameblo.jp/73akiko/entry-11291415235.html ■Several Major Medias reported a false rescue story "both dogs were rescued" around the world update February 7th, 2013. (Japan time) http //www18.atwiki.jp/2dogs/pages/34.html Two years ago, after the Japan Big Earthquake Tsunami, in March 2011, Fuji TV(Japan), CNN, NPR, TYT, CBS(America), UK telegraph, ITN(England), Apple Daily(Hong Kong), Russian TV, more, Several major media reported false rescue story “Two loyal tsunami dogs were rescued by an animal rescue. Happy ending!” . But in fact, white dog (female setter) is still missing since (Mon) March 14th 2011. Major media still have NOT corrected their wrong reports. There were NO film/picture of after dogs were rescued, on major medias rescue report. There were only stray dogs, on their rescue report. The rescue reports on CNN/FujiTV/more are based on the rumor on Facebook page and were not checked out. And March 11th 2013, even now, Fuji TV has never corrected their wrong report "both dogs were rescued". Many Japanese (including me and Mr. Okubo) have asked Fuji TV to correct their wrong report many time, again and again. If Fuji TV reported the truth, Lee-chan would be found. But Fuji TV always says “The person in charge is currently not present” and ignore our voice. Maybe, if Fuji TV reports the truth (Lee-chan is still missing), then Fuji TV lose their popularity and Fuji lose the benefit. So Japanese media has not report the truth. Till now, I also sent some message to CNN, NPR, UK telegraph, ABC, but I have no reply. And I asked some Japanese media to report the truth, but they said We cannot air that story because that story is sad, and we may cannot get audience measurement. If white dog will be found, may we air that story ." “We don’t have the authority to correct the Fuji TV false report.” March 10th 2013, even now, his White Setter has been missing since March 14 2011. Even now, Mr. Okubo is still looking for this white dog desperately for two years. Brown tan dog named Mei-chan was rescued by their real owner Mr. Okubo on March 18th 2011, and brown tan dog has been together with Mr. Okubo. It was wrong report that both two dogs were rescued by bikers. We already asked Kahoku news paper (Japanese Tohoku region local news paper) to report an article of missing Lee-chan, this article will be reported on March 11th (tomoeeow) on Kahoku news paper morning edition. This morning edition is delivered to 44 thousand houses in 6 prefectures of Tohoku region (mainly Miyagi-prefecture) every day. (Arahama Sendai-city is in Miyagi-prefecture Japan) But it is not a free service. I and some Japanese spent our money to it, we expect that effect. But if Lee-chan was adopted to far away from Miyagi-prefecture in Japan, when it is hard for us to find Lee-chan, so I asked many Japanese to share spread to help find missing Lee-chan, all over Japan. And I want to request many overseas people to share spread the truth of missing Lee-chan on internet Email. I hope the truth will win the false rescue rumors and false major media. We want as many people as possible to know that Lee-chan is still missing and their real owner Mr. Okubo is still looking for Lee-chan desperately. I can no longer be expected major media report the truth. So please your help. Please share spread this fact on Facebook, Twitter, blog, other SNS, and Email. I think that if many people spread the truth on Internet Email all over the world, then many people know the truth, and Lee-chan will surely be found! Even now, many people believe that Lee-chan (white dog) was already rescued. So even now, fake rescue rumors are hindering us from searching for the missing white dog (Lee-chan). In fact, Mei-chan (brown tan dog) was rescued by her real owner Mr. Okubo, I think this is Real Brave Story. A man said "Major media make money by publishing stories people want to know. It is not about the truth. Two dogs were rescued was a good story, even if it s a lie." Everyone! Do you want FAKE good story? I say “NO”. There are several possible. I want to try all means possible to find Lee-chan. I thought there is possibility that Lee-chan is dead. But at the same time there is possibility that Lee –chan is alive! Maybe Lee chan was rescued by foreign people, and carried somewhere. Maybe Lee chan was rescued neighbor and she is alive, and neighbor does not have Internet, so neighbor does not know that the owner is looking for Lee chan. There are many possible. I want to try all means possible to find Lee-chan. Do you know someone who had been in Sendai around March to April 2011? Actually, PETA Asia, Kinship Circle, HIS, and more foreign animal rescuers and foreign cameraman and foreign human rescues had been in Sendai Japan just after the earthquake in March 2011. So it s some possible that Lee-chan was rescued by overseas people. But I don’t know other foreign animal rescue team and other people. If you know, please tell them this information, and tell me (Mika Iamuro email twodogs_tottorimiyagi_mii3328@yahoo.co.jp). I have asked AFN, Heart Tokushima, PETA Asia, HSI, kinship circle, ASPCA, and Yoshiko Wada. AFN, Heart Tokushima, PETA Asia, HSI, Yoshiko said that they have not had the information of dog who like Lee-chan. Kinship Circle, ASPCA, Ashley Fruno, have not replied me. I was able to contact dog s owner on September 8th 2011, for the first time. I didn t know about white dog has been missing, until I heard it from dog s owner. I have been looking for Lee (white dog) since September 2011. During that time, some people have told me "There are not only these two famous dogs, there are many other animals who need rescue." I knew. Everyone knew that. Needless to say, there are a lot of animals need rescue around the world. If there are many other animals need rescue, then should we abandon two dogs? You don t care if two dogs dies? Why don t you think try to help both animals(2 dogs and many other animals)? Many people are saying "Don t forget Fukushima animals! I want to help many animals." What is the difference between Lee-chan (white setter) and Fukushima animals? I think that there is NO difference Lee-chan and Fukushima animals. Both animals should be rescued. I don t want you to forget about Lee-chan (one of two loyal tsunami dogs who filmed by Fuji TV.). (Mon) March 11th 2013, Lee-chan is still missing, even now, her owner is still looking for Lee-chan desperately since March 2011. Lee-chan is her owner s treasure, family. Lee-chan already helped many victim animals, Lee-chan and Mei-chan attracted the people s attention to many victim animals, all over the world. Let s repay their loyal. Please help us find Lee-chan. Let’s reunite Lee-chan with her real owner Mr. Okubo and Mei-chan ! Their real owner Mr. Okubo and his family said "If a person who saved Lee hope that he/she keep Lee, it wouldn t be a problem. I would like to thank you so much for saving Lee." "I want to make clear dead or alive." "I still will not give up about Lee." "I want to meet Lee again." I really hope Lee-chan will be found this year and reunite her owner Mei-chan. March 11th 2013, the white dog is still missing. The White Setter named Lee has been missing since March 14 2011. Even now, their real owner Mr. Okubo has been looking for Lee desperately. Feature of the missing dog Name Lee (Lee-chan, ‘chan’ is Japanese honorific.) English setter Female Large dog Totally white on her body Her ears are right brown She has gray spotted around her nose Then she had silver chains around her neck Then 8 years old (Now 10 years old) Then not spay Then not microchipped Gentle Friendly When Last Seen Monday March 14th 2011 about 7 am, a photo of Lee-chan was taken by Takuya Imai who is a cameraman of Nikkei newspaper, near the place dogs filmed by Fuji TV. And March 13th 2011 about 4-5 pm, Lee-chan was filmed by Fuji TV crew. Where Last Seen Nearby 円庵(まどか庵 Madoka-Ann which was light meal shop.), near the Sendai Municipal Arahama Elementary School, in Arahama, Wakabayashi-ku, Sendai-shi, Miyagi-ken, Japan. Nearby Miyagi Prefectural Road137, Arahama-Haranomachi Line in Japan. More details (Please click read) http //www48.atwiki.jp/2dogsdemosoft/pages/20.html Thank you so much for many help. We need your help and eyewitness in Sendai. If anyone had info on the missing Lee-chan (white female setter), whoever please tell me (Mika Iwamuro) via facebook or Email twodogs_tottorimiyagi_mii3328@yahoo.co.jp And if you have any questions on this page, please feel free to contact admin (Mika Iwamuro) at any time. 2dogs BBS http //www1.rocketbbs.com/110/NagisaK.html Please feel free to post your message. Editor ;s name Mika Iwamuro (Handle tottorimiyagi, mii, 2dogs) Facebook｜Mika Iwamuro http //www.facebook.com/photo.php?fbid=420833198002550 set=a.371098812975989.90415.100002276214962 type=3 theater (Please share!) Youtube｜mii169686 (Mika Iwamuro) http //www.youtube.com/user/mii169686 I m @tottorimiyagi on Twitter http //twtr.jp/user/tottorimiyagi (Please RT) リーちゃんを探すページ：http //www18.atwiki.jp/2dogs/pages/35.html (日本語ページ) If you access this page from your cell phone, then often 403 error occur. In that case, would you please access this page again after a short interval, and you can watch this page. アクセス集中時、携帯からウィキが403エラーで閲覧できなくなる場合がありますが、時間を置いてアクセスしていただけば、また見れるようになります。

• elvis @Wiki - Subjects-Science-Technology-General&Reference 74

  https://w.atwiki.jp/elvis/pages/7806.html

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A Comparative International Review of Stove Programs (World Bank Technical Paper) World Bank?　Douglas F. Barnes?　Keith Openshaw?　Kirk R. Smith?　Robert Van Der Pla?　 WorldBank?　DouglasF.Barnes?　KeithOpenshaw?　KirkR.Smith?　RobertVanDerPla?　ジャンル別?　Substores-UnknownASINs-22?　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Outdoors&Nature-Fauna-Wildlife?　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　Subjects-Science-General　Subjects-Science-Nature&Ecology-Animals-Wildlife?　Subjects-Science-Technology-General&Reference Applying Environmental Economics in Africa (World Bank Technical Paper) World Bank?　Frank J. 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Crawford?　Alcyone Saliba?　 WorldBank?　LauritzHolm-Nielsen?　MichaelF.Crawford?　AlcyoneSaliba?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-Nonfiction-SocialSciences-Sociology-Culture?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-Technology-Technology&PublicPolicy? Technology Institutions and Policies Their Role in Developing Technological Capability in Industry (World Bank Technical Paper) World Bank?　Henry Ergas?　Eric Ralph?　Greg Felker?　Melvin Goldman?　 WorldBank?　HenryErgas?　EricRalph?　GregFelker?　MelvinGoldman?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Business&Investing-Industries&Professions-General?　Subjects-Business&Investing-Management&Leadership-Industrial?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-Computers&Internet?　 Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign?　Subjects-Nonfiction-SocialSciences-Sociology-Culture?　 Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations?　Subjects-Science-General　Subjects-Science-Technology-General&Reference　Subjects-Science-Technology-Technology&PublicPolicy? International Watercourses Enhancing Cooperation and Managing Conflict World Bank?　 WorldBank?　ジャンル別?　ユーズドブック(洋書)-Law?　Subjects-Law-InternationalLaw-General?　Subjects-Nonfiction-Law-InternationalLaw-General?　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse?　Subjects-Outdoors&Nature-Environment-WaterSupply?　Subjects-Professional&Technical-Law-InternationalLaw?　Subjects-Science-Nature&Ecology-WaterSupply&LandUse?　Subjects-Science-Nature&Ecology-Environment-WaterSupply?　Subjects-Science-Technology-General&Reference Cours D'Eaux Internationaux Renforcer LA Cooperation Et Gerer Les Differends World Bank?　Salman M. A. Salman?　Laurence Boisson De Chazournes?　 WorldBank?　SalmanM.A.Salman?　LaurenceBoissonDeChazournes?　ジャンル別?　Subjects-Law-InternationalLaw-General?　Subjects-Nonfiction-ForeignLanguageNonfiction-French?　Subjects-Nonfiction-Law-InternationalLaw-General?　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　Subjects-Outdoors&Nature-NaturalResources-WaterSupply&LandUse?　Subjects-Outdoors&Nature-Environment-WaterSupply?　Subjects-Professional&Technical-Law-InternationalLaw?　Subjects-Science-Nature&Ecology-WaterSupply&LandUse?　Subjects-Science-Nature&Ecology-Environment-WaterSupply?　Subjects-Science-Technology-General&Reference Information Infrastructure The World Bank Group's Experience A Joint Operations Evaluation Department, Operations Evaluation Group Review World Bank?　Alain Barbu?　Rafael Dominguez?　William H. Melody?　World Bank Operations Evaluation Dept?　 WorldBank?　AlainBarbu?　RafaelDominguez?　WilliamH.Melody?　WorldBankOperationsEvaluationDept?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Engineering-Telecommunications-General?　Subjects-Nonfiction-Economics-Development&Growth?　 Subjects-Professional&Technical-Engineering-Telecommunications-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Omni's High Tech Society 2000 Kensington Pub Corp (Mm)?　Peter Tyson?　 KensingtonPubCorp(Mm)?　PeterTyson?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Science-General　Subjects-Science-Technology-General&Reference Oscillation Matrices and Kernels and Small Vibrations of Mechanical Systems (AMS Chelsea Publishing) Amer Mathematical Society?　F. R. Gantmakher?　M. G. 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Betz?　 DukeUnivPr(Tx)?　PatrickJ.McGowan?　RolfT.Wigand?　MathewJ.Betz?　ジャンル別?　Substores-UnknownASINs-22?　Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations?　Subjects-Science-Technology-General&Reference Controlling East-West Trade and Technology Transfer Power, Politics, and Policies Duke Univ Pr (Tx)?　Gary Bertsch?　 DukeUnivPr(Tx)?　GaryBertsch?　ジャンル別?　Subjects-Business&Investing-Economics-Exports&Imports?　Subjects-Business&Investing-General?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-Economics-Exports&Imports?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports?　Subjects-Science-Technology-General&Reference　Subjects-Science-Technology-TechnologyTransfer? Cuban Counterpoint Tobacco and Sugar Duke Univ Pr (Tx)?　Fernando Ortiz?　 DukeUnivPr(Tx)?　FernandoOrtiz?　ジャンル別?　Subjects-Business&Investing-Biographies&Primers-BusinessHistory?　Subjects-Business&Investing-Industries&Professions-General?　Subjects-Business&Investing-Management&Leadership-Industrial?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-History-Americas-Caribbean&WestIndies-Cuba?　Subjects-History-World?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-Economics-EconomicHistory?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicHistory?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations?　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Technology-General&Reference Circuits of Desire Volume 2, Number 1, Spring 1994 (Positions) Duke Univ Pr (Tx)?　Yukiko Hanawa?　 DukeUnivPr(Tx)?　YukikoHanawa?　ジャンル別?　Subjects-Nonfiction-SocialSciences-GenderStudies-General?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-SocialSciences-SpecialGroups-Gay&Lesbian?　Subjects-Science-Technology-General&Reference Inventor's Workshop (Crafts Workshop Series) Lake Pub Co?　Alan J. 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The Inventors Nobel Prizes in Chemistry, Physics, and Medicine (Nobel Prize Winners) Lerner Pub Group (L)?　Nathan Aaseng?　 LernerPubGroup(L)?　NathanAaseng?　ジャンル別?　Subjects-Children sBooks-Ages9-12-General?　Subjects-Children sBooks-Educational?　Subjects-Science-Technology-General&Reference The Kids' Invention Book (Kids' Ventures) Lerner Pub Group (L)?　Arlene Erlbach?　 LernerPubGroup(L)?　ArleneErlbach?　ジャンル別?　Subjects-Children sBooks-Science,Nature&HowItWorks-General?　Subjects-Home&Garden-Crafts&Hobbies-General?　Subjects-Science-Technology-General&Reference The History Of Everyday Life (Major Inventions Through History) Twenty First Century Books?　Elaine Landau?　 TwentyFirstCenturyBooks?　ElaineLandau?　ジャンル別?　Subjects-Children sBooks-Ages9-12-General?　Subjects-Children sBooks-History&HistoricalFiction?　Subjects-Children sBooks-People&Places-SocialScience-General?　Subjects-Children sBooks-Science,Nature&HowItWorks-General?　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Technology-General&Reference Unpopular Essays on Technological Progress Univ of Pittsburgh Pr (Txt)?　Nicholas Rescher?　 UnivofPittsburghPr(Txt)?　NicholasRescher?　ジャンル別?　Subjects-Computers&Internet-Business&Culture-FutureofComputing?　Subjects-Nonfiction-SocialSciences-Sociology-Culture?　Subjects-Science-Technology-General&Reference How Nations Choose Product Standards and Standards Change Nations (Pitt Series in Policy and Institutional Studies) Univ of Pittsburgh Pr (Txt)?　Samuel Krislov?　 UnivofPittsburghPr(Txt)?　SamuelKrislov?　ジャンル別?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-Business&Investing-Management&Leadership-QualityControl?　Subjects-Engineering-Reference?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-SocialSciences-PoliticalScience-General?　Subjects-Professional&Technical-Engineering-Reference?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl?　Subjects-Science-Technology-General&Reference How Nations Choose Product Standards and Standards Change Nations (Pitt Series in Policy and Institutional Studies) Univ of Pittsburgh Pr (Txt)?　Samuel Krislov?　 UnivofPittsburghPr(Txt)?　SamuelKrislov?　ジャンル別?　Subjects-Business&Investing-Industries&Professions-General?　Subjects-Business&Investing-International-General?　Subjects-Business&Investing-Management&Leadership-QualityControl?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-SocialSciences-PoliticalScience-General?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl?　Subjects-Science-Technology-General&Reference Letterforms Bawdy, Bad Beautiful The Evolution of Hand-Drawn, Humorous, Vernacular, and Experimental Type Watson-Guptill Pubns?　Steven Heller　Christine Thompson?　 Watson-GuptillPubns?　StevenHeller?　ChristineThompson?　ジャンル別?　Subjects-Arts&Photography-Art-ArtHistory-General?　Subjects-Arts&Photography-GraphicDesign-Typography?　Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General?　Subjects-Science-History&Philosophy-HistoryofTechnology?　Subjects-Science-Technology-General&Reference The Big Book of Designs for Letterheads and Websites Hearst Book Intl?　David E. 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Spencer?　 RosenPubGroup?　JeanW.Spencer?　ジャンル別?　ユーズドブック(洋書)-Teens?　Subjects-Children sBooks-People&Places-Careers?　Subjects-Science-Technology-General&Reference　Subjects-Teens-Science&Technology-General?　Substores-UnknownASINs-jp-unknown2? Exploring Tech Careers Rosen Pub Group?　 RosenPubGroup?　ジャンル別?　Subjects-Science-Technology-General&Reference　Substores-UnknownASINs-jp-unknown2? Careers Inside the World of Technology (Careers and Opportunities) Rosen Pub Group?　Jean W. Spencer?　 RosenPubGroup?　JeanW.Spencer?　ジャンル別?　Subjects-Science-Technology-General&Reference　Substores-UnknownASINs-jp-unknown2? Careers in Information Technology (Career Resource Library) Rosen Pub Group?　Melanie Ann Apel?　 RosenPubGroup?　MelanieAnnApel?　ジャンル別?　Subjects-Computers&Internet-General?　Subjects-Home&Garden-Antiques&Collectibles-Bottles?　Subjects-Home&Garden-Antiques&Collectibles-General?　Subjects-Science-Technology-General&Reference　Substores-UnknownASINs-jp-unknown2? 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LA Internet Por Dentro Y Por Fuera/ the Internet Inside and Out Por Dentro Y Por Fuera (Tecnologia Mapas Para El Futuro) Buenas Letras?　Michael Eck?　Leonello Calvetti?　Mauricio Velazquez De Leon?　 BuenasLetras?　MichaelEck?　LeonelloCalvetti?　MauricioVelazquezDeLeon?　ジャンル別?　ユーズドブック(洋書)-Teens?　Subjects-Children sBooks-Computers-Internet?　Subjects-Children sBooks-People&Places-Multilingual-Spanish?　Subjects-Children sBooks-People&Places-Multilingual-General?　Subjects-Children sBooks-Science,Nature&HowItWorks-HowThingsWork?　Subjects-Computers&Internet-General?　Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish?　Subjects-Science-Technology-General&Reference　Subjects-Teens-Science&Technology-Computers? Rascacielos Por Dentro Y Por Fuera (Tecnologia Mapas Para El Futuro) Buenas Letras?　Leonard M. Joseph?　Leonello Calvetti?　Alessandro Bartolozzi?　Lorenzo Cecchi?　Donato Spedaliere?　Mauricio Velazquez De Leon?　 BuenasLetras?　LeonardM.Joseph?　LeonelloCalvetti?　AlessandroBartolozzi?　LorenzoCecchi?　DonatoSpedaliere?　MauricioVelazquezDeLeon?　ジャンル別?　ユーズドブック(洋書)-Teens?　Subjects-Arts&Photography-Architecture-General?　Subjects-Children sBooks-Arts&Music-Architecture?　Subjects-Children sBooks-People&Places-Multilingual-Spanish?　Subjects-Children sBooks-People&Places-Multilingual-General?　Subjects-Children sBooks-Science,Nature&HowItWorks-General?　Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish?　Subjects-Professional&Technical-Architecture-General?　Subjects-Science-Technology-General&Reference　Subjects-Teens-Science&Technology-General? Super Jumbo Jets Por Dentro Y Por Fuera (Tecnologia Mapas Para El Futuro) Buenas Letras?　Holly Cefrey?　Alessandro Bartolozzi?　Leonello Calvetti?　Lorenzo Cecchi?　 BuenasLetras?　HollyCefrey?　AlessandroBartolozzi?　LeonelloCalvetti?　LorenzoCecchi?　ジャンル別?　Subjects-Children sBooks-Arts&Music-Photography?　Subjects-Children sBooks-People&Places-Multilingual-General?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Aviation-Nonfiction?　Subjects-Nonfiction-Transportation-Aviation-General?　Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish?　Subjects-Science-Technology-General&Reference Trenes De Alta Velocidad Por Dentro Y Por Fuera (Tecnologia Mapas Para El Futuro) Buenas Letras?　David Biello?　Alessandro Bartolozzi?　Roberto Simoni?　 BuenasLetras?　DavidBiello?　AlessandroBartolozzi?　RobertoSimoni?　ジャンル別?　Subjects-Children sBooks-Arts&Music-Photography?　Subjects-Children sBooks-People&Places-Multilingual-General?　 Subjects-Children sBooks-Science,Nature&HowItWorks-Transportation-Trains-Nonfiction?　Subjects-Nonfiction-Transportation-Railroads-General?　Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish?　Subjects-Science-Technology-General&Reference Eli Whitney The Cotton Gin and American Manufacturing (The Library of American Lives and Times) PowerKids Press?　Regan A. Huff?　 PowerKidsPress?　ReganA.Huff?　ジャンル別?　Subjects-Children sBooks-Ages4-8-General?　Subjects-Children sBooks-History&HistoricalFiction-Biographical?　Subjects-Children sBooks-People&Places-Biographies-General?　 Subjects-Children sBooks-People&Places-Biographies-Science&Technology?　Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書

• elvis @Wiki - Wilhelm Grimm 6

  https://w.atwiki.jp/elvis/pages/1821.html

  Rumpelstiltskin (Piccolo Books) Piccolo?The Brothers Grimm?Wilhelm GrimmShirley Greenway?Jane Bottomley? Maerchen Mueller u.K., Hanau?Jacob GrimmWilhelm GrimmJosef Hegenbarth? Die dreissig schoensten Maerchen Neuer Jugendschr., Han?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen 1 Manesse Verlag?Jacob GrimmWilhelm GrimmCarl Helbling?Ludwig Richter?Moritz von Schwind? Die dreissig schoensten Maerchen A. Weichert, Hann.?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen 2 Manesse Verlag?Carl Helbing?Jacob GrimmWilhelm GrimmLudwig Richter?Moritz von Schwind? Grimms Maerchen. Vollstaendige Ausgabe Manesse Verlag?Jacob GrimmWilhelm GrimmLudwig Richter?Moritz von Schwind? The Musicians of Bremen Hodder Children s Books?Jacob GrimmWilhelm GrimmLinda M. Jennings?Martin Urssell? Hansel and Gretel Hodder Children s Books?Jacob GrimmWilhelm GrimmK. Nielsen? Hansel and Gretel Hodder Children s Books?Jacob GrimmWilhelm GrimmK. Nielsen?Kay Neilson? The Golden Goose Hodder Children s Books?Jacob GrimmWilhelm GrimmLinda M. Jennings?Martin Ursell? The Wolf and the Seven Little Kids Hodder Children s Books?Jacob GrimmWilhelm GrimmMartin Ursell? Der Wolf und die sieben jungen Geisslein. Schreibschrift A. Weichert, Hann.?Jacob GrimmWilhelm GrimmDurban? Hansel and Gretel 40th Anniversary Edition Jacob GrimmWilhelm GrimmClaire Bloom? Hansel and Gretel (Harper Classics) Jacob GrimmWilhelm Grimm Deutsche Maerchen der Brueder Grimm Langewiesche-Brandt Kg?Jacob GrimmWilhelm GrimmM. Thilo-Luyken? Der Froschkoenig und andere Maerchen der Brueder Grimm Junge Welt Buchverlag?Jacob GrimmWilhelm GrimmWalter Grane? Kinder- und Hausmaerchen Ellermann Heinrich Verla?Jacob GrimmWilhelm Grimm Deutsches Woerterbuch Hirzel S. Verlag?Jacob GrimmWilhelm Grimm Die schoensten Maerchen der Brueder Grimm. Ein Guckloch- Bilderbuch Ars Edition GmbH?Jacob GrimmWilhelm GrimmJudith Steinbacher? Grimms Maerchen. Dornroeschen. CD. . Der Wolf und die 7 Geisslein / Der Trommler Random House Audio?Jacob GrimmWilhelm Grimm Grimms Maerchen. Rotkaeppchen. CD. . Der Hase und der Igel / Das tapfere Schneiderlein Random House Audio?Jacob GrimmWilhelm Grimm Grimms Maerchen. Koenig Drosselbart. CD. Random House Audio?Jacob GrimmWilhelm Grimm Grimms Maerchen 1. 3 CDs. Random House Audio?Jacob GrimmWilhelm Grimm The Fisherman and His Wife Bodley Head Children s Books?Jacob GrimmWilhelm GrimmKatrin Brandt?Margaret Hunt? Hansel and Gretel (Fairy Tale Picture Books) Bodley Head Children s Books?Jacob GrimmWilhelm GrimmCeline Leopold? Rumpelstiltskin (Fairy Tale Picture Books) Bodley Head Children s Books?Jacob GrimmWilhelm GrimmWilliam Stobbs? Grimms Maerchen 1. 3 Cassetten. Random House Audio?Jacob GrimmWilhelm Grimm Grimms Maerchen 2. 3 CDs. Random House Audio?Jacob GrimmWilhelm Grimm El M.P.B.Caperucita Roja Diana/Mexico?Jacob GrimmWilhelm Grimm Wie der Bauer das Haus versorgte Ars Edition GmbH?Jacob GrimmWilhelm GrimmDorlis Meyer? Snow White and Rose Red (Blackbird Books) Franklin Watts?Jacob GrimmWilhelm GrimmDelia Huddy?Lesley Smith? Die Bremer Stadtmusikanten Artemis & Winkler Verlag?Jacob GrimmWilhelm GrimmHans Fischer? Von dem Fischer und seiner Frau Artemis & Winkler Verlag?Jacob GrimmWilhelm GrimmMonika Laimgruber? Dornroeschen Artemis & Winkler Verlag?Jacob GrimmWilhelm GrimmWarwick Hutton? Blumenmaerchen Artemis & Winkler Verlag?Jacob GrimmWilhelm GrimmLudwig Bechstein? Schneeweisschen und Rosenrot Artemis & Winkler Verlag?Jacob GrimmWilhelm GrimmMonika Laimgruber? More Tales from Grimm Faber and Faber?Jacob GrimmWilhelm Grimm Fairy Tales Faber and Faber?Jacob GrimmWilhelm Grimm M.P.B.Blancanieves Y Los Siete Enanitos Diana/Mexico?Jacob GrimmWilhelm Grimm Hans im Glueck Gondrom Verlag GmbH?Jacob GrimmWilhelm GrimmGaby Holenstein?Frances E. Mahon? Three Gay Tales Faber and Faber?Jacob GrimmWilhelm Grimm Fairy Tales Faber and Faber?Jacob GrimmWilhelm Grimm Cuentos de Grimm Edivision Compania Editorial, S.A.?Jacob GrimmWilhelm Grimm Sieben Maerchen Jacob GrimmWilhelm GrimmRuth Huerlimann? The Twelve Dancing Princesses Penguin Books (NZ)?Jacob GrimmWilhelm GrimmE. Le Cain? Grimm Tales Adapted from the Brothers Grimm Faber & Faber?Carol Ann Duffy?Tim Supple?Jacob GrimmWilhelm Grimm Kinder- und Hausmaerchen Bardtenschlager, M.?Jacob GrimmWilhelm GrimmLudwig. Richter? Grimms Maerchen 2. 3 Cassetten. Random House Audio?Jacob GrimmWilhelm Grimm Grimms Maerchen 3. 3 CDs. Random House Audio?Jacob GrimmWilhelm Grimm Grimms Maerchen 3. 3 Cassetten. Random House Audio?Jacob GrimmWilhelm Grimm Nanny Goat and the Seven Little Kids Holiday House?Eric A. Kimmel?Jacob GrimmWilhelm GrimmJanet Stevens? Grimms Maerchen 4. 3 CDs. Random House Audio?Jakob Grimm?Wilhelm Grimm Grimms' Tales for Young and Old Orion Children s Books (an Imprint of The Orion Publishing Group Ltd )?Jacob GrimmWilhelm GrimmRalph Manheim? Rumpelstiltskin (Favourite Fairy Tales) Longman?Jacob GrimmWilhelm Grimm Grimms Maerchen 4. 3 Cassetten Random House Audio?Jakob Grimm?Wilhelm Grimm Rapunzel (Favorite Fairy Tales) Longman Trade/Caroline House?Jacob GrimmWilhelm Grimm Unser Maerchenschatz. Koenig Drosselbart und weitere Hoerspiele. CD Bella Musica Tontr., Buehl?Jacob GrimmWilhelm Grimm Unser Maerchenschatz. Allerleihrauh und weiter Hoerspiele. CD Bella Musica Tontr., Buehl?Jacob GrimmWilhelm Grimm Maerchen Loewe Verlag GmbH?Jacob GrimmWilhelm Grimm Grimm The Illustrated Fairy Tales of the Brothers Grimm Dgv?Wilhelm Grimm Die goldene Gans Mangold Vlg., Graz?Jacob GrimmWilhelm GrimmAnne Mussenbrock?Dorothea Kurteu? Hans im Glueck Mangold Vlg., Graz?Jacob GrimmWilhelm GrimmLoek Koopmans? Der Froschkoenig oder der eiserne Heinrich Mangold Vlg., Graz?Jacob GrimmWilhelm GrimmAnne Mussenbrock? Rapunzel Bt Bound?Jacob GrimmWilhelm Grimm Complete Fairy Tales of the Brothers Grimm Bt Bound?Jacob GrimmWilhelm Grimm Juniper Tree and Other Tales Bt Bound?Jacob GrimmWilhelm Grimm Grimms Maerchen A. Weichert, Hann.?Jacob GrimmWilhelm GrimmIsa Dietrich? Little Red Riding Hood (Easy to Read Folktales Seires) Scholastic Audio Cassette?Jacob GrimmWilhelm GrimmKaren Schmidt? Die Bremer Stadtmusikanten. Frei bewegliche Maerchen Mangold Vlg., Graz?Jacob GrimmWilhelm GrimmPaul Mangold? Maerchenschatz der Brueder Grimm Loewe Verlag GmbH?Jacob GrimmWilhelm GrimmRene Rilz? Jorinde und Joringel Walter Keller, Dornach?Jacob GrimmWilhelm GrimmAngela Koconda-Brons? Haensel und Gretel Loewe Verlag GmbH?Jacob GrimmWilhelm GrimmRolf. Rettich? Aschenputtel. Cassette. Peters Erzaehltheater Baumhaus Vlg., Frankfurt?Peter Tiefenbrunner?Wilhelm GrimmJacob GrimmMatthias Segner?Gerhard. Lang-Gomez? Hansel and Gretel Hamlyn young books?Jacob GrimmWilhelm Grimm Daeumerlings Wanderschaft Hugendubel Heinrich GmbH?Erika Meier-Albert?Grimm Jacob?Wilhelm Grimm Cuentos Tradicionales / Traditional Stories (I) (Clasicos De Siempre/Cuentos / Always Classics / Stories) Longseller?Jacob GrimmWilhelm Grimm Haensel und Gretel Alibaba, Ffm.?Jacob GrimmWilhelm GrimmTony Ross?Mirjam Pressler?Reinhard. Koch? Hansel and Gretel Tandem Library?Jacob Ludwig Carl Grimm?Jacob W. Grimm?Wilhelm Karl Grimm? Little Red Riding Hood Rebound by Sagebrush?Jacob Ludwig Carl Grimm?Wilhelm Karl Grimm?Jacob W. Grimm? Little Red Riding Hood Tandem Library?Jacob Ludwig Carl Grimm?Pau Estrada?Wilhelm Karl Grimm? Lucky Hans Methuen young books?Jacob GrimmWilhelm GrimmM. Greaves? Musicians of Bremen Methuen young books?Jacob GrimmWilhelm GrimmM. Greaves? Hansel and Gretel (A Magnet Book) Methuen?Wilhelm GrimmJacob GrimmA. Browne? Der Meisterdieb. CD Lau- Verlag GmbH?Jakob Grimm?Wilhelm GrimmChristopher Evans Ironside? Das tapfere Schneiderlein. CD Lau- Verlag GmbH?Jakob Grimm?Wilhelm GrimmChristopher Evans Ironside? Singing Soaring Lark Methuen?Jacob GrimmWilhelm GrimmR. Seelig? Rumpelstiltskin Heinemann Young Books?Jacob GrimmWilhelm Grimm The Frog Prince Methuen young books?Jacob GrimmWilhelm Grimm Hansel and Gretel Methuen young books?Jacob GrimmWilhelm GrimmBrothers Grimm?Paul Galdone? The Elves and the Shoemaker Heinemann Young Books?Jacob GrimmWilhelm Grimm The Brave Little Tailor Methuen young books?Jacob GrimmWilhelm Grimm Die Bremer Stadtmusikanten. Cassette Musikbaer Verlag?Jacob GrimmWilhelm GrimmMathilde Oltmann-Steil?Paul G. Walter?Manuela Romberg? Schneewittchen und die 7 Zwerge. Cassette. Maerchen mit Musik und Liedern Musikbaer Verlag?Jacob GrimmWilhelm GrimmElke Braeunling?Paul G. Walter?Aart Veder? Maerchen. Eine Auslese Nikol Vlgs.-Ges., Hamburg?Jacob GrimmWilhelm GrimmLudwig Richter? Hansel and Gretel Price Stern Sloan?Jacob GrimmWilhelm Grimm Rapunzel Gomer Press?Jacob GrimmWilhelm Grimm Elves and the Shoemaker Gomer Press?Jacob GrimmWilhelm Grimm Rumpelstiltskin Gomer Press?Jacob GrimmWilhelm GrimmM. Strange? Tiermaerchen. Druckschrift A. Weichert, Hann.?Jacob GrimmWilhelm GrimmDurban? Snow White Amer School Pub?Jacob GrimmTrina Schart Hyman?Wilhelm Grimm Studien zum Deutschen Woerterbuch von Jacob Grimm und Wilhelm Grimm Niemeyer Max Verlag GmbH?Alan Kirkness?Peter Kuehn?Herbert Ernst Wiegand? Sterntaler Patmos Verlag GmbH + Co.K?Jacob GrimmWilhelm GrimmStepan Zavrel? The Musicians of Bremen Franklin Watts Ltd?Jacob GrimmWilhelm Grimm Snow White and Rose Red Everyman Ltd?Jacob GrimmWilhelm Grimm Hansel and Gretel Oxford Univ Pr (T)?Jacob GrimmWilhelm Grimm Sterntaler Patmos Verlag GmbH + Co.K?Jacob GrimmWilhelm GrimmStepan Zavrel? Maerchenhaftes Schattentheater. ( Ab 6 J.) Coppenrath F?Jacob GrimmWilhelm GrimmTracey Williamson? The Golden Goose Harpercollins?Dennis McDermott?Jacob GrimmWilhelm Grimm Wunderbare Reise ins Maerchenland. Ein Pop-up- Buch Coppenrath F?Jacob GrimmWilhelm GrimmFran Thatcher?Tracey Williamson? Der kluge Knecht. 22 Maerchen von armen und reichen Leuten. Rowohlt TB-V., Rnb.?Jacob GrimmWilhelm Grimm Das tapfere Schneiderlein und andere Maerchen der Brueder Grimm. Egmont Franz Schneider?Jacob GrimmWilhelm Grimm Grimms Maerchen in Schreibschrift. Zum Vorlesen und Selberlesen Egmont Franz Schneider?Jacob GrimmWilhelm Grimm The Fisherman and His Wife William Morrow & Co?Jacob GrimmWilhelm GrimmKarl Ludwig?Elizabeth Shub?Monika Laimgruber? Schneewittchen Egmont Franz Schneider?Jacob GrimmWilhelm GrimmKurt Ruebner? German Popular Stories Scolar Press?Jacob GrimmWilhelm Grimm German Popular Stories Scolar Press?Jacob GrimmWilhelm Grimm Grimms Maerchen. Mein Lieblingsbuch. Sonderausgabe. Eine Auslese Nikol Vlgs.-Ges., Hamburg?Jacob GrimmWilhelm GrimmLudwig Richter? La Picara Cocinera Panamericana Editorial?Jacob GrimmWilhelm Grimm Hansel and Gretel (Jan Pienkowski Fairy Tale Library) Ty Crowell Co?Jacob GrimmWilhelm GrimmJan Pienkowski?David Walser? The Sleeping Beauty (Fairy Tale Library) Ty Crowell Co?Jacob GrimmWilhelm GrimmDavid Walser?Jan Pienkowski? Grimm's Fairy Tales Caedmon Audio Cassette?Jacob GrimmWilhelm Grimm Little Red Riding Hood (Green Tiger Special Classics) Childrens Pr?Jacob GrimmWilhelm GrimmCooper Edens Grimms Complete Fairy Tales Barnes & Noble Books?Jacob GrimmWilhelm Grimm The Rabbit's Bride Marshall Cavendish Corp/Ccb?Holly Meade?Wilhelm GrimmJacob Grimm Grimm's Fairy Tales The Children's Classic Edition (Children's Classics) Courage Books?David BorgenichtJacob GrimmWilhelm GrimmRobin Lawrie?Graham Percy?Jenny Williams?Robert Wilson? Iron Hans A Story from Grimm's Fairy Tales Candlewick Pr?Stephen Mitchell?Wilhelm GrimmJacob GrimmMatt Tavares? Tales of Brothers Grimm Retold Timeless Classics (Cover-To-Cover Books) Perfection Learning?Peg Hall?Wilhelm GrimmJacob GrimmPaula J. Reece?Sue F. Cornelison? Dear Mili Bt Bound?Wilhelm Grimm Little Red Riding Hood (Little Pebbles) Abbeville Pr?Jacob GrimmWilhelm Grimm The Elves and the Shoemaker A Fairy Tale (Little Pebbles) Abbeville Pr?Jacob GrimmWilhelm GrimmMolly Stevens?Dominique Thibault? Sleeping Beauty A Fairy Tale (Little Pebbles) Abbeville Pr?Jacob GrimmWilhelm GrimmMolly Stevens?Nathalie Novi? The Wolf and the Seven Little Goats A Fairy Tale (Little Pebbles) Abbeville Pr?Jacob GrimmWilhelm GrimmMolly Stevens?Claudine Routiaux? The Elves And The Shoemaker (Young Reading Series 1) Usborne Pub Ltd?Katie Daynes?Wilhelm GrimmJacob GrimmDesideria Guicciardini? The Twelve Dancing Princesses (Young Reading Gift Books) Usborne Pub Ltd?Emma Helbrough?Jacob GrimmWilhelm GrimmAnna Luraschi? Hansel Gretel (Young Reading Gift Books) Usborne Pub Ltd?Katie Daynes?Wilhelm GrimmJacob GrimmJan McCafferty? The Twelve Dancing Princesses And Other Tales from Grimm Dial Books for Young Readers?Jacob GrimmNaomi Lewis?Wilhelm GrimmLidia Postma? Rapunzel Dutton Childrens Books?Amy Ehrlich?Jacob GrimmWilhelm GrimmKris Waldherr? Rapunzel Dutton Childrens Books?Amy Ehrlich?Jacob GrimmWilhelm GrimmKris Waldherr? Rumpelstiltskin (Grimm Version) Dial Books for Young Readers?Alison Sage?Wilhelm GrimmJacob GrimmGennadii Spirin Hansel and Gretel Dial Books for Young Readers?Jacob GrimmWilhelm GrimmSusan Jeffers? Snow White and Rose Red (North-South) North South Books?Jacob GrimmWilhelm GrimmBernadette Watts? Fairy Tales (Henry Holt Little Classics) Henry Holth & Co (J)?Jacob GrimmWilhelm GrimmEdgar Taylor?Amanda Harvey? How Six Men Got on in the World (Moonlight Editions) Schocken Books?Jacob GrimmWilhelm GrimmBrian Alderson? The Grimms' German Folk Tales Southern Illinois Univ Pr (Tx)?Jacob GrimmFrancis P. Magoun?Alexander Haggerty Krappe?Wilhelm Grimm Grimm's Fairy Stories Wildside Pr?Jacob GrimmWilhelm Grimm Grimm's Grimmest Chronicle Books Llc (Juv)?Wilhelm GrimmJacob GrimmTracy Arah Dockray?Maria Tatar? Rapunzel / Rapunzel (Bilingual Fairy Tales) Chronicle Books Llc (Juv)?Francesc BofillJacob GrimmWilhelm GrimmJoma?

• csdejp ドイツ語版日本語化計画 - st_items_weapons_upgrades.xml

  https://w.atwiki.jp/csdejp/pages/36.html

  ?xml version="1.0" encoding="windows-1251" ? string_table   string id="st_upg_zatvor_rpm"    text Modifikation Bolzenmechanismus /text   /string   string id="st_upg_zatvor_rpm_descr"    text Eine technische Modifizierung des Bolzenmechanismus ermlicht eine here Feuerrate. /text   /string   string id="st_upg_zatvor_recoil"    text Modifikation Bolzenmechanismus /text   /string   string id="st_upg_zatvor_recoil_descr"    text Feineinstellung des Bolzenmechanismus steigert die Pr艘ision der Waffe. /text   /string   string id="st_upg_porsh_rpm"    text Modifikation Bedienungsstange /text   /string   string id="st_upg_porsh_rpm_descr"    text Die Reduzierung des Gewichtes der Bedienungsstange senkt den R・kstoﾟ auf Kosten der Feuerrate. /text   /string   string id="st_upg_porsh_recoil"    text Modifikation Bedienungsstange /text   /string   string id="st_upg_porsh_recoil_descr"    text Die Anbringung eines Bedienungsstangend舂pfers senkt den R・kstoﾟ. /text   /string   string id="st_upg_barrel_weight"    text Modifikation Lauf /text   /string   string id="st_upg_barrel_weight_descr"    text Der Standardlauf wird gegen einen leichteren Lauf ausgetauscht. /text   /string   string id="st_upg_barrel_curved"    text Modifikation Lauf /text   /string   string id="st_upg_barrel_curved_descr"    text Ein Aufsatz, der den Lauf verl舅gert und die M・dungsgeschwindigkeit erht. /text   /string   string id="st_upg_barrel_recoil"    text Modifikation Lauf /text   /string   string id="st_upg_barrel_recoil_descr"    text Die Anbringung einer M・dungsbremse senkt erheblich den R・kstoﾟ. /text   /string   string id="st_upg_barrel_rifled"    text Modifikation Lauf /text   /string   string id="st_upg_barrel_rifled_descr"    text Windungen im Lauf steigern die effektive Reichweite der Waffe f・ Kugeln und Pfeilgeschosse. Macht die Waffe unbrauchbar f・ Schrotmunition. /text   /string   string id="st_upg_butt_recoil"    text Wangenauflage /text   /string   string id="st_upg_butt_recoil_descr"    text Eine normale Wangenauflage aus Gummi zur Anpassung der Schaftl舅ge an die Gre des Sch・zen. /text   /string   string id="st_upg_butt_recoil2"    text Polymerschaft /text   /string   string id="st_upg_butt_recoil2_descr"    text Der Austausch des Standardschafts gegen einen Polymerschaft macht die Waffe leichter. /text   /string   string id="st_upg_butt_recoil3_descr"    text Der Standardschaft wird gegen eine Leichtbauversion ausgetauscht. /text   /string   string id="st_upg_butt_recoil4_descr"    text Das spezielle Design des Schaftes senkt den R・kstoﾟ erheblich. /text   /string   string id="st_upg_auto_rpm"    text Verbesserte Mechanismusbalance /text   /string   string id="st_upg_auto_rpm_descr"    text Eine verbesserte Balance der Einzelteile des Mechanismus steigert erheblich die Feuerrate der Waffe. /text   /string   string id="st_upg_auto_rpm2"    text Austauschmechanismus /text   /string   string id="st_upg_auto_rpm2_descr"    text Der Austausch eines halb automatischen Mechanismus gegen einen automatischen Mechanismus steigert erheblich die Feuerrate der Waffe. /text   /string   string id="st_upg_poly_weight"    text Polymerteile /text   /string   string id="st_upg_poly_weight_descr"    text Die Verwendung von Polymerteilen senkt erheblich das Gewicht der Waffe. /text   /string   string id="st_upg_barrel_rpm"    text Laufk・lung /text   /string   string id="st_upg_barrel_rpm_descr"    text Eine Laufk・lung erlaubt die Steigerung der Feuerrate einer Waffe, ohne das Risiko einer Verformung des Laufes. /text   /string   string id="st_upg_trigger_accur"    text Leichter Abzug /text   /string   string id="st_upg_trigger_accur_descr"    text Ein sanfter Abzug steigert die Zielgenauigkeit. /text   /string   string id="st_upg_charger_assault"    text Sturmmagazin /text   /string   string id="st_upg_charger_assault_descr"    text Ein deutlich vergrertes Magazin speziell f・ Angriffsoperationen. /text   /string   string id="st_upg_charger_big"    text Erweitertes Magazin /text   /string   string id="st_upg_charger_big_descr"    text Improvisierte Steigerung der Magazinkapazit舩. /text   /string   string id="st_upg_charger_small"    text Leichtes Magazin /text   /string   string id="st_upg_charger_small_descr"    text Senkt das Gesamtgewicht durch eine Verkleinerung des Magazins. Erleichtert das Zielen. /text   /string   string id="st_upg_gas_rpm"    text Modifikation Gassystem /text   /string   string id="st_upg_gas_rpm_descr"    text Ein modernes Gassystem ermlicht eine here Feuerrate. /text   /string   string id="st_upg_gravi_accur"    text Gravitationsstabilisator /text   /string   string id="st_upg_gravi_accur_descr"    text Verbessert die Zielgenauigkeit durch Stabilisierung der Kugel mittels Gravitationseffekten. /text   /string   string id="st_upg_electro_accur"    text Elektronischer Stabilisator /text   /string   string id="st_upg_electro_accur_descr"    text Korrigiert die Drehung der Kugeln automatisch und erht dadurch erheblich die Zielgenauigkeit. /text   /string   string id="st_upg_bind_grenade"    text Unterlaufhalterung /text   /string   string id="st_upg_bind_grenade_descr"    text Ermlicht die Anbringung eines Unterlauf-Granatwerfers. /text   /string   string id="st_upg_bind_optic"    text Zielfernrohrhalterung /text   /string   string id="st_upg_bind_optic_descr"    text Ermlicht die Anbringung verschiedener optischer Zielfernrohre. /text   /string   string id="st_upg_bind_silencer"    text Schalld舂pferhalterung /text   /string   string id="st_upg_bind_silencer_descr"    text Ermlicht die Anbringung eines Schalld舂pfers. /text   /string   string id="st_upg_handle_accur"    text Verbesserter Handgriff /text   /string   string id="st_upg_handle_accur_descr"    text Qualitativ hochwertiger Gummihandgriff, der die Waffe besser in der Hand liegen l舖st. /text   /string   string id="st_upg_handle_accur2"    text Anatomischer Handgriff /text   /string   string id="st_upg_handle_accur2_descr"    text Speziell angefertigter, maﾟgeschneiderter ergonomischer Handgriff. /text   /string   string id="st_upg_accel_curved"    text Pneumatik-Booster /text   /string   string id="st_upg_accel_curved_descr"    text Die Anbringung eines internen Pneumatik-Boosters steigert die M・dungsgeschwindigkeit. /text   /string   string id="st_upg_accel_curved2"    text Magnet-Booster /text   /string   string id="st_upg_accel_curved2_descr"    text Steigert die Geschwindigkeit der Kugel durch ein magnetisches Wechselfeld. /text   /string   string id="st_upg_barrel_curved2"    text Ganzer Lauf /text   /string   string id="st_upg_barrel_curved2_descr"    text Eine Verbesserung f・ Waffen mit integriertem Schalld舂pfer. Ersetzt die Kombination aus Lauf und Schalld舂pfer durch einen ganzen Lauf. /text   /string   string id="st_upg_pomp_rpm"    text Verbesserter Repetiermechanismus /text   /string   string id="st_upg_pomp_rpm_descr"    text Feineinstellung und manuelle Modifizierung des Nachlademechanismus. /text   /string   string id="st_upg_head_misfire"    text Verbesserter Schlagbolzen /text   /string   string id="st_upg_head_misfire_descr"    text Steigert die Zuverl舖sigkeit einer Waffe und senkt die Wahrscheinlichkeit eines Versagers. /text   /string   string id="st_upg_mat_wear"    text Langlebiges Material /text   /string   string id="st_upg_mat_wear_descr"    text Austausch der Beschichtung zum Schutz vor physischem Schaden durch langlebigeres, verschleiﾟfestes Material. /text   /string   string id="st_upg_surf_wear"    text Schutzbeschichtung /text   /string   string id="st_upg_surf_wear_descr"    text Diamantbeschichtung zum Schutz mechanischer Teile vor Verschleiﾟ. /text   /string   string id="st_upg_group_kuchn"    text Verbesserte Pr艘ision /text   /string   string id="st_upg_group_kuchn_descr"    text Ein M・dungsaufsatz, der die Zielgenauigkeit beim Abfeuern von Schrot verbessert. /text   /string   string id="st_upg_staple_rpm"    text Entfernen des Abzugsb・els /text   /string   string id="st_upg_staple_rpm_descr"    text Eine beliebte und einfache Verbesserung zur Steigerung der Feuerrate einer doppell舫figen Schrotflinte. /text   /string   string id="st_prop_ammo_size"    text Magazin /text   /string   string id="st_prop_armor"    text Panzerung /text   /string   string id="st_prop_artefact"    text Artefaktbeh舁ter /text   /string   string id="st_prop_bullet_speed"    text Flachheit /text   /string   string id="st_prop_calibre"    text Kaliber /text   /string   string id="st_prop_damage"    text Robustheit /text   /string   string id="st_prop_dispersion"    text Genauigkeit /text   /string   string id="st_prop_durability"    text Haltbarkeit /text   /string   string id="st_prop_grenade_launcher"    text Unterlauf-Granatwerfer /text   /string   string id="st_prop_inertion"    text Handhabung /text   /string   string id="st_prop_night_vision"    text Nachtsicht /text   /string   string id="st_prop_power"    text Regenerierung St舐ke /text   /string   string id="st_prop_psy"    text Psi-Schutz /text   /string   string id="st_prop_radio_chem"    text Radiochemischer Schutz /text   /string   string id="st_prop_recoil"    text R・kstoﾟ /text   /string   string id="st_prop_reliability"    text Zuverl舖sigkeit /text   /string   string id="st_prop_restore_bleeding"    text Wundheilung /text   /string   string id="st_prop_restore_health"    text Regenerierung Gesundheit /text   /string   string id="st_prop_rpm"    text Feuerrate /text   /string   string id="st_prop_scope_1.6x"    text Zielfernrohr /text   /string   string id="st_prop_scope_4x"    text Eingebautes Zielfernrohr /text   /string   string id="st_prop_silencer"    text Schalld舂pfer /text   /string   string id="st_prop_thermo_electro"    text Thermoelektrischer Schutz /text   /string   string id="st_prop_underbarrel_slot"    text Unterlaufhalterung /text   /string   string id="st_prop_weight"    text Gewicht /text   /string   string id="st_tonnage"    text Maximalgewicht /text   /string   string id="st_upg_active_filter_stalk"    text Aktive Filter /text   /string   string id="st_upg_active_filter_stalk_descr"    text Ein effektiveres Filtersystem. /text   /string   string id="st_upg_ammo_sysytem_rpm"    text Nachladesystem /text   /string   string id="st_upg_ammo_sysytem_rpm_descr"    text Beschleunigt das Nachladen des Patronenlagers, was zu einer deutlichen Steigerung der Feuerrate f・rt. /text   /string   string id="st_upg_anti_gas_stalk"    text Gasmaske /text   /string   string id="st_upg_anti_gas_stalk_descr"    text Diese Gasmaske dient als Hauptschutz vor radioaktivem Staub und giftigen Chemikalien. /text   /string   string id="st_upg_antistatic_coating_stalk"    text Antistatische Beschichtung /text   /string   string id="st_upg_antistatic_coating_stalk_descr"    text Dieses Spray verhindert, dass sich radioaktiver Staub und Chemikalien auf der Kleidung festsetzen. /text   /string   string id="st_upg_artefact_slot"    text Artefaktbeh舁ter /text   /string   string id="st_upg_artefact_slot_descr"    text Beh舁ter f・ zus舩zliche Artefakte. /text   /string   string id="st_upg_brigandine_suit_stalk"    text ﾖlzeug /text   /string   string id="st_upg_brigandine_suit_stalk_descr"    text Bietet guten Schutz vor Feuer und Elektrizit舩. /text   /string   string id="st_upg_butt_recoil3"    text Leichter Schaft. /text   /string   string id="st_upg_butt_recoil4"    text Pneumatischer Schaft. /text   /string   string id="st_upg_calibre_5_45"    text 5.45x39-mm-Kaliber /text   /string   string id="st_upg_calibre_5_45_descr"    text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text   /string   string id="st_upg_calibre_5_56"    text 5.56x45-mm-Kaliber /text   /string   string id="st_upg_calibre_5_56_descr"    text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text   /string   string id="st_upg_calibre_9_18"    text 9x18-mm-Kaliber /text   /string   string id="st_upg_calibre_9_18_descr"    text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text   /string   string id="st_upg_calibre_9_19"    text 9x19-mm-Kaliber /text   /string   string id="st_upg_calibre_9_19_descr"    text Der Lauf wird ersetzt und Teile der Waffe werden an das neue Kaliber angepasst. Dieser Austausch kann nur einmalig erfolgen. /text   /string   string id="st_upg_cevlar_body_armor_battle"    text Kevlar-Kperschutz /text   /string   string id="st_upg_cevlar_body_armor_battle_descr"    text Mehrschichtiger Kevlar-Kperschutz /text   /string   string id="st_upg_cevlars_armor_battle"    text Kevlarplatten /text   /string   string id="st_upg_cevlars_armor_battle_descr"    text F・ greren Schutz werden zus舩zlich Kevlarplatten in den Kperschutz integriert. /text   /string   string id="st_upg_composite_armor_battle"    text Kompositplatten /text   /string   string id="st_upg_composite_armor_battle_descr"    text Kompositplatten bieten maximalen Schutz gegen kleine Handfeuerwaffen. /text   /string   string id="st_upg_double_layer_body_armor_battle"    text Doppelschichtiger Kperschutz /text   /string   string id="st_upg_double_layer_body_armor_battle_descr"    text Selbst wenn eine Schicht besch臈igt ist, bietet die zweite Schicht immer noch guten Schutz. /text   /string   string id="st_upg_electro_stimulant_battle"    text Elektrostimulanzien /text   /string   string id="st_upg_electro_stimulant_battle_descr"    text Stimulanzien erzeugen Mikroimpulse, die physische Reaktionen hervorrufen. /text   /string   string id="st_upg_exsternal_filtering_sys_stalk"    text Externes Filtersystem /text   /string   string id="st_upg_exsternal_filtering_sys_stalk_descr"    text Wenn Filter von der Gasmaske getrennt werden, ist der Einsatz mehrerer Filter mlich. /text   /string   string id="st_upg_germetic_layer_stalk"    text Luftdichte Isolation /text   /string   string id="st_upg_germetic_layer_stalk_descr"    text Diese Spezialbeschichtung sch・zt Kleidung gegen Feuer oder Elektrizit舩. /text   /string   string id="st_upg_hard_barrel_curved"    text Verbesserter Lauf /text   /string   string id="st_upg_hard_barrel_curved_descr"    text Dieser strapazierf臧ige Stahllauf verformt sich nicht und sorgt dadurch f・ eine grere Beschleunigung der Kugel. /text   /string   string id="st_upg_hard_elements_battle"    text Harte Bauteile /text   /string   string id="st_upg_hard_elements_battle_descr"    text Dieser leichte Rahmen absorbiert einen Groﾟteil der Geschossenergie. /text   /string   string id="st_upg_health_sustaining_sys_battle"    text Lebenserhaltungssystem /text   /string   string id="st_upg_health_sustaining_sys_battle_descr"    text Dieser Apparat wird am Handgelenk getragen und injiziert bei einer Verwundung automatisch Anti-Schock-Medikamente und Stimulanzien. /text   /string   string id="st_upg_night_vision_battle"    text Nachtsichtger舩 /text   /string   string id="st_upg_night_vision_battle_descr"    text Nachtsichtger舩 der ersten Generation /text   /string   string id="st_upg_outfit_a_stalk"    text Entlastungsweste /text   /string   string id="st_upg_outfit_a_stalk_descr"    text Eine Entlastungsweste verteilt die getragene Last besser und erleichtert so das Tragen mitgef・rter Ausr・tung. /text   /string   string id="st_upg_outfit_b_stalk"    text Entlastungsrucksack /text   /string   string id="st_upg_outfit_b_stalk_descr"    text Durch spezielle Halterungen ist dieser Rucksack leichter zu tragen und steigert so das maximal tragbare Gewicht. /text   /string   string id="st_upg_plastic_components_battle"    text Plastikkomponenten /text   /string   string id="st_upg_plastic_components_battle_descr"    text Plastikkomponenten machen die getragene Kleidung widerstandsf臧iger. /text   /string   string id="st_upg_polymer_coating_stalk"    text Polymerbehandlung /text   /string   string id="st_upg_polymer_coating_stalk_descr"    text Die Beschichtung mit dieser Polymerlung sch・zt das Material besser vor Feuer und Elektrizit舩. /text   /string   string id="st_upg_polymer_pillow_battle"    text Polymerverdicker /text   /string   string id="st_upg_polymer_pillow_battle_descr"    text Dieser Verdicker absorbiert effektiv die Geschossenergie. /text   /string   string id="st_upg_polymer_suit_stalk"    text Polymeranzug /text   /string   string id="st_upg_polymer_suit_stalk_descr"    text Polymer bietet guten Schutz gegen Hitze und Elektrizit舩. /text   /string   string id="st_upg_powered_carcass_battle"    text Verst舐kter Rahmen /text   /string   string id="st_upg_powered_carcass_battle_descr"    text Zus舩zliche Rahmenteile erhen die St舐ke eines Exoskeletts. /text   /string   string id="st_upg_powered_servo_motor_battle"    text Verst舐kende Servomotoren /text   /string   string id="st_upg_powered_servo_motor_battle_descr"    text Durch eine grere Spannung steigt die Leistung der Servomotoren. /text   /string   string id="st_upg_psy_shielding_stalk"    text Screening /text   /string   string id="st_upg_psy_shielding_stalk_descr"    text Ein komplexes System aus Screening-Kabeln sorgt f・ begrenzten Schutz vor Psi-Effekten. /text   /string   string id="st_upg_recycle_breathing_sys_stalk"    text Geschlossenes Atemmodul /text   /string   string id="st_upg_recycle_breathing_sys_stalk_descr"    text Ein geschlossenes Kreislaufsystem reinigt kontaminierte Luft. /text   /string   string id="st_upg_relax_suit_stalk"    text Entlastungsanzug /text   /string   string id="st_upg_relax_suit_stalk_descr"    text Der elastische Stoff hilft dem Tr臠er dabei, dauerhafte kperliche Belastung besser zu ertragen. /text   /string   string id="st_upg_scope_1_6x_opt"    text Eingebautes 1.6x-Zielfernrohr /text   /string   string id="st_upg_scope_1_6x_opt_descr"    text Das 1.6x-Zielfernrohr schr舅kt den Sichtbereich des Sch・zen so wenig wie mlich ein und ist ideal f・ Angriffsoperationen geeignet. /text   /string   string id="st_upg_scope_4x_opt"    text Eingebautes 4x-Zielfernrohr /text   /string   string id="st_upg_scope_4x_opt_descr"    text Mit einem 4x-Zielfernrohr eignet sich jede Waffe f・ Scharfsch・zen. /text   /string   string id="st_upg_sintetic_pillow_battle"    text Synthetischer Verdicker /text   /string   string id="st_upg_sintetic_pillow_battle_descr"    text Dieser Verdicker unter getragenem Kperschutz reduziert effektiv erlittenen Schaden. /text   /string   string id="st_upg_slice_leather_battle"    text Harter Ledereinsatz /text   /string   string id="st_upg_slice_leather_battle_descr"    text D舂pft den Einschlag von Kugeln. /text   /string   string id="st_upg_spec_coating_stalk"    text Spezialbeschichtung /text   /string   string id="st_upg_spec_coating_stalk_descr"    text Diese Beschichtung basiert auf einer Speziallung, in der Materialien aus der Zone verarbeitet wurden. Sie sch・zt gegen Feuer und elektrische Anomalien. /text   /string   string id="st_upg_spectra_body_armor_battle"    text Spectra-Kperschutz /text   /string   string id="st_upg_spectra_body_armor_battle_descr"    text Dieser verst舐kte Milit舐-Kperschutz sch・zt besonders effektiv gegen Sturmgewehrfeuer. /text   /string   string id="st_upg_upgrade_night_vision_battle"    text Nachtsichtger舩 der zweiten Generation /text   /string   string id="st_upg_upgrade_night_vision_battle_descr"    text Dieses Nachtsichtger舩 der zweiten Generation bietet ein sch舐feres Bild mit weniger Interferenzen. /text   /string   string id="st_upgr_ammunition"    text Munition /text   /string   string id="st_upgr_condlist"    text Keine Daten f・ Verbesserung /text   /string   string id="st_upgr_cost"    text Preis /text   /string   string id="st_upgr_disable"    text Nicht mlich /text   /string   string id="st_upgr_enough_money"    text Nicht genug Geld /text   /string   string id="st_upgr_group"    text Diese Komponente wurde bereits verbessert /text   /string   string id="st_upgr_installed"    text Installiert /text   /string   string id="st_upgr_parents"    text Andere Verbesserungen notwendig /text   /string   string id="st_upgr_rpm_lowered"    text Feuerrate gesenkt /text   /string   string id="st_upgrade_install"    text Wirklich installieren /text   /string /string_table

• elvis @Wiki - Jack Tresidder

  https://w.atwiki.jp/elvis/pages/2009.html

  The Complete Dictionary of Symbols (Dictionary) Duncan Baird Publishers?Jack Tresidder Symbols and Their Meanings Friedman/Fairfax Pub?Jack Tresidder Art of Colour Photography Mitchell Beazley?John Hedgecoe?Jack TresidderJack Platt? Symbols and Their Meanings Duncan Baird Publishers?Jack Tresidder The Dictionary of Symbols Duncan Baird Publishers?Jack TresidderPhillip Hood? The Hutchinson Dictionary of Symbols (Helicon Arts Music) Helicon?Jack Tresidder Art of Colour Photography Mitchell Beazley?John Hedgecoe?Jack Tresidder Symbols and Their Meanings Duncan Baird Publishers?Jack Tresidder Photographing Buildings and Cityscapes (Kodak Library of Creative Photography) Time Life Education?Jack Tresidder 1001 Symbols Duncan Baird Publishers?Jack Tresidder Living Well Emblem?Jack Tresidder The Complete Kodak Book of Photography Crescent Books?Jack Tresidder Loire Valley (Eyewitness Travel Guides) Dorling Kindersley Publishers Ltd?Jack Tresidder Dk Eyewitness Travel Guides Loire Valley (Dk Eyewitness Travel Guides Loire Valley) Dk Pub (P) (a)?Jack TresidderDorling Kindersley Limited? Loire Valley (Eyewitness Travel Guides) Dorling Kindersley Publishers Ltd?Jack Tresidder Dk Eyewitness Travel Guides Loire Valley (Dk Eyewitness Travel Guides) Dk Pub (P) (a)?Jack Tresidder Dictionary of Symbols An Illustrated Guide to Traditional Images, Icons, and Emblems Chronicle BooksJack Tresidder Dictionary of Symbols An Illustrated Guide to Traditional Images, Icons, and Emblems Chronicle BooksJack Tresidder DK Eyewitness Travel Guides Loire Valley (Dk Eyewitness Travel Guides) Dk Pub (P) (a)?Jack Tresidder The McGraw-Hill Pictorial Atlas of the World Mcgraw-Hill?Jack TresidderNorman Barrett?Arthur Butterfield?Keith Lye? The Complete Dictionary Of Symbols Chronicle BooksJack Tresidder 1001 Symbols An Illustrated Guide to Imagery and Its Meaning Chronicle BooksJack Tresidder Living Well Mitchell Beazley?Jack Tresidder Symbole und ihre Bedeutung. Ueber 1000 Bilder und Zeichen aus allen Kulturkreisen Droemer Knaur?Jack Tresidder Die Kunst der Farbfotografie Christian Verlag GmbH?John Hedgecoe?Jack Tresidder Heartthrobs Marshall Cavendish?Jack Tresidder 1001 Simbolos / 1001 Symbols Guia Ilustrada de los Simbolos y su Signifcado / An Illustrated Guide to Imagery and its Meaning (Grandes Obras Series / Great Works Series) Grijalbo Mondadori Sa?Jack Tresidder

• オペラ対訳プロジェクト - Weber,Carl Maria von/Oberon+/I

  https://w.atwiki.jp/oper/pages/1167.html

  Ouvertüre DROLL Lasst mich erzählen, wie mein Herr, Oberon, der König der Elfen, durch die Liebe zweier Menschen mit seiner Gemahlin Titania versöhnt wird! ERSTER AKT ERSTE SZENE Feengarten im Reiche Oberons, in üppig blühender Blumenpracht. Oberon liegt schlafend auf dem Blumenlager. Genien und Feen sind in einem Tableau gruppiert, das sich bis zum Beginn des Gesanges nur wenig bewegt. Zum Anfang des Chores erscheinen die Elfen, um sich vereint mit den Genien in verschiedenartigen Gruppierungen zu zeigen. Alle tragen Lilienkränze auf dem Kopf und halten Lilienstengel in den Händen Introduktion ELFENCHOR singt ganz leise Leicht, wie Feentritt nur geht, Durch den Raum, ihr Elfen, weht! Viel zu laut die Quelle tönt! Zu laut! Viel zu laut der Zephyr stöhnt! Zu laut! Jagt die wirre Mücke fort! Lasst die Bien nicht summen dort! Auf dem Lilienlager liegt Oberon, im Traum gewiegt! Schlummer schloss sein Augenlid, Das so lang der Schlaf vermied. SOLI O brächt er Ruh und sanfte Lust In unsers trauernden Königs Brust! CHOR Leicht, wie Feentritt nur geht, Durch den Raum, ihr Elfen, weht! Viel zu laut die Quelle tönt! Viel zu laut der Zephyr stöhnt! Zu laut! Viel zu laut! Droll und Puck kommen rasch hinzu DROLL zu den Elfen Fort mit euch ... Steht nicht länger müssig hier herum. PUCK betrachte Oberon mit grosser Teilnahme Warum sieht Oberon auch im Schlaf so traurig aus? DROLL Sein Kummer ist so tief, dass jedes Lächeln darin ertrinkt. PUCK Noch immer? DROLL Ja, mein lieber Puck. So harmlos es auch anfing, Die Königin Titania fand den Frühling schöner als den Herbst. Ein paar Nächte vorher hatte sie wieder den Herbst wegen seiner schönen Farben über alles gelobt. »Du bist unbeständig wie jede Frau«, sagte darauf unser Oberon. Und lächelte. PUCK Er hätte sagen müssen »unbeständig wie der Mann!«, lieber Droll. DROLL Ja - Titania gab ihm auch gleich dieselbe Antwort. »Unbeständig wie der Mann!« PUCK Oder - wie die Menschen, Droll. DROLL Hoffentlich sind die Menschen klüger und lieben einander noch glühender als sie miteinander streiten. Sonst … Ach, lieber Puck, ich spreche es lieber gar nicht aus. PUCK Was ist sonst? DROLL Sonst kommt ein grosses Unglück über unsere ganze Elfenwelt. Denn Oberon und Titania haben einen sehr schlimmen Schwur getan. Sie würden einander nie mehr lieben, bevor nicht zwei Menschen der Welt bewiesen, dass sie sozusagen alle beide recht hätten. PUCK nickt Aber wo gibt es solche Menschen? DROLL Das ist ja der Kummer. Deshalb seufzt doch der König im Traum. PUCK Und du bist trotzdem so guter Laune? DROLL Mit Seufzen ist niemand geholfen. Ich habe unterdessen schon mit dem Suchen begonnen. PUCK Und jetzt berichtest du dem König? DROLL Ja … Aber still davon. Nur wenn Oberon selbst davon zu reden beginnt … Puck macht eine Gebärde der Enttäuschung DROLL lächelnd Es sieht mir aber ganz danach aus … Oberon richtet sich auf, wie aus einem schweren Traum erwachend Arie OBERON Schreckensschwur! - Dein wildes Quälen Selbst im Schlummer niemals ruht! Leiden weckst du, nicht zu zählen, Fachst nur an die inn’re Glut! Immer Angst und immer Schmerzen, Doppelt, wenn der Traum verweilet, Unnennbare Pein im Herzen, Doch kein Balsam, der sie heilet. Schreckensschwur! – Dein wildes Quälen Selbst im Schlaf nicht ruht! Leiden weckst du, nicht zu zählen, Fachst nur an die inn’re Glut! Schreckensschwur! Droll und Puck kommen ehrfürchtig näher DROLL redet ihn mit einer tiefen Verbeugung an Erlaube uns, grosser König … OBERON erwacht völlig Ach, mein Puck! Und du, Droll, guter Freund … DROLL Ich bin nur dein Diener, grosser König. OBERON lächelt Aber der klügste ... DROLL Man bemüht sich, liebster Herr. Die ganze Nacht hab ich gesucht. Von Ost bis West, von Pol zu Pol. OBERON überrascht Hast du sie am Ende schon? DROLL Ich bin erst am Anfang. Er ist da und sie ist dort, und die halbe Welt ist zwischen ihnen. Er ist ein Ritter am Hof des Kaisers Karl und heisst Hüon von Bordeaux. Sie ist die Prinzessin Rezia, die Tochter des grossen Kalifen Harun al Raschid. Wenn diese beiden sich so beständig über alle Massen erweisen, wie man annehmen muss, dann ist dein Schwur erfüllt und dann … nun du weisst ja, grosser König. OBERON zärtlich Dann kehrt Titania zu mir zurück! DROLL Aber Titania wird nur dann den Schwur als erfüllt ansehen, wenn die Prüfungen so hart werden, wie es der Streit war. OBERON Noch länger suchen? DROLL Erst müssen sie schon einander finden. Aber dann wieder verlieren und wieder finden und trotzdem nicht voneinander lassen. Hüon ist mit seinem Waffenmeister Scherasmin an unserem Zauberwald vorübergezogen, da war nur noch ganz wenig nötig. Ein paar tanzende Sonnenstrahlen, eine raunende Stimme, und schon habe ich ihn hinter mir hergezogen, wie ich wollte. Gleich wirst du ihn sehen, grosser König. Hüon und Scherasmin kommen nach vorne HÜON Es kam wie Gesang aus der Luft. Ihre Stimme! SCHERASMIN Sagen S endlich, Euer Gnaden, wie diese rätselhafte »Sie« heisst. Das ist doch eine unnötige Quälerei. Eine Geliebte ohne Namen! Eine Schönheit, die man nicht sieht. Eine Braut, von der man nur träumt. Da hätt ich mir längst eine beigebogen, die ich vor mir hab … HÜON Wer wirklich in der Tiefe liebt, ist für alle blind … bis er die Geliebte gefunden hat. SCHERASMIN Ich weiss nicht, wie tief Ihre Gefühle sitzen, Euer Gnaden. Meine wohnen in der Gurgel und im Magen. Einen Hunger hab ich, dass ich weinen möcht, und einen Durst! HÜON Hörst du nicht, Scherasmin? Alles tönt und klingt. Auf einmal werde ich auch so müde. sinkt um SCHERASMIN lagert sich wie er Ich rieche einen guten Braten. Und der gute Wein … sinkt in Schlaf HÜON Geliebte Braut … In der Mitte des Hintergrundes ziehen sich die Blütenranken nach oben, und wie in einem Blumenrahmen wird ein kleiner persische Kiosk sichtbar, in dessen Mitte Rezia sitzt, mit einer Laute in der Hand Vision REZIA Warum musst du schlafen, o Held voll Mut? Ein Mädchen sitzt weinend an Babylons Flut! Auf, rette sie dir, eh als Opfer sie sinkt! Güienne, zu Hilfe, die Schönheit dir winkt! OBERON bewegt seinen Zauberstab Genug! Die Blütenranken schliessen sich wieder und die Vision verschwindet SCHERASMIN schaut um sich Hilfe, Herr Hüon! Wo sind wir? geht zu ihm und rüttelt ihn Aufwachen! Aufstehen! HÜON wehrt sich; noch im Halbschlaf Lass mich doch … sehnsüchtig Du holdes Bild! wacht endlich völlig auf Was war das eben? SCHERASMIN sieht sich misstrauisch um Am Ende waren wir richtig verzaubert? In dieser merkwürdigen Gegend muss man schon auf alles gefasst sein. HÜON Dann hat die Qual des Suchens ein Ende … SCHERASMIN Das ist mir eine schöne Zauberei, die einen so mir nix dir nix ums schöne Leben bringt. OBERON tritt, gefolgt von Puck und Droll, vor die beiden Habt keine Sorge. Ich bin dein Freund, Herr Hüon von Bordeaux. HÜON Du kennst mich? OBERON Freilich! DROLL fällt ein Wir wissen auch, dass du hier die Frau suchst, die von Anbeginn für dich bestimmt ist. Weil du sie im ganzen Frankenland nicht gefunden hast, bist du über das Meer gekommen. HÜON Ich würde über alle Meere der Welt fahren. OBERON Das wirst du auch noch tun müssen. DROLL einfallend … aber schon mit ihr, nach der du dich sehnst … HÜON Wer kann so etwas versprechen? OBERON mit Würde Ich bin Oberon, der König der Elfen. SCHERASMIN Nix als schöne Worte und gute Ratschläge. Davon kann man nicht fett werden! DROLL Was willst du sonst von uns? SCHERASMIN Das ist für mich kein Ratschlag, der mir nicht rät, wo wir zuschlagen müssen. Das sag uns, lieber Herr! Dann holen wir uns schon die Braut und alles, was dazugehört. OBERON lächelnd Du wirst zufrieden sein, lustiger Bursch. Er winkt nach rückwärts. Zwei Elfen bringen auf einem Polster zu Hüon ein Horn, zwei andere Genien treten zu Scherasmin auf ihrem Polster steht ein goldener Becher OBERON Nimm dir das Horn, Hüon von Bordeaux. DROLL Bläst du leise hinein, Hüon, wird dir sogleich ein Zauber aus der Ferne helfen. Bläst du mit ganzem Atem, dann rufst du Oberon selbst. HÜON Oh, das versteh ich, Nur der findet ganz die Liebe, der sich ihr ganz hingibt. SCHERASMIN Was soll ich denn mit dem Becher da … ? OBERON Trink daraus, wenn du in Bedrängnis bist. SCHERASMIN Oh, dann bin ich immer in Bedrängnis. nimmt und trinkt Das ist ja grossartig. Da wird man sofort dreimal so couragiert. Komm, trink mit mir, fescher Geist! hinter Puck her. Puck entwischt ihm HÜON Vorwärts, Scherasmin! Worauf wartest du noch? geht voraus Oder willst du jetzt nicht mehr, weil es ernst wird? SCHERASMIN trinkt rasch aus dem Becher Von mir aus bis ans Ende der Welt, Herr Hüon. Wenn man so ausgerüstet wird … Da riskier ich jeden Krieg … Feen, Genien und Elfen erscheinen zu Tänzen und Gruppierungen. Hüon von Bordeaux hält sich rechts vorn auf. Oberon inmitten der Feen, Genien und Elfen. Scherasmin links vorn Ensemble FEENCHOR Ehre und Heil dem, der treu ist ed brav! In Oberon zeigt sich stets ein Freund! Doch weh für den Feigen, Verräter und Sklav ! Die Rache der Feen bereit erscheint. Ehre und Heil dein, der treu ist und brav! Ehre und Heil! HÜON zu Oberon Sei ein Führer mir, holder Geist! Zu dem Thron des Ungläubigen leite mich, Dort sei der Arm, sei das Herz bewährt, Dort zeig die Treu deines Hüon sich. OBERON Es küsst die Sonne den Purpursaum, Der um Feenlauben fliesst, Oft muss sie sinken in jene Flut, Eh, sterblicher Ritter, vergönnt dir ist Zu nahen Bagdads Schloss. Doch sieh! Mein Lilienzepter weht, Und Bagdad liegt vor dir. In der Mitte des Hintergrundes ziehen sich die Blütenranken wieder nach oben, und wie in einem Blumengarten, von der Abendsonne beleuchtet, wird am Ufer des Tigris die Stadt Bagdad sichtbar HÜON Kann ich meinen Augen trau n? Ja, auf gold ne Zinnen hier Sich das Abendrot ergiesset, Und der Strom in reicher Zier Schnell zu seinem Meere fliesset. Doch ach, wo find ich sie, Die mir Liebe im Schlummer hat gespendet? Floh sie denn auf ewig mich? Hat der Klang denn ganz geendet? OBERON Getrost, mein Held, getrost! Nach Ruhme strebe kühn! Nur fort, die Lieb wird dir in Babylon erblühn. Er verschwindet unauffällig inmitten der Feen und Elfen ELFENCHOR Eil, o Held! Liebe und Ruhm, Sie werden bald dein schönes Eigentum! Eil, o Held, Liebe und Ruhm, Lieb sei dein Eigentum! HÜON Sei ein Führer mir, holder Geist! Zum Kalifen leite mich! Dort sei der Arm, sei das Herz bewährt! Holder Geist, sei mein Führer, Leite zu dem Gottverworf’nen mich! Dort sei der Arm, sei das Herz bewährt, Dort zeig die Treu deines Hüon sich! Sei mein Führer! - Du holder Geist! - Feen, Genien und Elfen verschwinden nach allen Seiten hin. Oberons Blumenlager versinkt; die Blütenranken ziehen sich vor dem vollen Anblick der in der Abendsonne liegenden Stadt Bagdad nach oben, unten und nach den Seiten hin zurück ZWEITE SZENE Auf einer Strasse aus dem Zauberwald Oberons nach Bagdad SCHERASMIN kommt mit Droll und Hüon; er geht ein paar Schritte vor den beiden Immer voran, Herr Hüon! Jetzt ist schon lange genug gescheit geredet worden. Ich hab einen Hunger DROLL Und dein Becher? SCHERASMIN Das ist es ja Wenn man in einem fort trinkt, braucht man erst recht eine Unterlag für den Magen. DROLL Ich will dir noch einen Rat geben, bevor du weiterziehst, Hüon. HÜON Wie ich Rezia gewinne? DROLL Ihr Herz hast du längst. Du musst jetzt nur dazusehen, wie du sie am besten aus dem Palast des Kalifen bringst. reicht ihm und Scherasmin zwei kostbare Röcke Verkleidet euch mit diesen Röcken. Auf diese Weise könnt ihr ungehindert in den Palast hineinkommen und euch unter die Grossen des Kalifen mengen. SCHERASMIN Aber das Schwert behalten wir unter dem Rock! Und wenn s keiner vermutet, schlagen wir drein. DROLL Ihr seid nur zwei gegen Unzählige. Aber wenn es schlimm wird, gebraucht das Horn. SCHERASMIN Wird Oberon wirklich erscheinen, wenn wir ihn rufen? DROLL Gewissi Aber dann dürft ihr eins nicht vergessen dass der nächste Tag vielleicht noch schlimmere Not bringt. HÜON Not, wenn ich meine Rezia für immer habe? Was fehlt mit dann noch zu meinem Glück? DROLL Du musst erst entdecken, wo es für dich wächst, HÜON Aus eurem Zauber? DROLL Nein, Hüon, viel seltsamer. Aus Eurem Leid! Er verschwindet. Hüon und Scherasmin blicken ihm überrascht und nachdenklich nach. Dann fasst Hüon, weiterschreitend, neuen Mut Arie HÜON Von Jugend auf in dem Kampfgefild , Die Lanze hoch und vor den Schild, Stets da, wo sich der Mann erprobt, Am wild sten Schlacht und Kampflust tobt. Führend des Vaters Schwert, Stolz, dass sein Name mich ehrt; Im Herzen noch die Liebe schwieg. Mein einz ges Streben Sieg! Sieg! Sieg!- Jetzt giesst sich aus ein sanft rer Glanz Auf meines Lebens Wogentanz, Der Schönheit Lächeln mildert zart Des Ruhmes wilde Männerart. Süss, wie des Abends Weh n, Stern in der Nacht so schön, Nichts reizender s dir je verblieb Um mich zu fesseln Lieb ! Lieb ! Liebe! – Ob aber auch neues Gefühl mich durchbebt, Doch stets noch die frühere Glut mich belebt! Sein ohne Lieb welch düst rer Trauerflor! Doch Sein ohne Ehre, den Tod zög ich vor! DRITTE SZENE Eine offene Halle im Harem des Kalifen Harun al Raschid Finale REZIA allein Eil, edler Held! Befreie dir Die Braut, die deiner wartet hier! Eh soll die Hand mir Tod verleih n Als eines andern sein, denn dein! Ja, o Herr! Mein Heil, mein Leben! Rezia ist für ewig dein, Liebe wusste wohl zu prägen Meiner Brust dein Siegel ein. Ja, im Herzen ruht dein Bildnis, Dort bestimmt es ganz mein Los! Ja, im Herzen ruht dein Bildnis, Wie der Tropfen in der Tulpe Taugetränktem Liebesschoss. Ja, o Herr! Mein Heil, mein Leben! Rezia ist für ewig dein FATIME tritt eilig ein, freudig Glück! Freude! Gerettet sind wir in der Not! Auf! Er ist da und trotzet kühn dem Tod! REZIA erwartungsvoll Da? ? Wo? ? Süsse Fatime, rede weiter fort! FATIME Heut abend führte zu Namuna ihn der Zufall! Nein, das Schicksal! Fürwahr, das Schicksal! Dort, ganz Wort für Wort, hört er, was dir im Traum erschien, Und schwur zu retten ans den Fesseln dich, Wo nicht, den Tod für sich! REZIA Sagt ich s nicht? Sagt ich s nicht? Duettino BEIDE O welches Glück! REZIA Seine Nähe trag ich kaum! FATIME Sie erträgt es kaum! BEIDE O, welches Glück! REZIA Seine Nähe trag ich kaum! FATIME Sie erträgt es kaum! BEIDE O welches Glück! O welches Glück! Hoffnung gab ihn mir/ihr zurück! Liebe hat erfüllt den Traum! Hoffnung gab ihn mir/ihr zurück! O welches Glück, o welches Glück! REZIA Seine Nähe trag ich kaum! FATIME Sie erträgt es kaum! BEIDE O seine Nähe trag ich/trägt sie kaum! Hoffnung gab ihn mir/ihr zurück! Seine Nähe trag ich/trägt sie kaum! iebe hat erfüllt den Traum! Hoffnung gab ihn mir/ihr zurück! FATIME Horch, Herrin, horch! Auf der Terrasse Bahn Schon hört man des Harems Wächter nahn, Und sieh , die Sklaven kommen sacht, Weil schon zut Ruhe ruft die Nacht. Rezia and Fatime kommen vor und geben einander Zeichen des geheimen Einverständnisses. Die Janitscharenmusik bewegt sich langsam auf die Terrasse. Mesru, der sehr dicke Anführer der Haremswächter, erscheint wackelnd mit ihnen. Dreissig Mann Wachen von ebendaher, nehmen hinter der Musik Aufstellung CHOR Dunkel ist es schon und spät, Und von jedem Minaret Stimmen zum Gebet schon riefen, Die Lüftchen selbst entschliefen. Länger bleibt nicht hier am Ort, Fort zur Ruh, fort, fort, fort, fort! Der Vollmond steigt herauf und überflutet mit seinem Licht die Halle REZIA beiseite Seele, froh in Jubelklängen, Wie soll ich zurück dich drängen? Nur zu laut tut dich ja kund Das glüh’nde Aug ; beredter Mund! Dass dich nicht verrat ein Wort, Fort zur Ruhe, fort, nur fort! CHOR Länger bleibt nicht hier am Ort, Fort zur Ruh ; fort zur Ruh ! Dunkel ist es schon und spät, Und von jedem Minaret Stimmen rufen zum Gebet! Das Lüftchen selber schlafen geht, Fort, drum fort! Fort, nur fort! Nur fort, nur fort! Die Janitscharenmusik bewegt sich langsam hinweg Ouvertüre DROLL Lasst mich erzählen, wie mein Herr, Oberon, der König der Elfen, durch die Liebe zweier Menschen mit seiner Gemahlin Titania versöhnt wird! ERSTER AKT ERSTE SZENE Feengarten im Reiche Oberons, in üppig blühender Blumenpracht. Oberon liegt schlafend auf dem Blumenlager. Genien und Feen sind in einem Tableau gruppiert, das sich bis zum Beginn des Gesanges nur wenig bewegt. Zum Anfang des Chores erscheinen die Elfen, um sich vereint mit den Genien in verschiedenartigen Gruppierungen zu zeigen. Alle tragen Lilienkränze auf dem Kopf und halten Lilienstengel in den Händen Introduktion ELFENCHOR singt ganz leise Leicht, wie Feentritt nur geht, Durch den Raum, ihr Elfen, weht! Viel zu laut die Quelle tönt! Zu laut! Viel zu laut der Zephyr stöhnt! Zu laut! Jagt die wirre Mücke fort! Lasst die Bien nicht summen dort! Auf dem Lilienlager liegt Oberon, im Traum gewiegt! Schlummer schloss sein Augenlid, Das so lang der Schlaf vermied. SOLI O brächt er Ruh und sanfte Lust In unsers trauernden Königs Brust! CHOR Leicht, wie Feentritt nur geht, Durch den Raum, ihr Elfen, weht! Viel zu laut die Quelle tönt! Viel zu laut der Zephyr stöhnt! Zu laut! Viel zu laut! Droll und Puck kommen rasch hinzu DROLL zu den Elfen Fort mit euch ... Steht nicht länger müssig hier herum. PUCK betrachte Oberon mit grosser Teilnahme Warum sieht Oberon auch im Schlaf so traurig aus? DROLL Sein Kummer ist so tief, dass jedes Lächeln darin ertrinkt. PUCK Noch immer? DROLL Ja, mein lieber Puck. So harmlos es auch anfing, Die Königin Titania fand den Frühling schöner als den Herbst. Ein paar Nächte vorher hatte sie wieder den Herbst wegen seiner schönen Farben über alles gelobt. »Du bist unbeständig wie jede Frau«, sagte darauf unser Oberon. Und lächelte. PUCK Er hätte sagen müssen »unbeständig wie der Mann!«, lieber Droll. DROLL Ja - Titania gab ihm auch gleich dieselbe Antwort. »Unbeständig wie der Mann!« PUCK Oder - wie die Menschen, Droll. DROLL Hoffentlich sind die Menschen klüger und lieben einander noch glühender als sie miteinander streiten. Sonst … Ach, lieber Puck, ich spreche es lieber gar nicht aus. PUCK Was ist sonst? DROLL Sonst kommt ein grosses Unglück über unsere ganze Elfenwelt. Denn Oberon und Titania haben einen sehr schlimmen Schwur getan. Sie würden einander nie mehr lieben, bevor nicht zwei Menschen der Welt bewiesen, dass sie sozusagen alle beide recht hätten. PUCK nickt Aber wo gibt es solche Menschen? DROLL Das ist ja der Kummer. Deshalb seufzt doch der König im Traum. PUCK Und du bist trotzdem so guter Laune? DROLL Mit Seufzen ist niemand geholfen. Ich habe unterdessen schon mit dem Suchen begonnen. PUCK Und jetzt berichtest du dem König? DROLL Ja … Aber still davon. Nur wenn Oberon selbst davon zu reden beginnt … Puck macht eine Gebärde der Enttäuschung DROLL lächelnd Es sieht mir aber ganz danach aus … Oberon richtet sich auf, wie aus einem schweren Traum erwachend Arie OBERON Schreckensschwur! - Dein wildes Quälen Selbst im Schlummer niemals ruht! Leiden weckst du, nicht zu zählen, Fachst nur an die inn’re Glut! Immer Angst und immer Schmerzen, Doppelt, wenn der Traum verweilet, Unnennbare Pein im Herzen, Doch kein Balsam, der sie heilet. Schreckensschwur! – Dein wildes Quälen Selbst im Schlaf nicht ruht! Leiden weckst du, nicht zu zählen, Fachst nur an die inn’re Glut! Schreckensschwur! Droll und Puck kommen ehrfürchtig näher DROLL redet ihn mit einer tiefen Verbeugung an Erlaube uns, grosser König … OBERON erwacht völlig Ach, mein Puck! Und du, Droll, guter Freund … DROLL Ich bin nur dein Diener, grosser König. OBERON lächelt Aber der klügste ... DROLL Man bemüht sich, liebster Herr. Die ganze Nacht hab ich gesucht. Von Ost bis West, von Pol zu Pol. OBERON überrascht Hast du sie am Ende schon? DROLL Ich bin erst am Anfang. Er ist da und sie ist dort, und die halbe Welt ist zwischen ihnen. Er ist ein Ritter am Hof des Kaisers Karl und heisst Hüon von Bordeaux. Sie ist die Prinzessin Rezia, die Tochter des grossen Kalifen Harun al Raschid. Wenn diese beiden sich so beständig über alle Massen erweisen, wie man annehmen muss, dann ist dein Schwur erfüllt und dann … nun du weisst ja, grosser König. OBERON zärtlich Dann kehrt Titania zu mir zurück! DROLL Aber Titania wird nur dann den Schwur als erfüllt ansehen, wenn die Prüfungen so hart werden, wie es der Streit war. OBERON Noch länger suchen? DROLL Erst müssen sie schon einander finden. Aber dann wieder verlieren und wieder finden und trotzdem nicht voneinander lassen. Hüon ist mit seinem Waffenmeister Scherasmin an unserem Zauberwald vorübergezogen, da war nur noch ganz wenig nötig. Ein paar tanzende Sonnenstrahlen, eine raunende Stimme, und schon habe ich ihn hinter mir hergezogen, wie ich wollte. Gleich wirst du ihn sehen, grosser König. Hüon und Scherasmin kommen nach vorne HÜON Es kam wie Gesang aus der Luft. Ihre Stimme! SCHERASMIN Sagen S endlich, Euer Gnaden, wie diese rätselhafte »Sie« heisst. Das ist doch eine unnötige Quälerei. Eine Geliebte ohne Namen! Eine Schönheit, die man nicht sieht. Eine Braut, von der man nur träumt. Da hätt ich mir längst eine beigebogen, die ich vor mir hab … HÜON Wer wirklich in der Tiefe liebt, ist für alle blind … bis er die Geliebte gefunden hat. SCHERASMIN Ich weiss nicht, wie tief Ihre Gefühle sitzen, Euer Gnaden. Meine wohnen in der Gurgel und im Magen. Einen Hunger hab ich, dass ich weinen möcht, und einen Durst! HÜON Hörst du nicht, Scherasmin? Alles tönt und klingt. Auf einmal werde ich auch so müde. sinkt um SCHERASMIN lagert sich wie er Ich rieche einen guten Braten. Und der gute Wein … sinkt in Schlaf HÜON Geliebte Braut … In der Mitte des Hintergrundes ziehen sich die Blütenranken nach oben, und wie in einem Blumenrahmen wird ein kleiner persische Kiosk sichtbar, in dessen Mitte Rezia sitzt, mit einer Laute in der Hand Vision REZIA Warum musst du schlafen, o Held voll Mut? Ein Mädchen sitzt weinend an Babylons Flut! Auf, rette sie dir, eh als Opfer sie sinkt! Güienne, zu Hilfe, die Schönheit dir winkt! OBERON bewegt seinen Zauberstab Genug! Die Blütenranken schliessen sich wieder und die Vision verschwindet SCHERASMIN schaut um sich Hilfe, Herr Hüon! Wo sind wir? geht zu ihm und rüttelt ihn Aufwachen! Aufstehen! HÜON wehrt sich; noch im Halbschlaf Lass mich doch … sehnsüchtig Du holdes Bild! wacht endlich völlig auf Was war das eben? SCHERASMIN sieht sich misstrauisch um Am Ende waren wir richtig verzaubert? In dieser merkwürdigen Gegend muss man schon auf alles gefasst sein. HÜON Dann hat die Qual des Suchens ein Ende … SCHERASMIN Das ist mir eine schöne Zauberei, die einen so mir nix dir nix ums schöne Leben bringt. OBERON tritt, gefolgt von Puck und Droll, vor die beiden Habt keine Sorge. Ich bin dein Freund, Herr Hüon von Bordeaux. HÜON Du kennst mich? OBERON Freilich! DROLL fällt ein Wir wissen auch, dass du hier die Frau suchst, die von Anbeginn für dich bestimmt ist. Weil du sie im ganzen Frankenland nicht gefunden hast, bist du über das Meer gekommen. HÜON Ich würde über alle Meere der Welt fahren. OBERON Das wirst du auch noch tun müssen. DROLL einfallend … aber schon mit ihr, nach der du dich sehnst … HÜON Wer kann so etwas versprechen? OBERON mit Würde Ich bin Oberon, der König der Elfen. SCHERASMIN Nix als schöne Worte und gute Ratschläge. Davon kann man nicht fett werden! DROLL Was willst du sonst von uns? SCHERASMIN Das ist für mich kein Ratschlag, der mir nicht rät, wo wir zuschlagen müssen. Das sag uns, lieber Herr! Dann holen wir uns schon die Braut und alles, was dazugehört. OBERON lächelnd Du wirst zufrieden sein, lustiger Bursch. Er winkt nach rückwärts. Zwei Elfen bringen auf einem Polster zu Hüon ein Horn, zwei andere Genien treten zu Scherasmin auf ihrem Polster steht ein goldener Becher OBERON Nimm dir das Horn, Hüon von Bordeaux. DROLL Bläst du leise hinein, Hüon, wird dir sogleich ein Zauber aus der Ferne helfen. Bläst du mit ganzem Atem, dann rufst du Oberon selbst. HÜON Oh, das versteh ich, Nur der findet ganz die Liebe, der sich ihr ganz hingibt. SCHERASMIN Was soll ich denn mit dem Becher da … ? OBERON Trink daraus, wenn du in Bedrängnis bist. SCHERASMIN Oh, dann bin ich immer in Bedrängnis. nimmt und trinkt Das ist ja grossartig. Da wird man sofort dreimal so couragiert. Komm, trink mit mir, fescher Geist! hinter Puck her. Puck entwischt ihm HÜON Vorwärts, Scherasmin! Worauf wartest du noch? geht voraus Oder willst du jetzt nicht mehr, weil es ernst wird? SCHERASMIN trinkt rasch aus dem Becher Von mir aus bis ans Ende der Welt, Herr Hüon. Wenn man so ausgerüstet wird … Da riskier ich jeden Krieg … Feen, Genien und Elfen erscheinen zu Tänzen und Gruppierungen. Hüon von Bordeaux hält sich rechts vorn auf. Oberon inmitten der Feen, Genien und Elfen. Scherasmin links vorn Ensemble FEENCHOR Ehre und Heil dem, der treu ist ed brav! In Oberon zeigt sich stets ein Freund! Doch weh für den Feigen, Verräter und Sklav ! Die Rache der Feen bereit erscheint. Ehre und Heil dein, der treu ist und brav! Ehre und Heil! HÜON zu Oberon Sei ein Führer mir, holder Geist! Zu dem Thron des Ungläubigen leite mich, Dort sei der Arm, sei das Herz bewährt, Dort zeig die Treu deines Hüon sich. OBERON Es küsst die Sonne den Purpursaum, Der um Feenlauben fliesst, Oft muss sie sinken in jene Flut, Eh, sterblicher Ritter, vergönnt dir ist Zu nahen Bagdads Schloss. Doch sieh! Mein Lilienzepter weht, Und Bagdad liegt vor dir. In der Mitte des Hintergrundes ziehen sich die Blütenranken wieder nach oben, und wie in einem Blumengarten, von der Abendsonne beleuchtet, wird am Ufer des Tigris die Stadt Bagdad sichtbar HÜON Kann ich meinen Augen trau n? Ja, auf gold ne Zinnen hier Sich das Abendrot ergiesset, Und der Strom in reicher Zier Schnell zu seinem Meere fliesset. Doch ach, wo find ich sie, Die mir Liebe im Schlummer hat gespendet? Floh sie denn auf ewig mich? Hat der Klang denn ganz geendet? OBERON Getrost, mein Held, getrost! Nach Ruhme strebe kühn! Nur fort, die Lieb wird dir in Babylon erblühn. Er verschwindet unauffällig inmitten der Feen und Elfen ELFENCHOR Eil, o Held! Liebe und Ruhm, Sie werden bald dein schönes Eigentum! Eil, o Held, Liebe und Ruhm, Lieb sei dein Eigentum! HÜON Sei ein Führer mir, holder Geist! Zum Kalifen leite mich! Dort sei der Arm, sei das Herz bewährt! Holder Geist, sei mein Führer, Leite zu dem Gottverworf’nen mich! Dort sei der Arm, sei das Herz bewährt, Dort zeig die Treu deines Hüon sich! Sei mein Führer! - Du holder Geist! - Feen, Genien und Elfen verschwinden nach allen Seiten hin. Oberons Blumenlager versinkt; die Blütenranken ziehen sich vor dem vollen Anblick der in der Abendsonne liegenden Stadt Bagdad nach oben, unten und nach den Seiten hin zurück ZWEITE SZENE Auf einer Strasse aus dem Zauberwald Oberons nach Bagdad SCHERASMIN kommt mit Droll und Hüon; er geht ein paar Schritte vor den beiden Immer voran, Herr Hüon! Jetzt ist schon lange genug gescheit geredet worden. Ich hab einen Hunger DROLL Und dein Becher? SCHERASMIN Das ist es ja Wenn man in einem fort trinkt, braucht man erst recht eine Unterlag für den Magen. DROLL Ich will dir noch einen Rat geben, bevor du weiterziehst, Hüon. HÜON Wie ich Rezia gewinne? DROLL Ihr Herz hast du längst. Du musst jetzt nur dazusehen, wie du sie am besten aus dem Palast des Kalifen bringst. reicht ihm und Scherasmin zwei kostbare Röcke Verkleidet euch mit diesen Röcken. Auf diese Weise könnt ihr ungehindert in den Palast hineinkommen und euch unter die Grossen des Kalifen mengen. SCHERASMIN Aber das Schwert behalten wir unter dem Rock! Und wenn s keiner vermutet, schlagen wir drein. DROLL Ihr seid nur zwei gegen Unzählige. Aber wenn es schlimm wird, gebraucht das Horn. SCHERASMIN Wird Oberon wirklich erscheinen, wenn wir ihn rufen? DROLL Gewissi Aber dann dürft ihr eins nicht vergessen dass der nächste Tag vielleicht noch schlimmere Not bringt. HÜON Not, wenn ich meine Rezia für immer habe? Was fehlt mit dann noch zu meinem Glück? DROLL Du musst erst entdecken, wo es für dich wächst, HÜON Aus eurem Zauber? DROLL Nein, Hüon, viel seltsamer. Aus Eurem Leid! Er verschwindet. Hüon und Scherasmin blicken ihm überrascht und nachdenklich nach. Dann fasst Hüon, weiterschreitend, neuen Mut Arie HÜON Von Jugend auf in dem Kampfgefild , Die Lanze hoch und vor den Schild, Stets da, wo sich der Mann erprobt, Am wild sten Schlacht und Kampflust tobt. Führend des Vaters Schwert, Stolz, dass sein Name mich ehrt; Im Herzen noch die Liebe schwieg. Mein einz ges Streben Sieg! Sieg! Sieg!- Jetzt giesst sich aus ein sanft rer Glanz Auf meines Lebens Wogentanz, Der Schönheit Lächeln mildert zart Des Ruhmes wilde Männerart. Süss, wie des Abends Weh n, Stern in der Nacht so schön, Nichts reizender s dir je verblieb Um mich zu fesseln Lieb ! Lieb ! Liebe! – Ob aber auch neues Gefühl mich durchbebt, Doch stets noch die frühere Glut mich belebt! Sein ohne Lieb welch düst rer Trauerflor! Doch Sein ohne Ehre, den Tod zög ich vor! DRITTE SZENE Eine offene Halle im Harem des Kalifen Harun al Raschid Finale REZIA allein Eil, edler Held! Befreie dir Die Braut, die deiner wartet hier! Eh soll die Hand mir Tod verleih n Als eines andern sein, denn dein! Ja, o Herr! Mein Heil, mein Leben! Rezia ist für ewig dein, Liebe wusste wohl zu prägen Meiner Brust dein Siegel ein. Ja, im Herzen ruht dein Bildnis, Dort bestimmt es ganz mein Los! Ja, im Herzen ruht dein Bildnis, Wie der Tropfen in der Tulpe Taugetränktem Liebesschoss. Ja, o Herr! Mein Heil, mein Leben! Rezia ist für ewig dein FATIME tritt eilig ein, freudig Glück! Freude! Gerettet sind wir in der Not! Auf! Er ist da und trotzet kühn dem Tod! REZIA erwartungsvoll Da? ? Wo? ? Süsse Fatime, rede weiter fort! FATIME Heut abend führte zu Namuna ihn der Zufall! Nein, das Schicksal! Fürwahr, das Schicksal! Dort, ganz Wort für Wort, hört er, was dir im Traum erschien, Und schwur zu retten ans den Fesseln dich, Wo nicht, den Tod für sich! REZIA Sagt ich s nicht? Sagt ich s nicht? Duettino BEIDE O welches Glück! REZIA Seine Nähe trag ich kaum! FATIME Sie erträgt es kaum! BEIDE O, welches Glück! REZIA Seine Nähe trag ich kaum! FATIME Sie erträgt es kaum! BEIDE O welches Glück! O welches Glück! Hoffnung gab ihn mir/ihr zurück! Liebe hat erfüllt den Traum! Hoffnung gab ihn mir/ihr zurück! O welches Glück, o welches Glück! REZIA Seine Nähe trag ich kaum! FATIME Sie erträgt es kaum! BEIDE O seine Nähe trag ich/trägt sie kaum! Hoffnung gab ihn mir/ihr zurück! Seine Nähe trag ich/trägt sie kaum! iebe hat erfüllt den Traum! Hoffnung gab ihn mir/ihr zurück! FATIME Horch, Herrin, horch! Auf der Terrasse Bahn Schon hört man des Harems Wächter nahn, Und sieh , die Sklaven kommen sacht, Weil schon zut Ruhe ruft die Nacht. Rezia and Fatime kommen vor und geben einander Zeichen des geheimen Einverständnisses. Die Janitscharenmusik bewegt sich langsam auf die Terrasse. Mesru, der sehr dicke Anführer der Haremswächter, erscheint wackelnd mit ihnen. Dreissig Mann Wachen von ebendaher, nehmen hinter der Musik Aufstellung CHOR Dunkel ist es schon und spät, Und von jedem Minaret Stimmen zum Gebet schon riefen, Die Lüftchen selbst entschliefen. Länger bleibt nicht hier am Ort, Fort zur Ruh, fort, fort, fort, fort! Der Vollmond steigt herauf und überflutet mit seinem Licht die Halle REZIA beiseite Seele, froh in Jubelklängen, Wie soll ich zurück dich drängen? Nur zu laut tut dich ja kund Das glüh’nde Aug ; beredter Mund! Dass dich nicht verrat ein Wort, Fort zur Ruhe, fort, nur fort! CHOR Länger bleibt nicht hier am Ort, Fort zur Ruh ; fort zur Ruh ! Dunkel ist es schon und spät, Und von jedem Minaret Stimmen rufen zum Gebet! Das Lüftchen selber schlafen geht, Fort, drum fort! Fort, nur fort! Nur fort, nur fort! Die Janitscharenmusik bewegt sich langsam hinweg Weber,Carl Maria von/Oberon+/II

• 毎日新聞問題の情報集積wiki - Wayward woodwind teacher arrested for showing schoolgirls how to blow

  https://w.atwiki.jp/mainichi-matome/pages/5167.html

  The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese' behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Wayward woodwind teacher arrested for showing schoolgirls how to blow道を踏み外した木管楽器教師、スクールガールに『笛の吹き方』を教えて逮捕される 参考資料 拡散状況 関連ページ Wayward woodwind teacher arrested for showing schoolgirls how to blow 道を踏み外した木管楽器教師、スクールガールに『笛の吹き方』を教えて逮捕される 0 Wayward woodwind teacher arrested for showing schoolgirls how to blow 2008,01,08 Shukan Post 12/21-28 By Ryann Connell 道を踏み外した木管楽器教師、スクールガールに『笛の吹き方』を教えて逮捕される 週刊ポスト 12/21-28 ライアン・コネル記 1 Celebrated schoolgirl woodwind orchestra instructor Yoshihito Hagiwara faces a long time behind bars after he allegedly got the girls in his charge to blow an organ that had nothing to do with music, according to Shukan Post (12/21-28). スクールガールがメンバーの有名な木管楽団の指導者・萩原吉人は、長期間獄中で過ごすこととなる。報じられるところによると、彼の受け持ちの少女たちに、音楽とはなんの関係もない笛(*1)を吹かせたためだ。 2 Hagiwara has entered a guilty plea to charges of breaking the Child Welfare Law and the Law Banning Child Pornography. 萩原は、児童福祉法および児童ポルノ禁止法違反の容疑についての有罪の申し立てに、異議を申し立てた。 3 During the most recent hearing in his trial late last year, prosecutors told a family court that 33-year-old Hagiwara used his position guiding the woodwind group at a posh private high school to lure young girls into sex by telling them they needed it to improve their musical abilities. 昨年末に行われた彼の裁判における最新の審問において、検事たちは家庭裁判所に次のように述べた。三十三歳の萩原は、彼の地位を利用して、お上品な私立高校の木管楽団を指導しながら、音楽の技量を高めるために必要だと言って、若い少女たちを誘惑してセックスしたのだ、と。 4 Prosecutors say he maintained sexual relationships with some schoolgirls by telling them sex would allow them to perpetuate the improvements that copulation had brought about to their skills with an instrument. 検事たちが言うには、セックスすると性交のおかげで向上した演奏の腕前の上達が持続する、と彼女たちにいうことで、何人かのスクールガールとの性的関係を、彼は維持していた。 5 Only three students at the school have pressed charges against Hagiwara, but prosecutors pointed out that he had been in charge of the musical group at the school for nine years and had lured at least 13 schoolgirls into his clutches. この学校の生徒で萩原を告発したのは三人だけだったが、検事たちは次のように指摘した。彼は、九年間にわたって学校の楽団の顧問をしていて、少なくとも十三人のスクールガールを誘惑して彼の手中に収めたのである。 6 "A raid on his home netted photos of half-naked schoolgirls who had taken off their uniforms and even many pictures of the girls engaged in sex with him," an officer involved in the police investigation into the case tells Shukan Post. "There were photos of several different students." 「彼の自宅を家宅捜査すると、制服を脱いだ半裸のスクールガールたちの写真や、彼とセックスをしている最中の少女たちの沢山の写真すらが、見つかりました」と、この事件の警察の取調べに参加した、ある警官は週刊ポストに語る。 「何枚もの別人の生徒たちの写真がありました。」 7 Police say Hagiwara had fashioned a tiny shed to act as a storeroom for the music students, where he would take girls for sex. 警察が言うには、萩原は小さい小屋を作って、音楽をする生徒たち用の物置として使っていて、そこに彼は少女たちをセックスするために連れていったものだった。 8 "Hagiwara realized that he held a powerful control over girls who were worried about their musical abilities. He would mail or telephone or verbally offer the girls a private lesson to get them alone with him. He was having sex simultaneously with several girls at times," the investigation insider says. "There were even times when he would shave all the hair off a girl's body, telling her he was 'exorcizing her demons.'" 「萩原は、音楽の腕前に不安を感じている少女に対して、彼が強力な支配力を持っていることに気がつきました。彼は少女たちに、手紙や電話や口頭で個人授業を提案して、彼と少女だけになれるようにしたものです。時々、彼は数人の少女たちを同時に相手にしてセックスをしていました」と、捜査に関係した上述の警官は言う。 「彼が『お前の悪魔を払っている』のだと少女に言いながら、彼女の体中の毛を剃ったことすら、何度もありました。 9 Police said nearly all of Hagiwara's victims had been virgins until he got to them. 警察が言うには、萩原の犠牲者のほとんど全員が、彼の手にかかるまでは処女だった。 10 Those who know the school where Hagiwara worked are not surprised it took until late last year before he was caught. 萩原が勤めていた学校を知る人々は、彼が捕まる前である昨年末まで、このようなことが起こったことに、驚かない。 11 "Hagiwara was almost like a god to the woodwind group," a source from the school tells Shukan Post. "Some of the students used to refer to themselves as 'Hagi(wara's) Orchestra.'" 「萩原は、木管楽団にとってほとんど神のようでした」と、学校の情報筋は週刊ポストに語る。 「生徒のうちのあるものは、自分たち自身のことを『ハギ(ワラの)オーケストラ』と呼んだものでした」 12 Hagiwara was a talented flautist as a child, and completed a musical course at a junior college in Tokyo before returning to his parents' home in Yamanashi Prefecture to help out with the family business. He continued playing his flute, though, making a name for himself by winning contests and putting on outstanding shows. 萩原は子供の頃は才能のあるフルート奏者で、東京の短期大学で音楽のコースを履修した。その後山梨県にある両親の家に戻り、家業を手伝った。 だが彼はフルートの演奏を続け、コンテストで勝ったり極めて優れたショーを催したりして、有名になった。 13 Hagiwara started helping out at the school in 1998, when he was employed as a special instructor. Even when the school hit budget problems and could no longer continue to pay him, Hagiwara stayed as a volunteer. 萩原が学校の仕事を始めたのは1988年である。その時、彼は特別講師として採用された。 学校が財政難に陥って、もうこれ以上彼に給料を払い続けられなくなった時ですら、萩原はボランティアとして留まった。 14 When Hagiwara first started instructing, the school was not particularly well-known for its musical achievements. However, growing numbers of his charges began winning musical contests, and demand for his tuition grew to the point that in recent years, he was overseeing 60 third-year students a year. But even as his reputation for excellence grew,he exploited it to seduce his students. 当初、萩原が教え始めたときは、学校は音楽に関する業績において、特に有名というわけではなかった。 しかし、どんどん増えていく彼の骨折りによって音楽コンクールで勝てるようになり始め、彼の指導に対する要求は、近年そうであるのと同じにまで高まり、彼は一年につき六十人の三年生を監督していた。 しかし彼の優秀さにたいする信望が増すと、彼はそれを利用して自分の生徒たちを誘惑した。 15 Despite which, however, Hagiwara's parents still can't see their son being entirely in the wrong. しかし、それにもかかわらず、萩原の両親はまだ、自分たちの息子が完全に道を誤ったことがわからない。 16 "We always had students coming over to our house. I know the girls who pressed charges against him very well," Hagiwara's mother tells Shukan Post. "I can't help thinking that they might have been trying to monopolize him for themselves." 「私たちのところにはいつも、私たちの家に訪ねてくる生徒たちがいました。彼を告発した少女たちのことを、私はとてもよく知っています」と、萩原の母は週刊ポストに語る。 「彼女たちは彼を自分たちだけのものにしようとしていたのかもしれない、と思わずにはいられません」 17 Officials from the school where Hagiwara worked, which the weekly refrains from naming, say their institution is as much a victim as the girls Hagiwara is accused of preying on. 萩原の勤務先の学校――週刊ポストはこの学校の名前を挙げることを控えている――の職員たちは、萩原の餌食となったと告発した少女たちと同じくらい、かれらの学校も被害者であるという。 18 "News of the incident came as a terrible shock. I didn't know the instructor. If I had known what he was doing, I would have stopped it. We only learned about what was happening the day before he was arrested," the school's vice principal tells the magazine. "We've heard that there were no victims among current students and none of the parents are planning to sue us. We've just got to sit back and look at the incident calmly. We're not following every single development in the court case." 「この事件のニュースは、恐ろしいほどの衝撃でした。私はその講師を知りませんでした。もし私が彼のしていたことを知っていれば、私はそれを止めさせたでしょう。彼が逮捕される前日になってようやく、私たちは何が起こっていたのかを知りました」と、この学校の教頭は週刊ポストに語る。 「現在の生徒の中には被害者は居らず、親御さんのうちで私たちを訴えるつもりの人はいない、と私たちは聞いています。私たちはただ腰を落ち着けて、この事件を静かに見守るのみです。私たちは裁判における進捗をいちいち把握してはいません」 19 Psychological counselor Yasuyoshi Takadaira, meanwhile, argues that Hagiwara's alleged victims have been subjected to potentially irreparable damage. 一方、心理カウンセラー・高平康義は、萩原による被害者とされる人たちは取り返しのつかないダメージを受けた可能性がある、と論ずる。 20 "Sexual experiences for women in their teens determine how they view men, love and sometimes life itself for the rest of their lives. To have been forced into a relationship that they could not easily repel causes deep scars that can later manifest themselves in the form of a nervous breakdown or other psychosis," the shrink tells Shukan Post. "Talking about what they went through can also be extremely painful and is not something that can be achieved easily." (By Ryann Connell) 「ティーンエイジにおける女性の性的経験は、彼女たちの男性観や愛情観を決め、時には彼女たちの残りの人生にわたって人生観すら決めます。彼女たちが簡単には跳ね除けられないような関係を強要されると、深い傷ができて、それは後に神経衰弱や他の精神疾患の形で姿を現す可能性があります」と、この心理学者は週刊ポストに語る。 「彼女たちが体験したことについて話すことは、極度に苦しいことにもなりうるし、簡単にできるようなことではありません」(ライアン・コネル記) 参考資料 萩原吉人 http //kumaniki.blog76.fc2.com/blog-entry-317.html 高平康義 http //www16.ocn.ne.jp/~alpha-f/sub6.html 拡散状況 CRNジャパン(日本の子供の人権ネットワーク) http //www.crnjapan.com/abuse/aarticles/2007/en/20071129-sex_improves_music_kofu.html Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080108 SeekJapan http //www.seekjapan.jp/news/other/2008-01-09 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/01/ 英語サイト ｈｔｔｐ //www.alafista.com/2008/01/10/instructo-arrested-for-getting-schoolgirls-to-blow/(*2) http //www.docudharma.com/diary/3690 http //www.gaijinpot.com/bb/showpost.php?p=562195 関連ページ CRNジャパン(日本の子供の人権ネットワーク) Japanese Style Noodles SeekJapan WaiWai Archive WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：D WaiWaiの記事を転載した英語サイト：G 優先的に翻訳すべき記事リスト 毎日新聞英語版から配信された記事2008年

• オペラ対訳プロジェクト - Saint-Saëns,Camille/Henry VIII/III

  https://w.atwiki.jp/oper/pages/3445.html

  ACTE TROISIÈME (La salle du Parlement où a lieu le jugement de la Reine) ▼Scène I▲ (Henry, Don Gomez, Catherine, Lady Clarence, Garter, Cranmer, puis Campeggio, Juges, Gentilshommes, Huissiers La salle immense avec son public d assistants. Fanfares au dehors, puis marche sur laquelle est introduit le cortège. Le Roi est conduit à son trône occupant la gauche; puis la Reine est amenée sur un trône situé vis-à-vis et Gomez s assied à ses pieds. Les juges entrent les derniers et prennent place) ▼GARTER▲ Le synode est ouvert. À tous Dieu fasse droit! ▼L ARCHEVÊQUE DE CANTERBURY▲ (solennellement) Toi qui veilles sur l Angleterre, Dieu puissant, dicte-nous ta loi. Toi qu entoure un triple mystère, À tes enfants révèle-toi! Toi qui veilles sur l Angleterre, Garde la patrie et le roi! ▼GARTER▲ Henry, roi d Angleterre, avancez devant nous. ▼L HUISSIER▲ (répétant) Henry, roi d Angleterre, avancez devant nous. ▼HENRY▲ Présent. ▼GARTER▲ Et vous, ô reine, avancez devant nous. ▼L HUISSIER▲ (répétant) Ô reine Catherine, avancez devant nous. ▼CATHERINE▲ Mon maître et mon seigneur, je me soumets à vous. ▼HENRY▲ (se levant) Vous tous qui m écoutez, gens d Église et de loi, En ce jour solennel, votre seigneur et roi, Demande à voir briser, comme à sa foi contraire, L hymen qui lui donna la veuve de son frère. Sur le saint Lévitique appuyant son désir, Il soumet cette cause à votre bon plaisir, Et la confie aussi à votre conscience, Priant Dieu qu il l éclaire en sa toute-puissance! ▼GARTER▲ Maintenant, la parole est à dame la reine. ▼CATHERINE▲ (descendant de son trône et s adressant au roi) À ta bonté souveraine, Seule, dans cet instant, je m adresse, ô mon roi! Prends pitié de la pauvre femme Qui t a donné toute son âme, Et toujours t a gardé sa foi! Car je ne suis qu une étrangère Qui t aborde d un ton soumis, Et qui, dans cette cour légère, Toi la quittant, n a plus d amis! N ai-je donc pas été l épouse, Loyale et pure en sa maison, Et jamais ton âme jalouse M atteignit-elle d un soupçon? Henry, c est ta femme fidèle Qui vient supplier son seigneur De se souvenir encor d elle, Et de ne pas briser son cœur! ▼CHŒUR DES ASSISTANTS▲ (très bas) Ah! pauvre femme et pauvre reine! Comment ne pas compatir à sa peine? (Signes d impatience du roi) ▼CATHERINE▲ Sire Henry, le roi votre père Était un roi juste et clément, Et du mien vous avez, j espère, Gardé le même sentiment. En unissant nos mains, sans doute, Ils ont bien fait ce qu ils ont fait. Le pape a béni notre route Qui longtemps fut douce, en effet. Donc aujourd hui c est votre femme Qui vous somme, dans ce saint lieu, De respecter, suivant votre âme, Votre père, le pape et Dieu! ▼CHŒUR DES ASSISTANTS▲ (murmures) Ah! pauvre femme! ah! pauvre reine! Comment ne pas compatir à sa peine? Pour elle nous implorons Dieu. (Signes de mécontentement du roi) ▼CATHERINE▲ (se tournant vers ses juges) Et vous, messieurs, que le roi fit mes juges, Si la pitié règne en vos cœurs, Que ma douleur trouve en vous des refuges! Épargnez-moi, voyez mes pleurs! Peu m importent le diadème Et les tristes faveurs du sort. Mais rendez-moi l époux que j aime, Et dont l adieu serait ma mort! (Elle sanglote) ▼CHŒUR DES ASSISTANTS▲ (plus fort) Ah! pauvre femme et pauvre reine! Comment ne pas compatir à sa peine? Quoi! d une si longue amitié, Le roi n a-t-il donc pas pitié?! ▼HENRY▲ (se levant furieux et promenant sur les juges et sur l assistance des regard menaçants) Il suffit. ▼CATHERINE▲ (avec un geste de désespoir) Ah! je suis perdue! (Elle va s asseoir avec découragement.) ▼GARTER▲ Messieurs, la cause est entendue, À moins qu un défenseur, sans nous en prévenir, Ait projeté d intervenir. ▼DON GOMEZ▲ (se levant) Je serais celui-là que vous n attendiez guère. La reine est espagnole et je suis son sujet. Au nom de mon pays, votre allié naguère, Je proteste en ce jour contre un pareil projet, Entre peuples amis pouvant causer la guerre. ▼UN GROUPE DE SEIGNEURS▲ Qui donc nous ose menacer? ▼UN AUTRE▲ (se retournant vers le roi) C est au roi de punir qui nous vient offenser! (Murmures de la foule.) ▼HENRY▲ (froidement et avec hauteur) Monsieur l ambassadeur, si j ai compris la chose, Pour peser sur l arrêt vous comptiez sur l effroi. Mais tout mon peuple, je suppose, Pense en cela comme son roi. Les fils de la noble Angleterre, Sachant combattre et se venger, N ont pas coutume de se taire, Pour laisser parler l étranger! ▼LE CHŒUR▲ Vivat! vivat! Les fils de la noble Angleterre, N ont pas coutume de se taire, Pour laisser parler l étranger! (Les juges commencent à délibérer. Curiosité inquiète des assistants.) ▼CHŒUR DES ASSISTANTS▲ Certes, nous aimons notre reine; Mais nous ne saurions supporter Qu un étranger vienne insulter De notre roi la grandeur souveraine. Que le ciel dicte donc l arrêt. À l accepter, chacun de nous est prêt! ▼UN OFFICIER▲ La Cour va prononcer. ▼L ARCHEVÊQUE▲ Sire! Illustre assistance! En vertu des pouvoirs à nous par Dieu donnés, Déclarons par notre sentence Nul et contraire aux lois l hymen à nous soumis. ▼CATHERINE▲ Dieu! Voilà quel forfait ta justice a permis. Soit. Mais avant de fuir ce tribunal infâme Où je cherchais des juges et ne vois qu ennemis Devant tous je proclame mon trône vainement contesté, Je proteste du fond de l âme et j en appelle à la postérité. ▼UN OFFICIER▲ (annonçant) Sire, le Légat du Saint-Père. (Entrée du Légat suivi des cardinaux qui se rangent derrière lui) ▼LE LÉGAT▲ (tirant de sa robe la bulle du pape) Au nom de Clément sept, pontife souverain, Délibérant en paix et que nul ne contraint, Je viens ratifier, par la présente bulle, Ton premier mariage, Henry huit, et j annule Toute décision contraire. ▼HENRY▲ Par ma foi! C est fort bien! mes sujets vous répondront pour moi. Qu on fasse entrer le peuple! (Les portes sont ouvertes et l enceinte s emplit d une foule nombreuse) Enfants de l Angleterre, Libres fils d une terre libre, Vous plaît-il de recevoir des lois de l étranger? ▼LE PEUPLE▲ Non! non! jamais! ▼HENRY▲ Vous convient-il qu un homme, Dont le vrai pouvoir est à Rome, Sur mon trône m ose outrager? ▼LE PEUPLE▲ Non! non! jamais! ▼HENRY▲ Si contre la puissance Du Pape-roi las de l obéissance, Je me lève? ▼LE PEUPLE▲ Nous te suivrons! ▼HENRY▲ Si dans le sein d une Église nouvelle, Je vous appelle? ▼LE PEUPLE▲ Nous irons! ▼HENRY▲ S il faut un chef pour y guider les âmes, Choisirez-vous, vous, vos fils et vos femmes, Votre roi? ▼LE PEUPLE▲ Nous te le jurons! ▼HENRY▲ Écoutez! Henry huit se proclame à la terre Chef de l Église d Angleterre, Et pour sa femme il prend dame Anne Boleyn, Marquise de Pembroke! (La reine pousse un cri et tombe à demi évanouie; on l entraîne.) ▼LE LÉGAT▲ Au nom du Dieu que l on renie, Henry huit, je t excommunie! (Le Légat sort) ▼LE PEUPLE▲ Vive le roi! Vivat! ▼CHŒUR▲ Gloire au chef de l État! Gloire au chef de l Église, Henry huit dont le nom désormais symbolise Deux pouvoirs réunis dans une même main. Que Dieu bénisse son hymen! ▼HENRY ET LE CHŒUR▲ C en est donc fait, il a brisé ta chaîne! Ô peuple épris de liberté! Trop longtemps dompté Par Rome souveraine, Ton âme sereine Reprend sa fierté! (Cris de Vive le roi! Des drapeaux s agitent dans la foule. Enthousiasme général) ACTE TROISIÈME (La salle du Parlement où a lieu le jugement de la Reine) Scène I (Henry, Don Gomez, Catherine, Lady Clarence, Garter, Cranmer, puis Campeggio, Juges, Gentilshommes, Huissiers La salle immense avec son public d assistants. Fanfares au dehors, puis marche sur laquelle est introduit le cortège. Le Roi est conduit à son trône occupant la gauche; puis la Reine est amenée sur un trône situé vis-à-vis et Gomez s assied à ses pieds. Les juges entrent les derniers et prennent place) GARTER Le synode est ouvert. À tous Dieu fasse droit! L ARCHEVÊQUE DE CANTERBURY (solennellement) Toi qui veilles sur l Angleterre, Dieu puissant, dicte-nous ta loi. Toi qu entoure un triple mystère, À tes enfants révèle-toi! Toi qui veilles sur l Angleterre, Garde la patrie et le roi! GARTER Henry, roi d Angleterre, avancez devant nous. L HUISSIER (répétant) Henry, roi d Angleterre, avancez devant nous. HENRY Présent. GARTER Et vous, ô reine, avancez devant nous. L HUISSIER (répétant) Ô reine Catherine, avancez devant nous. CATHERINE Mon maître et mon seigneur, je me soumets à vous. HENRY (se levant) Vous tous qui m écoutez, gens d Église et de loi, En ce jour solennel, votre seigneur et roi, Demande à voir briser, comme à sa foi contraire, L hymen qui lui donna la veuve de son frère. Sur le saint Lévitique appuyant son désir, Il soumet cette cause à votre bon plaisir, Et la confie aussi à votre conscience, Priant Dieu qu il l éclaire en sa toute-puissance! GARTER Maintenant, la parole est à dame la reine. CATHERINE (descendant de son trône et s adressant au roi) À ta bonté souveraine, Seule, dans cet instant, je m adresse, ô mon roi! Prends pitié de la pauvre femme Qui t a donné toute son âme, Et toujours t a gardé sa foi! Car je ne suis qu une étrangère Qui t aborde d un ton soumis, Et qui, dans cette cour légère, Toi la quittant, n a plus d amis! N ai-je donc pas été l épouse, Loyale et pure en sa maison, Et jamais ton âme jalouse M atteignit-elle d un soupçon? Henry, c est ta femme fidèle Qui vient supplier son seigneur De se souvenir encor d elle, Et de ne pas briser son cœur! CHŒUR DES ASSISTANTS (très bas) Ah! pauvre femme et pauvre reine! Comment ne pas compatir à sa peine? (Signes d impatience du roi) CATHERINE Sire Henry, le roi votre père Était un roi juste et clément, Et du mien vous avez, j espère, Gardé le même sentiment. En unissant nos mains, sans doute, Ils ont bien fait ce qu ils ont fait. Le pape a béni notre route Qui longtemps fut douce, en effet. Donc aujourd hui c est votre femme Qui vous somme, dans ce saint lieu, De respecter, suivant votre âme, Votre père, le pape et Dieu! CHŒUR DES ASSISTANTS (murmures) Ah! pauvre femme! ah! pauvre reine! Comment ne pas compatir à sa peine? Pour elle nous implorons Dieu. (Signes de mécontentement du roi) CATHERINE (se tournant vers ses juges) Et vous, messieurs, que le roi fit mes juges, Si la pitié règne en vos cœurs, Que ma douleur trouve en vous des refuges! Épargnez-moi, voyez mes pleurs! Peu m importent le diadème Et les tristes faveurs du sort. Mais rendez-moi l époux que j aime, Et dont l adieu serait ma mort! (Elle sanglote) CHŒUR DES ASSISTANTS (plus fort) Ah! pauvre femme et pauvre reine! Comment ne pas compatir à sa peine? Quoi! d une si longue amitié, Le roi n a-t-il donc pas pitié?! HENRY (se levant furieux et promenant sur les juges et sur l assistance des regard menaçants) Il suffit. CATHERINE (avec un geste de désespoir) Ah! je suis perdue! (Elle va s asseoir avec découragement.) GARTER Messieurs, la cause est entendue, À moins qu un défenseur, sans nous en prévenir, Ait projeté d intervenir. DON GOMEZ (se levant) Je serais celui-là que vous n attendiez guère. La reine est espagnole et je suis son sujet. Au nom de mon pays, votre allié naguère, Je proteste en ce jour contre un pareil projet, Entre peuples amis pouvant causer la guerre. UN GROUPE DE SEIGNEURS Qui donc nous ose menacer? UN AUTRE (se retournant vers le roi) C est au roi de punir qui nous vient offenser! (Murmures de la foule.) HENRY (froidement et avec hauteur) Monsieur l ambassadeur, si j ai compris la chose, Pour peser sur l arrêt vous comptiez sur l effroi. Mais tout mon peuple, je suppose, Pense en cela comme son roi. Les fils de la noble Angleterre, Sachant combattre et se venger, N ont pas coutume de se taire, Pour laisser parler l étranger! LE CHŒUR Vivat! vivat! Les fils de la noble Angleterre, N ont pas coutume de se taire, Pour laisser parler l étranger! (Les juges commencent à délibérer. Curiosité inquiète des assistants.) CHŒUR DES ASSISTANTS Certes, nous aimons notre reine; Mais nous ne saurions supporter Qu un étranger vienne insulter De notre roi la grandeur souveraine. Que le ciel dicte donc l arrêt. À l accepter, chacun de nous est prêt! UN OFFICIER La Cour va prononcer. L ARCHEVÊQUE Sire! Illustre assistance! En vertu des pouvoirs à nous par Dieu donnés, Déclarons par notre sentence Nul et contraire aux lois l hymen à nous soumis. CATHERINE Dieu! Voilà quel forfait ta justice a permis. Soit. Mais avant de fuir ce tribunal infâme Où je cherchais des juges et ne vois qu ennemis Devant tous je proclame mon trône vainement contesté, Je proteste du fond de l âme et j en appelle à la postérité. UN OFFICIER (annonçant) Sire, le Légat du Saint-Père. (Entrée du Légat suivi des cardinaux qui se rangent derrière lui) LE LÉGAT (tirant de sa robe la bulle du pape) Au nom de Clément sept, pontife souverain, Délibérant en paix et que nul ne contraint, Je viens ratifier, par la présente bulle, Ton premier mariage, Henry huit, et j annule Toute décision contraire. HENRY Par ma foi! C est fort bien! mes sujets vous répondront pour moi. Qu on fasse entrer le peuple! (Les portes sont ouvertes et l enceinte s emplit d une foule nombreuse) Enfants de l Angleterre, Libres fils d une terre libre, Vous plaît-il de recevoir des lois de l étranger? LE PEUPLE Non! non! jamais! HENRY Vous convient-il qu un homme, Dont le vrai pouvoir est à Rome, Sur mon trône m ose outrager? LE PEUPLE Non! non! jamais! HENRY Si contre la puissance Du Pape-roi las de l obéissance, Je me lève? LE PEUPLE Nous te suivrons! HENRY Si dans le sein d une Église nouvelle, Je vous appelle? LE PEUPLE Nous irons! HENRY S il faut un chef pour y guider les âmes, Choisirez-vous, vous, vos fils et vos femmes, Votre roi? LE PEUPLE Nous te le jurons! HENRY Écoutez! Henry huit se proclame à la terre Chef de l Église d Angleterre, Et pour sa femme il prend dame Anne Boleyn, Marquise de Pembroke! (La reine pousse un cri et tombe à demi évanouie; on l entraîne.) LE LÉGAT Au nom du Dieu que l on renie, Henry huit, je t excommunie! (Le Légat sort) LE PEUPLE Vive le roi! Vivat! CHŒUR Gloire au chef de l État! Gloire au chef de l Église, Henry huit dont le nom désormais symbolise Deux pouvoirs réunis dans une même main. Que Dieu bénisse son hymen! HENRY ET LE CHŒUR C en est donc fait, il a brisé ta chaîne! Ô peuple épris de liberté! Trop longtemps dompté Par Rome souveraine, Ton âme sereine Reprend sa fierté! (Cris deVive le roi! Des drapeaux s agitent dans la foule. Enthousiasme général) Saint-Saëns,Camille/Henry VIII/IV

• aesthetica @ wiki - Charles-Nicolas Cochin

  https://w.atwiki.jp/aesthetica/pages/30.html

  Charles-Nicolas Cochin, 1715- 1790 版画家、デッサン家、美術批評家。 secrétaire de l Académie de 1755 à 1771 1755年から1771年までアカデミーの書記官を務める Charles-Nicolas Cochin, , Paris, , 1755, p. 71. [1753] Lettre à un amateur en réponse aux critiques qui ont paru sur l exposition des tableaux [1755] Observations sur les antiquités d’Herculanum, avec quelques réflexions sur la peinture et la sculpture des anciens, et une courte description de plusieurs antiquités des environs de Naples, par MM. Cochin etBellicard, Paris, Ch.-A. Jombert. [1757] «Réflexions sur la critique des ouvrages exposés au Salon du Louvre» (Mercure de France, octobre 1757). [1758] Voyage d Italie [1763] Les Misotechnites aux Enfers, ou Examen des «Observations sur les arts» par une société d amateurs [1769] Réponse de M. Jérôme [1777] Discours, prononcé a la séance publique de l académie des sciences belles-lettres et arts de rouen en 1777 [****] Lettres à un jeune artiste peintre, pensionné de l Académie royale de France à Rome [****] Lettre de M. Cochin aux auteurs de la "Gazette littéraire" +詳細な書誌情報 Lettre à un amateur en réponse aux critiques qui ont paru sur l exposition des tableaux, [sl l.], [1753] (collection Deloynes, no. 61). «Réflexions sur la critique des ouvrages exposés au Salon du Louvre» (Mercure de France, octobre 1757). Voyage d Italie, ou Recueil de notes sur les ouvrages de peinture de sculpture, qu on voit dans les principales villes d Italie, 3t., Paris, chez Ch. Ant. Jombert, imprimeur-libraire du Roi, pour l artillerie le génie, rue Dauphine, 1758. [Gallica] Les Misotechnites aux Enfers, ou Examen des «Observations sur les arts» par une société d amateurs, Amsterdam, 1763. Réponse de M. Jérôme, râpeur de tabac, à M. Raphaël, peintre de l Académie de S. Luc, entrepreneur général des enseignes de... Paris, Paris, Jombert fils, 1769. [Gallica] Discours, (Second et troisième discours, sur l enseignement des beaux arts) prononcés à la séance publique de l Académie des science, belles-lettres et arts de Rouen en 1777 ... (Paris, impr. de L. Cellot, 1779). Lettres à un jeune artiste peintre, pensionné de l Académie royale de France à Rome, S.l.n.d. [Gallica] Lettre de M. Cochin aux auteurs de la "Gazette littéraire" (sur la vie et les ouvrages de René-Michel Slodz, sculpteur). Recuil de quelques pièces concernant les arts ; Discours sur la connaissance des arts foundés sur le dessin et particulièrement de la peinture ; Discours prononcé a la séance publique de l académie des sciences belles-lettres et arts de rouen, Paris, 1757-1771, 1759 et 1779 (rep. Genève Minkoff Reprint). [1753] Lettre à un amateur en réponse aux critiques qui ont paru sur l exposition des tableaux, p. 8. On peut dire à sa louange qu il [Boucher] n est l imitateur de personne; [...]. Les beautés qu on admire dans ses Tableaux sont neuves, il ne les doit qu à lui même, à cet heureux génie qui forme des hommes capables de voler de leurs propres ailes. cité par Démoris [2008] 130. ブーシェを賞賛する批評家のひとりとして言及される。 ********************

• C21ギルド　打ち上げ団 - トップページ/コメントログ

  https://w.atwiki.jp/utiagedan/pages/121.html

  トップページのコメントログです。 ウィ～ッス -- サトシＳＰ (2008-06-23 19 24 58) ↑きましたな～～ｗｗ -- Ω α やっと見つけた～～～～！！！！！！ -- 卍大和卍 (2008-06-23 20 29 41) ｗｗｗｗｗｗ -- Ω＆α (2008-06-23 21 41 56) 確認!、だそうですｗｗ -- サトシＳＰ (2008-06-23 21 42 42) やっと見つかった＾＾；確認したぜ！ -- H.K. (2008-06-23 21 47 47) 自己紹介ﾔﾘﾏｽﾀ -- サトシＳＰ (2008-06-23 22 21 35) 意味とか書いてみよっかなぁーｗｗ -- H.K. (2008-06-24 00 26 39) ちゃ＾＾ 見に来ましたｗ 名前で誰だか分りますよね？ これからも更新がんばって（・∀・）ノ” -- ＮＮ (2008-06-24 01 04 07) マスター、会議する日は、時間と場所を書いといてくださいね。 -- サトシＳＰ (2008-06-24 20 27 09) 張りましたか～？ -- サトシＳＰ (2008-06-24 21 29 29) お～ 背景が変わってる～ -- 名無しさん (2008-06-24 22 49 34) H.KｓにURL教えてもらってきましたぁ～ もう寝ますｗ　ﾉｼ -- 死神貴族 (2008-06-24 23 13 38) したらば閲覧してここに来ましたｗ ギルド立ち上げｵﾒﾃﾞﾄｳｺﾞｻﾞｲﾏｽ(遅 -- 火之(略) (2008-06-25 12 08 49) がおがおー -- へれっくす (2008-06-25 19 03 24) タ・ノ・シ・ミ・ダ -- サトシＳＰ (2008-06-25 21 38 43) 自己紹介かいときますた～～＾＾ -- メカマスター (2008-06-26 18 47 06) やっと自己紹介ページ完成ｗ なんか・・・でかいギルドになりそうだｗｗ -- 司馬くん (2008-06-28 04 04 30) ついに第二部隊かぁ～～ もっと大きくなるのかな？ -- メカマスター (2008-06-28 09 18 49) 画像やっと貼れた＞＜　 嬉しーーーーーー -- H.K. (2008-06-29 00 32 42) 一番上のは謀反対策ですか？ｗ -- 司馬くん (2008-07-01 01 57 41) あ～あ～塾やだな～～ でもあと３週間で夏休みだ～～～～（ｃ21やり放題～＾＾） -- メカマスター (2008-07-01 18 45 39) あれ・・・ 俺がいない間に・・・ -- 卍大和卍 (2008-07-04 17 23 06) うーっす勝手に抜けてごめんなさいまたあとで会った時はギルドに入れてくださいね待ってまーす -- フランチェンＺ (2008-07-05 01 11 16) 新入りです～ よろしくお願いします～ -- yuuki12 (2008-07-05 15 19 50) お！yuuki12やっとか　すまねぇみんな定期テストだったから ＩＮできなかった＞＜　すまん！＞人＜ -- H.K. (2008-07-05 19 50 54) え～・・・団員の皆さんへ連絡ｗ 自らのページを編集願いたしｗｗ ヘルプもちゃんとあるので見ながら・・・ 一言自己紹介で良いからｗ よろしくお願いします。 -- 司馬くん (2008-07-06 17 43 05) お～また沢山入ってきた＾＾ -- メカマスター (2008-07-06 19 22 41) 広報部より御報告です。 神田、、、さんが退団されたのでページの削除を行わせて頂きました。 理由につきましては不明ですｗ 以上、広報部でした。 -- 司馬くん (2008-07-07 18 21 22) 　アァァァァァァ・・・・１９日林間だぁ・・・　　ﾀﾞﾙｲ　　　 -- サトシＳＰ (2008-07-07 18 57 18) 今日から、副総長日記かくぜ。みんなみてくれよ！ -- H.K. (2008-07-07 20 18 14) 副総長日記書きました。メンバー紹介のH.K.に書いてあります。 -- H.K. (2008-07-08 00 24 55) イベントの時間にうまい具合にいないおれ・・・・・ -- メカマスター (2008-07-08 19 08 56) Ω～楽しそうなギルドだね～。 来年になったら入るかも～ｗ んじゃまたゲームで～ 昨日はあり～♪んじゃﾊﾞｲﾁｬ＆ﾉｼ＆乙＆ｲｴｰｲ -- ゴッドフェニックス (2008-07-09 12 13 46) すいません。絵とか写真てどうやってのせるんですか？ -- 会話遅い人 (2008-07-09 16 28 34) 続き↑ 教えてくれる人はおれんとこにかいてください。 よろしくお願いします。 (_ _) -- 会話遅い人 (2008-07-09 16 30 11) 掲示板とか作ってほしいーなぁｗ -- H.K. (2008-07-09 23 06 59) ↑作りましょうか？ｗ ただのコメント欄だけのページだけど・・・ -- 司馬くん (2008-07-11 19 28 03) はいったんでよろしくです -- ｊｊ (2008-07-12 17 44 10) 今日はイベント真もカオスもでれないんでごめんね〜( 人 ) -- Ω＆α (2008-07-12 17 48 51) あの親呪ってやる |大|－中（－＿－　）トントン -- ζ真ζ (2008-07-13 00 58 10) 演習場警備おもろかったぜよｗ　あやまってくれるひともいるんですねぇ・・ぜよ -- サトシＳＰ (2008-07-14 21 53 12) 警備って＾＾； -- ζ真ζ (2008-07-19 18 55 56) 最近INしなくてごめんでも再来週ぐらいにはINしますね -- jj (2008-07-24 21 25 51) jjさんゴメ＞＜あまりにもＩＮしていなかったのではじいちゃった また入りたい場合はここにかいといて -- H.K. (2008-07-25 16 01 19) 新入りです。これから打ち上げ団の活性化に貢献したいと思っていますので みなさま今後ともFJTをよろしくお願いします。 -- FJT (2008-07-25 17 44 02) どうも新人のマンタです今後よりしくお願いします。 -- マンタ (2008-07-29 16 03 25) ↑の言葉まちがえましたどうも失礼しました。よろしくをよりしくにしてしまいました。・・・ -- マンタ (2008-07-29 16 07 21) 最近本当に荒らしが多いので・・・IPアドレス特定でもしようかと思っておりますｗ フリーソフトでいいものはないかな・・・ 荒らししている人ｗ警告しときます。 まあ、IP特定はなくても措置は取りたいと思いますｗ以上、広報部でした。 -- 司馬くん (2008-07-30 02 17 38) 俺のやつにまたムービー変えたけどやめときゃよかったと思ってる （あのムービーはやばい） -- ζ真ζ (2008-07-30 02 22 59) IPアドレスの特定方法を見つけました。 荒らしを行った場合はIPの記録をさせていただきます。 以上、広報部でしたｗ -- 司馬くん (2008-07-31 11 14 08) ↑の広報「部」が抜けてるよｗ 荒らしをしたら個人情報見られるってこと？ -- 卍大和卍 (2008-07-31 12 47 02) あｗｗぬけたｗｗ ・・・おしｗ修正したｗｗ え～とね 個人情報見る気はないけど（一応見れる）しつこいと訴えますよ？ってことｗログインするとIPは特定できないけど代わりにIDがわかるｗ本人特定→追放の可能性もｗまあ今のところ内部の犯行はないようなので・・・ｗｗ -- 司馬くん (2008-07-31 13 28 31) あんまり分からないが・・・・ その辺りは司馬さんに任せる！ 俺なりの仕事は無いものか・・・ -- 卍大和卍 (2008-07-31 16 02 23) ↑に書くの忘れてた・・・編集で変えるのも考えたが・・・ トップページでみんなが見るので変になると大変なので・・・ 総大将、もし交渉部を作るなら、オレに任せてほしいと願う！ -- 卍大和卍 (2008-07-31 16 05 40) H.Kさんすいません・・・・ 演習場で落ちた後・・・・・ 停電でＣ２１が起動できませんでした・・・・ マリオ類ー字さんとの話は総大将に報告できましたか？ (ああいうことをするのが交渉部です) -- 卍大和卍 (2008-07-31 20 17 22) 【ログインする曜日】 週に５回 【ログインする時間帯】夜7：00～夜9：00 【ゲームで好きな場所】 演習場　遺跡 【よく使う機体】 ラノード　ポークビッツ 【呼ばれたいニックネーム】 マリオさん 【紹介文】 １等兵です。皆さんよろしくお願いいたします -- マリオ類ー字 (2008-08-01 15 59 40) なぜ、マリオ類ー字さんの紹介が・・・ -- 卍大和卍 (2008-08-01 17 53 43) 動画入れたのでどなたでも気軽に見に来てね -- フランチェンＺ (2008-08-02 01 09 10) 見終えたら書けたら感想を見せてくださいあと第２話入りました -- フランチェンＺ (2008-08-02 01 13 02) とにかく、使えそうな画像をUPしときました。 自由にお使いください（*^_^*） -- reonn8 (2008-08-02 14 06 47) クルーエルブレイドの相場がわかりませんｗしってたら教えてくださいｗ安かったらがっかりです。＾＾；； -- マンタ (2008-08-02 15 21 39) 雑談は全て掲示板へ・・・ｗｗ -- 司馬くん (2008-08-02 16 46 07) wikiパスﾜｽﾚﾏｼﾀ・・・　　　ﾎﾞｸﾀﾞｯﾃ爆師ﾅﾝﾀﾞｲ! -- サトシＳＰ (2008-08-03 21 50 08) ↑登録した時の自動配信メールに書いてあるはずだよｗ -- 司馬くん (2008-08-03 21 52 08) 芸人のじんないとものりの動画のせました面白いので見に来てね -- フランチェンＺ (2008-08-03 22 22 04) object width="425" height="344" param name="movie" value="http //www.youtube.com/v/kwXXtS-I59Q hl=ja fs=1 quot; /param param name="allowFullScreen" -- フランチェンＺ (2008-08-03 23 05 44) ドナルド系ですめちゃおもろーです -- 名無しさん (2008-08-03 23 06 18) オレのページに知りたい戦争・戦いがあるなら 大和のページに書いといてください -- 卍大和卍 (2008-08-03 23 13 59) 私のヘリンガルは爆工房と闇工房、ベルソン重工が協力して作った八工房破壊人形なのだ！ -- サトシＳＰ (2008-08-08 13 13 56) だれかＵＲＬおしえて～～～ -- サトシＳＰ (2008-08-08 17 41 23) 登録した時のメールにパスワード載ってるからｗｗ -- 司馬くん (2008-08-08 17 44 14) あぁ～よかったぁ～ｗｗ 今日参加できなくて終わったのかとおもったぁ～ もしやで、面白くないかも＾＾； -- ζ真ζ (2008-08-08 23 14 55) ゼロファイターって輪工房っぽくない？ -- ζ真ζ (2008-08-08 23 58 14) 注意事項の整理を簡単にしておきましたｗ なんか意見あればくだされｗ -- 司馬くん (2008-08-10 15 45 08) 昨日は暴言などをいって申し訳ございません。 ついカットなってしまいあんな暴言をいってしましました。 本当に申し訳ございません。 ぼくをまたギルドにいれてくれるならありがたいです。 本当に申し訳ございません -- マリオ類ー字 (2008-08-10 18 31 03) ↑ マリオさんのIDによる荒らしなども確認されているのでもう一度入れるのは危険かと・・・ -- 司馬くん (2008-08-11 12 01 25) イベントについてですが。 ゲルニアのカンビ遺跡やりたいですｗｗ -- ★たかし★ (2008-08-11 12 07 58) ホバリオンをくれた＊＊＊０に感謝・・ -- サトシＳＰ (2008-08-11 16 05 14) 荒らしあったんですか・・・ じゃあねぇ -- ロボッター２ (2008-08-11 21 09 37) ギルド抜けます。 理由は考えてください。 司馬さんフレ登録おね。 ディメ２のポルドシティのガレ↑でまってます。 -- ★たかし★ (2008-08-11 21 18 17) 司馬さん。 今日は無理だったので。 明日おね＾＾ インしたら大和さんに連絡してください。 -- ★たかし★ (2008-08-11 22 03 06) 考えろと言われてもｗｗ まさか無視されたとかくだらないことだったりしてｗｗｗｗｗｗｗｗｗｗｗｗ -- 卍大和卍 (2008-08-11 22 15 28) ↑↑↑～↑↑ ありゃ・・・ごめん・・・今気づいた・・・ え～と・・・どうしよ＾＾；； -- 司馬くん (2008-08-11 23 23 41) 金曜日のイベントに、ベネブの遺跡に行くのを 希望します。 -- クロコダイル (2008-08-11 23 42 24) ＞たかしｓ 急に抜けたのは、ｼｮｯｸでしたOTL 理由を考えてと言われたって・・・ 問題が書いていなく、解答欄しかないテストのようなものだ -- 豊 (2008-08-12 22 03 54) ずぅーっと前にH.K.さんにHPを教えてもらってきた者ですが H.K.殿にボタンゴLGを誕生日だから貸してといわれて貸したら、 いつのまにかフレが削除されたりたまにTell送ってもログイン してなかったり･･･H.K.さーん！c21やってますかーっ！ -- 死神貴族 (2008-08-13 09 54 25) 気づいた時間が ２３：４１ってｗｗｗｗｗ 深夜前だｗｗｗ -- 卍大和卍 (2008-08-13 16 17 50) みなさんにお知らせがあります。 今日から一週間の間は田舎に行くのでＩＮできません。 なのでその間はＩＮできないのを知らせしました。 -- クロコダイル (2008-08-13 16 53 19) 抜けた理由はいい人があまりいなかったからです。 無視されたとかそんなくだらないことで抜けません。 -- ★たかし★ (2008-08-13 19 05 24) こんにちわ新人ですここは楽しいギルドでよかったです。これからもよろしくです。＾＾ -- 蟹かに (2008-08-14 11 19 35) 、 -- ↑こーきX (2008-08-14 11 20 24) 急ですが抜けます。すみませんm(__)m -- 豊 (2008-08-14 16 43 15) だれか誕生日いわってくれよね～(・ω・;) -- サトシＳＰ (2008-08-15 13 43 00) おめでとう！！ (／ロ゜)／【祝】＼(゜ロ＼) -- ★たかし★ (2008-08-15 18 36 47) ↑今日じゃないおｗ -- ｻﾄｼSP (2008-08-15 23 17 36) フランチェンＺさんがギルドを抜けたので削除してください 「ペペンの国を作る」だとか -- 卍大和卍 (2008-08-16 22 49 50) ﾁｮｸﾁｮｸ見せてもらってﾔｽｾﾞ　アニィ -- ζ真ζ (2008-08-17 18 33 07) 一番上の告知の変な所修復ｗ これでいいかな？ 今回のPCの修理はほとんどあきらめたんでｗ 今日中には復帰しますｗ -- 司馬くん (2008-08-18 13 58 16) 打ち上げ団・弐の人に聞きますが、H.K.ｓって 最近log inしてますか？ -- 死神貴族 (2008-08-18 18 00 37) ↑なんか制限されてるけど・・・参の者ですが答えますｗｗ IN率は低いけどINはしてますねｗ一応ｗｗ -- 司馬くん (2008-08-18 21 01 46) 抜けますこれまでｱﾘｶﾞﾄ!(´▽｀)~~~-y( -д-) ､ﾍﾟｯ -- ☆まさき♪★ (2008-08-18 21 26 49) H.Kさんは、宿題が多くて来れないらしいwww -- 卍大和卍 (2008-08-19 15 05 11) 俺は宿題しながら、ゲームやってるぜ☆ｗｗｗ -- サトシＳＰ (2008-08-20 21 45 29) 今、PCの回線がぶち壊れたので ログINできませんwww -- 卍大和卍 (2008-08-22 15 18 46) なんか分からんが家も有線LAN、Wi-Fi共に故障… いま全力で復旧作業してるけど…しばらくIN出来ないかも… とりあえず携帯から報告でした。 -- 司馬くん (2008-08-22 15 48 20) ↑治りましたぁｗ INもなにも無かったか・・・ｗ -- 司馬くん (2008-08-22 17 12 41) 今、Wiiから書き込みしてますw なので卍無しww PCは修理に出してるので、まだINできないwww (追放しないように!ww) -- 大和 (2008-08-23 10 48 01) 8月26日〜一週間旅行に行って来ますw サイトの管理も多分出来ませんw って事で…携帯から報告でした〜ww -- 司馬くん (2008-08-26 00 13 25) みなさんこんにちは　FJTです 唐突ですが、司馬さん　イベントのある時間帯にIN出来ないし、 少しもお役に立てないので、このギルドからはずして下さい。 これ以上留まっていても、なにも意味がないと思うので、 ・・・お願いします -- FJT (2008-08-26 12 06 24) カオスな機体ってどんなのつくれば・・・　 （前回いけなかったし・・・参加だけでも・・ -- メカマスター (2008-08-27 04 52 59) 司馬自殺するらしい -- 元打ち上げ団 (2008-08-27 15 38 05) 風邪のたえしばらくＩＮできません！以上！ （若さゆえの過ちとはこのことか・・・・・ -- H.K. (2008-08-27 18 51 39) このギルドって変なのが多いですねｗ -- hiroyuki01 (2008-08-28 09 01 07) どうもwただいまですw 送迎バスで携帯から確認したらいろいろあったみたいで…w FJT 役に立つ立たないってことは特に無いんで…退団することは無いかと… メカマスター カオス＝混沌 なんで…ゴチャゴチャした感じ…かなww 総大将曰く「直感で決める」らしいww 元打ち上げ団 …何で？ww 帰ったらIP見てみるか…w H.K. 了解ですw hroyki01 そうですかね…w まあ…そうかもww ふ〜…携帯で打つのは疲れるねww 大体返答はこんなもんかw C21は明日ぐらいに復帰しますわw -- 司馬くん (2008-08-30 09 35 39) 一番上の画像についてなんだけど・・・ ブラウザの種類によってはメニューが下に行っちゃうみたいなんで消しても良いでしょうかね？ｗ 残したければサイズ変えて再うｐしますが・・・ｗ 載せた人答えてｗｗ -- 司馬くん (2008-08-31 12 41 52) 連投失礼w また携帯ですw なんだかIEが壊れた(？)ためサイトの保守管理が出来ません。 毎度毎度すいません… -- 司馬くん (2008-08-31 19 05 44) 完全に連投ですが・・・ｗｗ IE、サンウンドドライバともに直りました。 まだ完全復帰は先になりそうですが・・・ もうサイトの保守管理できますｗ 色々とご迷惑をおかけしました＞＜ -- 司馬くん (2008-09-02 23 48 41) おひさしぶりです しばらくできなくてすいません 色々あったのでそのへんのことは おれのとこみてください -- 会話遅い人 (2008-09-04 18 41 33) 打ち上げ団は僕が夢見ていたギルドなので入れて嬉しいです感謝でいっぱいです -- hurosutoG (2008-09-06 11 30 21) ＭＴプレゼントイベントなど作らないのですか。僕はたまにできないので僕がやってるときにそのイベントを開いてください。お願いします -- hurosutoG (2008-09-06 18 34 16) 司馬さん頼みがあります今僕は打ち上げ団なのでシャボォンのスキン考えてくれませんか。（一応シャボォン持ってます） -- hurosutoG (2008-09-06 18 37 21) ↑↑～↑ 自分の事しか考えてないだろｗｗｗ 自分がやってるときにやってほしいなら一人でやれやｗｗ あとなんでここに依頼書くの？ｗｗ -- 司馬くん (2008-09-10 21 45 04) ～・～・～連絡～・～・～ 今日のネタコンなんですが・・・C21の状況があまりにも酷いのでログインできません。ごめんなさい＞＜ -- 司馬くん (2008-09-12 21 07 04) ＰＣ直った・・・ やっとログインできるｗ -- 卍大和卍 (2008-09-17 21 51 01) おかえり～＞＜ やっと治りなさったかｗｗ -- 司馬くん (2008-09-18 12 42 49) なかなかINできね～ -- H.K. (2008-09-22 18 58 01) Ω～ このごろのc21はどうだい？ 俺はPCエラーでINできないのだ＞＜ 俺の分まで皆さん楽しんでください！ではではっ！ ﾉｼｼ -- ゴッドフェニックス (2008-09-24 16 23 32) 打ち上げ団の皆さん　おひさぁ 初めての方はお初です＾＾ 久々に見に来て見ました＾＾ 町で見かけたら声かけてちょ♪ -- ζ真ζ (2008-09-28 21 28 47) どうもです～神不死鳥殿～ エンジョイしてますよｗ -- Ω α おひさしぶりです・・・ ちょっと事情がありましてc２１のデータが消えました ですが何か悪い事をしたわけではないので心配はいりません。 なのでもう一度メンバー登録して最初からやりなおします。 なので一回抜いといて下さい(プレイできないので） 始めたらまた連絡しますのでそのときはまた入れてくれるとうれしいです なので一度抜けますが出来るだけ頑張りまた新装開店（？）で早く戻れるようがんばりますでは この名ではさよならです。 このページにまた来れる事を願います。 PSこの内容はおれのページに書いた内容です。 -- 会話遅い人 (2008-09-30 19 44 52) ９月１８日に直ったと思ったら また電源がつかなくなり再度修理ｗ 今度こそきちんと直ったはず・・・ 今日からログインしますｗ -- 卍大和卍 (2008-10-05 17 45 51) 連続ですが いない間何があったか教えてｗ サイトの内容も変わってるし、本拠地移動してるみたいだしｗ -- 卍大和卍 (2008-10-05 17 47 44) ↑えっとね～・・・ 1.第四分団解散して、第参分団が団に吸収されて、第二分団が打ち上げ族に改名。 2.本拠地がﾃﾞｨﾒ2のポルド基地NE方向の端へ移動。 3.Mtトレード廃止。（ギルド関係ないけどｗ） 4.ガンダーのパーツがCランクへ移動。（上に同じ・・・ｗ） 5.GR再販（上に同じｗ） -- 司馬くん (2008-10-05 19 16 56) Ｍｔ廃止はきついな・・・ それに８月１５日からギルド状況変わってないｗｗｗ 俺が帰ってきて何か変わるかな？ｗ -- 卍大和卍 (2008-10-05 19 52 35) メンバー表に載ってないｗ 総大将、俺のこと覚えてる？ｗ -- 卍大和卍 (2008-10-06 22 45 12) 第参分団が解散したからさｗｗ 団の方に入ったら載せますんで・・・入ったら連絡くだされｗ -- 司馬くん (2008-10-07 13 06 09) 了解ｗ -- 卍大和卍 (2008-10-07 21 48 27) ハンゲームになぜかログインができん・・・ｗ -- 卍大和卍 (2008-10-07 21 52 58) え・・・ハンゲって何ヶ月でID消去？ｗ ある程度人気あれば短いかも・・・ｗｗ -- 司馬くん (2008-10-07 22 21 55) 族のリダへ、 「族に僕を入れてくれ」 以上・・・ -- MN (2008-10-08 15 16 11) Ｃ２１のサイトがエラーしてるｗ （ハンゲームのサイトすべてｗ） -- 卍大和卍 (2008-10-08 20 02 05) 学校のパソコンでうちましたｗ -- ゾット (2008-10-09 15 33 08) ごめん ＰＣにウィルス入ったから 当分Ｃ２１出来ませんでした。 がんばってダウンロード明日します。 -- ☆たかし☆ (2008-10-10 21 16 08) ＭＮ～俺に話しかけたら入れるよ~ -- Ω α 最近ギルド行けなくてすいませんパソコンが壊れてましてやっと直りましたのでやっと遊べます。ご迷惑をお掛けしました。本当にすいません。／（－～－）_\ -- ゴットオフデスシーク (2008-10-11 22 19 31) パソコンが故障する前と比べると 打ち上げ団、だいぶ崩れてきてる・・・・ 解散にならないことを祈る・・・ -- 卍大和卍 (2008-10-12 23 01 57) たしかに相当過疎ってるな・・・ ただ総大将曰く「野良はいれない」らしいから・・・ 増える事は望めないだろうな・・・ 同じく解散しない事を祈る・・・ -- 司馬くん (2008-10-13 00 11 01) 今日会議あるの？ｗ -- 卍大和卍 (2008-10-15 18 04 51) 全然ＩＮできなくてすまん。こちらもいろいろ事情があるから勘弁してｗ -- H.K. (2008-10-18 16 45 48) 上につけたし。マジで打ち上げ団やめていいか？ 入りたいときまた再度入るからｗ -- H.K. (2008-10-18 16 53 03) 回線変えて軽くしないと 主戦力になれんぞ・・・ -- 卍大和卍 (2008-10-18 20 30 24) みんな書き込まないので、 俺の一人舞台だｗ みんな何か書き込もう～ｗ -- 卍大和卍 (2008-10-19 23 26 48) ノッポの足にＧＲ系とケンタクロス どっちがいいかな？ｗ -- 卍大和卍 (2008-10-20 22 36 01) ↑のに付け加え ノッポでなにかイイパーツ（特にＬＧ・ＢＳ・ＢＤ） はなにか無いでしょうか？ｗ 回答は大和のページへｗｗ -- 卍大和卍 (2008-10-20 22 43 17) ノッポがどうしても重量＆重量補正が× なぜだ～ｗ -- 卍大和卍 (2008-10-21 23 52 45) 俺と.愛.はyuusuが会議の時間log inできなく、 打ち上げ団に入れないことになったので 抜けます。 -- 死神貴族 (2008-10-26 11 46 12) ↑状況がよく呑み込めないんだが・・・ yuusuさんが会議に参加できないから死神さんと愛さんが退団・・・？ ごめん、もう一回説明してください・・・ -- 司馬くん (2008-10-26 15 34 10) 毎日ログインしても、ほぼ誰もいない状態なので・・・ Ａｌｔ＋Ｆ４ｗｗｗ（強制終了ｗ） -- 卍大和卍 (2008-10-31 20 42 34) わからないそうなのでもう１度言います。 yuusuと俺と.愛.の３人でギルドに入り、 yuusu一人が、会議の時間にlog inできないので、 １人抜けたため、俺と愛はこのギルドを抜けます。 ということです。　一言でいうと　yuusuがいないから抜ける。 ですね -- 死神貴族 (2008-11-01 09 13 02) ↑あぁ・・・了解しました。 リストも編集しておきます。 -- 司馬くん (2008-11-01 18 28 13) なんか・・・最近皆あんま入ってないような気が・・・ （ﾌﾚとの会話が増えた気がするし････ -- メカマスター (2008-11-03 20 34 16) 現在リアの都合によりIN出来ませぬ・・・ 全体のIN率ダウンは何が原因なのやら・・・ -- 司馬くん (2008-11-04 00 32 22) なかなかログインできないｗ -- 大和 (2008-11-07 13 30 46) inできぬ理由 1.メイプルで・・・ｗ 2.やること無い -- MN (2008-11-07 17 29 00) みなさま、ごぶさかしてます。　なんかいろいろあってINすることができませんでしたｗ（用事、ﾘﾊﾋﾞﾘなど）ｗちょいちょい顔だしますので＾＾：　追放だけはﾔﾒﾃｗｗでわｗ -- サトシSP (2008-11-07 18 04 36) ごぶさか・・・御無沙汰（ごぶさた）・・・？ なんだかんだで皆私用か・・・ｗ ま、いつかはまた活気出てくるでしょうｗｗ -- 司馬くん (2008-11-07 23 03 13) かなり上のほうで「ｲｪｰｲ」等と意味不明発言スマソ 早くｃ２１やりたいぃぃぃぃぃぃぃぃっ！(INしたらなんかいらないパーツ差し上げます。 -- ゴッド(紙⇒神　不死鳥) (2008-11-09 16 34 04) あと、このギルドの皆様への助言 えっと、僕もギルマスやっててIN率ダウンは2~3回経験してるので そこまで気にしなくてもいいです。二ヶ月～三ヶ月での 初期メンバー以外入れ替えが一番良いIN率の上げ方 なんですがねｗまあそれやるの大変なので、 気ままにやってることが一番ですよ。 あとマスターさんへ(Ωへ) メルアド教えてくれるギルメンのメルアドは全部聞いておくこと！ これはギルド運営には結構欠かせない大事なところだよ！ すぐ連絡取れるしね♪まぁ別ゲー行った方もいるようですが たまにはINしてもらった方がいいですねｗ んま俺の助言はこれくらい。あとは自分でｶﾞﾝﾊﾞｯﾃﾈ ＾＾ﾉｼ -- ↑と同人物(ゴッドフェニックス) (2008-11-09 16 41 25) へにょ～ん -- さゆり (2008-11-10 13 14 29) 今日ってなん日だっけｗ -- ＭＮ (2008-11-10 13 29 28) 流石にコメントたまり過ぎたのでコメントログ作成しました。 最近のコメント50件が表示されます。 以上、広報部でした。 -- (司馬くん) 2008-11-10 14 47 00 はははははは・・・パソコンが動かないぞ・・・　　　　・・・・また故障？ -- (大和) 2008-11-11 00 00 55 ↑え・・・動かないって・・・ 生きろ！　to大和のPC -- (司馬くん) 2008-11-11 14 44 12 あたらしいパソコン買い換えるかも・・・（故障のしすぎによるｗ） -- (大和) 2008-11-11 23 06 18 久し振りに見にきたけど人数増えましたか？ -- (ｊｊ) 2008-11-13 20 27 07 ：　　　／■＼　　　 ／　　　＼　　： ： ／ ・ ・　 ＼ -- (MN) 2008-11-17 23 05 20 PC買い替えしましたw やっとC21が出来る！！！！w -- (大和) 2008-11-29 18 28 14 ダウンロードしたのに、C21が 起動しない・・・ -- (大和) 2008-12-17 21 08 03 打ち上げに復帰してぇぇぇぇぇぇぇｗｗｗ -- (サトシSP) 2008-12-19 20 21 56 ずいぶん前に、おらのページに、 「メカメラ」ってひとが書き込みしてましたが・・・、 打ち上げ団に何か関係ある人なのですか？ ぼくは、聞いたことも、見たことも無い名前なのですが・・・ できれば答えは、MNのところに書き込んでくださいな。 (書く場所合ってるよね・・・？ -- (MN) 2008-12-28 21 18 05 司馬殿、大将が参ったら報告たのむぜよ。　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　必ず、打ち上げ団を盛り上げてみせるぜよ（多分･･） -- (サトシSP) 2009-01-08 21 36 43 んっとね、連絡の件了解。 盛り上げの助力感謝。 エンター連打すなww-追記-アイポットの不具合だったようです、連打してないねエンターｗ -- (司馬くん) 2009-01-09 13 22 56 誰かC21ができない理由を教えてくれ～！w はぁ・・・・ -- (卍大和卍) 2009-01-10 19 57 01 起動しないなら・・・　っ[インストール] ・・・ってこれ忘れたりはしないかｗ んー・・・起動したとき何か出るの？ -- (司馬) 2009-01-11 11 48 29 総大将！INすることができるなら大体の時間、日をｵｼｴﾃーー -- (サトシSP) 2009-01-16 15 59 47 インストール・・・ やったようなやっていないようなw ゲームスタート押してもなにもでないw -- (卍大和卍) 2009-01-16 20 18 02 出ないってのはなんだろ・・・ うーん、ゲームスタートクリックしてから放置してみ、一時間くらいｗ -- (司馬) 2009-01-17 23 41 25 入団希望報告です 「tomoyarobo」さんが入団したいとの事です。 IN率は週1回程度1時間～2時間、多少少ないかな？ まあ特に荒れそうな要因は無し。 -- (広報部＠司馬) 2009-01-30 18 58 28 どうも、僕です。そうともやです。自己紹介します。 【ログインする時間帯】 今は週３回ぐらい 【ゲームで好きな場所】 はしっこ 【よく使う機体】 プロック・ファントム（紳士） 【呼ばれたいニックネーム】 ともやでお願いします。 【紹介文】 結構今はやります。紳士好きです。 S機をよく使いますがキャノボです。 ネタ機は多少あります。 水曜日は無理かもしれません。 打ち上げ団に入りたいです。 いまはそれだけです。 -- (tomoyarobo) 2009-02-03 16 45 57 一時間放置は勘弁してくれw とにかくできるまでがんばってみます (原因としてパソコンの買い替えで機種が変わったから 作動条件てきなものがそろっていない？かもw) -- (卍大和卍) 2009-02-04 08 43 45 連続すんませんｗ アンケート取ります、俺のページに戦争ネタ追加を望むか。 それとも反対か、それともどーでもいいかw、反対には理由付きで お願いしますw (ここのパスワード忘れちゃったんだけどねw) -- (卍大和卍) 2009-02-04 08 51 11 パスは送られてきたメール見ろと全員に。 動作条件ねぇ・・・Win7とかだとまだ分からないかも？ｗ ヴィスタさんならほぼ動くっぽいし・・・ あと各自ページのアンケートは各自ページのほうがありがたかったり。 -- (司馬) 2009-02-04 12 49 11 了解w パソコンよく見たらヴィスタだｗｗ 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